β
Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire,
I hold with those who favor fire.
But if it had to perish twice
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
β
β
Robert Frost
β
November comes
And November goes,
With the last red berries
And the first white snows.
With night coming early,
And dawn coming late,
And ice in the bucket
And frost by the gate.
The fires burn
And the kettles sing,
And earth sinks to rest
Until next spring.
β
β
Elizabeth Coatsworth
β
Once, long ago in her world, a sunny day in spring was her favorite, but now a sunny day in winter delights her more. It is the perfect metaphor for their love.
Sunshine on ice.
She warms his frost. He cools her fever.
β
β
Karen Marie Moning (Shadowfever (Fever, #5))
β
Ice burns, and it is hard to the warm-skinned to distinguish one
sensation, fire, from the other, frost.
β
β
A.S. Byatt (Elementals: Stories of Fire and Ice)
β
For she is a fair maiden, fairest lady of a house of queens. And yet I know not how I should speak of her. When I first looked on her and perceived her unhappiness, it seemed to me that I saw a white flower standing straight and proud, shapely as a lily, and yet knew that it was hard, as if wrought by elf-wrights out of steel. Or was it, maybe, a frost that had turned its sap to ice, and so it stood, bitter-sweet, still fair to see, but stricken, soon to fall and die?
- Aragorn about Γowyn
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Sun, moon, and stars, I told him. He inclined his head. Of all the years, this one with you has been my finest. Fire to my ice, Mac. Frost to my flame, Jericho. Forever, we said, and it was a vow far more powerful and binding than any ring or piece of paper.
β
β
Karen Marie Moning (Feversong (Fever, #9))
β
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
β
β
Robert Frost
β
Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
By March, the worst of the winter would be over. The snow would thaw, the rivers begin to run and the world would wake into itself again.
Not that year.
Winter hung in there, like an invalid refusing to die. Day after grey day the ice stayed hard; the world remained unfriendly and cold.
β
β
Neil Gaiman (Odd and the Frost Giants)
β
Frost grows on the window glass, forming whorl patterns of lovely translucent geometry.
Breathe on the glass, and you give frost more ammunition.
Now it can build castles and cities and whole ice continents with your breathβs vapor.
In a few blinks you can almost see the winter fairies moving in . . .
But first, you hear the crackle of their wings.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
Mac reflected on the Unseelie King and his concubine:
Heβd loved her for all time
After heβd believed she was gone
Sunshine to his ice.
Frost to her fever.
I wished them forever.
You, too, beautiful girl.
The Unseelie King was gone.
β
β
Karen Marie Moning
β
Like a piece of ice on a hot stove the poem must ride on its own melting.
β
β
Robert Frost
β
Me, I always wanted frost power.β
βFrost power?β
βYeah.β Seth gestured dramatically toward my coffee table. βIf weβre talking superhero abilities. If I had frost power, I could wave my hand, and suddenly that whole thing would be covered in ice.β
βNot frost?β
βSame difference.β
βHow would frost and/or ice power help you fight crime?β
βWell, I donβt know that it would. But itβd be cool.
β
β
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
β
Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
β
β
Robert Frost
β
We still groped for each other on the backstairs or in parked cars
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββas the road around us
grew glossy with ice and our breath softened the view through the glass
ββββββββββββββββββββalready laced with frost,
but more frequently I was finding myself sleepless, and he was running out of
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββlullabies.
But damn if there isnβt anything sexier
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββthan a slender boy with a handgun,
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββa fast car, a bottle of pills.
β
β
Richard Siken (Crush)
β
Fire and Ice
Some say the world will end in fire,
Some say in ice.
From what Iβve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
β
β
Robert Frost
β
My reign is not yet over... you live, and my power is complete. Follow me; I seek the everlasting ices of the north, where you will feel the misery of cold and frost to which I am impassive. You will find near this place, if you follow not too tardily, a dead hare; eat and be refreshed. Come on, my enemy; we have yet to wrestle for our lives; but many hard and miserable hours must you endure until that period shall arrive.
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
As I gave my hand to one and then another of the Winter Knights, hoping to forget Kian's kiss in the arms of the other dancers, I could feel Kian's eyes piercing through me, their flame-tinged ice searing through my soul.
β
β
Kailin Gow (Forever Frost (Frost, #2))
β
A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway.
β
β
Charlotte BrontΓ«
β
Back in 2010, I introduced fairies and fantasy creatures as having silver blood in Bitter Frost and then Silver Frost. This silver blood is what makes them fey versus human or any other creatures. Now in Ring of Ice when there is a convergence of the fey and the dark ones (vampires), you the resemblance between these two race of creatures, which is the next Frost books. After the film release of Bitter Frost of course!
β
β
Kailin Gow (Bitter Frost (Frost, #1))
β
Mallowmelt turned out to be a gooey cake that tasted like fresh-baked chocolate chip cookies soaked in ice cream and covered in frosting and butterscotch
β
β
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
β
Meanwhile, the sword
began to wilt into gory icicles,
to slather and thaw. It was a wonderful thing,
the way it all melted as ice melts
when the Father eases the fetters off the frost
and unravels the water-ropes. He who wields power
over time and tide: He is the true Lord.
β
β
Seamus Heaney (Beowulf)
β
It is, after all, almost a miracle they are here. Not because they've survived the booze, the hashish, the migraines. Not that at all. It's that they've survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more impatiently than any camel for their arrival. So, yes. As with almost any sunset, but with this one in particular: shut the fuck up.
β
β
Andrew Sean Greer (Less)
β
At the darkest time of year, Lord Yule laid down his beard of snow and cloak of frost and ice to illuminate the gloom.
β
β
Stewart Stafford
β
The Snow Man"
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
Wallace Stevens, The Collected Poems of Wallace Stevens. (Vintage; Reissue edition February 19, 1990)
β
β
Wallace Stevens (The Collected Poems)
β
It was one of those bitter mornings when the whole of nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one's feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything.
β
β
Guy de Maupassant (Bel-Ami)
β
The ice in Raphael's voice could have laid the whole of New York City under frost for a week in midsummer
β
β
Cassandra Clare (Son of the Dawn (Ghosts of the Shadow Market, #1))
β
It was winter, and a night of bitter cold. The snow lay thick upon the ground, and upon the branches of the trees: the frost kept snapping the little twigs on either side of them, as they passed: and when they came to the Mountain-Torrent she was hanging motionless in air, for the Ice-King had kissed her.
β
β
Oscar Wilde (The Star-Child and Other Tales)
β
Iβd paralyzed their lives, their futures. I was like ice, like frost freezing their hopes and dreams. I was the living embodiment of frostbite.
β
β
Adrienne Woods (Frostbite (The Dragonian, #3))
β
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single momβs working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
β
β
Tyler Knott Gregson
β
Dangerous girl, seductive as the weather!
Shall I adore your snows and frosts together?
In your relentless winter shall I feel
A kiss more sharp than that of ice and steel?
β
β
Charles Baudelaire
β
The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a childβs tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.
β
β
J.G. Ballard (The Crystal World)
β
Some say the world will end in fire,
Some say in ice.
β
β
Robert Frost
β
Lovers, forget your love,
And list to the love of these,
She a window flower,
And he a winter breeze.
When the frosty window veil
Was melted down at noon,
And the caged yellow bird
Hung over her in tune,
He marked her through the pane,
He could not help but mark,
And only passed her by,
To come again at dark.
He was a winter wind,
Concerned with ice and snow,
Dead weeds and unmated birds,
And little of love could know.
But he sighed upon the sill,
He gave the sash a shake,
As witness all within
Who lay that night awake.
Perchance he half prevailed
To win her for the flight
From the firelit looking-glass
And warm stove-window light.
But the flower leaned aside
And thought of naught to say,
And morning found the breeze
A hundred miles away.
β
β
Robert Frost (The Road Not Taken and Other Poems)
β
Somewhere on Earth is an insect that excretes a golden antibacterial ooze that also does a splendid job sweetening your tea; a terribly picturesque tree whose bark will fix your malaria right up; and a large four-legged, two-horned mammal whose reproductive system dispenses ice cream, brie, and buttercream frosting.
β
β
Catherynne M. Valente (Space Opera (Space Opera, #1))
β
Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton's flaming
In a flare of crimson by the frost newly fired;
And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.
I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,
The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winer sun drawing cold blue shadows from the trees.
Violet now, in veil on veil of evening,
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;
The primrose has opened her pale yellow flowers
And heaven is lighting star after star.
Places I love come back to me like musicβ
Mid-ocean, midnight, the eaves buzz drowsily;
In the ship's deep churning the eerie phosphorescence
Is like the souls of people who were drowned at sea,
And I can hear a man's voice, speaking, hushed , insistent,
At midnight, in mid-ocean, hour on hour to me.
β
β
Sara Teasdale (The Collected Poems)
β
Mallowmelt turned out to be a gooey cake that tasted like fresh-baked chocolate chip cookies soaked in ice cream and covered in frosting and butterscotch.
β
β
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
β
Jack Frost hibernates from March to November,
dreaming snowflake designs to share in December.
With glittering breath, snowstorms, and blue blizzards,
lakes made of crystal, heβs an icy wizard!
People assume winter will be harsh, cold, and cruel
and that Jack must be a wicked, cold-weather ghoul.
But heβs truly an artist, known as Bringer of Ice,
and although his heart is cold, heβs really quite nice.
β
β
Claudine Carmel (Lucy Lick-Me-Not and the Greedy Gubbins: A Christmas Story)
β
Ice and fire. Frost and embers. Locked in a battle, pushing and pulling.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
Ware the cold, human. Ware the ice that grips. The frost that silences.
β
β
Ian C. Esslemont
β
Dream of the Tundra Swan
Dusk fell
and the cold came creeping,
cam prickling into our hearts.
As we tucked beaks
into feathers and settled for sleep,
our wings knew.
That night, we dreamed the journey:
ice-blue sky and the yodel of flight,
the sun's pale wafer,
the crisp drink of clouds.
We dreamed ourselves so far aloft
that the earth curved beneath us
and nothing sang but
a whistling vee of light.
When we woke, we were covered with snow.
We rose in a billow of white.
β
β
Joyce Sidman (Winter Bees & Other Poems of the Cold)
β
The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.
β
β
James Carlos Blake (Wildwood Boys)
β
Ice and fire. Frost and embers. Locked in a battle, pushing and pulling. Beneath it, she could almost taste Rowanβs steel will slamming against her magicβa will that refused to let the fire burn her into nothing.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
If there'd been anything decent in the house, anything approaching real ice cream, it would have been eaten long ago. I knew this, so I bypassed the freezer in the kitchen and the secondary freezer in the toolshed and went to the neglected, tundralike one in the basement. Behind the chickens bought years earlier on sale, and the roasts encased like chestnuts in blood-tinted frost, I found a tub of ice milk, vanilla-flavored, and the color of pus. It had been frozen for so long that even I, a child, was made to feel old by the price tag. "Thirty-five cents! You can't get naught for that nowadays!
β
β
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
β
From what Iβve tasted of desire
I hold with those who favor fire.
β
β
Robert Frost (Fire and Ice)
β
She imagined vodka poured over ice and all the cubes that had been frosted turning clean and collapsing in the glass and the ice cracking, like a spine in the hands of a confident osteopath.
β
β
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
β
In the dusk of that evening Jude walked away from his old aunt's as if to go home. But as soon as he reached the open down he struck out upon it till he came to a large round pond. The frost continued, though it was not particularly sharp, and the larger stars overhead came out slow and flickering, Jude put one foot on the edge of the ice, and then the other: it cracked under his weight; but this did not deter him. He ploughed his way inward to the centre, the ice making sharp noises as he went. When just about the middle he looked around him and gave a jump. The cracking repeated itself; but he did not go down. He jumped again, but the cracking had ceased. Jude went back to the edge, and stepped upon the ground.
It was curious, he thought. What was he reserved for? He supposed he was not a sufficiently dignified person for suicide. Peaceful death abhorred him as a subject, and would not take him.
What could he do of a lower kind than self-extermination; what was there less noble, more in keeping with his present degraded position? He could get drunk.
β
β
Thomas Hardy (Jude the Obscure)
β
Itβs a dark night, sang the kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and, below, all is mire and clay; and thereβs only one relief in all the sad and murky air; and I donβt know that it is one, for itβs nothing but a glare; of deep and angry crimson, where the sun and wind together; set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and thereβs hoarβfrost on the fingerβpost, and thaw upon the track; and the ice it isnβt water, and the water isnβt free; and you couldnβt say that anything is what it ought to be; but heβs coming, coming, coming!β
β
β
Charles Dickens (The Cricket on the Hearth)
β
Willows bordered the path, like women bent in mourning, their branches shod in ice and brushing the soft white ground like strands of hair. Flowers and shrubs of every variety overflowed their beds, all of them white with frost, a world made of snow and glass, a garden of ghosts.
β
β
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
β
Zohra's voice comes loudly from her camel: "Shut the fuck up! Enjoy the fucking sunset on your fucking camels! Jesus!"
It is , after all, almost a miracle they are here. Not because they've survived the booze, the hashish, the migraines. Not that at all. It's that they've survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more patiently than any camel for their arrival. So, yes. As with almost every sunset, but with this one in particular: shut the fuck up.
β
β
Andrew Sean Greer (Less (Arthur Less, #1))
β
Sometimes my sadness and my anger still feel as hard as ice; that's how I saw them for a long time, in fact. Sadness and anger, an infinitely wide, infinitely thick casing of frost around my heart. Many days, I didn't know how my heart kept beating. And there were days, I'm ashamed to admit now, I just wished it would stop.
But it kept throbbing with life, like it knew that someday the ice would melt. I both dread and welcome the idea of that day. Loving someone new will hold such immeasurable risk for me- how could I bear losing someone all over again?- but living like this for the rest of my life? In a constant state of grief? It's the only thought more unbearable than moving on. Because this isn't living. This is barely existing.
β
β
Katy Regnery (Unloved)
β
A rock was sticking out of the water, jagged and pointed, covered with moss--a remnant of the Ice Age. It had withstood the rains, the snows, the frost, the heat. It was afraid of no one. It did not need redemption, it had already been redeemed.
β
β
Isaac Bashevis Singer
β
The ads have also helped manufacture a sense of panic about time, depicting families so rushed and harried in the morning that there is no time to make breakfast, not even to pour some milk over a bowl of cereal. No, the only hope is to munch on a cereal bar (iced with synthetic βmilkβ frosting) in the bus or car. (Tell me: Why canβt these hassled families set their alarm clocks, like, ten minutes earlier?!)
β
β
Michael Pollan (Cooked: A Natural History of Transformation)
β
Then he opened the Bible Queen Alexandra had given them and ripped out the flyleaf and the page containing the Twenty-third Psalm. He also tore out the page from the Book of Job with this verse on it:
Out of whose womb came the ice?
And the hoary frost of Heaven, who hath gendered it?
The waters are hid as with a stone.
And the face of the deep is frozen.
The he laid the Bible in the snow and walked away.
It was a dramatic gesture, but that was the way Shackleton wanted it. From studying the outcome of past expeditions, he believed that those that burdened themselves with equipment to meet every contingency had fared much worse than those that had sacrificed total preparedness for speed.
β
β
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
β
It is only the recumbent who know what, after all, nature is at no pains to concealβthat she in the end will conquer; the heat will leave the world; stiff with frost we shall cease to drag our feet about the fields; ice will lie thick upon factory and engine; the sun will go out. Even so, when the whole earth is sheeted and slippery some undulation, some irregularity of surface will mark the boundary of an ancient garden, and there, thrusting its head up undaunted in the starlight, the rose will flower, the crocus will burn.
β
β
Virginia Woolf (On Being Ill)
β
The world outside the windows was a wonderland of white and ice and pale blue winter birds with wings that turned to frosted lilac when they flew.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Should you tire of the death warlord, my shores are open to you.
β
β
Krista Street (Thorns of Frost (Fae of Snow & Ice, #2))
β
Night, the astonishing, the stranger to all that is human, over the mountain-tops mournful and gleaming draws on. It was as though I stood at the topmost point of the earth, where the glittering winter sky is forever unchanging; as though the heath were rigid with frost, and adders, vipers and lizards of transparent ice lay slumbering in their hollows in the sand.
β
β
W.G. Sebald (The Rings of Saturn)
β
She opened her hand in front of me, but nothing was there. But then she blew on the palm of her hand and sparkles of ice flew into the air and landed on my face. It was so soft and cool.
β
β
Sarah Addison Allen (First Frost (Waverley Family, #2))
β
Over my opponent's shoulder, I saw Other Ash block an upward strike, then lash out with a kick that sent Puck sprawling onto his back. The reflection stepped forward, raising his sword, but Puck reached back, grabbed a handful of twigs and flung it at his assailant. They turned into a swarm of yellow jackets, buzzing around the fake prince, until a vicious burst of cold sent them plummeting to the ground, coated in frost.
"Hey!" Other Puck stabbed forward viciously, making me keep back to avoid him. "The fight's here, ice-boy. Don't worry about your boyfriend, worry about yourself.
β
β
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
β
Iβm going to have the daintiest things possible. . . things that will match the spring, you understand. . .little jelly tarts and lady fingers, and drop cookies frosted with pink and yellow icing, and buttercup cake.
β
β
L.M. Montgomery
β
I will never love again, for my heart has gone to ice and ashes. Nothing more can matter in the face of all that has been lost. It is a terrible thing, to be a mother with no children. It is a terrible thing, to be alone.
β
β
Seanan McGuire (A Killing Frost (October Daye, #14))
β
dJack be nimble,
Jack be quick,
Jack forgot to check if the ice was thick.
Emma was still,
Emma was late,
Emmaβs brother is now part of the lake.
Time has passed,
Time has gone,
Time brought Jack back wrong.
He was solemn,
He was brave,
He left his coat on Emmaβs grave.
Emma was sad,
Emma was scared,
But she knew inside that Jack really cared.
Jack was lost,
Jack had forgot,
That he had a story before the plot.
Jack had wondered,
Jack had fought,
Jack had remembered what he had forgot.
I hope you dream.
I hope you wonder.
I hope you have fun because this is done.
Keep believing everyone.
Jack be fearless,
Jack be bold,
Jack drowned when he was 17 years old.
β
β
William Joyce (Jack Frost (Guardians of Childhood, #3))
β
My smile was pure ice. βI would spend more time improving your chess skills and less worrying about other peopleβs business, Josh. Iβve beaten Alex in chess. Have you?β Joshβs smile disappeared. βWhat do you mean, youβve beaten Alex in chess? When did you play chess together?β He whipped his head toward Alex. βYouβve been playing chess with someone else?β Alex closed his eyes briefly before he opened them and glared at me, his expression filled with frost-tipped venom. My smile widened. βWe have a standing chess date every month.β I swirled my drink in my glass. βDidnβt he tell you?β Josh looked stricken. βYou have another, secret best friend? Butβ¦Iβm your best friend! I bought you a banana float for your bachelor party!β βI donβt want a banana float, and heβs not my best friend.β Alexβs glare intensified. I shrugged, my meaning clear. What can you do? Cβest la vie.
β
β
Ana Huang (Twisted Lies (Twisted, #4))
β
A chill wind blew across the frozen water. There was no marker to show where the land ended and the sea began, except for the blocks of solid sea, where the water had frosted over, shifted, then frozen
again. Tiny slabs of ice squatted, stacked like tombstones.
We walked out onto the crusted water. The ice groaned under our feet, the rumble of an Arctic bear, warning as the dark water beneath shifted. We stopped. My heart beat in my throat. I waited for the crack of the ice, the roar of the water.
The world held its breath.
β
β
Caroline Lea (The Glass Woman)
β
I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.
β
β
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
β
He showed the fineness of his nature by being kinder to me after that misunderstanding than before. Nay, the very incident which, by my theory, must in some degree estrange me and him, changed, indeed, somewhat our relations; but not in the sense I painfully anticipated. An invisible, but a cold something, very slight, very transparent, but very chill: a sort of screen of ice had hitherto, all through our two lives, glazed the medium through which we exchanged intercourse. Those few warm words, though only warm with anger, breathed on that frail frost-work of reserve; about this time, it gave note of dissolution. I think from that day, so long as we continued friends, he never in discourse stood on topics of ceremony with me.
β
β
Charlotte BrontΓ«
β
She turns to ice in his arms. Maekallus wrenches back from her as the new piece of soul collides with him, fueling the passion, and need devouring his insides, lacing them with something sour, frosted, and heavy. He knows the sensation, knows it in an almost nostalgic way, and hates it instantly. Guilt.
β
β
Charlie N. Holmberg (The Will and the Wilds)
β
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders.
("The Candy Skull")
β
β
Ray Bradbury
β
Unos dicen que el mundo sucumbirΓ‘ en el fuego. Otros que en el hielo. Por lo que yo he probado del deseo, estoy a favor de los que apuestan por el fuego. Pero si por dos veces el mundo pereciera, creo saber suficiente sobre el odio, como para saber que para la destrucciΓ³n, el hielo tambiΓ©n es grande y serΓa suficiente.
β
β
Robert Frost (Fire and Ice)
β
To the Thawing Wind"
Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snow-bank steam;
Find the brown beneath the white;
But whate'er you do to-night,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit's crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o'er;
Scatter poems on the floor;
Turn the poet out of door.
β
β
Robert Frost
β
Howard, instead of trying to explain the hermit's existence in terms of hearth fires and trappers' shacks, preferred the blank space the old man actually seemed to inhabit; he liked to think of some fold in the woods, some seam that only the hermit could sense and slip into, where the ice and snow, where the frozen forest itself, would accept him and he would no longer need fire or wool blankets, but instead flourish wreathed in snow, spun in frost, with limbs like cold wood and blood like frigid sap.
β
β
Paul Harding
β
Stop playing at morose, at mystery, as if you aren't living every moment of your life on the surface or just below it. Cole is one of those fat fish that circle near the underside of a vast plain of ice in winter, showing their scales through the dull frost, the whites of their bellies. He is as native to solemnity as Wallace is to decisive action. (134)
β
β
Brandon Taylor (Real Life)
β
Do I get to choose
what she commands you to do? Come on, let me, itβll be fun.β
Jai laughed humorlessly. βI said I donβt want her commanding me to do something asinine, kid.β
Charlieβs grin disappeared as quickly as it had surfaced. βI told you not to call me, kid, Jinn boy. Iβm whatβ¦ two years younger than you,
douchebag?β
βTry five. And thatβs only in physical years.β
βWhat, you trying to say Iβm not mature?β
βOh those socks youβre wearing definitely are. Have you heard of detergent? A shower? Hygiene?β
βI shower, you militant, glorified fucking babysitter.β
βWatch it, kid.β
βKid? I am this close to taking a swing at you, you overblown piece of-β
βOh for the love of God!β Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. βShut up. Shut up. Shut
up!βDespite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a
chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing
summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jaiβs eyes
only to be met by the simmering black heat of Charlieβs angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible
for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down
into his.
βSo what will I command you?β she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can.
When she got no answer, she glanced up to see Jaiβs face going red, the veins in his head throbbing.
βDude, whatβs wrong?β Charlie asked quietly, looking at Ari in alarm. βIs he choking?β
Ariβs heart flipped in her chest at the thought and she reached across the table to grab his arm. βJai?β
His eyes widened and he waved a large hand at his throat and mouth and then pointed at her.
What the hell?!
βJesus Christ, he canβt talk?β Charlie asked incredulously. βIs this a joke?
β
β
Samantha Young (Smokeless Fire (Fire Spirits, #1))
β
Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourseβsome congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communicationβthere falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more.
Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestonesβthat same interval, perhaps, teems with events, and pants with hurry for his friends.
The hermitβif he be a sensible hermitβwill swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season.
Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.
β
β
Charlotte BrontΓ«
β
Mather wrapped his fingers around her wrist and pulled her forward, cupping the back of her head as he slid his face down to hers. He hovered just shy of her lips, panting, choking because, ice above, this moment - this was everything, the entirety of his life expanding from this one act, revolving around her because she was at the center of everything good that had ever happened to him.
β
β
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
β
Winter Landscape, with Rocks
Water in the millrace, through a sluice of stone,
plunges headlong into that black pond
where, absurd and out-of-season, a single swan
floats chaste as snow, taunting the clouded mind
which hungers to haul the white reflection down.
The austere sun descends above the fen,
an orange cyclops-eye, scorning to look
longer on this landscape of chagrin;
feathered dark in thought, I stalk like a rook,
brooding as the winter night comes on.
Last summer's reeds are all engraved in ice
as is your image in my eye; dry frost
glazes the window of my hurt; what solace
can be struck from rock to make heart's waste
grow green again? Who'd walk in this bleak place?
Sylvia Plath was one of the first and best of the modern confessional poets. She won a Pulitzer Prize posthumously for her Collected Poems after committing suicide at the age of 31, something she seemed to have been predicting in her writing and practicing for in real life.
β
β
Sylvia Plath
β
A Blackberry Winter by Stewart Stafford
Pond ice beneath the hawthorn tree,
Reeds grasping from the frigid sculpture,
Freezing fog clinging to land and foliage,
Nature hindered but still in amelioration.
Horses in crunching frosted footsteps march,
To break the water trough's thick glaze,
And drink thirstily in raw, jagged gulps,
Until the thaw smoothes itself upon milder days.
A swan slips and skates on the icicled river,
Hoarfrost-encrusted rocks a guard of honour,
The Anatidae ascension, maladroit but effective,
Sure to pluck better days from its plumed reign.
Β© Stewart Stafford, 2022. All rights reserved.
β
β
Stewart Stafford
β
Then he says, βI once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably donβt have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, βA little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. Itβs entirely up to you how far you want to push your boulder.ββ The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. βOkay so far?β he asks. Mari nods. βWant to hear the rest? If youβre not interested, I can stop.β βIf itβs not too long.β βNo, itβs not too long. Itβs a pretty simple story.β He takes another sip of water and continues with his story. βSo the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, βBrothers, this place is good enough for me. Itβs close to the shore, and I can catch fish. It has everything I need to go on living. I donβt mind if I canβt see that much of the world from here.β His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, βBrother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I donβt mind if I canβt see that much of the world from here.β The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would liveβwhere no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. Thatβs how the story goes.
β
β
Haruki Murakami (After Dark)
β
Iβm sorry for saying you had to live with your pain.β Kyoshi put her palm to his chest in a gesture of comfort. βBecause you wonβt.β The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the moisture in the air behind him turned to frost. His back sprouted vaporous wings of crystal that disappeared just as quickly. With his heart and lungs frozen solid, Yun fell to the side. Kyoshi took the hand with which sheβd killed one of the two people sheβd loved and placed it against the wound of the other. Water. She needed more water. Her tears of light werenβt enough.
β
β
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
β
Cassidy is the best girlfriend ever. Iβve dated her for a full two months longer than anyone else. Sheβs smart and witty and original and can chug a beer faster than most guys I know. On top of that, she is absolutely beautiful. I mean spanktacular. Talk about pure colors. Sheβs high-definition. Scandinavian blond hair, eyes as blue as fiords, skin like vanilla ice cream or flower petals or sugar frostingβor really not like anything else but just her skin. It makes my hair ache. Of course, she does believe in astrology, but I donβt even care about that. Itβs a girl thing. I think of it like she has constellations and fortunes whirling around inside her.
β
β
Tim Tharp (The Spectacular Now)
β
He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would liveβwhere no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world.
β
β
Haruki Murakami (After Dark)
β
I had woken into a metal world. The smooth unflawed slopes of snow on the mountain across the valley were iron. The deeper moonshadows had a tinge of steel blue to them. Otherwise, there was no true colour. Everything was greys, black, sharp silver-white. Inclined sheets of ice gleamed like tin. The hailstones lay about like shot, millions of them, grouped up against each rock and clustered in snow hollows. The air smelt of minerals and frost.
β
β
Robert Macfarlane (The Wild Places)
β
The hospice fridge is filled with cream: ice cream, sour cream, heavy cream, cans and cans of whipped cream. Thereβs definitely a now or never feeling about food around here, and it makes you wonder what you think you might be waiting for in your own life. I mean, crusty, gooey mac and cheese? Thickly frosted Γ©clairs? Velveeta melted over a plate of potato chipsβwhat the nurses call the house nachos? Eat your kale and blueberries and whatever else, but go ahead. Have some of the good stuff now too. We
β
β
Catherine Newman (We All Want Impossible Things)
β
And there was no longer a single race who bred blindly and without question. Time and its agonizing nostalgia would touch the heart each season, and be seen in the fall of a leaf, or, most terrible of all, a loved face would grow old. Cronos and the Fates had entered man's thinking, and try to escape as he might, he would endure an interior Ice Age. He would make, and then unmake fables. Then at last, and unwillingly, comprehend an intangible abstraction called space-time, and shiver inwardly at the endless abysses of space as he had once shivered, unclothed and unlighted before the Earthly frost.
β
β
Loren Eiseley (The Unexpected Universe)
β
The Congregating of Stars
They often meet in mountain lakes,
No matter how remote, no matter how deep
Down and far they must stream to arrive,
Navigating between the steep, vertical piles
Of broken limestone and chert, through shattered
Trees and dry bushes bent low by winter,
Across ravines cut by roaring avalanches
Of boulders and ripping ice.
Silently, the stars have assembled
On the surface of this lost lake tonight,
Arranged themselves to match the patterns
They maintain in the highest spheres
Of the surrounding sky.
And they continue on, passing through
The smooth, black countenance of the lake,
Through that mirror of themselves, down through
The icy waters to touch the perfect bottom
Stillness of the invisible life and death existing
In the nether of those depths.
Sky-bound- yet touching every needle
In the torn and sturdy forest, every stone,
Sharp, cracked along the ragged shore- the stars
Appear the same as in ancient human ages
On the currents of the old seas and the darkened
Trails of desert dunes, Orionβs belt the same
As it shone in Galileoβs eyes, Polaris certain above
The sails of every marinerβs voyage. An echoing
Light from the Magiβs star, that beacon, might even
Be shining on this lake tonight, unrecognized.
The stars are congregating, perhaps
in celebration, passing through their own
names and legends, through fogs, airs,
and thunders, the vapors of winter frost
and summer pollens. They are ancestors
of transfiguration, intimate with all the eyes
of the night. What can they know?
β
β
Pattiann Rogers (Quickening Fields (Penguin Poets))
β
The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.
β
β
Percy Bysshe Shelley
β
A woman once told me that, for a time after her husband died, her grief was as constant as breathing. Then one day, while pushing a shopping cart, she realized she was thinking about yogurt. With time, thoughts in this vein became contiguous. With more time thoughts in this vein became sustained. Eventually they won a kind of majority. Her grieving had ended while she wasnβt watching (although, she added, grief never ends). And so it was with my depression. One day in December I changed a furnace filter with modest interest in the process. The day after that I drove to Gorst for the repair of a faulty seat belt. On the thirty-first I went walking with a friendβgrasslands, cattails, asparagus fields, ice-bound sloughs, frost-rimed fencerowsβwith a familiar engrossment in the changing of winter light. I was home, that night, in time to bang pots and pans at the yearβs turn: βE quindi uscimmo a riveder le stelle.β It wasnβt at all like thatβthis eve was cloudy, the stars hidden by high racing cloudsβbut I found myself looking skyward anyway, into the nightβs maw, and I noticed I was thinking of Januaryβs appointments without a shudder, even with anticipation. Who knows why, but the edge had come off, and being me felt endurable again. My crucible had crested, not suddenly but less gradually than how it had come, and I felt the way a newborn fawn looks in an elementary school documentary. Born, but on shaky, insecure legs. Vulnerable, but in this world for now, with its leaf buds and packs of wolves. Was it pharmacology, and if so, is that a bad thing? Or do I credit time for my healing? Or my Jungian? My reading? My seclusion? My wifeβs love? Maybe I finally exhausted my tears, or my dreams at last found sufficient purchase, or maybe the news just began to sound better, the world less precarious, not headed for disaster. Or was it talk in the end, the acknowledgments I made? The surfacing of so many festering pains? My childrenβs voices down the hall,
β
β
David Guterson (Descent: A Memoir of Madness (Kindle Single))
β
Not because theyβve survived the booze, the hashish, the migraines. Not that at all. Itβs that theyβve survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more patiently than any camel for their arrival. So, yes. As with almost every sunset, but with this one in particular: shut the fuck up.
β
β
Andrew Sean Greer (Less)
β
so many white roses whose names wonβt survive either, resistance groups and newspapers now as forgotten as soldiers waiting for the enemy veiled in snow, unknowingly digging their own graves in the forests, an entire infantry on alert among the pines and spruce, France, Belgium, elsewhere young German soldiers seeming to sleep, half-opened lips on the snow which likewise moulds itself to their boots and helmets, every one of them forever forgotten, dying for what or whom in these ice fields, oblivion or Hitler, even those still breathing on stretchers, statues of ice, petrified flesh outfitted in frost, this is the story of winter glory, cold and misery, men and horses finished off in the frigid fog, the young in uniform, hands raised and crying, I give up, enough, enough
β
β
Marie-Claire Blais (Rebecca, Born in the Maelstrom)
β
The Pop-Tarts page is often aflutter. Pop-Tarts, it says as of today (February 8, 2008), were discontinued in Australia in 2005. Maybe that's true. Before that it said that Pop-Tarts were discontinued in Korea. Before that Australia. Several days ago it said: "Pop-Tarts is german for Little Iced Pastry O' Germany." Other things I learned from earlier versions: More than two trillion Pop-Tarts are sold each year. George Washington invented them. They were developed in the early 1960s in China. Popular flavors are "frosted strawberry, frosted brown sugar cinnamon, and semen." Pop-Tarts are a "flat Cookie." No: "Pop-Tarts are a flat Pastry, KEVIN MCCORMICK is a FRIGGIN LOSER notto mention a queer inch." No: "A Pop-Tart is a flat condom." Once last fall the whole page was replaced with "NIPPLES AND BROCCOLI!!!!!
β
β
Nicholson Baker
β
The unforgiving November wind blows me toward the building. Pointy snowflakes spiral down from the cake-frosting clouds overhead. The first snow. Magic. Everybody stops and looks up. The bus exhaust freezes,trapping all the noise in a gritty cloud. The doors to the school freeze, too. We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better. Then it melts. The bus drivers rev their engines and the ice cloud shatters. Everyone shuffles forward. They don't know what just happened. They can't remember.
β
β
Laurie Halse Anderson
β
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as it spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn't do a thing but split
A star in two or three the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It's a star-splitter if there ever was one,
And ought to do some good if splitting stars
'Sa thing to be compared with splitting wood.
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Robert Frost
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electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck thatβs jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someoneβs been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. Itβs no joke, he tells the viewers. Donβt think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a childβs pink nap blanket. A gelid baby
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Margaret Atwood (Stone Mattress: Nine Tales)
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Who calls the Prince of the Mud?'
β¦
The snapping turtle snapped. Its head shot out to maximum extensionβEliot wouldnβt have believed anything that big could move that fast. It was like a Mack truck coming straight at them. As it bit it turned its head on one side, to take them both in one movement.
Eliot reacted fast. His reaction was to crouch down and cover his face with his arms. From the relative safety of this position he felt the day grow colder around them, and he heard a crackle, which at first he took for the pier splintering in the turtleβs jaws. But the end didnβt come.
'You DARE?' Janet said.
Her voice was loud nowβit made the boards vibrate sympathetically under his feet. He looked up at her. Sheβd gone airborne, floating two feet above the pier, and her clothes were rimmed with frost. She radiated cold; mist sheeted off her skin as it would off dry ice. Her arms were spread wide, and she had an axe in each hand. They were those twin staves she wore on her back, each one now topped with an axe-head of clear ice.
The turtle was trapped in mid-lunge. Sheβd stopped it cold; the swamp was frozen solid around it. Janet had called down winter, and the water of the Northern Marsh was solid ice as far as he could see, cracked and buckled up in waves. The turtle was stuck fast in it. It struggled, its head banging back and forth impotently.
'Jesus,' Eliot said. He stood up out of his defensive crouch. 'Nice one.'
'You DARE?' Janet said again, all imperious power. 'Marvel that you live, Prince of Shit!
β
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Lev Grossman (The Magician's Land (The Magicians, #3))
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My mom's Busy Day Cake," Nellie said, lifting the carrier slightly. "With lemon frosting and some violets from the garden I sugared." Her mother had often made the cake for social gatherings, telling Nellie everyone appreciated a simple cake.
"It's only when you try to get too fancy do you find trouble," Elsie was fond of saying, letting Nellie lick the buttercream icing from the beaters as she did. Some might consider sugaring flowers "too fancy," but not Elsie Swann- every cake she made carried some sort of beautiful flower or herb from her garden, whether it was candied rose petals or pansies, or fresh mint or lavender sugar. Elsie, a firm believer in the language of flowers, spent much time carefully matching her gifted blooms and plants to their recipients. Gardenia revealed a secret love; white hyacinth, a good choice for those who needed prayers; peony celebrated a happy marriage and home; chamomile provided patience; and a vibrant bunch of fresh basil brought with it good wishes. Violets showcased admiration- something Nellie did not have for the exhausting Kitty Goldman but certainly did for the simple deliciousness of her mother's Busy Day Cake.
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Karma Brown (Recipe for a Perfect Wife)
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The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. Iβm dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know thereβs no imminent threat of attack, I still donβt like being unprepared in case one comes. It shakes me more than the cold ever could.
When I turn to Lira, the ends of her hair are white with frost. βTry not to breathe,β I tell her. βIt might get stuck halfway out.β
Lira flicks up her hood. βYou should try not to talk then,β she retorts. βNobody wants your words being preserved for eternity.β
βTheyβre pearls of wisdom, actually.β
I can barely see Liraβs eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. βIf that is what pearls are worth these days, Iβll make sure to invest in diamonds.β
βOr gold,β I tell her smugly. βI hear itβs worth its weight.β
Kye shakes the snow from his sword and scoffs. βAnytime you two want to stop making me feel nauseated, go right ahead.β
βAre you jealous because Iβm not flirting with you?β Madrid asks him, warming her finger on the trigger mechanism of her gun.
βI donβt need you to flirt with me,β he says. βI already know you find me irresistible.β
Madrid reholsters her gun. βItβs actually quite easy to resist you when youβre dressed like that.β
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
βIs it because you think I look sexier wearing nothing?β
Torik lets out a withering sigh and pinches the bridge of his nose. Iβm not sure whether itβs from the hours weβve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
βI could swear that Iβm on a life-and-death mission with a bunch of lusty kids,β he says. βNext thing I know, the lot of you will be writing love notes in rum bottles.β
βOkay,β Madrid says. βNow I feel nauseated.
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Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
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It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it.
Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus.
The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience.
Despite the name, she is not prepared for what awaits her inside the tent.
It is exactly what the sign described. But it is so much more than that.
There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines.
The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature.
There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain.
And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice.
Curious, Celia picks a frosted peony from its branch, the stem breaking easily.
But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below.
When she looks back at the branch, an identical bloom has already appeared.
Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well.
And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.
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Erin Morgenstern (The Night Circus)
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We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow.
It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice.
"It has the look of a brownie house," Wendell said. "But perhaps I should make sure."
He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear.
"Good Lord!" Rose said, leaping out of range of the onslaught.
"I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?"
The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door.
Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak.
"Winter Folk?" I repeated.
"Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired."
I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
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Heather Fawcett (Emily Wildeβs Map of the Otherlands (Emily Wilde, #2))
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Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end.
It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell.
"Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
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George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))