Fuming Quotes

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Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.
William Shakespeare (Romeo and Juliet)
I don't know many rules to live by,' he'd said. 'But here's one. It's simple. Don't put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles--drug or tattoo--and...no inessential penises either.' 'Inessential penises?' Karou had repeated, delighted with the phrase in spite of her grief. 'Is there any such thing as an essential one?' 'When an essential one comes along, you'll know,' he'd replied.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I don’t expect you will really understand the beauty of the softly simmering cauldron with its shimmering fumes, the delicate power of liquids that creep through human veins, bewitching the mind, ensnaring the senses...
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Desjardins was literally fuming. His tattered robes still smoked from battle. (Carter says I shouldn’t mention that his pink boxer shorts were showing, but they were!)
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You are here to learn the subtle science and exact art of potion-making. As there is little foolish wand-waving here, many of you will hardly believe this is magic. I don't expect you will really understand the beauty of the softly simmering cauldron with its shimmering fumes, the delicate power of liquids that creep through human veins, bewitching the mind, ensnaring the senses. . . I can teach you how to bottle fame, brew glory, even stopper death — if you aren't as big a bunch of dunderheads as I usually have to teach.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
That's what's so stupid about the whole magic thing, you know. You spend twenty years learning the spell that makes nude virgins appear in your bedroom, and then you're so poisoned by quicksilver fumes and half-blind from reading old grimoires that you can't remember what happens next.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
Lost in my dreams, I somehow cross at the traffic signals, bumping into street lamps or people, yet moving onward, exuding fumes of beer and grime, yet smiling, because my briefcase is full of books and that very night I expect them to tell me things about myself I don't know.
Bohumil Hrabal (Too Loud a Solitude)
I pop a cassette into the Buick's stereo. It's the Ramones. I turn the volume up high and roll down the windows. The highway air tastes of fumes, but it still feels goddamn good to breathe
Hank Moody (God Hates Us All)
We fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess--across the night...
Jack Kerouac (On the Road)
My head was full of misty fumes of doubt.
Zora Neale Hurston (Dust Tracks on a Road)
Yako forced the rag tightly against Candice’s nose and mouth. Twisting her head and trying to scream, she gasped for air but only succeeded in inhaling the rag’s toxic fumes.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.
Beppe Severgnini (La Bella Figura: A Field Guide to the Italian Mind)
It was exciting to be off on a journey she had looked forward to for months. Oddly, the billowing diesel fumes of the airport did not smell like suffocating effluence, it assumed a peculiar pungent scent that morning, like the beginning of a new adventure, if an adventure could exude a fragrance.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
I will not stand here to be insulted by you, hedgepig," Mangiz fumed. "Then stand somewhere else and I'll insult you there, featherbag!!
Brian Jacques (Mattimeo (Redwall, #3))
I am not the heroine of this story. And I'm not trying to be cute. It's the truth. I'm diagnosed borderline and seriously fucked-up. I hold grudges. I bottle my hate until it ferments into poison, and then I get high off the fumes. I'm completely dysfunctional and that's the way I like it, so don't expect a character arc where I finally find Redemption, Growth, and Change, or learn How to Forgive Myself and Others.
Leah Raeder (Black Iris)
A man becomes calm in the measure that he understands himself as a thought-evolved being. For such knowledge necessitates the understanding of others as the result of thought, and as he develops a right understanding, and sees ever more clearly the internal relations of things by the action of cause and effect, he ceases to fuss, fume, worry, and grieve. He remains poised, steadfast, serene.
James Allen (As a Man Thinketh)
Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
Tom Robbins (Wild Ducks Flying Backward)
Sage could barely move, fastened in the wrecked car by her seatbelt. She was coughing and barely able to breathe. The acrid taste of smoke and the gas fumes overwhelmed her and the pain was excruciating.
Sharon Carter (Love Auction: Too Risky to Love Again)
Thomas stood up to pace around the little room, fuming with an intense desire to keep his promise. "I swear, Chuck," he whispered to no one. "I swear I"ll get you back home.
James Dashner (The Maze Runner (The Maze Runner, #1))
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
To ride a bicycle is in itself some protection against superstitious fears, since the bicycle is the product of pure reason applied to motion. Geometry at the service of man! Give me two spheres and a straight line and I will show you how far I can take them. Voltaire himself might have invented the bicycle, since it contributes so much to man’s welfare and nothing at all to his bane. Beneficial to the health, it emits no harmful fumes and permits only the most decorous speeds. How can a bicycle ever be an implement of harm?
Angela Carter
I don’t know many rules to live by,” he’d said. “But here’s one. It’s simple. Don’t put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles—drug or tattoo—and… no inessential penises, either.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Gold conjures up a mist about a man, more destructive of all his old senses and lulling to his feelings than the fumes of charcoal.
Charles Dickens (Nicholas Nickleby)
I don't think it would be fun to write after inhaling art fumes. (What are art fumes?) No, I just make stuff up. It's easier that way.
Neil Gaiman
The drug of love was no escape, for in its coils lie latent dreams of greatness which awaken when men and women fecundate each other deeply. Something is always born of man and woman lying together and exchanging the essences of their lives. Some seed is always carried and opened in the soil of passion. The fumes of desire are the womb of man's birth and often in the drunkeness of caresses history is made, and science, and philosophy. For a woman, as she sews, cooks, embraces, covers, warms, also dreams that the man taking her will be more than a man, will be the mythological figure of her dreams, the hero, the discoverer, the builder....Unless she is the anonymous whore, no man enters woman with impunity, for where the seed of man and woman mingle, within the drops of blood exchanged, the changes that take place are the same as those of great flowing rivers of inheritance, which carry traits of character from father to son to grandson, traits of character as well as physical traits. Memories of experience are transmitted by the same cells which repeated the design of a nose, a hand, the tone of a voice, the color of an eye. These great flowing rivers of inheritance transmitted traits and carried dreams from port to port until fulfillment, and gave birth to selves never born before....No man and woman know what will be born in the darkness of their intermingling; so much besides children, so many invisible births, exchanges of soul and character, blossoming of unknown selves, liberation of hidden treasures, buried fantasies...
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
Put something in your stomach to absorb the alcohol before you spontaneously combust from the fumes. (Nykyrian) Yeah, it’d be a damn shame to blow my internal organs all over your new shirt.(Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
She lives on the fumes of whiskey and the iron in the blood of her prey.
Hilary Mantel (The Assassination of Margaret Thatcher)
Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.
Tom Robbins (Jitterbug Perfume)
I, being born a woman and distressed By all the needs and notions of my kind, Am urged by your propinquity to find Your person fair, and feel a certain zest To bear your body's weight upon my breast; So subtly is the fume of life designed, To clarify the pulse and cloud the mind, And leave me once again undone, possessed. Think not for this, however, the poor treason Of my stout blood against my staggering brain, I shall remember you with love, or season My scorn with pity, - let me make it plain: I find this frenzy insufficient reason For conversation when we meet again.
Edna St. Vincent Millay
Nobody got me out," Nellie replied. "They just let me go. They think I'm a deranged Jonah Wizard fan. Apparently, the hotel's full of them. A couple of idiots actually jumped off the front balcony. Can you picture that?" "In Technicolor," Amy said bitterly. "That low-down KGB reject!" Dan fumed. "I can't believe she cheated me–right when I was in the middle of cheating her!
Gordon Korman (One False Note (The 39 Clues, #2))
So we went to bed, assaulted by sleep that fumed at us from medicine glasses, or was wielded from small sweet-coated tablets -- dainty bricks of dream wrapped in the silk stockings of oblivion.
Janet Frame
He was the first to reach the aircraft, and he went for the door that by some miracle was facing outward and not into the concrete wall. Wrenching the thing open, and getting out his flashlight, he didn’t know what to expect inside—smoke? Fumes? Blood and body parts? Zsadist was sitting rigid in a backward-facing seat, his big body strapped in, both hands locked on the armrests. The Brother was staring straight ahead and not blinking. “Have we stopped moving?” he said hoarsely
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Bob poured and brought two cups over, hardly rattling them on the saucers. "Drink up. This should restore your inner bitch." Bailey scowled at him. "See?" he said. "It's working already, and all you've had is fumes.
Mark All (Mystic Witch)
And really–I would rather suck truck fumes than deal with this sort of shit forever. Mom says that Nader is a loser who will grow up to be a loser and that I'll understand when I'm forty. But I want to understand now.
A.S. King (Everybody Sees the Ants)
Simon Pack attempting to rescue victims in a burning building: “His lungs burned, his eyes almost unseeing from the sting of fumes and smoke. Timbers cracking, things making small explosions, the heavy roaring a fire makes, all these together overwhelmed human sounds.
John M. Vermillion (Pack's Posse (Simon Pack, #8))
And as the morning steals upon the night, melting the darkness, so their rising senses begin to chase the ignorant fumes that mantle their clearer reason.
William Shakespeare (The Tempest)
The poets say some moths will do anything out of love for a flame [...] The moth takes off again, and we both step back, because he's circling at eye level now and seems to have lost rudder control, smacking into the wall on each round. He circles lower and lower, spinning around the candle in tighter revolutions, like a soap sud over an open drain. A few times he seems to touch the flame, but dances off unhurt. Then he ignites like a ball of hair, curling into an oily puff of fumes with a hiss. The candle flame flickers and dims for a moment, then burns as bright as before. Moth Smoke Lingers.
Mohsin Hamid (Moth Smoke)
If other ages felt less, they saw more, even though they saw with the blind, prophetical, unsentimental eye of acceptance, which is to say, of faith. In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber.
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
Maleela stalked up to him and slapped him hard across the right cheek. Her eyes fumed with anger. “You idiot! Do you have any idea what would have happened if they had caught
Christian Warren Freed (Hammers in the Wind (Northern Crusade, #1))
There was no time to weigh chances. There was no such thing as chances anyway, in the distorted perspective of the weed fumes.
Cornell Woolrich (Marihuana)
Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...
Jennifer Egan (A Visit from the Goon Squad)
Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.) The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have.
Susan Sontag (Against Interpretation and Other Essays)
Human life--that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams.
Oscar Wilde (The Picture of Dorian Gray)
Leave? Of course, just leave. Fuck me for being so stupid,” he fumed and then dropped his hands away. “And fuck you for making me fall in love with you.
Ella Frank (Take (Temptation, #2))
He fumed like a bottled storm.
Charlotte Brontë (Villette)
I couldn't believe I let him see me like this, unable to fend for myself. I fumed in disgust at my vulnerability. I didn't want Evan to think I needed protecting. I pulled back my torment and let the numb blanket envelop me, pushing away the stirred memories, the noise of the crowd, and the trembling that still lay beneath the surface. I stared at the flames licking at the darkness and everything was lost as I sank deeper into nothingness.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
Proper handling of a horse like this is no simple matter. He was trained to race, from birth. Not only to race, but to be the best. Once a champion, he was spoiled with attention and permissive handling. Add to that, he's an ungelded male, with a strong natural mating drive. It all adds up to a horse with a mile-wide streak of arrogance, bloody bored out of his mind. Without proper exercise and opportunities to mate, all that aggressive energy festers. He becomes moody, intractable, withdrawn, destructive." Ashworth raised an eyebrow at Bellamy. "Is it just me, or is this conversation becoming uncomfortably personal?" Spencer fumed. "I'm not referring to myself, you ass.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Cigarettes and Whiskey and Wild, Wild Women" Perhaps I was born kneeling, born coughing on the long winter, born expecting the kiss of mercy, born with a passion for quickness and yet, as things progressed, I learned early about the stockade or taken out, the fume of the enema. By two or three I learned not to kneel, not to expect, to plant my fires underground where none but the dolls, perfect and awful, could be whispered to or laid down to die. Now that I have written many words, and let out so many loves, for so many, and been altogether what I always was— a woman of excess, of zeal and greed, I find the effort useless. Do I not look in the mirror, these days, and see a drunken rat avert her eyes? Do I not feel the hunger so acutely that I would rather die than look into its face? I kneel once more, in case mercy should come in the nick of time.
Anne Sexton
Foul and magical fumes bubbled out of the kettle, like the flatulence of a dragon on a demon-only diet.
Christopher Moore (Bite Me (A Love Story, #3))
My problem is that I want to smoke the cigar and for someone else to light it. I want to blow out smoke. Like a volcano. Like a monster. I want to fume. I do not want to be the girl whose job it is to wail in a high-pitched voice at funerals.
Deborah Levy (Hot Milk)
Can't you just thank me and get over it?" "Thank you." I waited, fuming and expectant. "You're not going to let it go, are you?" "No." "In that case . . . I hope you enjoy disappointment." We scowled at each other in silence. I was the first to speak, trying to keep myself focused. I was in danger of being distracted by his livid, glorious face. It was like trying to stare down a destroying angel. "Why did you even bother?" I asked frigidly. He paused, and for a brief moment his stunning face was unexpectedly vulnerable. "I don't know," he whispered.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
I used to be a poet. My words were traded in marketplaces like pieces of gold. Merchants bought my verses for as much as they paid for saffron and Indian jade. Now I am old... drunk on wine and candle fumes. Alone in this barren room, I speak my psalms to the night air so as to entertain moths before they go off to die. I used to be a poet and my words were gold.
Roman Payne
I want students to engage the way a clutch on a car gets engaged: an engine can be running, making appropriate noises, burning fuel and creating exhaust fumes, but unless the clutch is engaged, nothing moves. It's all sound and smoke, and nobody gets anywhere.
Robert L. Fried (The Passionate Teacher: A Practical Guide)
Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.
Leo Tolstoy (Resurrection)
In general I strive for greatness and rational achievement, but I admit to you I’ve a terrible fondness for women, a tendency towards drunkenness, and a weakness for the fumes of the poppy—opium and other miserable beauties.
Roman Payne
I’ve never met a man who can say so much without saying anything at all,” I fumed as Nikolai walked me back to the Little Palace after a particularly wretched session. “There’s got to be something you can do.” “Like what?” “Get one of his prize ponies to kick him in the head.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
A woman carries her inner life - lugs it around or holds it in fumes that both poison and bless her - while nourishing another's inner life, many others actually, while never revealing too much madness, or, possibly, never revealing where she stores it: her island of lost mind.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
What have you done?" "Sir," Jack held up his hands in surrender. "I know how this looks. You have every right to be upset." "Upset?" he fumed. "Do I look upset to you?" "You look upset to me," I noted.
Cecily White (Prophecy Girl (Angel Academy, #1))
All those happy, pretty, successful people- he hated them because he knew they didn't really exist, and he hated even more the magazine that glorified them and in a way that made them exist, actors, rock musicians, famous writers, politicians. Those aren't people, he fumed, they're photographs.
Russell Banks (Continental Drift)
you may fume and fidget as you please: but this is the best plan to pursue with you, I am certain. I like you more than I can say; but I’ll not sink into a bathos of sentiment: and with this needle of repartee I’ll keep you from the edge of the gulf too; and, moreover, maintain by its pungent aid that distance between you and myself most conducive to our real mutual advantage.
Charlotte Brontë
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.
Ryūnosuke Akutagawa (Hell Screen)
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Quit eye fucking him!” I spit out, finger in her face. “I’m right fucking here. Do you know how disrespectful that is?” I fume, pointing up and down my body. “Yeah, you fucking slut!” Lucy yells from next to me… “ I’m so fucking sick of girls like you thinking it’s okay to want what’s not yours to have.” “Fucking whore!” Lucy yells, she’s drunk. I love drunk Lucy.
Jay McLean (More Than This (More Than, #1))
When you awaken you look so fresh Your skin so soft and hair an artistic mesh Your natural scent is a fragrant perfume Your dashing figure makes hearts fume Your bright mind is vibrant with wit Your captivating smile is brightly lit Your teeth are absolute perfection Nature endowed you with a fine selection Your eyes are spectacles of celestial charm Gorgeous and stunning, striking with alarm
Mohamad Jebara (The Illustrious Garden)
One more thing," I said because I couldn't help myself. "Mallory, if your middle name is Audrey and your initials are M. A. K.. -" She raised an index finger. "Don't say it, Beantown." "We are totally calling you Mack now." "Mallory fumed. "My friends in Belfast used to call me that. Constantly." That wasn't a no so I decided we had permission.
Rick Riordan (Magnus Chase and the Ship of the Dead (Book 3))
An addition that takes time to depart, and sometimes, never leaves at all. A smell, a touch, thoughts, moments, feelings, movements, words left unsaid, words barely spoken; they all have a distinct sense, distinct fragrances! .... A pungent of cinnamon, an aroma of a rose, a summer breeze, a sweet smile like a per-fume that lingers on and on... endlessly.
Angie karan
Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz.
William Shakespeare (Romeo and Juliet)
Pam," Issy attempted, voice high with fear. "I can tell you, from this side of the fence..you really need to calm down." "I will shoot you in the face if you say one more word to me," I fumed. "So noted." "I am so glad that I am an only child," Coalhouse remarked quietly.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
Newt reached out and grabbed Alby by the shoulders. "Alby, lay off a bit. You're hurtin' more than helpin', ya know?" Alby let go of Thomas's shirt and stepped back, his chest heaving with breaths. "Ain't got time to be nice, Greenbean. Old life's over, new life's begun. Learn the rules quick, listen, don't talk. You get me?" Thomas looked over at Newt, hoping for help. Everything inside him churned and hurt; the tears that had yet to come burned his eyes. Newt nodded. "Greenie, you get him, right?" He nodded again. Thomas fumed, wanted to punch somebody. But he simply said, "Yeah.
James Dashner (The Maze Runner (The Maze Runner, #1))
The charm dissolves apace, And, as the morning steals upon the night, Melting the darkness, so their rising senses Begin to chase the ignorant fumes that mantle Their clearer reason. Their understanding Begins to swell: and the approaching tide Will shortly fill the reasonable shores That now lie foul and muddy.
William Shakespeare (The Tempest)
Feisty, am I? My husband is a member of the Congregation. A posse of men is coming on horseback to accuse me of harming a friendless old woman. I’m in a strange place and keep getting lost on my way to the bedroom. I still have no shoes. And I’m living in a dormitory full of adolescent boys who never stop talking!” I fumed. “But you needn’t trouble yourself on my account. I can take care of myself!
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
Take him away. Prepare a feast. Forget nothing. My crown: the golden cutlery. The poison bottles; and the fumes; the wreaths of ivy and the bloody joints; the chains; the bowl of nettles; the spices; the baskets of fresh grass; the skulls and spines; the ribs and shoulder-blades. Forget nothing or, by the blindness of my sockets, I will have your hearts out. Take him away...
Mervyn Peake (Boy in Darkness and Other Stories)
He found that he had this sudden desperate longing for the fuming, smoky streets of Ankh-Morpork, which was always at its best in the spring, when the gummy sheen on the turbid waters of the Ankh River had a special iridescence and the eaves were full of birdsong, or at least birds coughing rhythmically
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
After ripping through The Hobbit, I read The Lord of the Rings, and the darkness of that story enveloped me in a way that is impossible to explain. I was THERE, in a very real sense. The fear was palpable in the presence of the black-cloaked Ringwraiths, and I could taste the sulfurous fumes of Mt. Doom. I could smell the sweat of horses and hot leather and hear the clash of battle as I rode with the Rohan on the fields of the Pelennor. I bled and died with the sun-king, Theoden. I rose again with Eowyn’s defiance of the Witch King. I soared with the Eagles as they swept the broken and bloody body of Frodo and his companion Samwise the Brave from the smoking crags of the fiery mountain. There has never been such a story, and I don’t think there ever shall be again.
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)
For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards " fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have the rarest of gifts, a perfectly balanced mind, you will say "frumious.
Lewis Carroll (The Hunting of the Snark)
It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed is as soon as he entered the still darkened house where he has hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.
Gabriel García Márquez (Love in the Time of Cholera)
On a blustery October night in a church outside Minneapolis, several hundred believers had gathered for a three-day seminar. I began with a one-hour presentation on the gospel of grace and the reality of Salvation. Using Scripture, story, symbolism, and personal experience, I focused on the total sufficiency of the redeeming work of Jesus Christ on Calvary. The service ended with a song and a prayer. Leaving the church by a side door, the pastor turned to his associate and fumed, 'Humph, that airhead didn't say one thing about what we have to do to earn our salvation!' Something is radically wrong.
Brennan Manning (The Ragamuffin Gospel)
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door. “You are so pushy!” I grumbled “It’s open,” was all he responded. He got in the driver’s side. “I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back. He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.” I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good. “I’ll just drag you back,” he threatened, guessing my plan.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Sniffer of carrion, premature gravedigger, seeker of the nest of evil in the bosom of a good word, you, who sleep at our vigil and fast for our feast, you with your dislocated reason, have cutely foretold, a jophet in your own absence, by blind poring upon your many scalds and burns and blisters, impetiginous sore and pustules, by the auspices of that raven cloud, your shade, and by the auguries of rooks in parlament, death with every disaster, the dynamatisation of colleagues, the reducing of records to ashes, the levelling of all customs by blazes, the return of a lot of sweetempered gunpowdered didst unto dudst but it never stphruck your mudhead's obtundity (O hell, here comes our funeral! O pest, I'll miss the post!) that the more carrots you chop, the more turnips you slit, the more murphies you peel, the more onions you cry over, the more bullbeef you butch, the more mutton you crackerhack, the more potherbs you pound, the fiercer the fire and the longer your spoon and the harder you gruel with more grease to your elbow the merrier fumes your new Irish stew.
James Joyce (Finnegans Wake)
Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Susan Sontag
When the knife was busy with my life's most intimate tie, my mind was so clouded with fumes of intoxicating gas that I was not in the least aware of what a cruel thing was happening. Possibly this is woman's nature. When her passion is roused she louses her sensibility for all that is outside it. When, like the river, we women keep to our banks, we give nourishment with all that we have: when we overflow them we destroy with all that we are.
Rabindranath Tagore (The Home and the World)
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
It is easy enough to call men from the edges of the earth. It is easy enough to summon them to my feet with a thought– it is beautiful to see the tall panther and the sleek deer-hounds circle in the dark. It is easy enough to make cedar and white ash fumes into palaces and to cover the sea-caves with ivory and onyx. But I would give up rock-fringes of coral and the inmost chamber of my island palace and my own gifts and the whole region of my power and magic for your glance.
H.D.
Literature is the great garden that is always there and is open to everyone 24 hours a day. Who tends it? The old tour guides and sylviculturists, the wardens, the fuming parkies in their sweat-soaked serge: these have died off. If you do see an official, a professional, these days, then he's likely to be a scowl in a labcoat, come to flatten a forest or decapitate a peak. The public wanders, with its oohs and ahs, its groans and jeers, its million opinions. The wanderers feed the animals, they walk on the grass, they step in the flowerbeds. But the garden never suffers. It is, of course, Eden; it is unfallen and needs no care.
Martin Amis
Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.
Jenny Zhang (Sour Heart)
Now I see things differently. It took me some time, but I know the secret now. Freedman Town serves a good purpose -- not for the people who live there, Lord knows; people stuck there by poverty, by prejudice, by laws that keep them from moving or working. Freedman Town's purpose is for the rest of the world. The world that sits, like Martha, with dark glasses on, staring from a distance, scared but safe. Create a pen like that, give people no choice but to live like animals, and then people get to point at them and say 'Will you look at those animals? That's what kind of people those people are.' And that idea drifts up and out of Freedman Town like chimney smoke, black gets to mean poor and poor to mean dangerous and all the words get murked together and become one dark idea, a cloud of smoke, the smokestack fumes drifting like filthy air across the rest of the nation.
Ben H. Winters (Underground Airlines)
They had to evacuate the grade school on Tuesday. Kids were getting headaches and eye irritations, tasting metal in their mouths. A teacher rolled on the floor and spoke foreign languages. No one knew what was wrong. Investigators said it could be the ventilating system, the paint or varnish, the foam insulation, the electrical insulation, the cafeteria food, the rays emitted by microcomputers, the asbestos fireproofing, the adhesive on shipping containers, the fumes from the chlorinated pool, or perhaps something deeper, finer-grained, more closely woven into the basic state of things.
Don DeLillo (White Noise)
I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free. Character building, my father said. Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh. Still, it was better than jail. I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.
Laurie Halse Anderson (Twisted)
Roddy the assistant manager lived in the theater. He'd emptied out one of the supply closets. He'd installed an inflatable mattress, a Shower Anywhere portable shower, and a wee television. He slept amid the powdered-butter fumes and empty drink-syrup tanks. He had grub-white skin and Goth circles under his eyes that, unlike those of Goths, came from really, truly existing half in the world of the dead. He smelled like carpeting, Scotch tape, and steak sauce. He was almost forty but had one of those half mustaches that thirteen-year-olds have. He was the closest thing to a zombie I've yet encountered in this world.
Patton Oswalt (Zombie Spaceship Wasteland)
What you’re saying is this spider, with a brain the size of strawberry seed, hid in your car with its face covered to avoid being gassed by insect spray.” He stood in front of me, laughing, peering down into my eyes. “And then, when the fumes dispersed, he set about plotting revenge. Once he’d come up with his plan, he exited your car and, even though he didn’t see which direction you went in, he found the front door because he knew you were inside this house.” Biting down on his bottom lip, Ric smirked. “Don’t you think, if he was as smart as all that, he’d have worn a mask before he ran out from under visor so you couldn’t recognise him on your doormat?
Zathyn Priest (One of Those Days)
Great laughter rang from all sides. I wondered what the spirit of the Mountain was thinking; and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great western slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the eastern Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. And beyond, beyond, over the Sierras the other side if Carson sink was bejeweled bay-encircled nightlike old Frisco of my dreams. We were situated on the roof of America and all we could do was yell, I guess - across the night, eastward over the plains where somewhere a man with white hair was probably walking toward us with the Word and would arrive any minute and make us silent.
Jack Kerouac (On the Road: The Original Scroll)
At Swindon we turned off the main road and, as the sun mounted high, we were among dry-stone walls and ashlar houses. It was about eleven when Sebastian, without warning, turned the car into a cart track and stopped. It was hot enough now to make us seek the shade. On a sheep-cropped knoll under a clump of elms we ate the strawberries and drank the wine--as Sebastian promised, they were delicious together--and we lit fat, Turkish cigarettes and lay on our backs, Sebastian's eyes on the leaves above him, mine on his profile, while the blue-grey smoke rose, untroubled by any wind, to the blue-green shadows of foliage, and the sweet scent of the tobacco merged with the sweet summer scents around us and the fumes of the sweet, golden wine seemed to lift us a finger's breadth above the turf and hold us suspended. "Just the place to bury a crock of gold," said Sebastian. "I should like to bury something precious in every place where I've been happy and then, when I was old and ugly and miserable, I could come back and dig it up and remember.
Evelyn Waugh (Brideshead Revisited)
Philippa Somerville was annoyed. To her friends the Nixons, who owned Liddel Keep, and with whom Kate had deposited her for one night, she had given an accurate description of Sir William Scott of Kincurd, his height, his skill, his status, and his general suitability as an escort for Philippa Somerville from Liddesdale to Midculter Castle. And the said William Scott had not turned up. She fumed all the morning of that fine first day of May, and by afternoon was driven to revealing her general dissatisfaction with Scotland, the boring nature of Joleta, her extreme dislike of one of the Crawfords and the variable and unreliable nature of the said William Scott. She agreed that the Dowager Lady Culter was adorable, and Mariotta nice, and that she liked the baby.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.
Ernest Becker (Escape from Evil)
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth. People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way. What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself. Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core. In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.
Vasily Grossman (Life and Fate)
We will need to stay over two nights in a hotel on our trip home.” Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?” Mr. Kadam chuckled. “I’ll see what I can do.” I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.” He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face. I sputtered, “Ren! That is so disgusting!” I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road. Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes. I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))