Funeral Cover Quotes

When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said goodbye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.

Two days after my dad's funeral, my mom went on a mission. I never understood it until then--that sometimes a spy doesn't need a cover so much as she needs a shield.

She folded her arms and then shouted, "Right you thieving scunners! How dare you steal Miss Treason's funeral meats!" "Oh, waily, waily, it's the foldin' o' the arms, the foooldin' o' the aaaarmss!" cried Daft Wullie, dropping to the ground and trying to cover himself with leaves. Around him Feegles started to wail and cower and Big Yan began to bang his head on the rear wall of the dairy.

Think of the glory. Think of your reputation. Think how great it'll look on your next resume." On my cenotaph, you mean. Nobody will be able to collect enough of my scattered atoms to bury. You going to cover my funeral expenses, son?" Splendidly. Banners, dancing girls, and enough beer to float your coffin to Valhalla." - Miles coaxing Ky Tung to agree to an almost suicidal mission

A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.

I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it. When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.

No parent should have to bury a child ... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things. I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate ... I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking--I do not question why. I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother" ... I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important ... On the day of my son's birth I was infused with a love beyond all measure and understanding ... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven--because if my son sits in Hell, there is no God.

What were you asleep? Helen would say as I opened the door. "I've been up since five." In her hand would be aluminum tray covered with foil, either that or a saucepan with a lid on it. "Well," I'd tell her, "I didn't go to bed until three." "I didn't go to bed until three thirty." This was how it was with her: If you got fifteen minutes of sleep, she got only ten. If you had a cold, she had the flu. If you'd dodged a bullet, she'd dodged five. Blindfolded. After my mother's funeral, I remember her greeting me with "So what? My mother died when I was half your age." "Gosh," I said. "Thing of everything she missed." pgs. 86-87

And I realized that sure Indians were drunk and sad and displaced and crazy and mean but dang we knew how to laugh. When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said good-bye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.

The last time somebody was cremated, his ashes were sprinkled from a crop duster. We all ran for cover. We liked him fine, but we didn't want him all over our good clothes.

The smell of hospitals is like small talk at a funeral—you know its function is to cover up something else.

Amazing, I thought. I worked in the news business. I covered stories where people died. I interviewed grieving family members. I even attended the funerals. I never cried. Morrie, for the suffering of people half a world away, was weeping. Is this what comes at the end, I wondered? Maybe death is the great equalizer, the one big thing that can finally make strangers shed a tear for one another

So why do these local governments continue to resist? The answer is as bleak as it is obvious: money. The average American funeral costs $8,000 to $10,000—not including the burial plot and cemetery costs. A Crestone End of Life funeral costs $500, technically a donation “to cover wood, fire department presence, stretcher, and land use.

Oh, they said God was dead, all those beatniks and snooty-ass Frenchmen. Not me. I knew better. I said to them, "Wait, boys! Don't break cover yet awhile. He might be faking. I mean, they thought Saddam was dead. And the novel. And Glenn Close in that last scene of Fatal Attraction." That's what I said. But did they listen? Ohh no. They went right ahead and organized God's funeral. Well, don't count your chickens before they come home to roost...

By not talking about death with our loved ones, not being clear through advanced directives, DNR (do not resuscitate) orders, and funeral plans, we are directly contributing to this future ... and a rather bleak present, at that. Rather than engage in larger societal discussions about dignified ways for the terminally ill to end their lives, we accept intolerable cases like that of Angelita, a widow in Oakland who covered her head with a plastic bag because the arthritic pain of her gnarled joints was too much to bear. Or that of Victor in Los Angeles, who hung himself from the rafters of his apartment after his third unsuccessful round of chemotherapy, leaving his son to discover his body. Or the countless bodies with decubitus ulcers, more painful for me to care for them even babies or suicides. When these bodies come into the funeral home, I can only offer my sympathy to their living relatives, and promise to work to ensure that more people are not robbed of a dignified death by a culture of silence.

Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words." Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little. The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people. Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head.

The funeral formed such a little, little group among the endless undulations of the hills. When it was over they moved weeping away and left the filling of the grave to Columbus and Robinet. These black men were supposed not to suffer at covering their lifelong companion with earth. They were black.

I see a cathedral, for instance, one that’s stood for centuries and I marvel and I wonder... How many people passed through the doors? What did they pray for? How many wars did they wish to see ended? How many christenings, weddings, and funerals? Same thing with a record, I guess. Who bought it? Did they ever make love while it was playing? How many times did they read the notes in the cover? Did a song on the album change their life? I suppose it's odd to think about things like that.

Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain? Tell me, have you these in your houses? Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master? Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires. Though its hands are silken, its heart is of iron. It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh. It makes mock of your sound senses, and lays them in thistledown like fragile vessels. Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral. But you, children of space, you restless in rest, you shall not be trapped nor tamed. Your house shall be not an anchor but a mast. It shall not be a glistening film that covers a wound, but an eyelid that guards the eye. You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down. You shall not dwell in tombs made by the dead for the living. And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing. For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.

Call for the robin-red-breast and the wren, Since o'er shady groves they hover, And with leaves and flow'rs do cover The friendless bodies of unburied men. Call unto his funeral dole The ant, the field-mouse and the mole, To rear him hillocks that shall keep him warm, And (when gay tombs are robbed) sustain no harm, But keep the wolf far thence, that's foe to men, For with his nails he'll dig them up again. Let holy Church receive him duly, Since he paid the church-tithes truly.

I told my version – faithful and invented, accurate and misremembered, shuffled in time. I told myself as hero like any shipwreck story. It was a shipwreck, and me thrown on the coastline of humankind, and finding it not altogether human, and rarely kind. And I suppose that the saddest thing for me, thinking about the cover version that is Oranges, is that I wrote a story I could live with. The other one was too painful. I could not survive it. I am often asked, in a tick-box kind of way, what is 'true' and what is not 'true' in Oranges. Did I work in a funeral parlour? Did I drive an ice-cream van? Did we have a Gospel Tent? Did Mrs. Winterson build her own CB radio? Did she really stun tomcats with a catapult? I can't answer these questions. I can say that there is a character in Oranges called Testifying Elsie who looks after the little Jeanette and acts as a soft wall against the hurt(ling) force of Mother. I wrote her in because I couldn't bear to leave her out. I wrote her in because I really wished it had been that way. When you are a solitary child you find an imaginary friend. There was no Elsie. There was no one like Elsie. Things were much lonelier than that.

Jephus Hardy?" Stunned. My jaw dropped when I saw Cephus Hardy walk up to me in the magazine aisle of Artie's Meat and Deli. I was admiring the cover of Cock and Feathers, where my last client at Eternal Slumber Funeral Home, Chicken Teater, graced the cover with his prize Orloff Hen, Lady Cluckington.

My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I

She wondered at the strangeness of the day, how it had begun with death and ended with sex. But was it that strange? Her best night with McQueen, the one night she cherished most in her memories, had come when she'd returned home after attending her aunt's funeral. McQueen had surprised her with his kindness during that difficult time, hiring a car to take her there and bring her back, sending a spray of roses, orchids and lilies to cover her aunt's casket. He'd even been waiting at her apartment when she arrived. He'd wanted sex from her, of course, but that night she'd wanted it from him even more. She'd spent three days in the company of death. And sex was almost the opposite of a funeral. A funeral said “life ends.” Sex said “life goes on.

We all have our coming-out story, or why-we-haven't-come-out story. More precisely, we have two. There's the official version, paragraph-sized for conversation, for when it comes, usually on level-two get-to-know-you with friends and dates and curious coworkers. That one covers the basics; when, where, how, the end. You will tell it again and again over the course of your life, polishing it to a fine sheen, until it's as close to frictionless as you can get it. Then there's the real story, the full version, which you tell only a handful of people ever - even if you're one of the lucky ones with a good family, with loving parents who eventually accept you. Because, as Lawrence once said, when the only time you've seen your dad cry is at a funeral, what does that mean about you?

Amazing, I thought. I worked in the news business. I covered stories where people died. I interviewed grieving family members. I even attended the funerals. I never cried. Morrie, for the suffering of people half a world away, was weeping. Is this what comes at the end, I wondered? Maybe death is the great equalizer, the one big thing that can finally make strangers shed a tear for one another.

The shovel worked in and out of the light beams as the dirt hit him in the stomach, on his back, fell into his ears, his eyes, as I covered him along with the things that had made him: his walks, his rest, his eating when hungry, the stars he watched sometimes, the first day I brought him home, the first time he saw snow, and every second of his friendship, what he took with him into silence and stillness ...

Comfort thy self, as I do, gentle Queen, With hope of sharp, unheard of, dire revenge.-- He bids me to provide his funeral, And so I will; but all the Peers in France Shall mourners be, and weep out bloody tears, Until their empty veins be dry and sere: The pillars of his hearse shall be his bones; The mould that covers him, their City ashes; His knell, the groaning cries of dying men; And, in the stead of tapers on his tomb, An hundred fifty towers shall burning blaze, While we bewail our valiant son's decease.

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

If we had flown Victoria to New Zealand, she would have been at a funeral home, with private viewings in an atmosphere of stilted, muffled unquiet. I would have had little opportunity to sit with the body and pour out my lament. The Singaporeans would not have been there with their reassuring ease in the ritual of mourning. My family might have come bristling with disrespect, and rent the air with accusations and blame. Some mourners would have been embarrassed by my tears. They and others would have wanted the whole thing done and dusted quickly. The funeral director or an assistant might well have been the ones dressing the body. I would have not realised the normality of death so quickly, and more importantly at this point, the absolute necessity to go briefly mad with grief, to cover yourself— metaphorically—in the dowdy burlap of mourning.

[Funeral sermon, 02/08/1880] How is it with this young man here? Well, I wish it were otherwise; I wish he had lived a very good Saint, which, however, he did not do. We have not come here to indulge in any kind of false sentimentality. He was a drunkard; that is a truth and many of you know it. . . . His father lived up to the Gospel, and died strong in the faith; and his mother has been a very good woman, so far as I know; I have never known anything against her. This boy has caused her a great deal of trouble; and I have been sorry for him. Well, should we tell things? Yes, always; that day is not far distant when the coverings will be taken from the face of all people, and we shall all stand naked, as it were, before God--both you and I and this young man. Well this boy,--I call him a boy, he is a young man, and is a nephew of mine by marriage; and I would not want to say anything about him on that account, neither would I falsify the young man on that account; but let us tell things and understand them as they are. . . . I would say, I do not utter these things to cause any unpleasant feeling in the bosom of the family; they cannot help it. If I could have helped it, I would; if the mother could have helped it, she would; if the sister could have helped it, she would; if the friends could have helped it, they would. . . . We are now talking not to the dead, but to the living. I would say, Let us avoid these evils, they lead down to death; let us seek to live our religion, to obey the laws of God and keep his commandments. And in regard to the future, we leave that in the hands of the Almighty who doeth all things well; and we will do all we can to promote the comfort of the living and the dead.

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn’t say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure.

Someone had found a pair of blankets that had American flag motifs and covered both Chris and Chad with them. It was a thoughtful gesture, but it also meant I couldn’t see my husband’s face, or more than the bare outlines of his body as he was carried past. “Give us five minutes,” said someone as I started to follow the gurneys inside. “Five minutes.” “I don’t want him prepared,” I said. “I don’t want him cleaned up.” “Five minutes.” I stepped back. We waited-I don’t know, probably less than five minutes, but it was all I could stand. I went inside, determined, unstoppable. The funeral director met me. “I didn’t do as much as I wanted. His hands are dirty from the fingerprinting.” “His hands were always dirty,” I said. Inside the room, Chris lay on the gurney, chest covered with the blanket. I bent to his face, tears pouring from my eyes, and kissed him. How many times? A thousand. Not enough. Never enough again.

It is a city of a thousand noises. There are the peddlers who announce their presence by a wooden gong; the clappers of the blind musician or of the masseuse; the shrill falsetto of a man singing in a tavern; the loud beating of a gong from a house where a wedding or a funeral is being celebrated. There are the raucous shouts of the coolies and chair-bearers; the menacing whines of the beggars, caricatures of humanity, their emaciated limbs barely covered by filthy tatters and revolting with disease; the cracked melancholy of the bugler who incessantly practises a call he can never get; and then, like a bass to which all these are a barbaric melody, the insistent sound of conversation, of people laughing, quarrelling, joking, shouting, arguing, gossiping. It is a cease less din. It is extraordinary at first, then confusing, exasperating, and at last maddening. You long for a moment's utter silence. It seems to you that it would be a voluptuous delight.

Buck up, Bree,” said Cor. “It’s far worse for me than for you. You aren’t going to be educated. I shall be learning reading and writing and heraldry and dancing and history and music while you’ll be galloping and rolling on the hills of Narnia to your heart’s content.” “But that’s just the point,” groaned Bree. “Do Talking Horses roll? Supposing they don’t? I can’t bear to give it up. What do you think, Hwin?” “I’m going to roll anyway,” said Hwin. “I don’t suppose any of them will care two lumps of sugar whether you roll or not.” “Are we near that castle?” said Bree to Cor. “Round the next bend,” said the Prince. “Well,” said Bree, “I’m going to have a good one now: it may be the last. Wait for me a minute.” It was five minutes before he rose again, blowing hard and covered with bits of bracken. “Now I’m ready,” he said in a voice of profound gloom. “Lead on, Prince Cor, Narnia and the North.” But he looked more like a horse going to a funeral than a long-lost captive returning to home and freedom.

This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp. 'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II! 'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.

The cart slowed as they came to a place so dark and quiet that it seemed as if they had entered some remote forest. Peeking beneath the hem of the cart's canvas covering, Garrett saw towering gates covered with ivy, and ghostly sculptures of angels, and solemn figures of men, women, and children with their arms crossed in resignation upon their breasts. Graveyard sculptures. A stab of horror went through her, and she crawled to the front of the cart to where West Ravenel was sitting with the driver. "Where the devil are you taking us, Mr. Ravenel?" He glanced at her over his shoulder, his brows raised. "I told you before- a private railway station." "It looks like a cemetery." "It's a cemetery station," he admitted. "With a dedicated line that runs funeral trains out to the burial grounds. It also happens to connect to the main lines and branches of the London Ironstone Railroad, owned by our mutual friend Tom Severin." "You told Mr. Severin about all this? Dear God. Can we trust him?" West grimaced slightly. "One never wants to be in the position of having to trust Severin," he admitted. "But he's the only one who could obtain clearances for a special train so quickly." They approached a massive brick and stone building housing a railway platform. A ponderous stone sign adorned the top of the carriage entrance: Silent Gardens. Just below it, the shape of an open book emblazoned with words had been carved in the stone. Ad Meliora. "Toward better things," Garrett translated beneath her breath.

The Negro had never really been patient in the pure sense of the word. The posture of silent waiting was forced upon him psychologically because he was shackled physically. In the days of slavery, this suppression was openly, scientifically and consistently applied. Sheer physical force kept the Negro captive at every point. He was prevented from learning to read and write, prevented by laws actually inscribed in the statute books. He was forbidden to associate with other Negroes living on the same plantation, except when weddings or funerals took place. Punishment for any form of resistance or complaint about his condition could range from mutilation to death. Families were torn apart, friends separated, cooperation to improve their condition carefully thwarted. Fathers and mothers were sold from their children and children were bargained away from their parents. Young girls were, in many cases, sold to become the breeders of fresh generations of slaves. The slaveholders of America had devised with almost scientific precision their systems for keeping the Negro defenseless, emotionally and physically. With the ending of physical slavery after the Civil War, new devices were found to "keep the Negro in his place." It would take volumes to describe these methods, extending from birth in jim-crow hospitals through burial in jim-crow sections of cemeteries. They are too well known to require a catalogue here. Yet one of the revelations during the past few years is the fact that the straitjackets of race prejudice and discrimination do not wear only southern labels. The subtle, psychological technique of the North has approached in its ugliness and victimization of the Negro the outright terror and open brutality of the South. The result has been a demeanor that passed for patience in the eyes of the white man, but covered a powerful impatience in the heart of the Negro.

Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")

I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.

AN ARTIST’S DEATH SALLY COOK | 118 words For Bryant I’ve often thought of writing about you, And how your voice once filled the little square How there was very little I could do Except go to the funeral home, just where They’d patched your broken face and made it new, And covered breaks in bone to make you fair Again with makeup, mucilage, and glue. I watched a line of students snake through there— This narrow clef of unsung dirge wound through To see you still and silent, just to stare At what had once been you; follow the queue— Death had destroyed your voice. It was a mere Two days ago your notes had filled the air. Tear as it will at beauty, death can do Nothing to lay its guts and sinews bare— Still, you lay satin-boxed, beyond repair.

A week later the British Commissioner, Captain H. N. Davies, wrote to London to report what had passed, adding: Have since visited the remaining State Prisoners – the very scum of the reduced Asiatic harem; found all correct. None of the family appear much affected by the death of the bed-ridden old man. His death was evidently due to pure decrepitude and paralysis in the region of the throat. He expired at 5 o’clock on the morning of the funeral. The death of the ex-King may be said to have had no effect on the Mahomedan part of the populace of Rangoon, except perhaps for a few fanatics who watch and pray for the final triumph of Islam. A bamboo fence surrounds the grave for some considerable distance, and by the time the fence is worn out, the grass will again have properly covered the spot, and no vestige will remain to distinguish where the last of the Great Moghuls rests.

3824A place replete with shadowy shapes, this Mugby Junction in the black hours of the four-and-twenty. Mysterious goods trains, covered with palls and gliding on like vast weird funerals, conveying themselves guiltily away from the presence of the few lighted lamps, as if their freight had come to a secret and unlawful end. Half miles of coal pursuing in a Detective manner, following when they lead, stopping when they stop, backing when they back. Red hot embers showering out upon the ground, down this dark avenue, and down the other, as if torturing fires were being raked clear; concurrently, shrieks and groans and grinds invading the ear, as if the tortured were at the height of their suffering. Iron-barred cages full of cattle jangling by midway, the drooping beasts with horns entangled, eyes frozen with terror, and mouths too: at least they have long icicles (or what seem so) hanging from their lips. Unknown languages in the air, conspiring in red, green, and white characters. An earthquake accompanied with thunder and lightning, going up express to London.

They don't want to cry, but it's an emotion that washes over them & covers their hands & arms & fingers & feet in a cleansing movement that's a bonding element that bonds & keeps them tied together, as if they are in a club for women warriors where teardrops, golden pure & sweet teardrops, come from a common river that runs through all women & holds them together in a way that Annie helped them to see & to live.

and shocking, I kept on until I arrived in the East Room, which I entered. There I was met with a sickening surprise. Before me was a catafalque, on which rested a corpse wrapped in funeral vestments. Around it were stationed soldiers who were acting as guards. And there were a throng of people, some gazing mournfully upon the corpse, whose face was covered, others weeping pitifully. ‘Who is dead in the White House?’ I

On an bed, surrounded by a confusion of potted pants, exotic palms and cut flowers, faintly over-sung by the notes of unseen birds, which seem to have forgotten - left without the usual silence cover, which, like cloaks on funeral urns, are cast over their cages at night by good housewives - half flung off the support of the cushions from which, in a moment of threatened consciousness she had turned her head, lay the young woman, heavy and dishevelled. Her legs, in white flannel trousers, were spread as in a dance, the thick-laquered pumps looking too lively for the arrested step. Her hands, long and beautiful, lay on either side of her face.

An hour later, a group of men from the funeral home arrived. With my grandfather's help, they cleaned my grandmother's body and marinated it in rice alcohol. When the wine had straightened her limbs, which had stiffened from rigor mortis, they dressed her in new clothes. Using a thick red thread, they tied her two big toes together to prevent her spirit from wandering. A cheap red lacquered coffin was brought into my grandparents' bedroom. A layer of sand was spread at the bottom to cushion the body. Rich families would use tea leaves instead of sand. The more expensive the tea, the richer and higher in status the dead were. We covered the sand with coarse, loosely woven cotton gauze. After my grandmother's body was laid inside the coffin, a small dish filled with burning oil was placed on the ground beneath it to keep her spirit warm. Incense in a large urn perfumed the air. It was time for friends and relatives to pay their respects.

The funeral parlor had no credit card reader, they didn’t accept bank transfers, and I didn’t have enough cash to cover the quantity requested, which was something like two thousand times my monthly wage. Even if I’d had the cash, they wouldn’t have accepted it. No one wanted cash anymore. Cash was worthless bits of paper.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever. My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling. Last, I would like to write here a translation in English of a poem written in Urdu. We hope you will come back…dear friend But why this pervading sadness…dear friend The familiar flavor in the atmosphere is singing… You are somewhere around…dear friend Please come back, Diana; this sinking world desperately needs a savior.

When a man dies they fetch him with a stretcher, just as he came in; only he enters with a blanket over him, and a flag covers him as he goes out. When he came in he was one of a convoy, but every man who can stand rises to his feet as he goes out. Then they play him to his funeral, to a grass mound at the back of the hospital.

Oh my lord. It can’t be. But it most certainly was. What in the heck is he doing here? Why in the hell was the star wide receiver of the Georgia Bulldogs at his mother’s funeral? The man that made history by coming out and telling the world he was bisexual two years ago. He was a hero, and he looked the part. He stood tall, at least 6’2”, or 6’3”. His wavy, dirty blond hair was longer on top than the cropped hair on the sides. Dark shades covered what he knew were magnetic, emerald-green eyes. His broad shoulders made his suit hang beautifully on his large body. Curtis’ mouth watered at the thought of all those muscles. He’d gotten glimpses of the man’s chest and biceps when the reporters and cameramen of ESPN would go in the locker room to listen to the coach congratulate his team on a win. There he was right there, just twenty feet away from him. 

AMERICAN LEGION FUNERAL HOT DISH 1 pound ground beef ½ onion, chopped 1 cup frozen sliced carrots 1 cup frozen cauliflower 1 cup frozen chopped broccoli 1 can cream of mushroom soup 1 can cream of chicken soup 3-4 stalks celery, chopped 2 tablespoons soy sauce ½ teaspoon white pepper 1 12-ounce bag chow mein noodles Preheat oven to 325°F. Fry hamburger and onion in large cast-iron pan, breaking hamburger up into small pieces. Drain and place in large baking pan. Mix vegetables, soups, celery, soy sauce and pepper, then combine with meat in pan. Fold in ⅔ of chow mein noodles (8 ounces), cover and bake for about an hour. Sprinkle remaining chow mein noodles on top. Put cover back on and bake another 15 minutes.

Sir Winston Churchill was born into the respected family of the Dukes of Marlborough. His mother Jeanette, was an attractive American-born British socialite and a member of the well known Spencer family. Winston had a military background, having graduated from Sandhurst, the British Royal Military Academy. Upon graduating he served in the Army between 1805 and 1900 and again between 1915 and 1916. As a British military officer, he saw action in India, the Anglo–Sudan War, and the Second South African Boer War. Leaving the army as a major in 1899, he became a war correspondent covering the Boer War in the Natal Colony, during which time he wrote books about his experiences. Churchill was captured and treated as a prisoner of war. Churchill had only been a prisoner for four weeks before he escaped, prying open some of the flooring he crawled out under the building and ran through some of the neighborhoods back alleys and streets. On the evening of December 12, 1899, he jumped over a wall to a neighboring property, made his way to railroad tracks and caught a freight train heading north to Lourenco Marques, the capital of Portuguese Mozambique, which is located on the Indian Ocean and freedom. For the following years, he held many political and cabinet positions including the First Lord of the Admiralty. During the First World War Churchill resumed his active army service, for a short period of time, as the commander of the 6th Battalion of the Royal Scots Fusiliers. After the war he returned to his political career as a Conservative Member of Parliament, serving as the Chancellor of the Exchequer where in 1925, he returned the pound sterling to the gold standard. This move was considered a factor to the deflationary pressure on the British Pound Sterling, during the depression. During the 1930’s Churchill was one of the first to warn about the increasing, ruthless strength of Nazi Germany and campaigned for a speedy military rearmament. At the outbreak of the Second World War, he was appointed First Lord of the Admiralty for a second time, and in May of 1940, Churchill became the Prime Minister after Neville Chamberlain’s resignation. An inspirational leader during the difficult days of 1940–1941, he led Britain until victory had been secured. In 1955 Churchill suffered a serious of strokes. Stepping down as Prime Minister he however remained a Member of Parliament until 1964. In 1965, upon his death at ninety years of age, Queen Elizabeth II granted him a state funeral, which was one of the largest gatherings of representatives and statesmen in history.

The bride's sleek dark hair was smoothed into an unusually restrained knot, but she'd stuck to her guns with the heavy black eyeliner. Her lacy black dress was a little funereal, but clearly a compromise between her own preference for Victoriana and the palace's idea of appropriate styling for a photo shoot that would make the history books. The groom was wearing a pink shirt, and his curls were fluffy. It was like a grown-up Emily the Strange marrying Bertie Wooster. The smiles were natural, the body language extremely affectionate, but their knuckles were white. Nerves or tension? Sylvie studied the cover shot for a few more seconds, then scrolled down to the article. The journalist would have had a lot of the copy sitting ready to go. This had been on the rumor mill since their first joint public appearance. The union between the king's eldest granddaughter and the youngest son of a baronet, who, according to this tabloid, had inherited neither land nor brain cells from his parents. The overgrown Goth princess and a stuttering social climber with all the poise and sophistication of a golden retriever. Charming.

Honestly, I would call us the juice economy. Or I guess used to be, up until everybody started getting wrecked on the newer product. We did not save our juice, we would give it to each and all we meet, because we’re going to need some of that back before long, along with the free advice and power tools. Covered dishes for a funeral, porch music for a wedding, extra hands for getting the tobacco in. Just talking about it made me homesick for the life of unlocked doors that Chartrain called Not the Real World.

This -- this religion of theirs -- was filthy; ugly, like the shiny black covers of their Bibles where their fingers left a grey, greasy smear. Filthy and frightful; like funerals. You might as well be buried alive, five coffins deep in a pit of yellow clay.

One dark day we will wake to find a suffocating blanket of cats has covered the entire globe like a mewling funeral shroud.

If people died in your house the least you could do was to attend the funeral.

Our family’s collective nonpanic at my father’s condition might have been shocking and even disturbing to many. The Silver Eagle, true patriot, lies at death’s door and his wife and offspring will get to it when they get to it. There’s a history here, one carefully covered and silenced. There’s a facade, curated over years, smoothed out by endless practice pretending everything is all right. As children, my brother and I learned that it was best to just avoid our father. If avoidance wasn’t possible, one could hope that he was in one of his shining moods. His everything-is-dandy-let’s-go-get-an-ice-cream-cone-and-toss-the-ball-around moods. Though these moods were shiny and glistening at first glance, it took very little to tarnish them: a drip of melted ice cream on the upholstery in the backseat, an easy grounder missed, unexpected traffic from a funeral procession

I was watching the news the other night, and they were still covering that story in Mumbai about the terrorists who went on a shooting rampage. The man on the news said that before the terrorists killed the Jews in the Jewish center, they tortured them. I had to turn off the television, because I could see the torture in my head the way they were describing it. I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller. If you want to talk about positive and negative charges in a story, ultimately I think you’d break those charges down into life and death. The fact of life and the reality of death give the human story its dramatic tension. For whatever reason, we don’t celebrate coming into life much. I mean we send cards and women have baby showers and all that, but because the baby can’t really say thank you, we don’t make a big deal out of it. We make a big deal out of death, though. We sit around at funerals, feeling sorry for the unfortunate person whom death happened to. We say nice things about the person; we dig a hole and put the body in the hole and cover the casket with all our questions. I heard that a lot of playwrights used to end their stories with a funeral if it was a tragedy and a wedding if it was a comedy. I think that’s why we make such a big deal out of weddings, because a wedding means life, and because the bride and groom are old enough to write a thank-you note for the serving spoons you gave them. And perhaps because you get to drink and dance, no matter how old you are. I only dance at weddings. I practically only drink at weddings, too, mostly because that’s where I do my dancing. One of the things that gives me hope is that, even with all the tragedy that happens in the world, the Bible says that when we get to heaven, there will be a wedding and there will be drinking and there will be dancing.

I waited. The heat was beginning to scorch my cheeks; beads of sweat were gathering in my eyebrows. It was just the same sort of heat as at my mother’s funeral, and I had the same disagreeable sensations—especially in my forehead, where all the veins seemed to be bursting through the skin. I couldn’t stand it any longer, and took another step forward. I knew it was a fool thing to do; I wouldn’t get out of the sun by moving on a yard or so. But I took that step, just one step, forward. And then the Arab drew his knife and held it up toward me, athwart the sunlight. A shaft of light shot upward from the steel, and I felt as if a long, thin blade transfixed my forehead. At the same moment all the sweat that had accumulated in my eyebrows splashed down on my eyelids, covering them with a warm film of moisture. Beneath a veil of brine and tears my eyes were blinded; I was conscious only of the cymbals of the sun clashing on my skull, and, less distinctly, of the keen blade of light flashing up from the knife, scarring my eyelashes, and gouging into my eyeballs.

Bing Crosby is said to have told a story about one of his sons at the age of six or so who was inconsolable when his pet turtle died. To distract the boy, Bing suggested that they have a funeral, and his son, seeming only slightly consoled, agreed. The two took a cigar box, lined it carefully with silk, painted the outside black, and then dug a hole in the back yard. Bing carefully lowered the “coffin” into the grave, said a long, heartfelt prayer, and sang a hymn. At the end of the service, the boy’s eyes were shining with sorrow and excitement. Then Bing asked if he would like to have one last look at his pet before they covered the coffin with earth. The boy said he would, and Bing raised the cigar-box lid. The two gazed down reverently, and suddenly the turtle moved. The boy stared at it for a long time, then looked up at his father and said, “Let’s kill it.”15

Nonetheless, there are few things that arouse in us greater distaste than to a see a human being caught up in it, at least if we are to judge by the efforts we make to keep corpses out of sight. In larger hospitals they are not only hidden away in discreet, inaccessible rooms, even the ways there are concealed, with their own lifts and basement corridors, and should you stumble upon one of them, the dead bodies being wheeled by are always covered. When they have to be transported from the hospital it is through a dedicated exit, into vehicles with tinted glass; in the church grounds there is a separate, windowless room for them; during the funeral ceremony they lie in closed coffins until they are lowered into the earth or cremated in the oven. It is hard to imagine what practical purpose this procedure might serve.

An Yi’s grandma lay on a cart, silent under the white sheet. Her face was covered. It had been smashed in her fall, and of course they would not make a wax replacement for a suicide. Suicide was a crime. It was “alienating oneself from the people,” according to what Chairman Mao said. So we were not in one of the private rooms. We wore no mourning bands. We could not play funeral music for Grandma.

They ate at a place called El Rey del Taco. At the entrance there was a neon sign: a kid wearing a big crown mounted on a burro that regularly kicked up its hind legs and tried to throw him. The boy never fell, although in one hand he was holding a taco and in the other a kind of scepter that could also serve as a riding crop. The inside was decorated like a McDonald’s, but in an unsettling way. The chairs were straw, not plastic. The tables were wooden. The floor was covered in big green tiles, some of them printed with desert landscapes and episodes from the life of El Rey del Taco. From the ceiling hung piñatas featuring more adventures of the boy king, always accompanied by the burro. Some of the scenes depicted were charmingly ordinary: the boy, the burro, and a one-eyed old woman, or the boy, the burro, and a well, or the boy, the burro, and a pot of beans. Other scenes were set firmly in the realm of the fantastic: in some the boy and the burro fell down a ravine, in others, the boy and the burro were tied to a funeral pyre, and there was even one in which the boy threatened to shoot his burro, holding a gun to its head. It was as if El Rey del Taco weren’t the name of a restaurant but a character in a comic book Fate happened never to have heard of. Still, the feeling of being in a McDonald’s persisted. Maybe the waitresses and waiters, very young and dressed in military uniforms (Chucho Flores told him they were dressed up as federales), helped create the impression. This was certainly no victorious army. The young waiters radiated exhaustion, although they smiled at the customers. Some of them seemed lost in the desert that was El Rey del Taco. Others, fifteen-year-olds or fourteen-year-olds, tried in vain to joke with some of the diners, men on their own or in pairs who looked like government workers or cops, men who eyed them grimly, in no mood for jokes. Some of the girls had tears in their eyes, and they seemed unreal, faces glimpsed in a dream. “This place is like hell,” he said to Rosa Amalfitano. “You’re right,” she said, looking at him sympathetically, “but the food isn’t bad.

Then they went into José Arcadio Buendía's room, shook him as hard as they could, shouted in his ear, put a mirror in front of his nostrils, but they could not awaken him. A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.

The morning of the funeral an honor guard from Albuquerque fired the salute; two big flags covered the coffins completely, and it looked as if the people from the village had gathered only to bury the flags.

There's much to do," she said. "The funeral will be in Ireland." She gave Helen a stricken glance. "I haven't been there since I was a child." "You don't have to make decisions right now," Helen said. "Perhaps you should go upstairs and lie down." "I can't, there are things I must-" Kathleen stopped as Devon entered the room. His intent gaze swept over her, coming to rest on her bleached white face. "What is it, love?" he asked gently. "My father's gone." She tried very hard to sound prosaic. "It's not a surprise, of course. We knew that he was in ill health." "Yes." Devon came forward and took her rigid form against his, wrapping her in his arms. "I'm perfectly calm," she said against his shoulder. "Yes." Devon kissed her temple. His face was taut with concern, the blue eyes hazed with tenderness. "I'm not going to cry." Her tone was matter-of-fact. "He certainly wouldn't have wanted my tears." Devon smoothed her hair, his hand covering half her small head. "Give them to me, then," he said softly. Kathleen hid her face in his shirtfront, her slight form seeming to wilt. In a few seconds, a low, broken keening sound began to emerge without stopping. Her husband laid his cheek on her head and cradled her closer against the solid reassurance of his body.

monitor. He giggles and whispers at the screen. He’s looking at two digital photographs. One is a newspaper photo taken at a funeral service, zoomed in on the mourners. I know that funeral. I covered it for Channel Four News, the funeral of Hannah Walker, the beautiful blonde girl killed in Compton. The other photo is from a local football game, with an inset profile of star quarterback

Grandfather Shi must have loved Ita Thao. His relatives were certainly making his last hours there memorable ones. Though the ceremony did not have strippers (at least none that we saw), there was no shortage of other elements designed to produce 'hot noise' that's an indispensable feature of any Taiwanese funeral. Designed to celebrate the life of the deceased and ensure their smooth passing into the next world, Grandfather Shi's hot noise included gongs mixed with rigorous Buddhist chanting, pop music, karaoke, and later, a live band complete with drummers and an accordion. All of this was taking place under a covered tent set up in the alleyway next to the Cherry Feast Resort, where we'd booked a three-day stay in advance.

Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends. Honestly, I would call us the juice economy. Or I guess used to be, up until everybody started getting wrecked on the newer product. We did not save our juice, we would give it to each and all we meet, because we’re going to need some of that back before long, along with the free advice and power tools. Covered dishes for a funeral, porch music for a wedding, extra hands for getting the tobacco in.

It was completely annoying that it had been sunny and bright on the day of Patrick’s funeral. Not one single cloud in the sky as a sea of men in uniform, their badges all covered with a black horizontal stripe to mark the loss of one of their own, milled around a cemetery. Their expressions were solemn, and many of them were visibly sweating from wearing heavy uniforms in the Southern California heat.