Gel Man Quotes

We've searched our database for all the quotes and captions related to Gel Man. Here they are! All 21 of them:

DONKEYMAN: S’pose there’s a gel mixed up in it someplace, ain’t there? SMITTY: What makes you think so? DONKEYMAN: Always is when a man lets music bother ‘im. [“The Moon of the Caribees”]
Eugene O'Neill (Seven Plays of the Sea)
Mm-hmm. You know, lip dye isn't a crime in this state. You ought to try it." "I've been kind of busy." "You're always kind of busy. You're not using the eye gel I gave you. You can't find a minute twice a day for eye gel? You want bags and wrinkles? You got the finest piece of man-candy on and off planet, and you want him looking at your face with bags and wrinkles? What are you going to do when he dumps you for a woman who takes time to maintain her face?" "Kill him.
J.D. Robb (Seduction in Death (In Death, #13))
Gel pens weren’t invented until the mid-eighties. Still, think of how they might’ve jazzed up historical documents had they dawned in an earlier era. Imagine if the Founding Fathers had asserted man’s inalienable rights in bubble gum–scented gel ink.
Lillian Stone (Everybody's Favorite: Tales from the World's Worst Perfectionist)
She tried to ignore that, this close to the man, he had the overpowering chemical scent of a manly shower gel. The sort that normally came in a black bottle, and was called something like SHOCK or EXCITE or BLUNT TRAUMA.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
She tried to ignore that, this close to the man, he had the overpowering chemical scent of a manly shower gel. That sort that normally came in a black bottle and was called something like SHOCK or EXCITE or BLUNT TRAUMA.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
There is something weird about facing a dripping wet, semi-naked man across a padded practice mat when you're wearing nothing but your own skin tight underwear and that's covered in a slippery, oily gel. If this got any more homoerotic, I'd have to think about introducing him to my parents.
G.R. Matthews (Nothing Is Ever Simple (Corin Hayes, #2))
She tried to ignore that, this close to the man, he had the overpowering chemical scent of a manly shower gel. The sort that normally came in a black bottle and was called something like SHOCK or EXCITE or BLUNT TRAUMA.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
She tried to ignore that, this close to the man, he had the overpowering chemical scent of a manly shower gel. The sort that normally came in a black bottle and was called something like SHOCK, or EXCITE, or BLUNT TRAUMA.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
In the house Jake shoved his hands deep in his pockets as he stood at the window watching the women, his expression a mixture of stupefaction and ire. “Gawdamighty,” he breathed, glancing at Ian, who was scowling at the unopened, note in his hand. “The women are chasin’ you clear into Scotland! That’ll stop soon as the news is out that yer betrothed.” Reaching up, he idly scratched his bushy red hair and turned back to the window, peering down the path. The women had vanished from view, and he left the window. Unable to hide a tinge of admiration, he added, “Tell you one thing, that blond gel had spunk, you have to give her that. Cool as can be, she stood there tauntin’ you with your own words and callin’ you a swine. I don’t know a man what would dare to do that!” “She’d dare anything,” Ian said, remembering the young temptress he’d known. When most girls her age were blushing and simpering, Elizabeth Cameron had asked him to dance at their first meeting. That same night she’d defied a group of men in the card room; the next day she’d risked her reputation to meet him in a cottage in the woods-and all that merely to indulge in what she’d described in the greenhouse as a “little weekend dalliance.
Judith McNaught (Almost Heaven (Sequels, #3))
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Well, I would tell Danny. I'd probably edit for Josh. That is if there was anything worth editing. “Joshua Roberts, you had better get your butt on the move!” Danny hollered as he walked down the stairs. I was nervously waiting for them to leave as I pretended to watch TV in the front room. “We're going to be late.” “So the hair crisis is under control I see.” “A stray hair will never win between a bottle of gel and a gay man,” he declared with a smile. “Joshua!” “I'm coming. I'm coming.” I heard his sandals click on the stairs and I waited to see if the mental image matched the real one. To my non surprise it did.
Kaitlin Scott (For Danny)
We like Cal but it sounds weak and also somehow like a bully. David is okay but Dave sounds like he puts too much gel in his hair. I dated a Charlie and he wore his cell phone on his belt. Toby sounds like his collar is always wrinkled and folded over on itself. Show me a boy's name and I'll show you a man who has ruined it.
Meaghan O'Connell (And Now We Have Everything: On Motherhood Before I Was Ready)
I was just beginning to wonder how long I would have to wait when finally a guard sauntered up and said, “Galloway, get your stuff, get your bed.” I ran to my cell to get my stuff and I grabbed the toothpaste. The toothpaste was in this clear tube and was clear like hair gel. It had a muted, watered-down mint flavor. Everything you got in jail was made specifically to be as safe as can be. One of the guys told me, “Don’t ever take anything from being locked up. It’s bad luck.” But I told myself, You ain’t coming back. You ain’t getting locked up again, so you’re taking a souvenir. I grabbed that little clear tube and I put it in my pocket and walked out of my cell. As I came out, all of the guys from my cellblock were lined up to say goodbye. The guard had this look on his face like, “What is going on?” I walked down the line shaking each man’s hands. They all told me they were glad they had met me. They told me that I made an impact on them. One guy said, “You came in here and you’ve been to war and back, you’re missing two limbs, but you still had a smile on your face the whole time. You’ve gone through so much and you are able to keep smiling. That motivates me.” I was really touched. I kept going down the line, shaking hands and saying my farewells, and finally I got to Michael Bolton. He said, “Hey, man, I’ve asked people this before and they never follow through with it but I believe you will. Could you print out some TV guides? Because you know we just tell them the number. We don’t know what’s on at what time, what station.” I said, “Yeah, man, I’ll do that.” And I looked around to the other guys and asked, “Does anybody want any crossword puzzles or anything like that?” They all said that would be awesome. “All right, Michael, I’ve got your address so I’m gonna send it to you. And listen, man, I’m gonna give you my email address. When you get out shoot me an email. I want to stay in touch and see how things are going.” I turned to the guard who was still baffled by what was happening and said, “I’m ready.” He rolled his eyes and opened the door. We walked out and they handed me my clothes. I pulled off the orange jumpsuit and tossed it. I changed back into my clothes. I signed everything I had to sign, got some paperwork to take with me, and walked out a free man again. Well, my epic freedom moment was short-lived, because I realized my cell phone was dead. I walked down the road to a gas station and asked if I could use the phone. I called Tracy and told her where I was and asked her to pick me up. When Tracy arrived I hopped in the car and the very first thing I said to her was “I gotta get home. I have to print out some TV guides and I need to write a letter to some of the guys in there.” She started laughing and when she could compose herself enough to talk said, “My sisters and I all said we guarantee Noah is going to come out of jail with new friends. He’s going to be friends with everybody.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.
John Birmingham (Designated Targets (Axis of Time, #2))
Why on Earth am I standing in a strange man’s shower, huffing his shower gel?
Lily Gold (Three Swedish Mountain Men)
Fil, daures D'ajaures De fulles, I l'ull, es Queix d'Astres. Les clastres I els glabres Nins i Arbres Del blanc Salanc Que hi rimen De l'himen, De blanc, La sang I els ulls I els fulls De viure Tan lliures― De ser Quan ve L'Estiu I riu Quin cos Repòs Del Cor, Tresor Badat Que al prat Del cos Meu flors Encara S'amara. La Rata Que hi grata, Hi esputa La Puta Dient-te Dolenta Que “ho sento, Jo em rento Les mans.” Brillant Pols d’àn Gel, tants De judas. Les mudes Dels cels, Caus, vels De foc I joc, De fil Gentil D’olor. Gentil. Fredor.
Albert Roig (Córrer la taronja, 1979-2001)
he had the overpowering chemical scent of a manly shower gel. The sort that normally came in a black bottle and was called something like SHOCK or EXCITE or BLUNT TRAUMA.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
There’s something so sexy about a dominant alpha.” I fisted his hair, ruining the gel he’d put in this morning. “A man who’s angry all the time, except when I’m feeding him what’s between my legs. That’s when he softens. When his vulnerable side comes through.
Marni Mann (The Intern (The Dalton Family, #4))
Olli looks at me with his brown eyes. He has thick, dark hair, combed back with gel, and an angular, friendly face. This is what George Clooney would have looked like if he’d been born in Hamina, eaten plenty of carbohydrates and spent his life working with mushrooms.
Antti Tuomainen (The Man Who Died)
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