Frost On Grass Quotes

The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.

To Earthward" Love at the lips was touch As sweet as I could bear; And once that seemed too much; I lived on air That crossed me from sweet things, The flow of--was it musk From hidden grapevine springs Downhill at dusk? I had the swirl and ache From sprays of honeysuckle That when they're gathered shake Dew on the knuckle. I craved strong sweets, but those Seemed strong when I was young; The petal of the rose It was that stung. Now no joy but lacks salt, That is not dashed with pain And weariness and fault; I crave the stain Of tears, the aftermark Of almost too much love, The sweet of bitter bark And burning clove. When stiff and sore and scarred I take away my hand From leaning on it hard In grass and sand, The hurt is not enough: I long for weight and strength To feel the earth as rough To all my length.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

To consider water on any scale was to confront a boundless repetition of small events. There were the tiny wonders: rain drops, snow crystals, grains of frost aligned on a blade of grass; and there were the wonders so immense it seemed impossible to get his mind around them: global wind, oceanic currents, storms that broke like waves over whole mountain ranges. p 46

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.

What we know is that the matter we have come to love in the universe—the stuff of stars, planets, and life—is only a light frosting on the cosmic cake, modest buoys afloat in a vast cosmic ocean of something that looks like nothing.

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

Night would settle in like slow blindness, sucking the color from the trees and the low sky and the rocks and the frozen grass and the frost white hydrangeas until there was nothing left in the window but her own reflection.

Our backs hut from gathering them: how hard they were to find among the concealing leaves, the frosted deceiving grass.

Once assured that we'd lost our tail, I plummeted down into a nearby field, landing with a skidding thud. Bones dropped to the ground next to me without so much as a bent stem of grass to show for it. One day I'd master landing that gracefully. For now, I did well not to leave a small crater in my wake.

The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea. The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house.

Frost had built on the dead grass, and it skirled beneath his feet. If not for this sound he’d have thought himself struck deaf, owing to the magnitude of the surrounding silence. All the night’s noises had stopped. The whole valley seemed to reflect his shock. He heard only his footsteps and the wolf-girl’s panting complaint.

...the matter we have come to love in the universe - the stuff of stars, planets and life - is only a light frosting on the cosmic cake, modest buoys afloat in a vast cosmic ocean of something that looks like nothing.

No pain, no death, is more terrible to a wild creature than its fear of man. A red-throated diver, sodden and obscene with oil, able to move only its head, will push itself out from the sea-wall with its bill if you reach down to it as it floats like a log in the tide. A poisoned crow, gaping and helplessly floundering in the grass, bright yellow foam bubbling from its throat, will dash itself up again and again on to the descending wall of air, if you try to catch it. A rabbit, inflated and foul with myxomatosis, just a twitching pulse beating in a bladder of bones and fur, will feel the vibration of your footstep and will look for you with bulging, sightless eyes. Then it will drag itself away into a bush, trembling with fear. We are the killers. We stink of death. We carry it with us. It sticks to us like frost. We cannot tear it away.

Eurydice" It’s more like the sound a doe makes when the arrowhead replaces the day with an answer to the rib’s hollowed hum. We saw it coming but kept walking through the hole in the garden. Because the leaves were bright green & the fire only a pink brushstroke in the distance. It’s not about the light—but how dark it makes you depending on where you stand. Depending on where you stand his name can appear like moonlight shredded in a dead dog’s fur. His name changed when touched by gravity. Gravity breaking our kneecaps just to show us the sky. We kept saying Yes— even with all those birds. Who would believe us now? My voice cracking like bones inside the radio. Silly me. I thought love was real & the body imaginary. But here we are—standing in the cold field, him calling for the girl. The girl beside him. Frosted grass snapping beneath her hooves.

Dazzling and tremendous how quick the sunrise would kill me, If I could not now and always send sunrise out of me. We also ascend dazzling and tremendous as the sun, We found our own my soul in the calm and cool of the daybreak. My voice goes after what my eyes cannot reach, With the twirl of my tongue I encompass worlds and volumes of worlds. Speech is the twin of my vision.... it is unequal to measure itself. It provokes me forever, It says sarcastically, Walt, you understand enough.... why don’t you let it out then? Come now I will not be tantalized.... you conceive too much of articulation. Do you not know how the buds beneath are folded? Waiting in gloom protected by frost, The dirt receding before my prophetical screams, I underlying causes to balance them at last, My knowledge my live parts.... it keeping tally with the meaning of things, Happiness.... which whoever hears me let him or her set out in search of this day.

It was as if the light had coaxed a flowering from the frost, which before seemed barren and parched as salt. The grass shone with petal colors, and water drops spilled from all the trees as innumerably as petals.

This is the season when I start to believe that the beach is all mine, miles of windswept solitude that I can march along without encountering another soul. Nobody else seems to enjoy the cold or the bluster as I do. Winter is the best season for walking, as long as you can withstand a little earache and are immune to mud. Best are the coldest days when even that freezes solid and the ground crunches underfoot, firm and satisfying. A good frost picks out every blade of grass, the crenellated edge of every leaf. The cold renders everything exquisite.

I hear you snickering," Asher accuses. I can't even deny it. He looks up from the grass, eyebrows raised, ready to refute any argument I make. "I'll admit, this isn't going quite how I planned. You were suppose to lose, admiring my backside the entire way there, completely overwhelmed by my awesomeness. You were not supposed to strip me of my dignity.

The path is a ribbon of moonlight across a dusky sea. The wind sings a song that beckons us To that great and mighty tree. We are the Greenowls of Ambala, clad in raiments of moss, Sprigged with lichens and grasses Then gilded with silvery frost. Fair and square we play- for a sporting lot we are. We ride the boisterous Balefire gusts And we reach for every star.

She was perhaps seventeen when it happened. She was in Central Park, in New York. It was too warm for such an early spring day, and the hammered brown slopes had a dusting of green of precisely the consistency of that morning's hoarfrost on the rocks. But the frost was gone and the grass was brave and tempted some hundreds of pairs of feet from the asphalt and concrete to tread on it. Hers were among them. The sprouting soil was a surprise to her feet, as the air was to her lungs. Her feet ceased to be shoes as she walked, her body was consciously more than clothes. It was the only kind of day which in itself can make a city-bred person raise his eyes. She did. For a moment she felt separated from the life she lived, in which there was no fragrance, no silence, in which nothing ever quite fit nor was quite filled. In that moment the ordered disapproval of the buildings around the pallid park could not reach her; for two, three clean breaths it no longer mattered that the whole wide world really belongs to images projected on a screen; to gently groomed goddesses in these steel-and-glass towers; that it belonged, in short, always, always to someone else.

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea. The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall. ...

crawl through the frosted windowpane of her mind. blades of grass grow in shades of paradise. opals droop from branches instead of leaves. rivers flow with undiluted rosebud water. milk&honey falls from the clouds instead of rain. even the absolutely unthinkable happens here:

I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.

Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as the wind does on the sea.

She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn’t ask any questions, just wrapped himself around her. “I’m not okay,” she said hoarsely between breaths. “Rhage…I’m not okay.” He closed his eyes and held on tight.

We need daylight and to that extent it is utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that even the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity--so much lower than that of daylight--makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

Diffugere Nives Horace, Odes, iv, 7 The snows are fled away, leaves on the shaws And grasses in the mead renew their birth, The river to the river-bed withdraws, And altered is the fashion of the earth. The Nymphs and Graces three put off their fear And unapparelled in the woodland play. The swift hour and the brief prime of the year Say to the soul, Thou wast not born for aye. Thaw follows frost; hard on the heel of spring Treads summer sure to die, for hard on hers Comes autumn with his apples scattering; Then back to wintertide, when nothing stirs. But oh, whate'er the sky-led seasons mar, Moon upon moon rebuilds it with her beams; Come we where Tullus and where Ancus are And good Aeneas, we are dust and dreams. Torquatus, if the gods in heaven shall add The morrow to the day, what tongue has told? Feast then thy heart, for what thy heart has had The fingers of no heir will ever hold. When thou descendest once the shades among, The stern assize and equal judgment o'er, Not thy long lineage nor thy golden tongue, No, nor thy righteousness, shall friend thee more. Night holds Hippolytus the pure of stain, Diana steads him nothing, he must stay; And Theseus leaves Pirithous in the chain The love of comrades cannot take away.

Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.

He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

..."I won't go to Mrs Henne-Falcon's party. I swear on the Bible I won't." Now surely all would be well, he thought. God would not allow him to break so solemn an oath. He would show him a way. There was all the morning before him and all the afternoon until four o'clock. No need to worry when the grass was still crisp with the early frost. Anything might happen. He might cut himself or break his leg or really catch a bad cold. God would manage somehow.

Misery was a creeping thing, like the dew settling on grass or the cold fingers of frost meeting me in my bed at night and crackling the insides of my windows. I had longed to be left alone, to escape the lie of my family, only to discover this was different kind of poison. Slow acting, but lethal. At first it numbed me, pleasure leaching from my days like a summer leaf draining of sap to greet the autumn. Then loneliness came, a creeping oily stain that stopped me from enjoying it at all.

Tallkit shivered. This was only his second sunrise outside the nursery, and his paws pricked with excitement. A light dusting of snow had turned the camp white, frosting the tussocky grass and thick heather walls. The freezing air stung his nose. He fluffed up his fur.

To wake up on a gloriously bright morning, in a tent pitched beneath spruce trees, and to look out lazily and sleepily for a moment from the open side of the tent, across the dead camp-fire of the night before, to the river, where the light of morning rests and perhaps some early-rising[240] native is gliding in his birch canoe; to go to the river and freshen one's self with the cold water, and yell exultingly to the gulls and hell-divers, in the very joy of living; or to wake at night, when you have rolled in your blankets in the frost-stricken dying grass without a tent, and to look up through the leaves above to the dark sky and the flashing stars, and hear far off the call of a night bird or the howl of a wolf: this is the poetry, the joy of a wild and roving existence, which cannot come too often

Was there no sword, nothing with which to batter down these walls, this protection, this begetting of children and living behind curtains, and becoming daily more involved and committed, with books and pictures? Better burn one’s life out like Louis, desiring perfection; or like Rhoda leave us, flying past us to the desert; or choose one out of millions and one only like Neville; better be like Susan and love and hate the heat of the sun or the frost-bitten grass; or be like Jinny, honest, an animal. All had their rapture; their common feeling with death; something that stood them in stead. Thus I visited each of my friends in turn, trying, with fumbling fingers, to prise open their locked caskets. I went from one to the other holding my sorrow—no, not my sorrow but the incomprehensible nature of this our life—for their inspection. Some people go to priests; others to poetry; I to my friends, I to my own heart, I to seek among phrases and fragments something unbroken—I to whom there is not beauty enough in moon or tree; to whom the touch of one person with another is all, yet who cannot grasp even that, who am so imperfect, so weak, so unspeakably lonely. There I sat.

Even though brutality used toward the young, by reason of their defenselessness, provoked greater anger and greater pity, it was still true that they were resilient. Was the wind tempered to the shorn lamb? He grimaced. All the lambs were shorn now, and the wind was from the northeast, full of ice and black frost.

Carpe Diem By Edna Stewart Shakespeare, Robert Frost, Walt Whitman did it, why can't I? The words of Horace, his laconic phrase. Does it amuse me or frighten me? Does it rub salt in an old wound? Horace, Shakespeare, Robert Frost and Walt Whitman my loves, we've all had a taste of the devils carpe of forbidden food. My belly is full of mourning over life mishaps of should have's, missed pleasure, and why was I ever born? The leaf falls from the trees from which it was born in and cascade down like a feather that tumbles and toil in the wind. One gush! It blows away. It’s trampled, raked, burned and finally turns to ashes which fades away like the leaves of grass. Did Horace get it right? Trust in nothing? The shortness of Life is seventy years, Robert Frost and Whitman bared more, but Shakespeare did not. Butterflies of Curiosities allures me more. Man is mortal, the fruit is ripe. Seize more my darling! Enjoy the day.

It was morning again and the air was light and sweet. Silver hoarfrost cloaked golden leaves, and cobwebs were wreathed upon dewy grass and shrubs. There was a hint of snow on distant hills on the moor-side of this place, and to both sides of the slim river that moved between the harvested fields bloomed winter flowers.

On A Cold Day, Of A Cool Walking The day is cold, and the clouds are gray. The grass is white with frost, and may I say? The sun is coming up, over the hill. It's so quiet, and so still. In the midst of all the trees, by the broke I see. Something moving in the bush; what could it be? The frost falls from the dead leaves, as he hops about in the breeze. It's a bunny, all bundled up with fur, so he will not freeze. Life keeps on going, even when we think not. Where are you going, and what is your lot? Looking for God's Love, from up above? Jesus will fly to you, like a dove. He is there; just start talking. On a cold day, of a cool walking.

Arthur, arming himself with his good sword, sallied out to the lawn in front of the Landamman's dwelling, amid the magic dawn of a beautiful harvest morning in the Swiss mountains. The sun was just about to kiss the top of the most gigantic of that race of Titans, though the long shadows still lay on the rough grass, which crisped under the young man's feet with a strong intimation of frost.

Pat was (illicitly, nocturnally) scattered on Eel Brook Common—even if he felt a literal-minded reluctance to walk there in the months that followed, when the frost on the grass or the wind-blown grit on the paths might hold microscopic parts of him. He still wondered, when he saw the damp chevrons of his boot soles on the floor of the porch, if in fact he wasn’t treading Pat back into the house.

light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it is utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse’s mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that even the wind does not move it, but it is the moonlight that seems to confer

She sipped Scotch considerably older than she was, the taste of time in its passing, in harmony with the outer world, where poplars were already half bare and long grasses drooped burnt from the first frost. The call of an evening bird, and the sun low. Bands of lavender and slate clouds moving against a metallic sky, denoting the passage of autumn. Fallen leaves blown onto the porch. The planet racking around again toward winter.

SOMETIMES, BUT NOT OFTEN, a rain comes to the Salinas Valley in November. It is so rare that the Journal or the Index or both carry editorials about it. The hills turn to a soft green overnight and the air smells good. Rain at this time is not particularly good in an agricultural sense unless it is going to continue, and this is extremely unusual. More commonly, the dryness comes back and the fuzz of grass withers or a little frost

We Let the Boat Drift I set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine. The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk. The water is utterly still. Here and there a black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope. Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: "I go to prepare a place for you.""Fine. Good," he said. "But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept. My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox. Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles rested across our laps; glittering drops fell randomly from their tips. The light around us seemed alive. A loon-itinerant- let us get quite close before it dove, coming up after a long time, and well away from humankind

My son was something of a disciple of flying things. On his bedroom wall were posters of fighter planes and wild birds. A model of a helicopter was chandeliered to his ceiling. His birthday cake, which sat before me on the picnic table, was decorated with a picture of a rocket ship - a silver-white missile with discharging thrusters. I had been hoping that the baker would place a few stars in the frosting as well (the cake in the catalog was dotted with yellow candy sequins), but when I opened the box I found that they were missing. So this is what I did: as Joshua stood beneath the swing set, fishing for something in his pocket, I planted his birthday candles deep in the cake. I pushed them in until each wick was surrounded by only a shallow bracelet of wax. Then I called the children over from the swing set. They came, tearing up divots in the grass. We sang happy birthday as I held a match to the candles. Joshua closed his eyes. "Blow out the stars," I said, and his cheeks rounded with air.

Martin knew it was autumn again, for Dog ran into the house bringing wind and frost and a smell of apples turned to cider under trees. In dark clock-springs of hair, Dog fetched goldenrod, dust of farewell-summer, acorn-husk, hair of squirrel, feather of departed robin, sawdust from fresh-cut cordwood, and leaves like charcoals shaken from a blaze of maple trees. Dog jumped. Showers of brittle fern, blackberry vine, marsh-grass sprang over the bed where Martin shouted. No doubt, no doubt of it at all, this incredible beast was October!

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.

In December the first frosts came with the full moon, and then my nights of vigil held a quality harder to bear. There was a sort of beauty to them, cold and clear, that caught at the heart and made me stare in wonder. From my windows the long lawns dipped to the meadows, and the meadows to the sea, and all of them were white with frost, and white too under the moon. The trees that fringed the lawns were black and still. Rabbits came out and pricked about the grass, then scattered to their burrows; and suddenly, from the hush and stillness, I heard that high sharp bark of a vixen, with the little sob that follows it, eerie, unmistakable, unlike any other call that comes by night, and out of the woods I saw the lean low body creep and run out upon the lawn, and hide again where the trees would cover it. Later I heard the call again, away in the distance, in the open park, and now the full moon topped the trees and held the sky, and nothing stirred on the lawns beneath my window. I wondered if Rachel slept, in the blue bedroom; or if, like me, she left her curtains wide. The clock that had driven me to bed at ten struck one, struck two, and I thought that here about me was a wealth of beauty that we might have shared.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

It didn't matter whether your farm was large or small. It didn't matter if you had a farm at all. Cause everyone was affected when water didn't run. The snow and frost continued without the warming sun. One day in June it got real hot and leaves began to show. But after that it snowed again and wind and cold did blow. The cows and horses had no grass, no grain to feed the chicks. No hay to put aside that time, just dry and shriveled sticks. The sheep were cold and hungry and many starved to death, Still waiting for the warming sun to save their labored breath. The kids were disappointed, no swimming, such a shame. It was in 1816 that summer never came.

As if the weather knew the calendar the last day of August broke with a hard killing frost. Where the sun fell the world spangled, autumn arriving in glacial brilliance, almost suggesting snow over the grass and low shrubbery. Where the sun has not yet struck it was ghostly, a pewter finish over the sagging grass and wilted goldenrod stems. The pods of milkweed were brittle and broke open to release their slight spherical webs of seed onto any straggle of breeze. Smoke streamed white straight up from chimney tops and mist obscured the lake, hanging in sheets of cold vapor that disintegrated slowly from the top down as the sun came over the hills. A third-quarter moon hung against the endless fathoms of a colbalt heaven, the moon a quartzite river stone.

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.

My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.

There is a flower that Bees prefer— And Butterflies—desire— To gain the Purple Democrat The Humming Bird—aspire— And Whatsoever Insect pass— A Honey bear away Proportioned to his several dearth And her—capacity— Her face be rounder than the Moon And ruddier than the Gown Or Orchis in the Pasture— Or Rhododendron—worn— She doth not wait for June— Before the World be Green— Her sturdy little Countenance Against the Wind—be seen— Contending with the Grass— Near Kinsman to Herself— For Privilege of Sod and Sun— Sweet Litigants for Life— And when the Hills be full— And newer fashions blow— Doth not retract a single spice For pang of jealousy— Her Public—be the Noon— Her Providence—the Sun— Her Progress—by the Bee—proclaimed— In sovereign—Swerveless Tune— The Bravest—of the Host— Surrendering—the last— Nor even of Defeat—aware— What cancelled by the Frost—

I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.

There is a flower that Bees prefer — And Butterflies — desire — To gain the Purple Democrat The Humming Bird — aspire — And Whatsoever Insect pass — A Honey bear away Proportioned to his several dearth And her — capacity — Her face be rounder than the Moon And ruddier than the Gown Of Orchis in the Pasture — Or Rhododendron — worn — She doth not wait for June — Before the World be Green — Her sturdy little Countenance Against the Wind — be seen — Contending with the Grass — Near Kinsman to Herself — For Privilege of Sod and Sun — Sweet Litigants for Life — And when the Hills be full — And newer fashions blow — Doth not retract a single spice For pang of jealousy — Her Public — be the Noon — Her Providence — the Sun — Her Progress — by the Bee — proclaimed — In sovereign — Swerveless Tune — The Bravest — of the Host — Surrendering — the last — Nor even of Defeat — aware — When cancelled by the Frost —

WINTER HAS settled down over the Divide again; the season in which Nature recuperates, in which she sinks to sleep between the fruitfulness of autumn and the passion of spring. The birds have gone. The teeming life that goes on down in the long grass is exterminated. The prairie-dog keeps his hole. The rabbits run shivering from one frozen garden patch to another and are hard put to it to find frost-bitten cabbage-stalks. At night the coyotes roam the wintry waste, howling for food. The variegated fields are all one color now; the pastures, the stubble, the roads, the sky are the same leaden gray. The hedgerows and trees are scarcely perceptible against the bare earth, whose slaty hue they have taken on. The ground is frozen so hard that it bruises the foot to walk in the roads or in the ploughed fields. It is like an iron country, and the spirit is oppressed by its rigor and melancholy. One could easily believe that in that dead landscape the germs of life and fruitfulness were extinct forever.

Not everyone on campus was fond of my hobbies. After football practice one day, one of my coaches informed me that the dean of men wanted to see me. I wasn’t sure what I had done wrong, but I knew they had me on something. I walked into the office, and he asked me to close the door. “We have a problem,” he said. “Do you know what street you live on? Do you know the name of it?” “Vetville?” I asked him. “Let me refresh your memory,” he said. “You live on Scholar Drive.” Apparently, the president of Louisiana Tech had given members of the board of trustees a tour of campus the day before. “When we went to where you live, it wasn’t very scholarly,” the dean told me. “There were old boats, motors, duck decoys, and fishnets littering your front yard. He was embarrassed. This is an institution of higher learning.” “That’s my equipment,” I told him. “But everybody’s yard is mowed-except yours,” he replied. “At least the frost will get it,” I said. “It will lay down flat as a pancake when the frost gets it.” “It’s July,” the dean said. “Cut your grass.

I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.

Statement Preliminary to the Invention of Solace Whether they bend as compliantly as black leaves Curved and hanging in the heavy dew in the grey dawn, Or whether they wait as motionless as ice-coated Insects and spears of roots on a northern cliff; Whether they tighten once like the last white edge Of primrose taken suddenly skyward By a gust of frost, or swallow as hard as stones Careened and scattered by a current of river; Whether they mourn by the bright light of grief Running like a spine of grass straight through the sound Of their songs, or whether they fall quietly Through indefinite darkness like a seed of sorrel Bound alive beneath snow; whether they mourn in multitudes, blessed like a congregation of winter forest moaning for the white drifting children of storms they can never remember, or whether they grieve separately, divided even from themselves, parted like golden plovers blown and calling over a buffeted sea; something must come to them, something as clear and fair and continuous as the eye of the bluegill open in calm water, something as silent as the essential spaces of breath heard inside the voice naming all of their wishes, something touching them in the same way the sun deep in the pit of the pear touches the spring sky by the light of its own leaf. A comfort understood like that must be present now and possible.

Sheltered Garden" I have had enough. I gasp for breath. Every way ends, every road, every foot-path leads at last to the hill-crest-- then you retrace your steps, or find the same slope on the other side, precipitate. I have had enough-- border-pinks, clove-pinks, wax-lilies, herbs, sweet-cress. O for some sharp swish of a branch-- there is no scent of resin in this place, no taste of bark, of coarse weeds, aromatic, astringent-- only border on border of scented pinks. Have you seen fruit under cover that wanted light-- pears wadded in cloth, protected from the frost, melons, almost ripe, smothered in straw? Why not let the pears cling to the empty branch? All your coaxing will only make a bitter fruit-- let them cling, ripen of themselves, test their own worth, nipped, shrivelled by the frost, to fall at last but fair With a russet coat. Or the melon-- let it bleach yellow in the winter light, even tart to the taste-- it is better to taste of frost-- the exquisite frost-- than of wadding and of dead grass. For this beauty, beauty without strength, chokes out life. I want wind to break, scatter these pink-stalks, snap off their spiced heads, fling them about with dead leaves-- spread the paths with twigs, limbs broken off, trail great pine branches, hurled from some far wood right across the melon-patch, break pear and quince-- leave half-trees, torn, twisted but showing the fight was valiant. O to blot out this garden to forget, to find a new beauty in some terrible wind-tortured place.

Death Vision I think it’s a multiplication of sight, Like after a low hovering autumn rain When the invisible web of funnel weaves And sheetweb weavers all at once are seen Where they always were, spread and looping The grasses, every strand, waft and leaf- Crest elucidated with water-light and frost, completing the fullest aspect of field. Or maybe the grace of death is split-second Transformation of knowledge, an intricate, Turning realization, as when a single Sperm-embracing deep ovum transforms, In an instant, from stasis to replicating, Star-shifting shimmer, rolls, reaches, Alters its plane of intentions, becomes A hoofing, thumping host of purpose. I can imagine not merely The falling away of blank walls And blinds in that moment, not merely A shutter flung open for the first time Above a valley of interlocking forests And constellations but a sweeping, Penetrating circumference of vision Encompassing both knotweed bud And its seed simultaneously, seeing Blood bone and its ash as one, The repeated light and fall and flight Of hawk-owl and tundra vole As a union of origin and finality. A mathematics of flesh and space might Take hold if we ask for it in that last Moment, might appear as if it had always Existed within the eyes, translucent, Jewel-like in stained glass patterns Of globes and measures, equations, Made evident by a revelation of galaxies In the knees, spine, fingers, all The ceasings, all the deaths within deaths That compose the body becoming at once Their own symbolic perception and praise Of river salt, blooms and breaths, strings, Strains, sun-seas of gravels and gills; This one expression breaking, this same Expression healing.

Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.

In the pass the muttering sickness leaped into our throats, coughing and spitting in the silver morning, frost on our bones. Most of the ape forms died there on the treeless slopes, dumb animal eyes on "me" brought the sickness from white time caves frozen in my throat to hatch in the warm steamlands spitting song of scarlet bursts in egg flesh, beyond the pass, limestone slopes down into a high green savanna and the grass-wind on our genitals, came to a swamp fed by hot springs and mountain ice. and fell in flesh heaps, sick apes spitting blood laugh, sound bubbling in throats torn with the talk sickness, faces and bodies covered with pus foam, animal hair thru the purple sex- flesh, sick sound twisted thru body, underwater music bubbling in blood beds, human faces tentative flicker in and out of focus. We waded into the warm mud-water, hair and ape flesh off in screaming strips, stood naked human bodies covered with phosphorescent green jelly, soft tentative flesh cut with ape wounds, peeling other genitals, fingers and tongues rubbing off the jelly-cover, body melting pleasure-sounds in the warm mud. till the sun went and a blue wind of silence touched human faces and hair. When we came out of the mud we had names. In the pass muttering arctic flowers, gusts of frost wind, bones and most of the ape still felt, invisible slopes, spitting the bloodbends human bones out of focus, and ape-flesh naked human body. Caves frozen in my throat, green jelly genitals. Limestone slopes cover our bodies melting in savanna and grass mud. shit and sperm fed hot till the sun went. The mountain touched human bubbling throats. Torn we crawled out of the mud. faces and bodies covered the purple sex-flesh, and the sickness leaped into our body underwater music bubble in the silver morning frost, faces tentative flicker in ape forms, into the warm mud and water slopes, cold screaming sickness from white time, covered with phosphorescent shed in the warm lands, spitting ape wounds, feeling egg flesh, green pleasure-sounds warm our genitals, blue wind of silence. Apes spitting sound faces thru pus foam, the talking sickness had names. The sound stood naked in the grass, music bubbling in the blood, quivering frog eggs and sound thru our throats and swap we had names for each other, tentative flicker-laugh and laughing washed the hairs off. down to his genitals. Human our bodies melted into when we crawled out. And the other did not want to touch me because of the white worm-thing inside but no one could refuse if I wanted and ate the fear-softness in other men. The cold was around us in our bones. And I could see the time before the thing when there was green around and the green taste in my mouth and the green plant-shit on my legs, before the cold. . . And some did not eat flesh and died because they could not live with the thing inside. . . Once we caught one of the hairy men with our vine nets and tied him over a slow fire and left him there until he died and the thing sucked his screams moving in my face like smoke and no one could eat the flesh-fear of the hairy man and there was a smell in the cave bent us over

On A Cold Day, Of A Cold Walking The day is cold, but clouds are gray. The grass is white with frost, and may I say? The sun is coming up, over the hill. It's so quiet, and so steal. In the midst of all the trees, by the broke I see. Something moving in the bush; what could it be? The frost falls from the dead leaves, as he hops about in the breeze. It's a bunny, all bundled up with fur, so he will not freeze. Life keeps on going, even when we think not. Where are you going, and what is your lot? Looking for God's Love, from up above? Jesus will fly to you, like a dove. He is there; just start talking. On a cold day, of I called walking.

On A Cold Day, Of A Cool Walking The day is cold, and clouds are gray. The grass is white with frost, and may I say? The sun is coming up, over the hill. It's so quiet, and so steal. In the midst of all the trees, by the broke I see. Something moving in the bush; what could it be? The frost falls from the dead leaves, as he hops about in the breeze. It's a bunny, all bundled up with fur, so he will not freeze. Life keeps on going, even when we think not. Where are you going, and what is your lot? Looking for God's Love, from up above? Jesus will fly to you, like a dove. He is there; just start talking. On a cold day, of a cool walking.

Crystal All's calm. And many withered leaves here lie like brown gold dipped in sunshine. The sky is very blue white clouds are rocking by. Hoar-frost blows brightness on the pine. Firs are standing fresh and green lofty tops rising into the height. The red beeches, slender and keen, listen to the eagle calling in his flight and dare go ever higher as heaven were. Lonely benches standing here and there and here a patch of grass, now half-frozen, the sun as its own darling had is chosen. (December 8, 1940) p. 5

It's called a Horologium Florae," Martha explained later that afternoon. She'd dug a large circle in the grass. The circle was sectioned off into twelve wedges. "A flower clock. It was first hypothesized by a Swedish botanist in the 1700s. You plant a dozen flowers, each of them programmed to open and close at a specific hour. At the one o'clock section you plant a flower whose blooms open at one. At the two o'clock section you plant a flower whose blooms open at two. The blooms tell you what time it is. Like a sundial, only with flowers. Of course, I'll have to wait until summer to plant, but I wanted to mark out the space before the first frost." She pointed at each section in turn: "Goatsbeard there, then morning glory, then hawkweed, then purple poppy mallow. Then, I'm sorry to say, I'll have to use lettuce- there's nothing else that will bloom at that hour. On to swamp rose mallow and marsh sowthistle. Then flameflower and hawkbit.

Then Annabeth was running along beside him, reaching out her hand. ‘Thank the gods!’ she called. ‘For months and months we couldn’t see you! Are you all right?’ Percy remembered what Juno had said – for months he has been slumbering, but now he is awake. The goddess had intentionally kept him hidden, but why? ‘Are you real?’ he asked Annabeth. He wanted so much to believe it that he felt like Hannibal the elephant was standing on his chest. But her face began to dissolve. She cried, ‘Stay put! It’ll be easier for Tyson to find you! Stay where you are!’ Then she was gone. The images accelerated. He saw a huge ship in a dry dock, workers scrambling to finish the hull, a guy with a blowtorch welding a bronze dragon figurehead to the prow. He saw the war god stalking towards him in the surf, a sword in his hands. The scene shifted. Percy stood on the Field of Mars, looking up at the Berkeley Hills. Golden grass rippled, and a face appeared in the landscape – a sleeping woman, her features formed from shadows and folds in the terrain. Her eyes remained closed, but her voice spoke in Percy’s mind: So this is the demigod who destroyed my son Kronos. You don’t look like much, Percy Jackson, but you’re valuable to me. Come north. Meet Alcyoneus. Juno can play her little games with Greeks and Romans, but in the end, you will be my pawn. You will be the key to the gods’ defeat. Percy’s vision turned dark. He stood in a theatre-sized version of the camp’s headquarters – a principia with walls of ice and freezing mist hanging in the air. The floor was littered with skeletons in Roman armour and Imperial gold weapons encrusted with frost. In the back of the room sat an enormous shadowy figure. His skin glinted with gold and silver, as

This isn’t to suggest that the modern Christmas doesn’t have wholesome and nostalgic comforts of its own; it’s just that “Christmastime” was associated with presents, vacation days, and gluttonous feasts of carved meats, stuffed birds, and decorative pastries long before the advent of Christianity, Santa, or even Christ, for purposes that were both practical and primal. Ever since the onset of farming and stock raising, December has been peak comfort food season because it meant winter was coming, which meant livestock had to be slaughtered before snow covered the seasonal grasses that made up their food supply and fresh meat and vegetables had to be either eaten or preserved before the winter frost.

it is better to taste of frost— the exquisite frost— than of wadding and of dead grass.

Eden by Maisie Aletha Smikle In the garden Eden Streams of tranquility glide Flowers magnificently bloom Adam, Eve and animals freely roam Springs sprout Waterfalls emerge Angels smile Earth and Heaven were once in sync Absent was the sting of sin There were no frost To bite the grass Causing trees to freeze There were no fierce heat To kindle a blaze There were no winds That were unkind There were no raindrops That weren't welcome All were in perfect peace All were in harmony so sweet The garden Eden Was the home of the people Handmade by the Father Precious were they Adam and Eve God's first human masterpieces They were loved God gave them a home And grew for them a lovely garden God gave them pets of all species He gave them glorious healing spas and herbs God gave them fruits and food of every kind Everything Adam and Eve had to their hearts desire An envious snake Probably a BOA Saw joy peace love and happiness And hated joy peace love and happiness BOA vowed to destroy love peace joy and happiness BOA wanted to create distrust and enmity instead BOA conspired against love peace joy and happiness And conspired to have Adam and Eve thrown out of their home BOA snatched love joy peace and happiness BOA caused the first family Adam and Eve To be thrown out of their home naked A home that was God's unencumbered gift BOA was happy when happiness left When joy love and peace took flight and went And distrust and enmity remain Where BOA can hiss and strike it's venom of loathe Until people are down Naked and have no home BOA is truly a disgrace Indeed BOA is a scrooge

Standing Alone Empty skies. And beyond, one hawk. Between river banks, two white gulls Laze, wind-drifted. Fit for an easy kill, To and fro, they follow contentment. Grasses all frost-singed. Spiderwebs Still hung. Heaven’s loom of origins Tangling our human ways too, I stand Facing sorrow’s ten thousand sources. Tu Fu

My Butterfly. An Elegy THINE emulous fond flowers are dead, too, And the daft sun-assaulter, he That frighted thee so oft, is fled or dead: Save only me (Nor is it sad to thee!) Save only me There is none left to mourn thee in the fields. The gray grass is not dappled with the snow; Its two banks have not shut upon the river; But it is long ago— It seems forever— Since first I saw thee glance, With all the dazzling other ones, In airy dalliance, Precipitate in love, Tossed, tangled, whirled and whirled above, Like a limp rose-wreath in a fairy dance. When that was, the soft mist Of my regret hung not on all the land, And I was glad for thee, And glad for me, I wist. Thou didst not know, who tottered, wandering on high, That fate had made thee for the pleasure of the wind, With those great careless wings, Nor yet did I. And there were other things: It seemed God let thee flutter from his gentle clasp: Then fearful he had let thee win Too far beyond him to be gathered in, Snatched thee, o’er eager, with ungentle grasp. Ah! I remember me How once conspiracy was rife Against my life— The languor of it and the dreaming fond; Surging, the grasses dizzied me of thought, The breeze three odors brought, And a gem-flower waved in a wand! Then when I was distraught And could not speak, Sidelong, full on my cheek, What should that reckless zephyr fling But the wild touch of thy dye-dusty wing! I found that wing broken to-day! For thou are dead, I said, And the strange birds say. I found it with the withered leaves Under the eaves. Robert Frost, A Boy’s Will. (1st World Library - Literary Society February 20, 2006) Originally published 1913.

A strange landscape stared back at her. Delphine gasped and let the tree support her weight as she slowly took in the sight of of the forest drawn tight around the ring of moss surrounding the linden. The trees were skeletal and pale as bone, branches gnarled and twining in complicated knotwork that might have been intentionally woven or might have been the wild striving of trees reaching for the sky. There were no leaves, but a thick hoarfrost of silver coated every branch, every twig, every barren bud. Bracken grew tangled at the roots of the trees; it, too, was layered in sparkling pale beauty. The ground was covered in the same thick silver, which Delphine slowly appreciated was not cold at all, but still as fragile and sharp as frost. No grass grew on the ground, only a thick carpet of the same moss surrounding the tree. The silver didn't pass through the circle, fading to a film near the green encircling the linden tree.

The day dawned blue and blurry. A light frost on the grass, a pale, clear morning. It was the first of November, and the sluagh were gone. The light trickled over the island slowly. It brushed against the ruined church spire and dripped down to the memorial, reaching into the crevices of the names writ therein. It poked through curtains and shutters to creep along countertops and kiss sleeping foreheads. It ran along the high street, knocked on the door, danced over the boats in the harbour, and made a sprint up the hill away from the village. It ricocheted through the fields and through the trees, paused reverently at the standing stones, rocketed up to the ancient cathedral where the seagulls swooped, keening.

What we know is that the matter we have come to love in the universe, the stuff of stars, planets, and life, is only a light frosting on the cosmic cake - modest buoys in a vast cosmic ocean of something that looks like nothing

I skip down the driveway, hurry up the road, linger on the bridge for a moment, looking down at the reflection of the sky like mercury on the dark water, the foaming white suds near the rocks. Ice glistens on tree branches, frost webs over dried grasses in a sparkling net. The evergreens, dusted with the light snow that fell last night, are like a forest of Christmas trees. For the first time, I am struck by the austere beauty of this place.

The Elementary Scene" Looking back in my mind I can see The white sun like a tin plate Over the wooden turning of the weeds; The street jerking --a wet swing-- To end by the wall the children sang. The thin grass by the girls' door, Trodden on, straggling, yellow and rotten, And the gaunt field with its one tied cow-- The dead land waking sadly to my life-- Stir, and curl deeper in the eyes of time. The rotting pumpkin under the stairs Bundled with switches and the cold ashes Still holds for me, in its unwavering eyes, The stinking shapes of cranes and witches, Their path slanting down the pumpkin's sky. Its stars beckon through the frost like cottages (Homes of the Bear, the Hunter--of that absent star, The dark where the flushed child struggles into sleep) Till, leaning a lifetime to the comforter, I float above the small limbs like their dream: I, I, the future that mends everything.

The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.

dew is fallen rain that yearns to return to heaven. Every night it struggles up from the earth that has claimed it, climbing the grass on its journey to the sky. But every day the sun, keeper of the heavens, forbids it from completing its journey and casts it back into the soil.

I Was Made To Love Magic" I was born to love no one No one to love me Only the wind in the long green grass The frost in a broken tree. I was made to love magic All its wonder to know But you all lost that magic Many many years ago. I was born to use my eyes Dream with the sun and the skies To float away in a lifelong song In the mist where melody flies. I was made to love magic... I was born to sail away Into a land of forever Not to be tied to an old stone grave In your land of never. I was made to love magic...

38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?

they attribute their success to. It is usually the same: persistence, hard work, and hiring good people. —Kiana Tom Success is stumbling from failure to failure with no loss of enthusiasm. —Winston Churchill The best way out is always through. —Robert Frost Knowing trees, I understand the meaning of patience. Knowing grass, I can appreciate persistence. —Hal Borland

Grass was frosted white, rhododendron leaves curled tight, winter bare trees backlit by the moon.

Washington, D.C. is so confusing in the spring. The days grow increasingly hot and humid, but the nights hold on to winter for as long as possible. On some days the grass is still frosted over in the mornings, stiff and crunchy, even if it wilts before the first class starts. If you are not careful you get caught in the weather's nostalgia and at night, a windbreaker or a sweater isn't enough.

But I must ask you, do you really understand what it means to be in love with an unsuitable woman?” “My dear boy,” said the Major. “Is there really any other kind?” Chapter 15 The sun was red, haloed in mist and barely showing over the hedgerows as the Major crunched across the frost-stiffened grass.

Ruthie’s story wasn’t a love story, though, so this wasn’t a beginning, or an end. It could be too late, no matter what Penny thought. No matter what she herself thought, or Joe thought, or how deeply they would fall. Whatever was going to happen could fall apart or melt away. It could be frost on a windowpane, dew on the grass. But stop, look, how beautiful is that.

Dew dampened the grass and shimmered on the apples. From a distance, the blueberry bushes glistened as if encased in frost, and the trees looked as if they had been cloaked in ice. Walking through the orchards was comforting to Sam, nearly as comforting as baking. There was a precision in both endeavors, which brought a sense of order to the world, and yet each was filled with new surprises and revelations every day. The trees lined up like hunchback sentinels, seeming to protect the women as they walked the land. The paths between the trees were grassy but worn, showing where tourists and U-Pickers had trod in straight lines before veering left or right. Every so often, the earth had been upended by moles, muddy earthquakes left in the wake of their own underground walks. "Grandpa hated moles, didn't he?" Sam asked out of the blue. "With a passion," Willo said, touched that Sam remembered an innocuous fact about her grandfather from long ago. It was even cooler as the three went deeper into the heart of the orchards, mist dancing in between the rows of trees and the lake glistening beyond like a mirage. It was magical, mysterious, a lost world. I always feel like I've been transported to the world depicted in Lord of the Rings, Sam thought.

Whatever was carrying me dropped me again with an ungraceful thump, and I lay gasping and throat-sore on the earth—the warm earth, lush with soft green grass, though it silvered with frost in a circle around where the Staryk knelt.