Garland Making Quotes

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Normally, small talk is enough for me to form an opinion of someone. I make quick judgments, often completely wrong, and then stick by them rigidly.
Alex Garland
Come here, let me share a bit of wisdom with you. Have you given much thought to our mortal condition? Probably not. Why would you? Well, listen. All mortals owe a debt to death. There's no one alive who can say if he will be tomorrow. Our fate moves invisibly! A mystery. No one can teach it, no one can grasp it. Accept this! Cheer up! Have a drink! But don't forget Aphrodite--that's one sweet goddess. You can let the rest go. Am I making sense? I think so. How about a drink. Put on a garland. I'm sure the happy splash of wine will cure your mood. We're all mortal you know. Think mortal. Because my theory is, there's no such thing as life, it's just catastrophe.
Anne Carson (Grief Lessons: Four Plays by Euripides)
There are one hundred glow-stars on my bedroom ceiling. (...) Glow-stars are strange. They make the ceiling disappear.
Alex Garland (The Beach)
You know,” he continued reflectively, “there is something very satisfying about making something, creating it, modelling it on your dream and making that dream become a reality. Yes, we all have dreams. That's the easy bit. It's making them come real that's not so easy.
Leslie Garland (The Golden Tup (The Red Grouse Tales))
Don't beg a man to keep you. If he isn't sure you are the right one make the decision for yourself. You deserve better than maybe.
Paula Heller Garland
There is a willow grows aslant the brook that shows his hoar leaves in the glassy stream; therewith fantastic garlands did she make of crow-flowers, nettles, daisies, and long purples that the liberal shepherds give a grosser name, but our cold maids do dead men's fingers call them. There, on the pendent boughs her coronet weeds clamb'ring to hang, an envious sliver broke; when down her weedy trophies and herself fell in the weeping brook. Her clothes spread wide and, mermaid-like, awhile they bore her up; which time she chanted snatches of old lauds, as one incapable of her own distress, or like a creature native and indued unto that element; but long it could not be till that her garments, heavy with their drink, pull'd the poor wretch from her melodious lay to muddy death.
William Shakespeare (Hamlet)
Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.
George R.R. Martin
I carry my adornments on my soul. I do not dress up like a popinjay; But inwardly, I keep my daintiness. I do not bear with me, by any chance, An insult not yet washed away- a conscience Yellow with unpurged bile- an honor frayed To rags, a set of scruples badly worn. I go caparisoned in gems unseen, Trailing white plumes of freedom, garlanded With my good name- no figure of a man, But a soul clothed in shining armor, hung With deeds for decorations, twirling- thus- A bristling wit, and swinging at my side Courage, and on the stones of this old town Making the sharp truth ring, like golden spurs!
Edmond Rostand (Cyrano de Bergerac)
Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she's doing: It's a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I had fallen into a profound dream-like reverie in which I heard him speaking as at a distance. 'And yet there is no one who communes with only one god,' he was saying, 'and the more a man lives in imagination and in a refined understanding, the more gods does he meet with and talk with, and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and romance writers, and under the power of the old divinities, who since the Renaissance have won everything of their ancient worship except the sacrifice of birds and fishes, the fragrance of garlands and the smoke of incense. The many think humanity made these divinities, and that it can unmake them again; but we who have seen them pass in rattling harness, and in soft robes, and heard them speak with articulate voices while we lay in deathlike trance, know that they are always making and unmaking humanity, which is indeed but the trembling of their lips.
W.B. Yeats (Rosa Alchemica)
One of the most important lessons I've recently learned? I have to move forward without that apology. Waiting on it has bound me to an anchor that is pulling me under. What would make the other person apologize for hurting me when they're far too selfish to notice they have?
Paula Heller Garland
That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.
Hazel Gaynor (The Cottingley Secret)
The mind has its needs, just as the body does. The latter are the foundations of society; from the former emerge the pleasures of society. While government and laws take care of the security and the well being of men in groups, the sciences, letters, and the arts, less despotic and perhaps more powerful, spread garlands of flowers over the iron chains which weigh men down, snuffing out in them the feeling of that original liberty for which they appear to have been born, and make them love their slavery by turning them into what are called civilized people.
Jean-Jacques Rousseau (Oeuvres de J. J. Rousseau: Avec Des Notes Historiques, Volume 9 (French Edition))
The lingerie department is the only one that she can reach in her wheelchair. Nevertheless, she is fired the next day because of complaints that a woman who is so obviously not sexually attractive selling alluring nightgowns makes customers uncomfortable. Daunted by her dismissal, she seeks consolation in the arms of the young manager and soon finds herself pregnant. Upon learning of this news, he leaves her for a nondisabled woman with a fuller bustline and better homemaking skills in his inaccessible kitchen.
Rosemarie Garland-Thomson
When I am alive and I am empress. When you have everything I've vowed to you and Ahiranya..." Silence, as Malini cupped Priya's waist with a hand; as she stretched her fingers wide, as if she could encompass it, hold Priya and keep her. "I've dreamt of garlanding you," Malini confessed. A small, secret thing. "Flowers around your throat, and you garlanding me in return. The two of us making our own promises to each other. I've dreamt of naming you my own. My heart. My wife.
Tasha Suri (The Oleander Sword (The Burning Kingdoms, #2))
Taking a break from digging into your own issues doesn't make you unauthentic. It makes you sane.
Paula Heller Garland (Living in Consciousness)
Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly origami cranes into garlands. It's a Japanese custom called senbazaru. If you make one thousand paper cranes, you can restore someone to good health.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
People with such a visible, flagrant childhood both inside and out are called children, and you can treat them any way you like because there’s nothing to fear from them. They have no weapons and no masks unless they are very cunning. I am that kind of cunning child, and my mask is stupidity, which I’m always careful not to let anyone tear away from me. I let my mouth fall open a little and make my eyes completely blank, as if they’re always just staring off into the blue. Whenever it starts singing inside me, I’m especially careful not to let my mask show any holes. None of the grownups can stand the song in my heart or the garlands of words in my soul. But they know about them because bits seep out of me through a secret channel I don’t recognize and therefore can’t stop up.
Tove Ditlevsen
So long as government and law provide for the security and well-being of men in their common life, the arts, literature and the sciences, less despotic though perhaps more powerful, fling garlands of flowers over the chains which weight them down. They stifle in men's breasts that sense of original liberty, for which they seem to have been born; cause them to love their own slavery, and so make of them what is called a civilized people.
Jean-Jacques Rousseau
Which is probably one of the reasons those of us who love contemporary fiction love it as we do. We’re alone with it. It arrives without references, without credentials we can trust. Givers of prizes (not to mention critics) do the best they can, but they may—they probably will—be scoffed at by their children’s children. We, the living readers, whether or not we’re members of juries, decide, all on our own, if we suspect ourselves to be in the presence of greatness. We’re compelled to let future generations make the more final decisions, which will, in all likelihood, seem to them so clear as to produce a sense of bafflement over what was valued by their ancestors; what was garlanded and paraded, what carried to the temple on the shoulders of the wise.
Michael Cunningham
There is a willow grows askant the brook, That shows his hoar leaves in the glassy stream. Therewith fantastic garlands did she make Of crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead-men's-fingers call them. There on the pendant boughs her crownet weeds Clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up; Which time she chanted snatches of old tunes, As one incapable of her own distress, Or like a creature native and indued Unto that element.
William Shakespeare (Hamlet)
Sonnet of the Garland of Roses" A garland, quick, a wreath: I come and die. Braid flowers as they fade. Sing, cry, and sing! Heart in my throat, a storm swelling a gorge shadowed and silvered by a thousand falls. Between your own desire and my desire the space is starry, each step quakes the ground, and forests of anemones will spring to round the year, making their secret sound. Lovers in my wound's landscape, overjoyed, can watch the reeds bend in the crossing currents, can drink from red pools in the honeyed thigh. But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.
Federico García Lorca (Sonetos del amor oscuro: Recopilación y reflexiones (Spanish Edition))
staring, in its pure and simple essence, is the time required by the brain to make sense of the unexpected.
Rosemarie Garland-Thomson (Staring: How We Look)
It struck me today that the people that have had an impact on me are the people who didn't make it. Marilyn Monroe, Judy Garland, Montgomery Clift, Lenny Bruce, Janis Joplin, John Belushi. It's not Making It to be Marilyn Monroe, but it is to me. In our culture these people are heroes. There's something inside of that- a message that killing yourself like that isn't so bad. All the interesting people do it, the extraordinary ones. A weird, weird message. Most of the people I've admired in show business-comedians, writers, actors-are alcoholics or drug addicts or suicides. It's bizarre. And I get to be in that club now. It's the one thing I cling to in here: Wow, I'm hip now, like the dead people. Romancing the stoned.
Carrie Fisher (Postcards from the Edge)
Cicero gave an account of a party attended by a certain Quintus Gallius, a friend of Catilina, which evokes the raffish atmosphere of his circle. There are shouts and screams, screeching females, there is deafening music. I thought I could make out some people entering and others leaving, some of them staggering from the effects of the wine, some of them still yawning from yesterday’s boozing. Among them was Gallius, perfumed and wreathed with flowers; the floor was filthy, soiled with wine and covered with withered garlands and fish bones.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Hands cling to hands and eyes linger on eyes: thus begins the record of our hearts. It is the moonlit night of March; the sweet smell of henna is in the air; my flute lies on the earth neglected and your garland of flowers in unfinished. This love between you and me is simple as a song. Your veil of the saffron colour makes my eyes drunk. The jasmine wreath that you wove me thrills to my heart like praise. It is a game of giving and withholding, revealing and screening again; some smiles and some little shyness, and some sweet useless struggles. This love between you and me is simple as a song. No mystery beyond the present; no striving for the impossible; no shadow behind the charm; no groping in the depth of the dark. This love between you and me is simple as a song. We do not stray out of all words into the ever silent; we do not raise our hands to the void for things beyond hope. It is enough what we give and we get. We have not crushed the joy to the utmost to wring from it the wine of pain. This love between you and me is simple as a song.
Rabindranath Tagore (The Gardener)
Azriel straightened a sagging section of garland over the windowsill. 'It's almost like you two tried to make it as ugly as possible.' Cassian clutched at his heart. 'We take offense to that.' Azriel sighed at the ceiling. 'Poor Az,' I said, pouring myself another glass. 'Wine will make you feel better.' He glared at me, then the bottle, then Cassian... and finally stormed across the room, took the bottle from my hand, and chugged the rest. Cassian grinned with delight. Mostly because Rhys drawled from the doorway, 'Well, at least now I know who's drinking all my good wine. Want another one, Az?' Azriel nearly spewed the wine into the fire, but made himself swallow and turn, red-faced, to Rhys. 'I would like to explain-' Rhys laughed, the rich sound bouncing off the carved oak moldings of the room. 'Five centuries, and you think I don't know that if my wine's gone, Cassian's usually behind it?' Cassian raised his glass in a salute. Rhys surveyed the room and chuckled. 'I can tell exactly which ones you two did, and which ones Azriel tried to fix before I got here.' Azriel was indeed now rubbing his temple. Rhys lifted a brow at me. 'I expected better from an artist.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
You don't always keep on the top", she began again. "My life, my career has been like a roller coaster. I've either been an enormous success or just a down-and-out failure, which is silly because everybody always asks me, 'How does it feel to make a comeback?' And I don't know where I've been! I haven't been away." She paused, and Vangkilde waited. "It's lonely and cold on the top...lonely and cold," she said very quietly.
Anne Edwards (Judy Garland)
Seeing the God statement Suppose the statement Blessed Are the pure in heart, for they shall see God were placed like a wreath of violets, Lilies, laurel, and olive, blossoms strung together Like words in a sentence, a garland Launched, set out on a flowing creek Imagine that wreath carried Down the frothy rapids, tossed, floating Slipping over water-smooth, moss-colored Boulders, in and out of slow, dark pools, Through poplar and willow shadows. It dips, Sinks momentarily, emerges, travels, maitains Its ring, its declaration and syntax. At times it widens in a broad, deep Current, makes sense as a gift. The pure becomes inclusive, spatial, Generous. God and heart are two Spread wings of one open reading. And at times it narrows, restricts. Violets and heart entangle With God. The blessed braces, Overlaps lilies and laurel. Still, at any point you might reach down yourself, catch that ring of blossoms, lift it up, wear its beauty and blooming distinction across your forehead. Look into a mirror. See what you can see.
Pattiann Rogers (Quickening Fields (Penguin Poets))
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
The mind has its needs, just as the body does. The latter are the foundations of society; from the former emerge the pleasures of society. While government and laws take care of the security and the well being of men in groups, the sciences, letters, and the arts, less despotic and perhaps more powerful, spread garlands of flowers over the iron chains which weigh men down, snuffing out in them the feeling of that original liberty for which they appear to have been born, and make them love their slavery by turning them into what are called civilized people.
Jean-Jacques Rousseau
What is new about new historicism in particular is its recognition that history is the ‘history of the present’ (to borrow a phrase from the godfather of new historicism, Michel Foucault (see Foucault 1995, 29)), history is in the making rather than being monumental and closed, history is radically open to transformation and rewriting. Such work is motivated, as one commentator puts it, ‘not by a historical concern to understand the past’ so much as by ‘a critical concern to understand the present’ (Garland 2014, 373) and with how the present came to be as it is. New
Andrew Bennett (An Introduction to Literature, Criticism and Theory)
Life, said Tarde, is the search for the impossible by way of the useless. Let us always search for the impossible, since that is our destiny, and let us search for it by way of the useless, since no path goes by any other way, but let us rise to the consciousness that nothing we search for can be found, and that nothing along the way deserves a fond kiss or memory. We weary of everything, said the scholiast, except understanding. Let us understand, let us keep understanding, and let us make ghostly flowers out of this understanding, shrewdly entwining them into wreaths and garlands which are also doomed to wilt.
Fernando Pessoa
Amar removed the wedding garland from around his neck. From the sleeves of his jacket, he withdrew a small knife. Before I could react, he swiped the knife across his palm. Small beads of blood welled to the surface. He held his palm out to me like a perverse offering. “I make this bond to you in blood, not flowers,” he said. “Come with me and you shall be an empress with the moon for your throne and constellations to wear in your hair. Come with me and I promise you that we will always be equals.” My mouth went dry. A blood oath was no trifling undertaking. Vassals swore it to lords, priests to the gods. But husbands to wives? Unthinkable.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Creator of indifferences” is the motto I want for my spirit today. I'd like my life's activity to consist, above all, in educating others to feel more and more for themselves, and less and less according to the dynamic low of collectiveness. To educate people in that spiritual antisepsis which precludes contamination by commonness and vulgarity is the loftiest destiny I can imagine for the pedagogue of inner discipline that I aspire to be. If all who read me would learn – slowly, of course, as the subject matter requires – to be completely insensitive to the other people's opinions and even their glances, that would be enough of a garland to make up for my life's scholastic stagnation.
Fernando Pessoa
We enter a large village. A few bedraggled garlands hang across the street. So many troops have passed through already that it is not worth while to make any special fuss about the last of them. So we must content ourselves with the faded welcome of a few rain-sodden placards loosely looped around with oak leaves cut out of green paper. The people hardly so much as look at us as we march by, so accustomed have they grown to soldiers returning. But for us it is a new thing to come here and we hunger for a few friendly looks, however much we may pretend we do not give a damn. The girls at least might stop and wave to us. Every now and then Tjaden and Jupp try to attract the attention of one, but without success. We look too grisly, no doubt. So in the end they give it up.
Erich Maria Remarque (The Road Back)
Remember that some organizations, especially activist groups, have no obligation to rigorous, unbiased data. They are working to convince you to adopt their view of the world and thus aren't necessarily impartial [...] This type of bias or spin is common, and you need to be on the alert for it in the reports you read. In fact, bias is a major reason to get multiple kinds of trend data before drawing conclusions. Even if activist groups don't publish false information, they might leave out key data, which might lead you in another direction. If you read particularly alarming data, for example, a trend that says, "we're losing 10 percent of all bird species each year," you should make sure you verify it with other sources. In a world that moves as fast as ours does, sensational problems sometimes arise, but if it's really an issue, more than one expert will be covering it.
Eric Garland (Future, Inc.: How Businesses Can Anticipate And Profit from What's Next)
You cannot simply take a mala from someone else and start using it. When you buy a mala you have to make sure that it accords with the advice we have just discussed, and then before you use a mala—whether it is old or new—you should bless it. How do we bless the mala? There are different methods for blessing a mala, and some are more elaborate than others.  In Buddhism there are two types of conduct: elaborate and simple. Elaborate conduct, for example, involves having many thangkas, statues, and lots of offerings, such as flowers and so forth. However, Buddhism is also very practical, and so there are more simple forms of practice where you utilize visualization. However, you should not use unelaborated versions of practice simply out of laziness. Making offerings are an important part of practice since these actions accumulate merit, and it is merit that brings about our happiness. People often refer to luck and fortune, but really
Zurmang Gharwang Rinpoche (A Garland of Advice: Special Instructions on How to Bless a Mala and General Advice for Recitation Practice)
I forgot the maid who works in my P.G. and struggles to make money, every day, who is in fear that one day her cruel husband will find her out eventually and beat her and her son to death. I forgot that auto driver I met on my way to M.G. road metro station, and who wanted to be in the army but gave up study due to the financial crisis. I forgot that security guard I met at IIT Delhi, and who was forced to leave the study and marry at the age of 15. I forgot those little kids I generally encounter at Railway stations and trains selling packets of pens @ Rs.25 per packet. I forgot that 75 years old ricksha wala I met in sector 23 market with only one eye and high power lens I forgot that washroom cleaning staff at my office who always welcomes me with a broad smile. I forgot the dead body of that martyred soldier I saw at the Kashmir airport, laden with garlands of marigold and people shouting," jawan amar rahe!" I forgot the scream of that pig near my office when a thick rope was brutally tied in its nose and it was forcefully taken by some people on a bike. I almost forgot everything!
sangeeta mann
I look at the pool of glittering starlight and let out a heavy breath. I needed to change the subject. 'What would happen if I were to drink the water?' Tamlin straightened a bit- then relaxed, as if glad to release that old sadness. 'Legend claims you'd be happy until your last breath.' He added, 'Perhaps we both need a glass.' 'I don't think that entire pool would be enough for me,' I said, and he laughed. 'Two jokes in one day- a miracle sent from the Cauldron,' he said. I cracked a smile. He came a step closer, as if forcibly leaving behind the dark, sad stain of what had happened to Lucien, and the starlight danced in his eyes as he said. 'What would be enough to make you happy?' I blushed from my neck to the top of my head. 'I- I don't know.' It was true- I'd never given that sort of thing any thought beyond getting my sisters safely married off and having enough food for me and my father, and time to learn to paint. 'Hmm,' he said, not stepping away. 'What about the ringing of bluebells? Or a ribbon of sunshine? Or a garland of moonlight?' He grinned wickedly. High Lord of Prythian indeed. High Lord of Foolery was more like it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always finds what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee
Debatrayee Banerjee
That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.
Martine Bailey (An Appetite for Violets)
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
Long ago, and far away, the Butterfly King met the Moth Queen. They were very different. She was nocturnal and he loved the sun; she was fierce and warlike, and he was a gentle dreamer. And they were both from different worlds. He was from a land of towers, and trains, and roads, and airplanes; she was from a land of dreams, and silent wings, and falling leaves. But Love has always found a way of defying boundaries. And after warring for a time, and making their share of mistakes, and overcoming many dangers and obstacles, they were at last united in love, and thus united their people. And with the help of the Spider Mage and his web, they passed through the Honeycomb, and led the way back to the Kingdom all who chose to follow them there. There, they were crowned, and made their pledge-- she in a garland of autumn leaves, he in a circlet of spider silk-- to rule the Kingdom wisely; to fight against injustice and fear; to honor their love, and to guard it well, and to tend it, and give it time to grow. And if she was not always moderate in the way she expressed herself, and if he was sometimes a little naïve, this surprised no one, and was only to be expected. But between them, they ruled both wisely and well; with passion and moderation. And when their children were born, she taught them how to stand their ground and how to fight for what they loved; and he taught them how to see their world and appreciate its beauty.
Joanne Harris (The Moonlight Market)
Life Is an Ambiguous Stimulus In a very real sense, life is an ambiguous stimulus. Does survival of a heart attack indicate that death is imminent or that one has been given a new lease on life? Is falling in love an assurance of a lifelong partnership or the first sign of an inevitable heartbreak? Many human situations are complex and their meanings subtle. Thus, to make sense of and gain agency over our experiences, we engage in the process of self-reflection. Through self-reflection, people come to realize that their lives are filled with uncertainty about their own identities, their relationships with others, and their environmental circumstances. Because living involves adaptation to irregular changes and perturbations from the environment, the process of self-reflection reveals the indefinite nature of life. The uncertainty stemming from threatening stimuli whose nature is unknown or unpredictable evokes stress and a sense of loss of control. In response to uncertainty, we are driven to make meaning of our experiences and in so doing to reduce uncertainty. Indeed, a series of cunning experiments demonstrated that the sense of lacking control promotes illusory pattern perception in ambiguous situations. Hence, people consciously or unconsciously attempt to regain a sense of control by projecting patterns onto the chaos of their lives. This meaning-making process hinged on the appraisal of stressors and their meaningful integration into our autobiographical narratives.
Todd Kashdan (Mindfulness, Acceptance, and Positive Psychology: The Seven Foundations of Well-Being (The Context Press Mindfulness and Acceptance Practica Series))
Even with his eyes concealed, I sensed Amar’s gaze. “What world do you belong to? Theirs?” I pointed at an Otherworldly being sharpening his horns. “No. My kingdom is neither among humans nor Otherworldly beings. It is between.” “Why did you come to Bharata?” I asked. “The invitation to my swayamvara was issued only to the nations we’re at war with.” “Everyone is at war with my nation,” he said with a smile. “How did you even know about me?” “Akaran has its eyes and ears.” He could have been lying. Nothing escaped me from the rafters where I had spied for years. But my father had other meetings…and he was not always in Bharata. I hesitated. “How can I trust someone who won’t even reveal their face?” “It’s far too easy to be recognized here.” He drew the cloak closer and the gesture was so final, so closed off and unwelcoming, that I stepped back, chastened. Amar removed the wedding garland from around his neck. From the sleeves of his jacket, he withdrew a small knife. Before I could react, he swiped the knife across his palm. Small beads of blood welled to the surface. He held his palm out to me like a perverse offering. “I make this bond to you in blood, not flowers,” he said. “Come with me and you shall be an empress with the moon for your throne and constellations to wear in your hair. Come with me and I promise you that we will always be equals.” My mouth went dry. A blood oath was no trifling undertaking. Vassals swore it to lords, priests to the gods. But husbands to wives? Unthinkable.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Nature shows that survival is a practice. Sometimes it flourishes---lays on flat, garlands itself in leaves, makes abundant honey---and sometimes it pares back to the very basics of existence in order to keep living. It doesn't do this once, resentfully, assuming that one day it will get things right and everything will smooth out. It winters in cycles, again and again, forever and ever. It attends to this work each and every day. For plants and animals, winter is part of the job. The same is true for humans. To get better at wintering, we need to address our very notion of time. We tend to imagine that our lives are linear, but they are in fact cyclical. I would not, of course, seek to deny that we gradually grow older, but while doing so, we pass through phases of good health and ill, of optimism and deep doubt, of freedom and constraint. There are times when everything seems easy, and times when it all seems impossibly hard. To make that manageable, we just have to remember that our present will one day become a past, and our future will be our present. We know that because it's happened before. The things we put behind us will often come around again. The things that trouble us now will one day be past history. Each time we endure the cycle, we ratchet up a notch. We learn from the last time around, and we do a few things better this time; we develop tricks of the mind to see us through. This is how progress is made. But one things is certain: we will simply have new things to worry about. We will have to clench our teeth and carry on surviving again. In the meantime, we can deal only with what's in front of us at this moment in time. We take the next necessary action, and the next. At some point along the line, that next action will feel joyful again.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Philosophy can speak of the Cross in many tongues; when it is not the ‘Word of the Cross’ (1 Corinthians 1, 18), issuing from faith in Jesus Christ, it knows either too much or too little. Too much: because it makes bold with words and concepts at a point where the Word of God is silent, suffers and dies, in order to reveal what no philosophy can know, except through faith, namely, God’s ever greater Trinitarian love; and in order, also, to vanquish what no philosophy can make an end of, human dying so that the human totality may be restored in God. Too little, because philosophy does not measure that abyss into which the Word sinks down, and, having no inkling of it, closes the hiatus, or deliberately festoons the appalling thing with garlands: The Cross is thick bestrewn with roses: who has joined roses to the Cross?37 in place of Jerome’s ‘naked, to follow the Naked One’. Either philosophy misconceives man, failing, in Gnostic or Platonic guise, to take with full seriousness his earthly existence, settling him elsewhere, in heaven, in the pure realm of spirit, or sacrificing his unique personality to nature or evolution. Or, alternatively, philosophy forms man so exactly in God’s image and likeness that God descends to man’s image and likeness, since man in his suffering and overcoming of suffering shows himself God’s superior. Here God only fulfils himself and manages to satisfy his own desires by divesting himself of his essence and becoming man, in order, as man, ‘divinely’ to suffer and to die. If philosophy is not willing to content itself with, either, speaking abstractly of being, or with thinking, concretely of the earthly and worldly (and no further), then it must at once empty itself in order to ‘know nothing . . . except Jesus Christ and him crucified’ (I Corinthians 2, 2). Then it may, starting out from this source, go on to ‘impart a secret and hidden wisdom of God, which God decreed before the ages for our glorification’ (ibid., 2, 7). This proclamation, however, rises up over a deeper silence and a darker abyss than pure philosophy can know.
Hans Urs von Balthasar (Mysterium Paschale: The Mystery of Easter)
Grotesque" Why do the lilies goggle their tongues at me When I pluck them; And writhe, and twist, And strangle themselves against my fingers, So that I can hardly weave the garland For your hair? Why do they shriek your name And spit at me When I would cluster them? Must I kill them To make them lie still, And send you a wreath of lolling corpses To turn putrid and soft On your forehead While you dance? Amy Lowell, Imagist Poetry: An Anthology. Ed. Bob Blaisdell (Dover Publications; Later Printing edition, March 17, 2011)
Amy Lowell
Fleming could not keep a tight rein on most of his actors because the queerness of their characters defied a realistic approach. He could, and did, keep a tight rein on Judy Garland. And it is Garland’s obvious belief in what is happening to her that keeps the film credible. “You believed that she really wanted to get back to Kansas,” says Jack Haley. “She carried the picture with her sincerity.” The first confrontation between Fleming and Judy Garland came late in November when she first met the Cowardly Lion on the Yellow Brick Road. John Lee Mahin was on the set that day, and the moment stuck fast in his memory. “She slapped the Lion and he broke into tears. And she was to continue bawling him out. But Lahr was so funny that she burst into screams of laughter instead. Vic was patient at first. She went behind a tree. I could hear her saying, ‘I will not laugh. I will not laugh.’ Then she’d come out and start laughing again. They must have done the scene ten times, and eventually she was giggling so much she got hysterical. She couldn’t stop laughing. And Vic finally slapped her on the face. ‘All right now,’ he said, ‘go back to your dressing room.’ She went. And when she came back, she said, ‘O.K.’ And they did the scene.
Aljean Harmetz (The Making of The Wizard of Oz)
I confess that as I saw the tender plants and shining flowers bow before the remorseless beam, civilisation seemed a sad business, and yet there was something epic, something large-gestured and splendid in the "breaking" season. Smooth, glossy and unwrinkled the thick ribbon of jet-black sod rose upon the share and rolled away from the mold-board's glistening curve to tuck itself upside down into the furrow beneath the horse's heels, and the picture which my uncle made, gave me pleasure in spite of the sad changes he was making.
Hamlin Garland (A Son of the Middle Border)
By heterosexuals the life after death is imagined as a world of light, where there is no parting. If there is a heaven for homosexuals, which doesn't seem very likely, it will be very poorly lit and full of people they can feel pretty confident they will never have to meet again. It is only partly because they are ashamed of themselves and wish to remain unrecognized that this environment seems so desirable. The chief reason is that it makes possible contacts of astounding physical intimacy without the intervention of personality. To either partner, the other is a phallus garlanded with fantasies, chiefly of masculinity. The homosexual world is a world of spinsters. Most homosexuals over the age of twenty-five will play, on the physical level, an active, passive or unspecified role with the same or a different partner from night to night or even from hour to hour, but emotionally they search perpetually for a real man who desires passionately (as opposed to making do with) another man. This being, if he exists, is so rare that one might as well enter a monastery on reaching puberty. The less drastic alternative is to live a real sex life in a dream world. This can best be done in the dark with strangers.
Quentin Crisp (The Naked Civil Servant)
The demon is the mental shadow-side archetype. What it shows is that the lifeblood of Raktabija has the power to give birth to thousands of Raktabijas, just like the thinking of the soul. Similarly, thoughts from the mind seem to sprout more and more thoughts as soon as they appear to land. Even if one in meditation cuts them off, more will sprout. It requires the power of Shakti Kundalini to spring the mind, dispatch the demon. Kali comes in in this great mythical tale and cuts the demon's head off. Before it could hit the fertile ground of existence she drank all her blood. In other words, out of all the thoughts, desires, and delusions that plague the seeker and prevent the seeker from knowing pure union, Kali Kundalini takes the life energy. Kali, as She's chopping the heads off, is symbolically slashing through the soul, removing all the emotions that will give birth to slavery and illusion over and over again. She absorbs them into herself; in other words, She frees from those bound forms the life-force, the Shakti. The formation is all forms. She alone has the power to dissolve all forms, to free from them the soul, the life. Kali wears a fifty-skull garland all around her neck. In addition, these fifty skulls reflect the Sanskrit alphabet's fifty letters— the sounds and forms that make up thought, which are the basis of all life. She's the one who sucks the life-force out of them so we can be safe from them, as well as the one who gave them birth to begin with. Taking refuge in Kali takes refuge in that inherent ability to cut off the heads of the very modes of thought, behaviors, values and all of the mind's restricting mechanisms that trap us in illusion. When free, She brings us back into unity with the Infinite — as does Kali with her husband Shiva. Even a myth of this kind, which may seem so bizarre and gruesome to the ignorant, has profound significance for our sadhana, revealing moment by moment what is involved in our spiritual practice. When you do japa, the ritual of mantra repeating, of Om Kali Ma, her mantra, you bring your mind back to Kali again and again. You can do this practice right now, or you can sit for meditation the next time. Close your eyes and dissolve Om Kali Ma, Om Kali Ma, Om Kali Ma with every thought. Kali's story shows that with every repeat of Om Kali Ma, this glorious phenomenon occurs. She cuts off all the emotions, all the deluded ideas, all the bound behaviors and perceptions that might have filled the mind as the pulse of mantra. Keeping the mind in the mantra refuge means holding the mind in a sacred place that is safe from all the modes of thought with which the mind might have developed its own slavery. Every repetition of mantra is a movement of Kali's sword clearing and opening that spaciousness of awareness, freeing our energy and consciousness so we can experience the fullness of who and what we are in each moment.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Don't Move" Don’t move. Don’t move at all. Let me do this. Tomorrow you can wheel your bones along the edge of time’s illustrious curves. Next week you can make your deliveries, manhandle your offerings, perform your acts of contrition. Mold your vessel. Drop your footsteps like fireflies into the void. But now, notice your torso in flames. The sunlight from the east rises at your thighs and cuts the eyes from your face. Your legs lie like shadows on the bottom of a forest, keeping their collected secrets, burying their swollen names. I’ll touch your legs. Don’t move. I’ll slide up your skin like a slow boat fights an iron current. I’ll navigate toward light, my fingertips burning in the new world, and capsize in the hottest part of you. Can you hold the sunken treasure – garlands of rubies choking your worded thoughts? Can you hold up? Can you fight? Can you fight the urge to run? — Jan Richman, Because the Brain Can Be Talked into Anything (Louisiana State University Press, 1995)
Jan Richman (Because the Brain Can Be Talked Into Anything: Poems (Walt Whitman Award of the Academy of American Poets))
Getting children to meet in the morning and the afternoon is a waste of their steps and ours if we do not set before them soul-saving, soul-sustaining truth. Feed the lambs; we need not make music for them or put garlands around their necks, but we need to feed them.
Charles Haddon Spurgeon (Come Ye Children: Obtaining Our Lord's Heart for Loving and Teaching Children)
They say grief gets easier, that it makes you stronger. I don’t feel stronger. I feel empty, I feel like there’s a piece of me missing, water filled those holes so easily and healed me if only for a short time until the holes opened back up again.
Vanessa Garland (For all the tears we've shed)
The firsts were the worst. The first Christmas we wouldn’t exchange gifts, my first birthday without her, her birthday, even though she wouldn’t age anymore. There were so many new ways I needed to experience life all over again because I was alone now. Without her, alone was all that felt acceptable. I found grief to be relentless, and at times like now, it becomes an overwhelming pain that makes you physically unwell.
Vanessa Garland (For all the tears we've shed)
To Seduce You With Looks (The Sonnet) I haven't come to seduce you with looks, I have come to overwhelm you with love. I haven't come to break your door by force, I’ve come to charm it open with my mind’s touch. I haven't come to bring you worldly riches, But to offer you the garland of my heart. I haven't come to usher you with complements, I’ve come to celebrate you, tearing myself apart. I haven't come to count the benefits of bond, I’ve come to make you lose count of your wounds. I haven't come to feel butterflies in my stomach, But to fight the world, helping you break all rules. Let me burn to ashes time and time again, So I may remove the shadows from your life's lane.
Abhijit Naskar (Şehit Sevda Society: Even in Death I Shall Live)
Because of the picture's constant theatrical circulation all during the forties, two presentations on the Lux Radio Theatre, and finally as a staple of early television, the tale was familiar to almost two generations of moviegoers. Hart's task was to preserve the potent appeal of this Hollywood myth while making it viable for a modern-day audience. The problem was complicated by the necessity of rewriting the part of Esther/Vicki to suit Judy Garland. The original film had walked a delicate dramatic path in interweaving the lives and careers of Vicki and Norman Maine. In emphasizing the "star power" of Lester/Garland, more screen time would have to be devoted to her, thus altering the careful balance of the original. Hart later recalled: "It was a difficult story to do because the original was so famous and when you tamper with the original, you're inviting all sorts of unfavorable criticism. It had to be changed because I had to say new things about Hollywood-which is quite a feat in itself as the subject has been worn pretty thin. The attitude of the original was more naive because it was made in the days when there was a more wide-eyed feeling about the movies ... (and) the emphasis had to be shifted to the woman, rather than the original emphasis on the Fredric March character. Add to that the necessity of making this a musical drama, and you'll understand the immediate problems." To make sure that his retelling accurately reflected the Garland persona, Hart had a series of informal conversations with her and Luft regarding experiences of hers that he might be able to incorporate into the script. Luft recalls: "We were having dinner with Moss and Kitty [Carlisle], and Judy was throwing ideas at Moss, cautiously, and so was I. I remember Judy telling the story of when she was a kid, she was on tour with a band and they were in Kansas City at the Mulebach Hotel-all the singers and performers stayed there. And I think her mother ran into a big producer who was traveling through and she invited him to come and see the act, and supposedly afterward he was very interested in Judy's career. Nothing happened, though. Judy thought it would be a kind of a cute idea to lay onto Moss-that maybe it might be something he could use in his writing.
Ronald Haver (A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration (Applause Books))
Desist! I have never been one to delight in religion, but even my ignorance knows that the practice of holiness means to improve human nature. This is not religion, but carnal indulgence. To drink, and to fornicate, mocking the state, as it calls you...when enemies bang on the gates, will you sing, and imbibe, and make love while they slaughter? To love, instead of to fight? For the power of flowers, ridiculous garlands you weave in your hair will not save you. The making of love won't protect you from war, from a bloody and terrible war. To have peace would be wonderful. Peace at all costs is submission, is slavery, shame worse than death.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
This vein of poetry they call Awen, which in their language signifies as much as Raptus, or a poetic furore; and in truth as many of them as I have conversed with are, as I may say, gifted or inspired with it. I was told by a very sober and knowing person (now dead) that in his time there was a young lad fatherless and motherless, and so very poor that he was forced to beg; but at last was taken up by a rich man that kept a great stock of sheep upon the mountains not far off from the place where I now dwell, who clothed him and sent him into the mountains to keep his sheep. There in summer time, following the sheep and looking to their lambs, he fell into a deep sleep, in which he dreamed that he saw a beautiful young man with a garland of green leaves upon his head and a hawk upon his fist, with a quiver full of arrows at his back, coming towards him (whistling several measures or tunes all the way) and at last let the hawk fly at him, which he dreamed got into his mouth and inward parts, and suddenly awaked in a great fear and consternation, but possessed with such a vein, or gift of poetry, that he left the sheep and went about the Country, making songs upon all occasions, and came to be the most famous Bard in all the Country in his time.
Lee Morgan (Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft)
Walking over the moonlit bridge, Tom found himself drawn deeper and deeper into the world of the market. Here, it was crowded, noisy; buzzing with scents both familiar and strange. The sharp aroma of some herbal stuff seemed to dominate this part of the bridge; the scented smoke was strongest around a little stall named Madcap, from which a pipe-smoking vendor was selling brightly colored pouches, marked at the price of Three days a twist. Next to him, a person of indeterminate gender was folding sheets of colored paper into origami birds, which they released into the air with a papery flutter of wings. In spite of the crow woman's warning, Tom snapped a few more pictures. A dancer on the side of the bridge, her wings spread wide against the night. A diminutive woman with a whole haberdasher's shop balanced on her head: tiny drawers full of bobbins and lace, and packs of slender needles, and pincushions, and safety pins, and multicolored twists of silk. Next to her, cross-legged on the ground, an old woman in a drab overcoat was making garlands and buttonholes from baskets of strange-looking flowers that released an unfamiliar, intoxicating aroma. Her brown face lit up when she caught sight of Tom. 'Collector! What's it to be today? Another adventure? Your heart's desire? I know. True love!' And she picked up a white flower from one of her baskets and held it out to him with a smile. Its scent was complex, dark and sweet; the scent of a summer garden at night.
Joanne Harris (The Moonlight Market)
Nothing can more weaken the quality of life, or more imperil the realization of the goals we all hold dear,” Garland said, “than our failure to make clear by words and deed that our law is not the instrument of partisan purpose.
David Rohde (Where Tyranny Begins: The Justice Department, the FBI, and the War on Democracy)
In Ex parte Milligan, decided in 1866, the Court held unconstitutional the North’s policy of using military tribunals instead of civilian courts to try citizens charged with attempting to sabotage the war effort. In Ex parte Garland, decided the next year, the Court struck down a law barring former members of the Confederacy from serving in federal office. In Bill Cruikshank’s case, the Court disregarded what John Bingham said was the very purpose of the Fourteenth Amendment and held that it did not in fact make the Bill of Rights enforceable against the states. “The second amendment declares that it shall not be infringed; but this . . . means no more than it shall not be infringed by Congress,” the Court explained.
Adam Winkler (Gunfight: The Battle Over the Right to Bear Arms in America)
Can’t you forget him? Not for a day, he’s over me, but no one knows who I am. Love is never appeased if she’s repressed, comes from beyond the ocean, causing adults to transform from the mild sheep of the city, into crazy changelings. For my love I would not follow rules of his bored marketplace. This is an ancient history. People fell in love once more. They forgot to eat, to make money, and they never voted. They only cried out to me, Love. They had forgotten so long now they couldn’t move without me. Garlanded with hyacinths.
Alice Notley (Certain Magical Acts (Penguin Poets))
Life is an episode of few moments, comprised on few decades, and then travel to an endless destiny. Soul was allocated to a body and was sent in this planet for a cause. When our last breath is counted and soul travels back to its origin, we are garlanded with Good & Bad deeds earnt in this limited period of time on earth. We mostly forget the purpose of life and mesmerize ourselves with colours and Illusions of surroundings. We are the custodian of Spirit given by god to us with the power of decision making for good or bad. May god bless all of us the capacity of understanding the purpose of our being in this world. And make us successful in this time given. "LIFE is given just once, live it as it is meant to be" Abdul
Abdullah A. ahmed
Οι άνθρωποι νομοθετούν για τα άλλα είδη ζωής χωρίς να ρωτούν τα άλλα είδη ζωής αν συμφωνούν με τους νόμους αυτούς. Humans make laws for other life forms and they never ask all the other life forms if they agree.
Glaufx Garland - Γλαύκωψ Στέφανος
The Hellenic logical and ontology view of ancient philosophers about any religion: The most conservative religious western people became satanists wanting to oppose their christian families and the system. The obvious is that satanism is another crap part of christian religion and it is pointless for people who think and do not believe in any religion, so they don't accept satan, devil or any other daity of any kind. Satanism became a product to sale more copies of books music and other pointless crap to non sceptic people. For example the entire universe filled with fire and burning energy of any kind so it is stupid to say that fire is hellish or of satanic use. We need energy to keep on moving and that it is not devilish satanic or bad. We need fire to make our food and keep warm in the winder. Glaufx 2018
Glaufx Garland - Γλαύκωψ Στέφανος
She thinks of her mother, sitting cross-legged, sewing marigolds into garlands for the gods, telling her: "The biggest mistake we make is thinking we are powerless
Isha Karki
Hello,” he said. “…hello,” she replied, perplexed. “I thought I should start off with hello, seeing as I neglected to say it earlier.” Her brow came down in confusion. Where was he going with this? “Not because you took me by surprise,” he continued. “Although you did. But because I didn’t think I needed to have a beginning with you. Since we began so long ago, you see.” One eyebrow rose. “But I was wrong, and for that, I apologize.” His eyes became suddenly sad, and it was all Susannah could do to not reach out and touch his cheek. But she restrained herself. “I was away too long,” he whispered. “Three Christmases, six birthdays. However many weeks…” “One hundred fifty-six.” She found the corner of her mouth ticking up. “You were missed,” she concurred. “At home.” “Did you miss me?” he asked suddenly, and a thrill of heat ran through her. Between them. “Yes.” Her answer was frank. Calm. “Did you miss me?” “I missed far too much of you,” he answered. “I did not even realize how much until I came here and found the little girl that I knew had gone.” “She’s not gone,” Susannah conceded. “Not entirely. I still ride Clarabelle at home.” “Do you now?” The corner of his mouth ticked up. “In breeches,” she whispered. Something lit in his eyes. Some kind of… anticipation. And now she knew why her Aunt Julia had ordered her to not wear breeches while riding with other people. Not because they would offend. But because they could entice. She blushed at the thought, broke his gaze, looked at her shoes, at the little bench, and the candles dripping festive red wax in the wall sconce, looked at the eave they stood under, and the vines of ivy and garland that hung there. “I want the chance to start again with you, Susannah,” Sebastian whispered. “This new Susannah. I am a bit off-kilter here, and if you would simply give me the opportunity to catch up, I think you and I… I think we could…” He let that sentence drift off. Left her breathless at what he might have said. “Oh, I’m making a complete bungle of it, aren’t I?” He dropped her hand – had he been holding it this whole time? Ever since he pulled her in here? – and crossed his arms over his chest. “No, you’re not.” She reached out and put her hand on his arm, unwilling to break the connection. “And yes, I suppose a fresh start is fair.” After all, she reasoned, she’d had years to nurse her feelings. He’d had approximately ten minutes. A grin spread across his face, sending her heart into a hummingbird’s pace. She found herself smiling too. No, it was not him falling to his knees professing his love. But it was a start. “Then perhaps I should ask the beautiful Miss Westforth to dance.” The fast-paced reel was in its final notes now. A new dance would start up in minutes. “I would love to.” After
Anna Campbell (A Grosvenor Square Christmas)
We have to make this world a beautiful place, not by conquests, not by capturing, but by captivating the world and embracing the world like a garland.
Sadhguru (Bha-ra-ta: The Rhythm of a Nation)
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I know nobody’s going to take care of me. I have to make sure that I’ve got things in place. Who will speak for me when I can’t speak for myself? One sister has her own grief. The other I simply do not trust. I’ve thought about bribing my nieces and nephews, who are in my will. Let’s not kid ourselves. Making plans that assure our elder years are managed to our liking and fit within our budget is more crucial for those without children. We know we can’t count on offspring to oversee our dotage. There’s even a name for what we may someday become—elder orphans. “Aging seniors face all sorts of uncertainties,” writes Susan B. Garland in Kiplinger’s Retirement Report. “But older childless singles and couples are missing the fallback that many other seniors take for granted: adult children who can monitor an aging parent and help navigate a complex system of health care, housing, transportation, and social services.” Perhaps we can push planning aside for a while, but then our care may fall to an inattentive relative, acquaintance, or potentially nefarious do-gooder to make decisions for us when we can’t make them ourselves. If we’re really in a jam, some judge will appoint someone to manage our affairs. No one wants to face the fact, but none of us is getting out of here alive. Some steer clear of making plans, procrastinate, or remain in denial that their day will come. Even partial planning risks chaotic consequences. -—-—-—
Kate Kaufmann (Do You Have Kids?: Life When the Answer Is No)
When a studio puts you under contract, its publicity department starts turning out news copy about you that you read with astonishment. You think, can this be me they’re talking about? They don’t really manufacture untruths, but they play up whatever makes interesting reading, and then a columnist adds his own little embellishments and another adds to that until there’s a whole body of so called ‘facts’ floating around—almost like another you—that simply isn’t real. It isn’t a lie, but it isn’t real, either.
Judy Garland (Judy Garland on Judy Garland: Interviews and Encounters (6) (Musicians in Their Own Words))
When you are talking to someone, imagine a sign above their head that says; "Say something to make them feel important" and you will always succeed".
Donald D Garland
That’s what the natural world does—it carries on surviving. Sometimes it flourishes, lays on fat, garlands itself in leaves, makes abundant honey; and sometimes it pares back to the very basics of existence in order to keep living.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always find what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee
Debatrayee Banerjee
Thinking about Thailand tends to make me angry, and until I started writing this book, I tried not to do it. I preferred it to stay tucked away in the back of my mind. But I do think about Thailand sometimes. Usually late at night, when I've been awake long enough to see the curtain patterns through the darkness and the shapes of the books on my shelves. At those times I make an effort to remember sitting in the glade with the shadow of the clock-hand branch lying across the ferns, smoking my cigarette. I choose this moment because it was the last time I could pinpoint that I was me being myself. Being normal, with nothing much going through my head apart from how pretty the island was, and how quiet. It isn't that from then on every second in Thailand was bad. Good things happened. Loads of good things. And mundane things, too: washing my face in the morning, swimming, fixing some food, whatever. But in retrospect, all those instances are colored by what was going on around them. Sometimes it feels to me that I walked into the glade and lit the cigarette, and someone else came along and finished it. Finished it, stubbed it out, flicked it into the bushes, then went to find Etienne and Françoise. It's a cop-out, because it's another thing that distances me from what happened, but that's how it feels. This other person did things I wouldn't do. It wasn't just our morals that were at odds, there were little character differences, too. The cigarette butt - the other guy flicked it into the bushes. I'd have done something else. Buried it maybe. I hate littering, let alone littering in a protected Marine park. It's hard to explain. I don't believe in possession or the supernatural. I know that in real terms it was me who flicked the cigarette butt. Fuck it. I've been relying on an idea that these things would become clear to me as I wrote them down, but it isn't turning out that way.
Alex Garland (The Beach)
All my own making," Estelle said. "Oh, of course, sister held the nails and bossed, but I did it. I like it, too. It's more fun than working red poppies on tidies—that's about all they'll let you do back East." "It doesn't matter much what you do out here," said Rivers, meaningly. "Oh yes, it does. Some things are wrong anywhere; but there are other things which people think are wrong that are only unusual," she answered, and he knew she knew what he meant.
Hamlin Garland (The Mocassin Ranch)
I didn’t have a specific place where my Perfect Day would occur. I just knew it would be somewhere that it got cold. I wanted to be wearing a cozy sweater and warm jacket. It didn’t need to be freezing, but I imagined the weather would be chilly enough to make my cheeks red. I’d be in a small town. The kind of town where people knew you. Where you’d walk past a store and the owner would pop their head out the door trying to lure you inside to see the latest jewelry they got in stock, or to try a new recipe they were testing. At some point, I’d get a hot chocolate with lots of marshmallows, using the heat from the cup to keep my hands warm. I’d walk down a street lined with twinkly lights and garlands draped between lampposts. Everyone I walked past would say hello. When it got just cold enough, that’s when I’d walk past the bookshop. It would smell like cider inside and sure enough, there would be a little beverage cart near the door with cups and a cheery sign that would read help yourself. I’d switch out my hot chocolate for a cider and wander around the store. It would be large but full of books and leather chairs and maybe even a cat lounging on some shelves. Every book I wanted to buy would be in stock and I’d find a few more that I hadn’t even known I wanted. But the thing that made it the Perfect Day would be that when I went to check out, the salesperson would recognize me. It’s you, they’d say, and then point to a shelf where my book was prominently displayed. Would you mind signing some copies? they’d ask. We’re big fans of your work. That, I think, would truly be the Perfect Day.
Elissa Sussman (Funny You Should Ask)
… it is necessary that she be able to sing, dance and play a musical instrument altogether when requested … she should write and draw well, be adept in the giving of tattoos, and be prepared to receive them in whatsoever place the man should desire. ‘She should know how to speak the language of flowers when decorating beds or couches, or even when decorating the ground. In the arts of staining, dyeing, colouring and painting her teeth, her clothes, her nails and her body, a woman should be beyond compare. ‘A woman should know how to play music on glasses filled to different heights with liquids of various sorts. She should be able to fix stained-glass into a floor. She should know how to make, trim and hang a picture; how to fashion a necklace, a rosary, a garland or a wreath; how to store or gather water in an aqueduct or a tank. ‘She should know about scents; and about ornaments. She should be able to act and to lay on theatrical shows; she should be quick and sure in her hands and be able to cook and make lemonade or sherbet; wear jewels and bind a man’s turban. And she should of course, know magic ….
Kusum Chopra (Mastani)
Garland scouts ahead of the wagon train, exploring new growth opportunities, and then makes things happen. What’s new? What’s the next thing? Answering these questions defines his contribution to those he serves as the C and as the CEO.
Richard Hytner (Consiglieri - Leading from the Shadows: Why Coming Top Is Sometimes Second Best)
Our days will pass in singing songs. We will roam the jungles and I will teach you the language of all animals. You will fear them no more and will pick flowers instead after you have tired of gazing at the beauty that would surround us. During the day I will turn the wheel and make pots and you will string flowers together and make garlands for gods and men. We will sell them at the temple in the evening and by nights you will cradle in my arms and listen to a new story every night before shutting your eyes to the long beautiful day. And when all my stories are exhausted we will together make new ones. This is the way queens must live
Mukta Singh-Zocchi (The Thugs & a Courtesan)
One activity we tend to enjoy on this day is popping some popcorn and along with enjoying it ourselves, stringing some on yarn with fresh cranberries to make an edible garland for the birds and other backyard creatures, seen and unseen. Or we spread some natural peanut butter on pinecones and cover it with birdseed. We usually designate one of the cedar trees growing near our house to hold these offerings.
Jenn Campus (A Guide to Celebrating the 12 Days of Yule (Heathen-style!): Folklore, Activities and Recipes For The Whole Family to Enjoy For 12 Days!)
389‘Creator of indifferences’ is the motto I want for my spirit today. I’d like my life’s activity to consist, above all, in educating others to feel more and more for themselves, and less and less according to the dynamic law of collectiveness. To educate people in that spiritual antisepsis which precludes contamination by commonness and vulgarity is the loftiest destiny I can imagine for the pedagogue of inner discipline that I aspire to be. If all who read me would learn – slowly, of course, as the subject matter requires – to be completely insensitive to other people’s opinions and even their glances, that would be enough of a garland to make up for my life’s scholastic stagnation.
Fernando Pessoa
Creator of indifferences’ is the motto I want for my spirit today. I’d like my life’s activity to consist, above all, in educating others to feel more and more for themselves, and less and less according to the dynamic law of collectiveness. To educate people in that spiritual antisepsis which precludes contamination by commonness and vulgarity is the loftiest destiny I can imagine for the pedagogue of inner discipline that I aspire to be. If all who read me would learn – slowly, of course, as the subject matter requires – to be completely insensitive to other people’s opinions and even their glances, that would be enough of a garland to make up for my life’s scholastic stagnation.
Fernando Pessoa
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I am for the most part, the very prose that I write. I shape myself in periods and paragraphs, I punctuate myself and in the unleashed chain of images, I make myself king, as children do, with a crown made of newspaper or, in finding rhythms in mere strings of words, I garland myself, as madman do, with dried flowers that in my dreams still live.
Fernando Pessoa (The Book of Disquiet)
Tata’s printing press was called Harsha Printery, named after my elder brother. One day I asked Tata, ‘Why is the press named Harsha Printery? Is there nothing named after Malu?’ He instantly responded jokingly, saying, ‘Harsha Printery, Malu Kurlari’ (in Tulu, puffed rice is called ‘kurlari’). I was very upset and demanded, ‘Naanu yaake kurlari?’ (Why are you calling me merely puffed rice?) A few days later, when Tata launched a new series of short stories for children, he called the series Malavika Kathamaale (Malavika’s Garland of Stories). He had made amends for blowing off my concern about the printing press being named after my brother. He would sometimes make a remark lightly, but later think about it and act seriously. Many lovely stories for children were brought out by Tata under this new series named after me. I was fully satisfied!
Malavika Kapur (Growing Up Karanth)
Tata’s printing press was called Harsha Printery, named after my elder brother. One day I asked Tata, ‘Why is the press named Harsha Printery? Is there nothing named after Malu?’ He instantly responded jokingly, saying, ‘Harsha Printery, Malu Kurlari’ (in Tulu, puffed rice is called ‘kurlari’). I was very upset and demanded, ‘Naanu yaake kurlari?’ (Why are you calling me merely puffed rice?) A few days later, when Tata launched a new series of short stories for children, he called the series Malavika Kathamaale (Malavika’s Garland of Stories). He had made amends for blowing off my concern about the printing press being named after my brother. He would sometimes make a remark lightly, but later think about it and act seriously. Many lovely stories for children were brought out by Tata under this new series named after me. I was fully satisfied!.
Malavika Kapur (Growing Up Karanth)
For McConnell, the ends justified the means. In a 2016 speech, he declared, “One of my proudest moments was when I looked Barack Obama in the eye and said, ‘Mr. President, you will not fill the Supreme Court vacancy.’ ” Two years later, as the Thomas Court was taking shape with two new Trump-appointed justices, McConnell said the decision not to act upon the Garland nomination was “the most consequential decision I made in my entire career.
David Brock (Stench: The Making of the Thomas Court and the Unmaking of America)
Captain Prince nervously craned his neck to learn what the delay was. He heard something strange, a chorus singing softly in the twilight. The tune was hard to make out at first, but then Prince caught it—“God Bless America,” the familiar stanzas rendered in thickly accented English, the melody charmingly curdled with the occasional stale note. At the entrance to the town a few dozen teenage girls dressed in white gowns were singing in sad, sweet voices. It was like a hastily arranged beauty pageant. The local school principal had gone door to door recruiting the prettiest young women from Platero and the surrounding countryside. Some of the girls slipped garlands of fresh sampaguita flowers over the Rangers’ heads and offered welcoming kisses.
Hampton Sides (Ghost Soldiers: The Epic Account of World War II's Greatest Rescue Mission)
she’d be a bundle of nerves by kickoff, missing passes she’d normally make in her sleep. She started doing belly breathing exercises before games. Fast forward to the playoffs, and there she was, taking deep breaths before a penalty kick.
Toby R Garland (Sports Psychology For Parents: Building Resilient, Confident Athletes and Transforming Sports Skills into Lifelong Success)
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Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she’s doing: It’s a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she’s doing: It’s a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)