Frost At Midnight Quotes

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my pretty.
Kailin Gow (Midnight Frost (Frost, #5))
What can I say?" I grinned. I have a magic touch when it comes to animals." Daphne snorted. "You're touched in the head is more like it.
Jennifer Estep (Midnight Frost (Mythos Academy, #5))
It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells Put out their tongues, for noon. It was not frost, for on my flesh I felt siroccos crawl, Nor fire, for just my marble feet Could keep a chancel cool. And yet it tasted like them all; The figures I have seen Set orderly, for burial, Reminded me of mine, As if my life were shaven And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,-- Or even a report of land To justify despair.
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
Not your weapons," Agrona sneered. "Your artifacts. Sigyn's bow. The Horn of Roland. The Swords of Ruslan. And, of course, Vic." "Well, naturally," the sword crowed, his voice swelling with pride. "I do put the art in artefact." I looked down on him. "Really?" I whispered. "You're really going to talk about how awesome you are at a time like this?" "Certainly," Vic said. "Why wouldn't I?
Jennifer Estep (Midnight Frost (Mythos Academy, #5))
What if there are more than two roads diverging in the wood? What if there are more roads than trees? What if there is no end to the choices you could make? What would Robert Frost do then?
Matt Haig (The Midnight Library)
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
Samuel Taylor Coleridge (Frost at Midnight)
One Kashmiri morning in the early spring of 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer-mat, transformed into rubies. Lurching back until he knelt with his head once more upright, he found that the tears which had sprung to his eyes had solidified, too; and at that moment, as he brushed diamonds contemptuously from his lashes, he resolved never again to kiss earth for any god or man. This decision, however, made a hole in him, a vacancy in a vital inner chamber, leaving him vulnerable to women and history. Unaware of this at first, despite his recently completed medical training, he stood up, rolled the prayer-mat into a thick cheroot, and holding it under his right arm surveyed the valley through clear, diamond-free eyes.
Salman Rushdie (Midnight’s Children)
Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
Samuel Taylor Coleridge (Frost at Midnight)
Places I love come back to me like music, Hush me and heal me when I am very tired; I see the oak woods at Saxton's flaming In a flare of crimson by the frost newly fired; And I am thirsty for the spring in the valley As for a kiss ungiven and long desired. I know a bright world of snowy hills at Boonton, A blue and white dazzling light on everything one sees, The ice-covered branches of the hemlocks sparkle Bending low and tinkling in the sharp thin breeze, And iridescent crystals fall and crackle on the snow-crust With the winer sun drawing cold blue shadows from the trees. Violet now, in veil on veil of evening, The hills across from Cromwell grow dreamy and far; A wood-thrush is singing soft as a viol In the heart of the hollow where the dark pools are; The primrose has opened her pale yellow flowers And heaven is lighting star after star. Places I love come back to me like music– Mid-ocean, midnight, the eaves buzz drowsily; In the ship's deep churning the eerie phosphorescence Is like the souls of people who were drowned at sea, And I can hear a man's voice, speaking, hushed , insistent, At midnight, in mid-ocean, hour on hour to me.
Sara Teasdale (The Collected Poems)
Whose bells, the poor man's only music, rang From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book.
Samuel Taylor Coleridge (Frost at Midnight)
Frost’s face darkened. “What gives you the right to speak for Miss Hathaway and her family?” Cam saw no reason to be discreet. “I’m going to marry her.” Frost nearly dropped the iron bar. “Don’t be absurd. Amelia would never marry you.” “Why not?” “Good God,” Frost exclaimed incredulously, “how can you ask that? You’re not a gentleman of her class, and … hell and damnation, you’re not even a real Gypsy. You’re a mongrel.” “All the same, I’m going to marry her.” “I’ll see you in hell first!” Frost cried, taking a step toward him. “Either drop that bar,” Cam said quietly, “or I’ll dislocate your arm.” He sincerely hoped Frost would take a swing at him. To his disappointment, Frost set the bar on the ground.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Robert Frost quote: “Tell other people’s stories as if they happened to you, and tell your own as if they happened to other people.
Jonathon King (Midnight Guardians (Max Freeman #6))
A CUL-DE-SAC in a working-class neighborhood in Arlington, Virginia, a little after midnight. It is a warm fall night after a rain. The air moves uneasily ahead of a cold front. In the smell of wet earth and leaves, a cricket is playing a tune. He falls silent as a big vibration reaches him, the muffled boom of a 5.0-liter Mustang with steel tube headers turning into the cul-de-sac, followed by a federal marshal’s car. The two cars pull into the driveway of a neat duplex and stop. The Mustang shudders a little at idle. When the engine goes silent, the cricket waits a moment and resumes his tune, his last before the frost, his last ever.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
A moon of unsurpassable brilliance flooded the silent landscape with a cruel glare of greenish light, which traced sharp inky shadows of the trees on the rounded white folds. The snow crystals caught and reflected the moonlight upon a myriad facets until I appeared to be walking in a world of sparkling diamonds. The frightful stillness of the woodland at midnight was almost startling – everything seemed to be frost-bound and nerveless. Even the icy air seemed frozen into immobility. The crisp crunch of my footfall appeared to be an unpardonable intrusion, while the scars they made upon the smooth field of scintillating white seemed a positive sacrilege.
Naoko Abe (The Sakura Obsession: The Incredible Story of the Plant Hunter Who Saved Japan's Cherry Blossoms)
About midnight, the storm in one half-hour fell to a dead calm. The fire, which had been burning dead, glowed up vividly. I felt the air change, and become keen. Raising blind and curtain, I looked out, and saw in the stars the keen sparkle of a sharp frost.
Charlotte Brontë (Villette)
When I woke the next morning, gray light suffused the bedroom curtains. Tom was still asleep, so I moved through my yoga routine, then tiptoed to the kitchen. A mountain breeze moved languidly through the pines and aspens surrounding our house. I opened the back door for Scout the cat and Jake the bloodhound, and reminded myself that today we were celebrating my only son’s seventeenth birthday. Okay, we were two months late. But, so what? I smiled and reflected that it was probably a good thing that I’d stayed up past midnight to frost the cake.
Diane Mott Davidson (The Whole Enchilada (A Goldy Bear Culinary Mystery #17))
Those entering the Saloon Bar of the ‘The Midnight Bell’ from the street came through a large door with a fancifully frosted glass pane, a handle like a dumb-bell a brass inscription ‘Saloon Bar and Lounge,’ and a brass adjuration to Push. Anyone temperamentally so wilful, careless, or incredulous as to ignore this friendly admonition was instantly snubbed, for this door would only succumb to Pushing. Nevertheless hundreds of temperamental people nightly argued with this door and got the worst of it. Given proper treatment, however, it swung back in the most accomplished way, and announced you to the Saloon Bar with a welcoming creak.
Patrick Hamilton (Twenty Thousand Streets Under the Sky (Twenty Thousand Streets Under the Sky, #1-3))
The months passed away. Slowly a great fear came over Viola, a fear that would hardly ever leave her. For every month at the full moon, whether she would or no, she found herself driven to the maze, through its mysterious walks into that strange dancing-room. And when she was there the music began once more, and once more she danced most deliciously for the moon to see. The second time that this happened she had merely thought that it was a recurrence of her own whim, and that the music was but a trick that the imagination had chosen to repeat. The third time frightened her, and she knew that the force that sways the tides had strange power over her. The fear grew as the year fell, for each month the music went on for a longer time - each month some of the pleasure had gone from the dance. On bitter nights in winter the moon called her and she came, when the breath was vapor, and the trees that circled her dancing-room were black, bare skeletons, and the frost was cruel. She dared not tell anyone, and yet it was with difficulty that she kept her secret. Somehow chance seemed to favor her, and she always found a way to return from her midnight dance to her own room without being observed. Each month the summons seemed to be more imperious and urgent. Once when she was alone on her knees before the lighted altar in the private chapel of the palace she suddenly felt that the words of the familiar Latin prayer had gone from her memory. She rose to her feet, she sobbed bitterly, but the call had come and she could not resist it. She passed out of the chapel and down the palace gardens. How madly she danced that night! ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
On the way to after-prom, Peter says he’s hungry, and can we stop at the diner first. “I think there’s going to be pizza at after-prom,” I say. “Why don’t we just eat there?” “But I want pancakes,” he whines. We pull into the diner parking lot, and after we park, he gets out of the car and runs around to the passenger side to open my door. “So gentlemanly tonight,” I say, which makes him grin. We walk up to the diner, and he opens the door for me grandly. “I could get used to this royal treatment,” I say. “Hey, I open doors for you,” he protests. We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Chapter 1 In the bitter cold of a late December night, the gargoyle’s sharp gaze scanned restlessly over the deserted streets of Dublin. Not far below, the clock in the tower of St. Patrick’s Cathedral began to strike midnight. The sound of the bell reverberated on a breeze brittle with the promise of snow, skittering among the city’s chimneys and across frost-kissed slate roofs. Very soon, the rhythm was picked up by other clocks elsewhere in the sleeping city.
Katherine Kurtz (St. Patrick's Gargoyle)
urge to jump up straight away. He lay unmoving and alert, listening out for the slightest sound. The cottage was old and there were often noises —creaks and bangs and scratchings —that he knew were not ghosts but just the normal sounds an old house makes. The waiting was torture. Finally, at ten past midnight Zak kicked his duvet aside and swung his legs over the side of the bed. He was already fully clothed. He retrieved a bag from under his bed, a small backpack that he’d packed earlier for his night-time excursion. It contained a torch, a pair of gloves and his mobile phone.
Janice Frost (Her Husband's Secret (DS Ava Merry and DI Jim Neal, #3))
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
As soon as he was out of sight, Gui pulled the macaron mixture towards him, and took a deep breath. He whipped it back and forth, beads of sweat springing on his forehead as his arm muscles released and contracted. When it was almost ready, he reached up for the shelf where the spices and colors were kept. Carefully, he brought down the bottle of 'creme de violette,' the jar of delicate, dried violets, their petals sparkling with sugar. In tiny drops, he measured the purple liqueur into the mixture. He was acting on impulse, yet at the same time he felt certain, as though his first teacher, Monsieur Careme, was with him, guiding his steps. The scent reached up as he stirred, heady and sweet as a meadow, deep as lingering perfume in a midnight room. Hands shaking, he piped the mixture onto a tray in tiny rounds, enough to make six, one for each day that he and Jeanne would have to make it through before they could be together for the rest of their lives. Maurice was delayed talking to Josef, and by the time he returned, Gui was putting the finishing touches to his creations, filling them with a vanilla cream from the cold room, balancing one, tiny, sugar-frosted violet flower upon each.
Laura Madeleine (The Confectioner's Tale)
It required a great deal of Cam’s willpower—and he had a considerable supply—not to skewer Christopher Frost with a dining utensil. He wanted her attention. All of it.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Merripen,” Cam said slowly, “you’re going to have to find a way to tolerate me. Because there are things I can do for Amelia, and the rest of them, that you can’t.” He continued in a level tone despite the look on Merripen’s face, which would have terrified a lesser man. “And I don’t have the patience to battle you every step of the way. If you want what’s best for them, either leave, or accept this. I’m not going anywhere.” As the huge chal glared at him, Cam could almost see the progression of his thoughts, the weighing of options, the violent desire to mow down his enemy, all of it overshadowed by the urge to do what was right for his family. “Besides,” Cam said, “if Amelia doesn’t marry me, the gadjo will be after her again. And you know she’ll be better off with me.” Merripen’s eyes narrowed. “Frost broke her heart. You took her innocence. Why does that make you any better?” “Because I’m not going to leave her. Unlike the gadjos, the Rom are faithful to our women.” Cam paused and measured out five seconds before adding deliberately, “You probably know that better than I.” Merripen fixed his furious gaze at a point in the distance. “If you hurt her in any way…” he finally said, “I’m going to kill you.” “Fair enough.” “I may kill you anyway.” Cam smiled slightly. “You’d be surprised how many people have said that to me before.” “No,” Merripen said, “I wouldn’t.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
sleeping under the vast milky way blanket we'd awaken after midnight and down’ d shoot stars like a fingernail scraping a jack frost window a moment of eternity and awe
Bruce Wayne McLellan, Poetry in the Nature of Things: Songs from the Great Wilderness
The streets were quiet. They often weren’t quiet at midnight, but they were quiet now. Everyone walking at this hour had somewhere to be, and they walked rapidly, with their heads down and their breath frosting in the air. The same way I walked, except most of them didn’t have an animate cookie riding on their coat.
T. Kingfisher (A Wizard's Guide to Defensive Baking)
Two roads diverged in a wood, and I – / I took the one less travelled by, / And that has made all the difference . . .’ ‘What if there are more than two roads diverging in the wood? What if there are more roads than trees? What if there is no end to the choices you could make? What would Robert Frost do then?
Matt Haig (The Midnight Library)
They are lives you could live but never dreamed of.’ ‘So they’re unhappy lives?’ ‘Some will be, some won’t be. It’s just they are not the most obvious lives. They are ones which might require a little imagination to reach. But I am sure you can get there . . .’ ‘Can’t you guide me?’ Mrs Elm smiled. ‘I could read you a poem. Librarians like poems.’ And then she quoted Robert Frost. ‘Two roads diverged in a wood, and I – / I took the one less travelled by, / And that has made all the difference .
Matt Haig (The Midnight Library)
Cam tried to sort through a tangle of emotions. He had never known jealousy before, but when he had seen Amelia and Christopher Frost embracing earlier, Cam had experienced a violent urge to strangle the bastard. Every instinct raged that Amelia was his, his alone to protect and comfort. But he had no rights to her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I was a woman strung together with glitter and wishes. A midnight apparition cast in the coldest winters. I would not be here tomorrow. But tonight I would drink champagne until my veins ran in golden, bubbling streams. I would dance until the ice in my heart melted. Kiss until my lips bruised. And I would live until it hurt.
M. A. Kuzniar
BOOKS BY SARAH J. MAAS THE COURT OF THORNS AND ROSES SERIES A Court of Thorns and Roses A Court of Mist and Fury A Court of Wings and Ruin A Court of Frost and Starlight A Court of Silver Flames A Court of Thorns and Roses Coloring Book THE CRESCENT CITY SERIES House of Earth and Blood House of Sky and Breath House of Flame and Shadow THE THRONE OF GLASS SERIES The Assassin’s Blade Throne of Glass Crown of Midnight Heir of Fire Queen of Shadows Empire of Storms Tower of Dawn Kingdom of Ash The Throne of Glass Coloring Book
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Every frost has its thaw, every light its shadow. The question remains: which will prevail?
Iris Beaglehole (The Crone of Midnight Embers (Myrtlewood Crones, #1))
POEMS “Song of the Open Road”—Walt Whitman “The Tyger”—William Blake “I Thought of You”—Sara Teasdale “Sonnet 140”—William Shakespeare “A Clear Midnight”—Walt Whitman “Something Left Undone”—Henry Wadsworth Longfellow “A Prayer for My Daughter”—William Butler Yeats “My Little March Girl”—Paul Laurence Dunbar “The Mountain Sat Upon the Plain”—Emily Dickinson “The Song of Wandering Aengus”—William Butler Yeats “Jabberwocky”—Lewis Carroll “Stopping by Woods on a Snowy Evening”—Robert Frost “Continent’s End”—Robinson Jeffers “Forgiveness”—George MacDonald “O Me! O Life!”—Walt Whitman “To the Virgins, to Make Much of Time”—Robert Herrick “In Memoriam A.H.H.”—Alfred Lord Tennyson “i like my body when it is with your”—E. E. Cummings “A Psalm of Life”—Henry Wadsworth Longfellow “The Lake Isle of Innisfree”—William Butler Yeats “Three Marching Songs”—William Butler Yeats “Song of Myself”—Walt Whitman “in the rain”—E. E. Cummings “When All Is Done”—Paul Laurence Dunbar “The Wanderings of Oisin”—William Butler Yeats “The Cloud-Islands”—Clark Ashton Smith “love is more thicker than forget”—E. E. Cummings “Hymn to the North Star”—William Cullen Bryant “Give Me the Splendid Silent Sun”—Walt Whitman “The Young Man’s Song”—William Butler Yeats “If”—Rudyard Kipling “Character of the Happy Warrior”—William Wordsworth
Terah Shelton Harris (One Summer in Savannah)
We decorate the heart-shaped snickerdoodles in pink and lilac frosting, topping each one with a tiny rosebud. Roisin brews a pot of passion fruit tea, sweetening it with honey before pouring it over a glass of ice and coconut milk. It turns a cloudy purple color. "This is a specialty at Petals Tea Shop," Roisin says. "Your auntie Laina named it the Midnight Rose Garden. It's one of my favorites." "It's wonderful," I say, taking a sip. It reminds me of family trips I used to take to Hawaii. My parents always said I was such a happy kid and didn't know what went wrong as I grew up. The passion fruit spilling over my tongue transports me back to placid waters--- ones that never whispered. The kind of waves that turtles call home and coral reefs burn bright. The same waves that culled my sunburnt shoulders, kissing my welted flesh and telling me I was okay. I was safe here. The water was safe. With Roisin, I am safe.
Kiana Krystle (Dance of the Starlit Sea)
Rise Again One goal goes by the wayside Some watch sneering arms folded Laughing at you until the end Until you have the last laugh You've courage you're no riffraff Another will lend you a hand You're apparently not left for dead You rise again and all is fine Defeat no matter how crushing That seemingly final act they consing Is speckle of dust to you the leaning Majestic Tower of Pisa still standing How dissapointed they must be Thinking they have the master key More bogus then a midnight sun Yet you stand on a solid foundation Your destiny is beyond what anyone Or anything can give or take from you Dangling hope strings attached rescue Instead rise and face the morning dew You the sun reclaiming your den From the frost,beams of hope chasing You are alone but alive again Shining the sheen of your green You rise again free no one's lien You are alive because you alaone Can decide the meaning of the dust If they had meaning to begin with Kaleb Kilton (c) 2016
Kaleb Kilton
Most of the vegetables in the allotments had died back but one, tended by a Jamaican man, was full of squash. They lay among the dying leaves, rimmed with frost, huge, orange and alien, half hidden by the mist. They reminded her of the fairy stories she’d read as a young child, of white horses and gold carriages that turned into mice and pumpkins on the stroke of midnight.
Sanjida Kay (Bone by Bone)
Perhaps some of the upstairs rooms are still habitable,” Amelia said. “In a few minutes I should like to go up and see—” “No,” Rohan interrupted calmly. “You and the rest of the Hathaways are going to Stony Cross Manor. They have more than enough guest rooms to accommodate you.” Before Amelia could say a word, Christopher Frost answered for her. “I’m staying with the Shelsher family at the village tavern. Miss Hathaway and her siblings will go there with me.” Amelia felt the change in Rohan’s hold. His hand came to her arm, and his thumb found the inside curve of her elbow, where her pulse thrummed hard beneath fragile skin. He touched her with the possessive intimacy of a lover. “Westcliff’s residence is closer,” Rohan said. “Miss Hathaway and her sisters are standing outside in the cold, dressed in little more than their nightgowns. Their brother needs to be seen by a doctor, and if I’m not mistaken, Merripen does, too. They’re going to the manor.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Just as she began to consider the idea of venturing to the front threshold, Rohan and Frost emerged from the house with the emptied canisters and were immediately approached by Captain Swansea. Amelia hurried forward with a cry of gladness, fully intending to stop once she reached them. Which was why it was a surprise when her legs insisted on carrying her forward. Rohan dropped the canister and caught her tightly. “Easy, hummingbird.” She had lost his coat and her shawl somewhere amid the impetuous dash. The cold night air pierced the thin layer of her gown, causing her to shiver hard. He gripped her more closely, easing her into the pungent fragrance of smoke and sweat. His heartbeat was steady beneath her ear, his hand tracing warm circles on her back.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He had never known jealousy before, but when he had seen Amelia and Christopher Frost embracing earlier, Cam had experienced a violent urge to strangle the bastard. Every instinct raged that Amelia was his, his alone to protect and comfort. But he had no rights to her. If Frost decided to pursue her, it was best that Cam not interfere. Amelia would be better off with her own kind, rather than a half-bred Roma. Cam would be better off, too.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The future spread before him in a great lifeless void. Thousands of nights without Amelia. He would hold and make love to other women, but none of them would ever be the one he truly wanted. He thought of Amelia living as a spinster. Or worse, reconciling with Frost, perhaps marrying him, but always living with the knowledge that Frost had betrayed her once and might again. She deserved so much more than that. She deserved passionate, heart-scalding, overwhelming, consuming love. She deserved … Oh, hell. He was thinking too much. Just like a gadjo. He forced himself to face the truth. The fact was, Amelia was his, whether he stayed or left, whether they walked the same path or not. They could live on opposite sides of the world, and she would still be his. The Roma half of him had seen that from the beginning. And it was that side of himself he would listen to.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Amelia.” It was Christopher Frost, standing a few yards away, his posture rigid and combative. He gave Cam Rohan a long, hard stare. “Don’t make a spectacle of her. She’s a lady, and deserves to be treated as such.” Amelia felt the immediate tension in Rohan’s body. “I don’t need advice from you on how to treat her,” he said softly. “You know what it will do to her reputation if she is seen with you.” It had immediately become apparent that the confrontation would turn ugly if Amelia didn’t do something about it. She pulled away from Rohan. “This isn’t seemly,” she said. “I must go back to my family.” “I’ll escort you,” Frost said at once. Rohan’s eyes flashed dangerously. “Like hell you will.” “Please.” Amelia reached up to touch her cool fingers to Rohan’s parted lips. “I think … it’s better that we part here. I want to go with him. There are things that must be said between us. And you…” She managed to smile at him. “You have many roads to travel.” Clumsily she bent and retrieved the magic lantern at her feet. “Goodbye, Mr. Rohan. I hope you find everything you’re looking for. I hope—” She broke off with a crooked smile, and felt a peculiar stinging pain in her throat and swallowed the bittersweet taste of longing. “Goodbye, Cam,” she whispered.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
She stiffened as she caught sight of Christopher Frost, who was seated near the far end of the table. Their gazes locked, while the ripple of a swallow chased down Amelia’s throat. She seemed mesmerized by the gadjo. It was obvious an attraction still existed between the two. And judging from Frost’s expression, he was more than willing to rekindle their acquaintance. It required a great deal of Cam’s willpower—and he had a considerable supply—not to skewer Christopher Frost with a dining utensil. He wanted her attention. All of it.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I don’t know how to help him. I understand how it feels to lose someone, but…” She shook her head helplessly. “You’re referring to Mr. Frost,” he said. Amelia gave him a sharp glance and flushed deeply. “How did you know? Did he say something? Was there gossip, or—” “No, nothing like that. I saw it when you talked to him earlier.” Shaking her head, Amelia raised her hand to her heat-infused cheeks. “Dear heaven. Am I that easy to read?” “Perhaps I’m one of the Phuri Dae,” he said, smiling at her. “A mystical Gypsy. Were you in love with him?” “That’s none of your concern,” she said, a bit too quickly. He watched her closely. “Why did he leave you?” “How did you—” She broke off and scowled as she understood what he was doing, throwing out provocative questions and gleaning the truth from her reactions. “Bother. All right, I’ll tell you. He left me for another woman. A prettier, younger woman who happened to be his employer’s daughter. It would have been a very advantageous marriage for him.” “You’re wrong.” Amelia gave him a perplexed glance. “I assure you, it would have been an enormously advantageous—” “She couldn’t possibly have been prettier than you.” Her eyes widened at the compliment. “Oh,” she whispered.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Dorian shook off the last bit of the cold and walked to his dressing room to change his wrinkled tunic. As he turned, he could have sworn he caught a glimpse of a faint ring of frost around where his body had lain on the couch.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
As an old friend of the family—and particularly Miss Hathaway—I’ve taken it upon myself to help them.” The phrase “particularly Miss Hathaway” uttered with just a hint of ownership, nearly shattered Cam’s self-control. He, who had always congratulated himself on his equanimity, was instantly overrun with hostility. “Perhaps,” he said, “you should have asked first. As it turns out, your services aren’t needed.” Frost’s face darkened. “What gives you the right to speak for Miss Hathaway and her family?” Cam saw no reason to be discreet. “I’m going to marry her.” Frost nearly dropped the iron bar. “Don’t be absurd. Amelia would never marry you.” “Why not?” “Good God,” Frost exclaimed incredulously, “how can you ask that? You’re not a gentleman of her class, and … hell and damnation, you’re not even a real Gypsy. You’re a mongrel.” “All the same, I’m going to marry her.” “I’ll see you in hell first!” Frost cried, taking a step toward him. “Either drop that bar,” Cam said quietly, “or I’ll dislocate your arm.” He sincerely hoped Frost would take a swing at him. To his disappointment, Frost set the bar on the ground. The architect glared at him. “After I talk to her, she’ll want nothing more to do with you. I’ll make certain she understands what people would say about a lady who beds down with a Gypsy. She’d be better off with a peasant. A dog. A—” “Point taken,” Cam said. He gave Frost a bland smile designed to infuriate. “But it’s interesting, isn’t it, that Miss Hathaway’s previous experience with a gentleman of her own class has now disposed her to look favorably on a Roma? It hardly reflects well on you.” “You selfish bastard,” Frost muttered. “You’ll ruin her. You think nothing of bringing her down to your level. If you cared for her at all, you would disappear for good.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Spirit is to matter, as ice is to water, in other words: the same substance, but in a different state. As you admire the beauty of the intricate frost lacework on a winter windowpane, you might pause to reflect that invisible lines of force existed before the frost. The cold manifests the beauty of the lines of force.
Laurence Galian (The Sun at Midnight: The Revealed Mysteries of the Ahlul Bayt Sufis)
Because age isn't just getting old, it's about living, it's about seeing time as precious because you don't have an unlimited amount of it, it's about being in the moment and falling in love and growing old with someone. Life is about the journey, about the mistakes and the triumphs, the memories.
Kaitlyn Davis (Frost (Midnight Ice, #1))
Robert Frost. ‘Two roads diverged in a wood, and I – / I took the one less travelled by, / And that has made all the difference . . .
Matt Haig (The Midnight Library)
Literary Lipsticks by Elaine Equi The Best American Poetry Red Wheelbarrow I Have Eaten the Plums Poppies in October Pink Christmas Red Weather A Rose Is a Rose Jaffa Juice Watermelon Sugar Frost at Midnight
Elaine Equi
Would the bastard ever call? Smoke drifted from the ashtray where a fine Cohiba lay unattended. Several burned-out butts crowded the glass, competing for space. The man looked at his watch. Had it been done? He smashed the lit cigar into the thick-cut crystal. It smoldered with the rest as he moved through his office. He went to the window, grimy panes lightly frosted with a thin layer of freezing condensation. It was cold early this year. With one gloved finger, he traced an X in the frost. He stared out into the night. Though nearly midnight, the skyline was bright and raucous. Some festival on the grounds of Cheekwood, good cheer, grand times. If he squinted, he could make out headlights flashing by as overpaid valets squired the vehicles around the curves of the Boulevard. He
J.T. Ellison (14 (Taylor Jackson, #2))
Frost in autumn, frost at midnight, Frost on a hotel bed, telescoping from mountains to buzzsaws, each of your eyes a diamond ripping through my wooden soul, a stunning revelation no matter which of five mountain ranges you’re planted on
Nate Pritts (Right Now More Than Ever)
Frost-crusted puddles reflected the moonlight and lit up the path. The outline of hills was soft and dark, like waves on a midnight sea,
Gill Lewis (Sky Hawk)