“
Unnerved, Summerset moved quickly to the communication center. "Roarke, the lieutenant has just come in from outside. She wore no outer gear. She looks very bad."
"Where is she?"
"She's heading up. Roarke, I insulted her and...she apologized to me. Something must be done.
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger .
"I heard a rumor."
"What's that?" I struggled to get out.
"It's your birthday."
Terrified speaking would break the spell, I licked my suddenly dry lips and nodded.
"Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
As dull as Nate Gray is," Will said, "his head is not actually filled with gears, Henry. He's a human.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
What happened?" I asked. "What did you say?"
Roger put the key in the ignition and looked over at me. "I told her good-bye," he said. Then he started the car and put in in gear, and we headed out.
”
”
Morgan Matson (Amy & Roger's Epic Detour)
“
[Ranger] "How's your mental health?" he asked. "I heard about Soder."
[Stephanie] "I'm rattled."
"I have a cure."
Oh, boy.
He put the truck in gear and headed for the exit. "I know what you're thinking," he said. "And that wasn't where I was going. I was going to suggest work."
"I knew that."
He looked over at me and grinned. "You want me bad."
I did. God help me.
”
”
Janet Evanovich
“
What's the Nephilim motto again?"
"'We are dust and shadows,'" said Ty, not looking up from his book.
"Some of us are very handsome dust," Jace added, as the door flew open and Clary stuck her head in.
"Come to the library," she announced. "The tentacle is starting to dissolve."
"You drive me wild with your sexy talk," said Jace, pulling on his gear jacket.
"Adults," said Kit, with some disgust, and stalked out of the room. To Emma's amusement, Ty and Livvy were instantly on their feet, following him.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Father . . . ," Gabriel began. "Father is a worm."
Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it."
Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?"
Gabriel shook his head. "He's a worm," he said again, tonelessly.
"I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him."
Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?"
"Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
“
Maybe you can explain to me what is so spectacular about her, because you gay girls can’t seem to keep your hands off that daffy redhead.
”
”
Cassandra Duffy (The Gunfighter and The Gear-Head)
“
The-what? You went over my head?"
"It wasn't easy, I assure you," said Uncle Mort, shifting the car into gear. "That thing gets bigger every day.
”
”
Gina Damico (Scorch (Croak, #2))
“
America glanced at Travis before shoving the Honda into gear. “Look at him,” she said, shaking her head. “Travis Maddox: Mr. Mom.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Of course, even when you see the world as a trap and posit a fundamental separation between liberation of self and transformation of society, you can still feel a compassionate impulse to help its suffering beings. In that case you tend to view the personal and the political in a sequential fashion. "I'll get enlightened first, and then I'll engage in social action." Those who are not engaged in spiritual pursuits put it differently: "I'll get my head straight first, I'll get psychoanalyzed, I'll overcome my inhibitions or neuroses or my hang-ups (whatever description you give to samsara) and then I'll wade into the fray." Presupposing that world and self are essentially separate, they imagine they can heal one before healing the other. This stance conveys the impression that human consciousness inhabits some haven, or locker-room, independent of the collective situation -- and then trots onto the playing field when it is geared up and ready.
It is my experience that the world itself has a role to play in our liberation. Its very pressures, pains, and risks can wake us up -- release us from the bonds of ego and guide us home to our vast, true nature. For some of us, our love of the world is so passionate that we cannot ask it to wait until we are enlightened.
”
”
Joanna Macy (World as Lover, World as Self)
“
I love the inconvenience the same way that I sneakingly love a bad cold: the irresistible disruption to mundane life, forcing you to stop for a while and step outside your normal habits. I love the visual transformation it brings about, that recolouring of the world into sparkling white, the way that the rules change so that everybody says hello as they pass. I love what it does to the light, the purplish clouds that loom before it descends, and the way it announces itself from behind your curtains in the morning, glowing a diffuse whiteness that can only mean snow. Heading out in a snowstorm to catch the flakes on my gloves, I love the feeling of it fresh underfoot. I am rarely childlike and playful except in snow. It swings me into reverse gear.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
People spend thousands of dollars on stereos. Sometimes tens of thousands. There is a specialist industry right here in the States which builds stereo gear to a standard you wouldn't believe. Tubed amplifiers which cost more than a house. Speakers taller than me. Cables thicker than a garden hose. Some army guys had that stuff. I'd heard it on bases around the world. Wonderful. But they were wasting their money. Because the best stereo in the world is free. Inside your head. It sounds as good as you want it to. As loud as you want it to be.
”
”
Lee Child (Killing Floor (Jack Reacher #1))
“
We humans have known since time immemorial something that science is only now discovering: our gut feeling is responsible in no small measure for how we feel. We are “scared shitless” or we can be “shitting ourselves” with fear. If we don’t manage to complete a job, we can’t get our “ass in gear.” We “swallow” our disappointment and need time to “digest” a defeat. A nasty comment leaves a “bad taste in our mouth.” When we fall in love, we get “butterflies in our stomach.” Our self is created in our head and our gut—no longer just in language, but increasingly also in the lab.
”
”
Giulia Enders (Gut: The Inside Story of Our Body’s Most Underrated Organ)
“
A ring-whorled prow rode in the harbour,
ice-clad, outbound, a craft for a prince.
They stretched their beloved lord in his boat,
laid out by the mast, amidships,
the great ring-giver. Far fetched treasures
were piled upon him, and precious gear.
I have never heard before of a ship so well furbished
with battle tackle, bladed weapons
and coats of mail. The massed treasure
was loaded on top of him: it would travel far
on out into the ocean's sway.
They decked his body no less bountifully
with offerings than those first ones did
who cast him away when he was a child
and launched him alone over the waves.
And they set a gold standard up
high above his head and let him drift
to wind and tide, bewailing him
and mourning their loss. No man can tell,
no wise man in hall or weathered veteran
knows for certain who salvaged that load.
”
”
Seamus Heaney (Beowulf)
“
She stood like a knight in a painting, her head bowed and her sword at her side, blood spattering her gear, her hair half-torn out of its bindings, floating down around her.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.
”
”
Max Barry (Company)
“
They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that."
No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said.
"I have a shower in my cabin, too," Nate said.
Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?"
"Oh," said Nate.
”
”
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
“
Onua smiled. She knew an old grievance when she heard one. “Then why wear ’em? Get yourself breeches and a shirt like me.” Daine gaped at her. “Men’s gear? With folk talking about me all the time as is?” Onua shook her head. “You’re not home now. The rules have changed.” Daine opened her mouth to object—then closed it. She looked at her skirts. To be rid of them, and the petticoats . . . it hit her, really hit her, that she was free of Snowsdale. What could they do to her now?
”
”
Tamora Pierce (Wild Magic (Immortals, #1))
“
Time if the inner form of animal sense that animates events-the still frames-of the spatial world. The mind animates the world like the motor and gears of a projector. Each weaves a series of still pictures-a series of spatial states-into an order, into the 'current' of life. Motion is created in our minds by running "film cells" together. Remember that everything you perceive-even this page-is actively, repeatedly, being constructed inside your head. It's happening to you right now. Your eyes cannot see through the wall of the cranium; all experience including visual experience is an organized whirl of information in your brain. If your mind could stop its "motor" for a moment, you'd get a freeze frame, just as the movie projector isolated the arrow in one position with no momentum. In fact, time can be defined as the inner summation of spatial states.
”
”
Robert Lanza (Biocentrism: How Life and Consciousness Are the Keys to Understanding the True Nature of the Universe)
“
I hate shopping for clothes," Kate said. "I liked when I was in the military and all I needed was camouflage gear."
"Shopping can be fun. Especially when it's for a con. It's the first step in creating a character. Isn't there anything you enjoy buying? Lingerie? Shoes? Jewelry?"
"Shoes are okay. I don't have to take my clothes off to try them on."
"You don't like to take your clothes off?"
"It's the lighting in the dressing rooms. It makes you look fat and anemic. And pulling clothes on and off wrecks my hair."
Nick put his hand on her head and ruffled her hair. "Like this?"
Kate jumped away. "Stop it! I have enough hair problems without you making it worse."
"Maybe if you ran a brush through it once in a while."
"Maybe if you'd keep your hands off it!"
Nick grinned and hugged her into him. "Are we a team, or what? Stick with me and I'll get you to enjoy taking your clothes off."
"You're flirting with me."
"Stating a fact," Nick said.
”
”
Janet Evanovich (The Heist (Fox and O'Hare, #1))
“
This was what it would be like to hang out at a superhero convention? Nicola nursed her beer and watched. They were all dressed head-to-toe in varying versions of tactical gear. Tight shirts, pants with too many pockets. She was sure there was enough firepower to invade a small country stashed in their vehicles.
”
”
Cristin Harber (Garrison's Creed (Titan, #2))
“
As I walked up toward the band kids, Ben shouted, ''Jacobsen, was I dreaming or did you-'' I gave him the slightest shake of my head and he changed gears mid sentence- ''and me go on a wild adventure to French Polynesia last night, traveling in a sailboat made of bananas?''
''That was one delicious sailboat,'' I answered.
”
”
John Green (Paper Towns)
“
extreme zombie fighting” kit. Tactical boots and tacticals. Firefighting bunker gear. Nomex head cover tucked under the collar of the bunker gear. Full face respirator. Helmet with integrated visor. Body armor with integral MOLLE. Knee, elbow and shin guards. Nitrile gloves. Tactical gloves. Rubber gloves. Assault pack with hydration unit. Saiga shotgun on friction strap rig. A .45 USP in tactical fast-draw holster. Two .45 USP in chest holsters. Fourteen Saiga ten-round 12-gauge magazines plus one in the weapon. Nine pistol magazines in holster plus three in weapons. Kukri in waist sheath. Machete in over-shoulder sheath, right. Halligan tool in over-shoulder sheath, left. Tactical knife in chest sheath. Tactical knife in waist sheath. Bowie knife in thigh sheath. Calf tactical knife times two. A few clasp knives dangling in various places. There was the head of a teddy bear peeking out of her assault pack.
”
”
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
“
Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.
”
”
A.S. Byatt (The Children's Book)
“
All that remains of the garden city in our own day are traffic-free enclaves, islands in a sea of traffic where the pedestrian leads a legally protected by languishing existence, comparable to that of the North American Indians on their reservations...In reality the modern urbanist regards the city as a gigantic centre of production, geared to the efficient transport of workers and goods, to the accommodation of people and the storage of wares, to industrial and commercial activity. The rest, that is to say creativity, life, is optional and comes under the heading of recreation and leisure activities.
”
”
Tom McDonough (The Situationists and the City: A Reader)
“
It was the way he put ketchup on his plate so I could eat his fries. The way I automatically pulled the tomatoes off my burgers and slid them onto his plate. It was the fact that I went to him first whenever something happened I wanted to share. And the way we made each other’s coffee exactly as we drank it. Love is in the details. It’s in the everyday. It’s the way you treat someone when they aren’t even looking and the way they fill your head when you’re apart.
”
”
Cambria Hebert (#Rev (GearShark, #2))
“
I’m talking about anyone who hates on people who are gay. Who loves someone of the same sex. Those people might not be quite as unstable as Zach, but they’re just as dangerous. Anyone who uses the fact that a person loves another person as some kind of weapon or reason to be a douche bag isn’t right in the head.
”
”
Cambria Hebert (#Rev (GearShark, #2))
“
I walked to the windows and pulled the shades up and opened the windows wide. The night air came drifting in with a kind of stale sweetness that still remembered automobile exhausts and the streets of the city. I reached for my drink and drank it slowly. The apartment house door closed itself down below me. Steps tinkled on the quiet sidewalk. A car started up not far away. It rushed off into the night with a rough clashing of gears. I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces savagely.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
It was impossible not to see all the gears turning in his head. It was also easy to see the moment he stopped thinking and nodded yes anyway.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
Gritting my teeth with determination, I floor the accelerator again, trying to gain as
much distance as I can away from Redfin. Third gear it is! The wind is even stronger now and I feel like my hair is going to fly off my head. A strong whipping sound bursts into my ears as I floor the accelerator one more, engaging fourth gear. Nouveau Road is
wide and long enough to take the truck and its speed for a little while.
”
”
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
“
Help!” screeched a feminine voice. “HELP ME!” Parker whipped around, automatically reaching for the weapon that he didn’t have at the small of his back because, oh yeah, he was in running gear with no place to hide a weapon. But there was no woman. Just a huge parrot perched on a printer at the front desk. “Help!” it squeaked in a shockingly authentic woman’s voice. “I’ve been turned into a parrot!” “Peanut, play dead,” Wyatt said. Peanut sighed and tucked her head into her feathers. “Good parrot.” Wyatt looked at Parker. “She’s a nut.” “Damn, shit, farts,” the bird muttered beneath her breath, making Parker grin. Wyatt sighed. “Peanut’s a mimic, and Jade, our office manager, has a bit of a potty mouth.” “Boner,” Peanut said, head still tucked into her feathers. “Peanut, dead parrots don’t talk.” Wyatt turned back to Parker. “Follow me.
”
”
Jill Shalvis (All I Want (Animal Magnetism, #7))
“
Manual transmissions are like sex to get them going, but they’re also like sex to keep them going. Sometimes you have to change gears, speeding up or”—he turned his head to look at me—“slowing down when you need to.
”
”
Penelope Douglas
“
After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the
corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us.
The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats.
Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses.
'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.'
He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again.
He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose.
'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.'
There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off.
”
”
Douglas Adams (Last Chance to See)
“
Imagine all of L.A. filled with windup men wandering empty-headed and waiting for orders and directions and purpose. That’s L.A. in a nutshell. A city of driven creatures, but no one is a hundred percent sure what they’re driven toward. Wealth. Fame. Power. Love. Revenge. These are all the obvious end points for the citizens of a spectral city, but none of them quite encompass a final goal. That’s more fragile. Something that slips away like smoke the moment it’s in your hands. It’s a moonshine cocktail of desperation and desire, the certainty that you can find perfection through sheer willpower and the cold terror that if you do reach the goal it will have twisted into something new. A new fevered need born of the search for this one. Searching for the next goal will breed another. And on and on. L.A. and Kill City full of Pinocchios with whirring gears for brains, all wanting to be real boys but sunk in the certainty that they’ll never become anything because they’re nothing. They came from nothing and are headed for a further and harder nothing.
”
”
Richard Kadrey (Kill City Blues (Sandman Slim, #5))
“
Then someone knocks on the door, very clearly, four times. I pull away from Lena quickly.
"What's that?" I say, dragging my forearm across my eyes, trying to get control of myself. Lena tries to pass it off as though she hadn't heard. Her face has gone white, her eyes wide and terrified. When the knocking starts up again, she doesn't move, just stays frozen where she is.
"I thought nobody comes in this way." I cross my arms, watching Lena narrowly. There's a suspicious needling, pricking at some corner of my mind, but I can't quite focus on it.
"They don't. I mean—sometimes—I mean, the delivery guys—"
As she stammers excuses, the door opens, and he pokes his head in—the boy from the day Lena and I jumped the gate at the lab complex, just after we had our evaluations. His eyes land on me and he, too, freezes.
At first I think there must be a mistake. He must have knocked on the wrong door. Lena will yell at him now, tell him to clear off. But then my mind grinds slowly into gear and I realize that no, he has just called Lena's name. This was obviously planned.
”
”
Lauren Oliver (Hana (Delirium, #1.5))
“
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done."
But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny.
"Stand up," said the teacher.
He stood up; his cap fell. The whole class began to laugh.
He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again.
"Will you please put your helmet away?" said the teacher, a witty man.
”
”
Gustave Flaubert (Madame Bovary)
“
When dressing my son before his hockey games, I am always careful with the gear, with each legging, each strap and buckle... Not only are his slight legs swallowed by the wide pads, but his chest and arms are covered only by a tight shirt, accentuating the contrast. Next the puffy upper-body protector, insulated sleeves, and jersey overtop. The final step is the helmet. I start crying as I place it on his head, cinch down the chin cup, and close the cage over his face... I just put my seven-year-old son in a bomb suit and sent him on the Long Walk.
p 183
”
”
Brian Castner (The Long Walk: A Story of War and the Life That Follows)
“
Speaking from experince, there are people who have too much space between their ears, and given the time, do nothing but free fall forever inside their heads. It's a spooky thing to be left alone inside an angry inner-verse.
Drugs redirect the fall. They cushion it. Give you a parachute. Or maybe just a flashlight and scuba gear. I don't know how you look at the inside of your head-- what metaphor you choose-- but for those of us with endless yawning stretches of interior and nothing but nothing to stop us from getting lost in it, drugs can be wonderfully helpful.
For a time.
”
”
James St. James (Party Monster: A Fabulous But True Tale of Murder in Clubland)
“
His hand grazed her inner thigh as he shifted the manual transmission into reverse, and this lightest of touches sent a shiver through Devin. “Cold?” he asked, backing the pickup away from the trees to turn around. “You can turn on the heat if you’d like.”
Devin shook her head. “I’m fine,” she said in a quiet, breathy voice that she couldn’t quite control.
The tone caught Ronin’s attention, and he gave her a long look before shifting back into first gear. Again, his fingertips grazed her soft skin, and her breath caught again.
Ronin’s eyes fell shut for a moment. “Damn, honey,” he whispered.
”
”
Sibylla Matilde (Little Conversations (Conversations, #1))
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
You’re cutting it close.” “That doesn’t even make sense,” she replied. “Think about it for a minute, and it will,” I said. Zoe’s eyes darted back and forth and the gears in her head clearly cranked. In the time it took her to think, I sat in the seat behind her. Finally she turned around. “I still don’t get it,” she said. Poor Zoe. That was the joke,
”
”
Marcus Emerson (Diary of a Sixth Grade Ninja (Diary of a 6th Grade Ninja, #1))
“
my body is my bicycle: the whole middle of me is the saddle where sits the rider of my soul. And my front wheel is the cardiac plane, and my back wheel is the solar plexus. And the brakes are the voluntary ganglia. And the steering gear is my head. And the right and left pedals are the right and left dynamics of the body, in some way corresponding to the sympathetic and voluntary division.
”
”
D.H. Lawrence (Fantasia of the Unconscious)
“
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Can you do it again tonight?"
"The Catamounts were a wretched team," Andrew said. "They brought that ridicule on themselves."
"Can you or can't you?"
"I don't see why I should." Neil heard the click of a lock coming undone and knew the referees were opening the door. Andrew wasn't moving yet, but Neil still put an arm in his path to keep him where he was. He pressed his gloved hand to the wall and leaned in as close to Andrew as he could with all of his bulky gear on.
"I'm asking you to help us," Neil said. "Will you?"
Andrew considered it a moment. "Not for free."
"Anything," Neil promised, and stepped back to take his place in line again. Neil didn't know what he'd gotten himself into, but he honestly didn't care, because Andrew delivered exactly what Neil wanted him to. Andrew closed the goal like his life depended on it and smashed away every shot. The Bearcat strikers took that challenge head-on. They feinted and swerved and threw every trick shot they had at Andrew. More than once Andrew used his glove or body to block a ball he couldn't get his racquet to in time.
That might have been enough, except Andrew didn't stop there. For the first time ever he started talking to the defense line. Neil only understood him in snatches, since there was too much space and movement between them, but what he caught was enough. Andrew was chewing out the backliners for letting the strikers past them so many times and ordering them to pick up the pace. Neil worried for a moment what they'd do with Andrew's rude brand of teamwork at their backs, but the next time he got a good look at Matt, Matt was grinning like this was the most fun he'd had in years.
”
”
Nora Sakavic
“
The Wheel of the Sun"
I beg you
Hide your face from me.
Draw the tissue of your head-gear
Over your eyes.
For I am blinded by your beauty,
And my heart is strained,
And aches,
Before you.
In the street,
You spread a brightness where you walk,
And I see your lifting silks
And rejoice;
But I cannot look up to your face.
You melt my strength,
And set my knees to trembling.
Shadow yourself that I may love you,
For now it is too great a pain.
”
”
Amy Lowell (Pictures of the Floating World)
“
Your secret agent skills need some work,” Kendra said. “A good start might be not wearing your camouflage shirt every time you go exploring.”
“I need to hide from the dragons!”
“Right. You’re practically invisible. Just a floating head.”
“I have my emergency kit. If anything attacks, I can scare it away with my gear.”
“With rubber bands?”
“I have a whistle. I have a mirror. I have a cigarette lighter. I have firecrackers. They’ll think I’m a wizard.
”
”
Brandon Mull (Fablehaven (Fablehaven, #1))
“
When this all started, when the US of A got into this war and the Supreme Court decided what the hell, let's send women to, everyone wondered what effect it would have.
Could women fight my girl Rio has a shiny Silver Star, A fistful of Purple Hearts, and a notched M1 that say yes.
Could the men fight alongside women, or would the simple creatures be too distracted by feminine curves? Well, I won't spend a long night in a hole with Luther gear, who has never been a gentleman but he is a good soldier and he never made a pass at me. Possibly he was distracted by the artillery garage coming down on our heads. Possibly was that I hadn't showered in ... God only knows how long you have to ask my fleas. We were not a man and a woman in that hole we were too scared little babies screaming and cursing and so we could be grateful for the warmth of our own piss running down our legs.
It was not a romantic evening.
”
”
Michael Grant (Purple Hearts (Front Lines, #3))
“
The Sinsar Dubh popped up on my radar, and it was moving straight toward us.
At an extremely high rate of speed.
I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do.
Barrons looked at me sharply. “What? Do you sense it?”
Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears.
He didn’t even try to pat me down. He just said, “Liar.”
I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.”
“No, I don’t know, Ms. Lane. Why don’t you enlighten me?”
A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain.
“That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?”
I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.”
“I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.”
My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant.
And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
He shook his head. "Have you ever wondered who's in the gaps in the crowd?"
She glanced at him in surprise. Maybe she'd been wrong, and he was more than just a little odd.
"Gaps in the crowd?" she repeated.
"If there are a lot of people all in one place, a hundred or a thousand or more, there'll still be some empty spaces. Gaps right at the front. Or in the middle. Or on the outside. You just have to look carefully to see them." He shifted gears as two heavy trucks appeared side by side ahead of them. "Those are the gaps in the crowd. And if you look very closely, you notice that they're moving about. Just like the people around them."
Rosa pressed her lips together and said, "Hmm," as if she understood what he was talking about.
"They're weird," he said.
"The gaps?"
"Because they're really not empty."
"No?"
"No, they aren't. They're always there, and in other places, too. Around us, but invisible. It's only in a crowd you can see them. No one can move into the places where the gaps are.
”
”
Kai Meyer (Arcadia Awakens (Arcadia, #1))
“
In a town in Liberia, a young woman named Fatu Kekula, who was a nursing student, ended up caring for four of her family members at home when there was no room for them in a hospital—her parents, her sister, and a cousin. She didn’t have any protective gear, so she created a bio-hazmat suit out of plastic garbage bags. She tied garbage bags over her feet and legs, put on rubber boots over the bags, and then put more bags over her boots. She put on a raincoat, a surgical mask, and multiple rubber gloves, and she covered her head with pantyhose and a garbage bag. Dressed this way, Fatu Kekula set up IV lines for her family members, giving them saline solution to keep them from becoming dehydrated. Her parents and sister survived; her cousin died. And she herself remained uninfected. Local medical workers called Fatu Kekula’s measures the Trash Bag Method. All you needed were garbage bags, a raincoat, and no small amount of love and courage. Medical workers taught the Trash Bag Method, or variants of it, to people who couldn’t get to hospitals
”
”
Richard Preston (Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come)
“
Two soldiers sprang out in front of Roxy and me, their tactical gear erasing all humanity from their shapes. I landed my fist in one of their stomachs, hearing the air explode outward. Tearing off their helmet, I slammed their face down into my knee to the crunch of cartilage. Grabbing them by the back of their neck, I used the weight of their body to crash their head against the trunk of a tree and felt consciousness leave them. Roxy followed suit with an expert kick to the other soldier’s knee, followed by punches to the throat and the temple.
”
”
Bella Forrest (Darkthirst (Darklight #2))
“
At Kokubunji Station, a group of elderly people dressed in hiking gear got on. There were ten of them altogether, five men and five women in their late sixties and early seventies. They carried backpacks and wore hats and were chattering away like schoolchildren. All carried water bottles, some strapped to their waists, others tucked in the pockets of their backpacks. Tengo wondered if he could possibly reach that age with such a sense of enjoyment. Then he shook his head. No way. He imagined these old folks standing proudly on some mountaintop, drinking from their water bottles.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Sometimes I imagine meeting the guy who designs raingear that can be neither donned nor doffed when wet. We both roll up at a gas station at about the same time. Of course, it’s raining. When I figure out what he does for a job, rain gear designer, or whatever, I stop him right there by holding up an index finger. “Just wait a minute,” I say. Then I struggle to remove a waterlogged glove, shaking my head and laughing a bit because I know what’s coming next. Holding the glove by the cuff, I soggy-slap him in the face. “That’s a sloggy!” I’d say (trademark), and I’d deliver it on behalf of us all.
”
”
Lois Pryce (Motorcycle Messengers: Tales from the Road by Writers who Ride.)
“
Think about the reality shows we used to watch versus those today. It used to be “champagne wishes and caviar dreams” on Lifestyles of the Rich and Famous. It was inspirational. Now it’s a diabetic chick with festering bedsores who collects her own toenails in Ziploc bags. We’ve gone from “Life Styles of the Rich and Famous” to “Lice Styles of the Poor and Depressed.” It’s all geared and produced for the viewers to think, “Well, my life is bad but not that bad. They just cut back my hours at work but I’m watching a chick who will eventually be killed by the avalanche of her own hoarded newspapers.
”
”
Adam Carolla (President Me: The America That's in My Head)
“
It isn't just the idea of a woman in a truck. At this point, they're everywhere. The statisticians tell us today's woman is as likely to buy a truck as a minivan. One cheers the suffrage, but the effect is dilutive. My head doesn't snap around the way it used to. Ignoring for the moment that my head (or the gray hairs upon it) may be the problem, I think it's not about women in trucks, it's about certain women in certain trucks. Not so long ago I was fueling my lame tan sedan at the Gas-N-Go when a woman roared across the lot in a dusty pickup and pulled up to park by the yellow cage in which they lock up the LP bottles. She dismounted wearing scuffed boots and dirty jeans and a T-shirt that was overwashed and faded, and at the very sight of her I made an involuntary noise that went, approximately, ohf...! I suppose ohf...! reflects as poorly on my character as wolf whistle, but I swear it escaped without premeditation. Strictly a spinal reflex. [...] The woman plucking her eyebrows in the vanity mirror of her waxed F-150 Lariat does not elicit the reflex. Even less so if her payload includes soccer gear or nothing at all. That woman at the Gas-N-Go? I checked the back of her truck. Hay bales and a coon dog crate. Ohf...!
”
”
Michael Perry
“
More raiders came down the stairs prodding the Reverend Dr. Lionel J. D. Jones, the Black Fuehrer, and Father Keeley before them.
Dr. Jones stopped halfway down the stairs, confronted his tormentors. 'All I've done, 'he said majestically, 'is do what you people should be doing.'
'What should we be doing?' said a G-man. He was obviously in command of the raid.
'Protecting the Republic,' said Jones. 'Why bother us? Everything we do is to make the country stronger! Join with us, and let's go after the people who are trying to make it weaker!'
'Who's that?' said the G-man.
'I have to tell you?' said Jones. 'Haven't you even found that in the course of your work? The Jews! The Catholics! The Negroes! The Orientals! The Unitarians! The foreign-born, who don't have any understanding of democracy, who play right into the hands of the socialists, the communists, the anarchists, the anti-Christs and the Jews!'
'For your information,' said the G-man in cool triumph, 'I am a Jew.'
'That proves what I've just been saying!' said Jones.
'How's that?', said the G-man.
'The Jews have infiltrated everything!' said Jones, smiling the smile of a logician who could never be topped.
'You talk about the Catholics and the Negroes-' said the G-man, 'and yet your two best friends are a Catholic and a Negro.'
'What's so mysterious about that?' said Jones.
'Don't you hate them?', said the G-man.
'Certainly not,' said Jones. 'We all believe the same basic thing.'
'What's that?' said the G-man.
'This once-proud country of ours is falling into the hands of wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.'
I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
Zane turned his attention to the bus. Phoebe got a bad feeling when she caught sight of the worn sandals, tie-dyed T-shirts and woven hats on the next couple to disembark.
“Hey,” the man said. “I’m Martin Lagarde and this is my wife, Andrea.”
The woman, a thirtysomething brunette with freckles and glasses, shook hands with Zane.
“We’re so excited to be here. Martin and I just love being in the outdoors. We’ve hiked all over, and last year we did a week at a meditation retreat in Hawaii, but we’ve never done anything like this.” She continued to pump his hand as her expression turned earnest. “We really want this opportunity to be one with the land. To experience a different kind of life. The Old West.” She finally released Zane’s hand. “We’re vegetarians. I hope that won’t be a problem.”
Zane considered them for a moment, then said, “Not for me.” He jerked his head toward the compartment beneath the bus that the driver had opened. “Collect your gear and head inside. Chase will show you where you’ll bunk tonight.”
“Sure thing,” Martin said.
He held up his hand for a high five. When Zane simply stared at him, Martin grabbed Zane’s wrist and pulled it until it was level with his shoulder, then slapped his hand against Zane’s.
When he walked away, Zane turned to look at her. “Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
The most vital weapons at the disposal of a special forces soldier are his intellect and his mental toughness. Sometimes it all comes down to 'who wants it most', i.e. whoever is more willing to keep fighting and trying to survive. Being able to keep your head and look for advantages or escape routes is a big plus too.
Getting into 'survival mode' requires shifting mental gears when you need to. Good training helps with this as well as giving you the skills you need, but ultimately the will that drives your bid to survive is yours.
If you give in to fear or go into denial, pretending that it is not happening, then you will fail. Instead you must accept that it IS really happening and deal with it. So if you find yourself thinking, "What's he going to do to me?', you have to force yourself to answer, 'Nothing. I'm not going to let him.'
If you have done all you can to avoid trouble and it finds you anyway, then it is down to you to make a way out of the situation with as little harm to yourself as possible. Yes, you will be scared. Yes, you might indeed get hurt. Yes, it is possible that you could fail to defend yourself... but not for lack of trying. If the bad guy will not let you withdraw or de-escalate the situation, if he insists on fighting then he has decided that someone is going to get hurt. But it is you, not him, that gets to decide who.
”
”
Martin J. Dougherty (Special Forces Unarmed Combat Guide: Hand-to-Hand Fighting Skills From The World's Most Elite Military Units)
“
2. Weaken and Break the Cycle of Addiction Instead of quitting cold turkey (or hyperfocusing on abstinence), we focus on understanding, weakening, and eventually breaking the cycle of addiction. This means we engage with and reevaluate our concepts of will, work with our willpower, manage our energy, and develop new habits, routines, and rituals. Breaking the cycle of addiction also means facing cravings head on and learning to ride them out and eventually burn through them. Some of the things we do to weaken the addiction will be the same as what we do to weaken the root causes (such as meditation), while other practices are specifically geared toward breaking up the addiction (developing new rituals and habits).
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal.
I turn off the ignition and look at her. "So, how are you and Toraf doing?"
She cocks her head at me. "What does that have to do with driving?"
Aside from delaying it? "Nothing," I say, shrugging. "Just wondering."
She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine."
"He didn't seem to think so."
She shoots me a look. "He can be oversensitive sometimes. I explained that to him."
Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself.
She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-"
"Now who's being oversensitive?" I say, grinning. She does love him.
"Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity.
Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first."
It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod.
She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic.
"D is for drive, right?" she says.
"Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive."
"I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move.
"Okay, now you'll want to step on the right pedal, which is the gas-"
The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it.
"Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled.
"Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry.
"Are you freaking kidding me? You're the one driving!
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
My hair floated out around me with the evening breeze, and Romeo caught a strand of it before he opened the door to the car. “You really do look beautiful,” he murmured, dipping his head low.
“Thanks,” I said against his lips.
His kiss ignited instant desire inside me. Even though I spent last night with him, and the night before, I missed him terribly. I felt like we hadn’t had enough alone time. I wanted more. I wanted so much more.
He groaned and pulled back. “Let’s get this dinner over with,” he said grumpily. “I want to spend some time alone with you.”
“You read my mind.”
“Now that the season is over, we’ll have more time together.”
“Want to just go to Taco Bell and hide at your place?” I asked when he slid into the driver’s seat.
He laughed. The sound filled the interior of the car. “Why, Rimmel,”— he pressed a hand to his chest like he was scandalized—“ are you suggesting we stand up my mother?”
I giggled.
“I knew it,” he drawled. “Underneath that sweet exterior lies the heart of a baddie baddie.”
I laughed out loud. “A baddie baddie?”
“Like totally,” he said in a valley girl voice and pretended to flip the long hair he didn’t have.
God, I loved him.
“So what do you say?” I taunted as I smiled. “Want to play hookie?”
He groaned. “I’d love to, baby, but we can’t.”
I stuck out my tongue.
“Watch what you do with that thing, baby girl.”
“Yeah? Or what?” I challenged.
“Or we might be late and I might mess up the perfect hair and makeup you got going on.” His eyes twinkled and he fake gasped as he put the car in gear. “Just what would mother say?
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
LEADING LESSONS
Stretch your legs.
By this I mean you need to let go of the structure and rigidity of your life and do something different. There’s a saying: You don’t have to be great to start, but you have to start to be great. When I signed on to do Footloose, I learned about commitment on a whole new level. The tools I had called upon in the past to help me win dance competitions were not the ones I needed now. I had to find new ways to win at this as well. I had to let go of what had worked before and figure out new solutions. Flexibility is something all leaders need in their tool belt--the ability to roll with things, to shift gears, to approach something in a new and different way. The only thing certain in life is that life isn’t certain. Leaders know this, expect it, and change their hearts and heads to adapt to the situation.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
One Saturday in the month of August, you leave your home wearing your tennis gear, accompanied by your wife. In the middle of the garden you point out to her that you’ve forgotten your racket in the house. You go back to look for it, but instead of making your way toward the cupboard in the entryway where you normally keep it, you head down into the basement. Your wife doesn’t notice this. She stays outside. The weather is fine. She’s making the most of the sun. A few moments later she hears a gunshot. She rushes into the house, cries out your name, notices that the door to the stairway leading to the basement is open, goes down, and finds you there. You’ve put a bullet in your head with the rifle you had carefully prepared. On the table, you left a comic book open to a double-page spread. In the heat of the moment, your wife leans on the table; the book falls closed before she understands that this was your final message.
”
”
Édouard Levé (Suicide)
“
In the same breath, shining Hector reached down
for his son—but the boy recoiled,
cringing against his nurse's full breast,
screaming out at the sight of his own father,
terrified by the flashing bronze, the horsehair crest,
the great ridge of the helmet nodding, bristling terror—
so it struck his eyes. And his loving father laughed, his mother laughed as well, and glorious Hector,
quickly lifting the helmet from his head,
set it down on the ground, fiery in the sunlight,
and raising his son he kissed him, tossed him in his arms,
lifting a prayer to Zeus and the other deathless gods:
"Zeus, all you immortals! Grant this boy, my son,
may be like me, first in glory among the Trojans,
strong and brave like me, and rule all Troy in power
and one day let them say, 'He is a better man than his father!'—
when he comes home from battle bearing the bloody gear
of the mortal enemy he has killed in war—
a joy to his mother's heart.
”
”
Homer (Iliad)
“
The steam gear clattered, stopped, clattered again; and the helmsman’s eyeballs seemed to project out of a hungry face as if the compass card behind the binnacle glass had been meat. God knows how long he had been left there to steer, as if forgotten by all his shipmates. The bells had not been struck; there had been no reliefs; the ship’s routine had gone down wind; but he was trying to keep her head north-north-east. The rudder might have been gone for all he knew, the fires out, the engines broken down, the ship ready to roll over like a corpse. He was anxious not to get muddled and lose control of her head, because the compass-card swung far both ways, wriggling on the pivot, and sometimes seemed to whirl right round. He suffered from mental stress. He was horribly afraid, also, of the wheelhouse going. Mountains of water kept on tumbling against it. When the ship took one of her desperate dives the corners of his lips twitched.
”
”
Joseph Conrad (Joseph Conrad: The Complete Novels)
“
The possibility of any nuclear explosion occurring as a result of an accident involving either impact or fire is virtually non-existent,” Secretary of Defense Wilson assured the public. His press release about the Genie didn’t mention the risk of plutonium contamination. It did note, however, that someone standing on the ground directly beneath the high-altitude detonation of a Genie would be exposed to less radiation than “a hundredth of a dose received in a standard (medical) X-ray.” To prove the point, a Genie was set off 18,000 feet above the heads of five Air Force officers and a photographer at the Nevada test site. The officers wore summer uniforms and no protective gear. A photograph, taken at the moment of detonation, shows that two of the men instinctively ducked, two shielded their eyes, and one stared upward, looking straight at the blast. “It glowed for an instant like a newborn sun,” Time magazine reported, “then faded into a rosy, doughnut-shaped cloud.
”
”
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
“
The view that external things like rank, money, and honors bring happiness has frequently been criticized, but it is not necessarily incorrect. After all, these things belong, as Aquinas would have it, among the "accidents."
Accidens is the unessential, which includes the body. If one manages to separate essence from flesh, if one manages, that is, to gain distance from oneself, then one climbs the first step toward spiritual power. Many exercises are geared to this--from the soldier's drill to the hermit's meditation.
However, once the self has been successfully distanced, the essential can be brought back to the accidental. This process, resembling a vaccination with one's own blood, is initially manifested as a reanimation of the body. The physiognomy takes on the kind of features seen in paintings by old masters. They added something of their own. They blended it into the pigments.
This also applies to objects; they were meaningful, now they gain a sense. A new light shines on things, they glow. Anyone can manage this; I heard the following from a disciple of Bruno's: "The world seemed hollow to me because my head was hollow." But the head, too, can be filled. First we must forget what we have learned.
”
”
Ernst Jünger
“
It may interest the reader to know how they “put horses to” on the continent. The man stands up the horses on each side of the thing that projects from the front end of the wagon, and then throws the tangled mess of gear forward through a ring, and hauls it aft, and passes the other thing through the other ring and hauls it aft on the other side of the other horse, opposite to the first one, after crossing them and bringing the loose end back, and then buckles the other thing underneath the horse, and takes another thing and wraps it around the thing I spoke of before, and puts another thing over each horse’s head, with broad flappers to it to keep the dust out of his eyes, and puts the iron thing in his mouth for him to grit his teeth on, uphill, and brings the ends of these things aft over his back, after buckling another one around under his neck to hold his head up, and hitching another thing on a thing that goes over his shoulders to keep his head up when he is climbing a hill, and then takes the slack of the thing which I mentioned a while ago, and fetches it aft and makes it fast to the thing that pulls the wagon, and hands the other things up to the driver to steer with. I never have buckled up a horse myself, but I do not think we do it that way.
”
”
Mark Twain
“
Maggie swung her head from side to side, checking the high scents first, then dipped her head to taste the smells close to the ground. The humans behind her might be able to identify five or six distinct smells if they concentrated, but Maggie’s long shepherd’s nose gave her an olfactory picture of the world no human could comprehend: She smelled the dust beneath her feet and the goats that had been herded along the road a few hours earlier and the two young male goatherds who led them. Maggie smelled the infection that one of the goats carried, and knew that two of the female goats were in heat. She smelled Pete’s fresh new sweat and the older sweat dried into his gear, his breath, the perfumed letter he kept in his trousers, and the green ball hidden beneath his flak. She smelled the CLP he used to clean his rifle, and the residual gunpowder that clung to his weapon like a fine dust of death. She smelled the small grove of palms not far from the road, and the trace scents of the wild dogs that had slept beneath the palms during the night and defecated and urinated before moving on. Maggie hated the wild dogs. She spent a moment testing the air to see if they were still in the area, decided they were gone, then ignored their scent and concentrated on searching for the scents Pete wanted her to find. Smells
”
”
Robert Crais (Suspect (Scott James & Maggie, #1))
“
With the north, however, came cold. Since Fenris had no gear, he had no blankets, either. They slept in barns when they could, but that was not always possible. Marra woke one morning to find frost on the ground and Fenris crouched so close to the fire that his beard was in danger of going up in flame.
“Uh,” she said that night. “It’s cold. If you’d like to share my blanket…”
The dust-wife snorted. Fenris’s eyebrows went up. Marra wondered if that was a euphemism in Hardack, too. “Not like that,” she said hastily. “I mean, if you’re cold. It’s cold. That is to say, you can have part of mine. I’m not suggesting anything more than that.”
The dust-wife was having a coughing fit. Fenris, however, bowed his head gravely to her and said, “It is probably not the path of honor to deprive a young woman of half her blanket, but my bones are old enough that I thank you.”
“I’m not that young,” said Marra.
“And don’t even talk to me about old bones until you’re over seventy, youngster,” said the dust-wife.
Fenris gave her a mild look. “That’s about thirty years hence, at which point you will undoubtedly tell me that I cannot complain until I am over a hundred.”
The brown hen cackled and the dust-wife thumped the staff until the bird flapped. “Don’t get smart,” she muttered, although whether she meant the hen or Fenris, she didn’t say, and no one tried to find out.
”
”
T. Kingfisher (Nettle & Bone)
“
Where is everyone?"
Alec shrugged, striding across the hall as if he owned the place, which Magnus supposed he sort of did. "I expect everyone's off gathering gear and weapons. We should just go find my mother."
"How do you propose to find her?" Magnus said.
"Ah," said Alec, "the Institute has a very old magic woven into its walls. I shall now use it to commune with my mother, wherever she might be found." He put his hands around his mouth and bellowed at the top of his lungs. "MOOOOOOOOOM!"
Alec's voice reverberated impressively against the stone walls. Max giggled and yelled, "Maaaaaaaaaaaaaaaaaaa!" alongside Alec. The sound faded away and Magnus waited.
"Well?" he said, and Alec held up a finger. After a moment, there was a flare, and a fire-message appeared in front of him. He plucked it from the air and opened it, giving Magnus a superior look. "'She's in the library,'" he read.
A second fire-message appeared, in the same spot as the first. Alec opened it. "'Did you know you can send fire-messages within the Institute?'" he read. "'I just found out.'" He looked at Magnus in bewilderment. "Of course I knew that."
"To the library, then?" said Magnus.
A third fire-message appeared. Max lunged to try to grab it, but it was too far above his head. Magnus grabbed that one and read, "'I love fire-messages, have a great day, your friend, Simon Lovelace, Shadowhunter.' Can we go?"
They heard a fourth one burst behind them as they left by the hall door, but neither of them looked back at it.
”
”
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
“
In January 2004 President George W. Bush put NASA in high gear, heading back to the moon with a space vision that was to have set in motion future exploration of Mars and other destinations. The Bush space policy focused on U.S. astronauts first returning to the moon as early as 2015 and no later than 2020. Portraying the moon as home to abundant resources, President Bush did underscore the availability of raw materials that might be harvested and processed into rocket fuel or breathable air. “We can use our time on the moon to develop and test new approaches and technologies and systems that will allow us to function in other, more challenging, environments. The moon is a logical step toward further progress and achievement,” he remarked in rolling out his space policy. To fulfill the Bush space agenda required expensive new rockets—the Ares I launcher and the large, unfunded Ares V booster—plus a new lunar module, all elements of the so-called Constellation Program. The Bush plan forced retirement of the space shuttle in 2010 to pay for the return to the moon, but there were other ramifications as well. Putting the shuttle out to pasture created a large human spaceflight gap in reaching the International Space Station. The price tag for building the station is roughly $100 billion, and without the space shuttle, there’s no way to reach it without Russian assistance. In the end, the stars of the Constellation Program were out of financial alignment. It was an impossible policy to implement given limited NASA money.
”
”
Buzz Aldrin (Mission to Mars: My Vision for Space Exploration)
“
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner.
(Big Sur, Chap. 11)
”
”
Jack Kerouac (Big Sur)
“
And then I saw him speak. Years later, after writing dozens upon dozens of presidential speeches, it would become impossible to listen to rhetoric without editing it in my head. On that historic Iowa evening, Obama began with a proclamation: “They said this day would never come.” Rereading those words today, I have questions. Who were “they,” exactly? Did they really say “never”? Because if they thought an antiwar candidate with a robust fund-raising operation could never win a divided three-way Democratic caucus, particularly with John Edwards eating into Hillary Clinton’s natural base of support among working-class whites, then they didn’t know what they were talking about. All this analysis would come later, though, along with stress-induced insomnia and an account at the Navy Mess. At the time, I was spellbound. The senator continued: “At this defining moment in history, you have done what the cynics said you couldn’t do.” He spoke like presidents in movies. He looked younger than my dad. I didn’t have time for a second thought, or even a first one. I simply believed. Barack Obama spoke for the next twelve minutes, and except for a brief moment when the landing gear popped out and I thought we were going to die, I was riveted. He told us we were one people. I nodded knowingly at the gentleman in the middle seat. He told us he would expand health care by bringing Democrats and Republicans together. I was certain it would happen as he described. He looked out at a sea of organizers and volunteers. “You did this,” he told them, “because you believed so deeply in the most American of ideas—that in the face of impossible odds, people who love this country can change it.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
Clingmans Dome in the middle of the park. Then, it’s downhill to Virginia, and people have told me Virginia is a cakewalk. I’ll learn soon enough that “easy” trail beyond the Smoky Mountains is as much a fantasy as my dream lunch with pizza…uh, I mean Juli, but for now I’ve convinced myself all will be well once I get through the Smokies. I leave Tray Mountain Shelter at 1:00 with ten miles to go. I’ve eaten the remainder of my food. I’ve been hiking roughly two miles per hour. Downhill is slower due to my sore knee. I need to get to Hiawassee by 6:00 p.m., the check-in deadline at Blueberry Patch Hostel, where my mail drop is waiting.5 I have little margin, so I decide to push for a while. I down a couple of Advil and “open it up” for the first time this trip. In the next hour I cover 3.5 miles. Another 1.5 miles and I am out of water, since I skipped all the side trails leading to streams. Five miles to go, and I’m running out of steam. Half the strands of muscle in my legs have taken the rest of the day off, leaving the other half to do all the work. My throat is dry. Less than a mile to go, a widening stream parallels the trail. It is nearing 6:00, but I can handle the thirst no longer. There is a five-foot drop down an embankment to the stream. Hurriedly I drop my pack and camera case, which I have clipped over the belt of my pack. The camera starts rolling down the embankment, headed for the stream. I lunge for it and miss. It stops on its own in the nook of a tree root. I have to be more careful. I’m already paranoid about losing or breaking gear. Every time I resume hiking after a rest, I stop a few steps down the trail and look back for anything I may have left behind. There’s nothing in my pack that I don’t need. Finally, I’m
”
”
David Miller (AWOL on the Appalachian Trail)
“
That’s right, whine,” said Katharine. “Children,” said their mother. “I,” said Mr. Smith, “suggest we stop and have lunch.” So they did, and it was a town called Angola, which interested Mark because it was named after one of the countries in his stamp album, but it turned out not to be very romantic, just red brick buildings and a drugstore that specialized in hairnets and rubber bathing caps and Allen’s Wild Cherry Extract. Half an hour later, replete with sandwiches and tasting of wild cherry, the four children were on the open road again. Only now it was a different road, one that kept changing as it went along. First it was loose crushed stone that slithered and banged pleasingly underwheel. Then it gave up all pretense of paving and became just red clay that got narrower and narrower and went up and down hill. There was no room to pass, and they had to back down most of the fourth hill and nearly into a ditch to let a car go by that was heading the other way. This was interestingly perilous, and Katharine and Martha shrieked in delighted terror. The people in the other car had luggage with them, and the four children felt sorry for them, going back to cities and sameness when their own vacation was just beginning. But they forgot the people as they faced the fifth hill. The fifth hill was higher and steeper than any of the others; as they came toward it the road seemed to go straight up in the air. And halfway up it the car balked, even though Mr. Smith used his lowest gear, and hung straining and groaning and motionless like a live and complaining thing. “Children, get out,” said their mother. So they did. And relieved of their cloying weight, the car leaped forward and mounted to the brow of the hill, and the four children had to run up the hill after it. That is, Jane and Mark and Katharine did.
”
”
Edward Eager (Magic by the Lake (Tales of Magic))
“
This once-proud country of ours is falling Into the hands of the wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.'
I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell.
The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said.
Jones wasn't completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined.
Hence the cuckoo clock in Hell — keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a
year.
The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases.
The willful filing off of gear teeth, the willful doing without certain obvious pieces of information —
That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuebrer Krapptauer, and the Black Fuehrer could exist in relative harmony —
That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase —
That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers —
That was how Nazi Germany could sense no important differences between civilization and hydrophobia —
”
”
Kurt Vonnegut Jr. (Mother Night)
“
The flight to Reykjavik was proceeding uneventfully and the patient was stable and doing well, so I thought this was a good opportunity to have a little fun with the flight crew. I called the pilot on intercom. “Go ahead PJ.” the pilot responded. “I’ve been talking to this doctor back here and he seems to think it’s not looking good for this arm.” I explained. “What do you mean?” asked the pilot. “Well,” I said, “he says the arm was unattached for a long time, probably too long to sew it back on.” “That’s too bad.” The pilot sounded understandably disappointed. I waited a few minutes before giving the pilot further fictitious updates. “The doctor says he’s a hundred percent certain they won’t be able to sew on the arm now. It’s been detached too long. The patient also realizes they can’t sew his arm back on and has accepted the bad news. He’s a pretty tough character. Anyway, I talked to the doctor and patient about this whole situation. Since they can’t sew the arm back on, they said I could have it.” There was shocked silence on the intercom. “What?” asked the pilot. “They won’t be able to sew the arm back on because it’s been separated from his body for too long. The muscles and nerves have been without blood and oxygen for so long that cell death is irreversible. The hospital will just throw the arm away, so I asked them if I could have it, and they said yes.” Once again, there was an uncomfortable silence on the intercom. I could almost hear the gears whirring inside the pilots head. “Wha … what will you do with it?” stammered the pilot. I answered, “I’m not really sure. At first I’ll just keep it in my freezer. I just think it would be a waste to just throw a good arm away.” “Are you serious?” asked the pilot. “No.” I said, “I’m just messing with you.” But, the doctor told me that, ironically, right before the accident the man was heard to say, “I’d give my right arm to be ambidextrous.” Another crewmember chimed in, “That guys pretty tough. I think we should give him a hand!” I heard laughter over the intercom.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever.
This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position.
It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows
and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many.
You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey.
Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead.
Who was there to know? Who was there to tell? ("The Number's Up")
”
”
Cornell Woolrich
“
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though.
I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open.
Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible.
Max eases to a slower pace, then leans over me and kisses my shoulder.
"Damn it, Joelle. You are...god, you're..."
My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me.
Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace.
"Do you have any idea how long I've wanted to do this with you?" he growls.
I moan. "No" and push my hips up higher.
"A long fucking time."
"Same," I rasp. "Same, same, same."
He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass.
"I'm gonna need to get a good look at this up close very, very soon," I say.
He chuckles between pants. I babble that I'm close.
"Thank fuck."
And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy.
We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started.
I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers.
On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said.
“No,” I said. “Stop it! I’m not doing that.”
I was all of twenty-three, and I wasn’t exactly outgoing.
She was a bit awkward--no doubt about that.
I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it.
“Who is this guy, anyway?” I asked, since they all seemed to know him for some reason.
“Oh, they call him Hot John,” someone said, laughing.
Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.”
I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me.
Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door.
When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
”
”
Joanna Gaines (The Magnolia Story)
“
The Man-Moth
Man-Moth: Newspaper misprint for “mammoth.”
Here, above,
cracks in the buildings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to record in thermometers.
But when the Man-Moth
pays his rare, although occasional, visits to the surface,
the moon looks rather different to him. He emerges
from an opening under the edge of one of the sidewalks
and nervously begins to scale the faces of the buildings.
He thinks the moon is a small hole at the top of the sky,
proving the sky quite useless for protection.
He trembles, but must investigate as high as he can climb.
Up the façades,
his shadow dragging like a photographer’s cloth behind him
he climbs fearfully, thinking that this time he will manage
to push his small head through that round clean opening
and be forced through, as from a tube, in black scrolls on the light.
(Man, standing below him, has no such illusions.)
But what the Man-Moth fears most he must do, although
he fails, of course, and falls back scared but quite unhurt.
Then he returns
to the pale subways of cement he calls his home. He flits,
he flutters, and cannot get aboard the silent trains
fast enough to suit him. The doors close swiftly.
The Man-Moth always seats himself facing the wrong way
and the train starts at once at its full, terrible speed,
without a shift in gears or a gradation of any sort.
He cannot tell the rate at which he travels backwards.
Each night he must
be carried through artificial tunnels and dream recurrent dreams.
Just as the ties recur beneath his train, these underlie
his rushing brain. He does not dare look out the window,
for the third rail, the unbroken draught of poison,
runs there beside him. He regards it as a disease
he has inherited the susceptibility to. He has to keep
his hands in his pockets, as others must wear mufflers.
If you catch him,
hold up a flashlight to his eye. It’s all dark pupil,
an entire night itself, whose haired horizon tightens
as he stares back, and closes up the eye. Then from the lids
one tear, his only possession, like the bee’s sting, slips.
Slyly he palms it, and if you’re not paying attention
he’ll swallow it. However, if you watch, he’ll hand it over,
cool as from underground springs and pure enough to drink.
”
”
Elizabeth Bishop (The Complete Poems 1927-1979)
“
Come on, show me what you got” Shelby said throwing a set of gear to wing before pulling on a pair of gloves herself “I'll try not to hurt you too badly”
“how reassuring” Wing said pulling on his gloves he had been giving Shelby hand-to-hand combat training for some time back at H.I.V.E And what she lacked in technique she made up for in speed and cunning. “Bring it” Shelby said with a grin raising both gloves in a defensive stance and beckoning him towards her
“It will be brought” Wing replied. He feinted to her left and she went to block as he simultaneously swung a low blow into her other side, carefully pulling his punch so that he just tapped her.
“Two perhaps three broken ribs” Wing said matter of factly “maintain your guard”
Shelby nodded and took a quick jab at his jaw which wing blocked effortlessly “Try not to look where you are striking you betray your intentions” They went on like that for a couple more minutes just as in their previous sparring sessions Wing noticed that once they began Shelby became totally focused. There were none of this smart comments or sarcasm that she'd normally used - she was suddenly deadly serious.
“Broken job possible unconsciousness” Wing said calmly as he struck her passed her guard stopping his fist millimetres from her chin.
“Oh my God” Shelby gasped suddenly, staring in shock at something over wings shoulder. He spun around, his guard raised. Shelby dropped low swinging her leg out, sweeping Wing's feet out from under him and sending him crashing to the floor.
“Wounded pride, possible humiliation” Shelby said with a grin offering her hand to Wing and pulling him up off the floor. “and so ends today's lesson” she said pulling off her head guard.
“an unconventional tactic” Wing said with a nod, taking off his own helmet. “but a successful one none the less”
“ I kinda like unconventional tactics” Shelby said stepping towards him. “never underestimate the power of surprise” She grabbed the back of his neck and kissed him for a few long seconds.
“what was that about maintaining your guard?” she said with a smile as she pulled away from him.
“sometimes one should let ones guard down” Wing said staring at her for a moment before drawing her towards him and kissed her back. “Er...guys?” a familiar voice said causing Wing and Shelby to spring apart.
“Dr Nero wants you to report to the briefing room” Wing winced slightly as he saw Nigel and Franz standing in the doorway. Nigel was looking pointedly at the floor and Franz was staring at him and Shelby, his mouth hanging open in surprise.
“come on big guy - no rest for the wicked” Shelby said to Wing with a grin, taking his hand and dragging him out of the room past Nigel and the stunned looking Franz.
”
”
Mark Walden (Zero Hour (H.I.V.E., #6))
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
This once-proud country of ours is falling into the hands of the wrong people,” said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. “And, before it gets back on the right track,” said Jones, “some heads are going to roll.” I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. “You’re completely crazy,” he said. Jones wasn’t completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information— That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony— That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase— That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers— That was how Nazi Germany could sense no important differences between civilization and hydrophobia— That is the closest I can come to explaining the legions, the nations of lunatics I’ve seen in my time. And for me to attempt such a mechanical explanation is perhaps a reflection of the father whose son I was. Am. When I pause to think about it, which is rarely, I am, after all, the son of an engineer. Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history— But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.” Howard W. Campbell, Jr., praises himself. There’s life in the old boy yet! And, where there’s life— There is life.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
”
”
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
“
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.”
Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair.
“You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry.
She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.”
Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.”
She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength.
Physics were on her side.
Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash.
Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter.
A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly.
He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies.
“What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights.
“Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended.
He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!”
“I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.”
Indignant, her mouth opened, ready to skewer him.
But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
”
”
Laura Moore (Night Swimming: A Novel)
“
Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy.
Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves.
I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.”
I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further.
Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too.
Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating?
It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas.
Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.
”
”
Terri Irwin (Steve & Me)
“
Marvin stood there.
‘Out of my way little robot,’ growled the tank.
‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’
The probe extended again for a quick recheck. It withdrew again.
‘You? Stop me?’ roared the tank, ‘Go on!’
‘No, really I have,’ said Marvin simply.
‘What are you armed with?’ roared the tank in disbelief.
‘Guess,’ said Marvin.
The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation.
‘Guess?’ said the tank.
‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’
‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’
Marvin shook his head solemnly.
‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded.
‘Far too obvious,’ admonished Marvin.
‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’
This was new to Marvin.
‘What’s that?’ he said.
‘One of these,’ said the machine with enthusiasm.
From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled.
‘No,’ said Marvin, ‘not one of those.’
‘Good though, isn’t it?’
‘Very good,’ agreed Marvin.
‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’
'Nice, aren’t they?’ agreed Marvin.
‘That’s what you’ve got?’ said the machine in condiderable awe.
‘No,’ said Marvin.
‘Oh,’ said the machine, disappointed, ‘then it must be …’
‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’
‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again.
‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’
‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’
‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’
‘Yes, alright,’ said the battle machine, bracing itself.
‘Nothing,’ said Marvin.
There was a dangerous pause.
'Nothing?’ roared the battle machine.
‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’
The machine heaved about with fury.
‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’
‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’
‘Makes you spit, doesn’t it?’
‘Yes,’ agreed Marvin with feeling.
‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’
The electron ram stabbed out another searing blaze of light and took out the wall next to the machine.
‘How do you think I feel?’ said Marvin bitterly.
‘Just ran off and left you did they?’ the Machine thundered.
‘Yes,’ said Marvin.
‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank.
It took out the ceiling of the bridge.
‘That’s very impressive,’ murmured Marvin.
‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’
It took out the floor too.
‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below.
‘What a depressingly stupid machine,’ said Marvin and trudged away.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
There was no benefit in trying to make the machine go on any further. The river Elbe was within walking distance, the fuel was gone, and the engine was in danger of catching fire. We drove the old panzer further into the marshes, knowing this was the end, and not wanting the machine to fall into any other hands, either Russian, American or even German. With the wounded and the civilians lifted off, we drove the Panther in second gear for a few more metres, until it hit a stretch of water surrounded by bulrushes. It began to subside, the engine end going down first. We jumped clear and watched it sink. With fumes rising into the air, the front plate rose up, the long gun barrel dripping with marsh water. The cupola, from which I had seen so much and given so many orders in the heat of combat, filled up with the stagnant water, and slid below the surface. There were some final bubbles and fumes. I stood there in silence as the green weeds gathered over the Panther, and, when the surface was still, I turned with my crew and we walked at the head of our small column along the choked roads down to the great River Elbe.
”
”
Wolfgang Faust (The Last Panther - Slaughter of the Reich - The Halbe Kessel 1945 (Wolfgang Faust's Panzer Books))
“
We know Job's faith survived because his reaction to his devastating loss was to worship God: "Then Job arose and tore his robe and shaved his head, and he fell to the ground and worshiped. He said, 'Naked I came from my mother's womb, and naked I shall return there. The Lord gave and the Lord has taken away. Blessed be the name of the Lord'" (Job 1:20-21). Let me encourage you and your messed up man, should he be willing, to begin to worship God from your place of brokenness.
Tina shares a dramatic story from her work as a music therapist for hospice. One day, as she prepared to leave the hospice floor at the hospital, a nurse called her back to work with a patient in respiratory arrest. Music therapists use music to match the beat of a patient's heart rate, and as the therapist slows down the beat of music, most of the time the heart rate follows, as well as the breathing. At the start of the process, the patient's wife shouted, "Sing 'Amazing Grace'?" Deciding to minister rather than work, Tina sang "Amazing Grace." The patient's distress was overwhelming. He could hardly take in air, and his chest heaved while his wife wept. Right in the middle of "Amazing Grace," The wife once more blurted out, "Sing 'Jesus Loves Me'!" Tina, switched gears and sang, "Yes, Jesus loves me." Tears streamed down the man's cheeks as he sang with her, "Yes, Jesus loves me." His words were broken and he could hardly say them, but in that moment, he worshiped the God who was about to take him home. Whatever you're facing . . . worship.
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Tina Samples (Messed Up Men of the Bible)
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Professionalism and discipline in Bombay cricket was paramount. You could be India’s leading test cricketer or the most precociously talented but the rules applied. Raghunath playing for Indian Gymkhana, has seen Ashok Mankad and Hanumant Singh as captains castigate and drop test cricketers who were even a minute late reporting for the game. The captain could merely be a respected cricketer and not necessarily a highly ranked state cricketer, but his writ would run. If Vasu Paranjpe decided to sit out a test bowler for coming late, then that was it and the test bowler would carry drinks for the day. In that respect alone Bombay was head and shoulders over Madras. Madras had a superbly organized cricket league, but their cricketers somehow never had the focus and discipline of the Bombay cricketer. Venkat was the glorious exception and for his stern discipline alone was he greatly resented by the easy going Madras cricketer. One incident remains etched in Giridhar’s memory. It was January 1972 and the second morning of the match between Madras and Mysore at the Central College grounds in Bangalore. 9 am and an hour more for play to begin, I (Giridhar) walk into the ground to chat with Venkat. He is already in full cricket gear, taking his customary practice catches. He is surrounded by only four fellow cricketers and as he takes his catches he keeps calling for the rest of his teammates to join him for practice. They all come in dribs and drabs, some still not in gear. He talks patiently and cheerfully to me but turns and lets out a fusillade at a fellow player who comes running, tucking his shirt in, and with his spiked cricket shoes in the other hand. Ask Venkat and he will tell you that no Bombay cricketer would ever take his cricket so lightly. Cricket was and is God to the middle-class Maharashtrian.
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S. Giridhar (Mid-Wicket Tales: From Trumper to Tendulkar)
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Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
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Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
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He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly."
"Oh." Geared for battle, his apology took me utterly by surprise. I gaped.
"Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian."
"Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest.
"Are you always this blunt?"
"I’m too tired to be tactful," I said honestly.
"Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added.
Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side.
I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it."
Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free."
I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?"
"Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body."
"In that case, carry on," I yawned.
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Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
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I remember driving there in the afternoon, and I remember getting there and loading the gear in. I don’t remember the sound check. We had one, I think, but we had no idea what to do because we’d never done one before. No one had the foggiest. Not knowing what to do made it exciting, though. Like, now, everybody’s got a stage manager and a sound guy, lights, and so on. The bands know all about sound checks and levels, equipment and all that. Now they even have music schools to teach you that kind of stuff. Back then you knew fuck-all. You didn’t have anyone professional, just your mates, who, like you, were clueless; you had a disco PA and a sleepy barmaid. It’s something I find quite sad about groups today, funnily enough, the careerism of it all. I saw this program once, a “battle of the bands” sort of thing. It had Alex James from Blur on it and Lauren Laverne and some twat from a record company, and they’d sit there saying what they thought of the band: “Your bass player’s shit and your image needs work; lose the harmonica player.” All the bands just stood there and took it, going, “Cheers, man, we’ll go off and do that.” I couldn’t believe it. I joined a band to tell everyone to fuck off, and if somebody said to me, “Your image is shit,” I’d have gone, “Fuck off, knob head!” And if someone had said, “Your music’s shit,” I would have nutted them. That to me is what’s lacking in groups. They’ve missed out that growing-up stage of being bloody-minded and fucking clueless. You have to have ultimate self-belief. You have to believe right from the word go that you’re great and that the rest of the world has to catch up with you. Of us lot, Ian was the best at that. He believed in Joy Division completely. If any of us got downhearted it was always him who would cheer us up and get us going again. He’d put you back on track.
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Peter Hook (Unknown Pleasures: Inside Joy Division)
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As the Brother’s words sank in, John signed automatically, She’s not my female. “Yeah, she is. And the two of you make so much sense. You have no idea what kind of sense you make together.” John shook his head. Not sure who you’re talking about there. No offense. “Doesn’t have to be easy to be right.” In that case, we’re meant for each other. There was a long silence, during which John had the oddest sense that life was resetting itself, that the gears which had previously been slipping and missing had once more locked into place.
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J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))