G Sad Quotes

Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city's reservoir, he turns to the cupboards, only to find the vodka bottle empty.

Even a happy life cannot be without a measure of darkness, and the word happy would lose its meaning if it were not balanced by sadness.

The great Gaels of Ireland are the men that God made mad, For all their wars are merry, and all their songs are sad.

Whenever I get that sad, depressed feeling, I go out and kill a policeman.

A thing may be too sad to be believed or too wicked to be believed or too good to be believed; but it cannot be too absurd to be believed in this planet of frogs and elephants, of crocodiles and cuttle-fish.

The point is not that this world is too sad to love or too glad not to love; the point is that when you do love a thing, its gladness is a reason for loving it, and its sadness a reason for loving it more.

Johnny and Marissa, sitting in a tree, K-I-S-S-I-N-G. First comes love, then comes marriage. Then comes an abrupt, tragic miscarriage. Then comes blame, then comes despair. Two hearts damaged beyond repair... Johnny leaves Marissa, and takes the tree. D-I-V-O-R-C-E.

My soul, where are you? Do you hear me? I speak, I call you - are you there? I have returned, I am here again. I have shaken the dust of all the lands from my feet, and I have come to you, I am with you. After long years of long wandering, I have come to you again. Should I tell you everything I have seen, experienced, and drunk in? Or do you not want to hear about all the noise of life and the world? But one thing you must know: the one thing I have learned is that one must live this life. Do you still know me? How long the separation lasted! Everything has become so different. And how did I find you? How strange my journey was! What words should I use to tell you on what twisted paths a good star has guided me to you? Give me your hand, my almost forgotten soul. How warm the joy at seeing you again, you long disavowed soul. Life has led me back to you. Let us thank the life I have lived for all the happy and all the sad hours, for every joy, for every sadness. My soul, my journey should continue with you. I will wander with you and ascend to my solitude.

The sad truth is that man's real life consists of a complex of inexorable opposites—day and night, birth and death, happiness and misery, good and evil. We are not even sure that one will prevail against the other, that good will overcome evil, or joy defeat pain. Life is a battleground. It always has been and always will be; and if it were not so, existence would come to an end.

How could men get fat by being bad and starve by being good? I thought and thought about my vision, and it made me very sad.

There is enough sadness in life without having fellows like Gussie Fink-Nottle going about in sea boots.

She’d left him. Without a word. Without a thought. She’d left him and now he had feelings. For that alone, he’d never forgive her.

Affliction comes to us, not to make us sad, but sober; not to make us sorry, but wise.

You have two emotions—apathy and rage—and nothing in between.” Ellie wanted him to stop, but she could hear the truth in his words. She closed her eyes for his killing blow. “It’s like you’re not even a person. You’re an…organism.” “That’s not true.” Ellie forced her eyes open. “I am a person. I’m just not good at it.

[G]rief was beginning to be overlaid by the first layer of skin and time. Jordan supposed that layer would get thicker and thicker, and in a way she was sorry. Grief cut, but it also made you remember.

It was one of those still, grey, pearly days, with no wind, when sky and water seemed to merge into one, and everything was soft and sad and dreamy.

Religions emerged too early in human evolution — they set up symbols that people took literally, and they're as dead as a line of totem poles. Religions should have come later, when the human race begins to near its end. Sadly, crime is the only spur that rouses us. We're fascinated by that "other world" where everything is possible.

Sadness, disappointment, and severe challenge are events in life, not life itself. I do not minimize how hard some of these events are. They can extend over a long period of time, but they should not be allowed to become the confining center of everything you do. The Lord inspired Lehi to declare the fundamental truth, “Men are, that they might have joy.” That is a conditional statement: “they might have joy.” It is not conditional for the Lord. His intent is that each of us finds joy. It will not be conditional for you as you obey the commandments, have faith in the Master, and do the things that are necessary to have joy here on earth.

However, I must admit that keeping myself to myself has not always been comforting. At times, I seemed to suffer spells of depression and loneliness, longing to become healthy again; of going out and facing a world of injustices, of misery, of widespread indifference.

Creating doesn't make us unhappy, unhappiness makes us creative. To create is to live, and in living, we want only to creat more, to set our foundations depper and reach higher toward the sky. If sadness is what makes us creative, then sadness is nothing else but life.

Sometimes the gulls came nearer, screaming noisily as they quarreled over small fish in the pools, and sometimes they cried mournfully far away along the beach. Then Anna felt like crying too - not actually, but quietly - inside. They made a sad, and beautiful, and long-ago sound that seemed to remind her of something lovely she had once known - and lost, and never found again. But she did not know what it was.

Empathy is different from sympathy. Sympathy is standing on the outside of a situation and looking in (e.g. “I’m sorry you’re sad.”) Empathy is stepping into the situation with the other person and feeling the emotion with them (e.g. “Wow, this is sad”).

Sadness, disappointment, and severe challenges are events in life, not life itself. I do not minimize how hard some of these events are. They can extend over a long period of time, but they should not be allowed to become the confining center of everything you do.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

She's just being sensitive. You put a girl in jail and forget about her for a few months, and they all take it so bloody personally." "You forgot about her?" "She's lucky I did. She'd been sent to kill Rhiannon." "Then why isn't she dead?" Celyn sighed. "It was a sad, weak attempt, really. She clearly didn't want to do it. Auntie Rhiannon just felt bad for her.

Surely some of you have felt the same way that I do. You have turned sullenly from those thousands of glowing, perfect teeth lighting the American landscape and slouched to the darkness—the half-lighted room, the twilight forest, the empty café. There you have sat and settled into the bare, hard fact that the world is terrible in its beauty, indifferent much of the time, incoherent and nervous and resplendent when on certain evenings, when the clouds are right, a furious owl swooshes luridly from the horizon. You feel that sweet pressure behind your eyes, as if you would at any minute explode into hot tears. You long to languish in this unnamed sadness, this vague sense that everything is precious because it is dying, because you can never hold it, because it exists for only an instant.

Our reactions to unhappiness can transform what might otherwise be a brief, passing sadness into persistent dissatisfaction and unhappiness.

I see,' agreed Rule. 'You are going to be the Sacrifice.' She looked up at him rather shyly. 'It c-can't signify to you, can it? Except that I know I'm not a Beauty, like L-Lizzie. But I have got the Nose, sir.' Rule surveyed the Nose. 'Undoubtedly, you have the Nose,' he said. Horatia seemed determined to make a clean breast of her blemishes. 'And p-perhaps you could become used to my eyebrows?' The smile lurked at the back of Rule's eyes. 'I think, quite easily.' She said sadly: 'They won't arch, you know. And I ought to't-tell you that we have quite given up hope of my g-growing any taller.' 'It would certainly be a pity if you did,' said his lordship. 'D-do you think so?' Horatia was surprised. 'It is a great trial to me, I can assure you.' She took a breath, and added, with difficulty: 'You m-may have n-noticed that I have a - a stammer.' 'Yes, I had noticed,' the Earl answered gently. 'If you f-feel you c-can't bear it, sir, I shall quite understand,' Horatia said in a small, anxious voice. 'I like it,'said the Earl.

To his surprise he felt a moment of regret, of sadness that his quest for his mother and father would soon be over. As long as he searched for them he was prepared to be hungry and ill, but now that the search had ended he felt saddened by the memory of all he had been through, and of how much he had changed. He was closer now to the ruined battlefields and this fly-infested truck, to the nine sweet potatoes in the sack below the driver's seat, even in a sense to the detention center, than he would ever be again to his house in Amherst Avenue.

No wonder Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoi's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city reservoir, he turns to the cupboard, only to find the vodka bottle empty.

I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth—and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything.

I do not feel any contempt for an atheist, who is often a man limited and constrained by his own logic to a very sad simplification.

How many millennia had she witnessed? Watching people, loved ons, be bron, live, grow and die was at once a thought of wonder and infinite sadness.

You cannot stop the birds of sadness from flying over your head, but you can stop them from building nests in your hair.

Mindfulness meditation encourages us to become more patient and compassionate with ourselves and to cultivate open-mindedness and gentle persistence. These qualities help free us from the gravitational pull of anxiety, stress and unhappiness by reminding us what science has shown: that it’s OK to stop treating sadness and other difficulties as problems that need to be solved.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

Is it necessary that Heaven should borrow its light from the glare of Hell? Infinite punishment is infinite cruelty, endless injustice, immortal meanness. To worship an eternal gaoler hardens, debases, and pollutes even the vilest soul. While there is one sad and breaking heart in the universe, no good being can be perfectly happy.

True love is real. Sadly only few will ever have the joy in experiencing it. If you have the opportunity to be able to share your life with the one person that makes you most alive, most comforted, most happy, do not pass up the opportunity for anything in the world. You may be passing up one of the best experiences of your life. It may be the one you desire, or it may be the one that desires you. Sometimes the best couples comes from the most unlikely of pairs. You may be passing up the opportunity on joining with the other half that will make you whole. Love is a risk, but a risk worth taking.

Empaths have to be careful not to internalize others’ feelings, as this can cause them to feel anxious, sad, or even depressed. It can leave the empath feeling drained or exhausted. They must learn to set boundaries so as not to let toxic people drain them dry.

With solitude, however, fervently it is desired and embraced, comes loneliness. T. H White, the author, offered advice to those in sadness -- learn something new.

The most important key to bettering yourself - is just that "yourself" - (g swiss)

He wishes they'd realise, though, that you can't fill the hole of a missing mother by carving each other into pieces.

On broader lines he's like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked "Inquiries." You know the Johnnies I mean. You go up to them and say: "When's the next train for Melonsquashville, Tennessee?" and they reply, without stopping to think, "Two-forty-three, track ten, change at San Francisco." And they're right every time. Well, Jeeves gives you just the same impression of omniscience.

Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.

A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.

The pagan, or rational, virtues are such things as justice and temperance, and Christianity has adopted them. The three mystical virtues which Christianity has not adopted, but invented, are faith, hope and charity. Now… the first evident fact, I say, is that the pagan virtues, such as justice and temperance, are the sad virtues, and that the mystical virtues of faith, hope, and charity are the gay and exuberant virtues. And the second evident fact, which is even more evident, is the fact that the pagan virtues are the reasonable virtues, and that the Christian virtues of faith, hope, and charity are in their essence as unreasonable as they can be…charity means pardoning what is unpardonable, or it is no virtue at all. Hope means hoping when things are hopeless, or it is no virtue at all. And faith means believing the incredible, or it is no virtue at all.

HE WAS FOURTEEN it was years ago and Sad’s name wasn’t Sad yet. First comet. G had just stumbled off a bus they looked at one another and that lasted until G was almost twenty but he. Well. Being a loyal soul himself. Sad’s need to make friends everywhere. Sex friends club friends gym friends dope friends shopping friends breakdown friends a common enough problem. Sad didn’t see a problem. One day he looked around and G was gone.

When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.

Is it necessary that Heaven should borrow its light from the glare of Hell? Infinite punishment is infinite cruelty, endless injustice, immortal meanness. To worship an eternal gaoler hardens, debases, and pollutes even the vilest soul. While there is one sad and breaking heart in the universe, no good being can be perfectly happy. Against the heartlessness of the Christian religion every grand and tender soul should enter solemn protest. The God of Hell should be held in loathing, contempt and scorn. A God who threatens eternal pain should be hated, not loved – cursed, not worshiped. A heaven presided over by such a God must be below the lowest hell. I want no part in any heaven in which the saved, the ransomed and redeemed will drown with shouts of joy the cries and sobs of hell – in which happiness will forget misery, where the tears of the lost only increase laughter and double bliss. The idea of hell was born of ignorance, brutality, fear cowardice, and revenge. This idea testifies that our remote ancestors were the lowest beasts. Only from dens, lairs, and caves, only from mouths filled with cruel fangs, only from hearts of fear and hatred, only from the conscience of hunger and lust, only from the lowest and most debased could come this cruel, heartless and bestial of all dogmas.

A closed heart only creates misery and sadness. An open heart creates love and happiness.

I need your help.” “That’s a given, sir. You are a sad, sad soul.

I looked round the place. The moment of parting had come. I felt sad. The whole thing reminded me of one of those melodramas where they drive chappies out of the old homestead into the snow. 'Good-bye, Jeeves,' I said. 'Good-bye, sir.' And I staggered out.

According to Ayurveda, molecules of negative or toxic emotion, such as anger, fear, sadness, jealousy, etc., are lipophilic, which means they take safe haven and store themselves in our fat cells, causing physical and emotional disturbances for years and years.

There is a sadness in animals’ eyes, and we never know whether that sadness is bound up with the soul of the animal or is a poignant message which speaks to us out of that still unconscious existence.

SADNESSES OF THE COVENANT: Sadness of God's love; Sadness of God's back [sic]; Favourite-child sadness; Sadness of b[ein]g sad in front of one's God; Sadness of the opposite of belief [sic]; What if? Sadness; Sadness of God alone in heaven; Sadness of a God who would need people to pray to Him...

Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.

For example, maybe you grew up in a house where no one talked about their feelings, It wasn't encouraged and everyone else became uncomfortable if you tried. You learned pretty quickly that talking about your feelings was clearly against the rules. You weren't abused, you weren't traumatized. But, at the dinner table, you said "My best friend and I had a fight today and I'm really sad and angry," it would elicit a response of "That happens sometimes, dear, please pass the potatoes.

Is all one generation can do to set the stage for the comic, sad story of the next?

For cleverness kills wisdom; that is one of the few sad and certain things.

Truth angers the foolish and confuses the unwise. Such a sad reality to comprehend sometimes.

It’s a sad fact in the political arena that once you get a taste of power, you feel like you know everything.

surround yourself in a pool of misery and you too shall drown in it - (G Swiss)

I've never worried that a city would fall on me. It's not an event that I've lain awake woorying about, it's one of those fears you take as read. Sadly, a city was falling on me.

I've never worried that a city would fall on me. It's not an event that I've lain awake worrying about, it's one of those fears you take as read. Sadly, a city was falling on me

A man's entitled to feel sadness sometimes for what he's lost, even if he's found something else.

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

Ski-ing, indeed! What on earth does the fellow want to ski for? Isn't there enough sadness in life without going out of your way to fasten long planks to your feet and jump off mountains?

The mass of men have been forced to be gay about the little things, but sad about the big ones. Nevertheless (I offer my last dogma defiantly) it is not native to man to be so. Man is more himself, man is more manlike, when joy is the fundamental thing in him, and grief the superficial. Melancholy should be an innocent interlude, a tender and fugitive frame of mind; praise should be the permanent pulsation of the soul. Pessimism is at best an emotional half-holiday; joy is the uproarious labour by which all things live. Yet, according to the apparent estate of man as seen by the pagan or the agnostic, this primary need of human nature can never be fulfilled. Joy ought to be expansive; but for the agnostic it must be contracted, it must cling to one comer of the world. Grief ought to be a concentration; but for the agnostic its desolation is spread through an unthinkable eternity. This is what I call being born upside down. The sceptic may truly be said to be topsy-turvy; for his feet are dancing upwards in idle ecstacies, while his brain is in the abyss. To the modern man the heavens are actually below the earth. The explanation is simple; he is standing on his head; which is a very weak pedestal to stand on. But when he has found his feet again he knows it. Christianity satisfies suddenly and perfectly man's ancestral instinct for being the right way up; satisfies it supremely in this; that by its creed joy becomes something gigantic and sadness something special and small. The vault above us is not deaf because the universe is an idiot; the silence is not the heartless silence of an endless and aimless world. Rather the silence around us is a small and pitiful stillness like the prompt stillness in a sick-room. We are perhaps permitted tragedy as a sort of merciful comedy: because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence, while the laughter of the heavens is too loud for us to hear.

Contemplative prayer is not so much a type of prayer as something that should be a component of all prayer. It is the silence and space for stillness before God that supports genuine presence and openness to God . . . Sadly, it is this contemplative dimension that is most lacking from prayer. Communal prayer seldom leaves sufficient space for stillness before God in silence. Even liturgical prayer often leaves inadequate space for silence, and nonliturgical worship experiences are, of course, usually infamously devoid of silence. Intentional times of personal prayer are often rushed and reduced to the basics of petitions, intercession and possibly an expression or two of gratitude. All this is certainly worthy of being called prayer. But lacking the contemplative dimension, it is not holistic prayer and it will not be transformational.

I do not think there is a person in this world who has been a more ardent admirer of him than I have been. His life and work have been an inspiration to the whole earth, shedding light in the dark places which so sadly needed light. His memory calls forth my most sincere homage, love, and esteem. {Burbank on the great Robert Ingersoll, whom he admired so much that he requested Ingersoll's eulogy for his brother, Ebon Ingersoll, to be read at his own funeral}

I see," agreed Rule. "You are going to be the Sacrifice." She looked up at him rather shyly. "It c-can't signify to you, can it? Except that I know I'm not a Beauty, like L-Lizzie. But I have got the Nose, sir." Rule surveyed the Nose. "Undoubtedly, you have the Nose," he said. Horatia seemed determined to make a clean breast of her blemishes. "And p-perhaps you could become used to my eyebrows?" The smile lurked at the back of Rule's eyes. "I think, quite easily." She said sadly: "They won't arch, you know. And I ought to t-tell you that we have quite given up hope of my g-growing any taller." "It would certainly be a pity if you did," said his lordship. "D-do you think so?" Horatia was surprised. "It is a great trial to me, I can assure you." She took a breath, and added, with difficulty: "You m-may have n-noticed that I have a—a stammer." "Yes, I had noticed," the Earl said gently. "If you f-feel you c-can't bear it, sir, I shall quite understand," Horatia said in a small, anxious voice. "I like it," said the Earl. "It is very odd of you," marvelled Horatia. "But p-perhaps you said that to p-put me at my ease?" "No," said the Earl. "I said it because it was true.

Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even.

There is no guarantee that life will be easy for anyone. We grow and learn more rapidly by facing and overcoming challenges. You are here to prove yourself, to develop, and to overcome. There will be constant challenges that cause you to think, to make proper judgments, and to act righteously. You will grow from them. However, there are some challenges you never need to encounter. They are those associated with serious transgression. As you continue to avoid such tragedy, your life will be simpler and happier. You will see others around you who don’t make that choice, who do things that are wrong and evil and bring sadness. Thank your Father in Heaven that your pattern of life is different and that you have been helped to make choices guided by the Holy Ghost. That prompting will keep you on the right path.

I know that weeds shall grow in it Faster than men can burn; And though they scatter now and go, In some far century, sad and slow, I have a vision, and I know The heathen shall return. "They shall not come with warships, They shall not waste with brands, But books be all their eating, And ink be on their hands.

Sometimes you don’t realize you are h o l d i n g yourself together until you aren’t anymore. Suddenly, you’re not the same person you thought you were j u s t m o m e n t s   before. No. You are not okay. You are not fine. But you will be. When I say, you will be okay, I do not mean you will wake up one day and be the same person you were before the pain. Pain changes a person. But, you will discover a new version of yourself. One who has experienced the great sadness that only follows a great loss. One who knows the value of a good cry. One who knows that even after the coldest of winters, spring will still arrive.

After dinner, Mary Alice and I went for a walk. We didn’t talk, we just held hands. I found it curious that so much of this, our last full day together, had been spent just being together. (...) [P]robably no more than two dozen words had been exchanged between us. I could sense that for the first time, the heartsoreness that had plagued me at times over the past several weeks whenever I contemplated this moment was now visiting Mary Alice. As such, we were both adrift in a sea of sadness where words seemed vapid and superfluous. A plaintive expression, a momentary gesture, a fleeting touch: these were all enough to convey thousands of words of emotion that crowded our hearts and rendered our eyes heavy with tears.

because jj when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside g out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I'd like to be and what I could be if . . . if only there were no other people in the world. Yours, Anne M. Frank ANNE'S DIARY ENDS HERE.

We live, all of us, in sprung rhythm. Even in cities, folk stir without knowing it to the surge in the blood that is the surge and urgency of season. In being born, we have taken seisin of the natural world, and as ever, it is the land which owns us, not we, the land. Even in the countryside, we dwell suspended between the rhythms of earth and season, weather and sky, and those imposed by metropolitan clocks, at home and abroad. When does the year begin? No; ask rather, When does it not? For us – all of us – as much as for Mr Eliot, midwinter spring is its own season; for all of us, if we but see it, our world is as full of time-coulisses as was Thomas Mann’s. Countrymen know this, with the instinct they share with their beasts. Writers want to know it also, and to articulate what the countryman knows and cannot, perhaps, express to those who sense but do not know, immured in sad conurbations, rootless amidst Betjeman’s frightful vision of soot and stone, worker’s flats and communal canteens, where it is the boast of pride that a man doesn’t let the grass grow under his feet. As both countryman and writer, I have a curious relationship to time.

{The resolution of the surviving members of the Eleventh Illinois Cavalry, whom Robert Ingersoll was the commander of, at his funeral quoted here} Robert G. Ingersoll is dead. The brave soldier, the unswerving patriot, the true friend, and the distinguished colonel of the old regiment of which we have the honor to be a remanent, sleeps his last sleep. No word of ours, though written in flame, no chaplet that our hands can weave, no testimony that our personal knowledge can bring, will add anything to his fame. The world honors him as the prince of orators in his generation, as its emancipator from manacles and dogmas; philosophy, for his aid in beating back the ghosts of superstition; and we, in addition to these, for our personal knowledge of him, as a man, a soldier, and a friend. We know him as the general public did not. We knew him in the military camp, where he reigned an uncrowned king, ruling with that bright scepter of human benevolence which death alone could wrest from his hand. We had the honor to obey, as we could, his calm but resolute commands at Shiloh, at Corinth, and at Lexington, knowing as we did, that he would never command a man to go where he would not dare to lead the way. We recognize only a small circle who could know more of his manliness and worth than we do. And to such we say: Look up, if you can, through natural tears; try to be as brave as he was, and try to remember -- in the midst of grief which his greatest wish for life would have been to help you to bear -- that he had no fear of death nor of anything beyond.

Sergeant Pepper was dead. G.I. Joe lived on. George Bush was president, movies stars were dying from AIDS, kids were smoking crack in the ghettos and the suburbs, Muslims were blowing airliners from the skies, rap music ruled, and nobody cared much about the Movement anymore. It was a dry and dusty thing, like the air in the graves of Hendrix, Joplin, and God. She was letting her thoughts take her into treacherous territory, and the thoughts threatened her smiley face. She stopped thinking about the dead heroes, the burning breed who made the bombs full of roofing nails and planted them in corporate boardrooms and National Guard Armories. She stopped thinking before the awful sadness crushed her. The sixties were dead. The survivors limped on, growing suits and neckties and potbellies, going bald and telling their children not to listen to that satanic heavy metal. The clock of the Age of Aquarius had turned, hippies and yippies had become preppies and yuppies. The Chicago Seven were old men. The Black Panthers had turned gray. The Grateful Dead were on MTV, and the Airplane had become a Top-40 Starship. Mary Terror closed her eyes, and thought she heard the noise of wind whistling through the ruins.

Look at the First Emperor of China’s successor…his son. Qin Shi Huang was a huge success because he had skills that he combined with hard work and ambition to unify all the separate kingdoms of China into one. However, sadly, his heir to the throne did not have the same drive and work ethic. Within a few years, Qin Shi Huang’s kingdom fell and was replaced by a new family.”- Amazon Lee Adventures by Kira G. and Kailin Gow

In its individual manifestation the character of a man's anima is as a rule shaped by his mother. If he feels that his mother had a negative influence on him, his anima will often express itself in irritable, depressed moods, uncertainty, insecurity, and touchiness. (If, however he is able to overcome the negative assaults on himself, they can serve to reinforce his masculinity.) Within the soul of such a man the negative mother-anima figure will endlessly repeat this theme: "I am nothing. Nothing makes any sense. With others it's different, but for me...I enjoy nothing." These "anima moods" cause a sort of dullness, a fear of disease, of impotence, or of accidents. The whole of life takes on a sad and oppressive aspect. Such dark moods can even lure a man to suicide, in which case the anima becomes a death demon. She appears in this role in Cocteau's film Orphee.

Since I am a loyal American, I am not supposed to tell you why this has taken place, but then it is not usual for us to examine why anything happens; we simply accuse others of motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint session of Congress where he shared with them—as well as with the rest of us somewhere over the Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, our freedom to vote and assemble and disagree with each other.” At this plangent moment what American’s gorge did not rise like a Florida chad to the bait?

Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!

At the time, I was in the middle of writing my novel and could barely find a spare moment to write a paragraph. I used that time to lock myself away and wrote three chapters that weekend. But what stood out the most was listening to Mvula's Father, Father while crafting the scene in which Pam Allen reaches her breaking point and doesn't know if she can handle the possibility of raising another child alone. The song's arrangement was so beautiful and haunting and evoked the right amount of sadness to help me write the emotional scene.

{Letter from Debbs to Eva Ingersoll, husband of Robert Ingersoll, just after the news of Robert's death} We were inexpressibly shocked to hear of the sudden death of your dear husband and our best loved friend. Most tenderly do we sympathize with you, and all of yours in your great bereavement... Gifted with the rarest genius, in beautiful alliance with his heroism, his kindness and boundless love, he made the name of Ingersoll immortal. To me, he was an older brother and as I loved him living, so will I cherish his sweet memory forever.

We must bear in mind, however sadly, that psychopathology is no longer the exclusive preserve of the degenerate and perverse. The Congo, Vietnam, Biafra -these are games that anyone can play. Their violence, and all violence for that matter, reflects the neutral exploration of sensation that is taking place now, within sex as elsewere (...). Were all this leads one can only speculate (...). What will follow is the psychopathology of sex, relationships so lunar and abstract that people will become mere extensions of the geometries of situations.

When we arrive on our floor we head to our rooms, politely bidding each other goodnight. Just as I am about to enter mine, I remember I have his jacket. I can use this to have just one more moment with him tonight. I knock on his door, his lips slightly open when he sees me on the other side. “You forgot your jacket.” It is still on my shoulders. I turn around to offer it up to him. “Thank you Shy,” As he says this he takes both of his hands, grabbing each shoulder of the jacket and oh so slowly pulls it off of me, grazing my bare arms and back as he pulls it off. I close my eyes taking in his touch. Each caress of his fingertips feels like one thousand little sparks. How can just the faintest touch from this man set me off like this? Please kiss me. Kiss my neck. I won’t say no. I hold my position for a second more than I should, but it feels so tortuously long. There is nothing, not another touch, not a kiss. I turn to face him again and bid him goodnight. His face looks sad, almost guilty. Every word, every touch, every action tonight was an implication. This keeps us safe from one another. It keeps me safe from him. “Goodnight Shy,” he says as if dismissing me from his presence. “Goodnight Taylor.

A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake. Perhaps the recent incidents represented a last attempt by Wilder and the airline pilots to rebel against this unfolding logic? Sadly, they had little chance of success, precisely because their opponents were people who were content with their lives in the high-rise, who felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and data-processing organizations, and if anything welcomed these invisible intrusions, using them for their own purposes. These people were the first to master a new kind of late twentieth-century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed. Alternatively,

The point is, you are most you, at your best, when you create the roles that make you feel most alive: witty, lyrical, speculative, loving, but also, and here’s the rub, cynical, sarcastic, angry, muddled, sad—for negative states can be just as vital as positive ones. Fullness is the goal, myriad-mindedness (a happy phrase Coleridge conjured to describe Shakespeare): to be as varied and capacious as the cosmos. With this bigness, containing the most sublime and the low at once, you can hope that generosity will win out over the meanness, that you will foster the democratic, merciful embrace of what is as well as what ought to be. The best actor, Hamlet asserts, uses all gently.

HERE IS A LIST of foods we discovered in America: Peanut butter. Marshmallows. Barbecue sauce. (You can say, “Can I have BBQ?” to a kid’s mom at potlucks and they’ll know what you mean.) Puppy chow. (Chex cereal covered in melted chocolate and peanut butter and tossed in powdered sugar. They only give it if you win a Valentine friend.) Corn-chip pie (not a pie). (Chili on top of corn chips with cheese and sour cream (not sour).) Some mores. (They say it super fast like s’mores.) Banana puddin. (They don’t say the g. Sometimes they don’t even say the b.) Here is a list of the foods from Iran that they have never heard of here: All of it. All the food. Jared Rhodes didn’t even know what a date was.

The Hitler War was my grandfather’s war; my father’s war – his and Uncle George’s – was Korea, which may have been just as well: George is famous for, amongst other superbly unselfconscious comments, his observation that France is a surprisingly nice bit of country, and the French, more agreeable than is commonly supposed, but the food, sadly, very French.

Believe me, I'd like to listen, but it doesn't work, because if I'm quiet and serious, everyone thinks I'm putting on a new act and I have to save myself with a joke, and then I'm not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can't keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside g out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I'd like to be and what I could be if… if only there were no other people in the world.

It's specifically this Z = 2^(Aleph0) that he couldn't prove. Ever. Despite years of unimaginable doodling. Whether it's what unhinged him or not is an unanswerable question, but it is true that his inability to prove the C.H. caused Cantor pain for the rest of his life; he considered it his great failure. This too, in hindsight, is sad, because professional mathematicians now know exactly why G. Cantor could neither prove nor disprove the C.H. The reasons are deep and important and go corrosively to the root of axiomatic set theory's formal Consistency, in rather the same way that K. Godel's Incompleteness proofs deracinate all math as a formal system. Once again, the issues here can be only sketched or synopsized (although this time Godel is directly involved, so the whole thing is probably fleshed out in the Great Discoveries Series' Godel booklet).

In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All

Ideally, work is consecrated. It is something that happens within the present moment . . . Ideally, work is just another beautiful form of joining the cosmic sparkle. But this is an ideal. . . . I worked as a psychiatrist in public institutions . . . for nearly 20 years. During the last 12 of those years, I was consciously trying to be mindful of love, to practice the presence of God. It was the most frustrating thing I ever tried to do. . . . as soon as I entered the ward everything changed. I was immediately kidnapped. I was gone: away from the present, away from any sense of love or its source, away from even appreciating my own being. . . Looking back, it seems clear that I went into my sense of responsibility for the diagnosis and care of the patients. . . . And there was so much paperwork! Most days I would remain forgetful until my work was done and I was driving home. Then I would remember, and such sadness would fill me. Where had I been? How could I have allowed myself to be so captured? I can remember driving home one day after I had spent a long time feeling helpless with a very disturbed patient. I actually slapped myself in the face when I realized I could have been praying for her and praying for myself instead of just worrying about what to do. I tried everything . . . and still it did not “work”. . . . It stopped only when I left the psychiatric institutions and started working full-time with Shalem. . . . I go into this detail because what I am saying does not apply only to psychiatric institutions. It applies, to some extent, to almost every institution we have. It applies to education and social work, to government and business, and to religious institutions as well. People are stuck in all these places, and they can neither get out of them nor find a loving quality of presence within them. Love demands defenselessness, and in many if not most of our workplaces that is just too high a price.

The Communist world, it may be noted, has one big myth (which we call an illusion, in the vein hope that our superior judgment will make it disappear). It is the time-hallowed archetypal dream of a Golden Age (or Paradise), where everything is provided in abundance for everyone, and a great, just, and wise chief rules over a human kindergarten. This powerful archetype in its infantile form has gripped them, but it will never disappear from the world at the mere sight of our superior point of view. We even support it by our own childishness, for our Western Civilization is in the grip of the same mythology. Unconsciously, we cherish the same prejudices, hopes, and expectations. We too believe in the welfare state, in universal peace, in the equality of man, in his eternal human rights, in Justice, truth, and (do not say it too loudly) in the Kingdom of God on Earth... the sad truth is that man's real life consists of a complex of inexorable opposites-- day and night, birth and death, happiness and misery, good and evil. We are not even sure that the one will prevail against the other, that good will overcome evil, or Joy defeat pain. Life is a battleground. It always has been, and always will be; and if it were not so, existence would come to an end.

It’s hard to get good answers to why most Young Voters are so uninterested in politics. This is probably because it’s next to impossible to get someone to think hard about why he’s not interested in something. The boredom itself preempts inquiry; the fact of the feeling’s enough. Surely one reason, though, is that politics is not cool. Or say rather that cool, interesting, alive people do not seem to be the ones who are drawn to the Political Process. Think back to the sort of kids in high school or college who were into running for student office: dweeby, overgroomed, obsequious to authority, ambitious in a sad way. Eager to play the Game. The kind of kids other kids would want to beat up if it didn’t seem so pointless and dull. And now consider some of 2000’s adult versions of these very same kids: Al Gore, best described by CNN sound tech Mark A. as “amazingly lifelike”; Steve Forbes with his wet forehead and loony giggle; G. Bush2’s patrician smirk and mangled cant; even Clinton himself with his big red fake-friendly face and “I feel your pain.” Men who aren’t enough like human beings even to dislike—what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is so often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It’s way easier to roll your eyes and not give a shit. You probably don’t want to hear about all this, even.

How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!

One could not imagine a process more open to the elephantine logic of the Bible-smasher than this: that the sun should be created after the sunlight. The conception that lies at the back of the phrase is indeed profoundly antagonistic to much of the modern point of view. To many modern people it would sound like saying that foliage existed before the first leaf ; it would sound like saying that childhood existed before a baby was born. The idea is, as I have said, alien to most modern thought, and like many other ideas which are alien to most modern thought, it is a very subtle and a very sound idea. Whatever be the meaning of the passage in the actual primeval poem, there is a very real metaphysical meaning in the idea that light existed before the sun and stars. It is not barbaric; it is rather Platonic. The idea existed before any of the machinery which made manifest the idea. Justice existed when there was no need of judges, and mercy existed before any man was oppressed. The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists, as the mother can love the unborn child. In creative art the essence of a book exists before the book or before even the details or main features of the book; the author enjoys it and lives in it with a kind of prophetic rapture. He wishes to write a comic story before he has thought of a single comic incident. He desires to write a sad story before he has thought of  anything sad. He knows the atmosphere before he knows anything. There is a low priggish maxim sometimes uttered by men so frivolous as to take humour seriously a maxim that a man should not laugh at his own jokes. But the great artist not only laughs at his own jokes; he laughs at his own jokes before he has made them.