Gentlemen Best Quotes

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When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.
Shannon L. Alder
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen.
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
Gentlemen, let us suppose that man is not stupid. (Indeed one cannot refuse to suppose that, if only from the one consideration, that, if man is stupid, then who is wise?) But if he is not stupid, he is monstrously ungrateful! Phenomenally ungrateful. In fact, I believe that the best definition of man is the ungrateful biped.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
I'm cap'n here by 'lection. I'm cap'n here because I'm the best man by a long sea-mile. You won't fight, as gentlemen o' fortune should; then, by thunder, you'll obey, and you may lay to it! I like that boy, now; I never seen a better boy than that. He's more a man than any pair of rats of you in this here house, and what I say is this: let me see him that'll lay a hand on him--that's what I say, and you may lay to it.
Robert Louis Stevenson (Treasure Island)
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
Mild speech is the best form of showing the Calmness of ones soul, Rough talk forms all types of unease for all man - you won't be able to talk to God Roughly though - so keep silent.
A Gentlemen
I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine--if, indeed, they ever discover it-- at least in our time. 'For who knoweth what is good for man in this life?--and who can tell a man what shall be after him under the sun?
Thomas Hardy (Jude the Obscure)
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Jeeves, of course, is a gentleman’s gentlemen, not a butler, but if the call comes, he can buttle with the best of them.
P.G. Wodehouse (Stiff Upper Lip, Jeeves (Jeeves, #13))
Taking good care of your husband or wife is the best way to thank their parent or parents for having taken good care of them.
Mokokoma Mokhonoana
Emerson abandoned irony for blunt and passionate speech. 'This war has been a monumental blunder from the start! Britain is not solely responsible, but by God, gentlemen, she must share the blame, and she will pay a heavy price: the best of her young men, future scholars and scientists and statesmen, and ordinary, decent men who might have led ordinary, decent lives. And how will it end, when you tire of your game of soldiers? A few boundaries redrawn, a few transitory political advantages, in exchange for an entire continent laid waste and a million graves! What I do may be of minor importance in the total accumulation of knowledge, but at least I don't have blood on my hands.
Elizabeth Peters (Lord of the Silent (Amelia Peabody, #13))
When the name of Gail Wynand became a threat in the publishing world, a group of newspaper owners took him aside-at a city charity affair which all had to attend-and reproached him for what they called hid debasement of the public taste. "It is not my function" said Wynand, "to help people preserve a self-respect they haven't got. You give them what they profess to like in public, I give them what they really like. Honesty is the best policy, gentlemen, though not quite in the sense you were taught to belive".
Ayn Rand (The Fountainhead)
In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.
Miguel de Cervantes Saavedra (Don Quixote)
Whoosh. And that, ladies and gentlemen, was the sound of my panties incinerating.
Millie Perez (You Never Forget Your Worst: And He’s The Best I’ve Never Had (Never Forget Duet, #2))
there are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter’s girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. *
Amos Oz (A Tale of Love and Darkness)
I am in a chaos of principles—groping in the dark—acting by instinct and not after example. Eight or nine years ago when I came here first, I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine—if, indeed, they ever discover it—at least in our time. Gekürzt: Meine Grundsätze sind in Wirrwarr geraten – ich taste im dunkeln -, handle aus Instinkt und nicht nach Vorbildern. Vor acht oder neun Jahren, […] hatte ich einen schönen Vorrat feststehender Meinungen; aber die sind mir eine nach der andern abhanden gekommen; je älter ich werde , um so weniger sicher bin ich. Eigentlich befolge ich jetzt keine andere Lebensregel, als dass ich Neigungen nachgehe, die weder mir noch sonst jemandem schaden, sondern denen, die ich liebe, wirklich Freude machen. […] Ich spüre, dass etwas in unserem sozialen Gefüge nicht stimmt: aber was es ist, das können nur Männer und Frauen mit besserer Einsicht als ich herausfinden – wenn sie es überhaupt herausfinden können – wenigstens in unserer Zeit.
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, somber curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bobtailed coats or short-waisted frocks. It was an excellent place for woe; amd the fitful spring rain that pattered on the windowpane seemed to sob,"Cry away; I'm with you.
Louisa May Alcott
Perhaps you should put an advertisement in the papers. You can have it listed under livestock. Stallion sought, something like that." Now, that was uncalled for, and outright rude. "What a splendid idea," she responded. "Only why play with metaphors? The direct approach is always best. How does this sound? Gentlemen required for a temporary affair of convenience. Unexceptionable reference from previous lovers required. Must be willing to be named in criminal correspondence. Should be presentable, experienced, and have a strong back.
Madeline Hunter (The Romantic (Seducers #5))
It is all vanity to be sure: but who will not own to liking a little of it? I should like to know what well-constituted mind, merely because it is transitory, dislikes roast beef? That is a vanity; but may every man who reads this, have a wholesome portion of it through life, I beg: aye, though my readers were five hundred thousand. Sit down, gentlemen, and fall to, with a good hearty appetite; the fat, the lean, the gravy, the horse-radish as you like it—don’t spare it. Another glass of wine, Jones, my boy—a little bit of the Sunday side. Yes, let us eat our fill of the vain thing, and be thankful therefor. And let us make the best of Becky’s aristocratic pleasures likewise—for these too, like all other mortal delights, were but transitory.
William Makepeace Thackeray (Vanity Fair)
How they are all about, these gentlemen In chamberlains' apparel, stocked and laced, Like night around their order's star and gem And growing ever darker, stony-faced, And these, their ladies, fragile, wan, but propped High by their bodice, one hand loosely dropped, Small like its collar, on the toy King-Charles: How they surround each one of these who stopped To read and contemplate the objects d'art, Of which some pieces still are theirs, not ours. Whit exquisite decorum they allow us A life of whose dimensions we seem sure And which they cannot grasp. They were alive To bloom, that is be fair; we, to mature, That is to be of darkness and to strive.
Rainer Maria Rilke (The Best of Rilke)
Why are you smiling?" His smile turned into a grin. "There's no need to sound so suspicious. I do occasionally smile. In this instance, I'm doing so because underneath your sensible and rather terrifying character is a lady possessed of a caring nature and an ability to see the best in some of the most difficult people." She waved that straight aside. "Well, for heaven's sake, don't tell anyone that. I'm having enough difficulties dissuading ladies and gentlemen from approaching me as it is.
Jen Turano (A Match in the Making (The Matchmakers, #1))
We are always in these days endeavoring to separate intellect and manual labor; we want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen in the best sense.
John Ruskin
Darcy, but not all gentlemen feel the same. I would be best pleased if you minded your own business when it comes to my choice of a bride.
M.J. Stratton (No Less Than Any Other: A Pride and Prejudice Variation (Darcy and Elizabeth Variations))
Every thing was said that could encourage, every encouragement received with grateful joy, and the gentlemen parted the best of friends.
Jane Austen (Mansfield Park)
And I don't know any gentlemen whose preference in ladies runs toward those in possession of more brains than dowry.
Sarah M. Eden (The Best Intentions (The Huntresses, #1))
Cheers fur listenin, ladies an gentlemen. We’ve been Huns an Roses. Ayrshire’s original and best loyalist rock band! Goodnight!
Chris McQueer (HWFG: Here We F**king Go)
The fact is, such great affairs will always be beyond the understanding of those such as you and I, and those of us who wish to make our mark must realize that we best do so by concentrating on what is within our realm; that is to say, by devoting our attention to providing the best possible service to those great gentlemen in whose hands the destiny of civilization truly lies.
Kazuo Ishiguro (The Remains of the Day)
Gentlemen don't always keep their word," she said softly. "This one does, especially a vow made in my father's garden. He valued loyalty and honesty and integrity above most everything else.
Sarah M. Eden (The Best Intentions (The Huntresses, #1))
We want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen, in the best sense. As it is, we make both ungentle, the one envying, the other despising, his brother; and the mass of society is made up of morbid thinkers and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.
John Ruskin (The Stones of Venice)
Books, gentlemen, are a species of men, and introduced to them you circulate in the "very best society" that this world can furnish, without the intolerable infliction of "dressing" to go into it.
Herman Melville
The look of good sense and prudence, even of the best kind, differs from that of genius, in that the former bears the stamp of subjection to the will, while the latter is free from it. And therefore one can well believe the anecdote [...] how once at the court of the Visconti, when Petrarch and other noblemen and gentlemen were present, Galeazzo Visconti told his son, who was then a mere boy (he was afterwards first Duke of Milan), to pick out the wisest of the company; how the boy looked at them all for a little, and then took Petrarch by the hand and led him up to his father, to the great admiration of all present. For so clearly does nature set the mark of her dignity on the privileged among mankind that even a child can discern it. Therefore, I should advise my sagacious countrymen, if ever again they wish to trumpet about for thirty years a very commonplace person as a great genius, not to choose for the purpose such a beer-house-keeper physiognomy as was possessed by that philosopher [Hegel], upon whose face nature had written, in her clearest characters, the familiar inscription, "commonplace person.
Arthur Schopenhauer (Essays and Aphorisms)
What a tiresome custom that is, by the by - one among the many sources of factitious annoyance of this ultra civilised life. If the gentlemen must lead the ladies into the dining-room, why cannot they take those they like best?
Anne Brontë
Perhaps, then, there is something to his advice that I should cease looking back so much, that I should adopt a more positive outlook and try to make the best of what remains of my day. After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished? The hard reality is, surely, that for the likes of you and me, there is little choice other than to leave our fate, ultimately, in the hands of those great gentlemen at the hub of this world who employ our services. What is the point in worrying oneself too much about what one could or could not have done to control the course one’s life took? Surely it is enough that the likes of you and me at least try to make a small contribution count for something true and worthy. And if some of us are prepared to sacrifice much in life in order to pursue such aspirations, surely that is in itself, whatever the outcome, cause for pride and contentment.
Kazuo Ishiguro (The Remains of the Day)
Finally, gentlemen, there are people with an hereditary animus against private property. You may call this phenomenon degeneracy. But I tell you that you cannot entice a true thief, and thief by vocation, into the prose of honest vegetation by any gingerbread reward, or by the offer of a secure position, or by the gift of money, or by a woman's love: because there is here a permanent beauty of risk, a fascinating abyss of danger, the delightful sinking of the heart, the impetuous pulsation of life, the ecstasy!
Thomas Seltzer (Best Russian Short Stories)
Perhaps someone may say 'But surely, Socrates, after you have left us you can spend the rest of your life in quietly minding your own business.' This is the hardest thing of all to make some of you understand. If I say that this would be disobedience to God, and that is why I cannot 'mind my own business', you will not believe that I am serious. If on the other hand I tell you that to let no day pass without discussing goodness and all the other subjects about which you hear me talking and examining both myself and others is really the best thing that a man can do, and that life without this sort of examination is not worth living, you will be even less inclined to believe me. Nevertheless, that is how it is, gentlemen, as I maintain; though it is not easy to convince you of it.
Socrates (Apology, Crito And Phaedo Of Socrates.)
thing. All I’m offering is a clean bed in a sleepy colony town, in the home of two awesome gentlemen who love it when I bring houseguests. Also, three dogs who will lick your face and be your best friends forever. And my Ba makes the best fucking waffles in the galaxy.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
I compared what was really known about the stars with the account of creation as told in Genesis. I found that the writer of the inspired book had no knowledge of astronomy -- that he was as ignorant as a Choctaw chief -- as an Eskimo driver of dogs. Does any one imagine that the author of Genesis knew anything about the sun -- its size? that he was acquainted with Sirius, the North Star, with Capella, or that he knew anything of the clusters of stars so far away that their light, now visiting our eyes, has been traveling for two million years? If he had known these facts would he have said that Jehovah worked nearly six days to make this world, and only a part of the afternoon of the fourth day to make the sun and moon and all the stars? Yet millions of people insist that the writer of Genesis was inspired by the Creator of all worlds. Now, intelligent men, who are not frightened, whose brains have not been paralyzed by fear, know that the sacred story of creation was written by an ignorant savage. The story is inconsistent with all known facts, and every star shining in the heavens testifies that its author was an uninspired barbarian. I admit that this unknown writer was sincere, that he wrote what he believed to be true -- that he did the best he could. He did not claim to be inspired -- did not pretend that the story had been told to him by Jehovah. He simply stated the "facts" as he understood them. After I had learned a little about the stars I concluded that this writer, this "inspired" scribe, had been misled by myth and legend, and that he knew no more about creation than the average theologian of my day. In other words, that he knew absolutely nothing. And here, allow me to say that the ministers who are answering me are turning their guns in the wrong direction. These reverend gentlemen should attack the astronomers. They should malign and vilify Kepler, Copernicus, Newton, Herschel and Laplace. These men were the real destroyers of the sacred story. Then, after having disposed of them, they can wage a war against the stars, and against Jehovah himself for having furnished evidence against the truthfulness of his book.
Robert G. Ingersoll
―When you kick out for yourself, Stephen―as I daresay you will one of these days―rememer, whatever you do, to mix with gentlemen. When I was a young fellow I tell you I enjoyed myself. I mixed with fine decent fellows. Everyone of us could lo something. One fellow had a good voice, another fellow was a good actor, another could sing a good comic song, another was a good oarsman or a good racket player, another could tell a good story and so on. We kept the ball rolling anyhow and enjoyed ourselves and saw a bit of life and we were none the worse of it either. But we were all gentlemen, Stephen―at least I hope we were―and bloody good honest Irishmen too. That's the kind of fellows I want you to associate with, fellows of the right kidney. I'm talking to you as a friend, Stephen. I don't believe a son should be afraid of his father. No, I treat you as your grandfather treated me when I was a young chap. We were more like brothers than father and son. I`ll never forget the first day he caught me smoking. I was standing at the end of the South Terrace one day with some maneens like myself and sure we thought we were grand fellows because we had pipes stuck in the corners of our mouths. Suddenly the governor passed. He didn't say a word, or stop even. But the next day, Sunday, we were out for a walk together and when we were coming home he took out his cigar case and said:―By the by, Simon, I didn't know you smoked, or something like that.―Of course I tried to carry it off as best I could.―If you want a good smoke, he said, try one of these cigars. An American captain made me a present of them last night in Queenstown.
James Joyce (A Portrait of the Artist as a Young Man)
...[Y]ou know very well the truth of what I [say]... I have incurred a great deal of bitter hostility; and this is what will bring about my destruction, if anything does... the slander and jealousy of a very large section of the people. They have been fatal to a great many other innocent men, and I suppose will continue to be so; there is no likelihood that they will stop at me. But perhaps someone will say 'Do you feel no compunction, Socrates, at having followed a line of action which puts you in danger of the death-penalty?' I might fairly reply to him 'You are mistaken, my friend, if you think that a man who is worth anything ought to spend his time weighing up the prospects of life and death. He has only one thing to consider in performing any action; that is, whether he is acting rightly or wrongly, like a good man or a bad one...['] The truth of the matter is this, gentlemen. Where a man has once taken up his stand, either because it seems best to him or in obedience to his orders, there I believe he is bound to remain and face the danger, taking no account of death or anything else before dishonour.
Socrates (Apology, Crito And Phaedo Of Socrates.)
Love you not deeply?" "Oh yes," answered he; "I deeply love Miss Cunegonde." "No," said one of the gentlemen, "we ask you if you do not deeply love the King of the Bulgarians?" "Not at all," said he; "for I have never seen him." "What! he is the best of kings, and we must drink his health." "Oh! very willingly, gentlemen," and he drank. "That is enough," they tell him. "Now you are the help, the support, the defender, the hero of the Bulgarians. Your fortune is made, and your glory is assured." Instantly they fettered him, and carried him away to the regiment.
Voltaire (Candide)
They would know that inconsistency in human decision can make nonsense of the best-planned espionage approach; that cheats, liars and criminals may resist every blandishment while respectable gentlemen have been moved to appalling treasons by watery cabbage in a Departmental canteen.
John le Carré (The Spy Who Came In from the Cold (George Smiley, #3))
It is really not so repulsive to see the poor asking for money as to see the rich asking for more money. And advertisement is the rich asking for more money. A man would be annoyed if he found himself in a mob of millionaires, all holding out their silk hats for a penny; or all shouting with one voice, “Give me money.” Yet advertisement does really assault the eye very much as such a shout would assault the ear. “Budge’s Boots are the Best” simply means “Give me money”; “Use Seraphic Soap” simply means “Give me money.” It is a complete mistake to suppose that common people make our towns commonplace, with unsightly things like advertisements. Most of those whose wares are thus placarded everywhere are very wealthy gentlemen with coronets and country seats, men who are probably very particular about the artistic adornment of their own homes. They disfigure their towns in order to decorate their houses.
G.K. Chesterton
One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
This is Lilly Heaven saying good night, and to all a very good night. Good night everybody. Here's wishing you pleasant dreams. Sleep tight. From all of us to all of you, a warm good night. And now we must, I'm afraid, say "good night." Good night, ladies and gentlemen, and good night. Thanks a lot and God bless you. This is Lilly signing off and wishing all of you out there from all of us in here the very best possible good night. I can only hope that you enjoyed watching us as much as we enjoyed being here. Good night. Pleasant dreams. Sleep tight. It's been wonderful being with you, and I hope you'll invite us into your living room again tomorrow night. From the actors and myself, from the staff here, I want to wish you all the best possible night and day before we meet again. It's been wonderful being with you. It's been truly grand. I only wish we could go on but I'm afraid our time is up, and so this is your Lily saying good night to you. Pleasant dreams. Good night all. Good night to you all. Good night to all of you. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. To all of you out there from all of us here good night. And pleasant dreams till we meet again. Good night to you all. Good night. Good night. Good night. Good night.
Jean-Claude van Itallie (War and Four Other Plays - Acting Edition)
Gentlemen, let us suppose that man is not stupid. (Indeed one cannot refuse to suppose that, if only from the one consideration, that, if man is stupid, then who is wise?) But if he is not stupid, he is monstrously ungrateful! Phenomenally ungrateful. In fact, I believe that the best definition of man is the ungrateful biped. But that is not all, that is not his worst defect; his worst defect is his perpetual moral obliquity, perpetual—from the days of the Flood to the Schleswig-Holstein period. Moral obliquity and consequently lack of good sense; for it has long been accepted that lack of good sense is due to no other cause than moral obliquity. Put it to the test and cast your eyes upon the history of mankind. What will you see? Is it a grand spectacle? Grand, if you like. Take the Colossus of Rhodes, for instance, that’s worth something. With good reason Mr. Anaevsky testifies of it that some say that it is the work of man’s hands, while others maintain that it has been created by nature herself. Is it many-coloured? Maybe it is many-coloured, too: if one takes the dress uniforms, military and civilian, of all peoples in all ages—that alone is worth something, and if you take the undress uniforms you will never get to the end of it; no historian would be equal to the job. Is it monotonous? May be it’s monotonous too: it’s fighting and fighting; they are fighting now, they fought first and they fought last—you will admit, that it is almost too monotonous. In short, one may say anything about the history of the world— anything that might enter the most disordered imagination. The only thing one can’t say is that it’s rational.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Obsidian eyes met hers, unreadable and assessing. Men didn't generally pay her much attention except to make an even number in a dance. And now she had a secret nearly-betrothed and a supposed teacher, one who looked like an angel and one a devil, and both with awful reputations. Best to remember that neither of them likely had anything good in mind for her.
Suzanne Enoch (Always a Scoundrel (Notorious Gentlemen, #3))
Sahl was never a great comic. His nervous, jabbing, keep-them-off-balance delivery was the strategy of a man who was not comfortable in front of an audience. His creative method -- a rapid scanning of the day's output of newspapers, magazines, and radio broadcasts -- was a recipe for superficiality or, at best, the kind of quick, shallow laugh triggered by a topical allusion. Sahl was always devoid of the two basic ingredients of great humor: imagination and soul. He could make fun of the latest Hollywood movies. He could stab at the pieties of his own class. He could take an abrupt insight into politics or wold events and phrase it neatly into a gag. What he could never do was suggest a world of living, breathing people behaving in ridiculous yet recognizably human patterns.
Albert Goldman (Ladies and Gentlemen, Lenny Bruce!!)
It is for you now, gentlemen, whose mission and character are the proclamation of the truth, it is for you to instruct the people, and to tell them for what they ought to hope and what they ought to fear. The people, incapable as yet of sound judgment as to what is best for them, applaud indiscriminately the most opposite ideas, provided that in them they get a taste of flattery: to them the laws of thought are like the confines of the possible; to-day they can no more distinguish between a savant and a sophist, than formerly they could tell a physician from a sorcerer. ‘Inconsiderately accepting, gathering together, and accumulating everything that is new, regarding all reports as true and indubitable, at the breath or ring of novelty they assemble like bees at the sound of a basin.
Pierre-Joseph Proudhon (What Is Property?)
As a rule there is one thing you can always count on in our job — popularity. There are plenty of disadvantages I grant you, but you are liked and respected. Ring people up any hour of the day or night, butt into their houses uninvited make them answer a string of damn fool questions when they want to do something else — they like it. Always a smile and the best of everything for the gentlemen of the Press.
Evelyn Waugh (Scoop)
Whatever you do in life, do it to the best of your ability. That inner voice inside of you, trust it… it’s your intuition. It will guide you in the right direction. Try to be positive, ignore negativity, but if you see somethin’ ain’t right, that somethin’ is goin’ wrong, speak up. Live your life to the fullest! Cherish it… respect it. Live it till the wheels fall off! Write things down! Take pictures, pick roses with the thorns still attached so you can feel pain and see beauty all at one time… Eat chocolate cake ’till you’re sick, travel abroad, get to know folks who are totally different from you. Respect one another, too. Be the change you wanna see in others. Drink Gin Fizz and white wine with strawberries but most of all, the most important of all, ladies and gentlemen… don’t ever be afraid to fall in love…
Tiana Laveen (Cancer: Mr. Intuitive (The Zodiac Lovers #7))
The moment of assassination is the moment when power and the ignorance of power come together, with Death as validator. When one speaks to the other then it is not to pass the time of day with et-tu-Brutes. What passes is a truth so terrible that history—at best a conspiracy, not always among gentlemen, to defraud—will never admit it. The truth will be repressed or in ages of particular elegance be disguised as something else.
Thomas Pynchon (Gravity's Rainbow)
So exalted was the idea of hegemony over self that every gentleman fell short. But the ideal itself was pursued for many generations. At its best it created a true nobility of character in Virginia gentlemen such as George Washington, Robert E. Lee, and George Marshall. The popular images of these men are not historical myths. The more one learns of them, the greater one’s respect becomes. Their character was the product of a cultural idea.
Mark David Ledbetter (America's Forgotten History, Part One: Foundations)
Every evening they announce that they want punch our nose, us and all the other Nazi pigs. Sure, you want to, but doing it is something rather different, gentlemen! The whole affair has a certain tragicomic tone. The Jews talk as if they were really strong, but soon they have to move their tents and run like rabbits from the approaching German soldiers. Qui mange du juif, en meurt! One could almost say that anyone with the Jews on his side has already lost. They are the best pillar of the coming defeat. They carry the seed of destruction. They hoped this war would bring the last desperate blow against National Socialist Germany and an awakening Europe. They will collapse. Already today we begin to hear the cries of the desperate and seduced peoples throughout the world: “The Jews are guilty! The Jews are guilty!” The court that will pronounce judgment on them will be fearful. We do not need to do anything ourselves. It will come because it must come. Just as the fist of an awakened Germany has struck this racial filth, the fist of an awakened Europe will surely follow. Mimicry will not help the Jews then. They will have to face their accusers. The court of the nations will judge their oppressor. Without pity or forgiveness, the blow will strike. The world enemy will fall, and Europe will have peace. "Mimicry", Das Reich, 20 July 1941
Joseph Goebbels
All over England loving hands are packing trunks and tuck-boxes for the young gentlemen of Narkover, who reassemble today. Eager young voices are heard shouting, 'Mater! Don't forget to put in that pack of cards with the nicked aces,' or 'Auntie Frances, where have you put my dud half-crowns?' From many a home the father is, alas, temporarily absent, behind bars, but the lonely mother has the consolation of seeing her boy develop in the way his father would have wished.
J.B. Morton (The Best of Beachcomber)
Aunt Charlotte was everyone's Auntie, and provided the food: the ladies' sugared ratafias, plates of toasted cheese at four in the morning, and beef and eggs for the gentlemen's hearty breakfasts. But her pastry-cook's heart was in the buffets that glittered under the colored lamps: the sugarwork Pleasure Gardens, and Rocky Islands decorated with jellies, rock candies, and pyramids of sweetmeats. And best of all were the chocolate Little Devils, morsels of magic that all the gentlemen loved.
Martine Bailey (A Taste for Nightshade)
Such are the people who today, with sickly kindness, will tolerate teachers of error in our pulpits because they are such smooth-mannered and amiable gentlemen. They would rather allow error to be preached and souls to be deceived than hurt the preacher’s feelings. Let Baal be worshipped rather than drought come! Let the cancer kill its victim rather than the cruel surgeon use the knife! … The best thing that could happen to some so-called Christian ministers of today is that they should be denounced in God’s name by their hearers.
Todd Friel (Judge Not: How A Lack of Discernment Led to Drunken Pastors, Peanut Butter Armpits, & the Fall of A Nation)
Ladies and Gentlemen. I should like to inform you on behalf of the nation state of Guyana, that we are going to resign from being a country. We can't make it work. We have tried. We have done our best. It is not possible. The problems are insoluble. From midnight tonight, we shall cease trading. The country is now disbanded. We will voluntarily liquidate ourselves. The nation will disperse quietly, a little shamefaced but so what. We had a go. Different people have suggested different solutions. Do it this way. Try that. Let me have a go. Nothing works. We are at the mercy of the rich countries. A team of management consultants from the United States could not find the answer, and for not finding the answer, we had to pay them an amount that substantially increased our national debt. We give in, gracefully, but we give in." And then he imagined himself, quietly and with dignity, putting his papers in his briefcase, bowing to the hushed assembly, returning to clear out his office and going for a walk with his wife along the sea wall. (The Ventriloquist's Tale
Pauline Melville
In Civil War days a performer named Blondin astonished the nation by crossing the Niagara River on a tightrope. President Abraham Lincoln, facing a delegation of critics, said: “Gentlemen, suppose all the property you possessed were in gold, and you had placed it in the hands of a Blondin to carry across the Niagara River on a rope. With slow, cautious steps he walks to the rope, bearing your all. Would you shake the cable and keep shouting at him, ‘Blondin, stand up a little straighter; Blondin, stoop a little more; go a little faster; lean more to the south; lean a little more to the north?’ Would that be your behaviour in such an emergency? “No, you would hold your breath, every one of you, as well as your tongues. You would keep your hands off until he was safe on the other side. “This government, gentlemen, is carrying an immense weight. Untold treasures are in its hands. The persons managing the ship of state in this storm are doing the best they can. Don’t worry them with needless warnings and complaints. . . . Be patient, and we will get you safe[ly] across.”19
Jeffrey R. Holland (To My Friends: Messages of Counsel and Comfort)
Perhaps, then, there is something to his advice that I should cease looking back so much, that I should adopt a more positive outlook and try to make the best of what remains of my day. After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished? The hard reality is, surely, that for the likes of you and I, there is little choice other than to leave our fate, ultimately, in the hands of those great gentlemen at the hub of this world who employ our services.
Kazuo Ishiguro (The Remains of the Day)
In those days, long before, a view over the rooftops of Paris was an unaffordable luxury. The apartment he had shared with a mousy young writer from Laon had a view of the Jardin de Luxembourg – if he stuck his head out of the window as far as it would go and twisted it to the left, a smudge of green foliage appeared in the corner of one eye. That had been his best apartment to date. They had decorated it in the ‘Bohemian’ style of the 1830s : a few volumes of Shakespeare and Victor Hugo, a Phrygian cap, an Algerian hookah, a skull on a broomstick handle (from the brother of a friend, Charles Toubin, who was an intern at one of the big hospitals) and, of course, a window box of geraniums, which was not only pretty but also illegal. (Death by falling window box was always high up the official list of fatalities.) For a proper view of Paris, they visited Henry’s painter friends who lived in a warren of attic rooms near the Barriere d’Enfer and called themselves the Water-Drinkers. When the weather was fine and the smell of their own squalor became unbearable, they clambered onto the roof and sat on the gutters and ridges, sketching chimneyscapes, and sending up more smoke from their pipes than the fireplaces below. Three of the Water-Drinkers had since died of various illnesses known collectively as ‘lack of money’. When the last of the three was buried, in the spring of 1844, Henry and the others had found themselves at the graveside without a sou to give a gravedigger. ‘Never mind’, said he, “you can pay me the next time, ‘ and then, to his collegue : ‘It’s all right – these gentlemen are a regular customers.
Graham Robb (Parisians: An Adventure History of Paris)
If Isabella loved Sherry, I would try my best not to be selfish, but she doesn't love him, and if she is encouraging him now to follow her about in this odious way, it is just because Severn did "not" come up to scratch, whatever she may have told Sherry! And I know all the gentlemen who would like to marry Isabella, and Sherry is by far the most eligible, now that Severn is out of the running- or he would be, if I did not exist- and he shall "not" be sacrificed to Isabella's horrid ambition!' Lady Saltash's eyes narrowed in amusement. 'Now you are beginning to talk like a sensible woman!
Georgette Heyer (Friday's Child)
The two men sat facing each other in the smartly furnished office at the bottom end of Harley Street and knew that they had reached the final act of a drama that had been played out many times before. Six weeks ago, they hadn’t even known each other. Now they were united in the most intimate way of all. One had given the news. The other had received it. Neither of them allowed very much emotion to show in their face. It was part of the procedure, a gentlemen’s agreement, that they should do their best to conceal it. ‘May I ask, Dr Benson, how long would you say I have remaining?’ Atticus Pünd asked.
Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
I reached into my bag and pulled out the macaroons, holding them between us. “Here. These are for you.” He glanced at the white bakery box, his frown even more severe than before. He didn’t take the box. “What’s in there?” The look of suspicion made me smile in spite of myself. “Cookies.” “Where’d you get them?” “I made them.” His expression cleared and he snatched the box from my hands. “You did? What kind?” “Macaroons.” “Coconut!” He’d ripped open the box with impressive speed, his eyes widening with what looked like elation. “Come to me,” he said reverently to the cookies. “I hate coconut,” Derek said conversationally, coming to stand next to me. “She didn’t bring them for you, did she?” Matt said, his head doing an unexpected, sassy bobbing movement. I rolled my lips between my teeth, breathing through my nose while my eyes bounced between the two men. “Maybe she will, next time.” Derek grinned at me. “I like chocolate.” Matt’s eyes cut to mine. “Are you making a mental note? You look like you’re making a mental note. Don’t. Don’t make a mental note. Don’t bring him cookies.” “Gentlemen.” I pasted on my best professional smile. “I will be happy to bring cookies, to you both, but first I need to see what you’ve been working on.” “Fine.
Penny Reid (Dating-ish (Knitting in the City, #6))
Generally speaking, much of a culture's food production has historically been the province of its women, and has taken place within the home. Alcohol, however, is an important exception, as its production and consumption have, in many cultures, remained the jurisdiction of men. This was especially true in the gendered Old South, where plantation gentlemen used whiskey to construct a homosocial environment apart from women and children, and common Southern men used it to liven any meal or social gathering. Bourbon, more than other staples in the southern culinary tradition, thus offers a singular insight into white Southern masculinity.
Francis Lam (Cornbread Nation 7: The Best of Southern Food Writing)
Why, sir, in the beginning we appointed all our worst generals to command the armies, and all our best generals to edit the newspapers. As you know, I have planned some campaigns and quite a number of battles. I have given the work all the care and thought I could, and sometimes, when my plans were completed, as far as I could see, they seemed to be perfect. But when I have fought them through, I have discovered defects and occasionally wondered I did not see some of the defects in advance. When it was all over, I found by reading a newspaper that these best editor generals saw all the defects plainly from the start. Unfortunately, they did not communicate their knowledge to me until it was too late.” Then, after a pause, he added, with a beautiful, grave expression I can never forget: “I have no ambition but to serve the Confederacy, and do all I can to win our independence. I an willing to serve in any capacity to which the authorities may assign me. I have done the best I could in the field, and have not succeeded as I could wish. I am willing to yield my place to these best generals, and I will do my best for the cause in editing a newspaper.” In the same strain he once remarked to one of his generals: “Even as poor a soldier as I am can generally discover mistakes after it is all over. But if I could only induce these wise gentlemen who see them so clearly beforehand to communicate with me in advance, instead of waiting until the evil has come upon us, to let me know that they knew all the time, it would be far better for my reputation, and (what is of more consequence) far better for the cause.
Robert E. Lee
Welcome, ladies and gentlemen, to your new home.’ He gestured to the stone walls of the cavern that surrounded them. ‘Your lives as you once knew them are over,’ he continued. ‘You have been selected, all of you, the worst, the most cunning, the most mischievous minds from around the world . . . selected to become part of an institution like no other. You have all exhibited certain unique abilities, abilities that set you apart from the mediocrity of the teeming masses and which mark you out as the leaders of tomorrow. Here, in this place, you will be furnished with the knowledge and experience to best exploit your own natural abilities, to hone your craft to a cutting edge.’ He paused and slowly surveyed the pale, wide-eyed faces before him. ‘Each of you has within you a rare quality, a gift if you will, a special talent for the supremely villainous. Society would have us believe that this is an undesirable characteristic, something that should be subdued, controlled, destroyed. But not here . . . no, here we want to see you blossom into all that you can be, to see your innate wickedness flourish, to make you the very worst that you can be.’ He stepped out from behind the lectern and walked to the edge of the raised platform. As he loomed over them he seemed to grow taller and some of those at the front of the group edged backwards nervously. ‘For today all of you have the unique honour and privilege of becoming the newest students of the world’s first and only school of applied villainy.’ He spread his arms, gesturing to the walls around them. ‘Welcome to H.I.V.E., the Higher Institute of Villainous Education.
Mark Walden (H.I.V.E. Higher Institute of Villainous Education (H.I.V.E., #1))
Whoreson dog,” “whoreson peasant,” “slave,” “you cur,” “rogue,” “rascal,” “dunghill,” “crack-hemp,” and “notorious villain” — these are a few of the epithets with which the plays abound. The Duke of York accosts Thomas Horner, an armorer, as “base dunghill villain and mechanical” (Henry VI., Part 2, Act 2, Sc. 3); Gloucester speaks of the warders of the Tower as “dunghill grooms” (Ib., Part 1, Act 1, Sc. 3), and Hamlet of the grave-digger as an “ass” and “rude knave.” Valentine tells his servant, Speed, that he is born to be hanged (Two Gentlemen of Verona, Act 1, Sc. 1), and Gonzalo pays a like compliment to the boatswain who is doing his best to save the ship in the “Tempest” (Act 1, Sc. 1). This boatswain is not sufficiently impressed by the grandeur of his noble cargo, and for his pains is called a “brawling, blasphemous, uncharitable dog,” a “cur,” a “whoreson, insolent noise-maker,” and a “wide-chapped rascal.
William Shakespeare (Complete Works of William Shakespeare)
I don’t think I run roughshod over people, but if something sucks, I tell people to their face. It’s my job to be honest. I know what I’m talking about, and I usually turn out to be right. That’s the culture I tried to create. We are brutally honest with each other, and anyone can tell me they think I am full of shit and I can tell them the same. And we’ve had some rip-roaring arguments, where we are yelling at each other, and it’s some of the best times I’ve ever had. I feel totally comfortable saying “Ron, that store looks like shit” in front of everyone else. Or I might say “God, we really fucked up the engineering on this” in front of the person that’s responsible. That’s the ante for being in the room: You’ve got to be able to be super honest. Maybe there’s a better way, a gentlemen’s club where we all wear ties and speak in this Brahmin language and velvet code-words, but I don’t know that way, because I am middle class from California.
Walter Isaacson (Steve Jobs)
Perhaps, then, there is something to his advice that I should cease looking back so much, that I should adopt a more positive outlook and try to make the best of what remains of my day. After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished? The hard reality is, surely, that for the likes of you and I, there is little choice other than to leave our fate, ultimately, in the hands of those great gentlemen at the hub of this world who employ our services. What is the point in worrying oneself too much about what one could or could not have done to control the course one’s life took? Surely it is enough that the likes of you and I at least try to make our small contribution count for something true and worthy. And if some of us are prepared to sacrifice much in life in order to pursue such aspirations, surely that is in itself, whatever the outcome, cause for pride and contentment.
Kazuo Ishiguro (The Remains of the Day)
If they’re beautiful I don’t much mind if they’re not true. It’s asking a great deal that things should appeal to your reason as well as to your sense of the aesthetic. I wanted Betty to become a Roman Catholic, I should have liked to see her converted in a crown of paper flowers, but she’s hopelessly Protestant. Besides, religion is a matter of temperament; you will believe anything if you have the religious turn of mind, and if you haven’t it doesn’t matter what beliefs were instilled into you, you will grow out of them. Perhaps religion is the best school of morality. It is like one of those drugs you gentlemen use in medicine which carries another in solution: it is of no efficacy in itself, but enables the other to be absorbed. You take your morality because it is combined with religion; you lose the religion and the morality stays behind. A man is more likely to be a good man if he has learned goodness through the love of God than through a perusal of Herbert Spencer.” This
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
How much do I want, sir?' 'Yes. Give it a name. We won't haggle.' He pursed his lips. 'I'm afraid,' he said, having unpursed them, 'I couldn't do it as cheap as I'd like, sir. You see, what with them having discovered the animal's absence by this time, the hue and cry, as you might say, will be up and everybody at Mr Cook's residence on the qui vive or alert. I'd be in the position of a spy in wartime carrying secret dispatches through the enemy's lines with every eye on the look-out for him. I'd have to make it twenty pounds.' I was relieved. I had been expecting something higher. He, too, seemed to feel that he had erred on the side of moderation, for he immediately added: 'Or, rather, thirty.' 'Thirty!' 'Thirty, sir.' 'Let's haggle,' I said. But when I suggested twenty-five, a nicer-looking sort of number than thirty, he shook his grey head regretfully, so we went on haggling, and he haggled better than me, so that eventually we settled on thirty-five. It wasn't one of my best haggling days.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
I feel even more incapable of returning to Russia the same as when I left it. It's just one more of those legends in Russia, confirmed by Passek, Sleptsov and others, that one only has to come to the Caucasus to be showered with decorations. Everyone expects it of us, demands it of us. But I've been here two years, taken part in two expeditions and received nothing. For all that, I've so much pride that I won't leave this place until I'm a major, with an Anna or a Vladimir round my neck. I've reached the point where it really rankles when some Gnilokishkin is decorated and I'm not. What's more, how could I look my elder in the face again, or merchant Kotel'nikov to whom I sell grain, or my aunt in Moscow and all those fine gentlemen in Russia, if I return after two years in the Caucasus with nothing to show for it? No, I don't want to know those gentlemen and I'm sure that they couldn't care less about me. But such is man's nature that though I couldn't give a damn about them they're the reason why I'm ruining the best years of my life, my happiness and whole future.
Leo Tolstoy (The Wood-Felling, The Raid, and Other Stories (Russian Edition))
It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.' 'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.' 'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line. 'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
Now and again I have expressed the opinion that every nation, and even every person, would do better, instead of rocking himself to sleep with political catchwords about war guilt, to ask himself how far his own faults and negligences and evil tendencies are guilty of the war and all the other wrongs of the world, and that therein lies the only possible means of avoiding the next war. They don’t forgive me that, for, of course, they are themselves all guiltless, the Kaiser, the generals, the trade magnates, the politicians, the papers. Not one of them has the least thing to blame himself for. Not one has any guilt. One might believe that everything was for the best, even though a few million men lie under the ground. And mind you, Hermine, even though such abusive articles cannot annoy me any longer, they often sadden me all the same. Two-thirds of my countrymen read this kind of newspaper, read things written in this tone every morning and every night, are every day worked up and admonished and incited, and robbed of their peace of mind and better feelings by them, and the end and aim of it all is to have the war over again, the next war that draws nearer and nearer, and it will be a good deal more horrible than the last. All that is perfectly clear and simple. Any one could comprehend it and reach the same conclusion after a moment’s reflection. But nobody wants to. Nobody wants to avoid the next war, nobody wants to spare himself and his children the next holocaust if this be the cost. To reflect for one moment, to examine himself for a while and ask what share he has in the world’s confusion and wickedness—look you, nobody wants to do that. And so there’s no stopping it, and the next war is being pushed on with enthusiasm by thousands upon thousands day by day. It has paralysed me since I knew it, and brought me to despair. I have no country and no ideals left. All that comes to nothing but decorations for the gentlemen by whom the next slaughter is ushered in. There is no sense in thinking or saying or writing anything of human import, to bother one’s head with thoughts of goodness—for two or three men who do that, there are thousands of papers, periodicals, speeches, meetings in public and in private, that make the opposite their daily endeavor and succeed in it too.
Hermann Hesse (Steppenwolf)
Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)
Baz Luhrmann (Romeo & Juliet: The Contemporary Film, The Classic Play)
What did you just call him?” “Rufus is a stupid name,” she says with a shrug. I choke on air. “Excuse me?” “You heard me. What even is a Rufus anyway?” “A name,” I answer. “A manly name for a manly dog.” “He looks like vanilla ice cream with chocolate sprinkles. It had to be changed.” “You can’t just change a dog’s name. He’s eight months old. He likes his name. He knows it.” “Does he?” she asks, arching a brow. Jesus, she looks so much like her mother right now it’s almost scary. “Rufus.” I whistle. “Come here boy.” He lets out a whimper, but stays rooted in place, his eyes trained on the girl with the snacks. “Sprinkles, come.” Priss points to the floor. That traitor rises to all fours, looking more regal than Queen Elizabeth herself as he marches to her side. Man’s best friend, my ass. “Good boy,” she says, stuffing another treat into his mouth. “Sprinkles, sit.” He sits. “Shake,” she says, holding out her hand for his paw. “You taught him all of that in less than two hours?” “Uh-huh. Wasn’t hard. I watched some dog training videos.” “Let me guess, YouTube?” She grins. “Well, it worked.” “I see that.” “So…Sprinkles?” She steeples her hands in front of her face, poking out her lip for added drama. And that, ladies and gentlemen, is the story of how my beast of a dog became a pansy.
Heather M. Orgeron (Mourning Wood)
One day, John Sherman took me with him to see Mr. Lincoln. He walked into the room where the secretary to the president now sits, we found the room full of people, and Mr. Lincoln sat at the end of the table, talking with three or four gentlemen, who soon left. John walked up, shook hands, and took a chair near him, holding in his hand some papers referring to, minor appointments in the state of Ohio, which formed the subject of conversation. Mr. Lincoln took the papers, said he would refer them to the proper heads of departments, and would be glad to make the appointments asked for, if not already promised. John then turned to me, and said, “Mr. President, this is my brother, Colonel Sherman, who is just up from Louisiana, he may give you some information you want.” “Ah!” said Mr. Lincoln, “how are they getting along down there?” I said, “They think they are getting along swimmingly—they are preparing for war.” “Oh, well!” said he, “I guess we’ll manage to keep house.” I was silenced, said no more to him, and we soon left. I was sadly disappointed, and remember that I broke out on John, d—ning the politicians generally, saying, “You have got things in a hell of a fig, and you may get them out as you best can,” adding that the country was sleeping on a volcano that might burst forth at any minute,
William T. Sherman (The Memoirs Of General William T. Sherman)
It is now some twenty minutes since the man left, but I have remained here on this bench to await the even that has just taken place- namely, the switching on of the pier lights. As I say, the happiness with which the pleasure-seekers gathering on this pier greeted this small event would tend to vouch for the correctness of my companion's words; for a great many people, the evening is the most enjoyable part of the day. Perhaps, then, there is something to his advice that I should cease looking back so much, that I should adopt a more positive outlook and try to make the best of what remains of my day. After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished? The hard reality is, surely, that for the likes of you and I, there is little choice other than to leave our fate, ultimately, in the hands of those great gentlemen at the hub of this world who employ our services. What is the point in worrying oneself too much about what one could or could not have done to control the course one's life took? Surely it is enough that the likes of you and I at least *try* to make our small contribution count for something true and worthy. And if some of us are prepares to sacrifice much in life in order to pursue such aspirations, surely that is in itself, whatever the outcome, cause for pride and contentment.
Kazuo Ishiguro (The Remains of the Day)
The original Virginia settlers had been gentlemen—adventurers, landless men, indentured servants, united by a common desire to better themselves socially and financially in the New World. The best of them were men cast in the sturdy English empirical tradition of fair-mindedness and freedom, who sought to apply the common law justly, govern sensibly in the common interest, and legislate according to the general needs of the Commonwealth. They and their progeny were to constitute one principal element in American tradition, both public and private—a useful, moderate, and creative element, good for all seasons. The Mayflower men—and women—were quite different. They came to America not primarily for gain or even livelihood, though they accepted both from God with gratitude, but to create His kingdom on earth. They were the zealots, the idealists, the utopians, the saints, and the best of them, or perhaps one should say the most extreme of them, were fanatical, uncompromising, and overweening in their self-righteousness. They were also immensely energetic, persistent, and courageous. They and their progeny were to constitute the other principal element in the American tradition, creative too but ideological and cerebral, prickly and unbending, fiercely unyielding on occasions to the point of self-destruction. These two traditions, as we shall see, were to establish themselves firmly and then to battle it out, sometimes constructively, occasionally with immense creative power, but sometimes also to the peril of society and the state.
Paul Johnson (A History of the American People)
I want to go with you, Dom,” Jane said. Her uncle put his arm about her shoulders. “Let the men do their work, my dear. You should stay here with your fiancé.” The reminder of her still-standing betrothal made Dom want to smash something. But her uncle was right--she would only get in the way if she joined them. And there was the problem of her riding off unchaperoned with two gentlemen. “Listen to your uncle,” Dom said. “It’s best if you remain here with your…friends.” He couldn’t bring himself to use the word fiancé. Her eyes sparked fire. “So you mean to just go rushing off with your mind set? You’ll almost certainly put Nancy in danger if you continue assuming she’s part of the scheme.” “You must trust me, Jane.” When the word must made her flinch, he cursed his quick tongue and deliberately softened his tone. “I know it’s hard for you to believe sometimes, but I do know what I’m doing. No matter what my opinions, I’ll let the facts stand for themselves. I promise I won’t harm her or allow anyone else to harm her, sweeting.” Only after a stunned silence fell on the room did he realize what he’d called Jane. She did, too, for her eyes went wide and a blush stained her cheeks again. Blakeborough’s eyes glittered like sleet on slate as he strode over to Dom and thrust the piece of paper at him. “Here’s the list of Samuel’s haunts. You’d best go if you mean to catch them.” They stared each other down, silently acknowledging their status as rivals for Jane’s hand. How Dom wished he could set everyone straight, tell them that he and Jane were going to be married, and to blazes with Sadler and Blakeborough and anyone who stood in their way. But he’d tried to force the issue once and that had only muddied the waters. It was time to let Jane make up her own mind.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
I’ve been discussing elite attitudes toward democracy. I sketched a line from the first democratic revolution, with its fear and contempt for the rascal multitude who were asking for ridiculous things like universal education, health care, and democratization of law, wanting to be ruled by countrymen like themselves who know the people’s sores, not by knights and gentlemen who just oppress them. From there to the second major democratic revolution establishing the US Constitution, which was, as discussed last time, a Framers’ Coup, the title of the main scholarly work, a coup by elites that the author describes as a conservative counterrevolution against excessive democracy. On to the twentieth century and such leading progressive theorists of democracy as Walter Lippmann, Edward Bernays, Harold Lasswell, and Reinhold Niebuhr, and their conception that the public has to be put in its place. They’re spectators, not participants. The responsible men, the elite, have to be protected from the trampling and the roar of the bewildered herd, who have to be kept in line with necessary illusions, emotionally potent oversimplifications, and, in general, engineering of consent, which has become a gigantic industry devoted to some aspects of the task, while responsible intellectuals take care of others. The men of best quality through the ages have to be self-indoctrinated, as Orwell discussed. They must internalize the understanding that there are certain things it just wouldn’t do to say. It must be so fully internalized that it becomes as routine as taking a breath. What else could anyone possibly believe? As long as all of this is in place, the system functions properly, with no crises. This picture, I think, captures crucial features of thought control in the more free societies, but it is misleading in essential ways. Most importantly, it largely omitted the constant popular struggles to extend the range of democracy, with many successes. Even in the last generation, there have been quite substantial successes. Such successes typically lead to a reaction. Those with power and privilege don’t relinquish it easily. The neoliberal period that we’re now enduring, long in planning, is such a reaction.
Noam Chomsky (Consequences of Capitalism: Manufacturing Discontent and Resistance)
He got himself dressed at last, and then, slowly, for he was sorely bruised and could not go fast, he proceeded to the stable, followed by all who were present, and going up to Dapple embraced him and gave him a loving kiss on the forehead, and said to him, not without tears in his eyes, "Come along, comrade and friend and partner of my toils and sorrows; when I was with you and had no cares to trouble me except mending your harness and feeding your little carcass, happy were my hours, my days, and my years; but since I left you, and mounted the towers of ambition and pride, a thousand miseries, a thousand troubles, and four thousand anxieties have entered into my soul;" and all the while he was speaking in this strain he was fixing the pack-saddle on the ass, without a word from anyone. Then having Dapple saddled, he, with great pain and difficulty, got up on him, and addressing himself to the majordomo, the secretary, the head-carver, and Pedro Recio the doctor and several others who stood by, he said, "Make way, gentlemen, and let me go back to my old freedom; let me go look for my past life, and raise myself up from this present death. I was not born to be a governor or protect islands or cities from the enemies that choose to attack them. Ploughing and digging, vinedressing and pruning, are more in my way than defending provinces or kingdoms. 'Saint Peter is very well at Rome; I mean each of us is best following the trade he was born to. A reaping-hook fits my hand better than a governor's sceptre; I'd rather have my fill of gazpacho' than be subject to the misery of a meddling doctor who me with hunger, and I'd rather lie in summer under the shade of an oak, and in winter wrap myself in a double sheepskin jacket in freedom, than go to bed between holland sheets and dress in sables under the restraint of a government. God be with your worships, and tell my lord the duke that 'naked I was born, naked I find myself, I neither lose nor gain;' I mean that without a farthing I came into this government, and without a farthing I go out of it, very different from the way governors commonly leave other islands. Stand aside and let me go; I have to plaster myself, for I believe every one of my ribs is crushed, thanks to the enemies that have been trampling over me to-night
Miguel de Cervantes Saavedra (Don Quixote)
THE GREAT GULON INCIDENT: [JUST GONNA LEAVE THIS ONE WITH: REDACTED] [NOT THAT I HAD ANYTHING TO DO WITH THIS!] THE VACKER CONNECTION: [UH, FITZY’S MY BEST FRIEND—NOT A “CONNECTION.” AND ALDEN AND DELLA ARE WAY NICER TO ME THAN MY OWN PARENTS ARE. BIANA’S SUPER AWESOME TOO. ALVAR… NOT SO MUCH. I PROBABLY SHOULD’VE SEEN THAT ONE COMING. BUT WHATEVER, MY POINT IS: I DIDN’T TRY TO MAKE FRIENDS WITH THE VACKERS—NO MATTER WHAT WEIRD STUFF WAS IN ONE OF MY ERASED MEMORIES. SO DON’T GO THINKING THERE’S MORE TO IT THAN THAT.] [AND HOW DO YOU GUYS EVEN KNOW ABOUT THAT MEMORY? THAT KINDA MAKES ME WANT TO RIP THIS REGISTRY PENDANT OFF MY NECK AND THROW IT FAR, FAR AWAY!] INSTANT RIVALRY: [YOU THINK BANGS BOY AND ME ARE “RIVALS”? HATE TO BREAK IT TO YOU, BUT NOPE! I MEAN, YEAH, HE’S SUPER ANNOYING WITH ALL THE “LOOK AT ME, I’M A MOODY SHADE” NONSENSE—AND HIS HAIR IS TOTALLY RIDICULOUS. BUT THERE’S NO RIVALRY. JUST DON’T EXPECT US TO BE BESTIES, AND WE’LL BE GOOD.] UNWITTING ERRAND BOY: [OKAY, THAT SUBHEADING MAKES ME WANT TO PUNCH WHOEVER WROTE IT IN THE MOUTH. BUT… I GUESS IT’S ALSO KIND OF TRUE. MY MOM DID HAVE ME DO STUFF AND THEN ERASE MY MEMORIES SO I WOULDN’T KNOW ABOUT IT. MOM OF THE YEAR, LADIES AND GENTLEMEN. TRY NOT TO BE JEALOUS.] [AND I’M WORKING ON GETTING THOSE MEMORIES BACK, BY THE WAY. I’VE BEEN FILLING JOURNALS WITH DRAWINGS AND EVERYTHING. IT’S JUST TAKING A WHILE BECAUSE I’VE BEEN A LITTLE BUSY ALMOST DYING AND STUFF.] TEAM FOSTER-KEEFE: [WOO-HOO, TEAM FOSTER-KEEFE IS OFFICIALLY A THING!] [BUT THE REST OF THE STUFF IN THIS SECTION IS SOOOOOOOOOOOOOOOOOOOOOO GETTING REDACTED. SERIOUSLY—BOUNDARIES, PEOPLE! FOSTER’S AMAZING—AND OBVIOUSLY WORKING WITH ME MAKES HER EVEN MORE AMAZING. BUT YOU GUYS NEED TO STOP WITH ALL OF YOUR WEIRDO SPECULATING.] ONE PART OF A TRIANGLE: [OKAY, THAT’S IT. I’M DEEEEEEEEEEFINITELY DITCHING THIS PENDANT THING. WHY IS THE COUNCIL PAYING ATTENTION TO THIS STUFF???????????] [ACTUALLY, YOU KNOW WHAT? IT’S NONE OF YOUR BUSINESS, BUT I’M GOING TO ADD ONE THING: FOSTER GETS TO DO WHATEVER SHE WANTS, OKAY? SHE CAN LIKE WHOEVER SHE WANTS. OR BE CONFUSED ABOUT WHAT SHE’S FEELING. SHE CAN EVEN BE OBLIVIOUS—IT’S HER LIFE. HER CHOICE. AND EVERYONE NEEDS TO STAY OUT OF IT.] [EVEN ME.] [ESPECIALLY ME. I WOULD NEVER WANT TO…] [NEVER MIND. MY POINT IS, LET THE POOR GIRL FIGURE THIS OUT ON HER OWN. AND SERIOUSLY, STAY OUT OF OUR LIVES!!!!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
Not all monotheisms are exactly the same at the moment. They're all based on the same illusion. They're all plagiarisms of each other, but there is one in particular that at the moment is proposing a serious menace not just to freedom of speech and freedom of expression, but to quite a lot of other freedoms too. And this is the religion that exhibits the horrible trio of self-hatred, self-righteousness, and self-pity. I am talking about militant Islam. Globally, it's a gigantic power. It controls an enormous amount of oil wealth, several large countries and states, and with an enormous fortune it's pumping the ideologies of Wahhabism and Salafism around the world, poisoning societies where it goes, ruining the minds of children, stultifying the young in its madrassas, training people in violence, making a cult of death and suicide and murder. That's what it does globally. It's quite strong. In our societies it poses as a cringing minority, whose faith you might offend, who deserves all the protection that a small and vulnerable group might need. Now, it makes quite large claims for itself, doesn't it? It says it's the Final Revelation. It says that God spoke to one illiterate businessman in the Arabian Peninsula three times through an archangel, and that the resultant material—which as you can see as you read it is largely plagiarized ineptly from the Old and The New Testament—is to be accepted as the Final Revelation and as the final and unalterable one, and that those who do not accept this revelation are fit to be treated as cattle infidels, potential chattel, slaves and victims. Well, I tell you what, I don't think Muhammad ever heard those voices. I don't believe it. And the likelihood that I am right—as opposed to the likelihood that a businessman who couldn't read had bits of the Old and The New Testament re-dictated to him by an archangel—I think puts me much more near the position of being objectively correct. But who is the one under threat? The person who promulgates this and says I'd better listen because if I don't I'm in danger, or me who says, "No, I think this is so silly you can even publish a cartoon about it"? And up go the placards and the yells and the howls and the screams—this is in London, this is in Toronto, this is in New York, it's right in our midst now—"Behead those who cartoon Islam." Do they get arrested for hate speech? No. Might I get in trouble for saying what I just said about the prophet Muhammad? Yes, I might. Where are your priorities, ladies and gentlemen? You're giving away what is most precious in your own society, and you're giving it away without a fight, and you're even praising the people who want to deny you the right to resist it. Shame on you while you do this. Make the best use of the time you've got left.
Christopher Hitchens
There was worse. Philosophers needed to be able to think freely and to follow their ideas wherever they might lead. There was a kind of sociopathic madness to their endeavor. They were the ultimate iconoclasts, subversive by their very nature, because social and political activity was based on popular opinion, public dogma, and unexamined tradition, whereas philosophy existed to scrutinize all opinions, dogmas, and traditions. For those bounded by a belief in common morality, which is to say just about everyone, philosophers were immoralists or, at best, amoralists. These suspicions of the general public were not unfounded. Philosophers really were subversive! (Here, too, Strauss and Arendt shared a common—one might say Nietzschean—perspective. “Thinking,” Arendt wrote, “inevitably has a destructive, undermining effect on all established criteria, values, measurements for good and evil, in short on those customs and rules of conduct we treat of in morals and ethics.”) To survive in a world intrinsically hostile to freethinking, philosophers had to employ “esoteric writing” while presenting a public face of moderation and quiescence, whatever radical ideas they might be harboring. “Thought must be not moderate, but fearless, not to say shameless. But moderation is a virtue controlling the philosopher’s speech.” Or as Strauss also put it: “In political things it is a sound rule to let sleeping dogs lie.” The best hope for the preservation of freedom of thought was to remain inconspicuous. The wise knew not to poke the beast. Inconspicuousness was not always possible. Constantly vulnerable to tyrants and to tyrannical majorities, philosophers were in need of friends, not only other philosophers with whom they could exchange ideas but also more practical people who could mediate between the contemplative elite and the vulgar masses. The philosophers’ best friends in the ordinary world were the people Strauss called “gentlemen.” Philosophers were not equipped to plunge into the political world, which consisted of “very long conversations with very dull people on very dull subjects.” Neither did they have the power to impose their will on the majority even if they had wanted to, which they didn’t. Instead, they needed the help of gentlemen who appreciated the value of freedom of thought yet could function among the ignorant populace. Philosophers, who were disinterested by definition, could instruct these gentlemen to shun private advantage and personal gain for the common good—and it would help if the gentlemen were wealthy so that the prospect of acquiring riches at the public expense would be less enticing—but it was up to the gentlemen to act as the bridge between the pure thinking of the minority and the material self interest of the majority and to win the support of the citizenry at large.
Barry Gewen (The Inevitability of Tragedy: Henry Kissinger and His World)
Where the bloody hell is my wife?” Godric yelled into the aether. As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud. My Dear Gentlemen, We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with. Fondest Regards, ~ The Society of Rebellious Ladies ~ “Fondest regards?” Lucien scoffed. A puzzled Jonathan added, “Society of Rebellious Ladies?” “Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.” “I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness. “Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note. “Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud. Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us. Best Wishes, ~ The Society of Rebellious Ladies ~ “I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant. The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption. Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year. “Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity. Emily smiled. "Oh there you are.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Freud was right in linking play and phantasy, but he was surely wrong in believing that play and phantasy should be abandoned in favour of rationality. When I suggested that people who realized their creative potential were constantly bridging the gap between inner and outer worlds, I was not referring only to the creation of works of art or to the construction of scientific hypotheses, but to what Winnicott has aptly called ‘creative apperception’. Creative apperception depends upon linking subjective and objective; upon colouring the external world with the warm hues of the imagination. Winnicott wrote: It is creative apperception more than anything else that makes the individual feel that life is worth living.9 It seems probable that there is always an element of play in creative living. When this playful element disappears, joy goes with it, and so does any sense of being able to innovate. Creative people not infrequently experience periods of despair in which their ability to create anything new seems to have deserted them. This is often because a particular piece of work has become invested with such overwhelming importance that it is no longer possible to play with it. What Gibbon referred to as ‘the vanity of authors’ sometimes makes them regard their work with such desperate seriousness that ‘playing around’ with it becomes impossible. Kekule, describing the vision which led to the discovery of the ring structure of organic molecules referred to above, said: ‘Let us learn to dream, gentlemen.’ He might equally well have said: ‘Let us learn to play.’ The subjective can be so over-emphasized that the individual’s inner world becomes entirely divorced from reality. In that case we call him mad. On the other hand, as Winnicott points out, the individual can suppress his inner world in such a way that he becomes over-compliant with external reality. If the individual regards the external world merely as something to which he has to adapt, rather than as something in which his subjectivity can find fulfilment, his individuality disappears and his life becomes meaningless or futile. An inner world of phantasy must be regarded as part of man’s biological inheritance. Imagination is active in even the best adjusted and happiest human being; but the extent of the gap between inner and outer worlds, and hence the ease or difficulty with which the gap is bridged, varies greatly in different individuals. Some of these differences are examined in subsequent chapters.
Anthony Storr (Solitude a Return to the Self)
over her mouth to stifle a giggle. She wouldn’t have had Her Majesty down as a heckler. Poor Lankester looked aghast, as you might if the most powerful person in the world was barracking you. The man tried to carry on as best he could. “YOUR MAJESTY, MY LORDS, LADIES AND GENTLEMEN,” he began again, his voice cracking with nerves. “As director of the Natural History Museum, it is a huge honour to house what I am sure you will all agree is the greatest find of the century. When a group of explorers set off across the Arctic…
David Walliams (The Ice Monster)
But I want you to understand, gentlemen of the jury, that the only reason I have dabbled in psychology here is to demonstrate to you that you can use it to arrive at whatever conclusions suit you best. It all depends on who uses it. Psychology tempts even the most responsible and serious people to create fictions, and they cannot really be blamed for that.
Fyodor Dostoevsky (The Brothers Karamazov)
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies. Much of the appeal of car trips lay in wearing comfortable clothes.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
Mrs. Hamilton approved her her performance. Nodding sagely at the couple she whispered, "Knows what she's doing that one. Always best to play coy at first. Gentlemen like the chase, you know.
Darcie Rochester (Confessions of the Scandalous Mrs. Darcy: A Pride and Prejudice Variation)
What did Caesar really whisper to his protégé as he fell? Et tu, Brute, the official lie, is about what you'd expect to get from them—it says exactly nothing. The moment of assassination is the moment when power and the ignorance of power come together, with Death as validator. When one speaks to the other then it is not to pass the time of day with et-tu-Brutes. What passes is a truth so terrible that history—at best a conspiracy, not always among gentlemen, to defraud—will never admit it. The truth will be repressed or in ages of particular elegance be disguised as something else.
Thomas Pynchon (Gravity’s Rainbow)
Chris Good evening, ladies . . . He steps into it. . . . and gentlemen and welcome to the Cornley Polytechnic Society’s spring production of The Murder at Haversham Manor. I would like to personally welcome you to what will be my directorial debut, and my first production as head of the drama society. We are particularly excited to present this play because, for the first time in the society’s history, we have managed to find a play that fits the company’s numbers perfectly. If we’re honest, a lack of numbers has hampered past productions, such as last year’s Chekov play; Two Sisters. Or last Christmas’s The Lion and the Wardrobe, and of course our summer musical, Cat. This will be the first time the society has been able to stage a play of this scale and we are thrilled. It’s no secret we usually have to contend with a small budget, as we had to in last year’s presentation of Roald Dahl’s classic, James and the Peach. Of course, during the run of that particular show the peach went off, and we were forced to present a hastily devised alternative entitled James! Where’s your Peach? Finally we’ve managed to stage a play as it should be, and cast it exceptionally well. I’m sure no one will forget the problems we’ve faced with casting before, such as 2010’s Christmas presentation of Snow White and the Tall, Broad Gentlemen, or indeed our previous year’s pantomime, another Disney classic: Ugly . . . and the Beast. But now, on with the main event, which I am confident will be our best show yet! So without any further ado, please put your hands together for Susie H.K. Brideswell’s thrilling whodunit – The Murder at Haversham Manor.
Henry Lewis (The Play That Goes Wrong (Modern Plays))
You see, you gentlemen have, to the best of my knowledge, taken your whole register of human advantages from the averages of statistical figures and politico-economical formulas. Your advantages are prosperity, wealth, freedom, peace — and so on, and so on.
Fyodor Dostoevsky (Notes from the Underground)
I asked him how he kept his temper when customers were unreasonable. "Oh, that's all in the day's work," he said. "I know they don't mean it. It's not the gentlemen who are snappish, it's their empty stomachs. . . "It is not the gentlemen," he went on, "that break a waiter's heart; it's the kitchen. That's where our trouble is. It's cooks that ruin eating-houses. A cook who has a grudge against a head-waiter can cost his governor pounds and pounds a day. It's all in his hands; he can spoil things, or he can keep them back till the customers bang out in a fury. . . . Gentlemen who blame waiters for being slow don't remember that the food has got to be cooked and served up, and that the waiter doesn't do either. "But there;" Mr. Duckie said, "an empty stomach can't remember everything. I often think this would be a better-tempered and happier world if we ate a little all the time instead of saving up our appetites for real meals. But speaking as a waiter, I can see it's best as it is.
Edward Verrall Lucas (Over Bemerton's, An Easy-Going Chronicle)
This war has been a monumental blunder from the start! Britain is not solely responsible, but by God, gentlemen, she must share the blame, and she will pay a heavy price: the best of her young men, future scholars and scientists and statesmen, and ordinary, decent men who might have led ordinary, decent lives. And how will it end, when you tire of your game of soldiers? A few boundaries redrawn, a few transitory political advantages, in exchange for an entire continent laid waste and a million graves!
Elizabeth Peters (Lord of the Silent (Amelia Peabody, #13))
could not be distinguished by the most intelligent strangers from the best class of white gentlemen either by color or manner, dress or language; still, as it was known by tradition and common fame that they were not of pure Caucasian descent, they could not vote.
W.E.B. Du Bois (The Gift of Black Folk: The Negroes in the Making of America)
And so I am very happy myself because, after all, the greatest thing in life is to always be making everybody else happy. And so, while everybody is so happy, I really think it is a good time to finish my diary because after all, I am to busy going over my senarios with Mr. Montrose, to keep up any other kind of literary work. And I am so busy bringing sunshine into the life of Henry that I really think, with everything else I seem to acomplish, it is all a girl had ought to try to do. And so I really think that I can say good-bye to my diary feeling that, after all, everything always turns out for the best.
Anita Loos (Gentlemen Prefer Blondes)
But their happiness has made it more difficult for you to seek your own.” She leaned one elbow on the table, then propped her chin on her hand. “To the contrary, seeing them marry for love is the best thing that could have happened. It taught me to believe I can find love, too. And if the circumstances of their marriages present a hurdle to prospective suitors . . . that’s doing me a favor, as well. I needn’t waste my time with gentlemen who are easily discouraged.
Tessa Dare (Do You Want to Start a Scandal (Spindle Cove, #5; Castles Ever After, #4))
Sophie’s expression must have asked her question, because Mirabelle nodded and continued. “Men who dance with the least popular girls do so for one of two reasons. The first being that they are compassionate enough to realize that every young girl longs to dance, even if she is trying her utmost to appear disinterested. Those are the very best and sadly, rarest, of gentlemen. The second reason gentlemen dance with wallflowers is because their mothers have pressured them into that particular act of chivalry, and there is much to be said for a young gentleman who will dance with a wallflower just to please his mama.
Alissa Johnson (As Luck Would Have It (Providence, #1))
Toscanini was one of the greatest orchestral conductors in the world. Once when he was talking to an orchestra when he was preparing to play one of Beethoven’s symphonies with them he said: “Gentlemen, I am nothing; you are nothing; Beethoven is everything.” He knew well that his duty was not to draw attention to himself or to his orchestra but to obliterate himself and his orchestra and let Beethoven flow through.” Live your life ful y for Jesus; you are but a tool for His service, a reflection in the mirror of Christ. YouTube “Chris Tomlin Jesus
Mark K. Fry Sr. (Determined: Encouragement for Living Your Best Life with a Chronic Illness)
Something about the church being like Star Wars? I was trying to remember it today when I was talking to Father McKenzie, but I clean forgot.’ Buchan downed his drink, then placed the glass firmly on the table. There was nothing for him here, nothing good to come from sitting any longer. ‘They both look great,’ said Buchan. ‘The CGI on Star Wars, the colour palettes, the scope and the scale of the worlds they create, is extraordinary. Just like the Church looks great. So many wonderful buildings, so much jaw-dropping architecture and art. And the music too. Star Wars music, it’s epic. Some of the best, most iconic film music there is. And there’s tonnes, I mean, tonnes of great religious music, from, I don’t know, God Rest Ye Merry Gentlemen to Arvo Pärt’s Deer’s Cry, and Bach’s Christmas Oratorio. Everything in between. But then we get to the message, the dialogue, the script, the story... And they’re both shit.
Douglas Lindsay (Buchan (DI Buchan #1))
man led his wife away. Miss Barclay turned her head to stare after them. “They thought we were married?” Acton tried not to laugh. “The look on your face when she mentioned the bedchamber was the best thing I’ve seen in ages.” She returned her attention to him. “You cannot say such things and claim you are not a beast. Nice gentlemen don’t laugh at young ladies who are in distress.
Darcy Burke (If the Duke Dares (Rogue Rules #1))
The doctor did not need to speak. His face, the silence in the room, the X-rays and test results spread across his desk said it all. The two men sat facing each other in the smartly furnished office at the bottom end of Harley Street and knew that they had reached the final act of a drama that had been played out many times before. Six weeks ago, they hadn’t even known each other. Now they were united in the most intimate way of all. One had given the news. The other had received it. Neither of them allowed very much emotion to show in their face. It was part of the procedure, a gentlemen’s agreement, that they should do their best to conceal it.
Anthony Horowitz (Magpie Murders (Susan Ryeland, #1))
[to Samuel Urlsperger, 13 Oct 1732:] I am now directed to inform You that there has been a Conference here between the Gentlemen [Trustees] empowered by His Majesty to make a new Settlement in Georgia in South Carolina, and the Gentlemen of this Society [S.P.C.K.] concerning the most effectual Method of relieving the Distresses of the Persecuted Protestants of Saltzburg, that the Gentlemen of both Societies are of Opinion that this would best be done by Settling them in Georgia because they will there be put immediately into Possession of Land which will belong to themselves and their Posterity for ever, and will there enjoy all the Rights and Priviledges, Religious and Civil of English-born Subjects, and likewise that the Gentlemen have come to a Resolution to apply some of the Contributions which they shall receive to this Purpose if it shall be agreeable to the Poor People.
Henry Newman (Henry Newman's Salzburger Letterbooks (Wormsloe Foundation Publications))
Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
But these threats do not move or alarm me, and for the best of all possible reasons; I do not believe that the gentlemen who make these threats intend to leave their places on this floor—nor, if they should, would the country suffer any loss. The
Cydnor Bailey Tompkins (Slavery: What it was, what it has done, what it intends to do Speech of Hon. Cydnor B. Tompkins, of Ohio)
Abrams voice cut in over the comm. “My God, this place is breath-taking!” “It is a palace for the gods,” added Brock. The group stood gawking at the magnificence of the hall surrounding them. Delanda went to the table, placed her helmet and pack on it, and began pulling tablets, scanners, and other accessories out. She wrestled off her gloves, but had trouble with the suit torso so Wilson had to intervene and help. Without a thought to the revealing fit of the white stretch suit liner, she escaped the spacesuit bottom and placed it on the table. Then, with still no self-consciousness at all, she stripped the suit liner off down to athletic bra and slim panties and pulled her pink, rolled up vacuum-packed flight coveralls and cloth boots from the suit pack. After excitedly dressing, she hurriedly grabbed a scanner from her pack and began investigating the hall. Show over, one by one we all removed our suits and became visitors in white suit liners. Wilson gave his fatherly warning. “Everyone be very careful removing and folding those liners. If you tear or damage the thermal control system in any way you could have an unpleasant trip back to the ship. Also, be careful to tuck in your suit communicator since we’ll all be using wrist coms from now on. That is if they actually work here.” Delanda ignored his comments and headed for the far end of the hall. Wilson pulled on black coveralls, R.J.’s were farmhouse blue, Brock and Wen light green, Abrams in hospital scrubs green, and Sharma’s and Ansara’s in tan. Mine were captain’s blue. As we studied our celestial surroundings, Delanda returned and spoke in a commanding voice. “Gentlemen, if you would grab your tablets and gather around me here at this magnificent table we should get started.” For the first time there was a unanimous look of annoyance, although everyone quickly complied. R.J. and I stood opposite her feeling like two school kids being ushered around on a field trip. Delanda checked to be sure everyone was paying attention. “Okay, I’m assuming our intranet will work in here even though we’re out of contact with the ship. Let’s try it. All of you use your tablets to access mine and copy the file titled: Translations. Let me know if anyone has trouble.” Delanda’s tablet appeared on our screens. As she had guessed, there were no problems getting in. Once copied, I opened the file and found dozens of Altair symbols, some highlighted, most grayed-out. “Okay, everyone got in? Right? Okay, the symbols you see highlighted are the ones I believe I have a rudimentary translation for. Those that are in gray, your guess is as good as mine.” “How do you propose we proceed?” asked Brock. “Speaking as an experienced field researcher, I would suggest one of us photographs and documents this first chamber thoroughly while the rest of us split up and do the same with other chambers, periodically reporting back here after each excursion. We should have one central person remain here to monitor the progress of everyone in the event they get into trouble. I would think that would be you, Commander Mirtos, since you are the best at rescue. Does anyone have any objections?” R.J. leaned over. “I believe this is a non-hostile takeover. Are you going to step in?” “Not until she says something I disagree with.” Delanda continued. “So, if no one has any objections the first order of business will be to photograph every wall symbol we find along with any artifacts possibly associated
E.R. Mason (Mu Arae (Adrian Tarn Book 5))
But from morning to night Anne was with the king, as close to his side as a newly wed bride, as a chief counselor, as a best friend. She would return to our chamber only to change her gown or lie on the bed and snatch a rest while he was at Mass, or when he wanted to ride out with his gentlemen. Then she would lie in silence, like one who has dropped dead of exhaustion. Her gaze would be blank on the canopy of the bed, her eyes wide open, seeing nothing. She would breathe slowly and steadily as if she were sick. She would not speak at all. When she was in this state I learned to leave her alone. She had to find some way to rest from the unending public performance. She had to be unstoppably charming, not just to the king but to everyone who might glance in her direction. One moment of looking less than radiant and a rumor storm would swirl around the court and engulf her, and engulf us all with her. When
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
The truth is, sir...I require a rake. And only the best will do.
Christina Boyd (Dangerous to Know: Jane Austen's Rakes & Gentlemen Rogues)
Why do they want Rathenau tonight? What did Caesar really whisper to his protégé as he fell? Et tu, Brute, the official lie, is about what you'd expect to get from them - it says exactly nothing. The moment of assassination is the moment when power and the ignorance of power come together, with Death as its validator. When one speaks to the other then it is not to pass the time of day with et-tu-Brutes. What passes is a truth so terrible that history - at best a conspiracy, not always among gentlemen, to defraud - will never admit it. The truth will be repressed or in ages of particular elegance be disguised as something else. What will Rathenau, past the moment, years into new otherside existence, have to say about the old dispensation? Probably nothing as incredible as what he might have said just as the shock flashed his mortal nerves, as the Angel swooped in...
Thomas Pynchon (Gravity’s Rainbow)
In me . . . peace. (John 16:33) There is a vast difference between pleasure and blessedness. Paul experienced imprisonment, pain, sacrifice, and suffering to their very limits, yet through it all he was blessed. All the beatitudes became real in his heart and life, in the midst of his difficult circumstances. Paganini, the great Italian violinist, once stepped onstage only to discover there was something wrong with his violin, just as the audience was ending their applause. He looked at the instrument for a moment and suddenly realized it was not his best and most valuable one. In fact, the violin was not his at all. Momentarily he felt paralyzed, but he quickly turned to his audience, telling them there had been some mistake and he did not have his own violin. He stepped back behind the curtain, thinking he must have left it backstage, but discovered that someone had stolen his and left the inferior one in its place. After remaining behind the curtain for a moment, Paganini stepped onstage again to speak to the audience. He said, “Ladies and Gentlemen, I will now demonstrate to you that the music is not in the instrument but in the soul.” Then he played as never before, and beautiful music flowed from that inferior instrument until the audience was so enraptured that their enthusiastic applause nearly lifted the ceiling of the concert hall. He had indeed revealed to them that the music was not in his instrument but in his own soul! Dear tested and tried believer, it is your mission to walk onto the stage of this world in order to reveal to all of heaven and earth that the music of life lies not in your circumstances or external things but in your own soul.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
We have dressed up in our best and are prepared to go down like gentlemen.
Benjamin Guggenheim
In Nita's experience, the best intelligence officers in any big family were found among the younger siblings. They began their careers while small, nonthreatening, and unobtrusive. By adolescence, they developed formidable powers of observation and recollection, to say nothing of an ability to lurk at keyholes and befriend the servants.
Grace Burrowes (Tremaine's True Love (True Gentlemen, #1))
Be pleased, gentlemen, to dispose of what belongs to yourselves as you think proper, but leave us the disposal of the fruit of our own toil, to use it or exchange it as we see best. Declaim on self-sacrifice as much as you choose, it is all very fine and very beautiful, but be at least consistent.
Frédéric Bastiat (The Bastiat Collection (LvMI))
In society it is etiquette for ladies to have the best chairs and get handed things, In the home the reverse is the case. That is why ladies are more sociable than gentlemen.
Virginia Graham (Say Please)
Well, gentlemen, what do you think?” “I think that doing what we’re about to do could either backfire big time or be the best thing that has happened to the United States in a long time. We won’t know until it happens. When you send Delaney into the Oval Office, I’ll order the Marine guards to arrest the members of the White House staff who are completely loyal to Collins, and I’ll send the Secret Service to round up the Cabinet and Vice President. After we do, we’ll have to hold a press conference to ask Congress to come back. I assume Evans is going to have the election re-done?” asked Shields. “Yes, Admiral. He assured me that he‘d contact the heads of the parties and ask them to recruit a candidate to run for office. We might have a rough transition back to our roots, but we’ll get there.
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
Amid the echoes of the roar of the guns in Flanders, the world is inclined to overlook India's share in it all and the stout proud loyalty of Indian hearts. May this tribute to the gallant Indian gentlemen who came to fight our battles serve to remind its readers that they who give their best, and they who take, are one.
Talbot Mundy (Hira Singh)
Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She
Jen Turano (Playing the Part (A Class of Their Own, #3))
Would it surprise you to learn that I’ve already settled my affections on a specific lady?” Stanley blinked. “I have yet to witness you paying any of the ladies who’ve visited Ravenwood any special attention.” “That’s because this lady has never been to Ravenwood. Truth be told, I’ve not actually been formally introduced to her.” Stanley abandoned his toast. “That seems a bit curious, sir.” “Indeed, but you see, the reason I have yet to be properly introduced to her is because she’s a delicate sort, possessed of fragile and tender sensibilities.” Stanley’s brows drew together. “You believe a lady with tender sensibilities is an appropriate choice for you to settle your affections on, sir?” “She’s perfect for me—lovely, charming, demure. Why, I can’t think of another lady I’d want to settle my affections on. But even given her delicate nature, she’s a lady in very high demand. Gentlemen flock around her, but because of her tender sensibilities, she seems reluctant to enter into a relationship with any of them, in fact, more often than not, she’s given them the cut direct.” Bram blotted his lips with a linen napkin. “That right there is why I’ve been biding my time, waiting for just the right moment to become introduced to her. I don’t want to scare her off and lose any chance I might have of securing her interest.” “I think you’re forgetting a very important fact, sir. You’re Mr. Bram Haverstein, a gentleman in possession of a very fine fortune, your own castle, a summer house on Long Island, more carriages than I care to count, a steamboat, and you’re apparently possessed of a face that all the ladies find swoon-worthy. On top of that, I’ve heard more than one young lady whispering about that fine dark hair you have on your head.” Stanley grinned. “Apparently, it’s a huge mark in your favor.” Bram rolled his eyes. “I don’t believe I’ve ever caused a lady to swoon before, and honestly, my hair is a very nondescript shade of brown. I hardly think it’s unusual enough to have the ladies whispering about it.” “You’re missing the point. You’re a catch, Mr. Haverstein, and that means this lady of yours, be she in high demand or not, will be more than receptive to accepting your attention.” “I’ve never gotten the impression this particular lady is impressed by things such as fortunes and handsome faces, let alone nondescript brown hair.” “Every lady is appreciative of a handsome face, sir, and throw in a fortune and a castle to go with that face, and you can’t lose.” Stanley’s brow furrowed. “Although, you might not want to tell her straight off that Ravenwood is haunted. That might not be a mark in your favor, unless she enjoys ghosts and creatures of the night, but if she’s truly a delicate sort . . . hmm . . . best keep that under wraps until she’s fully committed to you.” “Ravenwood is not haunted, Stanley.” Stanley
Jen Turano (Playing the Part (A Class of Their Own, #3))
Good heavens, those men really did hit your head hard, didn’t they?” Millie pressed the wet cloth into Reverend Gilmore’s hand before heading Everett’s way. Reaching out, she plucked the meat off his face and peered into his eyes. “Your pupils seem to be working all right, but . . . perhaps we should summon the physician to make certain you haven’t been grievously injured.” “My wits aren’t addled.” “I imagine that’ll change once Caroline hears about your latest foray—which means venture—into brawling.” Everett simply stared at Millie for a long moment before he laughed. “There’s nothing funny about this, Everett. Caroline is determined to pull off the ball of the summer season tonight, and she’ll be hard-pressed to do that if everyone at the ball spends their time discussing your recent activities.” “She probably won’t even notice the new bruises I incurred today.” “Do you think she’s not going to notice that your father is sporting bruises as well, and Reverend Gilmore’s lip is twice its normal size?” “I wasn’t planning on attending the ball, dear,” Reverend Gilmore said. “And I was only punched because one young gentleman got a little too enthusiastic when the mayhem began.” Fletcher smiled but then winced as if smiling caused him pain. “That certainly did put an end to everything rather quickly, once everyone realized an elderly gentleman—and a man of the cloth, at that—had been pulled into the fray.” Reverend Gilmore suddenly looked a little smug. “I’m sure the local churches will see an increase in their attendance, especially since I just couldn’t seem to resist suggesting all those gentlemen repent and make reparations for speaking such vile things about my lovely Lucetta.” Everett grinned. “That was the best part of the whole brawl.” Reverend Gilmore returned the grin. “I do still have my uses, son, but . . .” He rose slowly to his feet and sighed. “I think I’ll go have a nice lie down. As Fletcher so kindly pointed out, I am an elderly gentleman, and brawls can be rather taxing on us, even though, truth be told, I’ve never been in the midst of one before today.” Everyone
Jen Turano (In Good Company (A Class of Their Own Book #2))
What happened?” Tears blinded Millie for a second before she dashed them away. “I’ve been so silly.” “I don’t understand.” “I tried to pretend otherwise, but deep down I thought there was a chance . . .” “For you and Everett?” Millie waved a hand rather helplessly in the air. “I told you—I’ve been silly. It’s just that he’s been so . . .” “Interested in you?” Millie blinked. “I don’t know if I’d go that far, but he has been nice, but . . . I suppose that’s just his nature.” “Everett is nice, but he’s not that nice, and he is interested in you. He’s just been fighting that interest.” “That makes me feel so much better.” Lucetta smiled down at Millie. “He’s your Mr. Darcy.” “That’s just a fairy tale, Lucetta. Real gentlemen don’t put their social position in jeopardy because they’ve fallen for someone not of their station.” “Oliver fell for Harriet.” “Since she turned out to have a fairly illustrious ancestry, that’s probably not the best example to use.
Jen Turano (In Good Company (A Class of Their Own Book #2))
Hamilton was more persuasive than he realized, and a delegation of business leaders soon approached him to subscribe to a “money-bank” that would thwart Livingston’s land bank. “I was a little embarrassed how to act,” Hamilton confessed sheepishly to Church, “but upon the whole I concluded it best to fall in with them.” 51 Instead of launching a separate bank, Hamilton decided to represent Church and Wadsworth on the board of the new bank. Ironically, he held in his own name only a single share of the bank that was long to be associated with his memory. On February 23, 1784, The New-York Packet announced a landmark gathering: “It appearing to be the disposition of the gentlemen in this city to establish a bank on liberal principles . . . they are therefore hereby invited to meet tomorrow evening at six o’clock at the Merchant’s Coffee House, where a plan will be submitted to their consideration.” 52 At the meeting, General Alexander McDougall was voted the new bank’s chairman and Hamilton a director. Snatching an interval of leisure during the next three weeks, Hamilton drafted, singlehandedly, a constitution for the new institution—the sort of herculean feat that seems almost commonplace in his life. As architect of New York’s first financial firm, he could sketch freely on a blank slate. The resulting document was taken up as the pattern for many subsequent bank charters and helped to define the rudiments of American banking. In the superheated arena of state politics, the bank generated fierce controversy among those upstate rural interests who wanted a land bank and believed that a money bank would benefit urban merchants to their detriment. Within the city, however, the cause of the Bank of New York made improbable bedfellows, reconciling radicals and Loyalists who were sparring over the treatment of confiscated wartime properties.
Ron Chernow (Alexander Hamilton)
You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.
Shannon Hale (Austenland (Austenland, #1))
Gentlemen, we must not allow this to happen if a man of color is accused in this town. Lynchings are occurring all over the country. A mania is spreading like the plague as white men try to come to grips with our presence among them. They fear us, and for good reason. We have more strength than they as we have been forged with the fire of the whip and chains. We must be worthy adversaries and hold our own in this struggle. That is the only way we survive as a race of men. Many among us fought in the war and returned as heroes, but our lighter-skinned counterparts still do not see us as men. Some of our fathers were born into a chained world where men were sold as cattle and herded in even less propitious circumstances into worlds they could not control. We owe it to them to take back our dignity and protect our world today as best we can. We cannot allow one more act of violence and injustice to be perpetrated upon us. We must head off any potential threat by show of force and unity,” Smitherman said.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
Some gentlemen found satisfaction and fulfillment in reading or in academic pursuits, some in fencing or pugilistic activities. For Scott, it was letter writing.
Sarah M. Eden (The Best Intentions (The Huntresses, #1))
there can be no doubt that behind the arrest and today's inquiry, there exists an extensive organization. An organization that not only engages corrupt guards, inane inspectors, and examining magistrates who are at best mediocre, but that supports as well a system of judges of all ranks, including the highest, with their inevitable innumerable entourage of assistants, scribes, gendarmes, and other aides, perhaps even hangmen, I won't shy away from the word. And the purpose of this extensive organization, gentlemen? It consists of arresting innocent people and introducing senseless proceedings against them, which for the most part, as in my case, go nowhere. Given the senselessness of the whole affair, how could the bureaucracy avoid becoming entirely corrupt? It's impossible, even the highest judge couldn't manage it, even with himself. So guards try to steal the shirts of the backs of arrested men, inspectors break into strange apartments, and innocent people, instead of being examined, are humiliated before entire assemblies. The guards told me about depositories to which an arrested man's property is taken; I'd like to see these depository places sometime, where the hard-earned goods of arrested men are rotting away, if they haven't already been stolen by pilfering officials.
Franz Kafka (The Trial)
The state of the medical art in the early 19th century was extremely primitive. Medical practice was still largely based on the classical works of Galen and Hippocrates, and harmful practices such as bloodletting were widespread. Nothing was understood about sterility. A surgeon might not trouble to remove his street clothes, or perhaps dress like a butcher, wearing overalls and a leather apron. The patient would require to be restrained by muscular assistants. The best surgeons were the quickest, and could often perform an amputation in less than a minute. Robert Liston of Edinburgh would perform amputations in front of rows of medical students, and begin with the command ‘Gentlemen, time me!’ and would clasp the bloody knife between his teeth when he needed to use both hands.
Aidan O'Donnell (Anaesthesia: A Very Short Introduction)
There was a silence, and then Tuppence burst out: ‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’ ‘Same here,’ agreed Tommy with feeling. ‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’ There was a pause. ‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply. ‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’ ‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’ ‘What about the general?’ inquired Tommy. ‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’ ‘I’m like you. I don’t know any.’ ‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’ ‘Do you suggest that I should do that to a similarly garbed female?’ ‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’ ‘You overrate my manly charms,’ murmured Tommy. ‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’ ‘We’ve tried that, and failed,’ Tommy reminded her. ‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’ ‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’ ‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’ ‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’ ‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’ ‘There wouldn’t be the least difference if you were caught!’ ‘Perhaps not. But I shouldn’t be caught. I’m so clever.’ ‘Modesty always was your besetting sin,’ remarked Tommy. ‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’ ‘Form a company for the stealing of diamond necklaces?’ ‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’ ‘Don’t know. Never did any.’ ‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’ ‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’ ‘It’s all very well to laugh, but I feel there might be something in it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
Everyone knows it’s not the hardest thing in the world to paint a woman as unstable. There are road maps. Centuries of examples of best practice by gentlemen such as myself who are willing to indulge their heinous tendencies
Gilly Macmillan (author)
We've dressed up in our best and are prepared to go down like gentlemen.
Benjamin Guggenheim
Men who dance with the least popular girls do so for one of two reasons. The first being that they are compassionate enough to realize that every young girl longs to dance, even if she is trying her utmost to appear disinterested. Those are the very best and sadly, rarest, of gentlemen. The second reason gentlemen dance with wallflowers is because their mothers have pressured them into that particular act of chivalry, and there is much to be said for a young gentleman who will dance with a wallflower just to please his mama.
Alissa Johnson (As Luck Would Have It (Providence #1))
January 25: Marilyn is filmed singing “My Heart Belongs to Daddy.” It is a production number in which she is surrounded by a group of adoring men, who ferry her across the stage in a routine reminiscent of Gentlemen Prefer Blondes—except that it is less raucous and more casual. Marilyn, wearing a large loose-fitting sweater and tights, is lofted onto the shoulders of her retinue. The result is mere imitation of her earlier performances. This is not her best work. She is dealing with inferior material, and she knows it.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
If the ‘heathen’ — that is, the German and the French teachers — were regarded with little respect, the teacher of writing, Ebert, who was a German Jew, was a real martyr. To be insolent with him was a sort of chic amongst the pages. His poverty alone must have been the reason why he kept to his lesson in our corps. The old hands, who had stayed for two or three years in the fifth form without moving higher up, treated him very badly; but by some means or other he had made an agreement with them: ‘One frolic during each lesson, but no more’ — an agreement which, I am afraid, was not always honestly kept on our side. One day, one of the residents of the remote peninsula soaked the blackboard sponge with ink and chalk and flung it at the calligraphy martyr. ‘Get it, Ebert!’ he shouted, with a stupid smile. The sponge touched Ebert’s shoulder, the grimy ink spirted into his face and down on to his white shirt. We were sure that this time Ebert would leave the room and report the fact to the inspector. But he only exclaimed, as he took out his cotton handkerchief and wiped his face, ‘Gentlemen, one frolic — no more to-day! The shirt is spoiled,’ he added in a subdued voice, and continued to correct someone’s book. We looked stupefied and ashamed. Why, instead of reporting, he had thought at once of the agreement! The feelings of the whole class turned in his favour. ‘What you have done is stupid,’ we reproached our comrade. ‘He is a poor man, and you have spoiled his shirt! Shame!’ somebody cried. The culprit went at once to make excuses. ‘One must learn, sir,’ was all that Ebert said in reply, with sadness in his voice. All became silent after that, and at the next lesson, as if we had settled it beforehand, most of us wrote in our best possible handwriting, and took our books to Ebert, asking him to correct them. He was radiant, he felt happy that day. This fact deeply impressed me, and was never wiped out from my memory. To this day I feel grateful to that remarkable man for his lesson.
Pyotr Kropotkin (Memoirs of a Revolutionist)
So…who's going to be your best man? Huh? Huh?" Genison asked, grinning widely. "Really, Gents? Why? Looking forward to the bachelor party?" Link laughed. Zelda shot Genison a questioning look. "Gentlemen do not have bachelor's parties, Link," Genison said stoically, and Link was sure he actually meant it, until he continued. "A real man doesn't need to pay women to take off their clothes.
J. Row (The Legend of Zelda: A Sword in the Time of Guns: Vol. 5)
In 1840 Thomas Carlyle, the famous Scottish philosopher, polymath and slavery enthusiast, upset that the British Library wouldn’t let him take any books home, called for the establishment of a subscription library on the model already pioneered in Leeds and Nottingham. The result was the London Library, which moved to St. James’s Square in 1845 and, two major extensions and some light bombing later, it remains one of the best book collections in the world. St. James’s was your classic posh Georgian square where the houses were once owned by the landed gentry, but by now the torch had passed to multinationals, think tanks and gentlemen’s clubs.
Ben Aaronovitch (False Value (Rivers of London #8))
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It will take me awhile to understand these dynamics. Tony and Peter, for example, are the best of friends, and the worst of enemies. Tony is prone to losing his temper, but this only makes itself apparent later, with Peter and Tony taking it in turns to storm out of studios in a huff. Mike keeps a delicate balance between the two. But all three of them are what they are: ex–public school boys, with all the privilege and baggage that comes with that kind of background. Immaculately bred as officers and gentlemen for a bygone age—perhaps less obvious fodder for a rock group emerging from the tumult of the swinging sixties.
Phil Collins (Not Dead Yet: The Memoir)