Gattaca Quotes

We've searched our database for all the quotes and captions related to Gattaca. Here they are! All 7 of them:

I never saved anything for the swim back.
Andrew Niccol (Gattaca: The Shooting Script)
I was never more certain of how far away I was from my goal than when I was standing right beside it.
Andrew Niccol (Gattaca: The Shooting Script)
You wanted to know how I did it? That's how I did it, Anton. I never saved anything for the swim back.
Andrew Niccol (Gattaca: The Shooting Script)
What I like about Gattaca is that it is not what you think when you think of sci-fi. There are very few special effects. There is a man in lab doing work day in and day out. He waits for the centrifuge to be done. He pipettes something into vials. The movie is set in the far future and yet nothing about the science is flashy. The movie is timeless in this way.
Weike Wang (Chemistry)
Zwölf Finger oder einer, es hängt davon ab, wie man spielt.
Andrew Niccol (Gattaca: The Shooting Script)
In this way DNA Dreams brings to life the dystopian nightmare we encounter in the 1997 film Gattaca, in which the main character Vincent, played by Ethan Hawke, narrates: “I belonged to a new underclass, no longer determined by social status or the color of your skin. No, we have discrimination down to a science.”46 As in so much science fiction, the Whiteness of the main protagonist is telling. Not only does it deflect attention away from the fact that, in the present, many people already live a version of the dystopia represented in the film in future tense. The “unbearable Whiteness” of sci-fi expresses itself in the anxiety underlying so many dystopian visions that, if we keep going down this road, “We’re next.”47 Whether it’s Keanu Reeves in The Matrix, Matt Damon in Elysium, Chris Evans in Snowpiercer – all characters whose Whiteness, maleness, straightness, and (let’s just admit) cuteness would land them at the top of the present social order – they all find themselves in a fictional future among the downtrodden. Viewers, in turn, are compelled to identify with the future oppression of subordinated White people without necessarily feeling concern for the “old” underclasses in our midst.
Ruha Benjamin (Race After Technology: Abolitionist Tools for the New Jim Code)
the 1997 movie Gattaca
David B. Agus (The End of Illness)