Gamble Lost Quotes

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Bottom line, you didn’t take care of what was yours. Now, as Nina has explained, you’ve lost it, I found it and it’s mine.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Not one fuckin’ thing gentlemanly about protecting what’s yours. Looks like you’re gonna lose it, you do everything you can to stop that from happening.” Max looked back to Niles. “And you didn’t do that. She was a week away from me, she walked into a room I was in holdin’ another man’s hand, I’d lose my fuckin’ mind. Not at her. Wonderin’ where I lost my way and I’d talk to her about how to find my way back.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
If you gamble long enough, you'll always lose -- the gambler is always ruined.
Michael Crichton (The Lost World (Jurassic Park, #2))
He grabbed her arm and karate-chopped her wrist to force the weapon out of her hand. She lost her balance and fell backward, but he kept a grip on her.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
Chad had prowled over to her, and she felt good caged in between those powerful arms, but when he kissed her flushed forehead and then the tip of her nose, she lost a little of herself forever.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
I could have been 23 next July I gambled on what mattered most, the dice were cast. I lost.
Hannah Senesh (Hannah Senesh: Her Life and Diary, the First Complete Edition)
I gambled for the soul of the Library. And I lost.
Rachel Caine (Ink and Bone (The Great Library, #1))
And then Max really kissed me and I became so lost, I never wanted to be found.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Everywhere was the atmosphere of a long debauch that had to end; the orchestras played too fast, the stakes were too high at the gambling tables, the players were so empty, so tired, secretly hoping to vanish together into sleep and ... maybe wake on a very distant morning and hear nothing, whatever, no shouting or crooning, find all things changed.
Malcolm Cowley (Exile's Return: A Literary Odyssey of the 1920s)
The secret is this: people gamble to lose money. They come to the casinos for the moment in which they feel alive, to ride the spinning wheel and turn with the cards and lose themselves, with the coins, in the slots. They want to know they matter. They may brag about the nights they won, the money they took from the casino, but they treasure, secretly treasure, the times they lost. It’s a sacrifice, of sorts.
Neil Gaiman (American Gods (American Gods, #1))
Chuang-tzu once told a story about two persons who both lost a sheep. One person got very depressed and lost himself in drinking, sex, and gambling to try to forget this misfortune. The other person decided that this would be an excellent chance for him to study the classics and quietly observe the subtleties of nature. Both men experience the same misfortune, but one man lost himself because he was too attached to the experience of loss, while the other found himself because he was able to let go of gain and loss.
Liezi (Lieh-tzu: A Taoist Guide to Practical Living (Shambhala Dragon Editions))
If I had a reader and he had read all I have written so far of my adventures, there would be certainly no need to inform him that I am not created for any sort of society. The trouble is I don't know how to behave in company. If I go anywhere among a great many people I always have a feeling as though I were being electrified by so many eyes looking at me. It positively makes me shrivel up, physically shrivel up, even in such places as the theatre, to say nothing of private houses. I did not know how to behave with dignity in these gambling saloons and assemblies; I either was still, inwardly upbraiding myself for my excessive mildness and politeness, or I suddenly got up and did something rude. And meanwhile all sorts of worthless fellows far inferior to me knew how to behave with wonderful aplomb-- and that's what really exasperated me above everything, so that I lost my self-possession more and more. I may say frankly, even at that time, if the truth is to be told, the society there, and even winning money at cards, had become revolting and a torture to me. Positively a torture. I did, of course, derive acute enjoyment from it, but this enjoyment was at the cost of torture.
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
If I lost all, at least I would have played for it. It had always been my philosophy that one must play, or be a loser two-fold.
Anna Freeman (The Fair Fight)
Look, life is a gamble. You played your cards and lost. Doesn’t make you a loser. Means you need to find a new dealer
Corinne Michaels (Say You'll Stay (The Hennington Brothers, #1))
But Carol had not betrayed her. Carol loved her more than she loved her child. That was part of the reason why she had not promised. She was gambling now as she had gambled on getting everything from the detective that day on the road, and she lost then, too. And now she saw Carol's face changing, saw the little signs of astonishment and shock so subtle that perhaps only she in the world could have noticed them, and Therese could not think for a moment.
Patricia Highsmith (The Price of Salt)
Ella.” I jump when his warm hand covers mine, and then his head moves to rest on my shoulder. His soft hair tickles my bare skin, and I force myself not to run a comforting hand through it. He doesn’t deserve comfort right now. “You can’t leave,” he whispers, his breath fanning over my neck. “I don’t want you to go.” He kisses my shoulder, but there’s nothing sexual about it. Nothing romantic in the way his hand tightens over my knuckles. “You belong with us. You’re the best thing that ever happened to this family.” Surprise filters through me. Okay. Wow. “You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella. Please…don’t be mad at me.” My anger melts away. He sounds like a lost little boy, and I can’t stop myself from stroking his hair now. “I’m not mad. But dammit, Easton, the gambling needs to stop. I might not be there to bail you out next time.” “I know.” He groans. “You shouldn’t have had to bail me out tonight. I promise I’ll pay you back, every last cent. I…” He lifts his head and presses a kiss to my cheek. “Thank you for doing that. I mean it.” Sighing, I turn my eyes back to the road. “You’re welcome.
Erin Watt (Paper Princess (The Royals, #1))
Beyond the table, there is an altar, with candles lit for Billie Holiday and Willa Carter and Hypatia and Patsy Cline. Next to it, an old podium that once held a Bible, on which we have repurposed an old chemistry handbook as the Book of Lilith. In its pages is our own liturgical calendar: Saint Clementine and All Wayfarers; Saints Lorena Hickok and Eleanor Roosevelt, observed in the summer with blueberries to symbolize the sapphire ring; the Vigil of Saint Juliette, complete with mints and dark chocolate; Feast of the Poets, during which Mary Oliver is recited over beds of lettuce, Kay Ryan over a dish of vinegar and oil, Audre Lorde over cucumbers, Elizabeth Bishop over some carrots; The Exaltation of Patricia Highsmith, celebrated with escargots boiling in butter and garlic and cliffhangers recited by an autumn fire; the Ascension of Frida Khalo with self-portraits and costumes; the Presentation of Shirley Jackson, a winter holiday started at dawn and ended at dusk with a gambling game played with lost milk teeth and stones. Some of them with their own books; the major and minor arcana of our little religion.
Carmen Maria Machado (Her Body and Other Parties: Stories)
Matthew raised his chin. There was a terrible look in his eyes, the sort of look her father had when he had lost a great deal at the gambling table. “Am I so hard to love?
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
It's one thing for my parents to behave all secular humanist and gamble with their own eternal souls; however it's altogether not all right that they also gambled with mine: They placed their bets with such self-rightous bravado, but I'm the one who lost.
Chuck Palahniuk (Damned (Damned, #1))
I’m Holden Maxwell,” Max answered immediately, in other words before I could. “I own the house Nina rented. There was a mix up, I had to be in town on personal business and Slim didn’t tell Nina. She showed up at the house and I was there. Lucky I was. She was sick as a dog, lapsed into a fever so bad she was delirious for two days and I was worried I’d have to take her to the hospital. The fever broke and since then things have advanced between us. We’ve gotten to know each other, we both like what we know and, bottom line, you didn’t take care of what was yours. Now, as Nina has explained, you’ve lost it, I found it and it’s mine.” Excerpt From: Ashley, Kristen. “The Gamble.” Kristen Ashley. iBooks. This material may be protected by copyright.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
[Han] glared into his mug. Besides, he didn't add, asking Princess Leia for repacement reward credits would mean he'd have to tell her how he'd lost the first batch. Not in gambling or bad investments or even drinking, but to a kriffing pirate. And then she would give him one of those looks. There were, he decided, worse things than being on Jabba's hit list
Timothy Zahn (Star Wars: Scoundrels)
I smoked one too many cigarettes- I heard one too many lies- Gambled on too many bets- And lost it all to this life.
Mike Skinner
And through it all was the pervasive sound of money. Money lost. Money found. Spent. Earned. Exchanged. Gambled. Wasted. Tainted lucre, wealth corrupted by those who found success on the suffering of others.
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
Why has pachinko swept Japan? It can hardly be the excitement of gambling, since the risks and rewards are so small. During the hours spent in front of a pachinko machine, there is an almost total lack of stimulation other than the occasional rush of ball bearings. There is no thought, no movement; you have no control over the flow of balls, apart from holding a little lever which shoots them up to the top of the machine; you sit there enveloped in a cloud of heavy cigarette smoke, semi-dazed by the racket of millions of ball bearings falling through machines around you. Pachinko verges on sensory deprivation. It is the ultimate mental numbing, the final victory of the educational system." - Lost Japan, Eng. vers., 1996
Alex Kerr
A man left home in morning with 1 Rupee. He gambled with it and made millions. Then lost them all. He returned home in evening empty handed. His wife is clueless why loss of just 1 Rupee has drowned his husband in so much depression that he is not speaking a word. This is the illusion or Maya.
Shunya
Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.
Ian Fleming (Casino Royale (James Bond, #1))
I have nothing to complain of. For three days I have tramped the desert, have known the pangs of thirst, have followed false scents in the sand, have pinned my faith on the dew. I have struggled to rejoin my kind, whose very existence on earth I had forgotten. These are the cares of men alive in every fibre, and I cannot help thinking them more important than the fretful choosing of a night-club in which to spend the evening. Compare the one life with the other, and all things considered this is luxury! I have no regrets. I have gambled and lost. It was all in the day's work. At least I have had the unforgettable taste of the sea on my lips. I am not talking about living dangerously. Such words are meaningless to me. The toreador does not stir me to enthusiasm. It is not danger I love. I know what I love. It is life.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
She had gambled with marriage, just like most people, but she had gambled unluckily and had lost.
Buchi Emecheta (Second Class Citizen)
You may not be the one standing out from a crowd, but you are the one that makes sure everyone in that crowd is still standing.
Ellie St. Clair (Gambling for the Lost Lord's Love)
I have no regrets. I have gambled and lost. It was all in the day's work. At least I have had the unforgettable taste of the sea on my lips.
Antoine de Saint-Exupéry
These terrorists had gambled on the proposition that the Empire would never strike back.
Claudia Gray (Lost Stars (Journey to Star Wars: The Force Awakens))
Yet Ramson had forgotten that in a gamble where you stood to win everything, there was even more you could lose. And he’d lost.
Amélie Wen Zhao (Blood Heir (Blood Heir Trilogy, #1))
no song no picture or words will make you love me ,, may be you will never know ,, or may be you knew and felt sorry for me or thought it was sweet ,,but nothing will make me more than just a passing thought or a name you try to put for a face ,,,for me you are an exiting pain ,something that i involuntary need to share with the world how i suffer every time i hear a song or see a love them ,,after all this i need to see the facts ,,i gambled and i lost ,, i had to let the thought of you go ,, it is hard ,,it is painful ,,but it something i need to do ,, for me
Un knowing
I have no regrets. I have gambled and lost. It was all in the day's work. At least I have had the unforgettable taste of the sea on my lips." - Antoine de Saint-Exupéry, Wind, Sand and Stars
Antoine de Saint-Exupéry
He wept when his father died and sobbed when he lost his mother, but way before that he told us only stupid men hide emotion. There’s strength in being who you are and feeling what you feel and not giving a shit what people think. He said one of the worst things a man could be is inauthentic. He told us never to willfully break a woman’s heart because there’d come a time when a woman would break ours and we’d feel what we’d made her feel and we wouldn’t be able to live with the guilt. He loved us and he showed it. He was proud of us and he showed it.” Johnny Gamble talking about his father
Kristen Ashley (The Hookup (Moonlight and Motor Oil, #1))
There is a secret that the casinos possess, a secret they hold and guard and prize, the holiest of their mysteries. For most people do not gamble to win money, after all, although that is what is advertised, sold, claimed, and dreamed. But that is merely the easy lie that gets them through the enormous, ever-open, welcoming doors. The secret is this: people gamble to lose money. They come to the casinos for the moment in which they feel alive, to ride the spinning wheel and turn with the cards and lose themselves, with the coins, in the slots. They may brag about the nights they won, the money they took from the casino, but they treasure, secretly treasure, the times they lost. It's a sacrifice, of sorts.
Neil Gaiman (American Gods (American Gods, #1))
You can’t apply academic rules to art of any kind. As soon as you begin to have rules, you begin to say, “Well, it works like this: A plus B equals C,” and then you’re absolutely, perfectly lost. You have to take the chance! You’re gambling all the time, sometimes with no idea if a story works. But the alarming thing is in the teaching of literature, laying down what the writer was doing. If you can see through it like that, the writing is no good. You can’t see through Dickens and Conrad. It’s a mystery how it’s done, even to the person doing it. If you think you know, you’re in deep, deep trouble. It’s rather like a born athlete analyzing: if you have a baseball player who can tell you exactly how he does it, then he’s not telling the truth; he doesn’t know. And I think once you lose touch with that, and believe you’re in charge, you could lose touch with the whole business of writing fiction. It’s an endless struggle to fool yourself. Just get going, that’s the important thing.
William Trevor
I’ll also correct the record about Tony’s personality, his gambling, his womanizing, how violent and tough he really was, and some inside information behind the adoption of his son, Vincent. When you finish reading this you’ll know the real Tony Spilotro and why the Outfit lost Las Vegas.
Frank Cullotta (The Rise and Fall of a 'Casino' Mobster: The Tony Spilotro Story Through A Hitman's Eyes)
Matthew raised his chin. There was a terrible look in his eyes, the sort of look her father had when he had lost a great deal at the gambling table. “Am I so hard to love?” “No,” Cordelia said, in despair. “You are so easy to love. So easy that it has caused all this trouble.” “But you don’t love me.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
This person sees not her own hand depositing the next dollar in a slot machine, but the hand of fate, or God. It’s her true conviction that there are forces at work for her to win a large jackpot— or at least to win back the money lost. After all, the only-for-show pictures of fruit had almost aligned with one another the last couple spins.
($) (I Deal to Plunder - A ride through the boom town)
So I’m now asking you. I’m asking you, Rick, if you feel like you’ve come out the winner. Josie took the gamble. Okay, I shook the dice for her, but it was always going to be her, not me, who won or lost. She bet high, and if Dr Ryan’s right, she might soon be about to lose. But you, Rick, you played it safe. So that’s why I’m asking you. How does this feel to you just now? Do you really feel like a winner?
Kazuo Ishiguro (Klara and the Sun)
So I’m now asking you. I’m asking you, Rick, if you feel like you’ve come out the winner. Josie took the gamble. Okay, I shook the dice for her, but it was always going to be her, not me, who won or lost. She bet high, and if Dr Ryan’s right, she might soon be about to lose. But you, Rick, you played it safe. So that’s why I’m asking you. How does this feel to you just now? Do you really feel like a winner?
Kazuo Ishiguro (Klara and the Sun)
The secret is this: people gamble to lose money. They come to the casinos for the moment in which they feel alive, to ride the spinning wheel and turn with the cards and lose themselves, with the coins, in the slots. They want to know they matter. They may brag about the nights they won, the money they took from the casino, but they treasure, secretly treasure, the times they lost. It’s a sacrifice, of sorts. The
Neil Gaiman (American Gods)
Mr. Brooker, though out of work for two years, was a miner by trade, but he and his wife had been keeping shops of various kinds as a side line all their lives. At one time they had had a pub, but they had lost their licence for allowing gambling on the premises. I doubt whether any of their businesses had ever paid; they were the kind of people who run a business chiefly in order to have something to grumble about.
George Orwell (The Road to Wigan Pier)
You love Robert, not me. You don’t love Lord Stuffy, so I tried to be like Robert.” The sweet idiot! She felt like weeping again. She began to protest, but he cut her off. “I don’t drink and I don’t gamble and I don’t have a mistress. I’m dull. You told me so, the first time we met. So I tried to change.” He frowned. “Not the mistress. I’ll never do that.” “Good,” she whispered. “I’m trying to be like Robert, but I’m no good at it. I drank wine. And brandy, lots of it. I didn’t like it and it made me sick. I played hazard and I lost.” He looked momentarily cheerful and her heart sank. “But I didn’t like that either. If I was a real man like Mr. Fox, or Robert, I’d have lost thousands.” The sadder he looked, the more her heart ached, a happy ache. “I failed you, Caro. I’m sorry, but I’m afraid I’ll always be Lord Stuffy,” he said, and closed his tortured, bloodshot eyes.
Miranda Neville (The Importance of Being Wicked (The Wild Quartet, #1))
The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without. Wall Street gambled, you paid the big number, and what they ended up doing with some of that money you lost is the most amazing thing of all. They got America—you, me, Priscilla Carillo, Robert Lukens—to pawn itself to pay for the gas they forced us to buy in the first place. Pawn its bridges, highways, and airports. Literally sell our sovereign territory. It was a scam of almost breathtaking beauty, if you’re inclined to appreciate that sort of thing.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
Above all, he liked it that everything was one’s own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.
Ian Fleming (Casino Royale (James Bond, #1))
…and the mousesized mousecolored spinster trembling and aghast at her own temerity, staring across it at the childless bachelor in whom ended that long line of men who had had something in them of decency and pride even after they had begun to fail at the integrity and the pride had become mostly vanity and selfpity: from the expatriate who had to flee his native land with little else except his life yet who still refused to accept defeat, through the man who gambled his life and his good name twice and lost twice and declined to accept that either, and the one who with only a clever small quarterhorse for tool avenged his dispossessed father and grandfather and gained a principality, and the brilliant and gallant governor and the general who though he failed at leading in battle brave and gallant men at least risked his own life too in the failing, to the cultured dipsomaniac who sold the last of his patrimony not to buy drink but to give one of his descendants at least the best chance in life he could think of.
William Faulkner (The Sound and the Fury)
Thus he gambled with high stakes and mercilessly, hating himself, mocking himself, won thousands, threw away thousands, lost money, lost jewelry, lost a house in the country, won again, lost again. That fear, that terrible and petrifying fear, which he felt while he was rolling the dice, while he was worried about losing high stakes, that fear he loved and sought to always renew it, always increase it, always get it to a slightly higher level, for in this feeling alone he still felt something like happiness, something like an intoxication, something like an elevated form of life in the midst of his saturated, lukewarm, dull life.
Hermann Hesse (Siddhartha)
Like A Hanged Pitcher Like a hanged pitcher, No drink is pouring off me It's natural to get numbed gradually. Pig-headed seashells! This boasting sky, Is an anchor which has fallen on my lap This dizzy sky! The moon's been cleared A shadow's coming after me Barefooted on my dreams You used to run! Enjoyed?! Numb! All my veins are connected to this land... Like a hanged pitcher Joyful of this sky One day a huge whale swallowed it as a whole. And it was over! The Gulf was over! You waved hands. Like a hanged pitcher, It's simple! I lost the game And gambled away... (TRANSLATED FROM ORIGINAL PERSIAN TO ENGLISH BY ROSA JAMALI)
Rosa Jamali (Selected Poems of Rosa Jamali)
(From FORTUNE'S SON) "Philip had long ago begun drinking to excess, simply to obliterate the reality that he was half a man, living half a life. He had a title without the fortune, a wife that was no lover, and a lover, the only light in his darkened existence, who could never be his wife; thus, he drank...drink and despair had made him reckless and rash. He’d gambled and he’d lost. Sunk in self-denigration, the cycle began anew; he drank. Though aspiring for oblivion, he had only achieved piss-faced, when Lady Hastings had arrived after the race. The inevitable row had ensued, and then the world had retracted into blessed blackness.
Emery Lee
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
I’ve been around gamblers since I was six years old. I’ve seen it all: smart money, stupid money, sharps, half-sharps, suckers, and squares. I’ve run into every sort of hustler, scuffler, con man, and bullshit artist you can imagine. I’ve dealt with killers, drug dealers, celebrities, billionaires, and a thug-fest of would-be tough guys. For the longest time, I could not resist that sweet voice called Action whispering in my ear, drawing me in, pulling me down. For years, I lived what gamblers in the South like to call a “chicken or feathers” existence; flush one day, dead broke the next. I’ve lost cars, houses, businesses, and marriages. I gambled until I had all your money, or you had all of mine.
Billy Walters (Gambler: Secrets from a Life at Risk)
When I was a babe I fell down in the holler. When I was a girl I fell into your arms. We fell on hard times and we lost our bright color. You went to the dogs and I lived by my charms. I danced for my dinner, spread kisses like honey. You stole and you gambled and I said you should. We sang for our suppers, we drank up our money. Then one day you left, saying I was no good. Well, all right, I’m bad, but then, you’re no prize either. All right, I’m bad, but then, that’s nothing new. You say you won’t love me, I won’t love you neither. Just let me remind you who I am to you. ’Cause I am the one who looks out when you’re leaping. I am the one who knows how you were brave. And I am the one who heard what you said sleeping. I’ll take that and more when I go to my grave. It’s sooner than later that I’m six feet under. It’s sooner than later that you’ll be alone. So who will you turn to tomorrow, I wonder? For when the bell rings, lover, you’re on your own. And I am the one who you let see you weeping. I know the soul that you struggle to save. Too bad I’m the bet that you lost in the reaping. Now what will you do when I go to my grave?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
There was a young man with a hot temper. He was not all bad, but he was reckless, and he drank more than he should, and spent more than he could, and gave a ring to more women than one, and gambled himself into a corner so tight an ant couldn't turn round in it. Once night, in despair, and desperate with worry, he got into a fight outside a bar, and killed a man. Mad with fear and remorse, for he was more hot-tempered than wicked, and stupid when he could have been wise, he locked himself into his filthy bare attic room and took the revolver that had killed his enemy, loaded it, cocked it and prepared to blast himself to pieces. In the few moments before he pulled the trigger, he said, "If I had known that all that I have done would bring me to this, I would have led a very different life. If I could live my life again, I would not be here, with the trigger in my hand and the barrel at my head." His good angel was sitting by him and, felling pity for the young, man, the angel flew to Heaven and interceded on his behalf. The in all his six-winged glory, the angel appeared before the terrified boy, and granted him his wish. "In full knowledge of what you have become, go back and begin again." And suddenly, the young man had another chance. For a time, all went well. He was sober, upright, true, thrifty. Then one night he passed a bar, and it seemed familiar to him, and he went in and gambled all he had, and he met a woman and told her he had no wife, and he stole from his employer, and spent all he could. And his debts mounted with his despair, and he decided to gamble everything on one last throw of the dice. This time, as the wheel spun and slowed, his chance would be on the black, not the red. This time, he would win. The ball fell in the fateful place, as it must. The young man had lost. He ran outside, but the men followed him, and in a brawl with the bar owner, he shot him dead, and found himself alone and hunted in a filthy attic room. He took out his revolver. He primed it. He said, "If I'd known that I could do such a thing again, I would never have risked it. I would have lived a different life. If I had known where my actions would lead me..." And his angel came, and sat by him, and took pity on him once again, and interceded for him, and... And years passed, and the young man was doing well until he came to a bar that seemed familiar to him... Bullets, revolver, attic, angel, begin again. Bar, bullets, revolver, attic, angel, begin again...angel, bar, ball, bullets...
Jeanette Winterson (The Stone Gods)
I,” he said, a faint note of derision in his voice, “am the least favored scion of our ruling house, House Mara Sant.” He was from Brontes, then. Which might explain the eyes…she thought again of certain differences, and suppressed a shudder. “I am a Prince of the Blood,” he continued, sounding both embittered and proud, “third in line for the Dragon Throne, and grand nephew to the Emperor. Owing to a…political dispute, I am now also an exile. Presented with a choice between resigning my commission in the na-vy and leaving to become governor of a mining planet and staying to face my uncle’s as-sassins….” He shrugged slightly, as if the choice were of no consequence. “A…political dispute?” “I gambled,” he said bluntly. “I lost.” “You seem…sanguine,” she remarked, surprise blunting the instinct to guard her tongue. “He shouldn’t have let me live.” That anyone could discuss their own murder with such cold calculation horrified her. He horrified her. She chewed her lip, digesting all that he’d told her: not merely a naval officer, but a prince—and a maverick one at that. She wondered what he could have done. “So you see,” he finished, “I’m no more free than you.” He laughed, then, but without humor. “We can be prisoners together. I am en route to a wretched planet called Tarsonis to assume governorship and as you have no other, more pressing engagement, you are coming with me.
P.J. Fox (The Price of Desire (The House of Light and Shadow, #1))
Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control?
Nick Harkaway (Gnomon)
She seemed out of place at the Fairweather. Too posh, as Susan said. Too well dressed. She never strolled along the shore or went bathing or brought a picture postcard. She just sat on the veranda all day with a book she never read, gazing out to sea. Probably wondering why on earth she came here. Susan had said. She looks as if she'd be more at home in Monte Carlo. I know- she's lost all her money gambling and she's waiting for the sea to warm up before she throws herself in. I hope she remembers to pay her bill first.
Vivien Alcock (The Mysterious Mr. Ross)
His primitive fault was only a dotage on play, yet the excessive love of that goes seldom unattended with a train of criminal retainers; for fondness of gaming is the seducingest lure to ill company, and that the subtlest pander to the worst excesses.
Robert Boyle (Robert Boyle: By Himself and His Friends: With a Fragment of William Wotton's 'Lost Life of Boyle' (The Pickering Masters))
Love is a gamble, heartbreak is the cost. But never lose hope, for love is never truly lost.
Divya Singh (Of Heartbreaks and Hope)
With gambling or investing, if your gains are quick and easy, you will tend to keep the money in a separate mental account. So, if you subsequently lose it, you won't feel as upset as you'd think if you lost the money you brought to the casino. Yet, they are both pots of currency.
Coreen T. Sol, CFA
When we’re feeling fundamentally lost, afflicted by purposelessness, foul moods, and bad jobs, anything that stimulates the brain’s pleasure centers can become an addiction. Some of the most common, aside from the dynamic duo of drugs and alcohol, are gambling, sex, intense relationship drama, shopping, binge eating, and staring at the internet day and night without pausing to sleep, eat, or pee.
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
According to Ivar, he and Dr Glowacki reached a final agreement on July 2, 1925, just days before the new participating preferred shares were to be sold. Ivar’s assistant, Karin Bökman, said she witnessed the signatures to the secret deal; she certified the translation of the original contract, as did a Polish notary. Dr Glowacki signed on behalf of the “Treasury of the Polish State,” and Ivar signed on behalf of International Match Corporation.32 Ivar apparently didn’t need to use the stamp he had prepared with a facsimile of Dr Glowacki’s signature. Like the B Shares, this contract was a marvel of financial innovation. First, the agreement provided for the creation of a new Dutch company called N.V. Maatschappij Garanta, or Garanta for short. Garanta would be incorporated in Amsterdam, and its shares would be owned by Polish citizens nominated by Dr Glowacki. Garanta would take over the entire match industry in Poland, from production to sale. Garanta also would assume “certain exchange losses which have been sustained by International Match Corporation in connection with financial transactions in Poland. This item is to be carried as an asset on the books of Garanta.”33 Apparently, Ivar had continued gambling on foreign exchange rates during 1925. This time, though, he had used International Match’s money, and this time he had lost. The secret agreement shifted those losses from International Match to Garanta. Durant and Berning were unaware of these losses, or their transfer.
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
...Those who led us to indebtedness gambled as if in a casino. As long as they had gains, there was no debate. But now that they suffer losses, they demand repayment. And we talk about crisis. No, Mister President, they played, they lost, that’s the rule of the game, and life goes on. We cannot repay because we don’t have any means to do so. We cannot pay because we are not responsible for this debt. We cannot repay but the others owe us what the greatest wealth could never repay, that is blood debt. Our blood had flowed. We hear about the Marshall Plan that rebuilt Europe’s economy. But we never hear about the African plan which allowed Europe to face Hitlerian hordes when their economies and their stability were at stake. Who saved Europe? Africa. It is rarely mentioned, to such a point that we cannot be the accomplices of that thankless silence. If others cannot sing our praises, at least we must say that our fathers had been courageous and that our troops had saved Europe and set the world free from Nazism.
Thomas Sankara
he couldn’t see the wisdom of it from the point of view of anyone who wanted to live. He self-corrected his thoughts – anyone who was desperate to live. He wanted to live, of course he did, but at this precise moment he was happy enough to gamble his life for a bit of certainty. He had a lot to lose, but it was all in the future, not the present, and that potential loss wasn’t tangible enough to trouble him; he’d already lost too much that was real.
Kevin Wignall (Who is Conrad Hirst?)
Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.
Aldous Huxley (Eyeless in Gaza)
gamble
Shannon Messenger (Legacy (Keeper of the Lost Cities Book 8))
Christians commit crimes with their hands, the Jews use their reason.’ A typical Jewish big-time criminal was Jacob ‘Greasy Thumb’ Guzik (1887-1956), who was Al Capone’s bookkeeper and treasurer. Another was Arnold Rothstein (1882-1928), the pioneer of big business crime, who is portrayed as ‘The Brain’ in Damon Runyon’s stories, and by Scott Fitzgerald as Meyer Wolfsheim in The Great Gatsby. Then there was Meyer Lansky, who created and lost a gambling empire and had his application for Israeli citizenship turned down in 1971.
Paul Johnson (History of the Jews)
No rational society would long permit a justice system to stay in place in which everyone’s rights were diminished because the bank robber got caught. He is the bad guy, he chose to gamble his freedom for the loot he took, and he lost the gamble.
Andrew P. Napolitano (Suicide Pact: The Radical Expansion of Presidential Powers and the Lethal Threat to American Liberty)
After my gambling problem, I lost everything and was forced to use cash only. Although it was hard, not having credit cards was one of the best things that ever happened to me. I learned during those years to ask myself if I needed an item or just wanted it, and I also figured out how to make myself happy by doing something instead of buying something. I encourage hoarders to ask themselves these questions whenever they are tempted to shop: Will this item make my life better? Does it help me keep my home in order? If this is a gift, does the person I am buying it for really want or need it? If I don’t have enough cash for this, am I willing to wait until I do?
Matt Paxton (The Secret Lives of Hoarders: True Stories of Tackling Extreme Clutter)
Eve was talking to the horse in low, earnest tones, and the horse gave every appearance of listening raptly. An image of Mildred Staines flashed in Deene’s mind. He’d seen her riding in the park on a pretty bay mare just a few days previous. Mildred sat a horse competently, but there was nothing pretty about the picture. Her habit was fashionable, her horse tidily turned out, her appointments all coordinated for a smart impression, but… Eve was still wearing Deene’s coat, her skirts were rumpled, her boots dusty, and she sported a few wisps of straw in her hair. She stopped to turn the horse the other direction, pausing to pet the beast on his solid shoulder. I could marry her. The thought appeared in Deene’s brain between one instant and the next, complete and compelling. It rapidly began sprouting roots into his common sense. She was wellborn enough. She was pretty enough. She was passionate enough. She was—he forced himself to list this consideration—well dowered enough. And she charmed King William effortlessly. Why not? Little leaves of possibility began twining upward into Deene’s imagination. He knew her family thoroughly and wouldn’t have to deal with any aunts secreted away in Cumbria. He was friends with her brothers, who did not leave bastards all over the shire. The Windham hadn’t been born who lost control when gambling. And Eve Windham was a delightful kisser. Why the hell not? The longer he thought about it, the more patently right the idea became. Eve
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Never gamble with other people’s money,” he said to me the next day, as if I should have known it. “If you lose, you’ll be in debt to them. If you win, you’ll feel you’re owed something, but it’s their choice whether to share the winnings with you—and how much. It’s a position no woman should put herself in.
Allegra Huston (Love Child: A Memoir of Family Lost and Found)
An especially strong form of depression was studied in Britain in the 1980s. Sufferers had purchased a lottery ticket a few weeks before the drawing, knowing full well that the odds against winning were enormous. They expressed no hope of winning and rationally declared that they were buying the ticket for fun. Yet once the drawing was held and they had lost, they slumped into debilitating depression. The symptoms were significantly different from "gambling depression," which is an effect of addiction to gambling. The victims of "lottery depression" had symptoms like those of people who have suffered severe losses, such as destruction of a house or loss of a parent. The interpretations given by therapists was that in the two weeks or so between the purchase of the ticket and the drawing for the winner, these victims had fantasized, consciously or unconsciously, wittingly or not, about what they would do upon winning the lottery. The actual drawing made them lose everything they had acquired in the fantasy world. In that world, they did indeed suffer a severe loss. The amazing thing is that the fantasy world seems to have had profound effects on the psychological reality of the real world, given that the patients had no delusions about the odds of winning, and said so clearly.
Gilles Fauconnier (The Way We Think: Conceptual Blending and The Mind's Hidden Complexities)
He never rested until he had lost everything. For him gambling was a method of self-punishment as well.
Anonymous
Papa was a gentleman of the last century, with all the chivalrous character, self-reliance, and gallantry of the youth of that time. Upon the men of the present day he looked with a contempt arising partly from inborn pride and partly from a secret feeling of vexation that, in this age of ours, he could no longer enjoy the influence and success which had been his in his youth. His two principal failings were gambling and gallantry, and he had won or lost, in the course of his career, several millions of roubles.
Leo Tolstoy (Delphi Complete Works of Leo Tolstoy (Illustrated))
Neely Thomas was used to losing. Compulsive gamblers learn how to handle it—his kids' college funds depleted, an ultimatum from his wife, his life near bottom—he was ready to unravel. But then a moment's inattention—checking the football scores instead of keeping his eyes on the road—and a traffic accident leaves an innocent boy dead. Now suddenly Neely can't stop winning. The punishment for his crime? How bad could this be? A winning streak so relentless it won't end until his lies are exposed and he's lost everything he loves.
Kendric Neal (Drawing Dead)
Kennedy promised to disregard the teachings of his faith even on major issues like “birth control, divorce, censorship, gambling or any other subject,” proclaiming that “no power or threat of punishment could cause me to decide otherwise.”26 His Catholicism, in other words, was utterly irrelevant to his politics. The implication, not lost on anyone at the time or since, is that religion itself is—or should be—irrelevant to American politics.
John Daniel Davidson (Pagan America: The Decline of Christianity and the Dark Age to Come)
was the tragic lark of an irresponsible, wildly gifted artist who gambled her life for her art, and lost. In his letter to Wagner-Martin, Dr. Horder addresses this trend, calling it “so limited an explanation as to be nearly ridiculous.
Emily Van Duyne (Loving Sylvia Plath: A Reclamation)
There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The
Nick Harkaway (Gnomon)
When asked how many of the people he met in those encampments had lost housing due to high rents or health insurance, Eric could not remember one. Meth was the reason they were there and couldn’t leave. Of the hundred or so vets he had brought out of the encampments and into housing, all but three returned. Eric grew weary of wanting recovery for the people he met more than they wanted it for themselves. Such was the pull. Some were addicted to other things: crack or heroin, alcohol or gambling. Most of them used any drug available. But what Eric and Mundo most encountered by far was crystal methamphetamine.
Sam Quinones (The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth)
What would Joe and Mary investor do when they learned the short-maturity AA-bonds listed as “PLUS Notes” in their retirement portfolio actually were Mexican peso-backed inflation-linked derivatives issued by a Bermuda tax-advantaged company? What would Wisconsin dairy farmers do when they discovered the Badger State was speculating south of the border? What would you do when you realized your retirement savings, which you had assumed was safely tucked away in a highly regarded mutual fund, was being invested in PLUS Notes? The only thing you could do was get angry because you probably wouldn’t learn about your investment in Mexico until it was too late—after you had lost money. Because of their high rating, PLUS Notes were a permissible investment, and your mutual fund wouldn’t have to tell you much about them. It was astonishing, but as long as the Mexican peso didn’t collapse, you might never know your retirement money was being gambled on Mexico.
Frank Partnoy (FIASCO: Blood in the Water on Wall Street)
Most people who bought from bucket shop operators lost money, but that didn’t stop them, and it certainly didn’t stop the bucket shops. Human beings inevitably overestimated the probability of success. Too many young men thought they could become the next Babe Ruth; too many young women sought to become Mary Pickford. Four of five people believed they were of above average skill when driving a car. A majority of people said they could outsmart the stock market, or win money gambling.
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
This is not every man. Dao is in another place, another time. The savagery of his ejection may have triggered some deep rooted trauma. In 1975, Saigon had fallen. His home was no longer his home. Dao was forced to flee as a refugee, and he and his wife raised their family of five kids in Kentucky, a new home that – if reports are to be believed about his checkered history – had its own share of absurd hardships. Dao was caught trafficking prescription drugs for sex and lost his medical license, after which he earned his income as a poker player. While I agree with his defenders that his rap sheet is irrelevant to the United Airlines incident, it's relevant to me, since it helps us to see Dao in a more complex, realistic light. Dao is not a criminal nor is he some industrious automaton who could escape the devastation of his homeland and, through a miraculous arc of resilience, become an upstanding doctor whose kids are also doctors. For may immigrants, if you move here with trauma, you're going to do what it takes to get by. You cheat. You beat your wife. You gamble. You're a survivor and, like most survivors, you are a god-awful parent.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The one drawback to modern adventuring, however, is that people can mistake it for something it’s not. The fact that someone can free-solo a sheer rock face or balloon halfway around the world is immensely impressive, but it’s not strictly necessary. And because it’s not necessary, it’s not heroic. Society would continue to function quite well if no one ever climbed another mountain, but it would come grinding to a halt if roughnecks stopped working on oil rigs. Oddly, though, it’s the mountaineers who are heaped with glory, not the roughnecks, who have a hard time even getting a date in an oil town. A roughneck who gets crushed tripping pipe or a fire fighter who dies in a burning building has, in some ways, died a heroic death. But Dan Osman did not; he died because he voluntarily gambled with his life and lost. That makes him brave—unspeakably brave—but nothing more. Was his life worth the last jump? Undoubtedly not. Was his life worth living without those jumps? Apparently not. The task of every person alive is to pick a course between those two extremes.
Sebastian Junger (Fire)
Poker players explained to me that there’s a particular moment at which players are extremely vulnerable to an emotional surge. It’s not when they’ve won a huge pot or when they’ve drawn a fantastic hand. It’s when they’ve just lost a lot of money through bad luck (a ‘bad beat’) or bad strategy. The loss can nudge a player into going ‘on tilt’ – making overly aggressive bets in an effort to win back what he wrongly feels is still his money. The brain refuses to register that the money has gone. Acknowledging the loss and recalculating one’s strategy would be the right thing to do, but that is too painful. Instead, the player makes crazy bets to rectify what he unconsciously believes is a temporary situation. It isn’t the initial loss that does for him, but the stupid plays he makes in an effort to deny that the loss has happened. The eat economic psychologists Daniel Kahneman and Amos Tversky summarised the behaviour in their classic analysis of the psychology of risk: ‘a person who has not made peace with his losses is likely to accept gambles that would be unacceptable to him otherwise’. Even those of us who aren’t professional poker players know how it feels to chase a loss.
Tim Harford (Adapt: Why Success Always Starts with Failure)
John Wade, get the hell off my sister!
Ellie St. Clair (Gambling for the Lost Lord's Love)
As she hurried through the crowd, she realized one thing – she still didn’t even know his name.
Ellie St. Clair (Gambling for the Lost Lord's Love)
Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.
Alan Moorehead (Gallipoli)
A researcher at the Beit T’Shuvah treatment and recovery center for addicts in Los Angeles recently conducted a study that found that the rates of depression and anxiety among affluent teens and young adults (such as those in Beit T’Shuvah’s community) correspond to the rates of depression and anxiety suffered by incarcerated juveniles.11 Director Harriet Rossetto explains these results this way: “If from the time you’re born all your options are dictated for you and all your decisions are made for you, and then you’re cast out into the world to go to college, it’s like a country under colonial rule that falls apart when it gains its independence. They get to college and have no idea why they’re there or what they ought to be doing there. They’re lost. They’re in such a painful place, and they seek to anesthetize that with drugs or other harmful activities like alcohol, gambling, or mutilation. Things that express their emptiness and sense of desperation. Often they become addicts simply because they don’t know what else to do.
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
Beginner’s luck—it never happened again. I’ve lost it all since then, so I’ll stop while I still break even. No more gambling for me.” “Is that a bet? Would you put five bucks on it?” “Sure.” “Then pay over—you’ve already lost by accepting.
Arthur C. Clarke (The Deep Range (Arthur C. Clarke Collection))
You lost years with your daughter,” she spoke softly. He couldn’t miss the regret in her voice, and it made him love her all the more. “I plan to make up for lost time.
Mia Porter (The Cowboy's Gamble (A Love So Sweet, #1))
When a dead man's on the other end of the line, I guess you've gotta take the call.
Robert Ellis (The Lost Witness (Lena Gamble, #2))
We learned that to lie to a machine, you don't need to be a perfect writer: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.
Nick Harkaway (Gnomon)
We learned that to lie to a machine, you don't need to be a perfect liar: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.
Nick Harkaway (Gnomon)
The ideas of Pascal and Fermat spread quickly among Europe’s intellectuals. A few decades later, their ideas reached John Law (this was presumably after he nearly lost the family castle at the gambling table). “No man understood calculation and numbers better than he,” one of Law’s friends wrote.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
I drank too much, gambled, lied, cheated, stole, and lusted after women with my eyes. I didn’t care for God back then, or His will for my life, at least not with my whole heart. It was mostly lip service. “Had God not taken the first step, I’d still be that same lost person I was back then. The reason I’m willing to be persecuted here in China is because I believe the many promises recorded in this blessed Book will come to pass, in God’s perfect timing, for all who love Him.
Patrick Higgins (I Never Knew You)
At the time, casting Trump as host was seen as a huge gamble. He had been labeled a “D-lister”—someone who lost all his money, a clownlike figure who couldn’t be taken seriously. Supervising editor of The Apprentice Jonathon Braun told the New Yorker, “We knew Trump was a fake… but we made him out to be the most important person in the world, making the court jester the king.
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
In 2010, a cognitive neuroscientist named Reza Habib asked twenty-two people to lie inside an MRI and watch a slot machine spin around and around. Half of the participants were “pathological gamblers”—people who had lied to their families about their gambling, missed work to gamble, or had bounced checks at a casino— while the other half were people who gambled socially but didn’t exhibit any problematic behaviors. Everyone was placed on their backs inside a narrow tube and told to watch wheels of lucky 7s, apples, and gold bars spin across a video screen. The slot machine was programmed to deliver three outcomes: a win, a loss, and a “near miss,” in which the slots almost matched up but, at the last moment, failed to align. None of the participants won or lost any money. All they had to do was watch the screen as the MRI recorded their neurological activity. “We were particularly interested in looking at the brain systems involved in habits and addictions,” Habib told me. “What we found was that, neurologically speaking, pathological gamblers got more excited about winning. When the symbols lined up, even though they didn’t actually win any money, the areas in their brains related to emotion and reward were much more active than in non-pathological gamblers. “But what was really interesting were the near misses. To pathological gamblers, near misses looked like wins. Their brains reacted almost the same way. But to a nonpathological gambler, a near miss was like a loss. People without a gambling problem were better at recognizing that a near miss means you still lose.” Two groups saw the exact same event, but from a neurological perspective, they viewed it differently. People with gambling problems got a mental high from the near misses—which, Habib hypothesizes, is probably why they gamble for so much longer than everyone else: because the near miss triggers those habits that prompt them to put down another bet. The nonproblem gamblers, when they saw a near miss, got a dose of apprehension that triggered a different habit, the one that says I should quit before it gets worse.
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)