Frustrated Mother Quotes

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MOTHER IS WATER I wish I could Shower your head with flowers And anoint your feet with my tears, For I know I have caused you So much heartache, frustration and despair – Throughout my youthful years. I wish I could give you The remainder of my life To add to yours, Or simply erase The lines on your face, And mend all that has been torn. For next to God, You are the fire That has given light To the flame in each of my eyes. You are the fountain That nourished my growth, And from your chalice – Gave me life. Without the wetness of your love, The fragrance of your water, Or the trickling sounds of Your voice, I shall always feel thirsty.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Am I ever angry or frustrated? I only feel angry sometimes when I see waste, when things that we waste are what people need, things that would save them from dying. Frustrated? No, never.
Mother Teresa (The Joy in Loving: A Guide to Daily Living (Compass))
That a woman who managed to be both a virgin and a mother is often presented as God’s standard for womanhood and can be frustrating for those of us who have to work within the constraints of physical law.
Rachel Held Evans (A Year of Biblical Womanhood)
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
When we were babies, we didn’t smile sweetly at our mothers to get them to take care of us. We didn’t pinpoint our discomfort by putting it into words. We simply opened our mouths and screamed. And it didn’t take us long to learn that, the louder we screamed, the quicker they came. The success of this tactic was turned into an “imprint,” a part of our stored memory about how to get the world to respond to our needs: “When you are frustrated, provoke the people around you.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
For a long time I felt I had done a very brave thing. There is nothing more boring for an intelligent woman than to spend endless amounts of time with small children. I felt I wasn’t the best person to bring them up. I would have ended up an alcoholic or a frustrated intellectual like my mother.
Doris Lessing
The borderline Queen experiences what therapists call "oral greediness". The desperate hunger of the borderline Queen is akin to the behavior of an infant who had gone too long between feelings. Starved, frustrated, and beyond the ability to calm of soothe herself, she grabs, flails, and wails until at last the nipple is planted securely and perhaps too deeply in her mouth. She coughs, gags, chokes, and spits, eyeing the elusive breast like a wolf guarding her food. Similarity, the Queen holds on to what is hers, taking more than she could use, in case it might be taken away prematurely.
Christine Ann Lawson (Understanding the Borderline Mother)
Realizing that your mother couldn’t love you is one of the most painful discoveries you’ll ever make. You deserved to be cherished, but your mother was a disturbed, unhappy woman who took out her frustrations on you. And it wasn’t your fault.
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
A woman has her needs. What good is a mother to her poor children if she's suffering from low self-esteem and sexual frustration? If you don't get laid soon, you will literally close up. More importantly, you will shrivel. And you will become bitter.
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
Like the French, he starts babies off on vegetables and fruits rather than bland cereals. He's not obsessed with allergies. He talks about "rhythm" and teaching kids to handle frustration. He values calm. And he gives real weight to the parents' own quality of life, not just to the child's welfare.
Pamela Druckerman (Bringing Up Bébé: One American Mother Discovers the Wisdom of French Parenting)
Forcing a child into adult pursuits is one of the subtlest varieties of soul murder. Very often we find that the narcissist was deprived of his childhood. Consider the gifted child, the Wunderkind: the answer to his mother's prayers and the salve to her frustrations… The Wunderkind narcissist refuses to grow up. In his mind, his tender age formed an integral part of the precocious miracle that he once was. One looks much less phenomenal and one's exploits and achievements are much less awe-inspiring at the age of 40 than the age of 4. Better stay young forever and thus secure an interminable stream of Narcissistic Supply. So, the narcissist abjures all adult skills and chores: he never takes out a driver's license; he does not have children; he rarely has sex; he never settles down in one place; he rejects intimacy. In short, he renounces adulthood. Absent adult skills he assumes no adult responsibilities. He expects indulgence from others.
Sam Vaknin (Malignant Self-Love: Narcissism Revisited)
Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.' I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?' Jason blinked at me. Then he said, 'Why wouldn't it?' 'Because,' I said. He just looked at me. 'Because...' 'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.' 'Such as?' he asked. 'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.' 'But we will be prepared,' he said, confused. 'We'll have the list.' I rolled my eyes. 'Jason,' I said. 'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.' And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago. 'It's just...' I said and stopped, shaking my head. 'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.' But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
Sarah Dessen (The Truth About Forever)
animals don’t follow unstable pack leaders; only humans promote, follow, and praise instability. Only humans have leaders who can lie and get away with it. Around the world, most of the pack leaders we follow today are not stable. Their followers may not know it, but Mother Nature is far too honest to be fooled by angry, frustrated, jealous, competitive, stubborn, or other negative energy—even if it is masked by a politician’s smile. That
Cesar Millan (Be the Pack Leader: Use Cesar's Way to Transform Your Dog ... and Your Life)
Some mothers seem to have the capacity and energy to make their children's clothes, bake, give piano lessons, go to Relief Society, teach Sunday School, attend parent-teacher association meetings, and so on. Other mothers look upon such women as models and feel inadequate, depressed, and think they are failures when they make comparisons... Sisters, do not allow yourselves to be made to feel inadequate or frustrated because you cannot do everything others seem to be accomplishing. Rather, each should assess her own situation, her own energy, and her own talents, and then choose the best way to mold her family into a team, a unit that works together and supports each other. Only you and your Father in Heaven know your needs, strengths, and desires. Around this knowledge your personal course must be charted and your choices made.
Marvin J. Ashton
If he asks me what’s wrong and my issue isn’t one he can make go away with a few reassuring words, Nicholas gets frustrated. It reminds me of my mother once saying that you can’t tell men about your unfixable problems, because they’ll want to fix them and not being able to do so fries their wiring.
Sarah Hogle (You Deserve Each Other)
When service is unto people, the bones can grow weary, the frustration deep. Because, agrees Dorothy Sayers, "whenever man is made the center of things, he becomes the storm-center of trouble. The moment you think of serving people, you begin to have a notion that other people owe you something for your pains...You will begin to bargain for reward, to angle for applause... When the eyes of the heart focus on God, and the hands on always washing the feet of Jesus alone - the bones, they sing joy and the work returns to it's purest state: eucharisteo. The work becomes worship, a liturgy of thankfulness. "The work we do is only our love for Jesus in action" writes Mother Theresa. "If we pray the work...if we do it to Jesus, if we do it for Jesus, if we do it with Jesus... that's what makes us content." Deep joy is always in the touching of Christ - in whatever skin He comes to us in. Page 194
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
What is a sigh? That would be another good subject for a field study. Is it just a long, deep, audible exhalation of breath? Rose's sigh was intense but not subdued. It was frustrated but not yet sad. A sigh resets the respiratory system so it was possible that my mother had been holding her breath, which suggests she was more nervous than she appeared to be. A sigh is an emotional response to being set a difficult task.
Deborah Levy (Hot Milk)
KAUFMAN Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world — MCKEE The real world? KAUFMAN Yes, sir. MCKEE The real fucking world? First of all, you write a screenplay without Conflict or Crisis, you'll bore your audience to tears. Secondly: nothing happens in the world? Are you out of your fucking mind? People are murdered every day! There's genocide, war, corruption! Every fucking day somewhere in the world somebody sacrifices his life to save someone else! Every fucking day someone somewhere makes a conscious decision to destroy someone else! People find love! People lose it! For Christ's sake! A child watches her mother beaten to death on the steps of a church! Someone goes hungry! Somebody else betrays his best friend for a woman! If you can't find that stuff in life, then you, my friend, don't know CRAP about life! And WHY THE FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it! KAUFMAN Okay, thanks.
Charlie Kaufman (Adaptation.: The Shooting Script)
Soon I was weeping---for the reservists who put their entire lives on hold when called to duty, for the military mothers who had to keep their families together all alone, for the parents, spouses, sons, and daughters who were beset with worry, for Mike, and for the soldiers who would never come home. I only meant to buy a shower curtain, and now, quite unexpectedly, right when I least wanted it, months of pent-up loneliness, fear, and frustration were pouring out in an endless churn of hot, silent tears.
Lily Burana (I Love a Man in Uniform: A Memoir of Love, War, and Other Battles)
Frustrated with drawing, I switched to the printmaking department, where I overturned great buckets of ink. After trying my hand at sculpture, I attempted pottery. During class critiques the teacher would lift my latest project from the table and I’d watch her arm muscles strain and tighten against the weight. With their thick, clumsy bases, my mugs weighed in at close to five pounds each. The color was muddy and the lips rough and uninviting. I gave my mother a matching set for Christmas, and she accepted them as graciously as possible, announcing that they would make the perfect pet bowls. The mugs were set on the kitchen floor and remained there until the cat chipped a tooth and went on a hunger strike.
David Sedaris (Me Talk Pretty One Day)
Folks write down the name of someone who fills them with frustration, disappointment, and/or resentment, and then I propose that their person is doing the best he or she can. The responses have been wide-ranging...One woman said, "If this was true and my mother was doing the best she can, I would be grief-stricken. I'd rather be angry than sad, so it's easier to believe she's letting me down on purpose than grieve the fact that my mother is never going to be who I need her to be.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution)
I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?
Donna Tartt (The Goldfinch)
To stop resenting my mother I had to unlearn the idea that our parents are these infallible beings who always know the right thing to do, and do it. I had to realize that she’s more than a mother. She’s a person with unresolved trauma and she’s scared of being alone and she’s frustrated with existence, just like everyone else.
Trista Mateer (Aphrodite Made Me Do It)
I am intimately familiar with the complex tangle of emotions that we mothers experience starting the moment our children announce their intention to serve in the US military: pride, fear, hope, anxiety, worry, surprise, frustration, and love to name a few;
Elaine Lowry Brye (Be Safe, Love Mom: A Military Mom's Stories of Courage, Comfort, and Surviving Life on the Home Front)
From Charades: when she was younger she was a frustrated mother, so she is pleased when her children act as is they don't remember
Lorrie Moore (Birds of America: Stories)
When you father dies! What then?" Lord Needham looked up from his pheasant. "I beg your pardon?" Lady Needham waved one hand in the air as though she hadn't time to think of her husband's feelings, instead prodding, "He shan't live forever, Penelope! What then?" Penelope could not think of why this was in any way relevant. "Well, that shall be very sad, I imagine." Lady Needham shook her head in frustration. "Penelope!" "Mother, I honestly have no idea what you are implying." "Who will take care of you? When your father dies?" "Is Father planning to die soon?" "No," her father said. "One never knows!" Tears were welling in the marchioness' eyes. "Oh, for God's-" Lord Needham had had enough. "I'm not dying. And I take no small amount of offence in the fact the thought simply rolled off your tongue.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Did the Prophet Elijah really restore to life the dead child of the Widow? This story, along with all the other stories of the Bible, is a psychological drama which takes place in the consciousness of man. The Widow symbolizes every man and woman in the world; the dead child represents the frustrated desires and ambitions of man; while the prophet, Elijah, symbolizes the God power within man, or man’s awareness of being. The story tells us that the prophet took the dead child from the Widow’s bosom and carried him into an upper room. As he entered this upper room he closed the door behind them; placing the child upon a bed, he breathed life into him; returning to the mother, he gave her the child and said, “Woman, thy son liveth.
Neville Goddard (Your Faith is Your Fortune)
We say, "It wasn't that bad. It was all my fault. I’m making all this stuff up. " All my life, I spoke bitterly of my mother's treatment of me as a child. Friends asked, “What did she do to you?“ I couldn't really describe it, and in frustration would say, “Well, she didn't lock us up in closets." in fact, my mother behaved much worse than that, but by focusing on the empty closet, I avoided looking at what waited beyond it.
Sarah E. Olson (Becoming One: A Story of Triumph Over Dissociative Identity Disorder)
I am no vampire.I am Carpathian, and you are my lifemate. I will protect you with my life. I will always see to your happiness." She took a deep breath for control, then let it escape slowly. "We are not lifemates.I did not choose." She held on to that fact, her only hope. "We can discuss this at a more opportune time." She nodded warily. "I'll meet you tomorrow then." His silent laughter filled her mind. Low. Amused. Frustratingly male. "You will come with me now." His voice lowered an octave, became warm honey, compelling, hypnotic, so mesmerizing it was impossible to fight. Savannah dropped her forehead against the muscles of his chest. Tears were burning in her eyes and throat. "I'm afraid of you,Gregori," she admitted painfully. "I can't live the life of a Carpathian. I'm like my mother. I'm too independent, and I need my own life." "I know of your fears, ma petite. I know your every thought. The bond between us is strong enough to cross oceans.We can deal with your fears together.
Christine Feehan (Dark Magic (Dark, #4))
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
But that can only be possible when mothers and fathers no longer unconsciously assume that their children have been brought into the world to alleviate the frustrations and repair the damage they have suffered in their own lives.
Alice Miller (The Truth Will Set You Free: Overcoming Emotional Blindness and Finding Your True Adult Self)
If my mother was Hamas—unpredictable, impulsive, and frustrated at being stifled—my father was Israel. He’d refuse to meet her most basic needs until she exploded. Then he would point at her and cry, “Look at what a monster she is, what a terror!” But never once did he consider why she had resorted to such extreme tactics, or his role in the matter.
Zaina Arafat (You Exist Too Much)
For many of us prayer means nothing more than speaking with God. And since it usually seems to be a quite one-sided affair, prayer simply means talking to God. This idea is enough to create great frustrations. If I present a problem, I expect a solution; if I formulate a question, I expect an answer; if I ask for guidance, I expect a response. And when it seems, increasingly, that I am talking into the dark, it is not so strange that I soon begin to suspect that my dialogue with God is in fact a monologue. Then I may begin to ask myself: To whom am I really speaking, God or myself?
Henri J.M. Nouwen (The Way of the Heart: The Spirituality of the Desert Fathers and Mothers)
We are afraid of what we will do to others, afraid of the rage that lies in wait somewhere deep in our souls. How many human beings go through the world frozen with rage against life! This deeply hidden inner anger may be the product of hurt pride or of real frustration in office, factory, clinic, or home. Whatever may be the cause of our frozen rage (which is the inevitable mother of depression), the great word of hope today is that this rage can be conquered and drained off into creative channels … …What should we do? We should all learn that a certain amount of aggressive energy is normal and certainly manageable in maturity. Most of us can drain off the excess of our angry feelings and destructive impulses in exercise, in competitive games, or in the vigorous battles against the evils of nature and society. We also must realize that no one will punish us for the legitimate expression of self-assertiveness and creative pugnacity as our parents once punished us for our undisciplined temper tantrums. Furthermore, let us remember that we need not totally repress the angry part of our nature. We can always give it an outlet in the safe realm of fantasy. A classic example of such fantasy is given by Max Beerborn, who made a practice of concocting imaginary letters to people he hated. Sometimes he went so far as to actually write the letters and in the very process of releasing his anger it evaporated. As mature men and women we should regard our minds as a true democracy where all kinds of ideas and emotions should be given freedom of speech. If in political life we are willing to grant civil liberties to all sorts of parties and programs, should we not be equally willing to grant civil liberties to our innermost thoughts and drives, confident that the more dangerous of them will be outvoted by the majority within our minds? Do I mean that we should hit out at our enemy whenever the mood strikes us? No, I repeat that I am suggesting quite the reverse—self-control in action based upon (positive coping mechanisms such as) self expression in fantasy.
Joshua Loth Liebman (Peace of Mind: Insights on Human Nature That Can Change Your Life)
There was one major fact that kept the balance steady between us: I still needed my mother. I needed her shoulder to lean on; I needed her wisdom and advice. I used to come home from a long day in the Senate—or, in 2007 and 2008, from a day on the campaign trail—and slide in next to her at our kitchen table and let all my frustrations and worries tumble out. Mostly, she just listened. When she gave advice, it always came down to the same basic idea: you know the right thing to do. Do what’s right.
Hillary Rodham Clinton (What Happened)
If your mother lived your life as though it were her own-never allowing you a moment of stress or frustration, routinely sleeping in your bed when you had a bad dream, never setting limits or establishing boundaries, seldom or never letting you out of her sight, excusing and failing to provide consequences for your negative or hurtful behaviour, insisting on a daily chronicle of every detail of your life, all in the name of maternal love-then you never had to grow up and take responsibility for your actions. You remain a child.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
As infants, we see the world in parts. There is the good—the things that feed and nourish us. There is the bad—the things that frustrate or deny us. As children mature, they come to see the world in more complex ways, realizing, for example, that beyond black and white, there are shades of gray. The same mother who feeds us may sometimes have no milk. Over time, we transform a collection of parts into a comprehension of wholes.4 With this integration, we learn to tolerate disappointment and ambiguity. And we learn that to sustain realistic relationships, one must accept others in their complexity. When we imagine a robot as a true companion, there is no need to do any of this work.
Sherry Turkle (Alone Together: Why We Expect More from Technology and Less from Each Other)
the despair displayed by young children on loss of their mother is a normal response to frustration of their absolute need for her presence ... children usually manage to survive, it is true, but at the cost of developing a defensive attitude to emotional detachment, and by becoming self-absorbed and self-reliant to an unusual degree. Typically, they are left with lasting doubts about their capacity to elicit care and affection.
Anthony Stevens (Jung: A Very Short Introduction)
...all the ways she's ineffectually mothered Todd crowd into her mind. Feeding him too much so he slept more, upending the bottle while watching daytime television, bored, no eye contact. That time she shouted in frustration when he wouldn't nap. How early she went back to work because her father put pressure on her; enrolling Todd in nursery so young, too young. Has she planted these seeds here? Was she a shit mother, or just a human?
Gillian McAllister (Wrong Place Wrong Time)
There are many controversial issues in contemporary American politics where, in spite of my strong feelings, I have the ability to understand and respect the other side. But the notion that we could ever pretend women have real equality in this country when a man as uninformed about basic reproductive gynecology as Mr. Todd Akin could take away my right to decide whether I want to spend a minimum of eighteen years and an average of $235,000 raising a child—not to mention the significant cost to my own dreams and goals or the myriad ways my child might ultimately suffer for my having been denied the ability to make that choice, the ways so many children suffer every day at the hands of their frustrated, stultified mothers—is an absurdity.
Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids)
It’s devastating. Your mother and I understand. You might not think we do, but we brought you into this world, and every single painful moment in your life that you endure, and every obstacle you stumble over, we’re there, Johnny. We’re right behind you, feeling everything. Your pain and frustration and fears. It’s all mirrored back to us. Your achievements are ours and your heartache is ours. Because you are all we have, Johnny. Just you. That’s it.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
Because I love you!" My voice breaks into a mortifying whisper that's almost half as embarrassing as the thoughts I can't keep from spinning in my brain. The thoughts that I've fought to hold at bay ever since my mother told me about the deal she made with him. Heat flushes my cheeks as he holds my stare, and frustration curls my hands into fists. "Because I want to think you kept me alive those first few months before Threshing because you were intrigued or impressed by me or attracted to me like I was to you, and not because you made a deal with my mother. Because it's horrifying to think that the only reason you fell in love with me is because of her. Because maybe you're right and I didn't want that particular truth, since I know there's a thin line between devotion and obsession, between cowardice and self-preservation, and I'm walking it when it comes to you. I love you so fucking much that I ignored every warning signal last year, and now half the time I don't know what side of that line I'm standing on because I'm too busy looking at you to watch my own feet!
Rebecca Yarros (Iron Flame (The Empyrean, #2))
I hate parties. And a wedding is the biggest party of all. All the guests arrived and Orpheus is taking a shower. He's always taking a shower when the guests arrive so he doesn't have to greet them. Then I have to greet them. A wedding is for daughters and fathers. The mothers all dress up, trying to look like young women. But a wedding is for a father and daughter. They stop being married to each other on that day. I always thought there would be more interesting people at my wedding.
Sarah Ruhl (Eurydice)
Many years later when I got involved in activism, I noticed a very common thread. A lot of us girls had been psychologically abused by our mothers. A [Muslim] woman who has no control over her life craves control. There are very few outlets where that control is acceptable. In her immediate family, she cannot exert control over her husband or her son, but her daughter is fair game. All of her aggression and frustration are released in that one direction. Since, according to Hadith, Heaven is at the feet of mothers, mothers will get to determine if their children will burn in Hell for eternity or not. That is a lot of power to wield over a child. That power can have tragic results in the hands of an abusive mother. She can abuse the status and use it to control and manipulate. You must be an obedient slave to get her affection, support, approval, and, most importantly, to get into Heaven one day. She can revoke her 'blessing' at any point, keeping you in line for perpetuity.
Yasmine Mohammed (بی‌حجاب: چگونه لیبرال‌های غرب بر آتش اسلام‌گرایی رادیکال می‌دمند)
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
Luckily, children’s memories don’t start much before four years of age, which is Mother Nature’s way of forgiving parents during those really tough years of parenting small children.
Judy Arnall (Parenting With Patience: Turn Frustration Into Connection With 3 Easy Steps)
Was that what it meant to be a daughter? To have hair that smelled of your mother? To use the same soap? Or was it a shared passion, a shared frustration? Meg had never wanted to kneel in the dirt and plant bulbs like her mum; she longed to be considered - not with kindness, but with curiosity, with regard for her thoughts, with respect for her words. Was that what the mess on the floor was? Evidence of a curious mind? Fragments of frustration? An effort to understand and explain? Were Meg’s longings akin to Esme and was that what it meant to be a daughter?
Pip Williams (The Dictionary of Lost Words)
Dear good guy I can hear your cries I can feel your pain I can smell your frustration I can see the confusion in your eyes Confused about how women see you In a land of women tired of being played They still take you as a joke and think you’re all games They play you like they were played They can’t see the seriousness in your eyes When you call her “Queen” and ask for her heart And you cry for commitment, they back out and shut down Treat you like the bad guys treated them It’s so ironic You hate seeing these ladies get their hearts stomped on Their minds toyed with It’s killing you because you’ve done it to women yourself you’ve seen other guys do it You want to save them from the destruction But like a child who refuses to obey their mother’s wisdom, until they are wise enough to understand through experience They won’t value you until they get burned playing with the fire of curiosity Some of them crave destruction They crave the fun that these fellas who will degrade them have to offer They are being guided by curiosity and their wisdom is foolishness Fight the urge to become like the men these ladies who lack understanding chase after Don’t let rejection consume your heart and cause you to crumble Being a promiscuous man who lacks self-respect and morals is overrated Find peace with being the underdog Your type is needed in this world, my good friend Hold on There are women out there who are in search for someone like you One of them will be the one who appreciates the detailed things about you the previous women called corny There are women out there who will value your honesty, your character, your loyalty Hold on, my friend Narrow is the right path You are on the right path, my friend Your time will come in due time You will not just be getting a girl, you will be getting a woman who will be willing to finish off this life’s journey with you You are not alone I am with you and I understand the hardships you face, the doubt, the anger I want you to know you are doing a great job at being you Do not give up Stand firm and continue to be different You will be an example to many although you are in the minority Corruption
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
Hearing my mother implicate herself makes me think of Ruby and the frustration she must feel sitting there, listening as I cloak myself in blame. After a while, she gives up repeating the same lines, knowing there comes a point when they no longer matter, that what I need isn't absolution but to hold myself accountable before a witness. So when my mother asks me to forgive her, I say, "Of course I do." I don't tell her again she couldn't have stopped it, that it wasn't her fault and that she didn't deserve it. I swallow those words instead. Maybe somewhere deep in my belly, they'll take root and grow.
Kate Elizabeth Russell (My Dark Vanessa)
You,” Gideon realized aloud, glaring at Nico. “You set up a ward against her without telling me, didn’t you?” “What? That’s crazy,” Nico said blandly. “Nico, you had no right—” Immediately, he gave up the (very weak) game. “That’s ridiculous, of course I did—” “—You can’t just interfere without telling me—” “—I was going to tell you; in fact, I’m sure I already did! It’s not my fault if you didn’t read the minutes closely—” “—for the last time, my mother is my problem, not yours—” That, of course, was met with a growl of frustration from Nico. “Haven’t you figured out by now that I want your problems?” Nico demanded, half shouting it, and thankfully, Gideon’s mouth snapped shut. “Your pain is my problem, you idiot prince. You little motherfucker.” Nico rubbed his temple wearily as Gideon’s lips twisted up, half laughing. “Don’t laugh. Don’t…don’t look at me, stop it. Stop it—” “What are these pet names, Nicky?” “Shut up. I’m angry.” “Why are you angry?” “Because you seem to think for some stupid reason that you should be handling everything on your own—” “—when really you should be handling it on your own, is that it?” Touché. The bastard. “Gideon, for fuck’s sake, I’m rich and extremely handsome,” Nico growled. “Do you think I have my own problems? No, I do not, so let me have yours. Put me to use, I beg you.” Gideon rolled his eyes. “You are,” he said, and exhaled. “unbearable.
Olivie Blake (The Atlas Six (The Atlas, #1))
Working to restore our voice with members of our first family can be a terrific learning experience. We didn't choose these difficult folks, but, as adults, how we talk to them is up to us. Observing and changing our part in family conversations is one royal road to change. In other words, if you can learn to speak clearly and to respond in a new way with your difficult mother or sister, then other relationships will be a piece of cake.
Harriet Lerner (The Dance of Connection: How to Talk to Someone When You're Mad, Hurt, Scared, Frustrated, Insulted, Betrayed, or Desperate)
Mom used to say that the thoughts in our heads were nothing more than electrical impulses. I remember Dad and her talking about this over dinner. It frustrated Dad that the human brain can fire electrical sparks and think, but that the electricity he’d pump into an android brain would never give it independent thought. The body isn’t that different from a machine. Humans and androids both run on electricity. That lightning spark of energy I saw in the reverie. That was my mother’s last thought, an echo of electricity, something that sparked when I entered her dreamscape. That spark is gone now. Her life is gone now. Everything that made her, her, is gone now. Faded into nothing.
Beth Revis (The Body Electric)
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
Kahlil Gibran
Nina sat down and began to weep. She was not crying out of stress or frustration or fear, although she had so much of those still in her bones. She was crying because she missed her mother. She missed her perfume, her meatloaf, missed the way she made impossible things happen. Nina missed lying in her mother’s arms on the sofa, watching television late at night, missed the way her mother would always tell her everything would be OK, the way her mother could make everything OK.
Taylor Jenkins Reid (Malibu Rising)
Procession He used to ask me all the time if I was okay. As though he never knew for sure. He would ask me when he was tired or frustrated or when he felt helpless. He would ask me when he was afraid. He asked me that same question, long after we stopped being lovers—when we became something less yet somehow more. Are you okay? He would whisper on the phone late at night, when his girlfriend was asleep or had gone to her mother’s for the weekend. Are you okay? He hasn’t asked me in years, but I know he still thinks it. I know the question still reverberates in his mind like a broken record and he will keep looking for answers long after there is nothing left to appease him. It was always the same question, over and over again. Like the start of a procession. And it took me years to recognize the unsaid words that marched silently behind. Are you okay; because I love you. Are you okay; because I need you. Are you okay; because I don’t know how to live without you.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
In my teens and early twenties, I often went clothes shopping with my mother and I could always see her dismay at where I am forced to shop. I could see that she wished her daughter had a different body. I could see her humiliation and frustration. ... I harbored no small amount of frustration, or anger, for her words, for her disappointment in me, for my inability to be a good daughter, for one more thing I couldn't have – the simple pleasure of having fun while shopping with my mother.
Roxane Gay (Hunger: A Memoir of (My) Body)
The realities of motherhood are often obscured by a halo of illusions. The future mother tends to fantasize about love and happiness and overlooks the other aspects of child-rearing: the exhaustion, frustration, loneliness, and even depression, with its attendant state of guilt.
Élisabeth Badinter (The Conflict: How Modern Motherhood Undermines the Status of Women)
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Mothers of normal children teach them about the realities of life by introducing them to frustration experiences in carefully measured doses that gradually dispel the notion that the fused “grandiose child-omnipotent mother” entity can go on forever. They deflate their children’s feelings of grandeur and bring them down to earth. The mother of the future narcissistic personality never dispels this notion. Thus, the fused, symbiotic relationship endures, and the child grows to adulthood perceiving himself just as omnipotent and grandiose as he was as a child.
James F. Masterson (Search For The Real Self: Unmasking The Personality Disorders Of Our Age)
stop resenting my mother I had to unlearn the idea that our parents are these infallible beings who always know the right thing to do, and do it. I had to realize that she’s more than a mother. She’s a person with unresolved trauma and she’s scared of being alone and she’s frustrated with existence, just like everyone else. But this is how children are forced to bear the weight of their parents’ traumas. This is how dysfunction breeds its way into family lines. You forgive your mother for the things she did wrong, because of the things that were done wrong to her.
Trista Mateer (Aphrodite Made Me Do It)
A father is not to act harshly in word or deed toward his children, goad them to frustration and anger, discourage or demean them, neglect them, or harm them in any way. He is instead to be a blessing from the Lord to his children by taking responsibility to raise them rather than leaving it to the mother and various institutions, such as schools, churches, foster care systems, adoption agencies, and prisons. In short, fathers are supposed to be Pastor Dad, actively involved in the development of every aspect of their children’s growth with love, humility, and wisdom.
Mark Driscoll (Who Do You Think You Are?: Finding Your True Identity in Christ)
In writing anything to you, I always end up frustrated with the results. One reason for that is because I don't like my writing (or pretty much anything else about myself for that matter), and the other reason is a bit more complicated. I could sit here and write an entire novel about my love for you but it would never be able to fully express how I feel. Describing my love for you is like trying to explain why snow is white. They are both unchangable facts of life that cannot be argued. I have a hard time remembering if there was ever a time I didn't love you. And you know what, maybe I always did loveI was always in search of someone like you. Someone that would always love me and not be afraid to tell me that she loved me. Someone who would touch me with soft tenderness that showed to me just how much she loved me. Someone that I could say anything to, and who I actually truly enjoyed talking to. Someone that would make a wonderful, nice, caring, loving mother. I love you __ and if you ever want to be reminded of that, just look in my eyes. They will always show my love for you . . . even when you pick at your fingers. you, even before we met.
Bill Shapiro (Other People's Love Letters: 150 Letters You Were Never Meant to See)
Sartre explained what he meant by the anguish of choice through the true story of a student who had come to ask his advice during the war. This young man had to make a very difficult decision. He could either stay at home to look after his mother; or he could run off and try to join the French Resistance and fight to save his country from the Germans. This was the most difficult decision of his life and he wasn't sure what to do. If he left his mother, she would be vulnerable without him. He might not succeed in getting to the Resistance fighters before being caught by the Germans, and then the whole attempt to do something noble would be a waste of energy and of a life. But if he stayed at home with his mother, he'd be letting others do the fighting for him. What should he do? What would you do? What advice would you give him? Sartre's advice was a bit frustrating. He told the student that he was free and that he should choose for himself. If Sartre had given the student any practical advice about what to do, the student would still have had to decide whether or not to follow it. There is no way to escape the weight of responsibility that comes with being human.
Nigel Warburton (A Little History of Philosophy (Little Histories))
The whole tradition of [oral] story telling is endangered by modern technology. Although telling stories is a very fundamental human attribute, to the extent that psychiatry now often treats 'narrative loss' -- the inability to construct a story of one's own life -- as a loss of identity or 'personhood,' it is not natural but an art form -- you have to learn to tell stories. The well-meaning mother is constantly frustrated by the inability of her child to answer questions like 'What did you do today?' (to which the answer is usually a muttered 'nothing' -- but the 'nothing' is cover for 'I don't know how to tell a good story about it, how to impose a story shape on the events'). To tell stories, you have to hear stories and you have to have an audience to hear the stories you tell. Oral story telling is economically unproductive -- there is no marketable product; it is out with the laws of patents and copyright; it cannot easily be commodified; it is a skill without monetary value. And above all, it is an activity requiring leisure -- the oral tradition stands squarely against a modern work ethic....Traditional fairy stories, like all oral traditions, need the sort of time that isn't money. "The deep connect between the forests and the core stories has been lost; fairy stories and forests have been moved into different categories and, isolated, both are at risk of disappearing, misunderstood and culturally undervalued, 'useless' in the sense of 'financially unprofitable.
Sara Maitland (Gossip from the Forest: A Search for the Hidden Roots of Our Fairytales)
When a child isn't allowed to deal with his frustrations on his own—to cry, for instance, then to handle the situation, and then to go on playing—because his mother is always there to intervene and rescue him from any discomfort, in adulthood he will be unable to handle even the most minor setbacks.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
She was not crying out of stress or frustration or fear, although she had so much of those still in her bones. She was crying because she missed her mother. She missed her perfume, her meatloaf, missed the way she made impossible things happen. Nina missed lying in her mother’s arms on the sofa, watching television late at night, missed the way her mother would always tell her everything would be OK, the way her mother could make everything OK. She mourned the things that would never happen. The weddings her mother would never attend, the meals her mother would never make, the sunsets her mother would never see.
Taylor Jenkins Reid (Malibu Rising)
most creative among us – but passive slaves to the laws of physics that govern our neurons? Could machines have emotions? Do our emotions and our intellects belong to separate compartments of our selves? Could machines be enchanted by ideas, by people, by other machines? Could machines be attracted to each other, fall in love? What would be the social norms for machines in love? Would there be proper and improper types of machine love affairs? Could a machine be frustrated and suffer? Could a frustrated machine release its pent-up feelings by going outdoors and self-propelling ten miles? Could a machine learn to enjoy the sweet pain of marathon running? Could a machine with a seeming zest for life destroy itself purposefully one day, planning the entire episode so as to fool its mother machine into ‘thinking’ (which, of course, machines cannot do, since they are mere hunks of inorganic matter) that it had perished by accident?
Andrew Hodges (Alan Turing: The Enigma)
And so, beginning with the small early frustrations and deprivations, the child is helped to govern himself. his ego develops by learning to regulate his own food intake and feces evacuation: he has to learn to adapt to a social schedule, to an external measure of time, in place of a biological schedule of internal urges. In all this he makes a bitter discovery: that he is no longer himself, just by seeking pleasure. There may be more excitement in the world but the fun keep getting interrupted. For some strange reason the mother doesn’t share his glee over a bowel movement on the sofa. The child finds that he has to “earn" the mother’s love by performing in a certain way. He comes to realize that he has to abandon the idea of “total excitement" and “uninterrupted fun," if he wants to keep a secure background of love from the mother. This is what Alfred Adler meant when he spoke of the child’s need for affection as the “lever" of his education. The child learns to accept frustrations so long as the total relationship is not endangered. This is what the psychoanalytic word “ambivalence" so nicely covers: the child may hesitate between giving up what has previously been an assured satisfaction, and proceeding to a new type of conduct which will be rewarded by a new kind of acceptance. Does he want to keep the breast instead of switching to the bottle? He finds that if he makes this switch he gets a special cooing of praise and a little extra attention. Ambivalence describes the process whereby the infant is propelled forward into increasing mastery by his developing ego, while at the same time he is lulled backward into a safe dependence by his need for approval and easy gratification; he is caught in the bind, as we all are, between new and uncertain rewards and tried and tested ones.
Ernest Becker
Tonight his father had caught up, carrying all the horrors of hell with him. His mother could no longer protect him—hide him—and now his father‟s wrath would fall on him. He ran across the fields and through the forest, his bare feet carrying him as fast as they could go, aching and bleeding into the night. He could feel his father‟s eyes on him and his stinking breath filling Raven‟s nostrils as he rushed toward the only place he had ever found safe. He sobbed, choking on his grief and his frustration—the horrible guilt of carrying all the anger from his father into their house making him sick and afraid. He ran with lungs and muscles burning from strain, throwing himself through the doors of the castle when he reached them and only then chancing to look back the way he‟d come.
Amanda M. Lyons (Eyes Like Blue Fire)
The daily work you put into rearing your children is a kind of intimacy, tedious and invisible as mothering itself. There is another kind of intimacy in the conversations you may have with your children as they grow older, in which you confess to failings, reveal anxieties, share your bouts of creative struggle, regret, frustration. There is intimacy in your quarrels, your negotiations and running jokes.
Michael Chabon (Manhood for Amateurs)
The Holy Water No one lives outside the walls of this sacred place, existence. The holy water, I need it upon my eyes: it is you, dear, you – each form. What mother would lose her infant – and we are that to God, never lost from His gaze are we? Every cry of the heart is attended by light’s own arms. You cannot wander anywhere that will not aid you. Anything you can touch – God brought it into the classroom of your mind. Differences exist, but not in the city of love. Thus my vows and yours, I know they are the same. I have just peeled the skin from the potato and you are still contemplating its worth, sweetheart; indeed there are wonderful nutrients in all, for God made everything. You joined our community at birth. With your Father being who He is, what do the world’s scales know of your precious value. The priest and the prostitute – they weigh the same before the Son’s immaculate being, but who can bear that truth and freedom, so a wise man adulterated the scriptures; every wise man knows this. My soul’s face has revealed its beauty to me; why was it shy so long, didn’t it know how this made me suffer and weep? A different game He plays with His close ones. God tells us truths you would not believe, for most everyone needs to limit His compassion; concepts of right and wrong preserve the golden seed until one of God’s friends comes along and tends your body like a divine bride. The Holy sent out a surveyor to find the limits of its compassion and being. God knows a divine frustration whenever He acts like that, for the Infinite has no walls. Why not tease Him about this? Why not accept the freedom of what it means for our Lord to see us as Himself. So magnificently sovereign is our Lover; never say, 'On the other side of this river a different King rules.” For how could that be true – for nothing can oppose Infinite strength. No one lives outside the walls of this sacred place, existence. The holy water my soul’s brow needs is unity. Love opened my eye and I was cleansed by the purity of each form.
Rabia al Basri
Again, as with creating a nurturant family life, it would be unreasonable to expect that creating a nurturant society should be easy or quick. One must be patient and ready to deal with frustration. And one must bear in mind the morality of happiness and self-nurturance. In the midst of frustration, you must find a way to be basically happy and to take care of yourself. If you don’t, you will become less nurturant. Women have known throughout history that nurturance is a way of life. Many men have instinctively learned it from their mothers and their nurturant fathers. But the challenge in contemporary America is to create a nurturant society when a significant portion of that society has been raised either by authoritarian or neglectful parents. America is between moral worlds and there is only one way to turn.
George Lakoff (Moral Politics: How Liberals and Conservatives Think)
There was a heavy snowstorm that night. My mother went to bed and I pretended to sleep, then I snuck out to the garden and stood under the falling snow. I held my hands outstretched, catching snowflakes, watching them vanish on my fingertips. It felt joyous and frustrating and spoke to some truth I couldn’t express; my vocabulary was too limited, my words too loose a net in which to catch it. Somehow grasping at vanishing snowflakes is like grasping at happiness: an act of possession that instantly gives way to nothing. It reminded me that there was a world outside this house: a world of vastness and unimaginable beauty; a world that, for now, remained out of my reach. That memory has repeatedly returned to me over the years. It’s as if the misery that surrounded that brief moment of freedom made it burn even brighter: a tiny light surrounded by darkness.
Alex Michaelides (The Silent Patient)
The Party's all-around intrusion into people's lives was the very point of the process known as 'thought reform." Mao wanted not only external discipline, but the total subjection of all thoughts, large or small. Every week a meeting for 'thought examination' was held for those 'in the revolution." Everyone had both to criticize themselves for incorrect thoughts and be subjected to the criticism of others.The meetings tended to be dominated by self-righteous and petty-minded people, who used them to vent their envy and frustration; people of peasant origin used them to attack those from 'bourgeois' backgrounds. The idea was that people should be reformed to be more like peasants, because the Communist revolution was in essence a peasant revolution. This process appealed to the guilt feelings of the educated; they had been living better than the peasants, and self-criticism tapped into this.Meetings were an important means of Communist control. They left people no free time, and eliminated the private sphere. The pettiness which dominated them was justified on the grounds that prying into personal details was a way of ensuring thorough soul-cleansing. In fact, pettiness was a fundamental characteristic of a revolution in which intrusiveness and ignorance were celebrated, and envy was incorporated into the system of control. My mother's cell grilled her week after week, month after month, forcing her to produce endless self-criticisms.She had to consent to this agonizing process. Life for a revolutionary was meaningless if they were rejected by the Party. It was like excommunication for a Catholic. Besides, it was standard procedure. My father had gone through it and had accepted it as part of 'joining the revolution." In fact, he was still going through it. The Party had never hidden the fact that it was a painful process. He told my mother her anguish was normal.At the end of all this, my mother's two comrades voted against full Party membership for her. She fell into a deep depression. She had been devoted to the revolution, and could not accept the idea that it did not want her; it was particularly galling to think she might not get in for completely petty and irrelevant reasons, decided by two people whose way of thinking seemed light years away from what she had conceived the Party's ideology to be. She was being kept out of a progressive organization by backward people, and yet the revolution seemed to be telling her that it was she who was in the wrong. At the back of her mind was another, more practical point which she did not even spell out to herself: it was vital to get into the Party, because if she failed she would be stigmatized and ostracized.
Jung Chang (Wild Swans: Three Daughters of China)
I observed an eighteen-year-old friend of one of our daughters talking to his mother on the telephone. As he hung up the phone in frustration he said, “She makes me so angry, she’s always telling me what to think and where to go and how to do things.” He was obviously upset and filled with anger. I told him he had one of two choices. He could either continue to practice being right, or practice being kind. If you insist on being right you will argue, get frustrated, angry, and your problem will persist with your mom, I explained. If you simply practice being kind, you can remind yourself that this is your mom, she’s always been that way, she will very likely stay that way, but you are going to send her love instead of anger when she starts in with her routine. A simple statement of kindness such as, “That’s a good point, Mom, I’ll think about it,” and you have a spiritual solution to your problem.
Wayne W. Dyer (There's a Spiritual Solution to Every Problem)
Prior to my second stint in Perpignan, I was a fine diner and as I saw it, food was art. At vocational school, I was being taught how to cook, but I was frustrated by how basic the dishes were. I was like a kid who had grown up listening to Chopin, then showed up at music school, never having actually played an instrument. I mean, when you listen to Chopin all the time, you want to become Chopin. And then you go to music school and all you're doing is plunking out do...re... mi for hours at a time. It's boring as hell, and not why you enrolled. I was impatient to create great meals and not so excited about starting with the basics. Why were we spending hours learning how to hold a knife or mine a shallot when we could be making nouvelle cuisine? True, I didn't know how to cut a chicken in eight pieces or make a bechamel. But in the two- and three-start restaurants I had been to, they were way over the bechamel. Still, there I was, in school, making the most basic of dishes--salade Nicoise, potato-leek soup, an omelette.
Eric Ripert (32 Yolks: From My Mother's Table to Working the Line)
She had spent her whole life trying to fix other people—her parents, her sisters, William—but that had been a fruitless endeavor; she could see that now. She couldn’t keep her father alive or her mother in Chicago or Cecelia celibate or William ambitious. She’d just been fine-tuning her skills for now, for what mattered, for motherhood. She would protect and celebrate her baby girl and let everyone else do whatever they wanted. With her daughter, Julia was complete. She realized, amazed: I love myself. That had somehow never been true before. William entered the room with a nervous smile on his face. Julia had been frustrated with her husband for weeks, but inside her new warmth, she felt affection for him. She was love. She beamed at William and thought: I never needed you. Did you know that? I thought I needed a husband, but I don’t actually need anyone. I could have done everything by myself. William bent his long body to hug her, and Julia wrapped her arms around his neck. She told him how excited she was for him to see the baby girl she’d made.
Ann Napolitano (Hello Beautiful)
The sides of my head throb. My knees feel weak. “You need therapy.” Mom laughs the most over-the-top, hysterical laugh I’ve ever heard. “It’s not funny. There is something wrong with you. Who treats their kids this way? There’s a reason none of us want to be around you. There’s a reason Shoji wants to live with Dad, and why Taro spent the rest of the summer with his friend, and why I want to go to art school thousands of miles away from you.” My face burns with frustration. “You are so obsessed with yourself that there isn’t any room for anyone else’s feelings. You don’t care about anything unless it somehow relates back to you.” I start to walk away, intent on leaving her alone in her chair. But something stops me. Spinning back to face her, my breathing erratic and my voice hoarse, I growl, “And I’m not imagining what happened to me. Your sick brother sexually abused me. I don’t care what you think it’s called, because that’s what it is. Sexual abuse. I was sexually abused. Do you get that? And if you were any kind of mother, that would have mattered to you. You wouldn’t have tried to justify it or rationalize it away by saying it wasn’t rape and therefore isn’t as bad—it was bad. That’s it.
Akemi Dawn Bowman (Starfish)
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
When I lived in New York and went to Chinatown, I learned that these flavors and their meanings were actually a foundation of ancient Chinese medicine. Salty translated to fear and the frantic energy that tries to compensate for or hide it. Sweet was the first flavor we recognized from our mother's milk, and to which we turned when we were worried and unsure or depressed. Sour usually meant anger and frustration. Bitter signified matters of the heart, from simply feeling unloved to the almost overwhelming loss of a great love. Most spices, along with coffee and chocolate, had some bitterness in their flavor profile. Even sugar, when it cooked too long, turned bitter. But to me, spice was for grief, because it lingered longest.
Judith M. Fertig (The Cake Therapist)
In addition to withholding love and attention and thereby frustrating her son, a cold, rejecting mother will often punish him for his normal needs of her. From this he gets the message that his neediness is unacceptable and shameful. He may begin trying to cover up his vulnerability whenever he can. Many misogynists use bullying and macho behavior toward women to defend against these unacceptable feelings of vulnerability. The unfortunate logic that follows from this is that if the misogynist's needs are unacceptable, so are his partner's needs. They remind him too sharply of his own. Therefore, he must deny them. This explains in part why many misogynists are so insensitive to their partners' emotional and even physical suffering.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
Suffering has been a great teacher, cultivating and culturing our conduct. It develops and refines sensibilities, teaches humility and in more than one way, prepares humans to be able to turn to God. It awakens the need for search and exploration and creates that necessity which is the mother of all inventions. Remove suffering as a causative factor in developing man's potential and the wheel of progress would turn back a hundred thousand times. Man may try his hand at altering the plan of things, but frustration would be all he will achieve. Thus, the question of apportioning blame for the existence of suffering upon the Creator should not arise. Suffering, to play its subtle creative role in the scheme of things, is indeed a blessing in disguise.
Mirza Tahir Ahmad (Revelation, Rationality, Knowledge and Truth)
Children in misogynistic households experience tremendous rage, tension, and frustration. When they see their mothers victimized either psychologically or physically, they become frightened and angry. Unfortunately, they have no more outlet for their anger than their mothers have for theirs. Typically, such children express their feelings in self-defeating ways: psychosomatic complaints, difficulties at school, and depressions. Bedwetting and nightmares are common reactions among younger children. The older child may express his feelings through fighting with his peers, indiscriminate sexual activity, substance abuse, or other forms of antisocial behavior. If a child is also a victim of physical and/or sexual abuse, the symptoms of distress will be much greater.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?
Diana Palmer (Paper Rose (Hutton & Co. #2))
Women in troubled marriages frequently try to work out their problems through their children. Whether a woman does this through the extremes of overwhelming demands, severe rejection, or smothering control, the results are the same: the boy becomes too dependent on her. Without realizing it, in adulthood he transfers this dependency, as well as the conflicts and fears that go with it, onto the woman in his life. The misogynist saw his mother as having the power to frustrate him, to withhold love from him, to smother him, to make him feel weak, or to make insatiable demands on him—and he now views his partner as having those same powers. The father who doesn't provide his son with any alternative to his mother's influence leaves the boy alone with his fears and his panicky feelings of vulnerability and neediness.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
Make out a schedule for yourself, on paper if necessary, that requires you to be busy with housework or anything else while your baby is awake. Go at it with a great bustle—to impress your baby and to impress yourself. Say you are the mother of a baby boy who has become accustomed to being carried all the time. When he frets and raises his arms, explain to him in a friendly but very firm tone that this job and that job must get done this afternoon. Though he doesn’t understand the words, he does understand the tone of voice. Stick to your busywork. The first hour of the first day is the hardest. One baby accepts the change better if his mother stays out of sight a good part of the time at first and talks little. This helps him to become absorbed in something else. Another adjusts more quickly if he can at least see his mother and hear her talking to him, even if she won’t pick him up. When you bring him a plaything or show him how to use it, or when you decide it’s time to play with him, sit down beside him on the floor. Let him climb into your arms if he wants, but don’t get back into the habit of walking him around. If you’re on the floor with him, he can crawl away when he eventually realizes you won’t walk. If you pick him up and walk him, he’ll surely object noisily just as soon as you start to put him down again. If he keeps on fretting indefinitely when you sit with him on the floor, remember another job and get busy again. What you are trying to do is to help your baby begin to build frustration tolerance—a little at a time. If she does not begin to learn this gradually between six and twelve months, it is a much harder lesson to learn later on.
Benjamin Spock (Dr. Spock's Baby and Child Care)
In attunement, it is the infant who leads and the mother who follows. “Where their roles differ is in the timing of their responses,” writes John Bowlby, one of the century’s great psychiatric researchers. The infant initiates the interaction or withdraws from it according to his own rhythms, Bowlby found, while the “mother regulates her behaviour so that it meshes with his... Thus she lets him call the tune and by a skillful interweaving of her own responses with his creates a dialogue.” The tense or depressed mothering adult will not be able to accompany the infant into relaxed, happy spaces. He may also not fully pick up signs of the infant’s emotional distress, or may not be able to respond to them as effectively as he would wish. The ADD child’s difficulty reading social cues likely originates from her relationship cues not being read by the nurturing adult, who was distracted by stress. In the attunement interaction, not only does the mother follow the child, but she also permits the child to temporarily interrupt contact. When the interaction reaches a certain stage of intensity for the infant, he will look away to avoid an uncomfortably high level of arousal. Another interaction will then begin. A mother who is anxious may react with alarm when the infant breaks off contact, may try to stimulate him, to draw him back into the interaction. Then the infant’s nervous system is not allowed to “cool down,” and the attunement relationship is hampered. Infants whose caregivers were too stressed, for whatever reason, to give them the necessary attunement contact will grow up with a chronic tendency to feel alone with their emotions, to have a sense — rightly or wrongly — that no one can share how they feel, that no one can “understand.” Attunement is the quintessential component of a larger process, called attachment. Attachment is simply our need to be close to somebody. It represents the absolute need of the utterly and helplessly vulnerable human infant for secure closeness with at least one nourishing, protective and constantly available parenting figure. Essential for survival, the drive for attachment is part of the very nature of warm-blooded animals in infancy, especially. of mammals. In human beings, attachment is a driving force of behavior for longer than in any other animal. For most of us it is present throughout our lives, although we may transfer our attachment need from one person — our parent — to another — say, a spouse or even a child. We may also attempt to satisfy the lack of the human contact we crave by various other means, such as addictions, for example, or perhaps fanatical religiosity or the virtual reality of the Internet. Much of popular culture, from novels to movies to rock or country music, expresses nothing but the joys or the sorrows flowing from satisfactions or disappointments in our attachment relationships. Most parents extend to their children some mixture of loving and hurtful behavior, of wise parenting and unskillful, clumsy parenting. The proportions vary from family to family, from parent to parent. Those ADD children whose needs for warm parental contact are most frustrated grow up to be adults with the most severe cases of ADD. Already at only a few months of age, an infant will register by facial expression his dejection at the mother’s unconscious emotional withdrawal, despite the mother’s continued physical presence. “(The infant) takes delight in Mommy’s attention,” writes Stanley Greenspan, “and knows when that source of delight is missing. If Mom becomes preoccupied or distracted while playing with the baby, sadness or dismay settles in on the little face.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Having a TV—which gives you the ability to receive information—fails to establish any capacity for sending information in the opposite direction. And the odd one-way nature of the primary connection Americans now have to our national conversation has a profound impact on their basic attitude toward democracy itself. If you can receive but not send, what does that do to your basic feelings about the nature of your connection to American self-government? “Attachment theory” is an interesting new branch of developmental psychology that sheds light on the importance of consistent, appropriate, and responsive two-way communication—and why it is essential for an individual’s feeling empowered. First developed by John Bowlby, a British psychiatrist, in 1958, attachment theory was further developed by his protégée Mary Ainsworth and other experts studying the psychological development of infants. Although it applies to individuals, attachment theory is, in my view, a metaphor that illuminates the significance of authentic free-flowing communication in any relationship that requires trust. By using this new approach, psychologists were able to discover that every infant learns a crucial and existential lesson during the first year of life about his or her fundamental relationship to the rest of the world. An infant develops an attachment pathway based on different patterns of care and, according to this theory, learns to adopt one of three basic postures toward the universe: In the best case, the infant learns that he or she has the inherent ability to exert a powerful influence on the world and evoke consistent, appropriate responses by communicating signals of hunger or discomfort, happiness or distress. If the caregiver—more often than not the mother—responds to most signals from the infant consistently and appropriately, the infant begins to assume that he or she has inherent power to affect the world. If the primary caregiver responds inappropriately and/or inconsistently, the infant learns to assume that he or she is powerless to affect the larger world and that his or her signals have no intrinsic significance where the universe is concerned. A child who receives really erratic and inconsistent responses from a primary caregiver, even if those responses are occasionally warm and sensitive, develops “anxious resistant attachment.” This pathway creates children who feature anxiety, dependence, and easy victimization. They are easily manipulated and exploited later in life. In the worst case, infants who receive no emotional response from the person or persons responsible for them are at high risk of learning a deep existential rage that makes them prone to violence and antisocial behavior as they grow up. Chronic unresponsiveness leads to what is called “anxious avoidance attachment,” a life pattern that features unquenchable anger, frustration, and aggressive, violent behavior.
Al Gore (The Assault on Reason)
The daily work you put into rearing your children is a kind of intimacy, tedious and invisible as mothering itself. There is another kind of intimacy in the conversations you may have with your children as they grow older, in which you confess to failings, reveal anxieties, share your bouts of creative struggle, regret, frustration. There is intimacy in your quarrels, your negotiations and running jokes. But above all, there is intimacy in your contact with their bodies, with their shit and piss, sweat and vomit, with their stubbled kneecaps and dimpled knuckles, with the rips in their underpants as you fold them, with their hair against your lips as you kiss the tops of their heads, with the bones of their shoulders and with the horror of their breath in the morning as they pursue the ancient art of forgetting to brush. Lucky me that I should be permitted the luxury of choosing to find the intimacy inherent in this work that is thrust upon so many women. Lucky me.
Michael Chabon
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
the sickness of drugs or her reasons for turning to drugs to escape her reality. I did that for a while and I continued to try to help my mother. Every time I would help her, she would go back and go back and go back and go back. It was just so frustrating. I even did my television show to give her an outlet to help other women, to show women that she was strong enough to do it, because I really truly, in my heart, believe that she is. That didn't quite work. I spent plenty of years trying to get her off drugs, but from the outside because I still wasn't in the hood with her all the time watching her do it every day. I always used to try to take her out of the hood and bring her into my world that I was blessed to have. I wanted her to live the right way and didn’t want her to deal with running the streets every day. It was a struggle with my brothers because they had their way of handling her and handling things that I really couldn't quite understand. At the same time, like I said, I didn't understand it then. It
Toya Wright (In My Own WORDS...MY Real Reality)
As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story.
Billy Marshall Stoneking
Cannabis, the sensation that had reignited in America and helped bring hemp’s recreational usage back to prominence in a quiet, steady British counter-culture, had helped dispel much of the prejudice, entitlement and arrogance that had eluded the careful eye of Simon’s mother, undermining her care during the once-restlessly energetic yet gentle soul’s dedicated mothering of the studious boy. It took root in his thoughts and expectations. Bravado and projection replaced genuine yet understated confidence; much of that which had been endearing in him ceased to be seen, to his mother’s despondency. A bachelor of the arts, the blissfully apathetic raconteur left university, having renounced his faith and openly claiming to feel no connection, either socially or intellectually with the student life and further study. Personal failures and parental despair combined to sober the-21yr old frustrated essayist and tentative poet. Cannabis, ironically sought following the conclusion of his stimulant-fuelled student years, had finally levelled him out, and provided the introspection needed to dispel the lesser demons of his nature. Reefer Madness, such insanity – freely distributed for the mass-consumer audience of the west! Curiosity pushed the wealthy young man’s interest in the plant to an isolated purchase, and thence to regular use. Wracked by introspection, the young man struggled through several months of instability and self-doubt before readjusting his focus to chase goals. Once humorous, Reefer Madness no longer amused him, and he dedicated an entire afternoon to writing an ultimately unpublished critique of the film, that descended into an impassioned defence of the plant. He began to watch with keen interest, as the critically-panned debacle of sheer slapstick silliness successfully struck terror into the hearts of a large section of non-marijuana smoking people in the west. The dichotomy of his own understanding and perception only increased the profound sense of gratitude Simon felt for the directional change in which his life was heading. It helped him escape from earlier attachments to the advantage of his upbringing, and destroyed the arrogance that, he realised with shock, had served to cloud years of his judgement. Thus, positive energy led to forward momentum; the mental readjustment silenced doubts, which in turn brought peace, and hope.
Daniel S. William Fletcher (Jackboot Britain)
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Insurgent (Divergent, #2))
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Allegiant (Divergent, #3))
Too often in the past, I made a public spectacle of myself on the worst possible occasions, in front of the worst possible people. I was an absolute swine. Brawling at parties. Pissing in fountains and vomiting in potted plants. I've slept with other men's wives, I've ruined marriages. It takes years of dedicated effort to discredit one's own name as thoroughly as I did, but by God, I set the bar. There will always be rumors and ugly gossip, and I can't contradict most of it because I was always too drunk to know whether it happened or not. Someday your sons will hear some of it, and any affection they feel for me will turn to ashes. I won't let my shame become their shame." Phoebe knew if she tried to argue with him point by point, it would only lead to frustration on her part and wallowing on his. She certainly couldn't deny that upper-class society was monstrously judgmental. Some people would perch ostentatiously on their moral pedestals, loudly accusing West while ignoring their own sins. Some people might overlook his blemished reputation if there was any advantage to them in doing so. None of that could be changed. But she would teach Justin and Stephen not to be influenced by hypocritical braying. Kindness and humanity- the values her mother had imparted- would guide them. "Trust us," she said quietly. "Trust me and my sons to love you.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Violet’s not getting out of our sight,” Arion adds. There’s a moment of just staring…like everyone is trying to silently argue. “No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull. You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal. Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga. Awesome. Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me. All of us squeezing into a car together while most of them hate each other…should be fun. The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious. We stop on the floor just under us, after the longest thirty-five seconds ever. The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places. He looks like a caveman who accidentally bleached and shrank his wardrobe. I palm my face, embarrassed for him. The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men. Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well. Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side. Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off. “You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second. I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying… I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent. I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin. “Can’t just let her fall,” he says unapologetically. “You’re going to have to learn to deal with that,” she bites out. She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life. The two guys look like they want to run, so I hurry to fix this. “Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened. Why do they look so scared? I’m not telling a scary lie. At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst. “Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins. Mom makes a frustrated sound. “Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
He swore, raked his hands through his hair and tried to pinpoint the moment she'd so neatly turned the tables on him, when the pursued had become the pursuer. "I don't like forward women." The sound she made was something between a snort and a giggle, and was girlish and full of fun. It made him want to grin. "Now that's a lie, and you don't do it well. I've noticed you're an honest sort of man, Brian. When you don't want to speak your mind, you say nothing-and that's not often. I like that about you,even if it did irritate me initially.I even like your slightly overwide streak of confidence. I admire your patience and dedication to the horses, your undertstanding and affection for them. I've never been involved with a man who's shared that interest with me." "You've never been involved with a man at all." "Exactly.That's just one reason why. And to continue, I appreciate the kindness you showed my mother when she was sad,and I appreciate the part of you that's struggling to back away right now instead of taking what I've never offered anyone before." She laid a hand on his arm as he stared at her with baffled frustration. "If I didn't have that respect and that liking for you,Brian,we wouldn't be having this conversation no matter how attracted I might be to you." "Sex complicates things, Keeley." "I know." "How would you know? You've never had any." She gave his arm a quick squeeze. "Good point.So,you want to try the tack room?" When his mouth fell open, she laughed and threw her arms around him for a noisy kiss on his cheek. "Just kidding.Let's go up to the main house and have some dinnre instead." "i've work yet." She drew back. She couldn't read his eyes now. "Brian, neither of us have eaten. We can have a simple meal in the kitchen-and if you're worried, we won't be alone in the house so I'll have to keep my hands off you. Temporarily.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
She had only to call and Mary would come, bringing all her faith, her youth and her ardour. Yes, she had only to call, and yet—would she ever be cruel enough to call Mary? Her mind recoiled at that word; why cruel? She and Mary loved and needed each other. She could give the girl luxury, make her secure so that she need never fight for her living; she should have every comfort that money could buy. Mary was not strong enough to fight for her living. And then she, Stephen, was no longer a child to be frightened and humbled by this situation. There was many another exactly like her in this very city, in every city; and they did not all live out crucified lives, denying their bodies, stultifying their brains, becoming the victims of their own frustrations. On the contrary, they lived natural lives—lives that to them were perfectly natural. They had their passions like everyone else, and why not? They were surely entitled to their passions? They attracted too, that was the irony of it, she herself had attracted Mary Llewellyn—the girl was quite simply and openly in love. 'All my life I've been waiting for something...' Mary had said that, she had said: 'All my' life I've been waiting for something...I've been waiting for you.' Men—they were selfish, arrogant, possessive. What could they do for Mary Llewellyn? What could a man give that she could not? A child? But she would give Mary such a love as would be complete in itself without children. Mary would have no room in her heart, in her life, for a child, if she came to Stephen. All things they would be the one to the other, should they stand in that limitless relationship; father, mother, friend, and lover, all things—the amazing completeness of it; and Mary, the child, the friend, the beloved. With the terrible bonds of her dual nature, she could bind Mary fast, and the pain would be sweetness, so that the girl would cry out for that sweetness, hugging her chains always closer to her. The world would condemn but they would rejoice; glorious outcasts, unashamed, triumphant!
Radclyffe Hall (The Well of Loneliness)