β
O, ah! The awareness of emptiness brings forth a heart of compassion!
β
β
Gary Snyder
β
Nature is not a place to visit. It is home.
β
β
Gary Snyder
β
There are those who love to get dirty and fix things. They drink coffee at dawn, beer after work. And those who stay clean, just appreciate things. At breakfast they have milk and juice at night. There are those who do both, they drink tea.
β
β
Gary Snyder
β
Find your place on the planet. Dig in, and take responsibility from there.
β
β
Gary Snyder
β
When the mind is exhausted of images, it invents its own.
β
β
Gary Snyder (Earth House Hold: Technical Notes & Queries to Fellow Dharma Revolutionaries)
β
stay together
learn the flowers
go light
β
β
Gary Snyder
β
Three-fourths of philosophy and literature is the talk of people trying to convince themselves that they really like the cage they were tricked into entering.
β
β
Gary Snyder
β
In this huge old occidental culture our teaching elders are books. Books are our grandparents!
β
β
Gary Snyder (The Practice of the Wild)
β
Range after range of mountains.
Year after year after year.
I am still in love.
β
β
Gary Snyder
β
All that we did was human,
stupid, easily forgiven,
Not quite right.
β
β
Gary Snyder
β
Nature is orderly. That which appears to be chaotic in nature is only a more complex kind of order.
β
β
Gary Snyder
β
As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.
β
β
Gary Snyder
β
With no surroundings there can be no path, and with no path one cannot become free.
β
β
Gary Snyder (The Practice of the Wild)
β
All this new stuff goes on top
turn it over, turn it over
wait and water down
from the dark bottom
turn it inside out
let it spread through
Sift down even.
Watch it sprout.
A mind like compost.
β
β
Gary Snyder
β
The size of the place that one becomes
a member of is limited only by
the size of oneβs heart.
β
β
Gary Snyder
β
I hold the most archaic values on earth ... the fertility of the soul, the magic of the animals, the power-vision in solitude.... the love and ecstasy of the dance, the common work of the tribe.
β
β
Gary Snyder
β
Smith, I distrust any kind of Buddhism or any kinda philosophy or social system that puts down sex said Japhy (Gary Snyder)
β
β
Jack Kerouac (The Dharma Bums)
β
Having a place means that you know what a place means...what it means in a storied sense of myth, character and presence but also in an ecological sense...Integrating native consciousness with mythic consciousness
β
β
Gary Snyder
β
Being the Stream
Meditation is not just a rest or retreat from the turmoil of the
stream or the impurity of the world. It is a way of being the stream,
so that one can be at home in both the white water and the eddies.
Meditation may take one out of the world, but it also puts one totally
into it.
β
β
Gary Snyder
β
I thought, that day I started,
I sure would hate to do this all my life,
And dammit, thatβs just what
Iβve gone and done.
β
β
Gary Snyder
β
I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen Lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures.
β
β
Gary Snyder
β
The world is our consciousness, and it surrounds us.
β
β
Gary Snyder (The Practice of the Wild: With a New Preface by the Author)
β
Will be but corpses dressed in frocks,
who cannot speak to birds or rocks.
β
β
Gary Snyder
β
The other side of the "sacred" is the sight of your beloved in the underworld, dripping with maggots.
β
β
Gary Snyder (The Practice of the Wild)
β
In the 40,000 year time scale we're all the same people. We're all equally primitive, give or take two or three thousand years here or a hundred years there.
β
β
Gary Snyder (The Old Ways)
β
But if you do know what is taught by plants and weather, you are in on the gossip and can feel truly at home. The sum of a field's forces [become] what we call very loosely the 'spirit of the place.' To know the spirit of a place is to realize that you are a part of a part and that the whole is made or parts, each of which in a whole. You start with the part you are whole in.
β
β
Gary Snyder (The Gary Snyder Reader, Volume 1: Prose, Poetry and Translations 1952-1998)
β
Clouds sink down the hills
Coffee is hot again. The dog
Turns and turns about, stops and sleeps.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
True affluence is not needing anything.
β
β
Gary Snyder
β
On Climbing the Sierra Mountains again after 31 years
Range after range of mountains
Year after year after year.
I am still in love.
β
β
Gary Snyder
β
Switchback"
turn, turn,
and again,
hard scrabble
steep travel
ahead.
β
β
Gary Snyder (The Back Country)
β
Great Brown Bear is walking with us, Salmon swimming upstream with us, as we stroll a city street.
β
β
Gary Snyder (The Practice of the Wild)
β
I could almost love you again.
β
β
Gary Snyder (Turtle Island)
β
Deer love mushrooms.
β
β
Gary Snyder (The Practice of the Wild: With a New Preface by the Author)
β
All those years and their momentsβ
Crackling bacon, slamming car doors,
Poems tried out on friends,
Will be one more archive,
One more shaky text.
β
β
Gary Snyder
β
the man who has the soul of the wolf
knows the self-restraint
of the wolf
β
β
Gary Snyder (Turtle Island)
β
Clambering up the Cold Mountain path,
The Cold Mountain trail goes on and on:
The long gorge choked with scree and boulders,
The wide creek, the mist-blurred grass.
The moss is slippery, though there's been no rain
The pine sings, but there's no wind.
Who can leap the world's ties
And sit with me among the white clouds?
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
The Buddha taught that all life is suffering. We might also say that life, being both attractive and constantly dangerous, is intoxicating and ultimately toxic. 'Toxic' comes from toxicon, Pendell tells us, with a root meaning of 'a poisoned arrow.' All organic life is struck by the arrows of real and psychic poisons. This is understood by any true, that is to say, not self-deluding, spiritual path.
β
β
Gary Snyder (Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft)
β
Iβm sixty-eightβ he said,
βI first bucked hay when I was seventeen.
I thought, that day I started,
I sure would hate to do this all my life.
And dammit, thatβs just what
Iβve gone and done.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
When men see Han-shan
They all say he's crazy
And not much to look at -
Dressed in rags and hides.
They don't get what I say
And I don't talk their language.
All I can say to those I meet:
"Try and make it to Cold Mountain.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
They should listen to the unsaid words that resonate around the edge of the poem.
β
β
Gary Snyder (The Gary Snyder Reader: Prose, Poetry, and Translations)
β
And our conservationist-environmentalist-moral outrage is often (in its frustration) aimed at the logger or the rancher, when the real power is in the hands of people who make unimaginably larger sums of money, people impeccably groomed, excellently educated at the best universities - male and female alike - eating fine foods and reading classy literature, while orchestrating the investment and legislation that ruin the world.
β
β
Gary Snyder (The Practice of the Wild: With a New Preface by the Author)
β
I have a friend who feels sometimes that the world is hostile to human life--he says it chills us and kills us. But how could we be were it not for this planet that provided our very shape? Two conditions--gravity and a livable temperature range between freezing and boiling--have given us fluids and flesh. The trees we climb and the ground we walk on have given us five fingers and toes. The "place" (from the root plat, broad, spreading, flat) gave us far-seeing eyes, the streams and breezes gave us versatile tongues and whorly ears. The land gave us a stride, and the lake a dive. The amazement gave us our kind of mind. We should be thankful for that, and take nature's stricter lessons with some grace.
β
β
Gary Snyder
β
Goal: Clean air, clean clear-running rivers, the presence of Pelican and Osprey and Gray Whale in our lives; salmon and trout in our streams; unmuddied language and good dreams.
β
β
Gary Snyder (Turtle Island)
β
As a poet I hold the most archaic values on earth. They go back to the Neolithic: the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe.
β
β
Gary Snyder
β
The wild. I have drunk it, deep and raw, and heard it's primal, unforgettable roar. We know it in our dreams, when our mind is off the leash, running wild. 'Outwardly, the equivalent of the unconscious is the wilderness: both of these terms meet, one step even further on, as one,' wrote Gary Snyder. 'It is in vain to dream of a wildness distinct from ourselves. There is none such,' wrote Thoreau. 'It is the bog in our brains and bowls, the primitive vigor of Nature in us, that inspires the dream.'
And as dreams are essential to the psyche, wildness is to life.
We are animal in our blood and in our skin. We were not born for pavements and escalators but for thunder and mud. More. We are animal not only in body but in spirit. Our minds are the minds of wild animals. Artists, who remember their wildness better than most, are animal artists, lifting their heads to sniff a quick wild scent in the air, and they know it unmistakably, they know the tug of wildness to be followed through your life is buckled by that strange and absolute obedience. ('You must have chaos in your soul to give birth to a dancing star,' wrote Nietzsche.) Children know it as magic and timeless play. Shamans of all sorts and inveterate misbehavers know it; those who cannot trammel themselves into a sensible job and life in the suburbs know it.
What is wild cannot be bought or sold, borrowed or copied. It is. Unmistakeable, unforgettable, unshamable, elemental as earth and ice, water, fire and air, a quitessence, pure spirit, resolving into no contituents. Don't waste your wildness: it is precious and necessary.
β
β
Jay Griffiths (Wild: An Elemental Journey)
β
I wanted a good place to settle:
Cold Mountain would be safe.
Light wind in a hidden pine -
Listen close - the sound gets better.
Under it a gray haired man
Mumbles along reading Huang and Lao.
For ten years I havn't gone back home
I've even forgotten the way by which I came.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
Clarity, especially in poetry, requires conceiving of your work as a collaborative act of imagination with the audience, thus affording them the deepest respect.
β
β
Gary Snyder (The Gary Snyder Reader: Prose, Poetry, and Translations)
β
Lay down these words
Before your mind like rocks.
placed solid, by hands
In choice of place, set
Before the body of the mind
in space and time:
Solidity of bark, leaf, or wall
riprap of things:
Cobble of milky way.
straying planets,
These poems, people,
lost ponies with
Dragging saddles --
and rocky sure-foot trails.
The worlds like an endless
four-dimensional
Game of Go.
ants and pebbles
In the thin loam, each rock a word
a creek-washed stone
Granite: ingrained
with torment of fire and weight
Crystal and sediment linked hot
all change, in thoughts,
As well as things.
β
β
Gary Snyder
β
Oil the saw, sharpen axes,
Learn the names of all the peaks you see and which is highest-
there are hundreds-
Learn by heart the drainages between
Go find a shallow pool of snowmelt on a good day, bathe in the lukewarm water.
β
β
Gary Snyder
β
Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surfβgreat rectitude of rocks) than man, inhuman man,
At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star,
Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
I have lived at Cold Mountain
These thirty long years.
Yesterday I called on friends and family:
More than half had gone to the Yellow Springs.
Slowly consumed, like fire down a candle;
Forever flowing, like a passing river.
Now, morning, I face my lone shadow:
Suddenly my eyes are bleared with tears.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
How Poetry Comes to Me
It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light
β
β
Gary Snyder
β
Though the nation is lost, the mountains and rivers remain" - Tu Fu
β
β
Gary Snyder (The Real Work: Interviews and Talks, 1964-1979)
β
White clouds gather and billow. Thin grass does for a mattress, The blue sky makes a good quilt. Happy with a stone underhead Let heaven and earth go about their changes.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
Each time you go that road it gets more straight.
β
β
Gary Snyder (Mountains and Rivers Without End)
β
What use, Milton, a silly story
Of our lost general parents,
eaters of fruit?
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
To combat cultural genocide one needs a critique of civilization itself.
-Gary Snyder
β
β
John Zerzan (Against Civilization: Readings and Reflections)
β
A person with a clear heart and open mind can experience the wilderness anywhere on earth. It is a quality of oneβs own consciousness. The planet is a wild place and will always be.
β
β
Gary Snyder
β
I thought I heard an axe chop in the woods
It broke the dream; and woke up dreaming on a train.
It must have been a thousand years ago
In some old mountain sawmill of Japan.
A horde of excess poets and unwed girls
And I that night prowled Tokyo like a bear
Tracking the human future
Of intelligence and despair.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
In the mountains it's cold.
Always been cold, not just this year.
Jagged scarps forever snowed in
Woods in the dark ravines spitting mist.
Grass is still sprouting at the end of June,
Leaves begin to fall in early August.
And here I am, high on mountains,
Peering and peering, but I can't even see the sky.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
The wild-often dismissed as savage and chaotic by "civilized" thinkers, is actually impartially, relentlessly, and beautifully formal and free. Its expression-the richness of plant and animal life on the globe including us, the rainstorms, windstorms, and calm spring mornings-is the real world, to which we belong.
β
β
Gary Snyder (The Practice of the Wild: With a New Preface by the Author)
β
that we may see ourselves more accurately on this continent of watersheds and life-communitiesβplant zones, physiographic provinces, culture areas; following natural boundaries. The βU.S.A.β and its states and counties are arbitrary and inaccurate impositions on what is really here.
β
β
Gary Snyder (Turtle Island)
β
You must realize that these are abnormal times and there's no way that any of us can keep ourselves pure
β
β
Gary Snyder (The Real Work: Interviews and Talks, 1964-1979)
β
WE SHALL SEE
WHO KNOWS
HOW TO BE
β
β
Gary Snyder (Turtle Island)
β
Like imagination and the body, language rises unbidden.
β
β
Gary Snyder (The Practice of the Wild)
β
Spring-water in the green creek is clear Moonlight on Cold Mountain is white Silent knowledgeβthe spirit is enlightened of itself Contemplate the void: this world exceeds stillness.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
We are, after all, an animal that was brought into being on this biosphere by these processes of sun and water and lead. And if we depart too far from them, we're departing too far from the mother, from our heritage.
β
β
Gary Snyder (The Real Work: Interviews and Talks, 1964-1979)
β
The blue mountains are constantly walking." DΕgen is quoting the Chan master Furong. -- "If you doubt mountains walking you do not know your own walking."
-- DΕgen is not concerned with "sacred mountains" - or pilgrimages, or spirit allies, or wilderness as some special quality. His mountains and streams are the processes of this earth, all of existence, process, essence, action, absence; they roll being and non-being together. They are what we are, we are what they are. For those who would see directly into essential nature, the idea of the sacred is a delusion and an obstruction: it diverts us from seeing what is before our eyes: plain thusness. Roots, stems, and branches are all equally scratchy. No hierarchy, no equality. No occult and exoteric, no gifted kids and slow achievers. No wild and tame, no bound or free, no natural and artificial. Each totally its own frail self. Even though connected all which ways; even because connected all which ways. This, thusness, is the nature of the nature of nature. The wild in wild.
So the blue mountains walk to the kitchen and back to the shop, to the desk, to the stove. We sit on the park bench and let the wind and rain drench us. The blue mountains walk out to put another coin in the parking meter, and go down to the 7-Eleven. The blue mountains march out of the sea, shoulder the sky for a while, and slip back to into the waters.
β
β
Gary Snyder (The Practice of the Wild)
β
If we are here for any good purpose at all (other than collating texts, running rivers, and learning the stars), I suppose it is to entertain the rest of nature. A gang of sexy primate clowns. All the little critters creep in close to listen when the human beings are in a good mood and willing to play some tunes.
β
β
Gary Snyder (The Practice of the Wild)
β
In the glittering light I got drunk and reeled through
the rooms,
And cried, βCartagena! swamp of unholy loves!β
And wept for the Indian whores who were younger than me,
and I was eighteen,
And splashed after the crew down the streets wearing
sandals bought at a stall
And got back to the ship, dawn came,
we were far out at sea.
β
β
Gary Snyder (Riprap and Cold Mountain Poems)
β
Not long ago the forests were our depth, a sun-dappled underworld, an inexhaustible timeless source. Now they are vanishing.
β
β
Gary Snyder
β
The truly experienced person, the refined person, delights in the ordinary.
β
β
Gary Snyder (The Practice of the Wild)
β
The tribes were Berkeley, North Beach, Big Sur, Marin County, Los Angeles, and the host, Haight-Ashbury.
β
β
Gary Snyder (The Gary Snyder Reader: Prose, Poetry, and Translations)
β
There is no sight moves me more than the jagged Olympics floating above the islands and inlets of Puget Sound.
β
β
Gary Snyder (The Selected Letters of Allen Ginsberg and Gary Snyder, 1956-1991)
β
There are two things that are really educational. One is being with a bunch of really smart people. The other is being all by yourself.
β
β
Gary Snyder (Nobody Home: Writing, Buddhism, and Living in Places)
β
The moon shines on the river,
The wind blows through the pines-
Who is this long, beautiful evening for
β
β
Gary Snyder (Back on the Fire)
β
If we made such good use of animals, eating them, singing about them, drawing them, riding them, and dreaming about them, what do they get back from us?
β
β
Gary Snyder (Back on the Fire)
β
The poet Gary Snyderβs finely unpoetic image of composting is useful here. Stuff goes into the writer, a whole lot of stuff, not notes in a notebook but everything seen and heard and felt all day every day, a lot of garbage, leftovers, dead leaves, eyes of potatoes, artichoke stems, forests, streets, rooms in slums, mountain ranges, voices, screams, dreams, whispers, smells, blows, eyes, gaits, gestures, the touch of a hand, a whistle in the night, the slant of light on the wall of a childβs room, a fin in a waste of waters. All this stuff goes down into the novelistβs personal compost bin, where it combines, recombines, changes; gets dark, mulchy, fertile, turns into ground. A seed falls into it, the ground nourishes the seed with the richness that went into it, and something grows. But what grows isnβt an artichoke stem and a potato eye and a gesture. Itβs a new thing, a new whole. Itβs made up.
β
β
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination)
β
It means using such means as civil disobedience,
outspoken criticism, protest, pacifism, voluntary poverty and even gentle violence if it comes to a matter of restraining some impetuous redneck.
β
β
Gary Snyder (Earth House Hold: Technical Notes & Queries to Fellow Dharma Revolutionaries)
β
Here is perhaps the most delicious turn that comes out of thinking about politics from the standpoint of place: anyone of any race, language, religion, or origin is welcome, as long as they live well on the land. The great Central Valley region does not prefer English over Spanish or Japanese or Hmong. If it had any preferences at all, it might best like the languages it has heard for thousands of years, such as Maidu or Miwok, simply because it is used to them. Mythically speaking, it will welcome whomever chooses to observe the etiquette, express the gratitude, grasp the tools, and learn the songs that it takes to live there.
β
β
Gary Snyder (A Place in Space: Ethics, Aesthetics, and Watersheds)
β
The Government finally decided
To wage the war all-out. Defeat
is Un-American.
And they took to the air,
Their women beside them
in bouffant hairdos
putting nail-polish on the
gunship cannon-buttons.
And they never came down
for they found,
the ground
is Pro-Communist. And dirty.
And the insects side with the Viet Cong.
β
β
Gary Snyder (Turtle Island)
β
If we are lucky we may eventually arrive at a totally integrated world culture with matrilineal descent, free-form marriage, natural credit communist economy, less industry, far less population and lots more national parks.
β
β
Gary Snyder (Earth House Hold: Technical Notes & Queries to Fellow Dharma Revolutionaries)
β
A community needs it's elders to continue. Just as you could not grow culture out of a population of kindergarten children, a forest cannot realize its own natural potential without the seed-reservoirs, root-fungus threads, birdcalls and magical deposits of tiny feces that are the gift from the old to the young. Chris Maser says, "We need ancient forests for the survival of ancient forests.
β
β
Gary Snyder
β
What I like most about Buddhism really is its fearlessness. So much of what warps people is fear of death and fear of impermanence. So much of what we do is simply strategies to try and hold back death, trying to buy time with material things. So at its best Buddhism provides people with a way of seeing their own frailty: you need less in the way of material objects and fortresses around yourself.
β
β
Gary Snyder (Nobody Home: Writing, Buddhism, and Living in Places)
β
Maybe that's a haiku, maybe not, it might be a little too complicated," said Japhy. "A real haiku's gotta be as simple as porridge and yet make you see the real thing, like the greatest haiku of them all probably is the one that goes 'The sparrow hops along the veranda, with wet feet.' By Shiki. You see the wet footprints like a vision in your mind and yet in those few words you also see all the rain that's been falling that day and almost smell the wet pine needles."
(The Dharma Bums, Chap. 8)
β
β
Jack Kerouac (The Dharma Bums)
β
There are paths that can be followed, and there is a path that cannot- it is not a path, it is the wilderness. There is a "going" but no goer, no destination, only the whole field
β
β
Gary Snyder
β
Every boulder on a talus slope is different, no two needles on a fir tree are identical. How could one part be more central, more important, than any other?
β
β
Gary Snyder
β
But the poem was born elsewhere, and need not stay. Like the wild geese of the Arctic it heads home, far above the borders, where most things cannot cross.
β
β
Gary Snyder (Turtle Island)
β
the mind poet stays in the house / the house is empty and it has no walls / the poem is seen from all sides / everywhere / at once.
β
β
Gary Snyder (Nobody Home: Writing, Buddhism, and Living in Places)
β
If you have an understanding and cannot express it, then your understanding is not yet complete.
β
β
Gary Snyder (Nobody Home: Writing, Buddhism, and Living in Places)
β
All too many people in power in the governments and universities of the world seem to carry a prejudice against the natural world -and also against the past, against history. It seems Americans would live by a Chamber-of-Commerce Creationism that declares itself satisfied with a divinely presented Shopping Mall. The integrity and character of our own ancestors is dismissed with "I couldn't live like that" by people who barely know how to live at all. An ancient forest is seen as a kind of overripe garbage, not unlike the embarrassing elderly.
β
β
Gary Snyder (The Practice of the Wild: With a New Preface by the Author)
β
Donβt imagine that weβre doing ecological politics to save the world. Weβre doing ecological politics to save ourselves, to save our souls. Itβs a personal exercise in character and in manners. Itβs a matter of etiquette. Itβs a matter of living right. Itβs not that the planet requires us to be good to it. Itβs that we must do it because itβs an aesthetic and ethical choice.
β
β
Gary Snyder (Nobody Home: Writing, Buddhism, and Living in Places)
β
In the Western Hemisphere we have only the tiniest number of buildings that can be called temples or shrines. The temples of our hemisphere will be some of the planet's remaining wilderness areas.
β
β
Gary Snyder (The Practice of the Wild)
β
the βetiquette of freedom,β to use poet Gary Snyderβs phrase. It encompasses small acts like teaching your children to be honest in their dealings with others. It includes serving on community councils and as soccer coaches. It means leaving a place in better shape than you found it. It means helping others during hard times and being able to ask for help. It means resisting the temptation to call a problem someone elseβs. Β
β
β
Eric Liu (The Gardens of Democracy: A New American Story of Citizenship, the Economy, and the Role of Government)
β
The mercy of the West has been social revolution; the mercy of the East has been individual insight into the basic self/void. We need both. They are both contained in the traditional three aspects of the Dharma path: wisdom (prajna), meditation (dhyana), and morality (sila). Wisdom is intuitive knowledge of the mind of love and clarity that lies beneath oneβs ego-driven anxieties and aggressions. Meditation is going into the mind to see this for yourself β over and over again, until it becomes the mind you live in. Morality is bringing it back out in the way you live, through personal example and responsible action, ultimately toward the true community (sangha) of βall beings.
β
β
Gary Snyder (Earth House Hold: Technical Notes & Queries to Fellow Dharma Revolutionaries)
β
I love to roam around and I like tough self-discipline, I don't mind hard work and being poor never bothered me. I guess that's what makes it possible to carry on like I do. Being free doesn't mean evading necessity, it means outsmarting it.
β
β
Gary Snyder (Conversations with Gary Snyder)
β
The traditional harmlessness and refusal to take life in
any form has nation-shaking implications. The practice of meditation, for which one needs only βthe ground beneath oneβs feet,β wipes out mountains of junk being pumped into the mind by the mass media and supermarket universities.
β
β
Gary Snyder (Earth House Hold: Technical Notes & Queries to Fellow Dharma Revolutionaries)
β
Some friends and I once walked the ancient pilgrimage route of the Εmine Yamabushi (mountain ascetics) in Nara prefecture from Yoshino to Kumano. In doing so we crossed the traditional center of the βDiamond-Realm Mandalaβ at the summit of Mt. Εmine (close to six thousand feet) and four hiking days later descended to the center of the βWomb-Realm Mandalaβ at the Kumano (βBear Fieldβ) Shrine, deep in a valley. It was the late-June rainy season, flowery and misty. There were little stone shrines the whole distance β miles of ridges β to which we sincerely bowed each time we came on them.
β
β
Gary Snyder (The Practice of the Wild: Essays)
β
What You Should Know to be a Poet"
all you can know about animals as persons.
the names of trees and flowers and weeds.
the names of stars and the movements of planets
and the moon.
your own six senses, with a watchful elegant mind.
at least one kind of traditional magic:
divination, astrology, the book of changes, the tarot;
dreams.
the illusory demons and the illusory shining gods.
kiss the ass of the devil and eat sh*t;
fuck his horny barbed cock,
fuck the hag,
and all the celestial angels
and maidens perfumβd and golden-
& then love the human: wives husbands and friends
childrenβs games, comic books, bubble-gum,
the weirdness of television and advertising.
work long, dry hours of dull work swallowed and accepted
and lived with and finally lovd. exhaustion,
hunger, rest.
the wild freedom of the dance, extasy
silent solitary illumination, entasy
real danger. gambles and the edge of death.
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Gary Snyder
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Our skills and works are but tiny reflections of the wild world that is innately and loosely orderly. There is nothing like stepping away from the road and heading into a new part of the watershed. Not for the sake of newness, but for the sense of coming home to our whole terrain. "Off the trail" is another name for the Way, and sauntering off the trail is the practice of the wild. That is also where -paradoxically- we do our best work. But we need paths and trails and will always be maintaining them. You first must be on the path, before you can turn and walk into the wild.
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Gary Snyder (The Practice of the Wild)