Fruit Tray Quotes

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Why is she convinced Ambrose is out to get her" Leif asked "Ambrose?" Yelena raised a slender eyebrow. She carried a tray of tea and fruit. "You're on a first name basis with the Commander now?" "I usually call him Amby, but not in mixed company.
Maria V. Snyder (Storm Glass (Glass, #1))
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I’d put a banana on my tray, too. That, at least, didn’t remind me of anything trying to kill me. Could you kill someone with a banana? It didn’t seem possible. Maybe a possessed banana. I’d seen possessed pets before, but not possessed fruit. But I’ll bet it’s out there somewhere.
Lili St. Crow
The imagination doesn’t crop annually like a reliable fruit tree. The writer has to gather whatever’s there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he’s been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?
Julian Barnes (Flaubert's Parrot)
Whelks are strange and comforting. They have no notion of community life and they breed very quietly. But they have a strong sense of personal dignity. Even lying face down in a tray of vinegar there is something noble about a whelk. Which cannot be said for everybody.
Jeanette Winterson (Oranges Are Not the Only Fruit)
It's true,' said Freddie Humbert, 'kids nowadays have got no ability to listen to simple instructions.' 'Here you go, Dad,' said Quent, returning with a tray of drinks. 'Two martinis, one with extra olives, one with no olives, one mineral water, ice and a twist of lime and a jade juice, no fruit.
Lauren Child (Look Into My Eyes (Ruby Redfort, #1))
Do the books that writers don't write matter? It's easy to forget them, to assume that the apocryphal bibliography must contain nothing but bad ideas, justly abandoned projects, embarrassing first thoughts. It needn't be so: first thoughts are often best, cheeringly rehabilitated by third thoughts after they've been loured at by seconds. Besides, an idea isn't always abandoned because it fails some quality control test. The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time
Julian Barnes (Flaubert's Parrot)
As I move along the line, other food items are plunked onto my tray: a small salad of iceberg lettuce and bacos, a slice of white bread with a pat of Hotel Holiday butter and blob of red Jell-O with fruit cocktail trapped inside. Instantly, I feel compassion for the trapped fruit.
Augusten Burroughs (Dry)
We passed the scrambled eggs, toast, and bacon in silence. Fresh fruit and pastries were piled up on silver trays. It felt wrong to have this abundance of food traveling across the same surface that twelve hours earlier had displayed images of my brother slowly starving to death.
Carine McCandless (The Wild Truth)
The tray held herb tea, buttered bread, fruit and sheep's-milk yogurt mixed with honey, something Andie particularly liked first thing in the morning. It was, in fact, breakfast in bed.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
APPLES SCENT, You arrive in the basement. Immediatly it catches you. Apples are here, lying on fruit trays, turned crates. You didn't think about it. You had no wish to be flooded by this melancholic wave. But you can't resist. Apple scent is a breaker. How could you manage without this childhood, bitter and sweet ? Shrivelled fruits surely are delicious, from this feak dryness where candied taste seems to have wormed in each wrinkle. But you don't wish to eat them. Particularly don't turn into an identifiable taste this floating power of smell. Say that it smells good, strong? But not ..... It's beyond .... An inner scent, scent of a better oneself. Here is shut up school autumn, with purple ink we scratch paper with down strokes and thin strokes. Rain bangs against glasses, evening will be long .... But apple perfume is more than past. You think about formerly because of fullness and intensity from a remembrance of salpetered cellar, dark attic. But it's to live here, stay here, stand up. You have behind you high herbs and damp orchards. Ahead it's like a warm blow given in the shade. Scent got all browns, all reds with a bit of green acid. Scent distilled skin softness, its tiny roughness. Lips dried, we alreadyt know that this thirst is not to be slaked. Nothing would happen if you bite the white flesh. You would need to become october, mud floor, moss of cellar, rain, expectation. Apple scent is painful. It's from a stronger life, a slowness we deserve no more.
Philippe Delerm
The smells arose from everything, everywhere, flowing together and remaining as a sickening, tantalizing discomfort. They flowed from the delicatessen shop with its uncovered trays of pickled herrings, and the small open casks of pickled gherkins and onions, dried fish and salted meat, and sweaty damp walls and floor; from the fish shop which casually defied every law of health; from the kosher butcher, and the poulterer next door, where a fine confetti of new-plucked feathers hung nearly motionless in the fetid air; and from sidewalk gutters where multitudes of flies buzzed and feasted on the heaped-up residue of fruit and vegetable barrows.
E.R. Braithwaite (To Sir, With Love)
The food is presented on the finest compilation of their silver trays and bowls. It's as delicate as the floral arrangements and includes Kitty B.'s petits fours and lemon squares as well as Sis's shrimp salad and cucumber sandwiches and Ray's cheese straws, praline pecans, and fruit kebobs dipped in white and dark chocolate.
Beth Webb Hart (The Wedding Machine (Women of Faith Fiction))
Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Ribbons, balloons, paper flowers, candies, diapers, and dolls. An aarti tray was set up by the shrine. A long table was covered in confetti and an assortment of food: little square cakes that resembled building blocks spelling out “Welcome Baby Shah,” cups with veggie dip and long slivers of vegetables, lettuce wraps, and a watermelon carved into a baby stroller filled with fruit balls. Alongside that were silver platters of warm vegetable samosas and bowls of a dark green chutney with spicy jalapeño, and sweet date and tangy tamarind chutney. Potato and onion pakora came next, fried golden brown with hints of green herbs and creamy raita. I knew I had to get some dabeli before those went fast and plucked a small bun of what was essentially a spiced potato burger topped with peanuts and pomegranate seeds. There was, of course,
Sajni Patel (The Trouble with Hating You)
There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Sis rolls her eyes and leads the elderly lady over to the S-shaped tables crammed with silver trays of ham biscuits, pickled shrimp, stuffed mushrooms, venison pate, fruit and cheese in ornately carved-out watermelons, smoked salmon with all the trimmings, sausage balls, and pimento cheese garnished with little cocktail pickles. Sis's mama gets a nibble of shrimp and a ham biscuit and points to another corner of the tent where Richadene's brother, Melvin, is carving a beef tenderloin and serving it on rolls with horseradish and mayonnaise. Next to Melvin, R.L.'s chef friend from Savannah is serving up shrimp and grits in large martini glasses.
Beth Webb Hart (The Wedding Machine (Women of Faith Fiction))
Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
The great chestnut-wood tables groaned under the weight of platters, trays, plates, dishes and bowls. The whole Feast was here, John saw. Every word in the book, every fruit in the gardens, every green thing that grew, every creature that ran or swim or flew. John felt his demon creep forward as a great wave of flavors and tastes washed through him, those his mother had shown him on the slopes joined with others he had never sensed before. He could smell the rich tang of the meats. His head swirled from the steaming fumes of the wine. His jaw ached from the sweets which rose in heaps on silver platters while honeyed syllabubs shivered in their cups. He felt the pastry crunch, shiny with beaten butter. He heard the sugar-pane crackle. The sweetmeats flooded his senses, banishing his hunger and cold. A great procession of dishes floated up out of the pages, all theirs.
Lawrence Norfolk (John Saturnall's Feast)
A form of entertainment that has recently become very popular, particularly in the smaller towns, is the Coca-Cola party. Usually the ladies assemble between eleven and twelve in the morning at the home of the hostess. Trays of tall iced glasses filled with Coca-Cola are passed, followed by platters of crackers and small iced cakes. The dining table is decorated like any tea-table with flowers, fruit or mints, except that there are little buckets of ice so that guests may replenish their glasses as the ice melts. Other bottled drinks are usually provided for those who do not like Coca-Cola, but these are few in Georgia. This simple, inexpensive form of entertainment is particularly popular with the young matrons and young girls, who use it to honor a visitor or a bride. Occasionally the parties are held in the afternoon, but usually the afternoon is time for the more elaborate tea.
Mark Kurlansky (The Food of a Younger Land: A portrait of American food- before the national highway system, before chainrestaurants, and before frozen food, when the ... of American food from the lost WPA files)
Snow pressed herself against the cool wall to make sure he didn't see her. When he was out of sight, she peeked again to look at the guard. He was young and very thin. Not much older than she. And he had a family he was feeding on meals that weren't arriving. She looked down at the warm bread and fruit on her breakfast tray. Her belly was still full from the night before. She could make it until dinner without anything more. Looking both ways to make sure the hall was clear before stepping out of the shadows, Snow walked swiftly toward the guard, her eyes cast downward. The guard looked surprised when she placed her tray at his feet. "Your Highness," he said, struggling for words. "But that's your meal." Snow was too shy to speak. Instead, she waved the food away and pushed the tray closer to his boots. With a small nod and smile, she hurried back to the safety of her chambers before anyone could see them conversing and tell the queen, but not before she heard him speak softly. "Thank you, kind princess. Thank you.
Jen Calonita (Mirror, Mirror (Twisted Tales))
He made a motion that dismissed me. And I rose, but as I did so I took from his tray a little silver knife, all engraved, that he had been using to cut fruit with. I looked him in the eyes as I did so, and quite openly slipped it up my sleeve. King Shrewd's eyes widened, but he said not a word. Two nights later, when Chade summoned me, our lessons resumed as if there had never been a pause. He talked, I listened, I played his stone game and never made an error. He gave me an assignment, and we made small jokes together. He showed me how Slink the weasel would dance for a sausage. All was well between us again. But before I left his chambers that night, I walked to his hearth. Without a word, I placed the knife on the center of his mantel shelf. Actually, I drove it, blade first, into the wood of the shelf. Then I left without speaking of it or meeting his eyes. In fact, we never spoke of it. I believe that the knife is still there. ... I sat still until I began to wonder if I would do it. Then I lifted my eyes to a silver fruit knife driven deep into Chade's mantelpiece, and I thought I knew the answer.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Apricot and chocolate muffins Muffins are a great way to introduce new fruits to your child’s diet. Once they have enjoyed apricots in a muffin, you can serve the ‘real thing’, saying it’s what they have for breakfast. Or you can put some fresh versions of the fruit on the same plate. Other fruits to try in muffins include blueberries and raspberries. A word of warning: the muffins don’t taste massively sweet so may seem a bit underwhelming to the adult palette. We tend to have them with a glass of milk-based, homemade fruit smoothie, spreading them with ricotta cheese to make them more substantial. 250g plain wholemeal flour 2 tsp baking powder 30g granulated fruit sugar 1 egg 30ml vegetable oil 150ml whole milk 180g ripe apricots, de-stoned and chopped 20g milk chocolate, cut into chips Put muffin cases into a muffin tray (this makes about 8–10 small muffins). Heat the oven to 180°C/gas 4. Put the flour and baking powder in a bowl and mix well. Next add the sugar and mix again. Make a ‘well’ in the middle of the mixture. Crack the egg into another bowl and add the oil and milk. Whisk well, then pour into the ‘well’ in the mixture in the other bowl. Stir it briskly and, once well mixed, stir in the apricot and the chocolate chips. Spoon equal amounts into the muffin cases and bake. Check after 25 minutes. If ready, a sharp knife will go in and out with no mixture attached. If you need another 5 minutes, return to the oven until done. Cool and serve. Makes 10 mini- or 4 regular-sized muffins. Great because:  The chocolate is only present in a tiny amount but is enough to make the muffins feel a bit special while the apricots provide a little fruit. If you have them with a milk-based smoothie and ricotta it means that you boost the protein content of the meal to make it more filling.
Amanda Ursell (Amanda Ursell’s Baby and Toddler Food Bible)
Dexter, of course, is made of sterner stuff than any mere mortal, and imploring looks from a beautiful woman have never had any power over Our Wicked Warrior. And it was an absurd idea, something far too strange even to contemplate—me, a bodyguard? It was out of the question. And yet somehow, when the workday ended that evening and all good wage slaves trotted dutifully away to hearth and home, I found myself on the balcony of a suite at the Grove Isle Hotel, sipping a mojito and watching as a spectacular sunset blew up the sky behind us, reflecting orange and red and pink onto the water of Biscayne Bay. There was a tray of cheese and fresh fruit on the table beside me, and the Glock was an uncomfortable lump in my side, and I was filled with wonder at the unavoidable notion that Life makes no sense at all, especially when things have taken a sudden and extravagant turn into surreal and unearned luxury. Terror, pain, and nausea I can understand, but this? I could only assume I was being set up for something even worse. Still, the mojito was very good, and one of the cheeses had a very nice bite to it. I wondered if anyone ever really got used to living like this. It didn’t seem possible; weren’t we all made to sweat and suffer and endure painful hardship as we toiled endlessly in the vile cesspit of life on earth? How did sharp cheese, fresh strawberries, and utter luxury fit in with that?
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
He put one of the platters in front of Liv, forcing her to get up-close and personal with his dinner creation. It looked even worse on her plate than it had from a distance. Liv was glad she had a strong stomach. She’d seen some fairly disgusting things during nursing school, especially during her surgery rotation and in the burn unit, but none of them were quite as nasty as Baird’s “pizza.” “Well, go ahead. I thought you were starving.” She looked up to see him watching her, black eyebrows raised in anticipation. Oh my God, I’m actually going to have to eat it! Her stomach rolled at the thought. “You, uh, gave me so much I don’t know where to begin,” she lied weakly. “Only one piece.” He frowned. “Is it too much?” “It’s just a little more than I’m used to. Uh, on Earth we cut a pizza into eight or ten wedges.” And we don’t top it with fruit cocktail! “I can cut it into smaller pieces if you want,” he offered. “No, no. That’s okay. I’ll make do.” There was no putting it off anymore. Taking a deep breath, Liv lifted the huge sloppy slice and forced herself to take a bite. “You like it?” Baird stared at her suspiciously. “Mmm, delicious,” Liv mumbled, fighting her gag reflex. Inside her mouth the flavors of canned salmon, lima beans, and fruit cocktail were fighting and she wondered how in the world she would swallow without throwing up. But the big warrior was still watching her carefully for her reaction and she didn’t want to insult him. With a monumental effort she choked down the mess and prayed it wouldn’t come back up. “So it’s good?” he asked again. “Unforgettable,” Liv assured him which for once was the absolute truth. “Glad you like it.” Baird lifted his own piece of pizza and, keeping his eyes on her the entire time, took a huge bite. But when he started to chew, his face turned a peculiar shade of red. “Gods!” Getting up from the table in a hurry, he ran to the sink and spat out the mouthful. Then he turned back to Liv. “That was fuckin’ horrible. Why didn’t you tell me?” Liv shrugged, not sure if she should laugh or feel sorry for him. “I didn’t want to hurt your feelings.” “I’d rather have my feelings hurt than eat that slop.” Baird frowned. “I don’t understand what you humans see in that dish anyway.” “Well…” Liv tried to think of a way to put it tactfully. “We don’t always make it exactly like that.” She nodded at the half a pizza she’d put back down on the metal serving tray. “But I did everything the clerk told me to,” Baird protested. “He said it was mistake proof. That anyone could do it.” “Anyone can do it. You just put a little too much on it, that’s all.” “Damn it to hell.” Baird sighed. “I’m sorry, Olivia. I wanted to make all your favorites—the things I saw you eating in my dreams. It was between this and that other stuff you like with the raw sea creatures rolled in the white grains. I thought this would be easier.” “Sushi?” Liv bit her lip to keep from laughing. “You were going to try and make me sushi?” As badly as he’d screwed up the pizza, she couldn’t imagine what his version of sushi would look like. Visions of a whole dead fish coated in sticky rice and rolled in peas and carrots instead of roe rose to mind. Ugh. Baird shrugged. “I wanted to. I wanted to make you something special every night. But I guess I’m not very good at cooking human food. Sorry.” He sounded so crestfallen and his broad shoulders slumped so sadly that Liv couldn’t help but feel sorry for him. She rose and went to put a hand lightly on his arm. “Hey, don’t worry about it. I’m sure if I tried to make Kindred cuisine I wouldn’t do any better.” Baird
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
The privilege of money, as Edgar’s parents saw it, was that you could get yourself into the great wild beauty—the thousand-meter-deep sea, the wide open West, an island inhabited mostly by dangerous animals, and feel alive and real—and then come over the crest of the hill and have someone meet you with a silver tray containing fresh fruit, aged scotch, a cold towel for your hands, and show you to a seat with a perfect view from which to tell the story of your adventure.
Ramona Ausubel (Sons and Daughters of Ease and Plenty)
Agnes walked in with a tray of gorgeous raspberry tortes, fruit sorbet, and pistachio ice.
Jessica Lawson
Guests came and went as they pleased, filling their gold-banded plates with hot breads, poached eggs on toast, smoked quail, fruit salad, and slices of charlotte russe made with sponge cake and Bavarian cream. Footmen crossed through the entrance hall as they headed outside with trays of coffee, tea, and iced champagne. Ordinarily this was the kind of event Cassandra would have enjoyed to no end. She loved a nice breakfast, especially when there was a little something sweet to finish off, and charlotte russe was one of her favorite desserts. However, she was in no mood to make small talk with anyone. Besides, she'd eaten far too many sweets lately... the extra jam tart at teatime yesterday, and all the fruit ices between dinner courses last night, and that entire éclair, stuffed with rich almond cream and roofed with a crisp layer of icing. And one of the little decorative marzipan flowers from a platter of puddings.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
We passed an array of stalls selling Belgian chocolates, German sweets, and then French pastries. "The yogashi are the Western-style confections like cakes and pastries. Some of the biggest names from all over the world have stalls here, like Ladurée from France and Wittamer from Belgium. I love going to the depachika for treats. It can be like a cheat weekend trip to Paris or Brussels." "What do the Ex-Brats have when they eat here?" "Hard to say because the Ex-Brats rotation changes all the time. I'm the only girl in our class who has been at ICS-Tokyo for more than five years. People are always moving away. Of the current crew, I never take Ntombi or Jhanvi here. They're always on a diet. So lame. When Arabella was here, we'd come to eat in the Din Tai Fung restaurant one level down. They make these dumplings with purple yams or sweet red bean paste that are just sick they're so delicious." Yams sounded great. I found a food stall I liked and picked out a grilled yam and some fried tempura for lunch. I didn't need Imogen to help me translate. I just pointed at the items I wanted, the counter worker smiled and packaged everything, then showed me a calculator with the amount I owed. I placed my Amex card on the tray the worker handed me, relieved to have had my morning 7-Eleven experience so I was able to observe the proper paying etiquette in front of Imogen. She bought an egg salad sandwich, which was packaged so beautifully you'd think it was jewelry from Tiffany's. It was in a cardboard box that had a flower print on its sides and was wrapped in tight, clear plastic at the top so you could see the sandwich inside. The sandwich had the crusts removed and was cut into two square pieces standing upright in the box, with pieces of perfectly cut fruit arrayed on the side.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
Immerse the grains and legumes in filtered water for a certain number of hours (based on the following chart), drain, and rinse. If you don’t have a sprouting tray, you can leave smaller seeds like quinoa and buckwheat in a stainless-steel mesh strainer, and the larger lentils and chickpeas in a colander. Rinse morning and night until you see tails forming. When you see little tails, aka sprouts, you know you’re on the right track. Avoid kidney beans and black beans on this diet. Sprouting them is toxic! Soaking and Sprouting Quick Reference Table FOOD DRY MEASURE SOAK TIME IN HOURS GROWING TIME IN DAYS APPROXIMATE YIELD Adzuki beans 1 cup 24 to 36 3 to 5 3 cups Alfalfa, clover,broccoli, radish 2 tbsp seeds 4 to 12 4 to 6 1-quart jar Almonds 1 cup 12 to 15 1 1¾ cups Amaranth 1 cup Overnight 2 to 3 3 cups Barley, hulled 1 cup 24 1 to 3 2 cups Brazil nuts 1 cup 8 hours or overnight 1 cup, soaked only Buckwheat, hulled 1 cup 30 minutes to overnight 1 to 2 2 cups Chickpeas(Garbanzo beans) 1 cup 24 to 36 3 2½ cups Dried fruit 1 cup 8 hours or overnight 1⅛ cups Filberts 1 cup 12 to 15 1 1¼ cups Flaxseed ¼ cup Don’t soak. Spray to keep moist. 3 to 5 2¾ cups Lentils, green 1 cup 24 1 to 3 2¾ cups
Heather Bowen (21-Day Vegan Raw Food Diet Plan: 75 Satisfying Recipes to Revitalize Your Body)
She’d seen a nice boutique fashion store at the other end of the high street and had started walking that way when the smell of sugar assaulted her nostrils. She looked over to see a homemade fudge store had just opened its doors. Unable to resist, she went inside. “Want to try a free sample?” the man in a stripy white and pink apron asked. He gestured to a silver tray filled with cubes in different shades of brown. “We’ve got dark chocolate, milk chocolate, white chocolate, caramel, toffee, coffee, fruit medley, and original.” Lacey’s eyes bulged. “Can I try them all?” she asked. “Of course!” The man cut little cubes of each flavor and presented them to Lacey to try. She popped the first one in her mouth and her taste buds exploded. “Amazing,” she said through her mouthful.
Fiona Grace (Murder in the Manor (A Lacey Doyle Cozy Mystery, #1))
Do you like sandwiches?" he asked. "At this point, I think I'd eat anything. Other than rabbit. I'm not excessively fond of rabbit." "Or anything with eyes," he said, charming her by remembering. "I've an appetite for beef, some bread, mustard, and ale." At her look, he smiled. "I have a schoolboy's tastes. It's what I lived on in England. I still crave it from time to time." Hustle's staff must have been prepared for his cravings because within a quarter hour they were seated in his sitting room with a large tray on the table between them. She was dressed in one of his blue dressing gowns and he wore a black patterned one. She tucked her feet beneath her as, one by one, he took the domed lids from a succession of plates, each smelling better than the one before. When he came to the cake, a delicious looking confection filled with nuts and fruit, she glanced up at him. "I want cake," she said. "Before anything healthful or beneficial." "Cake it is, then," he said, cutting a piece and handing it to her. She closed her eyes after the first forkful. The taste was heavenly, light and airy yet filled with nuts and chopped apricots. When she opened her eyes, it was to find him watching her. "I love cake," she said, embarrassed. "I love sweets." "What about rabbit cake?" "Oh, that would pose a problem for me." He smiled and she felt it down to her toes.
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
A clearing of a gravelly throat pulled him from his thoughts. He turned and looked at Thomas, the boat captain, who was seventy if he was a day. “I think that’s your party there,” the older man said, nodding toward the gravel lot at the end of the dock. If he seemed a bit uncomfortable, Cooper chalked it up to the rather taciturn older man being thrust into what, based on the bits and pieces of the conversations Cooper had overheard while eating breakfast at the café that morning, was the biggest gossip story to hit the Cove in ages. Maybe the boat captain had been secretly hoping Kerry wouldn’t show and he’d be excused from chaperoning duties. Cooper was too relieved that Kerry had come to get distracted by what the captain was thinking or feeling. He turned around, a welcoming grin on his face, then went completely, utterly still. Even his heart seemed to have stuttered to a stop. Holy jumping mother of--what in the hell was she wearing? He’d just been hoping she’d show at all and assumed he’d have to cajole her out of being annoyed with him for his high-handedness. Again. Only she sure didn’t look annoyed. She looked…like an edible tray of ripe, luscious fruit. With him being the only guest invited to the bountiful buffet. Sweet Jesus. How was he supposed to keep his hands to himself with her wearing nothing more than a glorified bandana? She drew closer, and her smile turned a shade smug. She was clearly enjoying his all but cartoon character worthy, goggling reaction. And well, hell, what did she expect? He was a red-blooded male whose bed had remained strikingly empty since her departure. Since long before then, truth be told. “Hi, Thomas,” she called to the boat captain as she closed the remaining distance between them, still smiling brightly. If she was uncomfortable in her little getup in front of the older man--a man, Cooper supposed, she had to know, given everybody knew everyone in such a small village--she didn’t show it. Instead, she said, “Did they rook you into being our captain today?” The old man’s cheeks were beet red in a way that had nothing to do with decades of harsh weather. He nodded somewhat tensely. “Did indeed, Miss Kerry. Good to, uh, good to see ya,” he managed to choke out, trying to look anywhere but at the expanse of bare leg and curvy cleavage. Cooper would have felt sorry for the man, but he was too busy trying to get his own voice back.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Next, 'baccala marechiara,' codfish with a sauce of tomatoes, capers, olives, garlic, and parsley, a lighter version of her puttanesca. She laid out fresh cod in a baking dish, ladled the marechiara sauce over it, and set it in the oven until the cod was cooked through and flaky. She would serve it on a platter over linguine dressed with the good olive oil and cracked black pepper. As the sun came up, she set out the fresh-baked bread, and its aroma enveloped the room. She'd made platters of salads, melon balls wrapped with prosciutto, a huge antipasto with cuts of cured meats, cheeses, and olives, and a fresh-fruit tray that exploded with color. She pulled the chicken out to rest, sampled the bourguignonne, set the lasagna to bubble and cool on the big table, stirred her soup and turned down the heat on it.
Brian O'Reilly (Angelina's Bachelors)
The waiter walked over with a tray and two orangey-pink drinks. He placed them on the table. "Georgia Peaches. Peach schnapps, brandy, cranberry juice- the first request the bartender's ever had for one of these.
Jenny Nelson (Georgia's Kitchen)
Before dinner each night the two leaders, Hopkins, and various other members of the president’s official family gathered for cocktails in the Red Room. Roosevelt sat by a tray of bottles and mixed the cocktails himself. This was a cherished part of the president’s daily routine, his “children’s hour,” as he sometimes called it, when he let the day’s tensions and stresses slip away. “He loved the ceremony of making the drinks,” said Churchill’s daughter Mary Soames; “it was rather like, ‘Look, I can do it.’ It was formidable. And you knew you were supposed to just hand him your glass, and not reach for anything else. It was a lovely performance.” Roosevelt did not take drink orders, but improvised new and eccentric concoctions, variations on the whiskey sour, Tom Collins, or old-fashioned. The drinks he identified as “martinis” were mixed with too much vermouth, and sometimes contaminated with foreign ingredients such as fruit juice or rum. Churchill, who preferred straight whiskey or brandy, accepted Roosevelt’s mysterious potions gracefully and usually drank them without complaint, though Alistair Cooke reported that the prime minister sometimes took them into the bathroom and poured them down the sink.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
I know you don't like mangoes." A faint curl of humor danced on his lips. "You know?" How? How did he know this? "I've been feeding you this whole time, remember?" With his hot buttered voice, it sounded dirty, illicit. "I remember." I sounded far too breathless. He clearly noticed, that small private smile moved to his eyes. "You never eat the mango slices when I put them in any meals." Understanding hit me, and I recalled that while I'd had breakfast fruit trays with mangoes, they'd stopped being included after the second time. Wide eyed, I silently gaped back at him. Lucian's long clever fingers delicately picked up a cream puff. "Which is why I made some of these with vanilla-ginger cream." Had I been gaping before? My mouth fell wide open. Behind me, I heard Dougal sigh, as if impressed. But I could only stare at Lucian, who looked smug but oddly shy as well. "You did that for me?" I croaked. His broad shoulder moved under his jacket. "That, and the combination of vanilla, ginger, and mango mirrored what Delilah and Saint had wanted in their original cake." I could fall for this man. Fall hard. Maybe I already had, because my heart was too big, beating too fast. He gave me another small, barely there smile, his pale eyes gleaming with something soft and intent. "Come now, honeybee," he murmured. "Try my cream." I sputtered out a shocked laugh, and my face flamed, but as he'd commanded, I opened my mouth. Lucian's nostrils flared. His hand shook a little as he lifted the cream puff and placed it one the edge of my lips. I opened my mouth wider, my tongue flicking out for that first sweet taste. Rich, almost nutty caramel, the gentle crust of pastry, a burst of smooth light cream with a hint of vanilla and ginger spice. Slowly, I chewed, my eyes locked with his, my body tight, and my mouth in heaven. He stayed with me, feeding me another bite, cream getting on his thumb. My tongue slipped over the blunt end, and he grunted. Hard.
Kristen Callihan (Make It Sweet)
It’s true,” said Freddie Humbert. “Kids nowadays have got no ability to listen to simple instructions.” “Here you go, Dad,” said Quent, returning with a tray of drinks. “Two martinis, one with extra olives, one with no olives, one mineral water, ice, and a twist of lime, and a jade juice, no fruit.
Lauren Child (Look Into My Eyes (Ruby Redfort, #1))
When I plan a menu I consider color, texture, taste, and balance: Color: A red vegetable next to a yellow one looks unappetizing. Two white ones, like celery and cauliflower, look awful. Texture: Creamed chicken with mashed potatoes makes too much mush. Always serve something crisp with something soft. Taste: Never team two sours, two sweets, or two bitters. Candied yams and cranberry sauce are both delectable, but served together they break two of these rules, color and taste contrast. Balance: Courses shouldn't be uniformly rich nor light. A too rich menu might consist of a heavy cream soup, a roast with thickened gravy and potatoes, and a heavy cream soup, a roast with thickened gravy and potatoes, and a heavy whippedcreamtopped dessert. If the main course is substantial, the first should be light, crisp and appetizing, and the dessert an airy sherbet or a compote of fresh fruit. I decide first on the main course. For a buffet for twelve there should be two warm dishes. If you're going to be a relaxed hostess choose two that can be made the day before. Most of them improve with reheating. Some of the possibilities are beef bourguignon, boned and skinned breasts of chicken in a delicate cream sauce, a shrimp-lobster-and-scallop Newburg, lamb curry with all its interesting accompaniments. With any of these, serve a large, icy bowl of crisp salad with a choice of two or three dressings in little bowls alongside. Hot dishes must be kept hot in chafing dishes or on a hot tray so that they’re just as good for the second helping. Plates should be brought warm to the buffet table just before the guests serve themselves. I like to have a complete service at each end of the table so that people won’t have to stand in line forever, and there should be an attractive centerpiece, though it can be very simple. A bowl of flowers, carefully arranged by the hostess in the afternoon, and candles—always candlelight. The first course for a buffet supper should be an eye-catching array of canapés served in the living room with the drinks. I think there should be one interesting hot thing, one at room temperature, and a bouquet of crisp raw vegetables. The raw vegetables might include slim carrot sticks, green pepper slices, scallions, little love tomatoes, zucchini wedges, radishes, cauliflowerettes, olives, and young turnips. Arrange them colorfully in a large bowl over crushed ice and offer a couple of dips for non-dieters. [...] It’s best to serve hot hors d’oevres in two batches, the second ones heating under the broiler while the first round of drinks is served. [...] After people have had their second helpings the maid clears the buffet and puts out the dessert. Some people like an elaborate ice-cream concoction — so many men like gooey, sweet things. Pander to them, and let them worry about their waistlines. Some people like to end dinner with cheese and fruit. Other two kinds — one bland and one forthright, and just ripe. French bread and crackers on the side. For diet watchers gave a pretty bowl of fresh fruits, dewy and very cold. Serve good, strong coffee in pretty demitasses and let the relaxed conversation take over.
Joan Crawford (My Way of Life)
Kitchen people understood that food didn't have to be gourmet to taste good, and that sometimes gourmet food didn't taste good at all. "Kiwis are a soulless fruit," my mother once said when she saw them in a fruit tart on the Ritz's dessert tray. "Don't ever use sun-dried tomatoes," my father told his staff. "They'll take your magic powers." Even junk food could be better. Once, for Jake's birthday, the staff laid out his favorite foods--- frozen meatballs and Twinkies--- on brass serving plates in the dining room. When they sliced the Twinkies horizontally to expose the cream, even my mother admitted they made an attractive dessert. At staff Christmas parties we served junk food, too: sour-cream-and-onion potato chips, chicken wings, and hot dogs, and for dessert more Twinkies. The rest of the year I never ate food like that, and by the holidays Cotswold tarts and melon wrapped in prosciutto bored me. In my black velvet dresses, I gnawed on fried drumsticks, with a napkin stuffed into my lace collars to catch the crumbs. "I'm not whipping up any foie gras for you tonight, kiddo," said Carla, who, in her olive-green T-shirt and holding a beer, looked the same as she did behind the line. "Fend for yourself.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
Olivier was holding a tray of mille feuilles, meringues, slices of pies and little custard tarts with glazed fruit on top. He chose one covered in tiny wild blueberries.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Amanda lost count of the various delicacies that were offered to her. There were four kinds of soup, including turtle and lobster, and several roast turkeys dressed with sausages and herbs. A never-ending parade of servants brought platters of veal in béchamel sauce, capons, sweetbreads, roast quail and hare, venison, swans' eggs, and a dazzling array of vegetable casseroles. Puddings made of exotic fish and game were presented in steaming silver bowls, followed by trays of luxury fruits and salads, and crystal plates laden with truffles in wine. There were even tender stalks of asparagus, well out of season and therefore highly prized at Christmastime.
Lisa Kleypas (Suddenly You)
To her further surprise, she found a breakfast tray waiting for her on the table with bagels, cheese and an assortment of fruit. But what caught her eye was the tiny pair of yellow baby booties. She picked up the soft, fuzzy little booties, her throat knotting as she read the accompanying card. Because you said you didn’t have a pair yet. Love, Ryan. She sank into the seat, her eyes stinging with tears. She held the booties to her cheek and then touched the card, tracing the scrawl of his signature. “I shouldn’t love you this much,” she whispered. God, but she couldn’t help herself. She craved him. He was her other half. She didn’t feel whole without him. And so began a courting ritual that tugged on her heartstrings. Every morning when she crawled out of bed, there was a new present waiting for her from Ryan. There was a baby book that outlined everything she could expect from birth through the first year of life. One morning he left her two outfits. One for a boy and one for a girl. Just in case, he had written. On the fifth morning, he simply left her a note that told her a gift was waiting in the extra bedroom. Excited, she hurried toward the bedroom she’d once occupied and threw open the door to see not one present but a room full of baby things. A stroller. A crib that was already put together. A little bouncy thing. An assortment of toys. A changing table. She couldn’t take in all the stuff that was there. She didn’t even know what all of it was for. How on earth had he managed to sneak this in without her hearing? And there by the window was a rocking chair with a yellow afghan lying over the arm. She walked over and reverently touched the wood, giving the chair an experimental push. It creaked once and then swayed gently back and forth.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
I still couldn't believe how creative Annie was in coming up with the different flavors and embellishments for each cupcake; the finished products looked like huge jewels that sparkled appealingly in the counter display and on the black lacquer trays passed by the waitstaff. Annie had had her nose to the grindstone for days, as focused as I'd ever seen her, dicing apples and pears until they looked like nuggets of gold- as well they should, considering what that fruit cost!- and tasted like pure, sweet, warm explosions of flavor baked into the cakes. Annie's dexterity, precision, and speed with a knife had been a sight to behold. My contributions to the cupcakery's opening night were decidedly more mundane: I'd interviewed and hired the night's waitstaff, overseen the completion of the various construction and design projects, and ordered all of the noncooking supplies the shop needed. Treat glowed with sexy, low-lit energy; laughter and music filled the space; hip, beautiful people bit into cupcake after cupcake. If the shop had been in the Marina instead of the Mission, it was just the sort of place I would have visited frequently. But there was no use crying over that spilled buttercream.
Meg Donohue (How to Eat a Cupcake)
The first time I see him is during lunch. As I’m waiting in the cafeteria food line, Alex is two people in front of me. This girl, Nola Linn, is in between us. And she’s not moving down the line fast enough. Alex’s jeans are faded and torn at the knee. His hair is falling into his eyes and I’m itching to push it back. If Nola wouldn’t be so wishy-washy about her choice of fruit… Alex caught me checking him out. I quickly focus my attention on the soup of the day. Minestrone. “Want a cup or bowl, hon?” Mary, the lunch lady, asks me. “Bowl,” I say, pretending to be totally interested in the way she ladles the soup into the bowl. After she hands it to me, I hurry past Nola and stand by the cashier. Right behind Alex. As if he knows I’m stalking him, he turns around. His eyes pierce mine and for a moment I feel as if the rest of the world is closed out and it’s just the two of us. The urge to jump into his arms and feel the warmth of them surrounding me is so powerful, I wonder if it’s medically possible to be addicted to another human being. I clear my throat. “Your turn,” I say, motioning to the cashier. He moves forward with his tray, a slice of pizza on it. “I’ll pay for hers, too,” he says, pointing at me. The cashier waves her finger at me, “What’d you get? Bowl of minestrone?” “Yeah, but…Alex, don’t pay for me.” “Don’t worry. I can afford a bowl of soup,” he says defensively, handing over three dollars. Colin barges into the line and stands next to me. “Move along. Get your own girlfriend to stare at,” he snaps at Alex, then shoos him off. I pray Alex doesn’t retaliate by telling Colin we kissed. Everyone in line is watching us. I can feel their stares on the back of my neck. Alex takes his change from the cashier and without a backward glance heads for the outside courtyard off the cafeteria where he usually sits. I feel so selfish, because I want the best of both worlds. I want to keep the image I’ve worked so hard to create. That image includes Colin. I also want Alex. I can’t stop thinking about having him hold me again and kiss me until I’m breathless. Colin says to the cashier, “I’ll pay for hers and mine.” The cashier looks at me in confusion. “Didn’t that other boy pay for you already?” Colin waits for me to correct her. When I don’t, he gives me a disgusted look and stomps out of the cafeteria.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
He produced a wide silver tray with wrought handles that was piled with sliced bread, grapes, apricots, oranges, apples, cheeses, and a goblet of red wine, and put it on the bed. "Wine?" I asked. I wanted a cup of tea. "Your blood needs its elements. Drink at least some of it." He sat on the bed next to me. "You must eat now. You will need your strength." At that moment, the pungent aroma of the cheeses, the sharp citrus of sliced oranges, and the yeasty smell of the bread overrode both my fear and my curiosity. I wanted to dive into the food like a hungry dockworker. With great discipline, I picked up a silver knife and spread soft butter across a slice of the warm bread and then daintily cut a piece of dark cheddar cheese. The food tasted exquisite, and I tried to chew slowly, as he was taking in my every move. We sat in silence for a while as I ate my fill and let the wine relax me.
Karen Essex (Dracula in Love)
Remember when we took that trip to Puglia?" He knows that I do. We'd gone for our anniversary a few years ago. We had stayed on the top floor of a small hotel impossibly cantilevered over an expanse of rocky shore. We'd eaten burrata, a Pugliese specialty, every morning for breakfast, with a slab of bread- arguably the best in Italy, still warm from baking overnight in the dying embers of the ancient oven. The cheese would arrive each morning on a tray outside our room, still warm, and wrapped in the customary thick blade of grass, swollen like a ripe piece of fruit.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Taking medicine only suppresses these symptoms of yours. Medicine doesn’t get to the root of the trouble. It only conceals it. The result is a more highly poisoned condition which may become chronic disease. All drugs are harmful to the system. They are contrary to nature. The same applies to most of the food we eat – white bread with all the roughage removed, refined sugar with all the goodness machined out of it, pasteurized milk which has had most of the vitamins boiled away, everything overcooked and denaturized. Why,’ M. reached into his pocket for his notebook and consulted it, ‘do you know what our bread contains apart from a bit of overground flour?’ M. looked accusingly at Bond. ‘It contains large quantities of chalk, also benzol peroxide powder, chlorine gas, sal ammoniac, and alum.’ M. put the notebook back in his pocket. ‘What do you think of that?’ Bond, mystified by all this, said defensively, ‘I don’t eat all that much bread, sir.’ ‘Maybe not,’ said M. impatiently. ‘But how much stone-ground whole wheat do you eat? How much yoghurt? Uncooked vegetables, nuts, fresh fruit?’ Bond smiled. ‘Practically none at all, sir.’ ‘It’s no laughing matter.’ M. tapped his forefinger on the desk for emphasis. ‘Mark my words. There is no way to health except the natural way. All your troubles’ – Bond opened his mouth to protest, but M. held up his hand – ‘the deep-seated toxaemia revealed by your Medical, are the result of a basically unnatural way of life. Ever heard of Bircher-Brenner, for instance? Or Kneipp, Preissnitz, Rikli, Schroth, Gossman, Bilz?’ ‘No, sir.’ ‘Just so. Well those are the men you would be wise to study. Those are the great naturopaths – the men whose teaching we have foolishly ignored. Fortunately,’ M.’s eyes gleamed enthusiastically, ‘there are a number of disciples of these men practising in England. Nature cure is not beyond our reach.’ James Bond looked curiously at M. What the hell had got into the old man? Was all this the first sign of senile decay? But M. looked fitter than Bond had ever seen him. The cold grey eyes were clear as crystal and the skin of the hard, lined face was luminous with health. Even the iron-grey hair seemed to have new life. Then what was all this lunacy? M. reached for his in tray and placed
Ian Fleming (Thunderball (James Bond, #9))
A regiment of servants brought out silver platters and trays of champagne, and the guests settled in their chairs to enjoy the repast. They were given individual servings of goose dressed with cream and herbs and covered with a steaming golden crust... bowls of melons and grapes, boiled quail eggs scattered lavishly on crisp green salad, baskets of hot muffins, toast and scones, flitches of fried smoked bacon... plates of thinly sliced beefsteak, the pink strips littered with fragrant shavings of truffle. Three wedding cakes were brought out, thickly iced and stuffed with fruit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
And anyway, if she's all that liberated, why doesn't she go down to the bar and pick someone up? I'm sure it's entirely possible. It's just that most women don't do it. And why don't they do it?' she asked, with a sudden return of assurance. 'It's because they prefer the old myths, when it comes to the crunch. They want to believe that they are going to be discovered, looking their best, behind closed doors, just when they thought that all was lost, by a man who has battled across continents, abandoning whatever he may have had in his in-tray, to reclaim them. Ah! If only it were true,' she said, breathing hard, and spearing a slice of kiwi fruit which remained suspended on her fork as she bent her head and thought this one out.
Anita Brookner (Hotel du Lac)