Fry Up Quotes

We've searched our database for all the quotes and captions related to Fry Up. Here they are! All 200 of them:

Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." ... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
I wonder how many people don't get the one they want, but end up with the one they're supposed to be with.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Nobody owns life, but anyone who can pick up a frying pan owns death.
William S. Burroughs
Keep climbing,' he told himself. 'Cheeseburgers,' his stomach replied. 'Shut up,' he thought. 'With fries,' his stomach complained.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
My first words, as I was being born [...] I looked up at my mother and said, 'that's the last time I'm going up one of those.
Stephen Fry
A man fishes for two reasons: he’s either sport fishing or fishing to eat, which means he’s either going to try to catch the biggest fish he can, take a picture of it, admire it with his buddies and toss it back to sea, or he’s going to take that fish on home, scale it, fillet it, toss it in some cornmeal, fry it up, and put it on his plate. This, I think, is a great analogy for how men seek out women.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing so for a long time.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
I like to wake up each morning and not know what I think, that I may reinvent myself in some way.
Stephen Fry
Why? You want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you. "Why?" is the wrong question. Ask "Why not?
Laurie Halse Anderson (Wintergirls)
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Workaholics aren't heroes. They don't save the day, they just use it up. The real hero is home because she figured out a faster way
Jason Fried (Rework)
You got up, and you did something. And if trying to find a way when you don't even know you can get there isn't a small miracle; then I don't know what is.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea, see the titbits and topsyturvies, bobs and buttontops, bags and bones, ash and rind and dandruff and nailparings, saliva and snowflakes and moulted feathers of dreams, the wrecks and sprats and shells and fishbones, whale-juice and moonshine and small salt fry dished up by the hidden sea.
Dylan Thomas (Under Milk Wood)
Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Last time I was down South I walked into this restaurant, and this white waitress came up to me and said: 'We don't serve colored people here.' "I said: 'that's all right, I don't eat colored people. Bring me a whole fried chicken.
Dick Gregory
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
They had reached Lockhart's classroom… 'You could've fried an egg on your face' said Ron. 'You'd better hope Creevey doesn't meet Ginny, or they'll be starting a Harry Potter fan club.' ‘Shut up,’ snapped Harry. The last thing he needed was for Lockhart to hear the phrase ‘Harry Potter fan club’.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
True story This morning I jumped on my horse And went for a ride, And some wild outlaws chased me And shot me in the side. So I crawled into a wildcats cave To find a place to hide But some pirates found me sleeping there And soon they had me tied To a pole and built a fire Under me---I almost cried Till a mermaid came and cut me loose And begged to be my bride So I said id come back Wednesday But I must admit I lied. Then I ran into a jungle swamp But I forgot my guide And I stepped into some quicksand And no matter how hard I tried I couldn’t get out, until I met A watersnake named Clyde Who pulled me to some cannibals Who planned to have me fried But an eagle came and swooped me up And through the air we flied But he dropped me in a boiling lake A thousand miles wide And you’ll never guess what I did then--- I DIED
Shel Silverstein
There are young men and women up and down the land who happily (or unhappily) tell anyone who will listen that they don’t have an academic turn of mind, or that they aren’t lucky enough to have been blessed with a good memory, and yet can recite hundreds of pop lyrics and reel off any amount of information about footballers. Why? Because they are interested in those things. They are curious. If you are hungry for food, you are prepared to hunt high and low for it. If you are hungry for information it is the same. Information is all around us, now more than ever before in human history. You barely have to stir or incommode yourself to find things out. The only reason people do not know much is because they do not care to know. They are incurious. Incuriosity is the oddest and most foolish failing there is.
Stephen Fry (The Fry Chronicles)
The alarm in the morning? Well, I have an old tape of Carlo Maria Giulini conducting the Vienna Philharmonic Orchestra in a perfectly transcendent version in Shubert's seventh symphony. And I've rigged it up so that at exactly 7:30 every morning it falls from the ceiling onto my face.
Stephen Fry
Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not understand." "I want to use the dam water fountain," Grover said. "And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt." I busted up, and I probably would've kept laughing all day, but then I heard a noise: "Moooo." The smile melted off my face. I wondered if the noise was just in my head, but Grover had stopped laughing too. He was looking around, confused. "Did I just hear a cow?" "A dam cow?" Thalia laughed.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
So, how was work? You clearly missed me.” I put my hands on my face in embarrassment and he just laughs a bit to himself. “It was boring.” It’s the truth. “No one to antagonize, huh?” “I tried abusing some of the gentle folk in payroll but they got all teary.” “The trick is to find that one person who can give it back as good as they can take it.” He takes out a pan and begins to fry the vegetables in a single, stingy drop of oil. “Sonja Rutherford, probably. That scary lady in the mailroom that looks like an albino Morticia Addams.” “Don’t line my replacement up too quick. You’ll hurt my feelings.
Sally Thorne (The Hating Game)
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
We gave you a perfectly good language and you f***ed up.
Stephen Fry
Plus, if you’re a copycat, you can never keep up. You’re always in a passive position. You never lead; you always follow. You give birth to something that’s already behind the times—just a knockoff, an inferior version of the original. That’s no way to live.
Jason Fried (Rework)
The holiday village had sprung up in Bryant Park, and the ice rink and booths were bustling with early Christmas shoppers. It smelled like fried food and scented candles, mixed with the occasional blast of diesel from the traffic inching along 42nd Street. When I think of how New York City smells, this is it.
Alan Bradley (The Sixth Borough)
This is us. Our pose. The smush. It’s even how we are in the ultrasound photo they took of us inside Mom and how I had us in the picture Fry ripped up yesterday. Unlike most everyone else on earth, from the very first cells of us, we were together, we came here together. This is why no one hardly notices that Jude does most of the talking for both of us, why we can only play piano with all four of our hands on the keyboard and not at all alone, why we can never do Rochambeau because not once in thirteen years have we chosen differently. It’s always: two rocks, two papers, two scissors. When I don’t draw us like this, I draw us as half-people.
Jandy Nelson (I'll Give You the Sun)
Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Life, that can shower you with so much splendour, is unremittingly cruel to those who have given up.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
You’re too good for me.” He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?” She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.” “Wow,” Carmine said. “I’d like to meet that motherfucker.
J.M. Darhower (Sempre (Sempre, #1))
My parents didn't grow up here or anything. They chose to live in this nowhere town. Why? Because it was named after Hannibal of Carthage. Their basic train of thought was this: Hannibal's Rest? And we're naming our child after Alexander the Great? MARVELOUS. Ah, the history, it tickles. Sometimes I wanted to beat my parents over the head with a frying pan.
Francesca Zappia (Made You Up)
A man who tosses worms in the river isn’t 't necessarily a friend of the fish. All the fish who take him for a friend, who think the worm’s got no hook in it, usually end up in the frying pan.
Malcolm X
We don't stop talking about how the world might be better just because we have no chance of making it to Prime Minister. We are all politicians. We are all artists. In an open society everything the mind and hands can achieve is our birthright. It is up to us to claim it.
Stephen Fry (The Ode Less Travelled: Unlocking the Poet Within)
We work together. That’s it. So I want you to do us both a favor before you think I ‘need’ to know something. Ask yourself, ‘If I were flipping burgers at McDonald’s, would I be telling the fucking fry guy this?’ If the answer is no, then shut the hell up.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
He must have driven this way countless times, and yet he had no memory of the scenery. He must have been so caught up in the day's agenda, and arriving punctually at their destination, that the land beyond the car had been no more than a wash of one green, and a backdrop of one hill. Life was very different when you walked through it.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Stir a smile in your coffee, and see if that brings out your inner unicorn. Then fry up a few rainbows. I like mine with extra blue and green.
Jarod Kintz (This Book is Not for Sale)
Sorry,” Kiersten says to Lake and I. “Mom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cusswords anymore and no one would ever be offended by them” This kid is hard to keep up with! “Your mother encourages you to cuss?” Gavin says. Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed up letters. Like, take the word “butterfly” for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesn’t mean anything. It’s the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subside…and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldn’t be bad anymore. That’s what my mom says anyway.” “Kiersten?” Eddie says. “Will you be my new best friend?” Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. “That’s Bullshit,” Lake says. “Oh, go BUTTERFLY yourself,” Eddie says. She returns a fry in Lakes direction.
Colleen Hoover (Point of Retreat (Slammed, #2))
Sometimes life seems a dark tunnel with no light at the end, but if you just keep moving forward, you will end up in a better place.
Jeffrey Fry
But you can't argue that the world isn't in an unhealthy moral state." "Wouldn't think of it dearest. People lie, cheat, rape, swindle, kill, maim, torture and destroy. Bad thing. People also pop into bed together and cosy up. Good thing. If we think fucking is a sign of moral decay then we're a little bit stupid-stupid, aren't we?
Stephen Fry (The Hippopotamus)
Every town you go to, they tell you what's special about their town. What they're number one at... This guy comes up and says, 'D'you know that we're the home of the world's largest frying pan?' '...Really! That is great 'cause I'm writin' a new book called Things I Don't Care About.
Tim Hawkins
There’s too much to be done. I need to know– (Jericho) No. (Delphine) No, you d’in. (Jericho) Yes, I di’id. Don’t make me use my Jeri ninja mind tricks on you. I might screw up and fry your brains. (Delphine)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
I laughed and pointed out that "Hash Browns Mean Nothing Without You" was a pretty good name for a band. "Or a song," the Duke said, and then she started singing all glam rock, a glove up to her face holding an imaginary mic as she rocked out an a cappella power ballad. "Oh, I deep fried for you / But now I weep 'n' cry for you / Oh, babe, this meal was made for two / And these hash browns mean nothing, oh these hash browns mean nothing, yeah these HASH BROWNS MEAN NOTHIN' without you.
John Green (Let It Snow: Three Holiday Romances)
It’s a lot harder to pull your head up and ask why.
Jason Fried (Rework)
The Screelings are loose and the Keeper may win. His assassins have come to rip off your skin. Golden eyes will see you if you try to run. The screelings will get you and laugh like it's fun. Walk away slow or they'll tear you apart, and laugh all day long as they rip out your heart. Golden eyes will see you if you try to stand still. The screelings will get you, for the Keeper they kill. Hack 'em up, chop 'em up, cut 'em to bits, or else they will get you while laughing in fits. If the screelings don't get you the Keeper will try, to reach out and touch you, your skin he will fry. Your mind he will flail, your soul he will take. You'll sleep with the dead, for life you'll forsake. You'll die with the Keeper till the end of time. He hates that you live, your life is the crime. The screelings might get you, it says so in text. If screelings don't get you the Keeper is next, lest he who's born true can fight for life's bond. And that one is marked; he's the pebble in the pond.
Terry Goodkind (Stone of Tears (Sword of Truth, #2))
He had learned that it was the smallness of people that filled him with wonder and tenderness, and the loneliness of that too. The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing it for a long time. Harold could no longer pass a stranger without acknowledging the truth that everyone was the same, and also unique; and that this was the dilemma of being human.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
This is Popkenchurch. Popkenchurch is when you buy fried chicken and Cajun rice from Popeyes, biscuits from KFC, and fried okra and corn on the cob from Church’s.
Angie Thomas (On the Come Up)
The biggest challenge facing the great teachers and communicators of history is not to teach history itself, nor even the lessons of history, but why history matters. How to ignite the first spark of the will o'the wisp, the Jack o'lantern, the ignis fatuus [foolish fire] beloved of poets, which lights up one source of history and then another, zigzagging across the marsh, connecting and linking and writing bright words across the dark face of the present. There's no phrase I can come up that will encapsulate in a winning sound-bite why history matters. We know that history matters, we know that it is thrilling, absorbing, fascinating, delightful and infuriating, that it is life. Yet I can't help wondering if it's a bit like being a Wagnerite; you just have to get used to the fact that some people are never going to listen.
Stephen Fry (Making History)
my father always said, “early to bed and early to rise makes a man healthy, wealthy and wise.” it was lights out at 8 p.m. in our house and we were up at dawn to the smell of coffee, frying bacon and scrambled eggs. my father followed this general routine for a lifetime and died young, broke, and, I think, not too wise. taking note, I rejected his advice and it became, for me, late to bed and late to rise. now, I’m not saying that I’ve conquered the world but I’ve avoided numberless early traffic jams, bypassed some common pitfalls and have met some strange, wonderful people one of whom was myself—someone my father never knew.
Charles Bukowski
Even though Styxx was taller, Galen had carried him off the field of battle and held his hand the whole time they’d closed the wound. “Squeeze when it hurts, and don’t worry about breaking anything, Highness. Trust me, if my deceptively strong Thia wasn’t able to break it during her childbirths, there’s no damage you can do. And at least you’re not threatening to cut off my balls, fry them up, and feed them to me.
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
Similar to siblings, French Fries all stem from the same family, the potato family. Yet each and every one is different. A different shape, a different flavor, a different purpose, etc. Now, despite all these differences, each French fry in the batch will share a similar origin story. However, the outcome will be unique. The point is to have patience with your sibling French fry and realize that life imprints differently on each and every one of us. Some of us will be salty, some of us will be peppered, but in the end we are all just trying to catch up.
Hannah Hart
Alexia had found pregnancy relatively manageable, up to a point. That point having been some three weeks ago, at which juncture her natural reserves of control gave way to sentimentality. Only yesterday she had ended breakfast sobbing over the fried eggs because they looked at her funny. The pack had spent a good half hour trying to find a way to pacify her. Her husband was so worried he looked to start crying himself.
Gail Carriger (Heartless (Parasol Protectorate, #4))
People should fall in love more. Fall in love with the way your coffee swirls as soon as you pour the milk in. Fall in love with the look your dog gives you when you wake up. Fall in love with the rare moment when your cat doesn’t ignore you. Fall in love with the person who tells you to have a good day. Fall in love with the waiter who gives you extra chili fries. Fall in love with sweaters in winter and cold lemonade in summer. Fall in love with the moment your head hits the pillow. Fall in love with talking to someone until 4 a.m. Fall in love with the days you can hit the snooze button over and over again. Fall in love when a lover stares at you for five hours. Fall in love with the stars when they look at you. Fall in love with the sound of someone breathing. Fall in love with the bus if it’s on time or the train if it comes early. Fall in love with everything possible.
Courtney Peppernell (Pillow Thoughts)
Something is unfolding, being revealed to me. I see that there's a whole world of of girls and their doings that has been unknown to me, and that I can be part of without making any effort at all. I don't have to keep up with anyone, run as fast, aim as well, make loud explosive noises, decode messages, die on cue. I don't have to think about whether I do these things well, as well as a boy. All I have to do is sit on the floor and cut frying pans our of the Eaton's Catalogue with embroidery scissors, and say I've done it badly.
Margaret Atwood (Cat's Eye)
You should give up.' 'Why?' 'For one thing, you'll live longer.' 'Oh, you don't live longer. It just seems longer.
Stephen Fry (The Fry Chronicles)
She held up the arrow again and threatened the bird. "You do anything, ignite a single spark, and I'm having Kentucky Fried Chicken for dinner.
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
Little girls grow up to be women, little boys grow up to be little boys.
Stephen Fry (The Liar)
...she waited until she and my grandfather Anthel were just home from their honeymoon, and then sat him down and told him this: "Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait until you're asleep; sew you into the bed; and beat you to death with a frying pan." Until he died, I am told, my grandfather was a gentle man.
Haven Kimmel (A Girl Named Zippy: Growing Up Small In Mooreland, Indiana)
Idgie smiled back at her and looked up into the clear blue sky that reflected in her eyes and she was as happy as anybody who is in love in the summertime can be.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
So many times in life we're faced with a choice: when a task becomes super difficult, will we flip out and quit, or will we stay focused and keep fighting?". "With strong faith in God and some serious determination, every dream is possible - especially if your mama refuses to let you fly home, fry chicken, and give up
Gabrielle Douglas (Grace, Gold, and Glory: My Leap of Faith)
Success is a slow process, and quitting does not speed it up.
Jeffrey Fry
Come on,” he said, and then dragged me toward the house. I stopped when we got to the porch. “What is that smell?” Ryan sniffed his shirt and with a smile said, “Armani. You like it?” “Not you,” I said. “It smells like someone is frying up dog vomit in your house.” This took Ryan by surprise. I guess it was pretty random. “You’re really sick sometimes, Baker,” Ryan said. “You know that?
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
A cold supper, were you thinking? I asked dubiously. I was not, he said firmly, I mean to light a roaring fire in the kitchen hearth, fry up a dozen eggs in butter, and eat them all, then lay ye down on the hearth rug and roger ye 'till you - is that all right? he inquired, noticing my look. 'Til I what? I asked fascinated by his description of the evening's program. 'Til ye burst into flame and take me with ye, I suppose, he said, and stooping, swooped me up into his arms and carried me across the darkened threshold.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
For six days I didn’t get up except to make a cup of tea, or fry an egg, or lie in the skinny bath gazing at a cracked ceiling. The days punished me with their slowness, piling up the hours on me, spreading their joylessness about the room. A doctor would have said I was suffering from depression. Everything I have read since suggests this was the case. But when you are in the grip of something like that it doesn’t usefully announce itself. No. what happens is you sit in a dark, dark cave, and you wait. If you are lucky there is a pinprick of light, and if you are especially lucky that pinprick will grow larger and larger, until one day the cave appears to slip behind, and just like that you find yourself in daylight and free. This is how it happened for me.
Lloyd Jones (Mister Pip)
Things don't so much end as disappear. They don't so much begin as turn up. You think there will be a time to say goodbye, but people have often gone before you know about it. And I don't just mean the dying.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
If you want to lift yourself up, see who is bringing you down, and get rid of them.
Jeffrey Fry
I never wake up in the morning and wonder why I am here. I wake up and wonder why I am not making here better.
Jeffrey Fry
The more annoyed Earl was, the more southern he sounded, and right about then, he sounded like he was ready to fry up some catfish and watch some NASCAR.
Larry Correia (Monster Hunter Legion (Monster Hunter International, #4))
Potatoes are by far the most versatile crop. You can fry them up, bake them, or throw them at undesirable men who refuse to leave you alone.
Kimberly Lemming (That Time I Got Drunk and Yeeted a Love Potion at a Werewolf (Mead Mishaps, #2))
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
It's a poem about moths. But it's also a poem about psychopaths. I get it copied. And stick it in a frame. And now it glowers redoubtably above my desk:an entomological keepsake of the horizons of existence. And the brutal, star-crossed wisdom of those who seek them out. i was talking to a moth the other evening he was trying to break into an electric bulb and fry himself on the wires why do you fellows pull this stunt i asked him because it is the conventional thing for moths or why if that had been an uncovered candle instead of an electric light bulb you would now be a small unsightly cinder have you no sense plenty of it he answered but at times we get tired of using it we get bored with routine and crave beauty and excitement fire is beautiful and we know that if we get too close it will kill us but what does that matter it is better to be happy for a moment and be burned up with beauty than to live a long time and be bored all the while so we wad all our life up into one little roll and then we shoot the roll that is what life is for it is better to be part of beauty our attitude toward life is come easy go easy we are like human beings used to be before they became too civilized to enjoy themselves and before i could argue him out of his philosophy he went and immolated himself on a patent cigar lighter i do not agree with him myself i would rather have half the happiness and twice the longevity but at the same time i wish there was something i wanted as badly as he wanted to fry himself
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
Do only work that matters, and you will end up pleasing those who are important enough to care about it.
Jeffrey Fry
Ignorance is bliss up to the point that it kills you.
Jeffrey Fry
The formula for success is 2% talent, 8% luck, and 90% of showing up every day.
Jeffrey Fry
He did not go much further, but sat down on the cold floor and gave himself up to complete miserableness, for a long while. He thought of himself frying bacon and eggs in his own kitchen at home - for he could feel inside that it was high time for some meal or other; but that only made him miserabler.
J.R.R. Tolkien (The Hobbit)
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
Man, that is so freaking yummy," Jen said, watching the exchange between Fane and Jacque along with everyone in the room. "I want one Sally, go find me one." "One hot, loving, passionate, furry werewolf coming up," Sally said sarcastically. "Would like fries or tots with that?" "I prefer whipped cream actually," Jen said wistfully.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.
Haruki Murakami (The Wind-Up Bird Chronicle)
The trouble with doing a thing for cosmetic reasons is that one always ends up with a cosmetic result, and cosmetic results, as we know from inspecting rich American women, are ludicrous, embarrassing, and horrific.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Life, that can shower you with so much slendour, is unremittingly cruel to those who have given up.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
In fact,I believe the reason why the Chinese failed to develop botany and zoology is that the Chinese scholar cannot stare coldly and unemotionally at a fish without immediately thinking of how it tastes in the mouth and wanting to eat it. The reason I don't trust Chinese surgeons is that I am afraid that when a Chinese surgeon cuts up my liver in search of a gall-stone, he may forget about the stone and put my liver in a frying pan.
Lin Yutang (The Importance of Living)
Ah'll clean 'em, you fry 'em and let's eat,' he said with the assurance of not being refused. They went out into the kitchen and fixed up the hot fish and corn muffins and ate. Then Tea Cake went to the piano without so much as asking and began playing blues and singing, and throwing grins over his shoulder. The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair and scratching the dandruff from her scalp. It made her more comfortable and drowsy.
Zora Neale Hurston (Their Eyes Were Watching God)
It was a stretch to imagine that Barbara Walters might want to give it all up for Ed Couch, but Evelyn tried her hardest. Of course, even though she was not religious, it was a comfort to know that the Bible backed her up in being a doormat.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I’d say to myself, Andrew Compton, you’ve sucked their cold mouths and cocks; you’ve licked their blood from your hands by the bucketful; you’ve boiled the flesh off their skulls, then used the same pot to make curry. Why not just fry up a few tender bits and see what it’s like—perhaps with a nice egg?
Poppy Z. Brite (Exquisite Corpse)
Fuck you motherfucker I hate to watch you try Fuck you motherfucker Why don't you fucking die? If I woke up as you I'd gas myself and fry But you don't have the guts To even watch my suicide
Leo X. Robertson (Jesus of Scumburg)
I don't know what I'm supposed to do now. I know other people have it a lot worse. I do know that, but it's crashing in anyway, and I just can't stop thinking that the little kid eating french fries with his mom in the shopping mall is going to grow up and my sister.
Stephen Chbosky (The Perks of Being a Wallflower)
I do not either want to, and them candies make me think a my grandmother, so it's real fuckin' weird that you turned 'em inta some kinda sex fantasy, okay? 'Cause then I get all mixed up in my head where I'm in my grandma's livin' room makin' Play-Doh french fries while you suck my dick and that's just ten kinds a wrong. Even I ain't that fucked up.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good. Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm. Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive. And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal. That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest. And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.
Sunyi Dean (The Book Eaters)
Like I say, it just creeps up on you. One day you're young and the next day your bosoms and your chin drops and you're wearing a rubber girdle. But you don't know you're old.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You should go order a sweet roll. Those are to die for. And a carne adovada burrito." His mouth thinned. "Should I order something else to drink?" "Yes! A diet whatever. No! A mocha latte. No!" I held up my hand to put him in pause so I could think. "Yes, a mocha latte." "Are you finished?" he asked, rising to go place his order. He was really hungry. "Yes. No! Yes. I'm good with that. I have a busy afternoon ahead of me, and I need all the energy I can get. And I need you to be my wingman." "This should be interesting," he said, sauntering off like he owned the place. By the time he got back, his fries had disappeared. It was weird.
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
Shank’s got more guts than I’ve fried up from every pig and cow in the last year.” He paused, as if expecting a laugh, but none came. “How stupid is this—he saves Alby’s life, kills a couple of Grievers, and we’re sitting here yappin’ about what to do with him. As Chuck would say, this is a pile of klunk.
James Dashner (The Maze Runner (Maze Runner, #1))
Like every experience that marks us for a lifetime, I found myself turned inside out, drawn and quartered. this was the sum of everything I'd been in my life--and more: who I am when I sing and stir-fry vegetables for my family and friends on Sunday afternoons; who I am when I wake up on freezing nights and want nothing more than to throw on a sweater, rush to my desk, and write about the person I know no one knows I am; who I am when I crave to be naked with another naked body, or when I crave to be alone in the world; who I am when every part of me seems miles and centuries apart and each swears it bears my name.
André Aciman
I said before that McDonald's serves a kind of comfort food, but after a few bites I'm more inclined to think they're selling something more schematic than that--something more like a signifier of comfort food. So you eat more and eat more quickly, hoping somehow to catch up to the original idea of a cheeseburger or French fry as it retreats over the horizon. And so it goes, bite after bite, until you feel not satisfied exactly, but simply, regrettably, full.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Why?’ She nods. ‘She had everything: a family who loved her, friends, activities. Her mother wants to know why she threw it all away?’ Why you want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and falls off, roll in coarse salt, then put on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all ‘A disappointment.’ Puke and starve and cut and drink because you need an anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it’s too late because you are mainlining it now, straight into your soul. It is rotting you and you can’t stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everythingsinglething is wrong with you. ‘Why?’ is the wrong question. Ask ‘Why not?
Laurie Halse Anderson (Wintergirls)
When we're strong enough," said Sam, "will you come with me?" "Where? To Bucko Palace?" "Yes. To find Ella." "Course I will," said the Kid, and he put an arm around Sam. "It'll be a new grand adventure of the old school. They'll write books about us. Long books. Nothing's gonna split us up, small fry. We're a team. Like Batman and Robin Hood." And he sang. "Ner-ner-ner-ner-ner-ner-ner-ner-Batman!
Charlie Higson (The Enemy (The Enemy, #1))
It does not suit the world to hear that people who are leading a high life, an enviable life, a privileged life are as miserable most days as anybody else, despite the fact that it must be obvious they would be - given that we are all agreed that money and fame do not bring happiness. Instead the world would prefer to enjoy the idea, against what it knows to be true, that wealth and fame do in fact insulate and protect against misery and it would rather we shut up if we are planning to indicate otherwise.
Stephen Fry (The Fry Chronicles)
...en route to the final destination, which was always to get trashed, wasted, hammered, crunked up, bombed, wrecked, sloshed, fried, flapjacked, fucked-up, or get plainlong fucked, laid, drained, get some ass, get some head, some skull, a lube job, get your oil changed, get some brown sugar, quiff, goo, pussy...
Tom Wolfe (I Am Charlotte Simmons)
Don’t make up problems you don’t have yet. It’s not a problem until it’s a real problem. Most of the things you worry about never happen anyway.
Jason Fried (Rework)
You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.
Amanda Kyle Williams
Filled with existential ennui about your place in the universe? Get over yourself. Yes, you're an inconsequential worm in the grand scope of history. But you're an inconsequential worm who makes shit up for a living, which means that you don't have to lift heavy boxes or ask people if they want fries with that. Grow up and get back to work.
John Scalzi (Redshirts)
i was really into communal living and we were all / such free spirits, crossing the country we were / nomads and artists and no one ever stopped / to think about how the one working class housemate / was whoring to support a gang of upper middle class / deadheads with trust fund safety nets and connecticut / childhoods, everyone was too busy processing their isms / to deal with non-issues like class....and it’s just so cool / how none of them have hang-ups about / sex work they’re all real / open-minded real / revolutionary you know / the legal definition of pimp is / one who lives off the earnings of / a prostitute, one or five or / eight and i’d love to stay and / eat some of the stir fry i’ve been cooking / for y’all but i’ve got to go fuck / this guy so we can all get stoned and / go for smoothies tomorrow, save me / some rice, ok?
Michelle Tea (The Beautiful: Collected Poems)
Down vith children! Do them in! Boil their bones and fry their skin! Bish them, sqvish them, bash them, mash them! Brrreak them, shake them, slash them, smash them! Offer chocs vith magic powder! Say “Eat up!” then say it louder. Crrram them full of sticky eats, Send them home still guzzling sveets. And in the morning little fools Go marching off to separate schools. A girl feels sick and goes all pale. She yells, “Hey look! I've grrrown a tail!” A boy who's standing next to her Screams, “Help! I think I'm grrrowing fur!” Another shouts, “Vee look like frrreaks! There's viskers growing on our cheeks!” A boy who vos extremely tall Cries out, “Vot's wrong? I'm grrrowing small!” Four tiny legs begin to sprrrout From everybody rrround about. And all at vunce, all in a trrrice, There are no children! Only MICE!
Roald Dahl (The Witches)
Ella finished her burger and dug into a side of fries. Hi watched, enraptured. She couldn't help but notice. “Would you like one?” “What? Sure.” Hi smiled, made no move. After a moment, Ella nudged the bowl his way. “Careful, they're still hot.” “Oh, no problem.” Hi fumbled for a fry. “I like food that's hot.” I caught Shelton slowly shaking his head. “Oh, shoot!” Ella winced. “I forgot to stop by the office. My mother had to drop off my shin guards.” She slid her fries over to Hi. “Enjoy. They're hot, which apparently you like.” “Got that right. Hot hot hot!” Hi awkwardly shoved another fry into his mouth. “Okay, wow.” Ella gathered her things, then brushed my cheek with a kiss. “Later, Tor.” Shouldering her bag, she hurried from the cafeteria. A loud thunk drew my attention back to the table. Hi's forehead was resting on his tray. “Tell me that wasn't as bad as I think.” “Worse,” Shelton said. “So, so much worse.” Then head rose, then thunked back down. “I don't remember parts. I think I lost time.” I patted his shoulder. “That's probably for the best.” “Such.” Thunk. “A.” Thunk. “Dumbass.” Thunk. Shelton laughed nervously. “See? That's why I don't talk.” Hi's face shot up. “Tell her I have brain seizures. A serious medical condition. Or that I have an evil twin who sometimes takes my place, but can't talk for crap.” “Got it," I promised. His head dropped once more.
Kathy Reichs (Exposure (Virals, #4))
We can do little things for GOD; I turn the cake that is frying on the pan for love of Him, and that done, if there is nothing else to call me, I prostrate myself in worship before Him, Who has given me grace to work; afterwards I rise happier than a king. It is enough for me to pick up but a straw from the ground for the love of GOD.
Brother Lawrence (The Practice of the Presence of God and The Spiritual Maxims)
The most successful relationships are ones with a really low negativity threshold. In those relationships, couples allow each other to complain, and work together to constantly repair the tiny issues between them. In such cases, couples don't bottle up their feelings, and little things don't end up being blown completely out of proportion.
Hannah Fry
Bad music is a form of murder to the true art of music in general.Bad music forced on a child is abuse because it invariably forms that child´s taste in music. Bad music has raped an industry that was held up strongly by great expression for decades but now finds itself floundering, giving in to the lowest common denominator of music just to keep its panties around its waist. Bad music tortures the eardrums and kills little bits of your senses through prolonged exposure. Bad music steals money from shallow pockets, steals airtime from more deserving bands and songwriters, and steals the spotlight from undiscovered geniuses who have all but given up on a dream because of the mediocrity of popular radio. Bad music is a lie, and yet it is foisted on the public in an attempt to turn melodies and songs into hamburgers and fries. Bad music is truly a sin because you don´t have to be exceptional to make it in the music industry anymore. You just have to be good enough to stick around and be tolerated. I understand that bad music is a matter of opinion. I know that. But I am fairly confident that more people agree with me than you suspect. Bad music is just fucking bad.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
Until you ask my husband those same questions, I just can’t answer them anymore.” But I can’t stop. I can’t help myself. “Do you know why no one asks men how they balance it all? It’s because there is no expectation of that. Bringing home money is enough. We don’t expect you to be anything more than a provider, men. But a working woman? Not only do you have to bring home the bacon and fry it up, you gotta be a size double-zero, too. You’ve got to volunteer at the school, you’ve got to be a sex kitten, a great friend, a community activist. There are all these expectations that we put on women that we don’t put on men. In the same way, we never inquire about what’s happening in a man’s urethra. ‘Low sperm count, huh? That why you don’t have kids? Have you tried IVF?
Gabrielle Union (We're Going to Need More Wine)
i have had my ups and downs but wotthehell wotthehell yesterday sceptres and crowns fried oysters and velvet gowns and today i herd with bums but wotthehell wotthehell i wake the world from sleep as i caper and sing and leap when i sing my wild free tune wotthehell wotthehell under the blear eyed moon i am pelted with cast off shoon but wotthehell wotthehell
Don Marquis (The Annotated Archy and Mehitabel (Penguin Classics))
My real dissatisfaction is with my dissatisfaction. How dare I be so discontent? How dare I? Or being discontent why cannot I shut up about it?
Stephen Fry (The Fry Chronicles)
To expect a convict to have the strength to give up smoking is to expect a leopard to change his spots, become vegetarian and learn to knit, all on the same day.
Stephen Fry (The Fry Chronicles)
Whenever I feel like giving up, I always remember that there are still a lot of doubters I have to prove wrong.
Jeffrey Fry (Distilled Thoughts)
New Rule: Oil companies must stop with the advertisements implying they're friends of the environment. "At Exxon Mobil, we care about a thriving wildlife." Please--the only thing an oil executive has in common with a seagull is they'd both steal french fries from a baby.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I took a sip of my purple drink and almost spat it out. It was so sweet. I covered it up by trying one of the fries. My mouth exploded with flavor, and I froze, eyes wide. I practically melted into a puddle. I’d had fried algae before, but it had been nowhere near as good as this. What were those spices? “Spin?” Arturo asked. “You look like someone just stepped on your toe.” I held up a fry, fingers trembling. “So. GOOD.” “She’s been living on rats for the last few months,” FM pointed out. “Her taste buds are undergoing serious atrophy.
Brandon Sanderson (Skyward (Skyward, #1))
Adam glanced up. Brown eyes took my measure. He looked just like he did in all those photographs. Okay. Now I needed to not get fried as I talked his handsome ass into surrendering.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible. And finally, why doesn't "buick" rhyme with "quick"?
Richard Lederer
The holiday village had sprung up in Bryant Park, and the ice rink and booths were bustling with early Christmas shoppers. It smelled like fried food and scented candles, mixed with the occasional blast of diesel from the traffic inching along 42nd Street. When I think of how New York City smells, this is it.
Edward Williams
PEOPLE CAN LOVE in different ways,” I told David. “You can love full-on, with a lot of noise, or you can do it quietly, over the washing-up. You can even love a person without them knowing.” I was careful to turn away.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
William Burroughs was simultaneously old and young. Part sheriff, part gumshoe. All writer. He had a medicine chest he kept locked, but if you were in pain he would open it. He did not like to see his loved ones suffer. If you were infirm he would feed you. He’d appear at your door with a fish wrapped in newsprint and fry it up. He was inaccessible to a girl but I loved him anyway.
Patti Smith (Just Kids)
I brought a picture with me that I had at home, of a girl in a swing with a castle and pretty blue bubbles in the background, to hang in my room, but that nurse here said the girl was naked from the waist up and not appropriate. You know, I've had that picture for fifty years and I never knew she was naked. If you ask me, I don't think the old men they've got here can see well enough to notice that she's bare-breasted. But, this is a Methodist home, so she's in the closet with my gallstones.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Maddi glared at him. "Thats why your not built like Alden. French fries." Race laughed. "Id love to look like Alden. Hot female speakers would be falling all over themselves to be paired up with me, just like they did whith Alden when Rose...Lenzi was gone. You should've seen it, Lenzi. It was halarious." My insides gave a jealous churn.
Mary Lindsey (Shattered Souls (Souls, #1))
People didn't call blacks names anymore, at least not to their faces. Italians weren't wops or dagos, and there were no more kikes, Japs, chinks, or spics in polite conversation. Everybody had a group to protest and stick up for them. But women were still being called names by men. Why? Where was our group? It's not fair.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
But Virginia, bacon is breafast. And nothing sets my nostrils twitching like bacon in the morning. Little pigs parading up and down with their curly cork screw tails... Bacon sizzling away on a iron frying pan. Baste it, roast it, toast it, nibble it, chew it, bite right through it, wobble it, gobble it, wrap it round a couple of chickens and am I ravenous!
Kathryn Wesley (The 10th Kingdom)
I just wonder how many people never get the one they want, and wind up with the one they’re supposed to be with.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Artist or no-artist, I can't pass up a piece of fried chicken when I see one.
Jack Kerouac (Visions of Gerard)
Workaholics aren’t heroes. They don’t save the day, they just use it up. The real hero is already home because she figured out a faster way to get things done.
Jason Fried (ReWork)
Keep climbing, he told himself. Cheeseburgers, his stomach replied. Shut up, he thought. With fries, his stomach complained. A
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
On this particular autumn night, only the prospect of another solitary evening lies before her. She will fry her chop and read herself to sleep, no doubt with a tale of wizardry and romance. Then, in dreams that strike even her as trite, Miss Dark will go adventuring in chain mail and silk. Tomorrow morning she will wake up alone, and do it all again. Poor Judy Dark! Poor little librarians of the world, those girls, secretly lovely, their looks marred forever by the cruelty of a pair of big black eyeglasses!
Michael Chabon
Moominmamma had got up very early to pack their rucksacks, and was bustling to and fro with wooly stockings and packets of sandwiches, while down by the bridge Moominpappa was getting their raft in order. "Mamma, dar," said Moomintroll, "we can't possibly take all that with us. Everyone will laugh." "It's cold in the Lonely Mountains," said Moominmamma, stuffing in an umbrella and a frying pan. "Have you got a compass?" "Yes," answered Moomintroll, "but couldn't you at least leave out the plates -- we can easily eat off rhubarb leaves.
Tove Jansson (Comet in Moominland (The Moomins, #2))
[Conservation] Barring that, just yell at people randomly to stop killing whales. It could catch on. Really. ("Would you like fries with that?" "Shut up and stop killing whales!" "Thank you. Drive through, please.")
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
His idea of how the country was doing had been determined by the size of the butts he picked up off the sidewalk.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Last time I was down South, I walked into this restaurant. This white waitress came up to me and said, 'We don't serve colored people here.' I said, 'That's all right, I don't eat colored people. Bring me a whole fried chicken.' About that time, these three cousins came in. You know the ones I mean, Ku, Klux and Klan. They said, 'Boy, we're givin' you fair warnin. Anything you do to that chicken, we're gonna do to you.' "So I put down my knife and fork, picked up that chicken, and kissed it.
Dick Gregory (Nigger)
In order to succeed he must remain true to the feeling that had inspired him in the first place. It didn’t matter that other people would do it in a different way; in fact, this was inevitable. …. He had a different map, one made up of all the people and places he had passed.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
I begin to want things I've never wanted before: braids, a dressing-gown, a purse of my own. Something is unfolding, being revealed to me. I see that there's a whole world of girls and their doings that has been unknown to me, and that I can be part of it without making any effort at all. I don't have to keep up with anyone, run as fast, aim as well, make loud explosive noises, decode messages, die on cue. I don't have to think whether I've done these things well, as well as a boy. All I have to do is sit on the floor and cut frying pans out of the Eaton's Catalogue with embroidery scissors, and say I've done it badly. Partly this a relief.
Margaret Atwood (Cat’s Eye)
Perhaps I took my mother more literally than she intended, but I applied her rule to my life; after all, we are all searching for them, the rules. We pick them up from the strangest places, and if they appear to work once we can live a whole lifetime by them, regardless of the unhappiness and difficulty they may later bring.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Jesse: But—but are you okay? Tulip: Yeah, fine. I checked out the bad guy's place and shot them up a little bit, you know. There were quite a lot of them, and one guy nearly got me with a throwing knife— But I know you'll be cool with that, because you can trust me to handle myself. Let's go.
Garth Ennis (Preacher, Volume 5: Dixie Fried)
Ain’ no Black people need no therapists, ’cause we don’ be havin’ those mental issues. OCD, ADD, PTSD, and all those other acronyms they be comin’ up with every day. I’m tellin’ you, the only acronyms Black folk need help with is the NYPD, FBI, CIA, KKK, and KFC, ’cause I know they be puttin’ shit in those twelve-piece bucket meals to make us addicted to them. All that saturated fat, sodium.
Mateo Askaripour (Black Buck)
I remember, in no particular order: - a shiny inner wrist; - steam rising from a wet sink as a hot frying pan is laughingly tossed into it; - gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; - a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; - another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; - bathwater long gone cold behind a locked door. This last isn't something I actually saw, but what you end up remembering isn't always the same as what you have witnessed.
Julian Barnes (The Sense of an Ending)
If you're just going to be like everyone else, why are you even doing this? If you merely replicate competitors, there's no point for your existence. Even if you wind up losing, it's better to go down fighting for what you believe in instead of just imitating others.
Jason Fried (Rework)
I once visited a place where they killed people by putting them in a chair. Not torture — that was common enough; beds and chairs were very much the par when it came to getting people helpless and confined, to inflict pain upon them — but actually set it up to kill them while they sat. They — get this — they either gassed them or they passed very high electric currents through them. A pellet dropped into a container beneath the seat, like some obscene image of a commode, producing a fatal gas; or a cap over their head, and their hands dipped in some conducting fluid, to fry their brains. You want to know the punch line? Yeah, [...] give us the punch line. This same state had a law that forbade — and I quote — “cruel and unusual punishments!” Can you believe that?
Iain M. Banks (Use of Weapons (Culture, #3))
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
And Ken said I can't marry you." Jack felt his heart jump in his chest. He glanced at his sleeping brother. "Did he say why?" "Yes." She kept her voice sober. "He said you have to ask me properly." Relief made him weak. His pulse beat at his temples, throbbed in his neck. For one moment his fingers closed in her hair in a tight fist. "Properly? If I ask, you might say no, so I'm thinking we'll just start off right and I'll tell you and we'll get the thing done." "Get the thing done?" Briony echoed. Ken snorted aloud. "Jack, I'll take over watch and you get some sleep. I think you fried your brain up there on the roof." "Pipe down over there." Jack said. "You're already stirring up trouble." "Get the thing done?" Briony repeated slowly. "The thing being what exactly?" "The ceremony. The paperwork. Whatever the hell it takes to make it legal." Briony sat up and glared at him. "Take your 'it' and shove it, Jack." "There's no need ti be getting upset, Briony. We can't exactly go around with a bunch of kids and not do whatever the hell it is one does to make it legal." "Whatever the hell it takes to make what legal?" He shrugged. "How the hell would I know? I've never done this before. Sleeping together I guess." "So you are going to marry me so it's legal to sleep with me?" "This isn't coming out right." "You think?" "Don't get upset, baby,. I don't understand why you're getting upset.
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
it would just break your heart to see some of them waiting for their visitors. They get their hair all done up on Saturday, and on Sunday morning they get themselves all dressed and ready, and after all that, nobody comes to see them. I feel so bad, but what can you do? Having children is no guarantee that you’ll get visitors … No, it isn’t.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Animals have this in common with one another: unlike humans they appear to spend every minute of every hour of every day of their lives being themselves. A tree frog (so far as we can ascertain) doesn't wake up in the morning feeling guilty that it was a bad tree frog the night before, nor does it spend any time wishing it were a wallaby or a crane fly. It just gets on with the business of being a tree frog, a job it does supremely well. We humans, well . . . we are never content, always guilty, and rarely that good at being what nature asked us to be--Homo sapiens.
Stephen Fry (The Book of Animal Ignorance: Everything You Think You Know Is Wrong)
Policies are organizational scar tissue. They are codified overreactions to situations that are unlikely to happen again. They are collective punishment for the misdeeds of an individual. This is how bureaucracies are born. No one sets out to create a bureaucracy. They sneak up on companies slowly. They are created one policy—one scar—at a time. So don’t scar on the first cut. Don’t create a policy because one person did something wrong once. Policies are only meant for situations that come up over and over again.
Jason Fried (ReWork)
And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Louie's mother, Louise, took a different tack. Louie was a copy of herself, right down to the vivid blue eyes. When pushed, she shoved; sold a bad cut of meat, she'd march down to the butcher, frying pan in hand. Loving mischief, she spread icing over a cardboard box and presented it as a birthday cake to a neighbor, who promptly got the knife stuck. When Pete told her he'd drink his castor oil if she gave him an empty candy box. "You only asked for the box, honey," she said with a smile. "That's all I got." And she understood Louie's restiveness. One Halloween, she dressed as a boy and raced around town trick-or-treating with Louie and Pete. A gang of kids, thinking she was one of the local toughs, tackled her and tried to steal her pants. Little Louise Zamperini, mother of four, was deep in the melee when the cops picked her up for brawling.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
There’s an old Weight Watchers saying: “Nothing tastes as good as thin feels.” I for one can think of a thousand things that taste better than thin feels. Many of them are two-word phrases that end with cheese (Cheddar cheese, blue cheese, grilled cheese). Even unsalted French fries taste better than thin feels. Ever eat fries without salt on them? I always think, These could use some salt, but that would mean I’d have to get up and move. I guess I’ll just imagine there’s salt on them.
Jim Gaffigan (Food: A Love Story)
These are the end products of the Masterminds of Safety and Ethics, bulked up on cheese that contains no cheese, chips fried in oil that isn’t really oil, overcooked gray disks of what might once upon a time have been meat, a steady diet of Ho-Hos and muffins, butterless popcorn, sugarless soda, flavorless light beer. A docile, uncomprehending herd, led slowly to a dumb, lingering, and joyless slaughter.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
meander, v. "...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?" I stop. You're still listening. "Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?" "Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think." "Thank you," I say. "That's wonderful.
David Levithan (The Lover's Dictionary)
The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING. Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.
Miranda Hart (Is It Just Me?)
I said, I ain't buyin' no chocolate covered cherries." "Oh, come on. You know you want to." D shook his head like Jack was just too much to be believed. "I do not either want to, and them candies makes me think of my grandmother, so it's real fuckin' weird that you turned 'em inta some kinda sex fantasy, okay? 'Cause then I get all mixed up in my head where I'm in my grandma's livin' room makin' Play-Doh french fries while you suck my dick and that's just ten kinds of wrong. Even I ain't that fucked up." Jack laughed. "Not yet you aren't." He looked at D's face, smiling with him.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
I remembered a friend of mine dying from AIDS, and while he was visiting his family on the coast for the last time, he was seated in the grass during a picnic to which dozens of family members were invited. He looked up from his fried chicken and said, "I just want to die with a big dick in my mouth.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
Evelyn wondered ; why always sexual names? And why, when men wanted to degrade other men, did they call them pussies? As if that was the worst thing in the world. What have we done to be thought of that way ? To be called cunt? People didn’t call blacks names anymore, at least not to their faces. Italians weren’t wops or dagos, and there were no more kikes, Japs, chinks, or spics in polite conversation. Everybody had a group to protest and stick up for them. But women were still being called names by men. Why? Where was our group? It’s not fair. She was getting more upset by the minute. Evelyn thought, I wish Idgie had been with me. She would not have let that boy call her names. I’ll bet she would have knocked him down.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
At the top of the slope on the perimeter of the site, overlooking six lanes of motorway, is a diner frequented by lorry drivers who have either just unloaded or or are waiting to pick up their cargo. Anyone nursing a disappointment with domestic life would find relief in this tiled, brightly lit cafeteria with its smells of fries and petrol, for it has the reassuring feel of a place where everyone is just passing through--and which therefore has none of the close-knit or convivial atmosphere which could cast a humiliating light on one's own alienation. It suggests itself as an ideal location for Christmas lunch for those let down by their families.
Alain de Botton (The Pleasures and Sorrows of Work)
By the time he was twenty Asclepius had mastered all the arts of surgery and medicine. He embraced his teacher Chiron in a fond farewell and left to set up on his own as the world’s first physician, apothecary and healer. His fame spread around the Mediterranean with great speed. The sick, lame and unhappy flocked to his surgery, outside which he hung a sign – a wooden staff with a snake twined round it, seen to this day on many ambulances, clinics and (often disreputable) medical websites.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Oh no, honey. Lots of women go through it early. Why, there was this woman over in Georgia who was only thirty-six-years-old and one day she got in her car and drove right up the stairs to the county courthouse, rolled down her window, and tossed her mother's head that she had just chopped off in her kitchen at a State policeman and hollered, "Here! This is what you wanted," and drove right back down the courthouse stairs. Now that's what an early menopause will do for you if you're not careful.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Agent Jones switched to the big screen and a grainy video of MoMo sitting at his enormous desk, a swivel-hipped Elvis clock ticking behind his bewigged head. 'Death to the capitalist pigs! Death to your cinnamon bun-smelling malls! Death to your power walking and automatic car windows and I'm With Stupid T-shirts! The Republic of ChaCha will never bend to your side-of-fries -drive -through-please-oh-would-you-like-ketchup-with-that corruption! MoMo B. ChaCha defies you and all you stand for, and one day, you will crumble into the sea and we will pick up the pieces and make them into sand art.
Libba Bray (Beauty Queens)
Sex does not enrich or deepen a relationship, it permanently cheapens and destabilises one. Everyone I know who is unfortunate enough to have a sex-mate, joy-partner, bed-friend, love-chum, call them what you will finds that--after a week or two of long blissful afternoons of making the beast with two backs, or the beast with one back and a funny shaped middle or the beast with legs splayed in the air and arms gripping the sides of the mattress--the day dawns when Partner A is keen for more swinking, grinding, and sweating and Partner B would rather turn over and catch up with Jeeves and Bertie.
Stephen Fry
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?
Leigh Bardugo (Six of Crows (Six of Crows, #1))
What sucked was that her room was on the fourth floor of a four-story house because she hated walking past every other room on her way in and out. She was like a latter-day Rapunzel except her hair was only a few inches below her shoulders, slightly fried, not all that blond, and furthermore, who the hell was ever going to climb up to give her a hand? The guy in the wheelchair from school? What she — and Rapunzel, frankly — needed was a decent ladder.
Francine Pascal (Fearless (Fearless, #1))
unaccustomed to the ambushes of family life, and perhaps it is just as well that I can offer her little of that life. I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that. I give her a xylophone and a sundress from Madeira, and promise to tell her a funny story.
Joan Didion (Slouching Towards Bethlehem: Essays)
Think about it. Politics is just a name for the way we get things done ... without fighting. We dicker and compromise and everybody thinks he has received a raw deal, but somehow after a tedious amount of talk we come up with some jury-rigged way to do it without getting anybody's head bashed in. That's politics. The only other way to settle a dispute is by bashing a few heads in ... and that is what happens when one or both sides is no longer willing to dicker. That's why I say politics is good even when it is bad because the only alternative is force-and somebody gets hurt. -- Senator Tom Fries
Robert A. Heinlein (Podkayne of Mars)
Harold walked with these strangers and listened. He judged no one, although as the day wore on, and time and places began to melt, he couldn't remember if the tax inspector wore no shoes or had a parrot on his shoulder. It no longer mattered. He had learned that it was the smallness of people that filled him with wonder and tenderness, and the loneliness of that too. The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing so for a long time. Harold could no longer pass a stranger without acknowledging the truth that everyone was the same, and also unique; and that this was the dilemma of being human.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Zits,” I said. “Z-I-T-S. Actually, I don’t think you even need electric bolts. You could just breathe on us.” I looked him in the eyes and smiled. “Seriously, dude, when was the last time you brushed your teeth?” “Shut up!” “No, really. Did you eat a diaper?” “Shut up!” he shouted. He squinted. “Do you know how much I enjoyed guarding your mother? I shocked her at least a dozen times just to watch her squeal.” “Yeah, well you could have just sat next to her and let her smell you. That would have been much worse. I’ve had hamsters with better hygiene.” “Enough! Don’t think I won’t electrocute you, Vey!” Taylor looked at me as if I’d lost my mind. “It’s his Tourette’s, he can’t help it.” “I’m scared, Zits,” I said. “You know Hatch would have your head if you did. But here’s my promise: after I’m in charge, my first command is to make you my shoeshine boy. You’ll be following me around with a towel.” “You’ll never be in charge.” “No, that’s what Hatch said. You heard him. He wants my power. I’m not kidding, Zits. When Hatch was trying to get me to join you guys, he promised me that you would be my servant.” Zeus looked at me with a worried expression. After a moment he shouted, “Shut up! And stop calling me Zits!” “I don’t think I will. In fact, it’s going to be the first rule I make. I’m going to have everyone else call you that.” “I don’t care what Hatch says. I’m gonna fry you, Vey.” “Oooh, now I’m really shaking. You don’t have enough juice in you to light a flashlight.” “Michael!” Taylor shouted. “Stop it. He’s got a temper. I’ve seen it.” “You should listen to the cheerleader, Vey.” He stepped toward me. “You think you’re so cool. But you can’t shoot electricity like me, can you? You’re just a flesh-covered battery.” “And you’re a flesh-covered outhouse. You should tie a couple hundred of those car air fresheners around your neck.” “Last warning!” Zeus shouted. “I’m not kidding, Zits. There are porta-potties with better aromas. Would a little deodorant kill you? What was the last year you took a bath?
Richard Paul Evans (The Prisoner of Cell 25 (Michael Vey, #1))
Abuse is exploitation of trust and exploitation of authority and I was lucky enough never to suffer from that or from any violation or cruelty, real or imagined. It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue. Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Sympathies and antipathies . . . Human friendships can very quickly become a club of mediocrities, enclosed in mutual flattery and approval, preventing people from seeing their inner poverty and wounds. Friendship is then no longer a spur to grow . . . Scott Peck talks of pseudo-communities. These are where people pretend to live community. Everybody is polite and obeys the rules and regulations. They speak in platitudes and generalities. But underlying it all is an immense fear of conflict, a fear of letting out the monsters. If people start truly to listen to each other and to get involved, speaking from their guts, their anger and fears may rise up and they might start hitting each other over the head with frying pans. There are so many pent-up emotions contained in their hearts that if these were to start surfacing, God knows what might happen! It would be chaos. But from that chaos, healing could come. . . They discover that they have all been living in a state of falsehood. And it is then that the miracle of community can happen!
Jean Vanier (Community and Growth)
Straight people are encouraged by culture and society to believe that their sexual impulses are the norm, and therefore when their affairs of the heart and loins go wrong (as they certainly will), when they are flummoxed, distraught and defeated by love, they are forced to believe that it must be their fault. We gay people at least have the advantage of being brought up to expect the world of love to be imponderably and unmanageably difficult, for we are perverted freaks and sick aberrations of nature.They - poor normal lambs - naturally find it harder to understand why, in Lysander's words, 'the course of true love never did run smooth'.
Stephen Fry
In Port William, more than anyplace else I had been, this religion that scorned the beauty and goodness of this world was a puzzle to me. To begin with, I don’t think anybody believed it. I still don’t think so. Those world-condemning sermons were preached to people who, on Sunday mornings, would be wearing their prettiest clothes. Even the old widows in their dark dresses would be pleasing to look at. By dressing up on the one day when most of them had leisure to do it, they had signified their wish to present themselves to one another and to Heaven looking their best. The people who heard those sermons loved good crops, good gardens, good livestock and work animals and dogs; they loved flowers and the shade of trees, and laughter and music; some of them could make you a fair speech on the pleasures of a good drink of water or a patch of wild raspberries. While the wickedness of the flesh was preached from the pulpit, the young husbands and wives and the courting couples sat thigh to thigh, full of yearning and joy, and the old people thought of the beauty of the children. And when church was over they would go home to Heavenly dinners of fried chicken, it might be, and creamed new potatoes and hot biscuits and butter and cherry pie and sweet milk and buttermilk. And the preacher and his family would always be invited to eat with somebody and they would always go, and the preacher, having just foresworn on behalf of everybody the joys of the flesh, would eat with unconsecrated relish.
Wendell Berry (Jayber Crow)
In order to succeed he must remain true to the feeling that had inspired him in the first place. It didn't matter that other people would do it in a different way; in fact this was inevitable. He would keep to the roads because, despite the odd fast car, he felt safer there. It didn't matter that he had no mobile phone. It didn't matter that he had not planned his route, or brought a road map. He had a different map, and that was the one in his mind, made up of all the people and places he had passed. He would also stick to his yachting shoes because, despite the wear and tear, they were his. He saw that when a person becomes estranged from the things they know, and is a passerby, strange things take on a new significance. And knowing this, it seemed important to allow himself to be true to the instincts that made him Harold, as opposed to anyone else.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
I was in bed at my beach house, but could not sleep because of some fried chicken in the icebox that I felt entitled to. I waited till my wife dropped off, and tiptoed into the kitchen. I remembered looking at the clock. It was precisely four-fifteen. I'm quite certain of this, because our kitchen clock has not worked in twenty-one years and is always at that time. I also noticed that our dog, Judas, was acting funny. He was sanding up on his hind legs and singing, 'I Enjoy Being a Girl.' Suddenly the room turned bright orange. At first, I thought my wife had caught me eating between meals and set fire to the house. Then I looked out the window, where to my amazement I saw a gigantic cigar-shaped aircraft hovering just over the treetops in the yard and emitting an orange glow. I stood transfixed for what must have been several hours, though our clock still read four-fifteen, so it was difficult to tell. Finally, a large, mechanical claw extended from the aircraft and snatched the two pieces of chicken from my hand and quickly retreated. When I reported the incident to the Air Force, they told me that what I had seen was a flock of birds. When I protested, Colonel Quincy Bascomb personally promised that the Air Force would return the two pieces of chicken. To this day, I have only received one piece.
Woody Allen (Side Effects)
On Hallows Eve, we witches meet to broil and bubble tasty treats like goblin thumbs with venom dip, crisp bat wings, and fried fingertips. We bake the loudest cackle crunch, and brew the thickest quagmire punch. Delicious are the rotting flies when sprinkled over spider pies. And, my oh my, the ogre brains all scrambled up with wolf remains! But what I love the most, it’s true, are festered boils mixed in a stew. They cook up oh so tenderly. It goes quite well with mugwort tea. So don’t be shy; the cauldron’s hot. Jump in! We witches eat a lot!
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
What we take from granted in the United States as being Mexican, to those from southern Mexico, is almost completely foreign. Rural Mexicans don't have the spare money to drown their food in melted cheese. They don't smother their food in mounds of sour cream. Who would pay for it? They have never seen "nachos." In some regions of the south, they eat soup with bananas; some tribal folks not far from Veracruz eat termite tacos; turkey, when there are turkeys, is not filled with "stuffing"―but with dry pineapples, papaya, pecans. Meat is killed behind the house, or it is bought, dripping and flyblown, off a wooden plank in the village market. They eat cheeks, ears, feet, tails, lips, fried blood, intestines filled with curdled milk. Southerners grew up eating corn tortillas, and they never varied in their diet. You find them eating food the Aztecs once ate. Flour tortillas, burritos, chimichangas―it's foreign food to them, invented on the border. They were alliens before they ever crossed the line.
Luis Alberto Urrea (The Devil's Highway: A True Story)
Want to know the coolest thing about the coming? Not that the One who played marbles with the stars gave it up to play marbles with marbles. Or that the One who hung the galaxies gave it up to hang doorjambs to the displeasure of a cranky client who wanted everything yesterday but couldn't pay until tomorrow. Not that he, in an instant, went from needing nothing to needing air, food, a tub of hot water and salts for his tired feet, and, more than anything, needing somebody - anybody - who was more concerned about where he would spend eternity rather than where he would spend Friday's paycheck. Or that he resisted the urge to fry the two=bit, self-appointed hall monitors of holiness who dared suggest that he was doing the work of the devil. Not that he kept his cool while the dozen best friends he ever had felt the heat and got out of the kitchen. Or that he gave no command to the angels who begged, "Just give us the nod, Lord. One word and these demons will be deviled eggs." Not that he refused to defend himself when blamed for every sin of every slut and sailor since Adam. Or that he stood silent as a million guilty verdicts echoed in the tribunal of heaven and the giver of light was left in the chill of a sinner's night. Not even that after three days in a dark hole he stepped into the Easter sunrise with a smile and a swagger and a question for lowly Lucifer - "Is that your best punch?" That was cool, incredibly cool. But want to know the coolest thing about the One who gave up the crown of heaven for a crown of thorns? He did it for you. Just for you.
Max Lucado (He Chose the Nails: What God Did to Win Your Heart)
Whether plagues are managed quickly doesn't just depend on hardworking doctors and scientists. It depends on people who like to sleep in on weekends and watch movies and eat French fries and do the fantastic common things in life, which is to say, it depends on all of us. Whether a civilization fares well during a crisis has a great deal to do with how the ordinary, nonscientist citizen responds. A lot of the measures taken against plagues discussed in this book will seem stunningly obvious. You should not, for instance, decide diseased people are sinners and burn them at a literal or metaphorical stake, because it is both morally monstrous and entirely ineffective. But them a new plague crops up, and we make precisely the same mistakes we should have learned from three hundred years ago.
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
I wonder if any of these boys ever sit in a room for boys' talk night and discuss how to treat women. Who teaches them how to call out to a girl when she's walking by, minding her own business? Who teaches them that girls are parts—butts, breasts, legs—not whole beings? I was going to eat at Dairy Queen, but I don't want to sit through the discussion of if I'm a five or not. I eat a few fries before I walk out. 'Hey, hold up. My boy wants to talk to you,' Green Hat says. He follows me, yelling into the dark night. I keep walking. Don't look back. 'Aw, so it's like that? Forget you then. Don't nobody want your fat ass anyway. Don't know why you up in a Dairy Queen. Needs to be on a diet.' He calls me every derogatory name a girl could ever be called. I keep walking. Don't look back.
Renée Watson (Piecing Me Together)
Fawcett also shared with me a passion for words and we would trawl the dictionary together and simply howl and wriggle with delight at the existence of such splendours as ‘strobile’ and ‘magniloquent’, daring and double-daring each other to use them to masters in lessons without giggling. ‘Strobile’ was a tricky one to insert naturally into conversation, since it means a kind of fir-cone, but magniloquent I did manage. I, being I, went always that little bit too far of course. There was one master who had berated me in a lesson for some tautology or other. He, as what human being wouldn’t when confronted with a lippy verbal show-off like me, delighted in seizing on opportunities to put me down. He was not, however, an English teacher, nor was he necessarily the brightest man in the world. ‘So, Fry. “A lemon yellow colour” is precipitated in your test tube is it? I think you will find, Fry, that we all know that lemons are yellow and that yellow is a colour. Try not to use thee words where one will do. Hm?’ I smarted under this, but got my revenge a week or so later. ‘Well, Fry? It’s a simple enough question. What is titration?’ ‘Well, sir…, it’s a process whereby…’ ‘Come on, come on. Either you know or you don’t.’ ‘Sorry sir, I am anxious to avoid pleonasm, but I think…’ ‘Anxious to avoid what?’ ‘Pleonasm, sir.’ ‘And what do you mean by that?’ ‘I’m sorry, sir. I meant that I had no wish to be sesquipedalian.’ ‘What?’ ‘Sesquipedalian, sir.’ ‘What are you talking about?’ I allowed a note of confusion and bewilderment to enter my voice. ‘I didn’t want to be sesquipedalian, sir! You know, pleonastic.’ ‘Look, if you’ve got something to say to me, say it. What is this pleonastic nonsense?’ ‘It means sir, using more words in a sentence than are necessary. I was anxious to avoid being tautologous, repetitive or superfluous.’ ‘Well why on earth didn’t you say so?’ ‘I’m sorry, sir. I’ll remember in future, sir.’ I stood up and turned round to face the whole form, my hand on my heart. ‘I solemnly promise in future to help sir out by using seven words where one will do. I solemnly promise to be as pleonastic, prolix and sesquipedalian as he could possibly wish.’ It is a mark of the man’s fundamental good nature that he didn’t whip out a knife there and then, slit my throat from ear to ear and trample on my body in hobnailed boots. The look he gave me showed that he came damned close to considering the idea.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
It is perfectly possible to live a life from cradle to grave that is entirely dishonest.One might never reveal one's true identity, the yearnings and cravings of one's innermost self, even to the most intimate circle of family and friends; never really speak the truth to anyone. Priests and psychotherapists may believe that the confessional-box or the analysis session reveals truths, but you know and I know and every human being knows that we lie all the time to all the world. Lying is as much a part of us as wearing clothes. Indeed Man's first act in Eden was to give names to everything on earth, our first act of possession and falsehood was to take away a stone's right to be a stone by imprisoning it with the name "stone". There are in reality, as Fenellosa said, no nouns in the universe. Man's next great act was to cover himself up. We have been doing so ever since. We feel that our true identities shame us. Lying is a deep part of us. TO take it away is to make us something less than, not more than, human.
Stephen Fry (The Liar)
The desire to be famous is infantile, and humanity has never lived in an age when infantilism was more sanctioned and encouraged than now. Infantile foods in the form of crisps, chips, sweet fizzy drinks and pappy burgers or hot dogs smothered in sugary sauce are considered mainstream nutrition for millions of adults. Intoxicating drinks disguised as milkshakes and soda pops exist for those whose taste buds haven't grown up enough to enjoy the taste of alcohol. As in food so in the wider culture. Anything astringent, savoury, sharp, complex, ambiguous or difficult is ignored in favour of the colourful, the sweet, the hollow and the simple.
Stephen Fry (The Fry Chronicles)
its paradox ingredients gave it great strength. This rope is the same, only better!” “Paradox ingredients?” Blitz held up the end of the rope and whistled appreciatively. “He means things that aren’t supposed to exist. Paradox ingredients are very difficult to craft with, very dangerous. Gleipnir contained the footfall of a cat, the spittle of a bird, the breath of a fish, the beard of a woman.” “Dunno if that last one is a paradox,” I said. “Crazy Alice in Chinatown has a pretty good beard.” Junior huffed. “The point is, this rope is even better! I call it Andskoti, the Adversary. It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Imagine a day in which you feel generally fine. After waking up, you spend a few minutes in bed lightly thinking ahead about some of the people you will see and the things you will do. You hit traffic on the way to work, but you don’t fight it; you just listen to the radio and don’t let the other drivers bother you. You may not be excited about your job, but today you’re focusing on the sense of accomplishment you feel as you complete each task. On the way home, your partner calls and asks you to stop at the store; it’s not your favorite thing to do after work, but you remind yourself it’s just fifteen extra minutes. In the evening, you look forward to a TV show and you enjoy watching it. Now let’s look at the same day, but imagine approaching it in a different way. After waking up, you spend a few minutes in bed pessimistically anticipating the day ahead and thinking about how boring work will be. Today, the traffic really gets under your skin, and when a car cuts you off, you get angry and honk your horn. You’re still rankled by the incident when you start work, and to make matters worse, you have an unbelievable number of rote tasks to get through. By the time you’re driving home, you feel fried and don’t want to do a single extra thing. Your partner calls to ask you to stop at the store. You feel put upon but don’t say anything and go to the store. Then you spend much of the evening quietly seething that you do all the work around the house. Your favorite show is on, but it’s hard to enjoy watching it, you feel so tired and irritated. Over these two imaginary days, the same exact things happened. All that was different was how your brain dealt with them—the setting that it used.
Rick Hanson (Hardwiring Happiness: The New Brain Science of Contentment, Calm, and Confidence)
I squeezed his hand. “You’re right. And thank you.” We were quiet for a bit. “Jack?” “You know, they say when someone keeps making excuses to say your name it means they like you.” “They say that, huh?” “They do indeed. But I want to make it very clear that, while you’re acceptably pretty and moderately entertaining, it’s not me. It’s you.” “Color me relieved. But seriously, Jack—” “Again with the name-dropping. “Shut up. I’m trying to say that I’m proud of you. These people will owe you for what you’ve done for them, but they’ll also depend on you for the rest of their lives. You’ve really stepped up. I just . . . yeah. I’m proud of you.” He raises his shoulders a couple of times, like he was physically trying to shrug off what I’d said. Then he shook his head and sighed. “This is more awkward than that time you threw yourself at me and made me kiss you.” “I seem to recall you kissing me, followed by me hitting you. Repeatedly.” He reached over with his free hand to pat mine. “Whatever you need to tell yourself to be happy with frying pan boy. And here we are!
Kiersten White (Endlessly (Paranormalcy, #3))
As Adrian hurried past the Senate House he noticed two old men standing outside Bowes and Bowes. He put an extra spring in his step, a thing he often did when walking near elderly. He imagined old people would look at his athletic bounce with a misty longing for their own youth. Not that he was trying to show off or rub salt into the wounds of the infirm, he really believed he was offering a service, an opportunity for nostalgia, like whistling the theme tune from Happidrome or spinning a Diablo. He skipped past them with carefree ease, missed his footing and fell to the ground with a thump. One of the old men helped him up.
Stephen Fry (The Liar)
Apply the cook’s brain and visualize that fried egg on the plate. Do you want it to be burned around the edges? Do you want to see craters on the egg white? Should the yolk look as if you’d need a hammer to break into it? The answer to all three questions should be no. Yet the majority of people still crack an egg and drop it into searingly hot oil or fat and continue to cook it on high heat. You need to insert earplugs to reduce the horrific volume of the sizzle. And the result, once served up in a pool of oil, is an inedible destruction of that great ingredient—the egg. Maybe that’s how you like it, in which case carry on serving your disgusting food.
Marco Pierre White (The Devil in the Kitchen: Sex, Pain, Madness, and the Making of a Great Chef)
Zeke stood up. He held the Tater Tot up to the sunlight streaming in through the cafeteria window. Some kids sitting at tables nearby took notice. They listened in as Zeke began to recite: "Oh, Tater Tot, oh, Tater Tot, so tiny and round, What an amazing potato taste in you I have found! Crispy on the outside, soft and mushy inside - What kind of mysterious potato do you hide? Russet, white, Yukon gold or Idaho? Are you mashed or baked or fried - I really don't know! Mystery spud so tasty and round, What an amazing lunchtime treat in you I have found." Everyone at the table applauded, and Zeke bowed. The kids around him clapped and whooped and laughed.
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
M. John Harrison (Viriconium (Viriconium, #1-4))
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I know that money, power, prestige and fame do not bring happiness. If history teaches us anything it teaches us that. You know it. Everybody agrees this to be a manifest truth so self-evident as to need to repetition. What is strange to me is that, despite the fact that the world knows this, it does not want to know it and it chooses almost always to behave as if it were not true. It does not suit the world to hear that people who are leading the high life, an enviable life, a privileged life are as miserable most days as anybody else, despite the fact that it must be obvious they would be - given that we are all agreed that money and fame do not bring happiness. Instead the world would prefer to enjoy the idea, against what it knows to be true, that wealth and fame do in fact insulate and protect against misery and it would rather we shut up if we are planning to indicate otherwise.
Stephen Fry
Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.
Charles Dickens (A Tale of Two Cities)
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Do you have any cheese preferences?” Jack asked. “All cheese is good cheese, Lend said. “True dat.” I nodded solemnly. “You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.” “Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’” “No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.” “But on Easton Heights—” “You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack. He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.” “Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.” “No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.” “True dat,” Arianna said, nodding. “How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged. “Because I’m dead, and none of the rules apply anymore.” Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks. Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.” “I kind of wish they’d shut up,” Jack said. “Dude, true dat,” Lend answered. Jack nodded solemnly. “For serious.
Kiersten White (Endlessly (Paranormalcy, #3))
Well, anyway,” said the constable at last, turning businesslike, “I got to take charge here. Get this feller into the house before he fries. I’m telling you now: if he don’t make it, you’re in a pickle, you people. Now, here’s what we’ll do. You,” he said, pointing at Mae, “you got to come with me, you and the little girl. You got to be locked up right away; and the little girl, I got to get her home. The rest of you, you stay here with him. Look after him. I’ll get back with a doctor quick as I can. Should have brought a deputy, but I didn’t expect nothing like this to happen. Well, it’s too late now. All right, let’s get moving.” Miles said softly, “Ma. We’ll get you out right away.” “Sure, Ma,” said Jesse. “Don’t worry about me none,” said Mae in the same exhausted voice. “I’ll make out.” “Make out?” exclaimed the constable. “You people beat all. If this feller dies, you’ll get the gallows, that’s what you’ll get, if that’s what you mean by make out.” Tuck’s face crumpled. “The gallows?” he whispered. “Hanging?” “That’s it,” said the constable. “That’s the law. Now, let’s get going.” Miles and Jesse lifted the man in the yellow suit and carried him carefully into the house, but Tuck stood staring, and Winnie could guess what he was thinking. The constable swung her up onto his horse and directed Mae to her own saddle. But Winnie kept her eyes on Tuck. His face was very pale, the creases deeper than ever, and his eyes looked blank and sunken. She heard him whisper again, “The gallows!” And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.” The constable glanced heavenward and shook his head.
Natalie Babbitt (Tuck Everlasting)
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
She was too narcoleptic to speak. Or move. How long had this been going on? Was she like this yesterday? Had I missed her illness in my quest to prove to my brain that my dick wasn’t the one behind this train wreck’s wheel? I touched her forehead again. It sizzled. “Sweetheart.” “Please get out.” The words clawed past her throat. “Someone needs to take care of you.” “That someone definitely isn’t you. You made that clear these past couple days.” I said nothing. She was right. I hadn’t bothered to check on her. Perhaps I’d wished she’d check on me. In truth, she’d already gone beyond any expectations in trying to make whatever it was between us work. Meanwhile, I’d shut her down. Repeatedly. “Shortbread, let me get you some medicine and tea.” “I don’t want you to nurse me to health. Do you hear me?” She must have hated that I’d seen her like this. Weak and ill. “Call Momma and Frankie. It’s them I want by my side.” I swallowed but didn’t argue. I understood she didn’t want to feel humiliated. To be taken care of by the man who ensured she understood her insignificance to him. How did her bullshit meter not fry? How could she think I really felt nothing toward her? “First, I’ll get you medicine, tea, and water. Then I’ll call for Hettie to stay with you. Then I’ll notify your mother.” I tugged her comforter up to her chin. “No arguments.” She tried to wave me out, groaning at the slightest movement. “Whatever. Just go. I don’t want to see your face.” I gave her what she wanted, though as always, not in the way she expected. The sequence of actions didn’t proceed as promised. First, I contacted Cara to dispatch the private jet to Georgia. Then I called my mother-in-law and Franklin—separately—demanding their presence. Only then did I enter the kitchen to grab water, tea, and ibuprofen for Shortbread’s fever. Naturally, like the chronic idler he often proved to be, Oliver still sat at the island, now enjoying an extra-large slice of red velvet cake I was pretty sure was meant to be consumed by Dallas. “What are you still doing here?” I demanded, collecting the things I needed for her. He scratched his temple with the handle of his fork, brows pulled together. “You invited me here. You wanted to watch a soccer game, remember?” I did not remember. I didn’t even remember my own address right now. “Get out.” “What about the—” I snatched the plate from his fingers, admitting to myself that I’d treaded into feral grounds. “This cake wasn’t for you to eat.” “You’ve gone insane in the ten minutes you were gone.” Oliver gawked at me, wide-eyed. “What happened to you? Did Durban not get her hands on the latest Henry Plotkin book and take her anger out on you?” Shit. The Henry Plotkin book. I shoved Oliver out with a fork still clutched in his grimy fist, dialing Hettie with my free hand. She half-yawned, half-spoke. “Yes?” “Dallas is ill. You need to come here and take care of her until my in-laws arrive in about two hours.” “Oh, yeah?” Her energy returned tenfold. “And what the hell are you gonna do during this time?” “Freeze my balls off.”(Chapter 58)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
And please, whatever you do, don’t tell us that what we do, either in love or lust, is unnatural. For one thing if what you mean by that is that animals don’t do it, then you are quite simply in factual error. There are plenty of activities or qualities we could list that are most certainly unnatural if you are so mad as to think that humans are not part of nature, or so dull-witted as to believe that ‘natural’ means ‘all natures but human nature’: mercy, for example, is un¬natural, an altruistic, non-selfish care and love for other species is unnatural; charity is unnatural, justice is unnatural, virtue is unnatural, indeed — and this surely is the point — the idea of virtue is unnatural, within such a foolish, useless meaning of the word ‘natural’. Animals, poor things, eat in order to survive: we, lucky things, do that too, but we also have Abbey Crunch biscuits, Armagnac, selle d’agneau, tortilla chips, sauce béarnaise, Vimto, hot buttered crumpets, Chateau Margaux, ginger-snaps, risotto nero and peanut-butter sandwiches — these things have nothing to do with survival and everything to do with pleasure, connoisseurship and plain old greed. Animals, poor things, copulate in order to reproduce: we, lucky things, do that too, but we also have kinky boots, wank-mags, leather thongs, peep-shows, statuettes by Degas, bedshows, Tom of Finland, escort agencies and the Journals of Anaïs Nin — these things have nothing to do with reproduction and everything to do with pleasure, connoisseurship and plain old lust. We humans have opened up a wide choice of literal and metaphorical haute cuisine and junk food in many areas of our lives, and as a punishment, for daring to eat the fruit of every tree in the garden, we were expelled from the Eden the animals still inhabit and we were sent away with the two great Jewish afflictions to bear as our penance: indigestion and guilt.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)