“
A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. "She's my alpha," he murmured, with a haunting sadness in his voice.
Alpha.
Cress leaned forward, propping her elbows on her knees, "Like the star?"
"What star?"
She stiffened, instantly embarrassed, and scooted back from him again. "Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she's...like...your brightest star." Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was.
But instead of sneering or laughing, Wolf sighed, "Yes," he said, his gaze climbing up to the full moon that had emerged in the blue evening sky. "Exactly like that.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
What do you mean? Is she in a coma?”
“Not anymore.” She braced herself for his reaction.
“But she’s a cyborg.”
His eyes widened, but then his attention was darting around the room as though he couldn’t look at Cinder while he adjusted to that information. “I see,” he said slowly, before meeting her gaze again.
“But … is she all right?”
The question caught her by surprise and she couldn’t help a startled laugh. “Oh, yeah, she’s great. I mean, half the people in the world want to kill her and the other half want to chain her to a throne on the moon, which is just what she’s always wanted. So she’s fantastic.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
But all night, Aslan and the Moon gazed upon each other with joyful and unblinking eyes.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #4))
“
Many paths lead from the foot of the mountain, but at the peak we all gaze at the single bright moon.
”
”
Ikkyu
“
There are about thirty of us,” Turtle said with a shrug. “THIRTY?” Tsunami shouted. “I have THIRTY BROTHERS?” “Well, thirty-two,” he said. His gaze caught Moon watching, and he wrinkled his snout in an amused way.
”
”
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
“
You sit at the edge of the world,
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes --
at Kafka on the shore
”
”
Haruki Murakami (Kafka on the Shore)
“
As impossible, in fact, as keeping the moon...So I looked down the line at all my friends, knowing I would always remember this. And then I turned my gaze back up to the sky, and put my faith in that moon and its return.
”
”
Sarah Dessen (Keeping the Moon)
“
The moon is wicked, jealous of the sun. People do bad things in the dark, under the hollow gaze of the moon. It’s smiling at me now, proud of my sin.
”
”
Tarryn Fisher (Marrow)
“
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
I had always thought life was a road, twisting and turning with the vagaries of fate. Luck and opportunity, gifts beyond our control. As I gazed across the endless night, it dawned on me then, that our paths were forged from the choices we made. Whether to reach for an opportunity or to let it pass by. To be swept up with changed or to hold your ground.
”
”
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
“
Life is perhaps that enclosed moment
when my gaze destroys itself in the pupil of your eyes
and it is in the feeling
which I will put into the Moon’s impression
and the Night’s perception.
”
”
Forugh Farrokhzad
“
Are You Ready for New Urban Fragrances?
Yeah, I guess I'm ready, but listen:
Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.
Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.
I want to travel on a train that smells like snowflakes.
I want to sip in cafes that smell like comets.
Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.
I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.
I want to carry luggage that reeks of the neurons in Einstein's brain.
I want a city's gases to smell like the golden belly hairs of the gods.
And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
Poverty's child -
he starts to grind the rice,
and gazes at the moon.
”
”
Matsuo Bashō
“
The hippogriff took off into the air. . . . He and his rider became smaller and smaller as Harry gazed after them . . . then a cloud drifted across the moon. . . . They were gone.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
On a certain day in the blue-moon month of September
Beneath a young plum tree, quietly
I held her there, my quiet, pale beloved
In my arms just like a graceful dream.
And over us in the beautiful summer sky
There was a cloud on which my gaze rested
It was very white and so immensely high
And when I looked up, it had disappeared.
”
”
Bertolt Brecht (Poems 1913-1956)
“
We will not drink from the same cup -
Neither water nor sweet wine is ours,
We will not kiss as the sun goes up
Or gaze at the night, on the sill, for hours.
I breathe by the moon, you – by the sun
”
”
Anna Akhmatova
“
Twas noontide of summer,
And mid-time of night;
And stars, in their orbits,
Shone pale, thro' the light
Of the brighter, cold moon,
'Mid planets her slaves,
Herself in the Heavens,
Her beam on the waves.
I gazed awhile
On her cold smile;
Too cold–too cold for me-
There pass'd, as a shroud,
A fleecy cloud,
And I turned away to thee,
Proud Evening Star,
In thy glory afar,
And dearer thy beam shall be;
For joy to my heart
Is the proud part
Thou bearest in Heaven at night,
And more I admire
Thy distant fire,
Than that colder, lowly light.
”
”
Edgar Allan Poe (The Complete Poetry)
“
(Title: To the Moon)
Art thou pale for weariness
Of climbing heaven, and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,--
And ever-changing, like a joyless eye
That finds no object worth its constancy?
”
”
Percy Bysshe Shelley
“
Glance at the sun. See the moon and the stars. Gaze at the beauty of the Earth's greenings. Now, think.
”
”
Hildegard of Bingen
“
You gazed at the moon and fell in the gutter.
”
”
Thomas Fuller
“
He was going to take a dive into this lake. He just didn’t know it. Cerise rose, finding footing in the soft mud. The water came up to just below her breasts and her wet shirt stuck to her body. William’s gaze snagged on her chest. Yep, keep looking, Lord Bill. Keeeeeep looking.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
Remember, sex is never a thing you just had. Sex is the intercourse, the merging or convergence, of who the two of you are—your spirits merging. People ask, “How was it for you?” The reply is often, “It was great.” But is this really the right question and answer? Instead, personalize your question and ask, “How are you?” Respond with depth. Gaze into each other’s eyes and speak your truth: “I’m over the moon,” or “I love you,” or “I melted and I’m just coming back into myself.
”
”
Alexandra Katehakis (Erotic Intelligence: Igniting Hot, Healthy Sex While in Recovery from Sex Addiction)
“
Love Forever
If I were the trees ...
I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet...
so you might know wonder.
If I were the mountains ...
I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ...
so you might know freedom.
If I were the ocean ...
I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters,
so you might know peace.
If I were the stars ...
I would sparkle like never before and fall from the sky as gentle rain,
so that you would always look towards heaven and know that you can reach the stars.
If I were the moon ...
I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty,
so you might know that all the Earth is at your command.
If I were the sun ...
I would warm and glow like never before and light the sky with orange and pink,
so you would gaze upward and always know the glory of heaven.
But I am me ...
and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart,
and this I will do until ...
the mountains crumble down ...
and the oceans dry up ...
and the stars fall from the sky ...
and the sun and moon burn out ...
And that is forever.
”
”
Camron Wright (The Rent Collector)
“
Featherweight by Suzy Kassem
One evening,
I sat by the ocean and questioned the moon about my destiny.
I revealed to it that I was beginning to feel smaller compared to others,
Because the more secrets of the universe I would unlock,
The smaller in size I became.
I didn't understand why I wasn't feeling larger instead of smaller.
I thought that seeking Truth was what was required of us all –
To show us the way, not to make us feel lost,
Up against the odds,
In a devilish game partitioned by
An invisible wall.
Then the next morning,
A bird appeared at my window, just as the sun began
Spreading its yolk over the horizon.
It remained perched for a long time,
Gazing at me intently, to make sure I knew I wasn’t dreaming.
Then its words gently echoed throughout my mind,
Telling me:
'The world you are in –
Is the true hell.
The journey to Truth itself
Is what quickens the heart to become lighter.
The lighter the heart, the purer it is.
The purer the heart, the closer to light it becomes.
And the heavier the heart,
The more chained to this hell
It will remain.'
And just like that, it flew off towards the sun,
Leaving behind a tiny feather.
So I picked it up,
And fastened it to a toothpick,
To dip into ink
And write my name.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
High on a stag the Goddess held her seat,
And there were little hounds about her feet;
Below her feet there was a sickle moon,
Waxing it seemed, but would be waning soon.
Her statue bore a mantle of bright green,
Her hand a bow with arrows cased and keen;
Her eyes were lowered, gazing as she rode
Down to where Pluto has his dark abode.
”
”
Geoffrey Chaucer (The Canterbury Tales)
“
Truth has nothing to do with words. Truth can be likened to the bright moon in the sky. Words, in this case, can be likened to a finger. The finger can point to the moon’s location. However, the finger is not the moon. To look at the moon, it is necessary to gaze beyond the finger.
”
”
Hui-Neng
“
Through Rohan over fen and field where the long grass grows
The West Wind goes walking, and about the walls it goes.
What news from the West, oh wandering wind, do you bring to me tonight?
Have you seen Boromir the Tall by moon or by starlight?
‘I saw him ride over seven streams, over waters wide and grey;
I saw him walk in empty lands, until he passed away
Into the shadows of the North. I saw him then no more.
The North Wind may have heard the horn of the son of Denethor.’
Oh, Boromir! From the high walls westward I looked afar.
But you came not from the empty lands where no men are.
From the mouth of the sea the South Wind flies,
From the sand hills and the stones;
The wailing of the gulls it bears, and at the gate it moans
What news from the South, oh sighing wind, do you bring to me at eve?
Where now is Boromir the Fair? He tarries and I grieve.
‘Ask me not where he doth dwell--so many bones there lie
On the white shores and on the black shores under the stormy sky;
So many have passed down Anduin to find the flowing sea.
Ask of the North Wind news of them the North Wind sends to me!’
Oh Boromir! Beyond the gate the Seaward road runs South,
But you came not with the wailing gulls from the grey seas mouth.
From the Gate of Kings the North Wind rides,
And past the roaring falls
And loud and cold about the Tower its loud horn calls.
What news from the North, oh mighty wind, do you bring to me today?
What news of Boromir the Bold? For he is long away.
‘Beneath Amon Hen I heard his cry. There many foes he fought
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest;
And Rauros, Golden Rauros Falls, bore him upon its breast.’
Oh Boromir! The Tower of Guard shall ever northward gaze
To Rauros, Golden Rauros Falls until the end of days.
”
”
J.R.R. Tolkien
“
I looked up from my writing,
And gave a start to see,
As if rapt in my inditing,
The moon's full gaze on me.
”
”
Thomas Hardy (The Complete Poems)
“
Emboldened by the dark phase of the moon, the constellations twisted round in their infinite sky, slowly corkscrewing into the future, divining immutable futures for those still awake and gazing up.
”
”
Luanne G. Smith (The Vine Witch (The Vine Witch, #1))
“
The Moon
And, like a dying lady lean and pale,
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east
A white and shapeless mass.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?
”
”
Percy Bysshe Shelley (The Complete Poems)
“
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
”
”
Roman Payne
“
It’s like us humans sending rockets up to the moon only to spend the next fifty years gazing at the pictures of our own earth.
”
”
Fiona Mozley (Elmet)
“
Is everyone from your planet like you?" Leyon asked, his gaze intent.
"For the most part," she replied.
"You have no men on your planet."
"We do!
”
”
Lizzy Ford (Kiera's Moon (The Anshan Saga, #1))
“
Lines for Winter"
Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon's gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.
”
”
Mark Strand (Selected Poems of Mark Strand)
“
Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.
”
”
Christina Rossetti (Goblin Market: A Tale of Two Sisters)
“
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
someone's sent
a loving note
in lines of returning geese
and as the moon fills
my western chamber
as petals dance
over the flowing stream
again I think of you
the two of us
living a sadness
apart
a hurt that can't be removed
yet when my gaze comes down
my heart stays up
”
”
Orson Scott Card (Xenocide (Ender's Saga, #3))
“
Seeing moonlight here at my bed and thinking it’s frost on the ground, I look up, gaze at the mountain moon, then back, dreaming of my old home.
”
”
Ling Ma (Severance)
“
My fingers clenched around the cup as I lifted it in a toast. "May you always be happy."
His gaze rested on me. "If I'm always as happy as I am now, that would be the best wish of all.
”
”
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
“
The day was gone, the twilight was gone, and the snow was invisible as I came down to the side of the lake. Only the moon, white and shining, was in the sky, like a woman glorying in her own loveliness as she loiters superbly to the gaze of all the world, looking sometimes through the fringe of dark olive leaves, sometimes looking at her own superb, quivering body, wholly naked in the water of the lake.
”
”
D.H. Lawrence (Twilight in Italy)
“
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
”
”
Virgil Kalyana Mittata Iordache
“
She gazed toward the marsh that grew thicker, deeper, greener with approaching summer. Mosquitoes whined in there, breeding in the dark water. Alligators slid through it, silent death. It was a place where snakes could slither and bogs could suck the shoe right off your foot.
And it was a place, she thought, that went bright and beautiful with the twinkling of fireflies, where wildflowers thrived in the shade and the stingy light. Where an eagle could soar like a king.
There was no beauty without risk. No life without it.
”
”
Nora Roberts (Carolina Moon)
“
When we encountered a band of souls coming along the barrier, and each was gazing at us in the evening people gaze at one another under the new moon
”
”
Dante Alighieri (Inferno)
“
Lewis gazed at the moon and then to Wren and once more at the moon and back to Wren, realizing, startlingly, he could not tell the two entities apart.
”
”
Emily Habeck (Shark Heart)
“
How I miss wandering around with old souls,
Aimlessly moving from one place to another
How I miss all our dreams and our goals
And how we've lost ourselves to find each other
Seems like a playful game of hide-n-seek
But that's how we'll forever play this life
Loving and living the truth that we seek
Until embraced we find our way to strive
Gazing into strangers' eyes to find our soul mates,
Knowing we're so much closer than we thought.
Our heart keeps the light that forever radiates
Through all the darkness, 'til love is taught
And yet again we look into the skies,
We see the stars, the moon, that light
Missing our home beyond the nights
Living in love until the end of the fight.
”
”
Virgil Kalyana Mittata Iordache
“
Soon a gentle light stole over the heavens, and gave me a sensation of pleasure. I started up, and beheld a radiant form rise from among the trees.* I gazed with a kind of wonder. It moved slowly, but it enlightened my path ; and I again went out. * The moon.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Maybe the moon just lost herself gazing too long at the brilliance of the sun and that’s how she got her glow.
And maybe we’re made of the same
mysterious sort of magic that makes us magnify and mirror whatever we look at the most.
”
”
Cristen Rodgers
“
The moon is wicked, jealous of the sun. People do bad things in the dark, under the hollow gaze of the moon. It’s smiling at me now, proud of my sin. I’m not proud. I’m not anything. An eye for an eye, I tell myself. A beating for a beating.
”
”
Tarryn Fisher (Marrow)
“
We gaze up at the same stars, the sky covers us all, the same universe encompasses us. What does it matter what practical system we adopt in our search for the truth? Not by one avenue only can we arrive at so tremendous a secret. —SYMMACHUS, 384 C.E.
”
”
Margot Adler (Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America)
“
Stephen watched the three glasses being raised from the counter as his father and his two cronies drank to the memory of their past. An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless...?
He repeated to himself the lines of Shelley's fragment. Its alternation of sad human ineffectiveness with vast inhuman cycles of activity chilled him, and he forgot his own human and ineffectual grieving.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
It was a clear, moonlit night a little after the tenth of the Eighth Month. Her Majesty, who was residing in the Empress's Office, sat by the edge of the veranda while Ukon no Naishi played the flute for her. The other ladies in attendance sat together, talking and laughing; but I stayed by myself, leaning against one of the pillars between the main hall and the veranda.
'Why so silent?' said Her Majesty. 'Say something. It is sad when you do not speak.'
'I am gazing at the autumn moon,' I replied.
'Ah yes,' she remarked. 'That is just what you should have said.
”
”
Sei Shōnagon
“
Lady Moon rose an' gazed o'er my busted'n'beautsome Valleys with silv'ry'n'sorryin' eyes, an' the dingos mourned for the died uns.
”
”
David Mitchell (Cloud Atlas)
“
The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.
”
”
André Breton
“
Thank you.”
Okay, sincerity was not what I had come to expect from this man.
I shook it off. “It’s easier for me to get information if you’re alive.”
The corner of his mouth twitched as he sat up. Jesus, abs like that should be illegal.
He caught his breath and shook his head. “Either way, I’m grateful.” He glanced my way, his dark eyes full of secrets. “And for me, that doesn’t happen very often.”
I raised a brow. “You’re usually an ungrateful bastard?”
“No.” He chuckled, sucking in a pained breath before lifting his gaze to meet mine. “I rarely have anything to be thankful for.
”
”
Lisa Kessler (New Moon (Moon, #8))
“
And after you were up, when the light had come and the moon had gone, you found the path again waiting through the open window, the faces at the table gazing with you, as you sat with your coffee, silently letting the sense of rest seat home, the body ready to walk, in rhythm and in rhyme, with the given, unspoken source.
”
”
David Whyte (Pilgrim)
“
Uninvited, the thought of you stayed too late in my head,
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.
Falling in love
is glamorous hell; the crouched, parched heart
like a tiger ready to kill; a flame's fierce licks under the skin.
Into my life, larger than life, beautiful, you strolled in.
I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone's face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me
as I open the bedroom door. The curtains stir. There you are
on the bed, like a gift, like a touchable dream.
"You
”
”
Carol Ann Duffy (Rapture)
“
Danny swallowed hard, his eyes still narrowed as they ran over Paul. “I should say no.”
“Oh, you should,” Paul agreed, feeling wonderfully devious as he reached for the hem of his shirt and worked at pulling it over his head, being slow about revealing his stomach muscles, watching with a sense of satisfaction as Danny’s gaze started to follow his movements. “Say no, Danny Boy. That makes it fun. I like a challenge.
”
”
Kele Moon (Finding Eden (Eden, #2))
“
. . . at eighteen the true narrative of life is yet to be
commenced. Before that time we sit listening to a tale, a marvelous fiction, delightful sometimes, and sad sometimes, almost always unreal. Before that time our world is heroic, its inhabitants half-divine or semi-demon; its scenes are dreamscenes; darker woods and stranger hills, brighter skies, more dangerous waters, sweeter flowers, more tempting fruits, wider plains, drearier deserts, sunnier fields than are found in nature, overspread our enchanted globe. What a moon we gaze on before that time! How the trembling of our hearts at her aspect bears
witness to its unutterable beauty!
”
”
Charlotte Brontë (Shirley)
“
II
A grief without a pang, void, dark, and drear,
A stifled, drowsy, unimpassioned grief,
Which finds no natural outlet, no relief,
In word, or sigh, or tear —
O Lady! in this wan and heartless mood,
To other thoughts by yonder throstle woo'd,
All this long eve, so balmy and serene,
Have I been gazing on the western sky,
And its peculiar tint of yellow green:
And still I gaze — and with how blank an eye!
And those thin clouds above, in flakes and bars,
That give away their motion to the stars;
Those stars, that glide behind them or between,
Now sparkling, now bedimmed, but always seen:
Yon crescent Moon as fixed as if it grew
In its own cloudless, starless lake of blue;
I see them all so excellently fair,
I see, not feel how beautiful they are!
III
My genial spirits fail;
And what can these avail
To lift the smothering weight from off my breast?
It were a vain endeavour,
Though I should gaze for ever
On that green light that lingers in the west:
I may not hope from outward forms to win
The passion and the life, whose fountains are within.
”
”
Samuel Taylor Coleridge (The Complete Poems)
“
Varyk slid his gaze over to the fire that was blazing in the ornate Victorian hearth. “You asked my opinion and I gave it. Of course you have to remember that if I‟d been on the island with Gilligan, he‟d have been killed ten minutes into the first episode. Where I come from, incompetence and stupidity are reasons for justifiable homicide.
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
He took a breath. “I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?” He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea. Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.” Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too. The sails creaked. The clouds parted for the moon then gathered back around her. Inej left Kaz with the wind howling and dawn still a long while away.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
William's eyes glowed like two amber coals. She met his gaze and flinched. No emotion reflected in the amber, only intelligence, cruel in a way the eyes of a hunting Mire cat were cruel. She saw no worry, no softness, no thoughts at all, only waiting. He seemed barely human now, not a man but some feral thing, knitted of darkness and biding his time for an opportunity to pounce.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
Three Haiku, Two Tanka
(Kyoto)
CONFIDENCE
(after Bashō)
Clouds murmur darkly,
it is a blinding habit—
gazing at the moon.
TIME OF JOY
(after Buson)
Spring means plum blossoms
and spotless new kimonos
for holiday whores.
RENDEZVOUS
(after Shiki)
Once more as I wait
for you, night and icy wind
melt into cold rain.
FOR SATORI
In the spring of joy,
when even the mud chuckles,
my soul runs rabid,
snaps at its own bleeding heels,
and barks: “What is happiness?”
SOMBER GIRL
She never saw fire
from heaven or hotly fought
with God; but her eyes
smolder for Hiroshima
and the cold death of Buddha.
”
”
Philip Appleman
“
Oh, how clearly I see your faults! Such distinctly highlighted flaws; it's as if the sun and moon mean to keep them illuminated in my eyes. My mind is quick to spell out a simple remedy for those defects.
But alas, poor me! My own faults―which I only assume to have because all do―are blurred and obscured by a mental fog. I've no eyes with which to gaze back at myself. The sun and moon refuse their illumination, and my mind offers no sure elixir but a complex recipe scribbled in foreign words I scarcely comprehend.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her.
"Get off her!" Hollyleaf yowled.
Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck.
The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur.
"Run," she hissed. "Because if you stay, I will kill you".
Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse.
Ivypool stared at the black she-cat. "You saved my life!"
Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do.
"I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
And the two women stood side by side looking at the slender, flowering tree. Although it was so still it seemed, like the flame of a candle, to stretch up, to point, to quiver in the bright air, to grow taller and taller as they gazed - almost to touch the rim of the round, silver moon.
How long did they stand there? Both, as it were, caught in that circle of unearthly light, understanding each other perfectly, creatures of another world, and wondering what they were to do in this one with all this blissful treasure that burned in their bosoms and dropped, in silver flowers, from their hair and hands?
”
”
Katherine Mansfield (Bliss & Other Stories)
“
What are you doing here?”
“Came to inadvertently insult you some more apparently. Who knew?”
Instead of being amused, which was what he’d been hoping for, she narrowed her gaze on him. “I really don’t like you.”
Fang leaned forward to smirk. “You’re really not supposed to.
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
She smoothed her skirt around her knees. “This Scarlet … you’re in love with her, aren’t you?” He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. “She’s my alpha,” he murmured, with a haunting sadness in his voice. Alpha. Cress leaned forward, propping her elbows on her knees. “Like the star?” “What star?” She stiffened, instantly embarrassed, and scooted back from him again. “Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she’s … like … your brightest star.” Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was. But instead of sneering or laughing, Wolf sighed. “Yes,” he said, his gaze climbing up to the full moon that had emerged over the city. “Exactly like that.” With a quick twist to her heart, Cress’s fear of him began to subside. She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Endymion
The rising moon has hid the stars;
Her level rays, like golden bars,
Lie on the landscape green,
With shadows brown between.
And silver white the river gleams,
As if Diana, in her dreams,
Had dropt her silver bow
Upon the meadows low.
On such a tranquil night as this,
She woke Endymion with a kiss,
When, sleeping in the grove,
He dreamed not of her love.
Like Dian's kiss, unasked, unsought,
Love gives itself, but is not bought;
Nor voice, nor sound betrays
Its deep, impassioned gaze.
It comes,--the beautiful, the free,
The crown of all humanity,--
In silence and alone
To seek the elected one.
It lifts the boughs, whose shadows deep
Are Life's oblivion, the soul's sleep,
And kisses the closed eyes
Of him, who slumbering lies.
O weary hearts! O slumbering eyes!
O drooping souls, whose destinies
Are fraught with fear and pain,
Ye shall be loved again!
No one is so accursed by fate,
No one so utterly desolate,
But some heart, though unknown,
Responds unto his own.
Responds,--as if with unseen wings,
An angel touched its quivering strings;
And whispers, in its song,
"Where hast thou stayed so long?
”
”
Henry Wadsworth Longfellow (Ballads and Other Poems)
“
The Dream I Dream For You, My Child
...
I hope you search for four-leaf clovers,
grin back at Cheshire moons,
breathe in the springtime breezes,
and dance with summer loons.
I hope you gaze in wide-eyed wonder
at the buzzing firefly
and rest beneath the sunlit trees
as butterflies fly by.
I hope you gather simple treasures
of pebbles, twigs, and leaves
and marvel at the fragile web
the tiny spider weaves.
I hope you read poetry and fairy tales
and sing silly, made-up songs,
and pretend to be a superhero
righting this world's wrongs.
I hope your days are filled with magic
and your nights with happy dreams,
and you grow up knowing that happiness
is found in simple things.
The dream I dream for you, my child,
as you discover, learn, and grow,
is that you find these simple joys
wherever in life you go.
”
”
L.R. Knost
“
And there I was at night, chasing after the full moon behind the clouds like a mad man in search of the reflection of the light of love in another person, without daring to light up the spark of light that I had left within myself. It was nowhere to be seen, but I felt it was out there somewhere. I've surely seen it a couple of days ago up in the sky and my eyes couldn't have lied to me, it was so beautiful, or so it appeared to be. I guess I have to stop stalking what can't be seen for awhile and let the light of the full moon find its way through my messed up soul. Maybe it's time to go to sleep and trust that another sunrise will renew what the full moon couldn't clear away tonight. During all that time, I might've not found the light of the moon, but I rested deeply with the sound of the raindrops, while gazing at the quiet river flowing slowly. What a crucial moment to be alive!
”
”
Virgil Kalyana Mittata Iordache
“
You sit at the edge of the world, I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard, Little fish rain down from the sky.
Outside the window there are soldiers, steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore, Thinking of the pendulum that moves the world, it seems.
When your heart is closed, The shadow of the unmoving Sphinx, Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress, She gazes—at Kafka on the shore.
”
”
Haruki Murakami
“
How the moon triumphs through the endless nights!
How the stars throb and glitter as they wheel
Their thick processions of supernal lights
Around the blue vault obdurate as steel!
And men regard with passionate awe and yearning
The mighty marching and the golden burning,
And think the heavens respond to what they feel.
Boats gliding like dark shadows of a dream
Are glorified from vision as they pass
The quivering moonbridge on the deep black stream;
Cold windows kindle their dead glooms of glass
To restless crystals; cornice dome and column
Emerge from chaos in the splendour solemn;
Like faery lakes gleam lawns of dewy grass.
With such a living light these dead eyes shine,
These eyes of sightless heaven, that as we gaze
We read a pity, tremulous, divine,
Or cold majestic scorn in their pure rays:
Fond man! they are not haughty, are not tender;
There is no heart or mind in all their splendour,
They thread mere puppets all their marvellous maze.
”
”
James Thomson (The City of Dreadful Night)
“
Season late, day late, sun just down, and the sky
Cold gunmetal but with a wash of live rose, and she,
From water the color of sky except where
Her motion has fractured it to shivering splinters of silver,
Rises. Stands on the raw grass. Against
The new-curdling night of spruces, nakedness
Glimmers and, at bosom and flank, drips
With fluent silver. The man,
Some ten strokes out, but now hanging
Motionless in the gunmetal water, feet
Cold with the coldness of depth, all
History dissolving from him, is
Nothing but an eye. Is an eye only. Sees
The body that is marked by his use, and Time's,
Rise, and in the abrupt and unsustaining element of air,
Sway, lean, grapple the pond-bank. Sees
How, with that posture of female awkwardness that is,
And is the stab of, suddenly perceived grace, breasts bulge down in
The pure curve of their weight and buttocks
Moon up and, in swelling unity,
Are silver and glimmer. Then
The body is erect, she is herself, whatever
Self she may be, and with an end of the towel grasped in each hand,
Slowly draws it back and forth across back and buttocks, but
With face lifted toward the high sky, where
The over-wash of rose color now fails. Fails, though no star
Yet throbs there. The towel, forgotten,
Does not move now. The gaze
Remains fixed on the sky. The body,
Profiled against the darkness of spruces, seems
To draw to itself, and condense in its whiteness, what light
In the sky yet lingers or, from
The metallic and abstract severity of water, lifts. The body,
With the towel now trailing loose from one hand, is
A white stalk from which the face flowers gravely toward the high sky.
This moment is non-sequential and absolute, and admits
Of no definition, for it
Subsumes all other, and sequential, moments, by which
Definition might be possible. The woman,
Face yet raised, wraps,
With a motion as though standing in sleep,
The towel about her body, under her breasts, and,
Holding it there hieratic as lost Egypt and erect,
Moves up the path that, stair-steep, winds
Into the clamber and tangle of growth. Beyond
The lattice of dusk-dripping leaves, whiteness
Dimly glimmers, goes. Glimmers and is gone, and the man,
Suspended in his darkling medium, stares
Upward where, though not visible, he knows
She moves, and in his heart he cries out that, if only
He had such strength, he would put his hand forth
And maintain it over her to guard, in all
Her out-goings and in-comings, from whatever
Inclemency of sky or slur of the world's weather
Might ever be. In his heart he cries out. Above
Height of the spruce-night and heave of the far mountain, he sees
The first star pulse into being. It gleams there.
I do not know what promise it makes him.
”
”
Robert Penn Warren
“
That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come—watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart—
'My daughter, flee temptation.'
'Mother, I will.'
So I answered after I had waked from the trance-like dream.
”
”
Charlotte Brontë (Jane Eyre)
“
There were dozens of pictures similar to the one I had found in the Brooklyn Museum; the same forest, the same moon, the same silence. The moon was always full in these works, and it was always the same: small, perfectly round circle in the middle of the canvas, glowing with the palest white light. After I had looked at five or six of them, they gradually began to separate themselves from their surrounds, and I was no long able to see them as moons. They became holes in the canvas, apertures of whiteness looking out onto another work. Blakelock’s eye, perhaps. A blank circle suspended in space, gazing down at things that were no longer there.
”
”
Paul Auster (Moon Palace)
“
I was pretty sure it was the response he drew from most women—the chance gaze, followed by a pause; the appreciation of something magnificent, no matter how fleeting. I would have to be six feet under not to react to him. It wasn’t just about the way he looked. He had something more. Solidity. Substance. The kind of thing the moon does to the tides, making the waves rise to attention. Jack could give you goosebumps simply by circling past you. I shuddered to think what it would be like if he deliberately decided to slay you.
”
”
Leylah Attar (Mists of the Serengeti)
“
It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Alone one is never lonely: the spirit
adventures, waking
In a quiet garden, in a cool house, abiding single there;
The spirit adventures in sleep, the sweet thirst-slaking
When only the moon’s reflection touches the wild hair.
There is no place more intimate than the spirit alone:
It finds a lovely certainty in the evening and the morning.
It is only where two have come together bone against bone
That those alonenesses take place, when, without warning
The sky opens over their heads to an infinite hole in space;
It is only turning at night to a lover that one learns
He is set apart like a star forever and that sleeping face
(For whom the heart has cried, for whom the frail hand burns)
Is swung out in the night alone, so luminous and still,
The waking spirit attends, the loving spirit gazes
Without communion, without touch, and comes to know at last
Out of a silence only and never when the body blazes
That love is present, that always burns alone, however steadfast.
”
”
May Sarton (Inner Landscape)
“
Jensen, have you forgotten I’m a psychopath?”
Raising his head, he gazed into her eyes. “No, you’re not. You’re a little mixed up. That’s all. Having your whole family die so suddenly probably accounts for the way you behaved.
The heartrending tenderness in his smoldering blue eyes startled her. Oh, my God. She had unwittingly given him a way to excuse Shelly’s actions.
He stretched out beside her with a slow, sexy smile. His touch was light, teasing, as he brushed her lower lip with the pad of his thumb.
“Jenson, knock it off. I’m dangerous…honest.”
“So am I.
”
”
Meryl Sawyer (Half Moon Bay)
“
O Light Invisible, we praise Thee!
Too bright for mortal vision.
O Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening,
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
O Light Invisible, we worship Thee!
We thank Thee for the light that we have kindled,
The light of altar and of sanctuary;
Small lights of those who meditate at midnight
And lights directed through the coloured panes of windows
And light reflected from the polished stone,
The gilded carven wood, the coloured fresco.
Our gaze is submarine, our eyes look upward
And see the light that fractures through unquiet water.
We see the light but see not whence it comes.
O Light Invisible, we glorify Thee!
”
”
T.S. Eliot (The Rock)
“
Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think.
”
”
Joyce Cary (The Horse's Mouth)
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
He lifted his arm that had been resting on her shoulders and gazed at the words she had written on his hand. He had been branded as cattle are branded to show whom they belong to. The cold mountain air stung his lips. She was driving too fast on this road that had once been a forest. Early humans had lived in it. They studied fire and the movement of the sun. They read the clouds and the moon and tried to understand the human mind His father had tried to melt him into a Polish forest when he was five years old. He knew he must leave no trace or trail of his existence because he must never find his way home. That was what his father had told him. You cannot come home. This was not something possible to know but he had to know it all the same
”
”
Deborah Levy (Swimming Home)
“
His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon. Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless…?
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….”
She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.”
Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty.
“We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted.
When she turned to him, her eyes were bright with anger.
“He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?”
Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on.
“I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.”
The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived.
At last she nodded, the smallest dip of her chin.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
If we are to go by what the movies and novels tell us, falling in love just happens. If it is a Hindi movie, you hear a melodious track in the background, the lyrics usually waxing eloquent about the heroine’s beauty, comparing various parts of her anatomy to the moon, stars, the sun—even Fevicol. This is accompanied by the hero gazing at her with the expression of a glutton discovering a six-course banquet consisting of various gastronomical delights. In real life though, falling in love often happens over a period of time. You see someone gorgeous and get attracted strongly. If you strike up a conversation, find each other likable—or intriguing, as the case may be—then you exchange phone numbers or email ids. After a couple of dates, discovering many things and maybe a kiss or something more, depending on how much in resonance your moral compasses are, the magic happens, and wham, you are in love.
”
”
Preeti Shenoy (Why We Love the Way We Do)
“
Spottedleaf isn’t with StarClan anymore.” Grief thickened her mew. “But she gave Firestar a life for love.” A sob shook Sandstorm’s shoulders. Bluestar went on. “I gave him a life for nobility, though he was born with more nobility than any warrior I ever knew.” Her blue eyes glazed with sorrow. “I knew that Firestar would save the Clan many moons ago. As fire, and then as the fourth cat in the oldest prophecy, he succeeded. He leaves ThunderClan in the paws of a new leader.” She looked at Brambleclaw. “If you have half the courage and loyalty of Firestar, you will be a fine leader for ThunderClan.” As she spoke the StarClan cats drew closer around Firestar’s body. Touching pelts, they gazed down. A shadow stirred over the orange shape.
”
”
Erin Hunter (The Last Hope (Warriors:Omen of the Stars #6))
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men.
She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her.
The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally.
Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
”
”
T. Kingfisher (Nettle & Bone)
“
I'll tell you what I miss.
I miss that throbbing heart telling me to take a leap when the sky looks too dark.
I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss.
I miss the coffee that scented like mist in a frozen dream in a land of strange beauty.
I miss the afternoon tea that followed my pen to hours of happy melancholy.
I miss the muse I saw dance in a foreign land of near heart.
I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness.
I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy.
I miss that hand of an old woman trying to tell me her story.
I miss that child running up to me in a crowd of unknown faces to hand me her candy.
I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright.
I miss that stranger listening to my heart and telling me how beautiful it is.
I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life.
And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.
”
”
Debatrayee Banerjee
“
I asked the earth and it answered, “I am not He”; and all things that are in the earth made the same confession. I asked the sea and the deeps and the creeping things, and they answered, “We are not your God, seek higher.” I asked the winds that blow, and the whole air with all that is in it answered, “Anaximenes was wrong; I am not God.” I asked the heavens, the sun, the moon, the stars, and they answered, “Neither are we God whom you seek.” And I said to all the things that throng about the gateways of the senses: “Tell me of my God, since you are not He. Tell me something of Him.” And they cried out in a great voice: “He made us.” My question was my gazing upon them, and their answer was their beauty.
Man is a silent, incarnate word of God. The moon, the stars, the sun, the sea, the firmament are the visible proof of the existence and omnipotence of God, who created them out of sheer love. These creatures are the powerful, mysterious voice of God.
”
”
Robert Sarah
“
The Desire To Paint"
Unhappy perhaps is the man, but happy the artist, who is torn with this desire.
I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her.
She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound.
Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness.
I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness.
But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass.
Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land.
There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
”
”
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
“
The Convergence of the Twain
Thomas Hardy, 1840 - 1928
(Lines on the loss of the “Titanic”)
I
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
II
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
III
Over the mirrors meant
To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.
IV
Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
V
Dim moon-eyed fishes near
Gaze at the gilded gear
And query: “What does this vaingloriousness down here?”. . .
VI
Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything
VII
Prepared a sinister mate
For her—so gaily great—
A Shape of Ice, for the time far and dissociate.
VIII
And as the smart ship grew
In stature, grace, and hue
In shadowy silent distance grew the Iceberg too.
IX
Alien they seemed to be:
No mortal eye could see
The intimate welding of their later history.
X
Or sign that they were bent
By paths coincident
On being anon twin halves of one August event,
XI
Till the Spinner of the Years
Said “Now!” And each one hears,
And consummation comes, and jars two hemispheres.
”
”
Thomas Hardy
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
And that date, too, is far off?'
'Far off; when it comes, think your end in this world is at hand!'
'How and what is the end? Look east, west, south and north.'
'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.'
'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
”
”
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps.
Come to me, he beseeched them.
They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes.
“Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.”
“I can.” Sean’s gaze could cut through shadows as easily as a knife through butter.
Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers.
He was becoming desperate for more.
That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her.
Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit.
At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again.
Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that.
“I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.”
“Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.”
“Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.”
“Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.”
“First, you’re welcome. Second, I lied.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
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Scott O'Dell (Island of the Blue Dolphins)