Funk You Quotes

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.

This book taught me, once and for all, how easily you can escape this world with the help of words! You can find friends between the pages of a book, wonderful friends.

It's a good idea to have your own books with you in a strange place

The world was a terrible place, cruel, pitiless, dark as a bad dream. Not a good place to live. Only in books could you find pity, comfort, happiness - and love. Books loved anyone who opened them, they gave you security and friendship and didn't ask anything in return; they never went away, never, not even when you treated them badly.

Books loved anyone who opened them, they gave you security and friendship and didn't ask for anything in return; they never went away, never, not even when you treated them badly. Love, truth, beauty, wisdom and consolation against death. Who had said that? Someone else who loved books.

Sometimes, when you're so sad you don't know what to do, it helps to be angry.

Nothing is more frightening than a fear you cannot name.

When you open a book it's like going to the theater first you see the curtain then it is pulled aside and the show begins.

You know a great many things in dreams, often despite the evidence of your eyes. You just know them.

Fire and water," he said, "don't really mix. You could say they're incompatible. But when they do love each other, they love passionately.

You know what they say: When people start burning books they'll soon burn human beings.

You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.

I wish you luck,' she said, kissing him on the cheek. He still had the most beautiful eyes of any boy she'd ever seen. But now her heart beat so much faster for someone else.

What on earth have you packed in here? Bricks?" asked Mo as he carried Meggie's book-box out of the house. You're the one who says books have to be heavy because the whole world's inside them," said Meggie.

If you keep pretending you're in that book, it will make you not want to live in the life you're in.

The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.

Read – and be curious. And if somebody says to you: 'Things are this way. You can't change it' - don't believe a word.

you can not fully read a book without being alone. But through this very solitude you become intimately involved with people whom you might never have met otherwise, either because they have been dead for centuries or because they spoke languages you cannot understand. And, nonetheless, they have become your closest friends, your wisest advisors, the wizards that hypnotize you, the lovers you have always dreamed of. -Antonio munoz molinas, "the power of the pen

Words were useless. At times, they might sound wonderful, but they let you down the moment you really needed them. You could never find the right words, never, and where would you look for them? The heart is as silent as a fish, however much the tongue tries to give it a voice.

-You forgot something important! -What? -It's under my sweater! -WHAT?! -Me!

Sometimes, when you’re sad you don’t know what to do, it helps to be angry. But then the tears come back again all the same, and you fall asleep with the salty taste of them on your lips.

You are crazy!" whispered Meggie. "You're a total lunatic!" But her opinion did not impress Fenoglio in the slightest. "So what? All writers are lunatics!

Blue as the evening sky, blue as cranesbill flowers, blue as the lips of drowned men and the heart of a blaze burning with too hot a flame. Yes, sometimes it was hot in this world, too. Hot and cold, light and dark, terrible and beautiful, it was everything all at once. It wasn't true that you felt nothing in the land of Death. You felt and heard and smelled and saw, but your heart remained strangely calm, as if it were resting before the dance began again. Peace. Was that the word?

Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.

She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.

Because by now Elinor had understood this, too: A longing for books was nothing compared with what you could feel for human beings. The books told you about that feeling. The books spoke of love, and it was wonderful to listen to them, but they were no substitute for love itself. They couldn't kiss her like Meggie, they couldn't hug her like Resa, they couldn't laugh like Mortimer. Poor books, poor Elinor.

They wouldn't tell Scipio how much of the counterfeit cash was left since, as Riccio put it, 'You're a detective now, after all.

Don't let it worry you, not being able to speak,'Dustfinger had often told her. 'People tend not to listen anyway, right?

My dear Elinor, you were obviously born into the wrong story,” said Dustfinger at last.

Dustfinger inspected his reddened fingers and felt the taut skin. ‘He might tell me how my story ends,’ he murmured. Meggie looked at him in astonishment. ‘You mean you don’t know?’ Dustfinger smiled. Meggie still didn’t particularly like his smile. It seemed to appear only to hide something else. ‘What’s so unusual about that, princess?’ he asked quietly. ‘Do you know how your story ends?’ Meggie had no answer for that.

Shasta was dreadfully frightened. But it suddenly came into his head, "If you funk this, you'll funk every battle all your life. Now or never.

He put his hands on her shoulders and kissed her full on the mouth. His skin was wet with rain. When she didn't pull away, he took her face between his hands and kissed her again, on her forehead, on her nose, on her mouth once more. "You will come, won't you? Promisse!" he whispered.

You really don't understand the first thing about writing...for one thing, early in the morning is the worst possible time. the brain is like a wet sponge at that hour. And for another, real writing is a question of staring into space and waiting for the right ideas.

The night belongs to beasts of prey, and always has. It's easy to forget that when you're indoors, protected by light and solid walls.

A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.

This world,' she said. 'Do you really like it?' What a question! Farid never asked himself such things. He was glad to be with Dustfinger again and didn't mind where that was. It's a cruel world, don't you think?' Meggie went on. 'Mo often told me I forget how cruel it is too easily.' With his burned fingers, Farid stroke her fair hair. It shone even in the dark. 'They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same.

Mitch waved his hand in front of his nose. “Christ almighty! What is that funk on you?” Gwen smirked. “Eau de Grizzly.

Elinor had read countless stories in which the main characters fell sick at some point because they were so unhappy. She had always thought that a very romantic idea, but she’d dismissed it as a pure invention of the world of books. All those wilting heroes and heroines who suddenly gave up the ghost just because of unrequited love or longing for something they’d lost! Elinor had always enjoyed their sufferings—as a reader will. After all, that was what you wanted from books: great emotions you’d never felt yourself, pain you could leave behind by closing the book if it got too bad. Death and destruction felt deliciously real conjured up with the right words, and you could leave them behind between the pages as you pleased, at no cost or risk to yourself.

Memories, so sweet and bitter.. they had both nourished and devoured him for so many years. Until a time came when they began to fade, turning faint and blurred, only an ache to be quickly pushed away because it went to your heart. For what was the use of remembering all you had lost?

And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.

The written word is a powerful thing, you have to be careful with it. - Silvertongue

Who are you?' Mo looked at the White Women. Then he looked at Dustfinger's still face. Guess.' The bird ruffled up its golden feathers, and Mo saw that the mark on its breast was blood. You are Death.' Mo felt the word heavy on his tongue. Could any word be heavier?

It's a cruel world, don't you think?

Are you really going to catch us and take us back to Esther? We don’t belong to her, you know.” Embarrassed, Victor stared at his shoes. “Well, children all have to belong to somebody,” he muttered. “Do you belong to someone?” “That’s different.” “Because you’re a grown-up?

The heart was a weak, changeable thing, bent on nothing but love, and there could be no more fatal mistake than to make it your master. Reason must be in charge. It comforted you for the heart's foolishness, it sang mocking songs about love, derided it as a whim of nature, transient as flowers. So why did she still keep following her heart?

A story is a labyrinth, it looks as if there were several ways to go, but only one is right, and there's a nasty surprise ready to punish you for every false step.

Go back and rid the word of that book. Fill it with words before spring comes, or winter will never end for you. And I will take not only your life for the Adderhead's but your daughter's, too, because she helped you bind the book. Do you undersand, Bluejay" Why two?" asked Mo hoarsely. "How can you ask for two lives in return for one?

Secrets. They add to the darkness of the world but they also make you want to find out more...

I think we should sometimes read stories where everything's different from our world, don't you agree? There's nothing's like it for teaching us to wonder why trees are green and not red, and why we have five fingers rather than six.' --spoken by The Bluejay, aka Mo the Bookbinder, from 'Inkdeath

It doesn’t matter who you are or what you look like so long as somebody loves you.

If you take a book with you on a journey,’ Mo had said when he put the first one in her box, ‘an odd thing happens: the book begins collecting your memories. And forever after you have only to open that book to be back where you first read it.

So it's happened, I kept thinking, you're in the middle of a story exactly as you've always wanted, and it's horrible. Fear tastes quite different when you're not just reading about it, Meggie, and playing hero wasn't half as much fun as I'd expected.

I’m sorry, Silvertongue, but the fact is I don’t believe anyone. You ought to know that by now. We’re all liars when it serves our purpose.

What's the matter princess? Do you know the end of your story?

You humans love mirrors. You have to constantly make sure you still have the same face. Nothing scares you more than if someone changes it.

Accursed, blasted, heartless things [books]! Full of empty promises, full of false lures, always making you hungry, never satisfying you, never!

The lesson of the Funk Dog: “You can forget what it used to feel like to feel good about life; feeling rotten—or just a low-grad funk—seems normal and therefore acceptable. I just don’t believe that God intended for any of his creatures to be petted with sticks.

A longing for books [is] nothing compared with what you [can] feel for human beings. The books [tell] you about that feeling. The books [speak] of love, and it [is] wonderful to listen to them, but they [are] no substitute for love itself.

You can’t expect the wolf to turn vegetarian because of one Pup.

The more words you know, the more clearly and powerfully you will think...and the more ideas you will invite into your mind.

I know you all think I'm a magician, but I'm not. The magic comes out of the books themselves, and I have no more idea than you or any of your men how it works.

My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they?

What’s so unusual about that, princess?” he asked quietly. “Do you know how your story ends?

Power. Like wine when you have it. Like poison when you lose it.

You're the one who says books have to be heavy because the whole world's inside of them," said Meggie...

You love SITUATION COMEDIES, whilst holding particular affection for MUSTACHIOED FUNNYMEN. You know, your FOXWORTHIES, your FUNKES, your SWANSONS, but not necessarily your GALLAGHERS PER SE, because you have to draw the fucking line somewhere.

If she’d known him better, she might’ve tried to explain to Will that life never lets you hide. Plant, animal, or human—life forced them all to grow and learn. The more you tried to run, the harder your path got, and you’d still have to travel it.

Mortimer's face twisted when the Piper pressed his knife against his ribs. Oh yes, he's obviously made the wrong enemies in this story, thought Orpheus. And the wrong friends. But that was high-minded heroes for you. Stupid.

Life is so simple when you’re young, though of course that’s not what it feels like to the young.

But i know a lot about the kind of men you mean. They're the same everywhere.

If you're going to start tonight there's no time to waste. Certainly not enough time to finish your quarrel with this dim-witted mushroom-muncher.

...if you can change the fate of a character you read out of a book by adding new words to his story, then maybe you can change everything about it: who goes out, who comes in, how it ends, who's happy, and who's unhappy afterwards.

For me, if I have writer’s block it means I know that what I am writing is not working quite right and I need to go back and fix what is not right. And once I do that I can write onward. Sometimes writer’s block is just I’m in a funk that day and my writing just isn’t working. In that case I write anyway and then throw it away. You can always write. Writer's block is 'I can't write because what I'm writing is crap.

They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same.

Every book should begin with attractive endpapers,' he had once told Meggie. 'Preferably in a dark color: dark red or dark blue depending on the binding. When you open the book it's like going to the theater. First you see the curtain. Then it's pulled aside and the show begins.

It had always been a myth that it was those who loved you who could see through you. It was those you feared who could see through you most clearly.

Belive you me, this maze is a labrinth!

My darling,” she said at last, “are you sure you don’t mind being a mouse for the rest of your life?” “I don’t mind at all,” I said. “It doesn’t matter who you are or what you look like so long as somebody loves you.

As I wandered the streets in a desolate funk, I would ask myself the impossible, the embarrassing, the ultimate childish question of Why? - Why this city? Why this life? Why anything? Of course I knew that "why" was a question you were supposed to stop asking around the age of ten but I couldn't free myself from it.

The girl had many virtues: money, a car--a gold-coloured Capri, in which she played the latest funk--a big house and a rich father. When Valentin asked, 'What does your boyfriend do?' she replied, 'But I don't have one, really.

What else but death could you hope to reap when you gave your heart to a mortal?

I think I'll buy you from your father so you can say nice things like that to me three times a day. How much for her, Mo?

When you find your passion, turn a deaf ear to the naysayers and follow your dreams.

How well worn they all were..."Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said when, on Meggie's last birthday, they were looking at all her dear old books again. "As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower, both strange and familiar.

He bent over Farid and wiped some soot from his cold forehead. "Roxanne knows it," he said. "She'll tell it to you. Just go to her and... and tell her I've had to go away. Tell her I'm going to find out if the story is true." He spoke with a strange kind of hesitation, as if it were infinitely difficult to find the right words. "And remind her of my promise— that I'll always find a way back to her, wherever I am. Will you tell her that?

There is no need," Capricorn finally began, raising his voice, "for me to explain to most of you why the three prisoners you see there are to be punished. For the rest, it is enough for me to say it is for treachery, loose talk, and stupidity. One may argue, of course, over whether or not stupidity is a crime deserving of death. I think it is, for it can have exactly the same consequences as treachery.

Unlike me, he realized that Dustfinger would do anything in return for such a promise. All he wants is to go back to his own world. He doesn't even stop to ask if his story there has a happy ending!" "Well, that's no different from real life," remarked Elinor gloomily. "You never know if things will turn out well. Just now our own story looks like it's coming to a bad end.

I hope you drop dead!” She screamed as Basta hauled her out of the room. “I hope you burn to death! I hope you suffocate in your own smoke!” Basta laughed as he closed the door. “Just listen to this little wildcat!” He said. “I think I’ll have to watch my step with you around!

Sometimes, when I went to the spring to wash early in the morning," he murmured, "there'd be tiny fairies flitting around above the water, not much bigger than the butterflies you have here, and blue as violet petals. They liked to fly into my hair. Sometimes they spat in my face. They weren't very friendly, but they shone like glowworms by night. I sometimes caught one and put it in a jar. If I let it out at night before going to sleep I had wonderful dreams." "Capricorn said there were trolls and giants, too," said Meggie quietly. Dustfinger gave her a thoughtful look. "Yes, there were," he said. "But Capricorn wasn't particularly fond of them. He'd have liked to do away with them all. He had them hunted. He hunted anything that could run." "It must be a dangerous world." Meggie was trying to imagine it all: the giants, the trolls, and the fairies. Mo had once given her a book about fairies. Dustfinger shrugged. "Yes, it's dangerous, so what? This world's dangerous, too, isn't it?

Ah,yes!That...Silvertongue!" Orpheus spoke the name in a disparaging tone, as if he couldn't believe that anyone really deserved it. Yes, that's what he's called. How do you know?" There was no mistaking Dustfinger's surprise. The hellhound snuffled at Farid's bare toes. Orpheus shrugged. "Sooner or later you get to hear of everyone who can breate life into letters on a page.

It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it. The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.

The wrong words. They were true a hundred times over, yet they sounded like a lie. Hadn't he always know it? Words were useless. At times they might sound wonderful, but they let you down the moments you really needed them . You could never find the right words, never, and where would you look for them? The heart is a silent as a fish, however much the tongue tries to give it a voice.

I, Lucifer, Fallen Angel, Prince Of Darkness, Bringer of Light, Ruler of Hell, Lord of the Flies, Father of Lies, Apostate Supreme, Tempter of Mankind, Old Serpent, Prince of This World, Seducer, Accuser, Tormentor, Blasphemer, and without a doubt Best Fuck in the Seen and Unseen Universe (ask Eve, that minx) have decided - oo la la! - to tell all. All? Some. I'm toying with that for a title: Some. Got a post-millennial modestry to it, don't you think? Some. My side of the story. The funk. The jive. The boogie. The rock and roll. (I invented rock and roll. You wouldn't believe the things I've invented. Anal sex, obviously. Smoking. Astrology. Money...Let's save time: Everything in the world that distracts you from thinking about God. Which...pretty much...is everything in the world, isn't it? Gosh.)

Yes, every evening. Your mother enjoyed it. That evening she chose Inkheart. She always did like tales of adventure – stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side, by the way. There didn't seem to be any of them in Inkheart, but there was any amount of brightness and darkness, fairies and goblins. Your mother liked goblins as well: hobgoblins, bugaboos, the Fenoderee, the folletti with their butterfly wings, she knew them all. So we gave you a pile of picture books, sat down on the rug beside you, and I began to read.

There's no way out," he announced with satisfaction, "and no amount of wishful dreaming will produce one. The demon won't go back in its bottle, the face-off is for ever, the embrace gets tighter and the toys cleverer with every generation, and there's no such thing for either side as enough security. Not for the main players, not for the nasty little newcomers who each year run themselves up a suitcase bomb and join the club. We get tired of believing that, because we're human. We may even con ourselves into believing the threat has gone away. It never will. Never, never, never." "So, who'll save us then, Walt?" Barley asked. "You and Nedsky?" "Vanity, if anything will, which I doubt," Walter retorted. "No leader wants to go down in history as the ass who destroyed his country in an afternoon. And funk, I suppose. Most of our gallant politicians do have a narcissistic objection to suicide, thank God.

The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’ ‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?

The books in Mo and Meggie’s house were stacked under tables, on chairs, in the corners of the rooms. There were books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fell over them. “He’s just standing there!” whispered Meggie, leading Mo into her room. “Has he got a hairy face? If so he could be a werewolf.” “Oh, stop it!” Meggie looked at him sternly, although his jokes made her feel less scared. Already, she hardly believed anymore in the figure standing in the rain—until she knelt down again at the window. “There! Do you see him?” she whispered. Mo looked out through the raindrops running down the

It will be dark in a few hours," she said at last, anxiously. "Suppose you don't finnish it in time?" "I have finnished!" he snapped, irritated. "I've finnished a dozen times already, but I'm not happy with it." He lowered his voice to a wisper brfore he went on. "There are so many questions. Suppose the Shadow turns on you or me or the prisners once he's killed Capricorn? And is killing Capricorn really the only solution? What's going to happen to his men afterward? What do I do with them?" "What do you think? The Shadow must kill them all!" Meggie whispered back. "How else are we ever going to get back home or rescue my mother?" "Good heavens, what a heartless creature you are!" he wispered . "Kill them all! Haven't you seen how young some of them are?" He shook his head. "No! I'm not a mass murderer, I'm a writer! I'm sure I can think of some less bloodthirsty ending." And he began writing again . . . and crossing out words . . . and writing more, while outside the sun sank lower and lower until its rays were gliding the hilltops.