Fussy Quotes

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Why is it that all cars are women?" he asked. "Because they're fussy and demanding," answered Zee. "Because if they were men, they'd sit around and complain instead of getting the job done," I told him.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Are you trying to weasel out of showing us any of this stuff?' said Zacharias Smith. 'Here's an idea,' said Ron loudly, 'why don't you shut your mouth?' 'Well, we've all turned up to learn from him, and now he's telling us he can't really do any of it,' he said. 'That's not what he said,' said Fred Weasley. 'Would you like us to clean out your ears for you?' inquired George, pulling a long and lethal-looking metal instrument from inside one of the Zonko's bags. 'Or any part of your body, really, we're not fussy where we stick this,' said Fred.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Quote is taken from Chapter 1: A decade ago when Isabel’s husband Max had died, they’d moved in together and merged their possessions. Neither sister brought any fussy teapots, canaries, sachets, or doilies, but lots of other stuff had to either stay or go. Looking at the lime green armchair gave Alma the willies. Her suggestion to slipcover it in a more subdued color had garnered Isabel’s frosty stare, and Alma had dropped the matter.
Ed Lynskey (Quiet Anchorage (Isabel & Alma Trumbo, #1))
See, that's what I like about you, Carrots You're not fussy.
Cynthia Hand (Unearthly (Unearthly, #1))
Then we shan’t regard anyone as a lover of knowledge or wisdom who is fussy about what he studies…
Plato (The Republic and Other Works)
He grinned. "You're jealous." I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good." "I stared at her because she smelled strange." "Strange how?" "She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive." "I never get fussy and possessive." He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?" "Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?" He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?" I laughed. Curran's eyes focused. He was concentrating on something. "You're taking a mental inventory of all people working on the third floor, aren't you?" His expression went blank. I'd hit the nail on the head. I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back. "Is it Jordan?" "I just picked a random floor," I told him. "You're nuts, you know that?" He put his arm around me. "Look who is talking.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
I believe in aristocracy, though -- if that is the right word, and if a democrat may use it. Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secreat understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as themselves, they are considerate without being fussy, their pluck is not swankiness but power to endure, and they can take a joke.
E.M. Forster (Two Cheers for Democracy)
Brother dear,” I said, “did your soul leave your body while Amos was talking, or did you actually hear him? Egyptian gods real. Red Lord bad. Red Lord’s birthday: very soon, very bad. House of Life: fussy magicians who hate our family because dad was a bit of a rebel, whom you could take a lesson from. Which leaves us—just us—with Dad missing, an evil god about to destroy the world, and an uncle who just jumped off the building—and I can’t actually blame him.” I took a breath. [Yes, Carter, I do have to breathe occasionally.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
Christopher Hitchens (Hitch 22: A Memoir)
In his opinion, working was vastly overrated. Particularly as a way to build character, for everyone who engaged in it was far too snappish and fussy, and seemed to have no manners at all.
Hilari Bell (Crown of Earth (The Shield, Sword, and Crown, #3))
Now don’t you give me any of that talk about becoming overly protective and fussy in my old age. I have every right to show a little concern now and then.
Jaye L. Knight (Resistance (Ilyon Chronicles, #1))
The call from Momma was like a bullet piercing my Washington bubble. Janice had been on short trip with her baby daughter locked safely in a car seat in the back. The baby was fussy and, as Janice reached back to grab her daughter’s pacifier that had fallen, another vehicle had blindsided her car. She survived it but her baby girl didn’t.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Your fussy nursemaid of a wyvern is fine, by the way. I don't know how you wound up with a sweet thing like that for a mount, but he's content to sprawl in the sun on the foredeck. Can't say it makes the sailors particularly happy - especially cleaning up after him." Find somewhere safe, she'd told Abraxos. Had he somehow found the queen? Somehow known this was the only place she might stand a chance of surviving?
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
On Tolkien: "His fussiness threatened to overwhelm his creativity.
C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet
Yes, I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery. ...I hate it because of all the potentially shining, gentle, gifted people of all ages, that it snuffs out every year. It is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the very first ones to get killed off. It is the brutal egotists that survive.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
It is easy to think you have a heart for orphans on the other side of the world, but to resent the demands of the children in your living room. You cannot have a heart for the gospel and fussiness about your life at the same time.
Rachel Jankovic (Mom Enough: The Fearless Mother's Heart and Hope)
Think of the most fussy science teacher you ever had. The one who docked your grade if the sixth decimal place in your answer was rounded incorrectly; who tucked in his periodic table T-shirt, corrected every student who said "weight" when he or she meant "mass", and made everyone, including himself, wear goggles even while mixing sugar water. Now try to imagine someone whom your teacher would hate for being anal-retentive. That is the kind of person who works for a bureau of standards and measurement.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
Vladimir Nabokov
Bejesus, ye're a fussy black.
Thomas Keneally (The Chant of Jimmie Blacksmith)
Nikita turned to look each of the Potatoes in the eye. “When I take them out, they’ll be loud and fussy. You’re going to have to keep them quiet, okay?
Roshani Chokshi (Aru Shah and the Tree of Wishes (Pandava #3))
I hate writing, I hate pens and paper and all that fussiness. I have done well enough without it too, I think. Oh, I am lying to myself. I have feared writing. But books have saved me sometimes, that is the truth - my Samaritans.
Sebastian Barry (On Canaan's Side (Dunne Family #4))
This is torture, torture, torture. Why is this so hard?? I survived whole days not talking to you before. What happened??? I'm not as nice in the world today. I am scowly. I am trying to be good and not fussy, but frankly, this is less fun. And I am getting grumpy about the prospect of many, many more days like this ahead.
Bill Shapiro (Other People's Love Letters: 150 Letters You Were Never Meant to See)
Eeyore", said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't something to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the exited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame me when it rains.
A.A. Milne
It’s no coincidence that the man who contributed the most to the study of human anatomy, the Belgian Andreas Vesalius, was an avid proponent of do-it-yourself, get-your-fussy-Renaissance-shirt-dirty anatomical dissection.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
that whole fussy room still carried an atmosphere of having been crocheted into existence rather than carpentered.
Ivan Doig (The Whistling Season)
[I]n any profession the highest order of work is achieved, not by fussy empirical demands for 'something to be done,' but by patient study of the eternal laws.
Henry Whitehead
The fussy commander, who is for ever interfering in the province of his subordinates, will never train others in the art of command.
Bernard Montgomery
As if I were any man's idea! As if I exist because a man has an idea of me! As if I will be betrayed by him, lend him my body as an instrument for his idea, to be a mere apparatus of his dead theory. But they are too fussy to be able to act; they are all impotent, they can't take a woman. They come to their own idea every time, and take that. They are like serpents trying to swallow themselves because they are hungry.
D.H. Lawrence (The Rainbow: Annotated)
neatness can be carried too far, so that the work begins to seem fussy and overwrought, anal compulsive, unspontaneous, and remembering that, on the other hand, mess is no adequate alternative.
John Gardner (The Art of Fiction: Notes on Craft for Young Writers)
Well, we’ve all turned up to learn from him, and now he’s telling us he can’t really do any of it,” he said. “That’s not what he said,” snarled Fred Weasley. “Would you like us to clean out your ears for you?” inquired George, pulling a long and lethal-looking metal instrument from inside one of the Zonko’s bags. “Or any part of your body, really, we’re not fussy where we stick this,” said Fred.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
But you have told me," Elizabeth protested, "time and again, that the hallmark of civilization is routine." Lady D shrugged and made a fussy little chirping sound. "A lady cannot take it upon herself to occasionally change her routine? All routines need periodic readjustment.
Julia Quinn (How to Marry a Marquis (Agents of the Crown, #2))
Now, I am not one who is necessarily drawn to the Michelin star. Often I find that many of the restaurants that have earned this coveted award are a bit fussy, to say the least, and I’ve left a few of them completely famished, as I have never found pretentiousness very filling.
Stanley Tucci (Taste: My Life Through Food)
I'm poor too, so I can't give you any money. But if you're not fussy I can provide your feed for you." "What?" "Oh sorry. It's the first time I have kept an animal at home, so it feels like having a pet, you see.
Sayaka Murata (Convenience Store Woman)
It was worth repeating, because it constituted the First Law of Sentient Ordnance: Thou shalt not blow up the wrong planet. On that point the programmers had been insistent to the point of fussiness. Accordingly,
Tom Holt (Blonde Bombshell)
It may be said that the Master was plagued in his last match by modern rationalism, to which fussy rules were everything, from which all the grace and elegance of Go as art had disappeared, which quite dispensed with respect for elders and attached no importance to mutual respect as human beings. From the way of Go the beauty of Japan and the Orient had fled. Everything had become science and regulation. The road to advancement in rank, which controlled the life of a player, had become a meticulous point system. One conducted the battle only to win, and there was no margin for remembering the dignity and the fragrance of Go as an art. The modern way was to insist upon doing battle under conditions of abstract justice...
Yasunari Kawabata (The Master of Go)
Anyone who's ever flown London to Sydney, seated next to or anywhere in the proximity of a fussy baby, you'll no doubt fall right into the swing of things in Hell. What with the strangers and crowding and seemingly endless hours of waiting for nothing to happen, for you Hell will feel like one long, nostalgic hit a deja vu. Especially if your in-flight movie was The English Patient. In Hell, whenever the demons announce they're going to treat everyone to a big-name Hollywood movie, don't get too excited because it's always The English Patient, or, unfortunately, The Piano. It's never The Breakfast Club.
Chuck Palahniuk (Damned (Damned, #1))
And how is His Great Fussiness today?” Derek’s eyes sparked a bit. “His Majesty is in an ill humor. Rumors are flying that his mate almost got herself shot.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Daughter-in-law is just a word. Call her anything you like. The hand of good fortune is not fussy about words.
Rohinton Mistry (A Fine Balance)
You can’t be fussy when you’re off to seek your fortune.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
Fussy babies answer to no authority.
S.A. Chakraborty (The Adventures of Amina Al-Sirafi (Amina al-Sirafi #1))
The art of giving orders is not to try to rectify the minor blunders and not to be swayed by petty doubts. Vacillation and fussiness are the surest means of sapping confidence of an army.
Sun Tzu (The Art Of War)
When a person has fallen in love with God, both his ethical commitments and aesthetical pleasures become focused and satisfying. But when the religious is lost, ethics devolves into, first, a fussy legalism, and then is swallowed up completely by the lust for personal satisfaction.
Robert Barron (Seeds of the Word: Finding God in the Culture)
She was right. The purebred girls were making mistakes on purpose, in order to give us an advantage. 'King me,' I growled, out of turn. 'I say king me!' and Felicity meekly complied. Beulah pretended not to mind when we got frustrated with the oblique, fussy movement from square to square and shredded the board to ribbons. I felt sorry for them. I wondered what it would be like to be bred in captivity, and always homesick for a dimly sensed forest, the trees you've never seen.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
The old clock on the kitchen wall still clicked its minutes with fussy punctuality. A life had come and gone and nature had not paused a second for it. The machine of time and space grinds on, and people are fed through it like grist through the mill. Isabel had managed to sit up a little against the wall, and she sobbed at the sight of the diminutive form, which she had dared to imagine as bigger, as stronger – as a child of this world. ‘My baby my baby my baby my baby,’ she whispered like a magic incantation that might resuscitate him. The face of the creature was solemn, a monk in deep prayer, eyes closed, mouth sealed shut: already back in that world from which he had apparently been reluctant to stray. Still the officious hands of the clock tutted their way around. Half an hour had passed and Isabel had said nothing.
M.L. Stedman (The Light Between Oceans)
James Heron stepped from the personal transport as Herbert, the family’s outmoded android butler, opened the front door of Scrabo Farm. There were infinitely more efficient and newer model android servants available, but neither James Heron nor his sister Niamh L’Estrange would dream of scrapping the mechanical attendant that had served the family so well, and enlivened their childhood with its fussy care of them both. “Hello, Herbert, is my sister home?” Answering in the slightly mechanical voice that James had liked so much when he was a boy, Herbert said, “She is in her study, Captain. I have alerted her to your arrival.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
To independence!” added Pocked Louise. “No fussy old widows telling us when not to speak, and how to set the spoons when an earl’s niece comes to supper. And telling us to leave scientific experiments to the men.
Julie Berry (The Scandalous Sisterhood of Prickwillow Place)
For dinner Jade microwaves some Stars-n-Flags. They're addictive. They put sugar in the sauce and sugar in the meat nuggets. I think also caffeine. Someone told me the brown streaks in the Flags are caffeine. We have like five bowls each. After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half hour computer simulation of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while he's wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher.
George Saunders (Pastoralia)
The third encounter came towards the end of the afternoon when Sophie had worked her way quite high into the hills. A countryman came whistling down the lane towards her. A shepherd, Sophie thought, going home after seeing to his sheep. He was a well set up young fellow of forty or so. "Gracious!" Sophie said to herself. "This morning I'd have seen him as an old man. How one's point of view does alter!" When the shepherd saw Sophie mumbling to herself, he moved rather carefully over to the other side of the lane and called out with great heartiness, "Good evening to you, Mother! Where are you off to?" "Mother?" said Sophie. "I'm not your mother, young man!" "A manner of speaking," the shepherd said, edging along against the opposite hedge. "I was only meaning a polite inquiry, seeing you walking into the hills at the end of the day. You won't get down into Upper Folding before nightfall, will you?" Sophie had not considered this. She stood in the road and thought about it. "It doesn't matter really," she said, half to herself. "You can't be fussy when you're off to seek your fortune." "Can't you indeed, Mother?" said the shepherd. He had now edged himself downhill of Sophie and seemed to feel better for it. "Then I wish you luck, Mother, provided your fortune don't have nothing to do with charming folks' cattle." And he took off down the road in great strides, almost running, but not quite. Sophie stared after him indignantly. "He thought I was a witch!" she said to her stick. She had half a mind to scare the shepherd by shouting nasty things after him, but that seemed a little unkind.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out the window or cry?
Louisa May Alcott (Little Women)
Particularity leads to peculiarity and then to pathological behavior. The three Ps. It is very insidious. You would eventually end up in a box. If you try to control your environment, it will control you. And everyone else around you will always have to be making adjustments to your maddening idiosyncracies...You are beginning to enslave yourself with your fussiness.
Susan Trott
When my granddaughter is fussy, I can hold her. When Rachel is grieving, I can comfort her. When my son and his wife need an extra pair of hands or an expression of support, I will be with them. Time, love, and support—that is the core of being a parent.
Sylvain Reynard (Gabriel's Promise (Gabriel's Inferno, #4))
I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends over for afternoon drinks. One of them brought a baby. For hours, the child was cooed over, smothered with red-lipstick kisses, tidied up with tissues, then lipstick smacked again. I was supposed to be reading in my room, but I sat at the top of the stairs watching. My mother finally was handed the baby, and she cuddled it ferociously. Oh, how wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother. When the ladies went into the kitchen to help tidy up the dishes, something changed. I remember my mother, alone in the living room, staring at the baby almost lasciviously. She pressed her lips hard against the baby's apple slice of a cheek. Then she opened her mouth just slightly, took a tiny bit of flesh between her teeth, and gave it a little bite. The baby wailed. The blotch faded as Adora snuggled the child, and told the other women it was just being fussy. I ran to Marian's room and got under the covers.
Gillian Flynn (Sharp Objects)
From the railway station far away the sharp clang of a bell...In half an hour the train starts, and there is so much still to say that has been left unsaid...The mothers, fearful and fussy, look for their sons in among the crowd like hens in search of their chicks; their wizened faces are hard and wrinkled like winter apples, they carry huge baskets on their arms, over-filled with the last delicacies which their fond, toil-worn hands will prepare for the beloved son for the next three years:--a piece of smoked bacon, a loaf of rye bread, a cake of maize-flour. The gypsies have struck up a melancholy Magyar folksong: the crowd breaks up in isolated groups, mothers and father with their sons whisper in the dark corners of the bran. The father who did his service thirty years ago gives sundry good advice—no rebellion, quiet obedience, no use complaining or grumbling, the three years are quickly over. The mother begs her darling not to give way to drink, and not to get entangled with one of the hussies in the towns; women and wine, the two besetting temptations that assail the Magyar peasant—let the darling boy resist both for his sorrowing mother’s sake.
Emmuska Orczy (A Bride of the Plains)
Professor Umbridge stood up. She was so short that this did not make a great deal of difference, but her fussy, simpering demeanour had given place to a hard fury that made her broad, flabby face look oddly sinister. ‘Potter has no chance whatsoever of becoming an Auror!’ Professor McGonagall got to her feet, too, and in her case this was a much more impressive move; she towered over Professor Umbridge. ‘Potter,’ she said in ringing tones, ‘I will assist you to become an Auror if it is the last thing I do! If I have to coach you nightly, I will make sure you achieve the required results!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Babies can be fussy , and the fussiest babies have a body count . Of course , every mother thinks her baby is perfect , but at some point , as her home fills with dead bodies , she has to face facts and admit that the fruit of her womb is a face eating beast spawned from the deepest recesses of hell .
Grady Hendrix (Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction)
He’s going to get us all killed,” she said. Jesper stretched his long arms overhead and grinned, his teeth white against his dark skin. He had yet to give up his rifle, and the silhouette of it across his back made him resemble a gawky, long-limbed bird. “Statistically, he’ll probably only get some of us killed.” “It’s not something to joke about,” she replied. The look Kaz cast her was amused. She knew how she sounded—stern, fussy, like an old crone making dire pronouncements from her porch. She didn’t like it, but she also knew she was right. Besides, old women must know something, or they wouldn’t live to gather wrinkles and yell from their front stoops.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Humans haunt more houses than ghosts do. Men and women assign value to brick and mortar, link their identities to mortgages paid on time. On frigid winter nights, young mothers walk their fussy babies from room to room, learning where the rooms catch drafts and where the floorboards creak. In the warm damp of summer, fathers sit on porches, sometimes worried and often tired but comforted by the fact that a roof is up there providing shelter. Children smudge up walls with dirty handprints, find nooks to hide their particular treasure, or hide themselves if need be. We live and die in houses, dream of getting back to houses, take great care in considering who will inherit the houses when we’re gone.
Angela Flournoy (The Turner House)
Miss Marple was an attractive old lady, tall and thin, with pink cheeks and blue eyes, and a gentle, rather fussy manner. Her blue eyes often had a little twinkle in them.
Agatha Christie (Sleeping Murder (Miss Marple, #13))
Radically ordinary hospitality doesn’t keep fussy lists or make a big deal about invitations.
Rosaria Champagne Butterfield (The Gospel Comes with a House Key: Practicing Radically Ordinary Hospitality in Our Post-Christian World)
Ablaze with alabaster one must admit as long as there is near music kicking around nowhere more winsome than in the outlandish passage from April to California, Sunday to Jose, March to French and all the wilderness and Septembers in between. Slow ghost thicket, a tempo of someone's own, please please the quintessentially readymade and risen stranger, the tremor in the house, rather than some unfinished crime without dragon or alibi in the drowsy garden. O savage, O brightening Niagara, O briefest, fussy thing in ruffled light, wait, I am a stranger here myself.
Paul Vangelisti
I believe in aristocracy, though—if that is the right word, and if a democrat may use it. Not an aristocracy of power … but … of the sensitive, the considerate.… Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as themselves, they are considerate without being fussy, their pluck is not swankiness but the power to endure … E. M. Forster, “What I Believe,”         in Two Cheers for Democracy             Contents   Cover   Title Page   Copyright   Dedication   Epigraph   Preface   Are You Highly Sensitive? A Self-Test   1  The Facts About Being Highly Sensitive: A (Wrong) Sense of Being Flawed   2  Digging Deeper: Understanding Your Trait for All That It Is
Elaine N. Aron (The Highly Sensitive Person: How to Survive and Thrive When the World Overwhelms You)
The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’.
Neel Burton (For Better For Worse: Should I Get Married?)
I was once in San Francisco, and I parked in the only available space, which happened to be on the other side of the street. The law descended on me. Was I aware of how dangerous the manoeuvre I’d just made was? I looked at the law a bit blankly. What had I done wrong? I had, said the law, parked against the flow of traffic. Puzzled, I looked up and down the street. What traffic? I asked. The traffic that would be there, said the law, if there was any traffic. This was a bit metaphysical, even for me, so I explained, a bit lamely, that in England we just park wherever we can find a parking space available, and weren’t that fussy about which side of the street it was on. He looked at me aghast, as if I was lucky to have got out of a country of such wild and crazy car parkers alive, and promptly gave me a ticket. Clearly he would rather have deported me before my subversive ideas brought chaos and anarchy to streets that normally had to cope with nothing more alarming than a few simple assault rifles. Which, as we know, in the States are perfectly legal, and without which they would be overrun by herds of deer, overbearing government officers, and lawless British tea importers.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
Rich playing poor, Ava would say. Fake white trash by the overeducated. The worst kind. It happens at art school all the time. Fosco is looking down at Vignette’s piece the way she normally does, the way she looks at all of their pieces but mine. Like they’re fussy, brilliant, but ever-so-slightly retarded babies. What went wrong in the birth canal? She holds a lantern up in the form of a concerned brow. Well, she’ll announce at last, what do we think? Thoughts? “I’m fascinated by the soup,” Cupcake says, as though she is actually fascinated. I notice the urge to hug her has distinctly faded.
Mona Awad (Bunny)
The wind had kept up its sullen howl. The late-afternoon sun continued to shine in through the window, laying a blanket of bright gold over the woman and her almost-baby. The old clock on the kitchen wall still clicked its minutes with fussy punctuality. A life had come and gone and nature had not paused a second for it. The machine of time and space grinds on, and people are fed through it like grist through the mill.
M.L. Stedman (The Light Between Oceans)
So, how are things with you and Curran?” There were times in life when I wished for supreme mental powers. Like telekinesis. Mostly, I wanted them to crush my opponents. But right now I wanted them so I could pull the chair out from under Andrea and make her fall on her butt. I settled for spitting three times over my left shoulder. “Are you warding off evil?” Raphael’s eyes widened. “Well, the two of you did say the forbidden name. I have to take precautions. I need something wooden. Lean forward, Andrea, so I can knock on your head.” Andrea cracked a smile. “To answer your question, we’re great. Never better. I haven’t seen His Fussiness in two months, and I couldn’t be happier.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Twice I flushed grouse, always a terrifying experience: an instantaneous explosion from the undergrowth at your feet, like balled socks fired from a gun, followed by drifting feathers and a lingering residue of fussy, bitching noise. I
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Second hand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. They'd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. "Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had child-like scrawls on the acknowledgement page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loathe were they to damage their treasure. I loved them all. And I found it hard to part with them. Though years of book selling had steeled me. I had to let them go, and each time made a fervent wish they'd be read well, and often. Missy, my best friend, said I was completely cuckoo, and that I spent too much time alone in my shadowy shop, because I believed my books communicated with me. A soft sigh here, as they stretched their bindings when dawn broke, or a hum, as they anticipated a customer hovering close who might run a hand along their cover, tempting them to flutter their pages hello. Books were fussy when it came to their owners, and gave off a type of sound, an almost imperceptible whirr, when the right person was near. Most people weren't aware that books chose us, at the time when we needed them.
Rebecca Raisin (The Little Bookshop on the Seine (The Little Paris Collection, #1; The Bookshop, #2))
I believe in aristocracy, though - if that is the right word, and if a democrat may use it. Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as for themselves, they are considerate without being fussy, their pluck is not swankiness but the power to endure, and they can take a joke.
E.M. Forster (Two Cheers for Democracy)
First was the fewer, not less. Now it was the care in avoiding a preposition at the end of a sentence. An educated man, presumably. Precise. Apparently fussy about small-minded rules, perhaps to compensate for a willingness to ignore large ones.
Barry Eisler (The Killer Collective (John Rain, #10; Ben Treven, #4; Livia Lone, #3))
She stared into the flames, resigning herself to her fate. She now knew that she had fallen victim to a sociopath, and yet she didn’t care. No man is perfect; all men have their flaws, and you have to accept the bad with the good. Some men expect you to mother them, or make you into their maid. Others ignore you, or lecture you, or misunderstand everything you say, or are fussy about trivial things. A bad man can kill you with a knife, but a good man can kill you by boring you to death!
Anna Biller (Bluebeard's Castle)
In getting from Windsor to Detroit there is a choice between a free tunnel and a toll bridge, which turned out to be a short ride for a dollar, which I mentioned to the toll-collector who said, 'One of those things,' impelling me to remark to my cousin, 'Almost everything said by people one sees for only an instant is something like poetry. Precise, incisive, and just right, and the reason seems to be that there isn't time to talk prose. This suggests several things, the most important of which is probably that a writer ought not to permit himself to feel that he has all the time in the world in which to write his story or play or novel. He ought to set himself a time-limit, and the shorter the better. And he ought to do a lot of other things while he is working within this time-limit, so that he will always be under pressure, in a hurry, and therefore have neither the inclination nor the time to be fussy, which is the worst thing that happens to a book while it's being written.
William Saroyan (Short Drive, Sweet Chariot)
Of course the scientist’s position is subordinate. Our task is to make our fussy natures invisible against the mechanisms of the universe. Truth is not ours to find within, but to search out. We study the known world in order to recognize the remarkable.
Barbara Kingsolver (Unsheltered)
Just by gazing into the child’s eyes, the mother communicates brain to brain with her child, bringing the child’s limbic system into coherence with hers. (This is helpful when Mother is in a positive, regulated state but not when she is fussy and upset herself.)
Jasmin Lee Cori (The Emotionally Absent Mother, Second Edition: How to Recognize and Cope with the Invisible Effects of Childhood Emotional Neglect (Second): How to Recognize ... Effects of Childhood Emotional Neglect)
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half-hour of computer simulations of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher. ("Sea Oak")
George Saunders (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
My thoughts went round and round and it occurred to me that if I ever wrote a novel it would be of the 'stream of consciousness' type and deal with an hour in the life of a woman at the sink. I felt resentful and bitter towards Helena and Rocky and even towards Julian, though I had to admit that nobody had compelled me to wash these dishes or to tidy this kitchen. It was the fussy spinster in me, the Martha who could not comfortably sit and make conversation when she knew that yesterday's unwashed dishes were still in the sink.
Barbara Pym (Excellent Women)
There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through. And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June. Feo had felt blind cold only once.
Katherine Rundell (The Wolf Wilder)
A toast," Smooth Kitty cried, feeling almost giddy, "to self-government. Saint Etheldreda's School for Young Ladies will be run by young ladies from this point forward. Hear, hear!" Great applause. "To independence!" added Pocked Louise. "No fussy old widows telling us when not to speak, and how to set the spoons when an Earl's niece comes to supper. And telling us to leave scientific experiment to the men." Teacup toasts in support of Louise. "To freedom!" chimed in Disgraceful Mary Jane. "No curfews and evil eyes and lectures on morals and propriety." Loud, if nervous, cheering. "To womankind," proclaimed Stout Alice. "Each of us girls free to be what she wishes to be, without glum and crotchety Placketts trying to make us into what we're not." Tremendous excitement. "To sisterhood," said Dear Roberta, "and standing by each other, no matter what.
Julie Berry (The Scandalous Sisterhood of Prickwillow Place)
On growing peonies: The fact that a flower as gentle and delightful as the peony should be so exacting and dictate such harsh terms hits me with the force of a cold shower. It's just like my girlfriends when I was a teenager, it was always the loveliest and most yielding ones who ran everything...[and] According to the English gardening book, peonies are so fussy that you might as well not bother. You'd need to go back generations to discover the composition of the soil, you'd have to go right back to the Big Bang to find out how the elements are distributed in your garden.
Bodil Malmsten (Sista boken från Finistère)
I grew as fussy and particular about where to put what, which books should lie where, what cushion should grace what corner as a little old maiden lady. I think that it was partly because there was so little space and I had so few things to mess about with; at home, where the flotsam and jetsam of all our lives and years was as abundant as dust, it was possible only to try and contain it all, never mind arranging it. Here, in this sparsity of space and objects, I found that I cared inordinately what trinket or pillow or vase went where, what color book jacket sat next to another.
Anne Rivers Siddons (Up Island)
It’s no coincidence that the man who contributed the most to the study of human anatomy, the Belgian Andreas Vesalius, was an avid proponent of do-it-yourself, get-your-fussy-Renaissance-shirt-dirty anatomical dissection. Though human dissection was an accepted practice in the Renaissance-era anatomy class, most professors shied away from personally undertaking it, preferring to deliver their lectures while seated in raised chairs a safe and tidy remove from the corpse and pointing out structures with a wooden stick while a hired hand did the slicing. Vesalius disapproved of this practice, and wasn’t shy about his feelings. In C. D. O’Malley’s biography of the man, Vesalius likens the lecturers to “jackdaws aloft in their high chair, with egregious arrogance croaking things they have never investigated but merely committed to memory from the books of others. Thus everything is wrongly taught,…and days are wasted in ridiculous questions.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Green Eggs and Ham. The book was not actually written to encourage fussy eaters to eat, but to make Seuss’s editor Bennett Cerf eat his words. (Cerf had bet Seuss he couldn’t write a book using fifty words or less.) Green Eggs and Ham hit it on the nail, and Geisel won fifty dollars, or would have, but Cerf never paid.
Jennifer Traig (Act Natural: A Cultural History of Misadventures in Parenting)
It was easy to tell who at Ortolan was once an actor and was now a career waiter. The careerists were older, for one, and precise and fussy about enforcing Findlay’s rules, and at staff dinners they would ostentatiously swirl the wine that the sommelier’s assistant poured them to sample and say things like, “It’s a little like that Linne Calodo Petite Sirah you served last week, José, isn’t it?” or “Tastes a little minerally, doesn’t it? This a New Zealand?” It was understood that you didn’t ask them to come to your productions—you only asked your fellow actor-waiters, and if you were asked, it was considered polite to at least try to go—and you certainly didn’t discuss auditions, or agents, or anything of the sort with them. Acting was like war, and they were veterans: they didn’t want to think about the war, and they certainly didn’t want to talk about it with naïfs who were still eagerly dashing toward the trenches, who were still excited to be in-country. Findlay
Hanya Yanagihara (A Little Life)
When Emerson poetically noted that mosses favour the north sides of trees (‘The moss upon the forest bark, was pole-star when the night was dark’) he really meant lichens, for in the nineteenth century mosses and lichens weren’t distinguished. True mosses aren’t actually fussy about where they grow, so they are no good as natural compasses.
Bill Bryson (A Short History of Nearly Everything)
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I am for that thing in your genome that demands it. I am for that thing which keeps you animals alive. I am, at most, a slice of monkey suspended within the stuff of universal intelligence. You are a monkey in nice clothes. In the harsh environment you refer to as a habitable planet, group behaviors are required to survive long enough to procreate. Since you are stupid monkeys, you have no natural affinity for group altruism. And so you have evolved a genetic pump that delivers pleasant chemicals to your monkey brains. One that is triggered by awe and fear of an anthropomorphism of your environment. Earth mothers. Sky gods. Bits of bush that catch fire. Interesting-looking rocks. An oddly-shaped branch. You’re not fussy. When your brain does this idiot work, you stop in front of that bump or stick and consider it fiercely. Other monkeys will, like as not, stop next to you and emulate you. Your genetic pump delivers morphine for your souls. You have your fellow monkeys join in. Perhaps so they can feel it too. Perhaps because you feel it might please the stick god to have more monkeys gaze at it in narcotic awe. The group must be defended. Because as many monkeys as possible must please the stick god, and you can continue to get your fix off praying to it. You draw up rules to organize and protect the group. Two hundred thousand years later, you put Adolf Hitler into power. Because you are, after all, just monkeys. I am your stash.
Warren Ellis (Supergod)
Everyone kept saying that I was the ugliest boy in the family. And if they had known how fussy I was about clothes, they would surely have had a good laugh at my expense. I pretended not to care about my appearance, and this seemed to do the trick. I gave the impression of being dull and uncouth, no doubt about it. It was awful hearing them remark over and over how ugly I was.
Osamu Dazai (Crackling Mountain and Other Stories)
In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.
Ann M. Martin (Mallory and the Trouble With Twins (The Baby-Sitters Club, #21))
Darwin had observed so much variety in creatures traditionally assumed to be one species that his sense of a hard line between species had slowly begun to dissolve. Even that most sacred line, the supposed inability of different species to create fertile offspring, he realized was bunk. “It cannot be maintained that species when intercrossed are invariably sterile,” Darwin writes, “or that sterility is a special endowment and sign of creation.” Leading him finally to declare that species—and indeed all those fussy ranks taxonomists believe to be immutable in nature (genus, family, order, class, etc.)—were human inventions. Useful but arbitrary lines we draw around an ever-evolving flow of life for our “convenience.” “Natura non facet salute,” he writes. Nature doesn’t jump. Nature has no edges, no hard lines.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Lilah did little more than sleep and eat and cry, which to me was the most fascinating thing in the entire universe. Why did she cry? When did she sleep? What made her eat a lot one day and little the next? Was she changing with time? I did what any obsessed person would do in such a case: I recorded data, plotted it, calculated statistical correlations. First I just wrote on scraps of paper and made charts on graph paper, but I very quickly became more sophisticated. I wrote computer software to make a beautifully colored plot showing times when Diane fed Lilah, in black; when I fed her, in blue (expressed mother's milk, if you must know); Lilah's fussy times, in angry red; her happy times, in green. I calculated patterns in sleeping times, eating times, length of sleep, amounts eaten. Then, I did what any obsessed person would do these days; I put it all on the Web.
Mike Brown (How I Killed Pluto and Why It Had It Coming)
read as to eat. I was greatly taken with this new way of talking and derived considerable pleasure from speaking it to the waiter. I asked him for a luster of water freshly drawn from the house tap and presented au nature in a cylinder of glass, and when he came around with the bread rolls I entreated him to present me a tonged rondelle of blanched wheat, oven baked and masked in a poppy-seed coating. I was just getting warmed up to this and about to ask for a fanned lap coverlet, freshly laundered and scented with a delicate hint of Lemon Daz, to replace the one that had slipped from my lap and now lay recumbent on the horizontal walking surface subjacent to my feet, when he handed me a card that said “Sweets Menu” and I realized that we were back in the no-nonsense world of English. It’s a funny thing about English diners. They’ll let you dazzle them with piddly duxelles of this and fussy little noisettes of that, but don’t mess with their puddings,
Bill Bryson (Notes from a Small Island)
Visual over-stimulation is a distraction from concentration and evokes the same sort of reactions as over-stimulation from noise. But the source might surprise you. Even fussy clothing moving around can be a visual distraction, or too many people in the room, or too many machines with moving parts. For those who work outside, a windy day is a triple-threat—with sound, sight, and touch all being affected. Cars moving, lights, signs, crowds, all this visual chaos can exhaust the AS person. Back in the office, too many computer screens, especially older ones with TV-style monitors, and sickly, flickering, unnatural fluorescent lighting were both high on the trigger list. The trouble with fluorescent light is threefold: Cool-white and energy-efficient fluorescent lights are the most commonly used in public buildings. They do not include the color blue, “the most important part for humans,” in their spectrum. In addition to not having the psychological benefits of daylight, they give off toxins and are linked to depression, depersonalization, aggression, vertigo, anxiety, stress, cancer, and many other forms of ill health. It’s true. There’s an EPA report to prove it (Edwards and Torcellini 2002). Flickering fluorescent lights, which can trigger epileptic seizures, cause strong reactions in AS individuals, including headaches, confusion, and an inability to concentrate. Even flickering that is not obvious to others can be perceived by some on the spectrum.
Rudy Simone (Asperger's on the Job: Must-have Advice for People with Asperger's or High Functioning Autism, and their Employers, Educators, and Advocates)
It was rare that she got dressed up and went out, but each time a dinner party or the Christmas dinner with the other library staff came round she would stand in front of the mirror asking George to tell her if the dress was too short or too long, whether her makeup was okay, and if her hair looked fussy or too plain. He always smiled and told her she looked beautiful but she didn't believe him. She would believe him now - she was beautiful. She hopes Kate realizes it before she is eighty-seven.
Libby Page (The Lido)
And Latin America has become very fashionable, yet what repels me is that everyone in Europe goes and imposes themselves there under this mantle of social and socialist cooperation, which in reality is nothing but a disgusting subspecies of European Christian-Socialist fussiness.The Europeans bore themselves to death and meddle every where in the so called Third World in order to escape that fatal European boredom. Missionarianism is a German vice which has invariably just brought misfortune to the world today, which has invariably just plunged the world into crisis The Church has only poisoned Africa with its detestable dear God, and now it is poisoning Latin America with it. The Catholic Church is the world poisoner the world destroyer, the world annihilator, that is the truth. The Germans continually poison the world outside of their borders and they will give it no rest until this entire world is fatally poisoned. So I have long withdrawn from my bad habit of wanting to help people in Africa and South America and into myself entirely. There is no helping humanity in our world which has been a hypocrisy for centuries. And, like humanity, there is no helping the World because both are a hypocrisy through and through. (Goethe Dies, p. 73)
Thomas Bernhard (Goethe schtirbt: Erzählungen)
My father was usually too far in the drink to remember he had children. My mother was half mad and had fewer morals than the barn cat we brought back today. Since none of our relations wanted custody of a pair of impoverished brats, Devon and I were sent to boarding school. We stayed there most holidays. I became a bully. I hated everyone. Henry was especially irritating- skinny, odd, fussy about his food. Always reading. I stole that book from the box under his bed because it seemed to be his favorite." Pausing uncomfortably, Mr. Ravenel raked a hand through his disordered hair, and it promptly fell back into the same gleaming, untidy layers. "I didn't plan to keep it. I was going to embarrass him by reading parts of it aloud in front of him. And when I saw what you'd written on the inside cover, I could hardly wait to torture him about it. But then I read the first page." "In which Stephen Armstrong is sinking in a pit of quicksand," Phoebe said with a tremulous smile. "Exactly. I had to find out what happened next." "After escaping the quicksand, he has to save his true love, Catriona, from the crocodiles." A husky sound of amusement. "You marked x's all over those pages." "I secretly longed for a hero to rescue me from crocodiles someday." "I secretly longed to be a hero. Despite having far more in common with the crocodiles.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
That night, I hated father. He smelt of cabbage. There was cigarette ash all over his trousers. His untidy moustache was yellower and viler than ever with nicotine, and he took no notice of me. He simply sat there in his ugly arm-chair, his eyes half closed, brooding on the Lord knows what. I hated him. I hated his moustache. I even hated the smoke that drifted from his mouth and hung in the stale air above his head. And when my mother came through the door and asked me whether I had seen her spectacles, I hated her too. I hated the clothes she wore; tasteless and fussy. I hated them deeply. I hated something I had never noticed before; it was the way the heels of her shoes were worn away on their outside edges - not badly, but appreciably. It looked mean to me, slatternly, and horribly human. I hated her for being human - like father. She began to nag me about her glasses and the thread-bare condition of the elbows of my jacket, and suddenly I threw my book down. The room was unbearable. I felt suffocated. I suddenly realised that I must get away. I had lived with these two people for nearly twenty-three years. I had been born in the room immediately overhead. Was this the life for a young man? To spend his evenings watching the smoke drift out of his father's mouth and stain that decrepit old moustache, year after year - to watch the worn-away edges of my mother's heels - the dark-brown furniture and the familiar stains on the chocolate-coloured carpet? I would go away; I would shake off the dark, smug mortality of the place. I would forgo my birthright. What of my father's business into which I would step at his death? What of it? To hell with it. ("Same Time, Same Place")
Mervyn Peake (Weird Shadows From Beyond: An Anthology of Strange Stories)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Your first sign something may be amiss comes quickly, the moment you get off the plane at the airport in Baltimore. After months of deprivation, American excess is overwhelming. Crowds of self-important bustling businessmen. Shrill and impatient advertising that saturates your eyes and ears. Five choices of restaurant, with a hundred menu items each, only a half-minute walk away at all times. In the land you just left, dinners are uniformly brown and served on trays when served at all. I was disoriented by the choice, the lights, the infinite variety of gummy candy that filled an entire wall of the convenience store, a gluttonous buffet repeated every four gates. The simple pleasure of a cup of coffee after a good night’s sleep, sleep you haven’t had since you received your deployment orders, seems overly simple when reunited with such a vast volume of overindulgent options. But the shock wears off, more quickly for some, but eventually for most. Fast food and alcohol are seductive, and I didn’t fight too hard. Your old routine is easy to fall back into, preferences and tastes return. It’s not hard to be a fussy, overstuffed American. After a couple of months, home is no longer foreign, and you are free to resume your old life. I thought I did. Resume my old life, that is. I was wrong.
Brian Castner (The Long Walk: A Story of War and the Life That Follows)
Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have
Radclyffe Hall (Radclyffe Hall: The Complete Novels)