Generate Funny Quotes

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Me neither,” Shane put in. “Homie don’t play that.” “I wonder, sometimes, if your generation speaks English at all,” Amelie said.
Rachel Caine (Fade Out (The Morganville Vampires, #7))
On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox... Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.
Stanisław Lem (Solaris)
Lesson for young men: if you want your eventual wife to be excited about sucking your dick for forty years, don't create a generation of women who think enthusiasm about sex is a bad thing.
Anna Kendrick (Scrappy Little Nobody)
We are the generation of Social Media, Our biggest Revolution is a Tweet of 141 Characters.
Sandra Chami Kassis
The Dimwit's Guide to the Female Mind might assist your efforts in understanding human females. But it must be pointed out that this subject can be a dangerous adventure and should be undertaken with extreme caution. After all, human males have been trying to understand their females for generations, and most of the time they come away from these encounters looking like someone stuck their tails into an electric socket.
Anne Bishop (Marked in Flesh (The Others, #4))
It was funny how the old practices always came around again. It was the rhythm of human enterprise to invent and worship some new approach, to fully reject it a generation later, to realize the need for it again a generation or two after that and then hastily reinvent it as new, usually without its original elegance. Scientists hated to look backward for anything.
Ann Brashares (My Name Is Memory)
Zombies, deadheads, corpsicles. What's the difference? They don't care. They don't have feelings to hurt.
Daniel Waters (Generation Dead (Generation Dead, #1))
Yep those are goosebumps. Or a bad case of arm acne. Or as I call it, armcne.
Daniel Waters (Generation Dead (Generation Dead, #1))
Adam's hot Pheebs! Admit it girl. That body is like some kind of happy experiment. It's like he was manufactured in a nympho scientist's secret laboratory
Daniel Waters (Generation Dead (Generation Dead, #1))
Does anyone else day dream about what it would be like if specific age groups just dropped dead all across the world?
Christy Leigh Stewart
What are you doing now, you lazy drunken obscene unsayable son of an unnameable unmarried gipsy obscenity? What are you doing?
Ernest Hemingway
There’s all this pressure in our society to be beautiful, to be strong, to be sexy. So we spend our time and money on trying to become these things. We put on the high heels, the suits, the makeup, the mask. Then, we feel more awkward than confident, so we drink away our anxieties. That doesn’t make us look any sexier – it just makes us stop caring about how we look. Everyone is beautiful. Everyone is sexy. Everyone is strong. It’s lunacy. We’re all running around trying to become something that we already are. You know what’s really sexy? A person who’s 100% comfortable with themselves. And you know what’s really funny? It is just as time consuming and difficult to learn to accept yourself as it is to pretend to be someone else. The only difference is – with self acceptance, one day, it’s not hard anymore. One day, you feel like your sexiest, strongest self just rolling out of bed in the morning. You’re either going to spend the little time you have in your life on trying to know yourself or trying to hide yourself. The choice is yours. You can’t do both. And you know what’s really amazing about choosing self-love? You’ll be setting an example for all the people around you and all the kids of the coming generation. You’ll be part of a revolution to take back the precious moments of our lives out of the hands of shame-inducing advertisers and back into the hands and hearts of real people like you, like me, like all of us. I know you’ve dreamt about changing the world. So this is your chance. Learn to love yourself, accept yourself, and unleash your strongest, sexiest self. It’s in there. You just have to believe it.
Vironika Tugaleva
This brings up yet another, far more important misconception: that being comically generative and having a sense of humor are one and the same thing. The former is among the least important things in the world, while the latter is among the most. One is a handy social tool, the other an integral component of human survival. It bears repeating a third time: Not being funny doesn't make you a bad person. Not having a sense of humor does.
David Rakoff (Fraud: Essays)
Funny how the universe repeated patterns ad infinitum, generation after generation, until someone finally turned around and started walking in the other direction.
Selena Kitt (Grace (Under Mr. Nolan's Bed, #3))
Every generation spins the wheel,Anya, and where it lands defines 'the good'. Funny thing is they never know that they're spining it, and it hits something different every time.
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
Besides,’ continued Julian, ‘you can slam down a phone like that. You can’t slam down a mobile. Imagine, a whole generation who’ll never know the joy of slamming down a phone.
Clare Pooley (The Authenticity Project)
Pops gave him a cool stare that settled Tom down - a thing not always easy to do. "Son, do you know what history is?" "Uh...stuff that happened in the past?" "Nope," he said, trying on his canvas change-belt. "History is the collective and ancestral shit of the human race, a great big and ever growing pile of crap. Right now, we're standin at the top of it, but pretty soon we'll be buried under the doodoo of generations yet to come. That's why your folks' clothes look so funny in old photographs, to name but a single example. And, as someone who's destined to buried beneath the shit of your children and grandchildren, I think you should be just a leetle more forgiving.
Stephen King (Joyland)
I have also heard and read various accounts of why they [Sheldon Leonard and Carl Reiner] liked me. My favorites? I wasn't too good-looking, I walked a little funny, and I was basically kind of average and ordinary. I guess my lack of perfection turned out to be a winning hand. Let that be a lesson for future generations.
Dick Van Dyke (My Lucky Life in and Out of Show Business)
I just can't see the upside in this," I heard myself say by way of explanation. Later he said that if John had been sitting in the office he would have found this funny, as he himself had found it. "Of course I knew what you meant to say, and John would have known too, you meant to say you couldn't see the light at the end of the tunnel." I agreed, but this was not in fact the case. I had meant pretty much exactly what I said: I couldn't see the upside in this. As I thought about the difference between the two sentences I realized that my impression of myself had been of someone who could look for, and find, the upside in any situation. I had believed in the logic of popular songs. I had looked for the silver lining. I had walked on through the storm. It occurs to me now that these were not even the songs of my generation. They were the songs, and the logic, of the generation or two that preceded my own. The score for my generation was Les Paul and Mary Ford, "How High the Moon," a different logic altogether. It also occurs to me, not an original thought but novel to me, that the logic of those earlier songs was based on self-pity. The singer of the song about looking for the silver lining believes that clouds have come her way. The singer of the song about walking on through the storm assumes that the storm could otherwise take her down.
Joan Didion (The Year of Magical Thinking)
Maybe your aunt is funny in quiet moments with her friends because like many women her age, she was taught to not draw attention to herself. And maybe she also noticed how men of her generation weren't attracted to the women who spoke out of turn and uttered their own opinions out loud. And certainly these types of men weren't attracted to women who were funnier than them. Women have always been funny. They just weren't interested in sharing their jokes with you. Truth in point, my mom is hilarious. She has also been single since 1974.
W. Kamau Bell (The Awkward Thoughts of W. Kamau Bell: Tales of a 6' 4", African American, Heterosexual, Cisgender, Left-Leaning, Asthmatic, Black and Proud Blerd, Mama's Boy, Dad, and Stand-Up Comedian)
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
A new building built on old foundation can't last. Maybe for a while; but when the earthquakes come and the floods flow in, it will wash out. A new building built on a new foundation, though, will be able to endure the ground shaking and the waves that come in. To build a new generation of people, a new foundation needs to be built— the old one destroyed. They once destroyed the foundations of old; but those can be built again. Do you seek comfort? Or do you seek Truth? Your comfort has done nothing for you. Funny how looking into a mirror can cause so much discomfort. I have held many mirrors up for you.
C. JoyBell C.
My genetics have been in my family for generations.
J.S. Mason (The Stork Ate My Brother...And Other Totally Believable Stories)
History is the collective and ancestral shit of the human race, a great big and ever-growin pile of crap. Right now we're standin at the top of it, but pretty soon we'll be buried under the doodoo of generations yet to come. That's why folks' clothes look so funny in old photographs, to name but a single example. And, as someone who's destined to be buried beneath the shit of your children and grandchildren, I think you should be just a leetle more forgiving.
Stephen King (Joyland)
I see coming back to my village as significant, thanks to my privilege of being able to leave. But also because I can simultaneously cherry-pick my favourite aspects of my culture for anecdotes back home and social media, and keep the private, painful reflective ones for myself. This is what so many second-and-third generation immigrants experience visiting their homeland. We fine-tune the ability to find the nuances funny, deflecting the crushing weight of displacement and diaspora drama that becomes part of our everyday.
Nikesh Shukla (The Good Immigrant)
The hamster-powered hat is the same as any other hat. It keeps your head warm and looks smart,' the inventor said. 'The hamster generates heat by running on the wheel. If you get a big enough hamster, it will keep your whole face warm.
Mark Jackman (There's Something About Dying (Old Liston Tales #2))
The greatest futility! says the congregator, "The greatest futility! Everything is futile!" What does a person gain from all his hard work- At which he toils under the sun? A generation goes and another cometh forth, but the earth remains the same.
COMPTON GAGE
Your site isn't static. It's dynamically generated. Do you know what that means ?" "No." "It means the site looks different to different people. Let's say you chose the poll option that said you're in favor of tax cuts. Well there's a cookie on your machine now, and when you look at the site again, the articles are about how the government is wasting your money. The site is dynamically selecting content based on what you want. I mean, not what you want. What will piss you off. What will engage your attention and reinforce your beliefs, make you trust the site. And if you said you were against tax cuts, we'll show you stories of Republicans blocking social programs or whatever. It works every which way. Your site is made of mirrors, reflecting everyone's thoughts back at them..." "And we haven't even started talking about keywords. This is just the beginning. Third major advantage: People who use a site like this tend to ramp up their dependence on it. Suddenly all those other news sources, the ones that aren't framing every story in terms of the user's core beliefs, they start to seem confusing and strange. They start to seem biased, actually, which is kind of funny. So now you've got a user who not only trusts you, you're his major source of information on what's happening in the world. Boom, you own that guy. You can tell him whatever you like and no one's contradicting you.
Max Barry (Lexicon)
Why was he doing this? So that life could continue in the metro? Right. So that they could grow mushrooms and pigs at VDNKh in the future, and so that his stepfather and Zhenkina’s family lived there in peace, so that people unknown to him could settle at Alekseevskaya and at Rizhskaya, and so that the uneasy bustle of trade at Byelorusskaya didn’t die away. So that the Brahmins could stroll about Polis in their robes and rustle the pages of books, grasping the ancient knowledge and passing it on to subsequent generations. So that the fascists could build their Reich, capturing racial enemies and torturing them to death, and so that the Worm people could spirit away strangers’ children and eat adults, and so that the woman at Mayakovskaya could bargain with her young son in the future, earning herself and him some bread. So that the rat races at Paveletskaya didn’t end, and the fighters of the revolutionary brigade could continue their assaults on fascists and their funny dialectical arguments. And so that thousands of people throughout the whole metro could breathe, eat, love one another, give life to their children, defecate and sleep, dream, fight, kill, be ravished and betrayed, philosophize and hate, and so that each could believe in his own paradise and his own hell . . . So that life in the metro, senseless and useless, exalted and filled with light, dirty and seething, endlessly diverse, so miraculous and fine could continue.
Dmitry Glukhovsky (Metro 2033)
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going?
Stanisław Lem
Is it not late? A late time to be living? Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones? For we have nuclear bombs. Are we not especially significant because our century is? - our century and its unique Holocaust, its refugee populations, its serial totalitarian exterminations; our century and its antibiotics, silicon chips, men on the moon, and spliced genes? No, we are not and it is not. These times of ours are ordinary times, a slice of life like any other. Who can bear to hear this, or who will consider it?... Take away the bomb threat and what are we? Ordinary beads on a never-ending string. Our time is a routine twist of an improbable yarn...There must be something heroic about our time, something that lifts it above all those other times. Plague? Funny weather? Dire things are happening... Why are we watching the news, reading the news, keeping up with the news? Only to enforce our fancy - probably a necessary lie - that these are crucial times, and we are in on them. Newly revealed, and we are in the know: crazy people, bunches of them. New diseases, shifts in power, floods! Can the news from dynastic Egypt have been any different?
Annie Dillard (For the Time Being: Essays (PEN Literary Award Winner))
The man persisted. "No, no, no. It was so funny. What software did you use?" - apparently in the belief that the software had built-in humor generation.
David A. Price (The Pixar Touch: The Making of a Company)
Watching and listening up close, I saw nothing to suggest that if his brains were made of TNT they would generate enough explosive power to disarrange his hair.
Christopher Hitchens (The Quotable Hitchens from Alcohol to Zionism: The Very Best of Christopher Hitchens)
Fiction can do that: can make a space for reflecting, for generating novel ways of responding and reacting to lies and guns and walls alike. The mere act of cracking open a book, Smith thinks, is creative in itself, capable of inculcating kindness and agility in the reader. ‘Art is one of the prime ways we have of opening ourselves and going beyond ourselves. That’s what art is, it’s the product of the human being in the world and imagination, all coming together. The irrepressibility of the life in the works, regardless of the times, the histories, the life stories, it’s like being given the world, its darks and lights. At which point we can go about the darks and lights with our imagination energised” - Olivia Laing, Funny Weather
Olivia Laing (Funny Weather: Art in an Emergency)
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I have seen them try to amuse an outsider by telling stories which they consider very funny—but which generate fear and queasiness in a listener whose sense of humor has a different kind of filter.
Hunter S. Thompson (Hell's Angels)
It seemed that, after contact with a few human generations, sand hogs would begin to understand human speech. The irony was that after coming to understand their riders fully, the beasts often ended up abandoning them and heading off into the wilderness.
Neal Asher (Brass Man (Agent Cormac, #3))
Yes. It very much is. Especially if things are run by a bunch of old people who think the generation after them is full of a bunch of lazy, directionless kids. “Funny—they broke the world and created the problem, and somehow we’re supposed to fix it for them.
William D. Arand (Super Sales on Super Heroes 3 (Super Sales on Super Heroes, #3))
Wesley Crusher: Say goodbye, Data. Lt. Cmdr. Data: Goodbye, Data. [crew laughs] Lt. Cmdr. Data: Was that funny? Wesley Crusher: [laughs] Lt. Cmdr. Data: Accessing. Ah! Burns and Allen, Roxy Theater, New York City, 1932. It still works. [pauses] Lt. Cmdr. Data: Then there was the one about the girl in the nudist colony, that nothing looked good on? Lieutenant Worf: We're ready to get under way, sir. Lt. Cmdr. Data: Take my Worf, please. Commander William T. Riker: [to Captain Picard] Warp speed, sir? Captain Jean-Luc Picard: Please.
Star Trek The Next Generation
sayings, folk tales, family history, and funny and important incidents told by previous generations and the extended family. A self-made, treasured family book can be jointly produced. The past is celebrated in the present; the contemporary is engraved in the history of the child.
Colin Baker (A Parents' and Teachers' Guide to Bilingualism)
It’s a funny thing about revolutions: Sometimes, they can begin very subtly. The Naval Reserve Act of 1916 started one not with a bold statement or action, but with an omission. What was omitted was any mention of the fact that you had to be a man to serve active duty in the Navy; by being omitted, it quietly ceased being a fact.
Richard Rubin (The Last of the Doughboys: The Forgotten Generation and Their Forgotten World War)
The Lion King? It's just a kid's film. Just a kid's film?!? Yeah, just a kid's film with an IMDB rating of 8.5, 2 Academy Awards and 2 Golden Globes, that's been adapted into THE most successful West-end musical of all time, generating a gross profit of 8 million pounds and counting. "But maybe it's just a kid's film because it doesn't deal with any mature films" said fucking nobody ever. The Lion King is the greatest anthropomorphic assault upon the theme of mortality that Western culture has ever produced. It is so complex that your tiny, shriveled, and scrotum of a brain wouldn't dare to fathom it. So no, it is not just a kid's film, it is Shakespear with fur!
Jack Whitehall
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
New Rule: For at least the next generation, the Crocodile Hunter clan has to leave nature alone. This week, the late Steve Irwin’s youngest son was bitten by a boa constrictor. Authorities don’t know exactly what went wrong, but they think the accident might have happened when a bunch of idiots let a four-year-old fuck around with a giant snake.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...
Stanisław Lem (Solaris)
I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
History is the collective and ancestral shit of the human race, a great big and ever-growin pile of crap. Right now we’re standin at the top of it, but pretty soon we’ll be buried under the doodoo of generations yet to come. That’s why your folks’ clothes look so funny in old photographs, to name but a single example. And, as someone who’s destined to be buried beneath the shit of your children and grandchildren, I think you should be just a leetle more forgiving.
Stephen King (Joyland)
Mr. Ram was a dedicated person—that means he didn’t let go of the things that were important to him. He was dedicated to Seniors Games Club every week. He got dressed up to go. Everyone knew he was serious about spending time with his friends, that’s how dressed up he was. He was dedicated to people. Even though he was a serious person, with a lot on his mind, he made sure to let you know he remembered you. Always. He smiled at jokes even if they were only sort of funny. He remembered that it was a person who was telling the joke, so he smiled for that person. He was dedicated to reading good books, even if they were from another generation or didn’t make complete sense to him. He read the first Harry Potter when he was ninety years old because someone told him it was good. He would have read the rest of the series if that someone had been able to find the large-type versions in the library for him.* He smiled one of his loudest smiles ever at the Shel Silverstein poem about a pet snowball. But his favorite Shel Silverstein poem was “The Little Boy and the Old Man.” Like the old man in the poem, he was dedicated to someone too, dedicated to helping her find out what the really important things for her were. What she should be dedicated to. She misses him but was happy to have had someone like him in her life. Thank you, Mr. Ram, for the warmth of your hand. *Someone still regrets that they didn’t find the rest of the HP books for him.
S.K. Ali (Saints and Misfits)
It’s funny, what the younger generation assumes we don’t know. They assume we couldn’t possibly understand the agony of heartbreak, or the pressure of buying a house. We couldn’t understand infertility or depression or the fight for equality. If we have experienced any of these things, they were milder, softer versions, played out in sepia, not experiences that could compare to theirs. You have no idea what I know, I want to tell her. Instead I open my arms and let her lie against my shoulder and cry.
Sally Hepworth (The Mother-in-Law)
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
fifty thousand years ago there were these three guys spread out across the plain, and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger, and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy, he thought it was only the wind, so he shrugged it off and a tiger had him for dinner. And the same thing happened a million times across ten thousand generations—and after a while everyone was seeing tigers in the grass even when there weren’t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid. Even here in the twenty-first century you can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now, we are wired to believe that unseen things are watching us. And it came to pass that certain people figured out how to use that. They painted their faces or they wore funny hats, they shook their rattles and waved their crosses and they said, Yes, there are tigers in the grass, there are faces in the sky, and they will be very angry if you do not obey their commandments. You must make offerings to appease them, you must bring grain and gold and altar boys for our delectation or they will strike you down and send you to the Awful Place. And people believed them by the billions, because after all, they could see the invisible tigers.
Anonymous
Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Because I wanted to seem a certain way to you, I guess.” “It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.” “How so?” “Well, if we’d been born a little bit earlier, we wouldn’t have been able to make our games so easily. Access to computers would have been harder. We would have been part of the generation who was putting floppy disks in Ziploc bags and driving
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
There were three great comedians in my formative years—Bill Cosby, Bill Murray, and Richard Pryor—and they wrecked comedy for a generation. How? By never saying anything funny. You can quote a Steve Martin joke, or a Rodney Dangerfield line, but Pryor, Cosby, and Murray? The things they said were funny only when they said them. In Cosby’s case, it didn’t even need to be sentences: “The thing of the thing puts the milk in the toast, and ha, ha, ha!” It was gibberish and America loved it. The problem was that they inspired a generation of comedians who tried coasting on personality—they were all attitude and no jokes. It was also a time when comedy stars didn’t seem to care. Bill Murray made some lousy movies; Richard Pryor and Eddie Murphy made even more; and any script that was too lame for these guys, Chevy Chase made. These were smart people—they had to know how bad these films were, but they just grabbed a paycheck and did them. Most of these comic actors started as writers—they could have written their own scripts, but they rarely bothered. Then, at the end of a decade of lazy comedy and half-baked material, The Simpsons came along. We cared about jokes, and we worked endless hours to cram as many into a show as possible. I’m not sure we can take all the credit, but TV and movies started trying harder. Jokes were back. Shows like 30 Rock and Arrested Development demanded that you pay attention. These days, comedy stars like Seth Rogen, Amy Schumer, Kristen Wiig, Melissa McCarthy, and Jonah Hill actually write the comedies they star in.
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
LOOK, BRÜKS WANTED to say: fifty thousand years ago there were these three guys spread out across the plain, and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger, and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy, he thought it was only the wind, so he shrugged it off and a tiger had him for dinner. And the same thing happened a million times across ten thousand generations—and after a while everyone was seeing tigers in the grass even when there weren’t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid. Even here in the twenty-first century you can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now, we are wired to believe that unseen things are watching us. And it came to pass that certain people figured out how to use that. They painted their faces or they wore funny hats, they shook their rattles and waved their crosses and they said, Yes, there are tigers in the grass, there are faces in the sky, and they will be very angry if you do not obey their commandments. You must make offerings to appease them, you must bring grain and gold and altar boys for our delectation or they will strike you down and send you to the Awful Place. And people believed them by the billions, because after all, they could see the invisible tigers. And you’re a smart kid, Lianna. You’re a bright kid and I like you but someday you’ve got to grow up and realize that it’s all a trick. It’s all just eyes scribbled on the wall, to make you think there’s something looking back
Peter Watts (Echopraxia (Firefall, #2))
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.” “How so?” “Well, if we’d been born a little bit earlier, we wouldn’t have been able to make our games so easily. Access to computers would have been harder. We would have been part of the generation who was putting floppy disks in Ziploc bags and driving the games to stores. And if we’d been born a little bit later, there would have been even greater access to the internet and certain tools, but honestly, the games got so much more complicated; the industry got so professional. We couldn’t have done as much as we did on our own. We could never have made a game that we could sell to a company like Opus on the resources we had. We wouldn’t have made Ichigo Japanese, because we would have worried about the fact that we weren’t Japanese. And I think, because of the internet, we would have been overwhelmed by how many people were trying to do the exact same things we were. We had so much freedom—creatively, technically. No one was watching us, and we weren’t even watching ourselves. What we had was our impossibly high standards, and your completely theoretical conviction that we could make a great game.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Here’s a sentence in a book I’m reading: ‘We belong, of course, to a generation that’s seen through things, seen how futile everything is, and had the courage to accept futility, and say to ourselves: There’s nothing for it but to enjoy ourselves as best we can.’ Well, I suppose that’s my generation, the one that’s seen the war and its aftermath; and, of course, it is the attitude of quite a crowd; but when you come to think of it, it might have been said by any rather unthinking person in any generation; certainly might have been said by the last generation after religion had got the knock that Darwin gave it. For what does it come to? Suppose you admit having seen through religion and marriage and treaties, and commercial honesty and freedom and ideals of every kind, seen that there’s nothing absolute about them, that they lead of themselves to no definite reward, either in this world or a next which doesn’t exist perhaps, and that the only thing absolute is pleasure and that you mean to have it — are you any farther towards getting pleasure? No! you’re a long way farther off. If everybody’s creed is consciously and crudely ‘grab a good time at all costs,’ everybody is going to grab it at the expense of everybody else, and the devil will take the hindmost, and that’ll be nearly everybody, especially the sort of slackers who naturally hold that creed, so that they, most certainly, aren’t going to get a good time. All those things they’ve so cleverly seen through are only rules of the road devised by men throughout the ages to keep people within bounds, so that we may all have a reasonable chance of getting a good time, instead of the good time going only to the violent, callous, dangerous and able few. All our institutions, religion, marriage, treaties, the law, and the rest, are simply forms of consideration for others necessary to secure consideration for self. Without them we should be a society of feeble motor-bandits and streetwalkers in slavery to a few super-crooks. You can’t, therefore, disbelieve in consideration for others without making an idiot of yourself and spoiling your own chances of a good time. The funny thing is that no matter how we all talk, we recognise that perfectly. People who prate like the fellow in that book don’t act up to their creed when it comes to the point. Even a motor-bandit doesn’t turn King’s evidence. In fact, this new philosophy of ‘having the courage to accept futility and grab a good time’ is simply a shallow bit of thinking; all the same, it seemed quite plausible when I read it.
John Galsworthy (Maid In Waiting (The Forsyte Chronicles, #7))
My father's generation grew up with certain beliefs. One of those beliefs is that the amount of money one earns is a rough guide to one's contribution to the welfare and prosperity of our society. I grew up unusually close to my father. Each evening I would plop into a chair near him, sweaty from a game of baseball in the front yard, and listen to him explain why such and such was true and such and such was not. One thing that was almost always true was that people who made a lot of money were neat. Horatio Alger and all that. It took watching his son being paid 225 grand at the age of twenty-seven, after two years on the job, to shake his faith in money. He has only recently recovered from the shock. I haven't. When you sit, as I did, at the center of what has been possibly the most absurd money game ever and benefit out of all proportion to your value to society (as much as I'd like to think I got only what I deserved, I don't), when hundreds of equally undeserving people around you are all raking it in faster than they can count it, what happens to the money belief? Well, that depends. For some, good fortune simply reinforces the belief. They take the funny money seriously, as evidence that they are worthy citizens of the Republic. It becomes their guiding assumption-for it couldn't possibly be clearly thought out-that a talent for making money come out of a telephone is a reflection of merit on a grander scale. It is tempting to believe that people who think this way eventually suffer their comeuppance. They don't. They just get richer. I'm sure most of them die fat and happy. For me, however, the belief in the meaning of making dollars crumbled; the proposition that the more money you earn, the better the life you are leading was refuted by too much hard evidence to the contrary. And without that belief, I lost the need to make huge sums of money. The funny thing is that I was largely unaware how heavily influenced I was by the money belief until it had vanished. It is a small piece of education, but still the most useful thing I picked up at Salomon Brothers. Almost everything else I learned I left behind. I became fairly handy with a few hundred million dollars, but I'm still lost when I have to decide what to do with a few thousand. I learned humility briefly in the training program but forgot it as soon as I was given a chance. And I learned that people can be corrupted by organizations, but since I remain willing to join organizations and even to be corrupted by them (mildly, please), I'm not sure what practical benefit will come from this lesson.
Michael Lewis (Liar's Poker)
The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
Stephenson has a once-in-a-generation gift: he makes complex ideas clear, and he makes them funny, heartbreaking and thrilling.”—Time
Neal Stephenson (Reamde)
And isn’t it funny, she thought, that it takes two generations to kill off a man? … First him, and then his memory. …
Shirley Ann Grau (The Keepers of the House)
Heaven makes you family, but a new generation of selective serotonin reuptake inhibitors can make you friends.
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.” Falco dragged the wooden stool and easel to the center of the room. He gestured for Cass to take her place on the divan. “Please.” He pulled a pair of lamps close, murmuring something about the insufficient lighting. “Under normal circumstances,” Falco said, “I would ask you to sit during the daytime. It’s the only way to get a clear picture. But it isn’t often I have the place to myself.” He grinned. “And you are certainly not a normal circumstance.” Cass felt herself blushing; she was sure he would have to paint her complexion a mottled red. “Make yourself comfortable,” he said. “Right now it looks as though you’re sitting on a pincushion.” Cass tried a new pose and Falco laughed. “Let me,” he said, and, reaching out, set about readjusting her. He gently eased her onto her left hip, letting the right leg fall forward in front of her. He pulled part of her hair over her shoulder so it twisted and curled around her neck. Cass sipped her drink nervously, hoping the alcohol might relax her. Each of Falco’s touches generated a tiny bolt of lightning inside her. The charge was starting to build up to dangerous levels. “Are your legs cold?” Falco asked. Cass managed to choke out a no. Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Nellie the horse and her trips to town, or a cow named Molly Blue, or the Indian who came out of the woods. I wish you could have known Arleta’s grandma, Mabel. You would have loved her. She was born well over one hundred years ago on a little farm in Michigan. What a long, long time ago! Is it hard to imagine anyone that old ever being a little girl? But of course she was, and she remembered very well. Arleta never saw the little log house where Grandma Mabel was born, but she could imagine how it looked. It had one big room that was warmed by a fireplace and a big cookstove. Her brothers slept in a loft overhead, and Mabel slept in a trundle bed beside her parents’ bed. (A trundle bed is a little cot that slides under a bigger bed during the day.) The cabin sat in a small clearing in the woods, and even though there were no neighbors close by, the family felt safe and protected in its little home. By the time Mabel was ready to go to school, the log cabin had been replaced by the big farmhouse that still stood two generations later when Arleta was a little girl. Arleta’s trips to Grandma Mabel’s old home were so much fun. She explored from the attic to the root cellar, from the barn to the meadow brook. Everywhere she looked, she found a story! The attic was dusty and creaky, but what marvelous things it contained: a funny-looking wire thing that turned out to be something to wear, the button basket—a
Arleta Richardson (In Grandma's Attic (Grandma's Attic, #1))
Aleks Totić: Jamie—he was temperamental. He coded well. He was different from us. He was more flamboyant. We were just pretty much corn. Straight corn. He had the funny look, he had an image, he had a sense of style which was fairly foreign to us. Jim Clark: He had half of his head shaved. Some stylistic statement on his part. I completely ignored it. It did not matter to me; I did not give a hoot. He was a great programmer, brilliant young guy. I do not think anyone bothered. People have just got to realize that a computer geek is respected on the basis of how much code he can write and the quality of code he can write. People do not give a crap what he looks like. If you generate good code quickly, no one cares. Jamie made everyone a lot of money.
Adam Fisher (Valley of Genius: The Uncensored History of Silicon Valley (As Told by the Hackers, Founders, and Freaks Who Made It Boom))
I’ve avoided social media completely since it happened, gone cold turkey on my generation’s compulsion to share every event, every emotion, every success, every random thought, every half-funny conversation.
T.M. Logan (Lies)
Of course, the ways we carry dysfunction through our family lineage are not so funny. To break the chain, I must pause to ask myself: What dysfunctional behaviors do I practice by habits that come from my own subconscious psychological patterning because of my upbringing? Emotional patterns and ways of being are handed down from generation to generation like family heirlooms—and while many may be positive, many can also be oppressive.
Kristine Carlson (Don't Sweat the Small Stuff for Moms: Simple Ways to Stress Less and Enjoy Your Family More (Don't Sweat the Small Stuff (Hyperion)))
Well, hang it all,’ he said, ‘he was only an atheist.’ ‘I’m afraid I don’t know what you mean,’ said the Inspector, politely. ‘He only wanted to abolish God,’ explained Father Brown in a temperate and reasonable tone. ‘He only wanted to destroy the Ten Commandments and root up all the religion and civilization that had made him, and wash out all the common sense of ownership and honesty; and let his culture and his country be flattened out by savages from the ends of the earth. That’s all he wanted. You have no right to accuse him of anything beyond that. Hang it all, everybody draws the line somewhere! And you come here and calmly suggest that a Mandeville Man of the old generation (for Craken was of the old generation, whatever his views) would have begun to smoke, or even strike a match, while he was still drinking the College Port, of the vintage of ’08 — no, no; men are not so utterly without laws and limits as all that! I was there; I saw him; he had not finished his wine, and you ask me why he did not smoke! No such anarchic question has ever shaken the arches of Mandeville College Funny place, Mandeville College. Funny place, Oxford. Funny place, England.’ ‘But you haven’t anything particular to do with Oxford?’ asked the doctor curiously. ‘I have to do with England,’ said Father Brown. ‘I come from there. And the funniest thing of all is that even if you love it and belong to it, you still can’t make head or tail of it.’ The
G.K. Chesterton (The Complete Father Brown)
That’s a simple example, you say, but what if you need to learn to do something your friends haven’t done? Like, say, sell a book to the world’s largest publisher as a first-time author? Funny you should ask. There are two approaches I used: 1. I picked one book out of dozens based on reader reviews and the fact that the authors had actually done what I wanted to do. If the task is how-to in nature, I only read accounts that are “how I did it” and autobiographical. No speculators or wannabes are worth the time. 2. Using the book to generate intelligent and specific questions, I contacted 10 of the top authors and agents in the world via e-mail and phone, with a response rate of 80%.
Timothy Ferriss (The 4-Hour Workweek)
And isn't it funny, she thought, that it takes two generations to kill off a man? ... First him, and then his memory. . . .
Shirley Ann Grau (The Keepers of the House)
It's funny that Jake brought up intelligence earlier. His question about the smartest human in the world. It's like Jake knew I've been thinking about that. I've been thinking about all of these things. Is intelligence always good? I wonder. What if intelligence is wasted? What if intelligence leads to more loneliness rather than to fulfillment? What if instead of productivity and clarity, it generates pain, isolation, and regret? It's been on my mind a lot, Jake's intelligence. Not just now. I've been thinking about it for a while.
Iain Reid (I'm Thinking of Ending Things)
And yet I’d read only recently how their generation were riddled with self-doubt and the pressures of social media. How they worried about everything, the planet, global warming, their relationships, money, war, cosmetic surgery. Were their bottoms too big or not big enough? (Thanks Kardashians.) How very sad. So perhaps the perceived advantages between ‘us’ and ‘them’ were not quite so one-sided as I had thought. I couldn’t remember a single occasion when I had worried about photoshopping or being ‘beach ready’ in January. I’d only had my top lip waxed once – never again. And never any other bit of me either, for fear of the pain (if the lip experience was anything to go by). We hadn’t grown up with so many gadgets or television channels as the younger generations. Which in itself was a blessing. How many crime dramas did we actually need to watch, how many reality shows, how many un-funny comedies? We’d had to do our research in libraries, but now they had limitless information at the touch of a keyboard. In my day, if the school bullies had wanted a target, they did it out in the open. These women had to deal with faceless trolls. They had security worries, all sorts of privacy issues. So who really had the better experience of being a woman? Or had it always just been difficult for everyone? And what about men, come to think of it… If one believed the newspapers, it seemed half of the human race was being summarily dismissed as idiots or fiends.
Maddie Please (Old Friends Reunited)
It’s funny that I’m the one talking about helping Bert,” Victor said, “and not the other way around. I told you my grandfather came to America from Europe for a better life. My uncle died fighting communists in Poland. My dad worked for twenty-five years in an auto plant. He carried a lunch-pail every day. My mom worked part time at the five and ten. Bert’s uncles are big shots in various industries, his dad gives money to the art institute uptown. They’ve had money and position for generations. Bert wants to throw all that out and if he gets his way, no one else will ever have a chance. I used to think that the left....” Victor’s fingers trembled. Without paying attention to what he was doing, he put a spoonful of mashed potatoes into the ash tray with his pipe. “Why does he bother you?” Juliet asked. “You know his dreams will never come to pass. So does he.” She touched his hand. “It’s still warm. Let’s go outside. I’d like to look at the moon.” They walked to Lake Otrobe. The glow from a distant steel mill reddened the southern sky. “Industry,” Victor said admiringly. “Creating wealth.” He began to sputter again on the way back when they passed the apartment building where Bert lived. They looked up at a lighted window. A dark figure with his back to the street sat in a gray armchair, still, his head down. “He’s fallen asleep reading,” Victor mumbled. “Engels no doubt or Lenin or one of those other thieves.
Richard French (Guy Ridley)
Walter Brennan, the on-screen grandfather, was also a grandfather on his ranch. Tammy, Mike’s daughter, remembered this period during a tour of Lightning Creek we took with Mike in July 2014. “When the lights were off, the lights were off,” Tammy recalled, “because of the gas generator. You had to find the bathroom in the dark.” “Grampy loved it,” Tammy said, “surrounded by quiet.” Still standing is the cathedral sized, handmade barn Ray Pogue set up just before selling the ranch to Walter, “212 feet long, about 65 feet wide,” Mike said. “I don’t know if Grampy had any funny things happen to him out here,” Tammy mused, perhaps wanting to help out a biographer. “No, none.” Mike said. “He just came out here, sat, and left,” Tammy suggested. “He’d come up and go deer hunting with us,” Mike added. “I don’t recall him ever shooting anything. I’d shoot something. I took the liver out of a deer. I didn’t have anywhere to put it, so I just tucked it in my shirt, the whole bloody thing. He’d get a kick out of it.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
A woman appeared and began to generate tea and coffee
Max Barry (Lexicon)
Many experiments show that when people are put into a good mood (e.g., by giving them candy or showing them a funny movie), they are more creative. For example, they are better at inventing diverse and unusual ways for getting a candle to burn without dripping, or at finding more obscure and remote associations between words and ideas.22 People in good moods are “more cognitively flexible —more able to make associations, to see dimensions, and to see potential relationships among stimuli—than are persons in a neutral state.”23 In other words, they generate more varied ideas and combinations of those ideas, which are crucial aspects of creative work.
Robert I. Sutton (Weird Ideas That Work: 11 1/2 Practices for Promoting, Managing, and Sustaining Innovation)
Wit is the thought process that generates truly funny observations, as well as the most incisive comments, lasting quips, and brilliant asides. To say wit is mean is like saying the sun is mean for burning you: The giant ball of hot plasma at the center of our solar system is bigger than that, and why weren't you wearing sunscreen in the first place?
Benjamin Errett (Elements of Wit: Mastering the Art of Being Interesting)
Conflict is much the same, injustice and inequality is nothing new to our generation only the contest has changed because not only that everyone has opinion but they also have an opportunity to voice it and that is a bit dangerous.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Parents never you make church and studying the word of God optional for your children. If they are in your house, get them up, teach them the word of God, the greatest awards, PhD or achievements any child could have is to grow up in the word of God. I and my family are living witness and it is extending to our third generation.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Funny, Dad, but my generation is visual. We don’t tell people what other people are doing. We show what we’re doing. We put up photos.
Michael Connelly (The Wrong Side of Goodbye (Harry Bosch, #19; Harry Bosch Universe, #29))
fear the day when technology overlaps with our humanity. The world will consist of a generation of idiots. ALBERT EINSTEIN
Charles M. Sevilla (Law and Disorder: Absurdly Funny Moments from the Courts)
I've done this sort of thing before. Not prophecies so much, but you'd be surprised how many people want to realign their ancestral lines to seem nobler, or rewrite their family history to remove more morally questionable episodes." He paused to recall a recent rewrite. "One lord wanted the murderers removed from his family line. His family was so corrupt, he ended up with three virgin births, two generations removed entirely and a lady who gave birth at the age of two. Still, no one questions it as there is evidence in the archives." Bubo smugly tapped a book. "There is one thing though, faking a prophecy in the past is easy, you already know the result. How will you make this come true in the future?" "I have someone in mind for it, but I'm not sure he'll go for it. But then prophecy is all optional anyway." Corvid looked up as if a thought had occurred to him. "I'd best go check on my man, I've not met him yet.
Dylan Perry (Gods Just Want To Have Fun)
Well, let’s just hope it doesn’t come to that.” I started back down the alley. “Truthfully, it’s not you I’m so much worried about as your ass. It’s like the Eighth Wonder of the World or something. Be a shame to deprive future generations of Dreamers, don’t you think?” My stomach rumbled. “Come on, I’m starving.” A snort escaped him. “Nice to know you care.” I patted my belly and shrugged. “Yeah, well. A girl’s gotta have priorities.
Allison Pang (A Brush of Darkness (Abby Sinclair, #1))
One generation passes away, and another generation cometh forth: but the earth abides for ever.
COMPTON GAGE
Teach children the basics of CBT. CBT stands for “cognitive behavioral therapy,” but in many ways it’s really just “cognitive behavioral techniques,” because the intellectual habits it teaches are good for everyone. Parents can teach children the basics of CBT at any age, starting with something as simple as getting in the habit of letting children watch parents talk back to their own exaggerated thoughts. A technique Greg learned involves practicing hearing his anxious and doomsaying automatic thoughts as if they are being said in funny voices, like Elmer Fudd’s or Daffy Duck’s. It may sound silly, but it can quickly turn an anxious or upsetting moment into a humorous one.
Jonathan Haidt (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
Some say America's forgotten workin' men rose up in a single, inchoate scream of rage at a system that for too long had provided them with nothing but empty promises, bad trade deals, and government-subsidized carbs. Some claim it's from a generation weaned on talk radio, Fox News, and the comments sections of a million tea party websites. Some say it's a sign of a merciless god testing us to the breaking point. I still think it's because we didn't let that old gypsy woman vote when she couldn't produce a photo ID back in 2012.
Rick Wilson (Everything Trump Touches Dies: A Republican Strategist Gets Real About the Worst President Ever)
That’s the funny thing about stories — like all living things, they need to adapt and evolve in order to survive in their environment. Consider for a second that you can drop the same exact species into ten different ecosystems and within a few dozen generations, they could be hardly recognizable from their original form or to each other. The same is true for stories. They mutate to fit the cognitive conditions of each person’s specific mental habitat. That’s why a group of people can experience the same exact event, and within a decade or two, the story of that event can be wildly different as told by each person who experienced it.
Sean Norris (Heaven and Hurricanes)
I should add that all that my teachers would later teach me of the superiority of character-driven comedy over situation comedy never managed to uproot from me every child’s conviction: that those who hurl cream pies at each other’s faces are funny in a far more relaxing, and, therefore, at bottom more satisfying way, than the more subtle forms of what is called “wit.” In fact, it is quite remarkable that these latter forms usually grow stale in less than a generation.
Louis Bouyer (The Memoirs of Louis Bouyer: From Youth and Conversion to Vatican II, the Liturgical Reform, and After)
Funny how we talk about our roots when our people have been here for generations." "Interesting, too," Anna said, "how we're not really divided according to our nationalities, but by how much or how little money we have. Most of the differences are acquired, they depend on what money can buy you.
Sanora Babb (Whose Names Are Unknown)
Daily life: What did you do over the weekend? Anything notable? How is your week/day going? Anything notable? How is your family/significant other? Anything notable? How is work going? Anything notable? Personal: What are your hobbies? Anything notable? What’s your biggest passion or interest outside of work? Anything notable? Where are you from? Anything notable? How long have you lived at your current location and worked at your current job? Anything notable? Where did you go to school and what subjects and activities were you involved in? Anything notable? What do you do for work? Anything notable? Notable: What are your five most unique experiences? What are your five most personally significant accomplishments? What are ten strengths—things you are above average at, no matter how big or small. Name ten places you have traveled in the past five years. Name the past five times you have gone out to a social event. Name ten things you cannot live without—don’t take this question too literally. It is asking about your interests, not household staples. Staying Current: What are the top five current events of the week and month? Learn the basics and develop an opinion and stance on them. What are four funny personal situations from the past week? Be able to summarize them as a brief story. What are the four most interesting things you’ve read or heard about in the past week? Be able to summarize them as a brief story.
Patrick King (Better Small Talk: Talk to Anyone, Avoid Awkwardness, Generate Deep Conversations, and Make Real Friends)
Funny how older people mention that they were beat as children and that they turned out ok. But in reality, they did not turn out ok. They were further traumatized when they were told that they could not speak out about the abuse 'back then.' Dear old people, you did not turn out ok. You are traumatized and you passed it down.
Niedria Dionne Kenny
It’s not a matter of having enough raw talent. Talent needs to be channeled and developed in order to become something more than a momentary spark. Actor and comedian Jerry Seinfeld, arguably the most influential comedian of his generation, wrote in his book Is This Anything?: Whenever I came up with a funny bit, whether it happened on a stage, in a conversation or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old-school accordion folders . . . A lot of people I’ve talked to seemed surprised that I’ve kept all these notes. I don’t understand why they think that. I don’t understand why I’ve kept anything else. What could possibly be of more value?
Tiago Forte (Building a Second Brain: A Proven Method to Organise Your Digital Life and Unlock Your Creative Potential)
To be queer and Somali and neurodivergent is concentrated alchemy, and yet we constantly raid the cupboards of our souls like we are a people of lack. When you operate from a position of lack, you don’t realise you’re robbing yourself of everything worth preserving, and forgetting to toss away all the empty pursuits that lost their synthetic spell several generations ago. And suddenly, you’re wide awake in a new country, in a new decade, and you’re startled because you can’t remember how you got here or why you’re still feeling hunted by your own reflection. You can’t remember how or when or where or why you misplaced all your breezy dynamism—all that wildness of perception you used to project with such ferocity. Where did it all go? We have conveniently forgotten that we have always been fundamentally idiosyncratic and fantastic and fucking alive. Instead we feed ourselves and our children and our children’s children prosaic fuckery for what? Respectability politics? So that if we twist and try our damnedest to conform to standards that have never been coded into our collective DNA, that we’ll what? Somehow be less strange? Less weird and wonderful? That we’ll transcend the soul-snuffing snare that is the myth of the good immigrant? That if we mute all of our magic—everything that makes us some of the most innately interesting, individualistic and fun, funny beings in this boring, beige-as-fuck world—that we’ll win over whom? Folks who don’t season their food right or whose understanding of freedom is a shitty Friday night sloshfest at a shitty pub playing shitty music, chatting nonsense that no-one with a single iota of sense gives a fuck about? Is that who you are so deeply invested in trying to impress? If so, then go for it, but don’t fool yourself for a fucking second into thinking that trying desperately to shave off your elemental peculiarities through self-diminishment is salvation, because it simply isn’t, honey, and it never will be.
Diriye Osman
I later learn it’s called an altitude-simulation tent, and when the generator is hooked up it sucks the O2 out of the tent and helps the body produce more red blood cells. It makes your cardio system work like you’re sleeping on top of Mount Everest. I’d have to bet I’m the only guy on the Upper West Side of NYC with an inflatable raft, an oxygen deprivation tank, a tent, and a SEAL in his apartment. I get into my bed and open the window in our room. I suck in the cold NY air coming into my apartment off Central Park. It feels great. As I fall asleep I think about the lack of oxygen in SEAL’s tent and again think to myself… I’m such a pussy.
Jesse Itzler (Living with a SEAL: 31 Days Training with the Toughest Man on the Planet)
We’re all just a range of shades of brown, sometimes with a little bit of other colors mixed in, like pink and red. But people are funny about stuff like that. We all share the same ancestors, if you go back enough generations. We all come from Africa.
Diane Winger (The Daughters' Baggage)
Agnosticism leads inevitably to moral indifference. It denies us all power to esteem or understand moral values, because it severs our spiritual contact with God Who alone is the source of all moral value. That is why there was something peculiarly strange and funny about the feeble efforts of the bourgeois generations of the late nineteenth and early twentieth centuries to bring up their progeny with a respect for moral and social obligations but with no belief in God. The wilder lawlessness of each new growing generation was, in effect, it's way saying: 'In the name of whom or what do you ask me to behave? Why should I go to the inconvenience of denying myself the satisfactions I desire in the name of some standard that exists only in your imagination? Why should I worship the fictions you have imposed on me in the name of Nothing?
Thomas Merton (The Ascent to Truth)