“
If you ever see shitty ass rock dudes in shitty ass rock bands asking you to show them your tist for backstage passes, I want you to spit right in their fucking faces and yell 'FUCK YOU!
”
”
Gerard Way
“
If everyone does as I’ve instructed, then things should work out the way they’re meant to. (Acheron)
And if we don’t? (Talon)
We’re all screwed. (Acheron)
Gee, Ash, you’re just so damn comforting. (Nick)
I try to be anyway. (Acheron)
You fail admirably. (Nick)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
This is the material, by the way, that has kept me virtually anonymous in America for the past 15 years. Gee, I wonder why we're hated the world over? Look at these fat Americans in the front row - 'Why doesn't he just hit fruit with a hammer?' Folks, I could have done that, walked around being a millionaire and franchising myself but no, I had to have this weird thing about trying to illuminate the collective unconscious and help humanity. Fucking moron.
”
”
Bill Hicks
“
I will die the way I learned to live. Fully aware. At peace. With a heart so full of love that even as it slows, it is still full.
Because I know something the Scientists refuse to acknowledge.
Death is only the beginning.
”
”
Krista McGee (Anomaly (Anomaly, #1))
“
You can never recover from losing a person you love, but you can find a way to let it be part of your life rather than letting it take over every part of you
”
”
Darien Gee (Friendship Bread)
“
Did you know that when a guy comes, he comes 200 million sperm? And you're trying to tell me that your child is special because one out of 200 million -- that load! we're talking one load! -- connected. Gee, what are the fucking odds? 200 million; you know what that means? I have wiped civilizations off my chest with a gray gym sock. That is special. Entire nations have flaked and crusted in the hair around my navel! That is special. And I want you to remember that, you two egg-carrying beings out there, with that holier-than-thou "we have the gift of life" attitude. I've tossed universes...in my underpants...while napping! Boom! A milky way shoots into my jockey shorts, "Aaaah, what's for fucking breakfast?
”
”
Bill Hicks
“
This is God’s universe, and God does things his way. You may have a better way, but you don’t have a universe.
”
”
Vernon McGee
“
I think of the Designer and I know that no matter what, if his ways are not considered, no State or city or government will be truly successful.
”
”
Krista McGee (Luminary (Anomaly, #2))
“
Sorry isn't a magic eraser that undoes whatever wrong thing you did! You can't just say sorry and expect everything to be the way it was, not when people have been hurt!
”
”
Katharine McGee (American Royals (American Royals, #1))
“
None of us deserve the good things that come our way. It's by grace, love and forgiveness that any of us experience joy.
”
”
J.B. McGee (Forgiven (This, #3))
“
Anybody who likes writing a book is an idiot. Because it's impossible, it's like having a homework assignment every stinking day until it's done. And by the time you get it in, it's done and you're sitting there reading it, and you realize the 12,000 things you didn't do. I mean, writing isn't fun. It's never been fun. It's momentum, and once you get the momentum going, that's great, but it's a brutal experience in many, many ways. And when you're done, people tell you "Well, gee, I'm not interested." "Great, I'm glad I sat down and wrote this!
”
”
Lewis Black
“
Old friend, there are people—young and old—that I like, and people that I do not like. The former are always in short supply. I am turned off by humorless fanaticism, whether it's revolutionary mumbo-jumbo by a young one, or loud lessons from scripture by and old one. We are all comical, touching, slapstick animals, walking on our hind legs, trying to make it a noble journey from womb to tomb, and the people who can't see it all that way bore hell out of me.
”
”
John D. MacDonald (Dress Her in Indigo (Travis McGee #11))
“
Oh - that family, yes. There are still some photos of them around here. They look like nice people, don't they?"
They...'look like nice people'?"
Well, they do, don't they? Of course, they never actually existed - except maybe in the most tenuous and retrospective way - but still, it's nice to think they were good people."
Uh. Right. Gee, I suppose you must do a lot of drugs.
”
”
Neil Gaiman (Death: The High Cost of Living)
“
Sometimes silence means more than words filled with pity and regret. He squeezes my hand, and I know that is his way of saying that I’m not alone. That even though he doesn’t know what it feels like to be me, because I hurt, he hurts. For the first time in my life, I find a great deal of comfort knowing that I don’t have to carry this burden alone anymore.
”
”
J.B. McGee (Forgiven (This, #3))
“
He isn't going to be happy with me. I don't want his anger directed my way when I snuff out his precious one. After all, who wants to fuck with Death.
”
”
Abbi Glines (Existence (Existence, #1))
“
You cannot let anyone know what you are.”
“Gee. Really? I was thinking about updating my Facebook to halfling status.”
He cocked his blondish-white head to the side. “You don’t have a Facebook, Ivy.”
I sighed.
Tink continued, because of course. “I looked for you. Wanted to add you as my friend so I could poke you, and I know people don’t poke anymore, but I think poking is a great way to express how one—
”
”
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
“
Nothing mattered except this moment. She felt invincible, untouchable, like she would be this way forever: young and dancing and electric and alive.
”
”
Katharine McGee (The Thousandth Floor (The Thousandth Floor, #1))
“
Maybe that was just the way love went - it was something that happened to you, and the best preparation you could hope for was the chance to take a deep breath before the wave of it crashed above you and you were in over your head.
”
”
Katharine McGee (The Towering Sky (The Thousandth Floor, #3))
“
The president is selling the country down the river with the help of the Supreme Court. Agree with us or you are a marked traitor. You know the sort of thing, all that tiresome pea-brained nonsense that attracts those people who are so dim-witted that the only way they can understand the world is to believe that it is all some kind of conspiracy.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
“
I’m so sorry,” Gabby whispered. “Don’t be, baby. This was way better than what I had planned anyway.” He moved a stray curl back behind her ear, “I was so upset last night and knew I just needed some time to think, to make sure that this was the right decision.” He leaned down and kissed her head.
”
”
J.B. McGee (Mending (This, #2))
“
Gee, Mom, thanks for the cupcake. By the way, I'm a raging lesbian.
”
”
Kristen Zimmer (The Gravity Between Us)
“
Is there a particular way you'd like to end up on the floor this time?" he asked as he shifted his stance and waited for me to attack. "Or do you just want me to surprise you?"
"Gee, if I get a choice, how about if I end up on top this time?
”
”
Devon Monk (Magic on the Storm (Allie Beckstrom, #4))
“
No fossil is buried with its birth certificate. That, and the scarcity of fossils, means that it is effectively impossible to link fossils into chains of cause and effect in any valid way... To take a line of fossils and claim that they represent a lineage is not a scientific hypothesis that can be tested, but an assertion that carries the same validity as a bedtime story—amusing, perhaps even instructive, but not scientific.
”
”
Henry Gee (In Search of Deep Time (Comstock Books))
“
You'll never think of the old Cain and Abel battle the same way. Day's gripping, compelling, and kick-ass
Eve of Darkness
will have you eagerly awaiting the next book in the series.
”
”
Toni McGee Causey
“
I got really bored, so I decided to pick a theme song! Something appropriate. And naturally, it should be something from Lewis’s godawful seventies collection. It wouldn’t be right any other way. There are plenty of great candidates: “Life on Mars?” by David Bowie, “Rocket Man” by Elton John, “Alone Again (Naturally)” by Gilbert O’Sullivan. But I settled on “Stayin’ Alive” by the Bee Gees.
”
”
Andy Weir (The Martian)
“
Bugs would eat the wax. Chaw the old canvas. And one day there will be a mutation, and we will have new ones that can digest concrete, dissolve steel and suck up the acid puddles, fatten on magic plastics, lick their slow way through glass. Then the cities will tumble and man will be chased back into the sea from which he came...
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
“
You make it seem like it's so easy. Fighting me off while trying to protect the guy behind you. Gee, I wonder how long you're gonna last."
"You don't seem to understand... that fighting this way can bring out the most of your power.
”
”
Satoru Nii (WIND BREAKER, Vol. 6)
“
She liked the way the French fell on her ears, mellifluous and soft. It sounded the way honey tasted.
”
”
Katharine McGee (The Thousandth Floor (The Thousandth Floor, #1))
“
There was something heady about walking up to the mirror as a single person, only to find that when you stood a certain way, you were multiplied into an army.
”
”
Katharine McGee (Majesty (American Royals, #2))
“
Waves can wash away the most stubborn stains, and the stars do not care one way or the other.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
“
In every contact with every other human in every day of your life, you become what you sense they want of you or, if you are motivated the other way, exactly what they do not want.
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
“
The libertarian philosophy doesn't explain the best way to grow a vegetable garden!" Why do some people talk as if there should be one concept or principle which is all you'll ever need to know in order to handle everything in life? Right now the PRIMARY threat to humanity--by a factor of a zillion--is the belief in "authority." And the solution--the ONLY solution--is for people to escape that superstition. Questions like, "But how do we care for the poor?" are 100% logically IRRELEVANT to proving that statism is immoral and destructive. "But gee, if I stop sawing off my toes with this steak knife, how will I balance my checkbook?" Why the hell do people imagine that anarchists have some obligation to explain how every aspect of everyone's life will work, just because they say, "Having a ruling class is immoral and irrational"? When someone tells you to stop advocating evil crap (e.g., statism), they don't suddenly acquire an obligation to explain the whole universe to you, or to guarantee that nothing bad will ever happen to anyone ever again.
”
”
Larken Rose
“
She’d always assumed that falling in love would be like getting slammed into a brick wall. That you’d just be going along as usual and you’d get knocked on your ass and think, Gee, I guess I’m in love. But it hadn’t happened that way. It had just kind of snuck up on her before she’d realized it. It had happened one smile and one touch at a time. One look. One kiss. One pink cat collar. One pinch to the heart and one breathless anticipation after another until she was in so deep there was no denying it. No turning back before it was too late. No more lying about what she felt.
”
”
Rachel Gibson (Tangled Up In You (Truly Idaho, #2; Writer Friends, #3))
“
Only a woman of pride, complexity and emotional tension is genuinely worth the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave.
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
“
Suddenly, they saw its back end drop down, as into a rut, and the gee-pole, with Hal clinging to it, jerk into the air. Mercedes's scream came to their ears. They saw Charles turn and make one step to run back, and then a whole section of ice give way and dogs and humans disappear. A yawning hole was all that was to be seen. The bottom had dropped out of the trail. John Thornton and Buck looked at each other. "You poor devil," said John Thornton, and Buck licked his hand.
”
”
Jack London (The Call of the Wild)
“
Then we were at the fountain - we stop and look up at the many illuminated windows of number 2.
"This is as far as you can walk me," she says. "Thanks for taking me home."
I bowed, not daring to say a word. I doffed my hat and stood bareheaded. I wondered if she would give me her hand.
"Why don't you ask me to walk back with you part of the way?" She says playfully. But she looks down at the tip of her shoe.
"Gee," I answer, "if only you would!"
"Sure, but only a little way."
And we turned around.
I was utterly bewildered, I didn't know which way was up anymore; this person turned all my thinking topsy-turvy. I was enchanted, wonderfully glad; I felt as though I were dying from happiness. She had expressly wanted to go back with me, it wasn't my idea, it was her own wish. I gaze and gaze at her, growing more and more cocky, and she encourages me, drawing me toward her by every word she speaks. I forget for a moment my poverty, my humble self, my whole miserable existence, I feel the blood coursing warmly through my body as in the old days, before I broke down.
”
”
Knut Hamsun (Hunger)
“
It’s funny… when you’re young you spend your life trying to convince yourself you’re not like your parents. And then, every now and then, you’ll do something a certain way, some mannerism, or you’ll say something. When our car broke down upstate, I remember I hit the wheel and said, ‘I’m not made of money!’ And I caught myself and thought, Gee, Louie, you just sounded like Pop. When you’re young and it happens, it drives you crazy. And then you live long enough, and it makes you smile a little.”
He wipes a tear from his eyelashes with the back of his hand.
“That’s a nice part of life,” he says.
”
”
Kenny Porpora (The Autumn Balloon)
“
Well, fuck a duck,” comes Morris’s delighted voice.
I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over.
“I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.”
I narrow my eyes. “He told you about the picture?”
“About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.”
Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this.
“I wish I was gay,” he says ruefully.
A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.”
“Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.”
“Gee, thanks.”
“Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
That’s why I went away—to escape the way I felt about you. I kept hoping that if I just ran far enough, eventually I’d figure out a way to stop loving you.”
“I’m glad it didn’t work.”
“Of course it didn’t work.” He smiled. “There’s no way it ever could.
”
”
Katharine McGee (The Thousandth Floor (The Thousandth Floor, #1))
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
An academic discipline, or any other semiotic domain, for that matter, is not primarily content, in the sense of facts and principles. It is rather primarily a lived and historically changing set of distinctive social practices. It is in these practices that 'content' is generated, debated, and transformed via certain distinctive ways of thinking, talking, valuing, acting, and, often, writing and reading.
”
”
James Paul Gee (What Video Games Have to Teach Us About Learning and Literacy)
“
human intelligence and creativity, today more than ever, are tied to connecting—synchronizing—people, tools, texts, digital and social media, virtual spaces, and real spaces in the right ways, in ways that make us Minds and not just minds, but also better people in a better world.
”
”
James Paul Gee (The Anti-Education Era: Creating Smarter Students through Digital Learning)
“
Everyday I rewrite her name across my ribcage
so that those who wish to break my heart
will know who to answer to later
She has no idea that I’ve taught my tongue to make pennies,
and every time our mouths are to meet
I will slip coins to the back of her throat and make wishes
I wish
that someday
my head on her belly might be like home
like doubt to doubt resuscitation
because time is supposed to mean more than skin
She doesn’t know that I have taught my arms to close around her clocks
so they can withstand the fallout from her Autumn
She is so explosive,
volcanoes watch her and learn
terrorists want to strap her to their chests
because she is a cause worth dying for
Maybe someday
time will teach me to pick up her pieces
put her back together
and remind her to click her heels
but she doesn’t need a wizard to tell her that I was here all along
Lady
let us catch the next tornado home
let us plant cantaloupe trees in our backyard
then maybe together we will realize that we don’t like cantaloupe
and they don’t grow on trees
we can laugh about it
then we can plant things we’ve never heard of
I’ve never heard of a woman
who can make flawed look so beautiful
the way you do
The word smitten is to how I feel about you
what a kiss is to romance
so maybe my lips to yours could be the penance to this confession
because I am the only one preaching your defunct religion
sitting alone at your altar, praising you out of faith
I cannot do this hard-knock life alone
You are all the softness a rock dreams of being
the mistakes the rain makes at picnics
when Mother Nature bears witness in much better places
So yes
I will gladly take on your ocean
just to swim beneath you
so I can kiss the bends of your knees
in appreciation for the work they do
keeping your head above water
”
”
Mike McGee
“
Beatrice caught herself wondering if two people could fall in love this way-by loving the same thing so deeply that their excess love spilled over and drew them towards each other
”
”
Katharine McGee (Majesty (American Royals, #2))
“
McGee is sort of a private eye who lives in Florida on a houseboat he won in a poker game. While solving mysteries, he helps a lot of ladies in distress. The way he helps them is by fucking their brains out and letting them cook his meals, do his laundry, and scrub the deck of his boat for a few weeks. These women, McGee calls them “wounded birds,” are always very grateful that he does this for them.
”
”
Lee Goldberg (Watch Me Die)
“
But guys like Mason McCarthy stayed glued to your brain long after they had left you behind. They charmed their way into your heart and pants with their smooth words and sinister good looks and then ditched you the second you were deemed old news.
Still, I wanted him. That was the scariest part—not his assumed womanizing, not that he could disrupt my life and tear my heart into tiny pieces, but that I would let him.
”
”
Amanda McGee
“
Notice that when the Philistines returned the ark to Israel, they put it on a cart. Nothing is going to happen to them for putting it on a cart. Do you know why? Very candidly, they did not know any better. God is not going to hold them responsible for this act. But Israel knew better, and we will see that God judged the Israelites because of the way they handled the ark. Why the difference? They knew better, friend.
”
”
J. Vernon McGee (Thru the Bible Commentary, Volumes 1-5: Genesis through Revelation)
“
Part Three, that part of formal scientific method called experimentation, is sometimes thought of by romantics as all of science itself because that’s the only part with much visual surface. They see lots of test tubes and bizarre equipment and people running around making discoveries. They do not see the experiment as part of a larger intellectual process and so they often confuse experiments with demonstrations, which look the same. A man conducting a gee-whiz science show with fifty thousand dollars’ worth of Frankenstein equipment is not doing anything scientific if he knows beforehand what the results of his efforts are going to be. A motorcycle mechanic, on the other hand, who honks the horn to see if the battery works is informally conducting a true scientific experiment. He is testing a hypothesis by putting the question to nature. The TV scientist who mutters sadly, “The experiment is a failure; we have failed to achieve what we had hoped for,” is suffering mainly from a bad scriptwriter. An experiment is never a failure solely because it fails to achieve predicted results. An experiment is a failure only when it also fails adequately to test the hypothesis in question, when the data it produces don’t prove anything one way or another.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
“
We were wiped out Ma. He ain't human. My buddy's out there with his throat ripped open to the spine I seen it cut him like a buzz saw not a cop's son for nothing I know when to run and the way Stinky went down screaming for the Virgin to Jesus hope I never see a sight like that again sand sucking him in like a great big... aw gee Ma I almost said a dirty word like a big rectum mother I'm all in. I need one of your Miltowns.
”
”
William S. Burroughs (Exterminator!)
“
BACK IN SCHOOL, I loved ending stories that way. It’s the perfect conclusion, isn’t it? Billy went to school. He had a good day. Then he died. The end. It doesn’t leave you hanging. It wraps everything up nice and neat. Except in my case, it didn’t. Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking. I
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
She leaned back in her chair, watching the sunrise as if it were a private performance intended just for her. And for a moment it felt that way: as if the sun was showing off for her benefit, reminding her how wonderful it was to be young and alive and in New York.
”
”
Katharine McGee (The Towering Sky (The Thousandth Floor, #3))
“
Bad leaders do not typically wake up one morning and say, “Golly gee, I’ve been bad. I need to change my ways.” They will stop being bad only if someone else or something else stops them. And if nothing stops them and no one stops them, they will go from bad to worse.
”
”
Barbara Kellerman
“
We've been instructed to extend you every courtesy, Mr Asano. By all means, feel free to immediately depart via the aperture.” “Well, gee, Shelia. You almost make a guy feel unwanted.” “I’ve been specifically directed not to express that sentiment.” “Oh, you have?” “Yes.” “Someone felt the need to go out of their way to tell you to not tell me that my presence was unwanted?” “They did.” “They mustn’t be aware of our great dynamic.” “Actually, I’ve been quite clear on that issue in my reports, Mr Asano. The aperture is right there, so please go ahead and use it.
”
”
Shirtaloon (He Who Fights with Monsters 5 (He Who Fights with Monsters, #5))
“
The beginning, when everything is new and exciting, and everything in the entire world boils down to sweet feathering lips and quiet sighs. When the stars fade and the earth ceases to turn, its axis forgotten in the wake of things like: which way will you lean and which way will my neck naturally turn, and is it possible that I can actually detect your fingerprints, because my skin seems so alive right now and my nose just brushed yours and the tiny groan that just rumbled from deep in your chest is the most erotic sound imaginable, and gee your hair smells terrific. I
”
”
Alice Clayton (Nuts (Hudson Valley, #1))
“
Albion Park on a fierce spring morning. A mad March day of ice and fire. Thomas's feet beat a tattoo on the path. Every hair, every bristle on his chin stands on end. He is a small star-ship of blazing neurons- He is a librarian on his way to work, half-blind with sun and cold and memory.
”
”
Maggie Gee
“
There was a downpour coming; Avery could feel it. The wind was already gaining strength, tearing out the last of her hairpins, whipping her dress close to her body. The air was heavy with the scent of rain. Avery's thoughts circled frantically in her mind, pressing so hard she thought she would burst.
A falcon that had been perched farther along the railing turned a beady eye on her, curious. Avery watched it unfurl its wings and take off. She felt a sudden kinship with the bird, the way it flew screaming into the sky like a wild thing. She wished she could follow it straight into the gathering storm.
”
”
Katharine McGee (The Thousandth Floor (The Thousandth Floor, #1))
“
The biggest and most important reason in the world is to be together with someone in a way that makes life a little less bleak and solitary and lonesome. To exchange the I for We. In the biggest sense of the word, it's cold outside. And kindness and affection and gentleness build a nice warm fire inside.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
“
Jacob intended to carry the luggage, and Edom announced that he would carry Barty. The boy, however, insisted on making his own way to the house. “But, Barty,” Edom fretted, “it’s dark.” “It sure is,” Barty said. When only a mortified silence followed his remark, he added: “Gee, I thought that was kinda funny.
”
”
Dean Koontz (From the Corner of His Eye)
“
You said if X has something valuable and Y comes along and takes it away from him, and there is absolutely no way in the world X can ever get it back, then you come along and make a deal with X to get it back, and keep half. Then you just … live on that until it starts to run out. Is that the way it is, really?
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
“
When did you know you were a girl? When did I know I was a boy?" he said. "I knew my whole life. I can't tell you exactly when, but it wasn't like I was ten and realized, 'Oh gee, I must be a boy!' What people fail to realize is they made that decision way earlier than that. It just happened that their gender identity and their anatomy matched.
”
”
Jaime A. Seba (Feeling Wrong in Your Own Body: Understanding What It Means to Be Transgender (The Gallup's Guide to Modern Gay, Lesbian, & Transgender Lifestyle))
“
I smiled, then shivered. “It’s dark so early these days.”
“Today’s Winter Solstice—shortest day of the year.”
“Gee, thanks a lot. Way to pick the shortest day of the bleeping year for my birthday.”
He laughed and put his arms around me. “Ah, but the longest night . . .”
“Scandalous!”
He blinked innocently at me. “What? More time for movies, right?”
“Sure . . .
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
And he kissed me . . . slow. Agonizingly, maddeningly, painfully slow.
I loved kissing. I also loved what it usually led to, but I was especially loving this part with Leo. The beginning, when everything is new and exciting, and everything in the entire world boils down to sweet feathering lips and quiet sighs. When the stars fade and the earth ceases to turn, its axis forgotten in the wake of things like: which way will you lean and which way will my neck naturally turn, and is it possible that I can actually detect your fingerprints, because my skin seems so alive right now and my nose just brushed yours and the tiny groan that just rumbled from deep in your chest is the most erotic sound imaginable, and gee your hair smells terrific
”
”
Alice Clayton (Nuts (Hudson Valley, #1))
“
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
”
”
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
“
Only a woman of pride, complexity and emotional tension is genuinely worth the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave. I love you can be said only two ways.
Travis McGee, The Deep Blue Good-By, 1964
”
”
Travis McGee
“
At that moment, Bobbie Faye felt an unbridled hatred for every movie heroine who'd ever raced away from he villain in Jimmy Choo shoes, looking perfectly coiffed and ready for an afternoon tea. That was just wrong. When the pain finally got to her, she tossed pride way the hell away and pressed her free arm across her chest to hold her boobs a little steadier. Unfortunately, that shortened her reach and she was unable to block briars and limbs and vines at face-level. Unwilling to admit defeat, Bobbie Faye held her forearm across her breasts while twisting her wrist so that her hand flapped in front of her to help with deflecting the underbrush, all while holding her hair with the other hand. She hadn't quite perfected the coordination of running to flapping when Trevor glanced over his shoulder. As he turned away, she distinctly heard something that sounded a little too much like 'spastic, hobbled penguin.
”
”
Toni McGee Causey (Bobbie Faye's Very (very, very, very) Bad Day (Bobbie Faye, #1))
“
Well, good luck,’ the Vietnam verbal tic...It was as though people couldn’t stop themselves from saying it, even when they actually meant to express the opposite wish, like, ‘Die, motherfucker.’ Usually it was only an uninhabited passage of dead language, sometimes it came out five times in a sentence, like punctuation, often it was spoken flat side up to telegraph the belief that there wasn’t any way out; tough shit, sin loi, smack it, good luck. Sometimes, though, it was said with such feeling and tenderness that it could crack your mask, that much love where there was so much war. Me too, every day, compulsively, good luck: to friends in the press corps going out on operations, to grunts I’d meet at firebases and airstrips, to the wounded, the dead and all the Vietnamese I ever saw getting fucked over by us and each other, less often but most passionately to myself, and though I meant it every time I said it, it was meaningless. It was like telling someone going out in a storm not to get any on him, it was the same as saying, ‘Gee, I hope you don’t get killed or wounded or see anything that drives you insane.’ You could make all the ritual moves, carry your lucky piece, wear your magic jungle hat, kiss your thumb knuckle smooth as stones under running water, the Inscrutable Immutable was still out there, and you kept on or not at its pitiless discretion. All you could say that wasn’t fundamentally lame was something like, ‘He who bites it this day is safe from the next,’ and that was exactly what nobody wanted to hear.
”
”
Michael Herr (Dispatches)
“
In my return to church, I had learned the hard way to avoid assumptions about other people's faith. For one thing, people kept surprising me. If I listened carefully to them, my conjectures about what they thought usually turned out to be wrong. For another thing, I was insecure enough about my own faith, such as it was, to resent other people telling me what they thought I believed and why they thought I believed it. So I tried to hear what my friends say about joining their loved ones after death without assuming I knew exactly what they meant.
”
”
Margaret D. McGee
“
Watt settled in, finding his rhythm, his fingers flying across the touch screen as he manipulated pieces of invisible information, like pulling on the strings of a massive, intricate net. He and Nadia worked well together. Even as he made his way slowly and methodically through the hack, Watt could feel her there, a ghostly presence, like the light of a candle flickering just at the edge of his vision. He lost all sense of time and place, his entire being reduced to the string of numerics on the screen before him, waiting for the flash of intuition that would enable him to see a pattern, a blind spot, anything at all.
”
”
Katharine McGee (The Thousandth Floor (The Thousandth Floor, #1))
“
Mama, please let me get it bobbed," begged Francie.
"It took you fourteen years to grow that hair," said mama, "and I'll not let you have it cut off."
"Gee, Mama, you're 'way behind the time."
"Why do you want short hair like a boy?"
"It would be easier to care for."
"Taking care of her hair should be a woman's pleasure."
"But Katie," protested Sissy, "all the girls are bobbing their hair nowadays."
"They're fools, then. A woman's hair is her mystery. Daytimes, it's pinned up. But at night, alone with her man, the pins come out and it hangs loose like a shining cape. It makes her a special secret woman for the man.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
We want out. In the end, it’s that simple. We want out, where the law is, where you prosper or you fail according to your own merits as a person. Is that so damned much? I don’t want white friends. I don’t want to socialize. You know how white people look to me? The way albinos look to you. I hope never to find myself in a white man’s bed. I don’t want to integrate. I just don’t want to feel segregated. We’re after our share of the power structure of this civilization, Mr. McGee, because, when we get it, a crime will merit the same punishment whether the victim is black or white, and hoods will get the same share of municipal services, based on zoning, not color. And a good man will be thought a credit to the human race. Sorry. End of lecture. The housemaid has spoken.
”
”
John D. MacDonald (Darker Than Amber (Travis McGee, #7))
“
Such gratitude! It hurt me to see you lose your professional standing, McGee. Like you were going soft and sentimental. So, through my own account, I put us into Fletcher and rode it up nicely and took us out, and split the bonus right down the middle. It's short-term. It's a check. Pay your taxes. Live a little. It's a longer retirement this time. We can gather up a throng and go blundering around on this licentious craft and get the remorses for saying foolish things while in our cups. We had a salvage contract, idiot, and the fee is comparatively small but fair."
"And you are comparatively large but fair."
"I think of myself that way. Where did the check go? Into the pocket so fast? Good." he looked at his watch. "I am taking a lady to lunch. Make a nice neat deck there, Captain." And away he went, humming.
”
”
John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
“
I have an odd request for you." I said hesitantly while considering the next words I would use. "Could I ride you?" I asked nervously. Bob broke out in laughter before responding. "Gee, Boss, I didn't know you felt that way. What'll the girls say? I don't want them to think I'm a slut." Damnit, I knew it would end up like this, but it was still better than asking if I could use him as a mount. I sighed and rubbed my face with my hand as I responded. "You know what I mean, like a horse." "I didn't know you did that with horses, too! Maybe you're the slut." Bob said, still chuckling. "Come on, Bob." "Isn't that what you're trying to do?" He was now practically cackling. "Okay, okay, I admit it. You're just too damn pretty. I can't wait to get on top of you and pull your hair as I ride you in front of everyone." I said, now also laughing.
”
”
John Domus Cruo (A Flesh Golem's Ascension (Deathcreator #1))
“
I thundered hot water into the big tub, setting up McGee's Handy Home Treatment for Melancholy. A deep hot bath, and a strong cold drink, and a book on the tub rack. Who needs the Megrims? Surely not McGee, not that big brown loose-jointed, wirehaired beach rambler, that lazy fishcatching, girlwatching, grey-eyed iconoclastic hustler. Stay happy, McGee, while you use up the stockpiled cash. Borrow a Junior from Meyer for the sake of coziness. Or get dressed and go over to the next doc, over to the big Wheeler where the Alabama Tiger maintains his permanent floating house party and join the festive pack. Do anything, but stop remembering the way Sam Taggart looks with all the wandering burned out of him. Stop remembering the sly shy way Nicki would walk toward you, across a room. Stop remembering the way Lois died. Get in there and have fun, fella. While there's fun to have. While there's some left. Before they deal you out.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
“
gee i like to think of dead"
gee i like to think of dead it means nearer because deeper
firmer since darker than little round water at one end of
the well it's too cool to be crooked and it's too firm
to be hard but it's sharp and it's thick and it loves, every
old thing falls in rosebugs and jackknives and kittens and
pennies they all sit there looking at each other having the
fastest time because they've never met before
dead's more even than how many ways of sitting on
your head your unnatural hair has in the morning
dead's clever too like POF goes the alarm off and the
little striker having the best time tickling away every-
body's brain so everybody just puts out their finger
and they stuff the poor thing all full of fingers
dead has a smile like the nicest man you've never met
who maybe winks at you in a streetcar and you pretend
you don't but really you do see and you are My how
glad he winked and hope he'll do it again
or if it talks about you somewhere behind your back it
makes your neck feel all pleasant and stoopid and if
dead says may i have this one and was never intro-
duced you say Yes because you know you want it to
dance with you and it wants to and it can dance and
Whocares
dead's fine like hands do you see that water flowerpots
in windows but they live higher in their house than
you so that's all you see but you don't want to
dead's happy like the way underclothes All so differ-
ently solemn and inti and sitting on one string
dead never says my dear,Time for your musiclesson
and you like music and to have somebody play who
can but you know you never can and why have to?
dead's nice like a dance where you danced simple hours
and you take all your prickley-clothes off and squeeze-
into-largeness without one word and you lie still as
anything in largeness and this largeness begins to
give you,the dance all over again and you,feel all again
all over the way men you liked made you feel when they
touched you(but that's not all)because largeness tells
you so you can feel what you made,men feel when,you
touched,them
dead's sorry like a thistlefluff-thing which goes land-
ing away all by himself on somebody's roof or some-
thing where who-ever-heard-of-growing and nobody
expects you to anyway
dead says come with me he says(and why ever not)into
the round well and see the kitten and the penny and
the jackknife and the rosebug
and you say Sure you
say (like that) sure i'll come with you you say for i
like kittens i do and jackknives i do and pennies i do
and rosebugs i do
E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.
”
”
E.E. Cummings (100 Selected Poems)
“
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion."
...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would.
Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do.
Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say:
"You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come."
And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
”
”
Elizabeth Gilbert
“
I touched my hairline. Maybe she was right. Maybe it had receded somewhat. Or was it my imagination? Something new to worry about. “What do you mean?” I asked. “How can I be careful?” “You can’t, I guess. There’s nothing you can do. There’s no way to prevent baldness. Guys who are going to go bald go bald. When their time comes, that’s it: they just go bald. There’s nothing you can do to stop it. They tell you you can keep from going bald with proper hair care, but that’s bullshit. Look at the bums who sleep in Shinjuku Station. They’ve all got great heads of hair. You think they’re washing it every day with Clinique or Vidal Sassoon or rubbing Lotion X into it? That’s what the cosmetics makers will tell you, to get your money.” “I’m sure you’re right,” I said, impressed. “But how do you know so much about baldness?” “I’ve been working part time for a wig company. Quite a while now. You know I don’t go to school, and I’ve got all this time to kill. I’ve been doing surveys and questionnaires, that kind of stuff. So I know all about men losing their hair. I’m just loaded with information.” “Gee,” I said. “But you know,” she said, dropping her cigarette butt on the ground and stepping on it, “in the company I work for, they won’t let you say anybody’s ‘bald.’ You have to say ‘men with a thinning problem.’ ‘Bald’ is discriminatory language. I was joking around once and suggested ‘gentlemen who are follically challenged,’ and boy, did they get mad! ‘This is no laughing matter, young lady,’ they said. They’re so damned seeerious. Did you know that? Everybody in the whole damned world is so damned serious.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me.
“Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes.
“You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face.
“Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair.
Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying.
“Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.”
“I don’t know what you mean. And I don’t do cute.”
Darius snorted at me. “You look like you got dressed in the dark…”
“Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark.
“Well… You’re not wearing any makeup.”
“I…woke up late, so-”
“I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.”
I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment.
“If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex.
“As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.”
My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run.
Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace.
Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run?
I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often.
This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible.
Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it.
My mind twisted around and around as we ran on and I cursed the stars out with everything I had.
But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could?
Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy.
Fuck it.
We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back.
(Tory)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
In Gee’s Bend, Alabama, he bent an ear to church-mother Mrs. Eugene Witherspoon, who informed him that "watery grits goes with sleazy ways.
”
”
John Egerton (Cornbread Nation 1: The Best of Southern Food Writing)
“
Formal schooling tends to demand that humans use their memories the way computers do, rather than the way humans do. This, too, can make people seem stupid.
”
”
James Paul Gee (The Anti-Education Era: Creating Smarter Students through Digital Learning)
“
In the final quarter of our century that life-and-death engagement with leadership has given way to the cult of personality, to a “gee whiz” approach to celebrities.
”
”
James MacGregor Burns (Leadership)
“
Then I died. The end.
Back in school, I loved ending stories that way.
It's the perfect conclusion, isn't it? "Billy went to school. He had a good day. then he died. The end."
It doesn't leave you hanging. It wraps everything up nice and neat.
Except in my case, it didn't.
Maybe you're thinking, "Oh, Magnus, you didn't really die. Otherwise you couldn't be narrating this story. You just came close. You were miraculously rescued, blah, blah, blah."
Nope. I actually died. One hundred percent. Guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water.
The medical term for that is dead.
"Gee, Magnus, what did it feel like?"
It hurt. A lot. Thanks for asking.
”
”
Rick Riordan (Magnus Chase and the Gods of Asgard (Magnus Chase and the Gods of Asgard, #1-3))
“
Here’s the information: To practice Wim Hof’s breathing method, start by finding a quiet place and lying flat on your back with a pillow under your head. Relax the shoulders, chest, and legs. Take a very deep breath into the pit of your stomach and let it back out just as quickly. Keep breathing this way for 30 cycles. If possible, breathe through the nose; if the nose feels obstructed, try pursed lips. Each breath should look like a wave, with the inhale inflating the stomach, then the chest. You should exhale all the air out in the same order. At the end of 30 breaths, exhale to the natural conclusion, leaving about a quarter of the air left in the lungs, then hold that breath for as long as possible. Once you’ve reached your breathhold limit, take one huge inhale and hold it another 15 seconds. Very gently, move that fresh breath of air around the chest and to the shoulders, then exhale and start the heavy breathing again. Repeat the whole pattern three or four rounds and add in some cold exposure (cold shower, ice bath, naked snow angels) a few times a week. This flip-flopping—breathing all-out, then not at all, getting really cold and then hot again—is the key to Tummo’s magic. It forces the body into high stress one minute, a state of extreme relaxation the next. Carbon dioxide levels in the blood crash, then they build back up. Tissues become oxygen deficient and then flooded again. The body becomes more adaptable and flexible and learns that all these physiological responses can come under our control. Conscious heavy breathing, McGee told me, allows us to bend so that we don’t get broken.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
I think it is a lot of money. We’re all still carnivorous, and money is the meat. If there’s a lot of money and any possible way to get at it, I think people will do some strange warped things. Hardly anybody is really immune to the hunger, not if there’s enough in view. I know I’m not.” “Is that one of those facts of life
”
”
John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
“
Here’s the information: To practice Wim Hof’s breathing method, start by finding a quiet place and lying flat on your back with a pillow under your head. Relax the shoulders, chest, and legs. Take a very deep breath into the pit of your stomach and let it back out just as quickly. Keep breathing this way for 30 cycles. If possible, breathe through the nose; if the nose feels obstructed, try pursed lips. Each breath should look like a wave, with the inhale inflating the stomach, then the chest. You should exhale all the air out in the same order. At the end of 30 breaths, exhale to the natural conclusion, leaving about a quarter of the air left in the lungs, then hold that breath for as long as possible. Once you’ve reached your breathhold limit, take one huge inhale and hold it another 15 seconds. Very gently, move that fresh breath of air around the chest and to the shoulders, then exhale and start the heavy breathing again. Repeat the whole pattern three or four rounds and add in some cold exposure (cold shower, ice bath, naked snow angels) a few times a week. This flip-flopping—breathing all-out, then not at all, getting really cold and then hot again—is the key to Tummo’s magic. It forces the body into high stress one minute, a state of extreme relaxation the next. Carbon dioxide levels in the blood crash, then they build back up. Tissues become oxygen deficient and then flooded again. The body becomes more adaptable and flexible and learns that all these physiological responses can come under our control. Conscious heavy breathing, McGee told me, allows us to bend so that we don’t get broken. •
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
Paying close attention to WTP throughout the customer journey allows you to see opportunities for increasing customer delight in a myriad of ways. Motivating consumers to purchase a product and facilitating its sale (by placing vending machines before the turnstiles) is a far narrower concern than the ambition to create a great customer experience. Recognizing
”
”
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
“
Managers who pay attention to WTP consider the entire customer journey and search for opportunities to create value at every step along the way.
”
”
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
“
In the early days of studying companies that benefit from network effects, many investors assumed these companies were poised to dominate their markets. Scaling quickly without any regard for profitability became the mantra.16 This approach is deeply flawed for two reasons. In chapter 8, we observed how geography often limits the power of network effects. In this chapter, we have seen that markets with network effects often remain competitive because small players find ways to persist.
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Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
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We are now able to train for the ‘why’ behind the way we do things.
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Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
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The late Richard Feynman, a superb physicist, said once as we talked about the laser that the way to tell a great idea is that, when people hear it, they say, 'Gee, I could have thought of that.
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Charles Townes
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Nina had hastily changed out of her shorts and into a gown, which she’d bought online last month; after the way her last dress had been mysteriously “canceled,” she no longer trusted the boutiques in the capital.
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Katharine McGee (Majesty (American Royals, #2))
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to Tommy Dorsey and Albert Ammons and Benny Goodman and the Platters and Doris Day. I changed my mind about the good old days. They were great. Or think about it this way: Would you rather listen to Lionel Hampton or a guy bouncing up and down while grabbing his crotch? Gee, I don’t know.
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James Lee Burke (Clete (Dave Robicheaux, #24))
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You have to really listen. In a posture of gratitude. And it is such a rare and startling experience for them, such a boon to ego, such a gratification of self, to find a genuine listener, that they want to prolong the experience. And the only way to do that is to keep talking. A good listener is far more rare than an adequate lover.
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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There is only one way to make people talk more than they care to. Listen. Listen with hungry earnest attention to every word. In the intensity of your attention, make little nods of agreement, little sounds of approval. You can’t fake it. You have to really listen. In a posture of gratitude. And it is such a rare and startling experience for them, such a boon to ego, such a gratification of self, to find a genuine listener, that they want to prolong the experience. And the only way to do that is to keep talking. A good listener is far more rare than an adequate lover.
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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God spoke, and the world was formed. He said, “Let there be light,” and light appeared. The earth is no longer void because God sovereignly created its abundance. In the same way, we were condemned, but now we are declared righteous!
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Robert S. McGee (The Search for Significance: Seeing Your True Worth Through God's Eyes)
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- Hi is Mrs Eigen here?
- All out of them.
- Oh, then would, would you like to buy some greeting cards then?
- Tom got a boy here selling greeting cards, what grade are you in.
- Six M, Mrs Manzinel ...
- Tom boy out here working his way through six N selling greeting cards. What's the greetings.
- Well see these are all occasion cards, like for all different occasions they're all ...
- All occasion cards Tom, got them for all different occasions.
- Like birthdays, anniversary, you know all these different occasions like ..
- Got a friend jumped out a window, got a card for that?
- Well gee I, maybe get well...
- Can't get well, went home and hung himself got a card for that?
- Well gee I, I don't think so but maybe you could ...
- Got a woman on alimony sleeping with a book salesman hell of an occasion, got a card for that?
- Well gee I, like here's sympathy maybe you could ..
- Jack God damn it what are you, hello Chris what is it.
- Oh hi Mister Eigen I, I was just selling these greeting cards ...
- Says they're for all occasions Tom but every God damned occasion I can think of is ...
- Jack shut up will you?
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William Gaddis (J R)
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Halfway through the day, Megan started dicking around on the internet. She
made her browser window as small as she could, paused for a second, and then
looked up “Carrie Wilkins.” She found Carrie’s website, and on it, this bio:
Hi, my name’s Carrie. I’m 26. I make things. I paint and I write, but mostly I
design. I like to make things beautiful, or creative. I make my own food and I’m
trying to grow my own beets. A lot of people around me seem unhappy and I
don’t understand why. I freelance because I know I’d go insane if I couldn’t
make my own schedule—I believe variety is the zest of life. I know I want a dog
someday soon, and sometimes I make lunch at 3 a.m.
I believe in the power of collaboration, and I’d love to work with you!
What a total asshole. What does she have, some kind of a pact with Satan?
The picture next to Carrie’s bio had some kind of heavy filter on it that made
it look vintage, and she had a friendly but aloof look on her face. She was
flanked on both sides by plants and was wearing an oxford shirt with fancy
shorts and had a cool necklace. It was an outfit, for sure, like all of Carrie’s
clothes were outfits, which Megan always thought of as outdated or something
only children did.
The website linked to a blog, which was mostly photos of Carrie doing
different things. It didn’t take too long to find the picture of her with the llama
with a caption about how she and her boss got it from a homeless guy.
And then just products. Pictures and pictures of products, and then little
captions about how the products inspired her.
Motherfucker, thought Megan. She doesn’t get it at all. It was like looking at
an ad for deodorant or laundry soap that made you feel smelly and like you’d
been doing something wrong that the person in the ad had already figured out,
but since it was an ad, there was no real way to smell the person and judge for
yourself whether or not the person stank, and that was what she hated, hated,
hated most of all.
I make things, gee-wow. You think you’re an artist? Do you really thing this
blog is a representation of art, that great universalizer? That great transmigrator?
This isolating schlock that makes me feel like I have to buy into you and your
formula for happiness? Work as a freelance designer, grow beets, travel, have
lots of people who like you, and above all have funsies!
“Everything okay?” asked Jillian.
“Yeah, what?”
“Breathing kind of heavy over there, just making sure you were okay and
everything.”
“Oh, uh-huh, I’m fine,” said Megan.
“It’s not . . . something I’m doing, is it?”
“What? No. No, I’m fine,” said Megan.
How could someone not understand that other people could be unhappy?
What kind of callous, horrible bullshit was that to say to a bunch of twenty-yearolds, particularly, when this was the time in life when things were even more
acutely painful than they were in high school, that nightmare fuck, because now
there were actual stakes and everyone was coming to grips with the fact that
they’re going to die and that life might be empty and unrewarding. Why even
bring it up? Why even make it part of your mini-bio?
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Halle Butler (Jillian)
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Many females have a problem not only with stereotypes, but with other people’s opinions of them in general. They trust them too much... This vulnerability afflicts many of the most able, high-achieving females. Why should this be? When they’re little, these girls are often so perfect, and they delight in everyone’s telling them so. They’re so well behaved, they’re so cute, they’re so helpful, and they’re so precocious. Girls learn to trust people’s estimates of them. “Gee, everyone’s so nice to me; if they criticize me, it must be true.” Even females at the top universities in the country say that other people’s opinions are a good way to know their abilities.
Boys are constantly being scolded and punished. When we observed in grade school classrooms, we saw that boys got eight times more criticism than girls for their conduct. Boys are also constantly calling each other slobs and morons. The evaluations lose a lot of their power.
Even when women reach the pinnacle of success, other people’s attitudes can get them... The fixed mindset, plus stereotyping, plus women’s trust in people’s assessments: I think we can begin to understand why there’s a gender gap in math and science.
That gap is painfully evident in the world of high tech. Julie Lynch, a budding techie, was already writing computer code when she was in junior high school. Her father and two brothers worked in technology, and she loved it, too. Then her computer programming teacher criticized her. She had written a computer program and the program ran just fine, but he didn’t like a shortcut she had taken. Her interest evaporated. Instead, she went on to study recreation and public relations.
Math and science need to be made more hospitable places for women. And women need all the growth mindset they can get to take their rightful places in these fields.
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Carol S. Dweck (Mindset: The New Psychology of Success)
Paul McGee (How to Have a Great Life: 35 Surprisingly Simple Ways to Success, Fulfillment and Happiness)
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Jack ignored him. He called out an encouragement to his girls, trotting on their ponies. He felt Cliff shifting beside him. Silence was how Jack dealt with needy, desperate clients. No one had taught him that; he had always known it was the smoothest way to get the result you wanted, particularly when dealing with volatile, emotional people.
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Poppy Gee (Vanishing Falls)
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The death of an infant, however, causes all of us to struggle with the will and purpose of God. It seems strange that God would grant the gift of life and then cause it to be snuffed out before it could blossom into a stage of usefulness. But we can be sure that there is a purpose in such a life, even if it is not immediately discernible. James Vernon McGee again says that when a shepherd seeks to lead his sheep to better grass up the winding, thorny mountain paths, he often finds that the sheep will not follow him. They fear the unknown ridges and the sharp rocks. The shepherd will then reach into the flock and take a little lamb on one arm and another on his other arm. Then he starts up the precipitous pathway. Soon the two mother sheep begin to follow, and afterward the entire flock. Thus they ascend the tortuous path to greener pastures. So it is with the Good Shepherd. Sometimes He reaches into the flock and takes a lamb to Himself. He uses the experience to lead His people, to lift them to new heights of commitment as they follow the little lamb all the way home.
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Erwin W. Lutzer (One Minute After You Die)