“
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
”
”
Edith Grossman (Don Quixote)
“
Carlos: So, what, were they psychos, or...
Seth: Did they look like psychos? Is that what they looked like? They were vampires. Psychos do not explode when sunlight hits them, I don't give a fuck how crazy they are!
”
”
Quentin Tarantino (From Dusk Till Dawn)
“
You can be clumsy yet clever. You can be classy yet poor. It's not tearing a leaf off a calendar which will make you a better or a worse man but the attitude that you have from dusk till dawn every day.
”
”
Indeewara Jayawardane
“
I'm a mean mother-hmmnhmmnh man of God," she informed me. "Except that I'm a woman, of course."
"You just quoted something, didn't you?" I asked.
"Yes, I did," Molly agreed. She seemed calm but her heart was beating fat. "From Dusk Till Dawn. Its a vampire movie with George Clooney."
"Is it too late to get a different priest?" Choo wondered. "Like maybe one who quotes The Bible?
”
”
Elliott James (Charming (Pax Arcana, #1))
“
He traced the constellations as they slid their way across the roof of the world from dusk till dawn. The precision of it, the quiet orderliness of the stars, gave him a sense of freedom. There was nothing he was going through that the stars had not seen before, somewhere, some time on this earth. Given enough time, their memory would close over his life like healing a wound. All would be forgotten, all suffering erased.
”
”
M.L. Stedman (The Light Between Oceans)
“
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Sarah had introduced us to Taylor Swift’s early albums that summer, and there was this one song I played from dawn till dusk and even sang in the shower. I just couldn’t get enough of it. Now I hummed the tune softly as if I still listened to it daily.
”
”
K.L. Walther (The Summer of Broken Rules)
“
One thing you'll learn when you're in the business of selling utter shite to the Great British Public is that there's really no bottom to where they'll go. Shit food, shit TV, shit bands, shit films, shit houses. There is absolutely no fucking bottom with this stuff. The shittier you can make it - a bad photocopy of a bad photocopy of what was a shit idea in the first place - the more they'll eat it up with a big fucking spoon, from dawn till dusk, from now until the end of time. It's too good.
”
”
John Niven (Kill Your Friends)
“
The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight.
She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room.
"That was my heart breaking," he said, his voice ragged.
She felt as though her own heart might shatter as she took a step toward him. "Austin—"
"Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me."
She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted."
"I do know how to love, Loree. I just don't know how to keep a woman loving me."
"I'll always love you, Austin," she said trailing kisses over his face. "Always."
She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you."
-Austin and Loree
”
”
Lorraine Heath (Texas Splendor (Texas Trilogy, #3))
“
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer. He would say that El Cid Ruy Díaz4 had
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Sarah had introduced us to Taylor Swift’s early albums that summer, and there was this one song I played from dawn till dusk
”
”
K.L. Walther (The Summer of Broken Rules)
“
Father and Ivy used to go off on their excursions, never knowing that I was relieved when they were gone. That I'd wear my nightgowns all day and read from dawn till dusk.
”
”
Suzanne Palmieri (Empire Girls)
“
You are exactly as you should be. From flame to ashes, dawn to dusk, I am yours always. Till darkness dies.
”
”
Laura Thalassa (Dark Harmony (The Bargainer, #4))
“
So life fills my veins. So life pours through my limbs. So I am driven forward, till I could cry, as I move from dawn to dusk opening and shutting, 'No more. I am glutted with natural happiness.
”
”
Virginia Woolf (The Waves)
“
I didn't know it would get this hot," she said. "It's hot as hell."
"Hell is hotter."
"Sounds like you've been there."
"I've heard it from someone. They make it hotter and hotter till you think you'll go crazy; then they move you someplace cooler for a while. Then when you're recovered a little they move you back again."
"So hell it's like a sauna."
"Yeah, more or less. But a few can't recover and go totally bonkers."
"So what happens to them?"
"They get sent up to heaven, where they're forced to paint the walls. You see, the walls in heaven have to be kept a perfect white. As a result, they have to keep painting from dawn till dusk every day. It messes up their respiratory systems big time.
”
”
Haruki Murakami (Wind/Pinball: Two Novels)
“
They would work from dawn till dusk, studying and practicing weapons craft and battle tactics—although the latter were relatively simple in the Skandian world, usually consisting of a headlong charge in response to the command, “Let’s get ’em!
”
”
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
“
This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer.
Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet.
From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see.
In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
”
”
Rabindranath Tagore (Gitanjali)
“
THE MEETING"
"Scant rain had fallen and the summer sun
Had scorched with waves of heat the ripening corn,
That August nightfall, as I crossed the down
Work-weary, half in dream. Beside a fence
Skirting a penning’s edge, an old man waited
Motionless in the mist, with downcast head
And clothing weather-worn. I asked his name
And why he lingered at so lonely a place.
“I was a shepherd here. Two hundred seasons
I roamed these windswept downlands with my flock.
No fences barred our progress and we’d travel
Wherever the bite grew deep. In summer drought
I’d climb from flower-banked combe to barrow’d hill-top
To find a missing straggler or set snares
By wood or turmon-patch. In gales of March
I’d crouch nightlong tending my suckling lambs.
“I was a ploughman, too. Year upon year
I trudged half-doubled, hands clenched to my shafts,
Guiding my turning furrow. Overhead,
Cloud-patterns built and faded, many a song
Of lark and pewit melodied my toil.
I durst not pause to heed them, rising at dawn
To groom and dress my team: by daylight’s end
My boots hung heavy, clodded with chalk and flint.
“And then I was a carter. With my skill
I built the reeded dew-pond, sliced out hay
From the dense-matted rick. At harvest time,
My wain piled high with sheaves, I urged the horses
Back to the master’s barn with shouts and curses
Before the scurrying storm. Through sunlit days
On this same slope where you now stand, my friend,
I stood till dusk scything the poppied fields.
“My cob-built home has crumbled. Hereabouts
Few folk remember me: and though you stare
Till time’s conclusion you’ll not glimpse me striding
The broad, bare down with flock or toiling team.
Yet in this landscape still my spirit lingers:
Down the long bottom where the tractors rumble,
On the steep hanging where wild grasses murmur,
In the sparse covert where the dog-fox patters.”
My comrade turned aside. From the damp sward
Drifted a scent of melilot and thyme;
From far across the down a barn owl shouted,
Circling the silence of that summer evening:
But in an instant, as I stepped towards him
Striving to view his face, his contour altered.
Before me, in the vaporous gloaming, stood
Nothing of flesh, only a post of wood.
”
”
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
“
What happiness it is to work from dawn to dusk for yourself and your family, to erect a shelter, to till the soil for food, and like Robinson Crusoe to create your own world, imitating the Creator when he made the universe and, following your own mother, bringing yourself again and again into the world!
So many thoughts pass through your mind, so many new ideas are conjured up while your hands are busy with the physical, muscular work of digging or carpentry; while you set yourself reasonable and physically practical tasks that reward you with the joy of success; while for six hours at a stretch you enjoy working with an axe or digging the soil under an open sky that burns you with its life-giving breath. None of such thoughts, conjectures or analogies appear in a notebook; they are transient and forgotten. This is not a loss but a gain. You city hermits, whipping up your imagination and shattered nerves with strong black coffee and tobacco, you are missing the most potent drug off all—real necessity and sound health.
”
”
Boris Pasternak (Doctor Zhivago)
“
Christmas In India
Dim dawn behind the tamerisks -- the sky is saffron-yellow --
As the women in the village grind the corn,
And the parrots seek the riverside, each calling to his fellow
That the Day, the staring Easter Day is born.
Oh the white dust on the highway! Oh the stenches in the byway!
Oh the clammy fog that hovers
And at Home they're making merry 'neath the white and scarlet berry --
What part have India's exiles in their mirth?
Full day begind the tamarisks -- the sky is blue and staring --
As the cattle crawl afield beneath the yoke,
And they bear One o'er the field-path, who is past all hope or caring,
To the ghat below the curling wreaths of smoke.
Call on Rama, going slowly, as ye bear a brother lowly --
Call on Rama -- he may hear, perhaps, your voice!
With our hymn-books and our psalters we appeal to other altars,
And to-day we bid "good Christian men rejoice!"
High noon behind the tamarisks -- the sun is hot above us --
As at Home the Christmas Day is breaking wan.
They will drink our healths at dinner -- those who tell us how they love us,
And forget us till another year be gone!
Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching!
Oh the black dividing Sea and alien Plain!
Youth was cheap -- wherefore we sold it.
Gold was good -- we hoped to hold it,
And to-day we know the fulness of our gain.
Grey dusk behind the tamarisks -- the parrots fly together --
As the sun is sinking slowly over Home;
And his last ray seems to mock us shackled in a lifelong tether.
That drags us back how'er so far we roam.
Hard her service, poor her payment -- she is ancient, tattered raiment --
India, she the grim Stepmother of our kind.
If a year of life be lent her, if her temple's shrine we enter,
The door is hut -- we may not look behind.
Black night behind the tamarisks -- the owls begin their chorus --
As the conches from the temple scream and bray.
With the fruitless years behind us, and the hopeless years before us,
Let us honor, O my brother, Christmas Day!
Call a truce, then, to our labors -- let us feast with friends and neighbors,
And be merry as the custom of our caste;
For if "faint and forced the laughter," and if sadness follow after,
We are richer by one mocking Christmas past.
”
”
Rudyard Kipling
“
Dawn and a high film; the sun burned it;
But noon had a thick sheet, and the clouds coming,
The low rain-bringers, trooping in from the north,
From the far cold fog-breeding seas, the womb of storms.
Dusk brought a wind and the sky opened:
All down the west the broken strips lay snared in the light,
Bellied and humped and heaped on the hills.
The set sun threw the blaze up;
The sky lived redly, banner on banner of far-burning flame,
From south to north the furnace door wide and the smoke rolling.
We in the fields, the watchers from the burnt slope,
Facing the west, facing the bright sky, hopelessly longing to know
the red beauty--
But the unable eyes, the too-small intelligence,
The insufficient organs of reception
Not a thousandth part enough to take and retain.
We stared, and no speaking. and felt the deep loneness
of incomprehension.
The flesh must turn cloud, the spirit, air,
Transformation to sky and the burning,
Absolute oneness with the west and the down sun.
But we, being earth-stuck, watched from the fields,
Till the rising rim shut out the light;
Till the sky changed, the long wounds healed;
Till the rain fell.
”
”
William Everson (The Residual Years: Poems, 1934-1948: Including a Selection of Uncollected and Previously Unpublished Poems)
“
a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke
”
”
Anton Chekhov (Uncle Vanya)
“
Gulls fly overhead
While waves slap against rocks
From dusk till dawn.
”
”
Abigail George (Feeding The Beasts)
“
Cowboy's Neon Dream"**
Stompin' through the city with my boots and hat,
Got that country soul, no denying that.
The skyline's bright but it can't outshine,
The cowboy spirit that's mine, all mine.
'Cause I'm a cowboy, from dusk till dawn,
Two-steppin' to life's sweet song.
With whiskey smooth and city lights gleam,
I'm living out this cowboy's neon dream.
Every step I take's got that two-step flair,
From the honky-tonks to the open air.
I've got the rhythm of the wild, wild west,
In this modern world, I'm still the best.
Got my cowgirl by my side, so fine,
Together we shine, her hand in mine.
We're the duo that steals the scene,
In this cowboy's neon dream.
Yeah, I'm a cowboy, ain't no scheme,
Dancing through life, chasing the dream.
With a glass of whiskey and the skyline's beam,
I'm two-steppin' in this cowboy's neon dream.
Let's raise a toast, to the night's bright seam,
Where every cowboy and cowgirl finds their theme.
In the two-step beat and the city's stream,
We're living large in this cowboy's neon dream.
”
”
James Hilton-Cowboy
“
American Rocker”
I was born in the land of the brave, where the eagles soar and roam,
With the roar of the rivers and the whisper of the wind, in the place I call my home.
My heart beats to the rhythm of the drums, and the guitars strumming wild,
In the land of the free, I stand with pride, an everlasting American child.
'Cause I'm American, through and through,
My soul's painted in red, white, and blue.
I rock to the core, with freedom's sound,
In the USA, where my roots are found.
From the neon lights of the bustling cities to the quiet country roads,
I've seen the beauty of the starlit skies and where the mighty Mississippi flows.
I've danced in the rain and I've faced the sun, with a spirit that won't be tamed,
In every note I play, in every word I say, I'm American, unashamed.
We're the land of the dreamers, the home of the brave,
Our anthem rings true, for the free and the saved.
We'll rock this country, from dusk till dawn,
With the power of the word, and the strength to carry on.
'Cause I'm American, through and through,
My soul's painted in red, white, and blue.
I rock to the core, with freedom's sound,
In the USA, where my roots are found.
So let the guitars wail, let the drums beat hard,
As we sing our song, under the stripes and stars.
We're American rockers, with a story to tell,
In the land we love, where our hearts dwell.
”
”
James Hilton-Cowboy
“
I had evidently disturbed the bird from its perch which, on closer inspection, turned out to be something called the Bentinck Fountain. It had clearly seen glories greater than the poor laurels tossed its way now. Once it had been cherished as an effecting feature of a grand estate. Now it stood apologetically by the side of the road, its empty trough sticking out like a beggar's imploring hand.
”
”
Dixe Wills (At Night: A Journey Round Britain from Dusk Till Dawn)
“
I lay on the grass with the air hanging around me, heavy and still. Not a sound disturbed the night save the trickle and truckle of two waterways, now seeming to chuckle together at some private joke. Perhaps they had seen the Devil ride out so often they found him ridiculous.
”
”
Dixe Wills (At Night: A Journey Round Britain from Dusk Till Dawn)
“
I have been afflicted too many times by that curiously bleak despair that the small hours of the night can impart not to welcome its more munificent twin with open arms.
”
”
Dixe Wills (At Night: A Journey Round Britain from Dusk Till Dawn)
“
Like most species, we have come to expect that we shall wake up more or less where we fell asleep. We associate the night with being static, becalmed. We might toss and turn a bit, and some may even sleepwalk. But as a rule it is the one period in each 24-hour shift when our frenzied movements hither and yon come to a halt. Hence there is something indefinably sneaky about popping up somewhere in the morning at a location that bears little relation to the one we were inhabiting the night before. It is perhaps the nearest most of us come to performing a magic trick.
”
”
Dixe Wills (At Night: A Journey Round Britain from Dusk Till Dawn)
“
But there’s always been this fearful undercurrent in the way America sees Mexico: the beautiful curse at the heart of Steinbeck’s The Pearl, D. H. Lawrence’s The Plumed Serpent, Orson Welles’ corrupt small-town police captain in Touch of Evil, the unstoppable hit man in No Country for Old Men, the Aztec Temple hidden underneath a truck stop in From Dusk Till Dawn. (My
”
”
Jim Geraghty (Between Two Scorpions (The CIA’s Dangerous Clique #1))
“
You probably guessed the rationale behind the pink glasses, the filter sheets, and the special light bulbs. After dusk and before dawn, they aimed to shield Gerry and Barbara from that part of the light spectrum that reaches our timing system most effectively (the blue parts of the light spectrum).
”
”
Till Roenneberg (Internal Time: Chronotypes, Social Jet Lag, and Why You're So Tired)
“
I would tell you stories from dawn till dusk if it meant filling your eyes with happiness
”
”
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
“
From dawn ‘till dusk, from dusk ‘till dawn, I'll never love another.
”
”
Jamie Schlosser
“
Mastering Letters and Numbers
by Maisie Aletha Smikle
Get ready
You are ready
I am ready
We are ready
We must earn
So let's learn
To count to ten
And use a pen
1, 2 oh no you got boo boo
3, 4 we can do more
5, 6 it's half past six
7, 8 we shan’t be late
9, 10 let's count again
To write a note
Or give a quote
You’ll need your numbers
And letters too
To succeed
Books we’ll read
Do good deed
And never speed
ABCDEFG... O my g...
HIJKLMNOP... I ran to pee
QRSTUV... We sip some tea
WXY and Z ...Let’s go and zzzz
I’ll come calling in the morning
And we'll practice till in the evening
For we shan’t give up on learning or achieving
Nor our goal to succeed in
Counting from one to ten
And writing letters with a pen
To learn we must from dawn to dusk
For education is a must
”
”
Maisie Aletha Smikle
“
So the Chapter of Perfection, under the leadership of Johannes Kelpius, both a Rosicrucian magus and a magister of the University of Altdorf, set out for Pennsylvania to prepare for the coming of the Lord and to seek that state of personal perfection that was free of all sensuous temptations and beyond all rational understanding. Quickly upon their arrival they built a log-walled monastery of perfect proportions: forty feet by forty feet. It had a common room for communal worship and also cells where the celibate brethren could search for personal perfection by contemplating their magic numbers and their esoteric symbols. In a primitive laboratory they conducted alchemical and pharmaceutical experiments aimed at eliminating disease and prolonging life indefinitely. And on the roof they placed a telescope, which they manned from dusk till dawn, so that in case the Bridegroom came in the middle of the night they would be prepared to receive him.
”
”
Bernard Bailyn (Sometimes an Art: Nine Essays on History)
“
Under Two Windows"
I. AUBADE
The dawn is here—and the long night through I have never seen thy face,
Though my feet have worn the patient grass at the gate of thy dwelling-place.
While the white moon sailed till, red in the west, it found the far world edge,
No leaflet stirred of the leaves that climb to garland thy window ledge.
Yet the vine had quivered from root to tip, and opened its flowers again,
If only the low moon's light had glanced on a moving casement pane.
Warm was the wind that entered in where the barrier stood ajar,
And the curtain shook with its gentle breath, white as young lilies are;
But there came no hand all the slow night through to draw the folds aside,
(I longed as the moon and the vine-leaves longed!) or to set the casement wide.
Three times in a low-hung nest there dreamed his five sweet notes a bird,
And thrice my heart leaped up at the sound I thought thou hadst surely heard.
But now that thy praise is caroled aloud by a thousand throats awake,
Shall I watch from afar and silently, as under the moon, for thy sake?
Nay—bold in the sun I speak thy name, I too, and I wait no more
Thy hand, thy face, in the window niche, but thy kiss at the open door!
II. NOCTURNE
My darling, come!—The wings of the dark have wafted the sunset away,
And there's room for much in a summer night, but no room for delay.
A still moon looketh down from the sky, and a wavering moon looks up
From every hollow in the green hills that holds a pool in its cup.
The woodland borders are wreathed with bloom—elder, viburnum, rose;
The young trees yearn on the breast of the wind that sighs of love as it goes.
The small stars drown in the moon-washed blue but the greater ones abide,
With Vega high in the midmost place, Altair not far aside.
The glades are dusk, and soft the grass, where the flower of the elder gleams,
Mist-white, moth-like, a spirit awake in the dark of forest dreams.
Arcturus beckons into the east, Antares toward the south,
That sendeth a zephyr sweet with thyme to seek for thy sweeter mouth.
Shall the blossom wake, the star look down, all night and have naught to see?
Shall the reeds that sing by the wind-brushed pool say nothing of thee and me?
—My darling comes! My arms are content, my feet are guiding her way;
There is room for much in a summer night, but no room for delay!
Petry. (November 1912)
”
”
Mrs. Schuyler Van Rensselaer
“
Sunrise Sunset by Maisie Aletha Smikle
Dusk or Dawn
Morning or Evening
Night or Noon
Summer or Winter
The sun is at its best
And never takes a rest
Delivering Fahrenheit and Kilowatt
No matter what
From the beginning of time
Till the end of time
The sun shines
Astoundingly divine
It captivates your mind
Heat like a ball of fire
That neither consumes or depletes
And requires no ignition
From whence does this ball of fire come
Extending in the universe
Shining from the sky
Hotter than volcanic lava
Nested up above
Stronger than gravity
The sun stands
Untouchable...
Unanchored....
Setting not the heavens or the skies ablaze
Ever kindled and never unkindled
Its fiery furnace requires no wood
Its fiery furnace requires no fuel
It cannot be extinguish
It requires not human intervention
Nor interruption
Sunrise or Sunset
The sun never takes a rest
Nighttime or noontime
The sun withstands the test of time
Ever shining
Ever sending its warmth
To a globe that has grown cold
To melt the frigid hearts of an ice cold nation
”
”
Maisie Aletha Smikle
“
One thing you learn when you’re in the business of selling utter shite to the Great British Public is that there’s really no bottom to where they’ll go. Shit food, shit TV, shit bands, shit films, shit houses. There is absolutely no fucking bottom with this stuff. The shittier you can make it – a bad photocopy of a bad photocopy of what was a shit idea in the first place – the more they’ll eat it up with a fucking big spoon, from dawn till dusk, from now until the end of time.
”
”
John Niven (Kill Your Friends)
“
I loved from dusk till dawn, evil sentences. We stand with things, with people who are bad for us because sometimes we don’t know what’s right for us. We take each day with new strides, low lows and high highs. I didn’t love him until I did. That was the key - until I did. That was something he couldn’t understand, something he failed to understand. We don’t love each other at the same time. We love in intervals. Our intervals generally don’t align. We live at different times, in different lights. Sometimes different lives. When someone says they love you, take it. You take it even if it isn’t true. You take it because there’s no hurt to love. There’s only hurt if you regret not accepting it. False love hurts for a moment, true love hurts for eternity.
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Dominic Riccitello