Frozen Movie Quotes

We've searched our database for all the quotes and captions related to Frozen Movie. Here they are! All 50 of them:

Traumatic events, by definition, overwhelm our ability to cope. When the mind becomes flooded with emotion, a circuit breaker is thrown that allows us to survive the experience fairly intact, that is, without becoming psychotic or frying out one of the brain centers. The cost of this blown circuit is emotion frozen within the body. In other words, we often unconsciously stop feeling our trauma partway into it, like a movie that is still going after the sound has been turned off. We cannot heal until we move fully through that trauma, including all the feelings of the event.
Susan Pease Banitt (The Trauma Tool Kit: Healing PTSD from the Inside Out)
Any other Disney movies?” I was tempting my luck here. Aaron’s expression remained serious. “All of them.” Shit. “Even Frozen? Tangled? The Princess Frog?” I asked, and he nodded. “I love animated movies. They take my mind off things.” He dipped his hands in the pockets of his jeans. “Disney, Pixar … I’m a big fan.” This was too much. First, he’d opened up about his childhood earlier today, and now, this. I wanted to ask how and why, but there was a more pressing issue. “What’s your favorite?” Please don’t say the one that will send my heart into cardiac arrest. Please don’t say it. “Up.” Fuck. He had said it. My heart struggled there for a moment. And that little spot that had been softening throughout the night got a little bigger.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Hi I'm Olaf and I like warm hugs!
Frozen movie
Love is when you put someone else's need before yours
Frozen movie Olaf
Now I’m gaping at him, because is he for real? “Hey, asshole, you’re filthy rich. If anyone should be paying full price for movie tickets, it’s you.” “I was being nice, asshole. Waiting for the cheap day so you’d be able to afford it.” Then he flashes his trademark grin, the one that makes chicks drop their panties and dive onto his dick. “Don’t give me your sex grin. It’s creeping me out.” His mouth stays frozen in the sex-grin position. “I’ll stop smiling like this if you agree to be my date tonight.” “You’re the most annoying pers—” The grin widens, and he even throws a little wink in there. Ten minutes later, we’re out the door.
Elle Kennedy (The Mistake (Off-Campus, #2))
Some people are worth melting for
Frozen movie Olaf
We live now in a glorious age which we might term 'Post Frozen'. Frozen – the feminist Disney movie where the idiot sexy prince turns out to be a betraying motherfuck, and the whole plot revolves around, instead, the love of two sisters.
Caitlin Moran (Moranifesto)
Life, I realized, was not a meticulously edited movie. It was a tapestry of scenes, each more real and raw than the last, stitched together in a pattern that often made sense only in retrospect. Each day was a snapshot, a moment frozen in time.
Justine Castellon
Sometimes on flat boring afternoons, he'd squatted on the curb of St. Deval Street and daydreamed silent pearly snowclouds into sifting coldly through the boughs of the dry, dirty trees. Snow falling in August and silvering the glassy pavement, the ghostly flakes icing his hair, coating rooftops, changing the grimy old neighborhood into a hushed frozen white wasteland uninhabited except for himself and a menagerie of wonder-beasts: albino antelopes, and ivory-breasted snowbirds; and occasionally there were humans, such fantastic folk as Mr Mystery, the vaudeville hypnotist, and Lucky Rogers, the movie star, and Madame Veronica, who read fortunes in a Vieux Carré tearoom.
Truman Capote (Other Voices, Other Rooms)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
ALS is like a lit candle: it melts your nerves and leaves your body a pile of wax.. you cannot support yourself standing.. you cannot sit up straight. By the end, if you are still alive.. your soul, perfectly awake, is imprisoned inside a limp husk.. like something from a science fiction movie, the man frozen inside his own flesh.
Mitch Albom (Tuesdays with Morrie)
Lizzie and I arrived in the polluted heat of a London summer. We stood frozen at street corners as a blur of pedestrians burst out of the subways and spilled like ants down the pavements. The crowed bars, the expensive shops, the fashionable clothes - to me it all seemed a population rushing about to no avail...I stared at a huge poster of a woman in her underwear staring down at her own breasts. HELLO BOYS, she said. At the movies we witnessed sickening violence, except that this time we held tubs of popcorn between our legs and the gunfire and screams were broadcast in digital Dolby. We had escaped a skull on a battlefield, only to arrive in London, where office workers led lines of such tedium and plenty that they had to entertain themselves with all the f****** and killing on the big screen. So here then was the prosperous, democratic and civilized Western world. A place of washing machines, reality TV, Armani, frequent-flier miles, mortgages. And this is what the Africans are supposed to hope for, if they're lucky.
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
Oh look at that...I've been Impaled
Frozen movie Olaf
But one of the amazing and enduring things about cinema is its ability to take a frozen section of a period of time and allow us to recall moods and emotions we had and have no more.
Kevin Murphy (A Year at the Movies: One Man's Filmgoing Odyssey)
And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.
Bret Easton Ellis (American Psycho)
What we used to blithely call ‘wasting time’ was actually a euphemism for the tenement architecture of our lives; there wasn’t an ounce of waste in a ton of those lost hours. Proof of this could be seen in the fact that even as we imagined we were killing time with movies and phone calls, careers and frozen pizzas, time was slowly but surely killing us. But who knew? It
Adrian Barnes (Nod)
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
Clive Barker (Cabal)
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
That night in my apartment, and other nights, too, burrowed under the covers, I watch the shadows on the wall and think of meeting men, meeting men like in movies, and meeting men like Alice and her mysterious friends seem to - seem to at least in Alice’s stories - men met on buses between stops, in the frozen foods aisle, at Woolworth’s when buying a spool of thread, at the newsstand, perusing Look, in hotel lobbies, at supper clubs, while hailing cabs or looking in shop windows. Men with smooth felt hats and pencil mustaches, men with Arrow shirts and shiny hair, men eager to rush ahead for the doors and to steady your arm as you step over a wet patch on the road, men with umbrellas just when you need them, men who hold you up with a firm grip as the bus lurches before you can reach a seat, men with flickering eyes who seem to know just which coat you are trying to reach off the rack in the coffee shop, men with smooth cheeks smelling of tangy lime aftershave who would order you a gin and soda before you even knew you wanted one.
Megan Abbott (Die a Little)
Everyone deserves a little pampering when they're sick. I'm sure you'd do the same." "Of course. I'd bring you mountains of cheese and frozen custard and coffee with too much cream and sugar." "And stacks of eighties teen movies?" "The very best ones." "See? You'd spoil me, too.
Amy E. Reichert (The Coincidence of Coconut Cake)
Brooke said, “Mom, did you know that the movie Frozen is really about pooping?” Mrs. Estabrook said, “What?” “Yeah,” Brooke continued. “See, Elsa makes ice. It just comes from her body naturally. She can’t help it. Sometimes it happens by accident. And her parents tell her to never let anyone see it happen.
Scott Meyer (The Authorities™ (The Authorities, #1))
Lake Michigan, impossibly blue, the morning light bouncing toward the city. Lake Michigan frozen in sheets you could walk on but wouldn't dare. Lake Michigan, gray out a high-rise window, indistinguishable from the sky. Bread, hot from the oven. Or even stale in the restaurant basket, rescued by salty butter. The Cubs winning the pendant someday. The Cubs winning the Series. The Cubs continuing to lose. His favorite song, not yet written. His favorite movie, not yet made. The depth of an oil brushstroke. Chagall's blue window. Picasso's blue man and his guitar. ... The sound of an old door creaking open. The sound of garlic cooking. The sound of typing. The sound of commercials from the next room, when you were in the kitchen getting a drink. The sound of someone else finishing a shower. ... Dancing till the floor was an optional landing place. Dancing elbows out, dancing with arms up, dancing in a pool of sweat. All the books he hadn't started. The man at Wax Trax! Records with the beautiful eyelashes. The man who sat every Saturday at Nookies, reading the Economist and eating eggs, his ears always strangely red. The ways his own life might have intersected with theirs, given enough time, enough energy, a better universe. The love of his life. Wasn't there supposed to be a love of his life? ... His body, his own stupid, slow, hairy body, its ridiculous desires, its aversions, its fears. The way his left knee cracked in the cold. The sun, the moon, the sky, the stars. The end of every story. Oak trees. Music. Breath. ...
Rebecca Makkai (The Great Believers)
The frenzied hypernatalism of the women's magazines alone (and that includes People, Us, and InStyle), with their endless parade of perfect, "sexy" celebrity moms who've had babies, adopted babies, been to sperm banks, frozen their eggs for future use, hatched frozen eggs, had more babies, or adopted a small Tibetan village all to satisfy their "baby lust," is enough to make you want to get your tubes tied. (These profiles always insist that celebs all love being "moms" much, much more than they do their work, let alone being rich and famous, and that they'd spend every second with their kids if they didn't have that pesky blockbuster movie to finish.)
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
To be a victim is to be forever frozen in amber by that person’s actions at that moment. Victimization only looks backward, never forward, which is why my family was incapable of moving on or redefining themselves. If I allowed myself to be defined by what my father did to me, it would put him at the center of my identity. He would have control over me for the rest of my life, even once he was gone. Yes, I was stuck in a box with a monster, but wallowing in indulgent self-pity wasn’t the solution; the task before me was to survive the monster without becoming the monster. In a way, I was lucky that my father was as awful as he was. He had no good qualities to negate. Had he been a better human being, I would have become a worse one.
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood)
Ravi buys all four of our tickets, which Peter is really impressed by. “Such a classy move,” he whispers to me as we sit down. Peter deftly maneuvers it so we’re sitting me, Peter, Ravi, Margot, so he can keep talking to him about soccer. Or football, as Ravi says. Margot gives me an amused look over their heads, and I can tell all the unpleasantness from before is forgotten. After the movie, Peter suggests we go for frozen custards. “Have you ever had frozen custard before?” he asks Ravi. “Never,” Ravi says. “It’s the best, Rav,” he says. “They make it homemade.” “Brilliant,” Ravi says. When the boys are in line, Margot says to me, “I think Peter’s in love--with my boyfriend,” and we both giggle. We’re still laughing when they get back to our table. Peter hands me my pralines and cream. “What’s so funny?” I just shake my head and dip my spoon into the custard.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Think of developing the situation as enlightened procrastination. Instead of indecision, going off half-cocked, or doing nothing, we understand that time is an ally that allows us to actively build context and uncover the options hidden from those who create “traditional plans” based on limited information that’s frozen in the past—before most options and opportunities have availed themselves. Developing the situation treats life like a movie, not a snapshot.
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
I know some of you must be thinking, This is a preposterous and thinly veiled attempt to obscure the use of relaxers, weaves, and lace fronts. Trust me on this one: Unless she tells you otherwise herself, every black woman’s hair, though it may change dramatically from day to day in ways that defy nature, is absolutely her God-given, though possibly magically altered, hair. White people: Do not broach this topic. It doesn’t matter that you’ve seen the Chris Rock documentary Good Hair. Like your favorite movie Frozen suggests, “Let It Go.
Justin Simien (Dear White People: A Guide to Inter-Racial Harmony in "Post-Racial" America)
Really?” he said, the anger in his voice growing. I was about to answer when he left the booth and walked over to the counter. He flipped through a stack of magazines to read while-you-waited, grabbed one, and strode back to me. “Spike had found some of these in the house where we were,” he explained as he opened a People magazine to a picture of Brad Pitt. “So this man must have cured a disease or is a mighty warrior to command ten million dollars a movie. A movie is one of the frozen plays such as we saw yesterday, correct?” I nodded, although I’m not sure he noticed, since he kept on talking. “I am assuming that ten million dollars is a lot of money, but I haven’t quite figured out your currency system yet. Forgive me if I am incorrect. But if what I read is correct, this man makes an exorbitant sum of money for doing nothing more than being handsome. How is that different?” Before I could answer he flipped the page to a picture of Angelia Jolie. “It says this woman commands the same amount of money, so together they must be like a king and queen. Am I right? And while we are at it, please tell me what a Kardashian is.” “I wish I knew.” I mumbled.
John Goode (Distant Rumblings (Lords of Arcadia, #1))
I slumped down on the couch with the kids. Coco had been such a big movie last year. What would be the next Pixar hit? Whatever it was, Aunt Linda would never get to know it. Even if it was bigger than Frozen, she'd never know it existed. Any song that come out from this week onward, Aunt Linda would never hear. Not once. Everything she was ever going to know about had already happened. Britney Spears could be voted the new president of the United States, and Aunt Linda would never know. The government might finally admit they have aliens in a warehouse, and Aunt Linda would never know. The world would keep moving, and tragedies would happen, and beautiful things would happen, and we'd invent things and grow and Aunt Linda would never see any of it.
Sophie Gonzales (Only Mostly Devastated)
The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.
William R. Maples (Dead Men Do Tell Tales: Strange and Fascinating Cases of a Forensic Anthropologist)
I thought a lot about death. My death. I got used to the idea of dying. I always imagined it’d be peaceful, with slow-motion scenes and a nice background melody… like in a movie. But I was wrong. I was lost in the eerie quiet. It was cold and dark. My hair floated lightly in the air. No, not in the air, but in the water. Water surrounded me from every side. Frozen water that seemed to burn in my lungs. I was drowning and couldn’t breathe. I tried to swim. Desperately, I kicked my legs and waved my hands, but I wasn’t able to reach the surface. I felt all my energies slowly leave me. It was too dark, and I was tired, but I didn’t want to give up. I didn’t want to die. I tried to push harder with my feet, hoping to feel something solid underneath me, but there was nothing but the fluctuating light and darkness. It swallowed me and I didn’t know what to do. I had always been afraid of two things in my life, water and darkness, so I wondered how the hell I had ended up here. My head was spinning due to the lack of oxygen. I kept fighting, but every cell in my body screamed to let it go. I had to breathe, so I opened my mouth and inhaled strongly. Water came into my lungs, but it had stopped hurting. I no longer felt anything when my body became numb and the darkness devoured me.
A.C. Pontone (Flames of Truth (The Lost Fae, #1))
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Outside, the sign says “Sushi-Yo” in bright green neon letters. Inside it looks like a sushi bar frozen in time from the ‘80s. They’re playing Ghostbusters on a neon jukebox. Old-fashioned pinball machines light up the corner. The booths are themed after popular bands and movies.
Sheri Fink (Cake in Bed)
Henry knows all movies are ghost stories, frozen slices of time, endlessly replayed. Whatever will happen has already happened. The only thing he and Paul can do is witness it.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
I mean, come on. Never watched one Disney? Not even Frozen? Everyone and their dog has watched that movie.
G. Bailey (Alpha Hell (The Rejected Mate, #1))
Young Hans Reiter also liked to walk, like a diver, but he didn’t like to sing, for divers never sing. Sometimes he would walk east out of town, along a dirt road through the forest, and he would come to the Village of Red Men, where all they did was sell peat. If he walked farther east, there was the Village of Blue Women, in the middle of a lake that dried up in the summer. Both places looked like ghost towns, inhabited by the dead. Beyond the Village of Blue Women was the Town of the Fat. It smelled bad there, like blood and rotting meat, a dense, heavy smell very different from the smell of his own town, which smelled of dirty clothes, sweat clinging to the skin, pissed-upon earth, which is a thin smell, a smell like Chorda filum. In the Town of the Fat, as was to be expected, there were many animals and several butcher shops. Sometimes, on his way home, moving like a diver, he watched the Town of the Fat citizens wander the streets of the Village of Blue Women or the Village of Red Men and he thought that maybe the villagers, those who were ghosts now, had died at the hands of the inhabitants of the Town of the Fat, who were surely fearsome and relentless practitioners of the art of killing, no matter that they never bothered him, among other reasons because he was a diver, which is to say he didn’t belong to their world, where he came only as an explorer or a visitor. On other occasions his steps took him west, and he walked down the main street of Egg Village, which each year was farther and farther from the rocks, as if the houses could move on their own and chose to seek a safer place near the dells and forests. It wasn’t far from Egg Village to Pig Village, a village he imagined his father never visited, where there were many pigstys and the happiest herds of pigs for miles around, pigs that seemed to greet the passerby regardless of his social standing or age or marital status, with friendly grunts, almost musical, or in fact entirely musical, while the villagers stood frozen with their hats in their hands or covering their faces, whether out of modesty or shame it wasn’t clear. And farther on was the Town of Chattering Girls, girls who went to parties and dances in even bigger towns whose names the young Hans Reiter heard and immediately forgot, girls who smoked in the streets and talked about sailors at a big port who served on this or that ship, the names of which the young Hans Reiter immediately forgot, girls who went to the movies and saw the most thrilling films, with actors who were the handsomest men on the planet and actresses who, if one wanted to be fashionable, one had to imitate, and whose names the young Hans Reiter immediately forgot. When he got home, like a night diver, his mother asked him where he’d spent the day and the young Hans Reiter told her the first thing that came to mind, anything but the truth. Then his mother stared at him with her blue eye and the boy held her gaze with his two blue eyes, and from the corner near the hearth, the one-legged man watched them both with his two blue eyes and for three or four seconds the island of Prussia seemed to rise from the depths.
Roberto Bolaño (2666)
The events of that day have acquired the permanence of an old movie, the past captured and frozen. What the two of us wore, and said, all of it, stamped on my brain, frame after frame. But it was a long time ago. The version I’ve held on to all these years may be as fictional as any film. Or it may have happened just like this.
Dorothy Rice (Gray Is the New Black)
The things I did say, and more painfully the things I was unable to say, play over and over again on the movie projector in my head, tinged at times with terrible regret. These arguments and discords can never be undone now. They were our relationship, our family, our time together despite their faults. But still perfect in their own way. Like a social media page in my mind, these moments will always be there, frozen in time. Imperfect. Perfect, actually.
Tom Allen (Too Much: the hilarious, heartfelt memoir)
P3 - ten minutes of that movie, or indeed of any movie whose message is similarly dystopian about a post-aging world (Blade Runner), you will see that they set it up by insinuating, with exactly no justification and also no attempt at discussion (which is how they get away with not justifying it), that the defeat of aging will self-evidently bring about some new problem that we will be unable to solve without doing more harm than good. The most common such problem, of course, is overpopulation - and I refer you to literally about 1000 interviews and hundreds of talks I have given on stage and camera over the past 20 years, of which several dozen are online, for why such a concern is misplaced. The reason there are 1000, of course, is that most people WANT to believe that aging is a blessing in disguise - they find it expedient to put aging out of their minds and get on with their miserably short lives, however irrational must be the rationalizations by which they achieve that. Aubrey has been asked on numerous occasions whether humans should use future tech to extend their lifespans. Aubrey opines, "I believe that humans should (and will) use (and, as a prerequisite, develop) future technologies to extend their healthspan, i.e. their healthy lifespan. But before fearing that I have lost my mind, let me stress that that is no more nor less than I have always believed. The reason people call me an “immortalist” and such like is only that I recognize, and am not scared to say, two other things: one, that extended lifespan is a totally certain side-effect of extended healthspan, and two, that the desire (and the legitimacy of the desire) to further extend healthspan will not suddenly cease once we achieve such-and-such a number of years." On what people can do to advance longevity research, my answer to this question has radically changed in the past year. For the previous 20 years, my answer would have been “make a lot of money and give it to the best research”, as it was indisputable that the most important research could go at least 2 or 3x times faster if not funding-limited. But in the past year, with the influx of at least a few $B, much of it non-profit (and much of it coming from tech types who did exactly the above), the calculus has changed: the rate-limiter now is personnel. It’s more or less the case now that money is no longer the main rate-limiter, talent is: we desperately need more young scientists to see longevity as the best career choice. As for how much current cryopreservation technology will advance in the next 10-20 years, and whether it enough for future reanimation? No question about the timeframe for a given amount of progress in any pioneering tech can be answered other than probabilistically. Or, to put it more simply, I don’t know - but I think there's a very good chance that within five years we will have cryo technology that inflicts only very little damage on biological tissue, such that yes, other advances in rejuvenation medicine that will repair the damage that caused the cryonaut to be pronounced dead in the first place will not be overwhelmed by cryopreservation damage, hence reanimation will indeed be possible. As of now, the people who have been cryopreserved(frozen) the best (i.e. w/ vitrification, starting very shortly immediately after cardiac arrest) may, just possibly, be capable of revival by rewarming and repair of damage - but only just possibly. Thus, the priority needs to be to improve the quality of cryopreservation - in terms of the reliability of getting people the best preservation that is technologically possible, which means all manner of things like getting hospitals more comfortable with cryonics practice and getting people to wear alarms that will alert people if they undergo cardiac arrest when alone, but even more importantly in terms of the tech itself, to reduce (greatly) the damage that is done to cells and tissues by the cryopreservation process.
Aubrey de Grey
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
To create a dilemma, you want your protagonist to “short-circuit” like this—frozen between two terrible choices.
Jeff Kitchen (Writing a Great Movie: Key Tools for Successful Screenwriting)
Scar: We’re going to watch Frozen. Are you coming back to our room? My lips parted and utter excitement ran through me. I shoved my Atlas back into my pocket and started running up the stairs, taking them two at a time. He’d finally dropped his walls, he was allowing me to peek into his heart and see the Disney princess living in there. Was it Belle? Aurora? Ariel? Of course it was Ariel. He’d been waiting to get his legs for years and live above the sea. We needed to have another movie night. Maybe he’d wear Mickey Mouse ears if I bought them for him. We could get matching ones for the pride. Different colours for each of us.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
I put on his movie of choice, which was Frozen. I’d heard a few Dads talk about it during galas and networkers. They hated it, but it was a pretty cool movie. I’d have to ask Tessa what her thoughts on it were. Miles fell asleep before the girl with the brown hair got to the trolls, which was a shame since that song was the best one I’d heard thus far. I picked up his little body and took him to his bed, mimicking everything I’d seen Tessa do the other night. I switched off the television in the living room and went to Tessa’s bedroom, turning the movie back on there instead, not because I liked it but because I couldn’t start watching a movie and not finish it.
Claire Contreras (My Way Back to You (Second Chance Duet, #2))
Unfortunately, wacky ideas have dominated the public dialogue in tech to the point that important conversations about social issues have been drowned out or dismissed for years. Some of the ideas that come out of Silicon Valley include buying islands in New Zealand to prep for doomsday; seasteading, or building islands out of discarded shipping containers to create a new paradise without government or taxes; freezing cadavers so that the deceased's consciousness can be uploaded into a future robot body; creating oversized dirigibles; inventing a meal-replacement powder named after dystopian sci-fi movie Soylent Green; or making cars that fly. These ideas are certainly creative, and it's important to make space in life for dreamers–but it's equally important not to take insane ideas seriously. We should be cautious. Just because someone has made a mathematical breakthrough or made a lot of money, that doesn't mean we should listen to them when they suggest aliens are real or suggest that in the future it will be possible to reanimate people, so we should keep smart people's brains in large freezers like the ones used for frozen vegetables at Costco.
Meredith Broussard (Artificial Unintelligence: How Computers Misunderstand the World)
Brooke said, “Mom, did you know that the movie Frozen is really about pooping?” Mrs. Estabrook said, “What?” “Yeah,” Brooke continued. “See, Elsa makes ice. It just comes from her body naturally. She can’t help it. Sometimes it happens by accident. And her parents tell her to never let anyone see it happen.
Scott Meyer (The Authorities™ (The Authorities, #1))
Impa and Genison stood back, as Link looked at himself in the mirror. Wearing a white waistcoat tuxedo with gleaming silver trim and polished black riding boots, Link looked like one of those bold, valiant knights in the Disney movies. A Sheikah crest of dark blue enamel on sterling silver had been pinned to his chest, and his hair had been trimmed and styled so as not to appear as scruffy as it normally did. "You clean up nice, man," Genison laughed, and next to him Impa chuckled. Genison himself stood in a similar white tux, but without any extra decoration. "Hey, Hans from Frozen called, he wants his suit back." Link smirked at his best man. "Is all of this really necessary?" Link asked, not truly recognizing himself in the mirror.
J. Row (The Legend of Zelda: A Sword in the Time of Guns: Vol. 6)
But while Becky put aside household goods for the future, she and Jeremy had far less success with the obvious way to smooth their consumption: building up a financial stockpile in a savings account. During most of the study year, while Jeremy fixed trucks on commission, they could predict reasonably accurately how his paychecks would rise and fall with the seasons. They knew in principle to save during the months with bigger paychecks, but in practice they had little success. Eventually, they simply closed their savings account. “It’s tough for us. I don’t know why,” Becky conceded. “The discipline for us to not dip into that rainy-day fund—for entertainment or something fun—is too much.” So Becky instead built up a rainy-day fund composed of toiletries, frozen pork chops, and boxed cereal and thus avoided the temptation to spend on something fun; you can’t buy movie tickets with eight tubes of toothpaste.
Jonathan Morduch (The Financial Diaries: How American Families Cope in a World of Uncertainty)
You’re like…” She releases a short, startled laugh. “Like a darker, prettier, more fashionable version of Buddy in the movie Elf.
Pam Godwin (Hills of Shivers and Shadows (Frozen Fate, #1))
Then good luck to you doing all the work because my muscles feel like jelly.” “It’s adorable you think that’s gonna stop me.” “I can feel my heartbeat in my pussy. Have mercy. It’s Christmas.” “Exactly. It’s the season of giving. And I intend to give you so many orgasms that you have no other choice but to remain in bed and watch holiday movies with me all day tomorrow.
Siena Trap (Frozen Heart Face-Off (Indy Speed Hockey, #2))