Frogs Quotes

We've searched our database for all the quotes and captions related to Frogs. Here they are! All 100 of them:

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If cats looked like frogs we'd realize what nasty, cruel little bastards they are. Style. That's what people remember.
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Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
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But Dumbledore says he doesn't care what they do as long as they don't take him off the Chocolate Frog cards.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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You have to kiss a lot of frogs before you find your prince
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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I've kissed a prince, Mom. I hope it doesn't turn into a frog.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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I'm nobody! Who are you? Are you nobody, too? Then there ’s a pair of usβ€”don’t tell! They ’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog!
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Emily Dickinson (The Complete Poems of Emily Dickinson)
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Eat a live frog first thing in the morning and nothing worse will happen to you the rest of the day.
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Mark Twain
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The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
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John Green (Paper Towns)
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In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life, the pricesses kiss princes, and the princes turn into frogs.
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Paulo Coelho (By the River Piedra I Sat Down and Wept)
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It's all very romantic," Gabriel said, and then frowned. "Or it would be, if my brother could get a word out without sounding like a choking frog. I fear he will not go down in history as one of the world's greatest wooers of women.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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Explaining a joke is like dissecting a frog. You understand it better but the frog dies in the process.
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E.B. White
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You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
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Anton Chekhov
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As my mother once said: The boys throw stones at the frogs in jest. But the frogs die in earnest.
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Joanna Russ (The Female Man)
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It shattered something inside me that hadn't been broken before.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
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I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
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J.K. Rowling
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I've heard that people stand in bad situations because a relationship like that gets turned up by degrees. It is said that a frog will jump out of a pot of boiling water. Place him in a pot and turn it up a little at a time, and he will stay until he is boiled to death. Us frogs understand this.
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Deb Caletti (Stay)
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Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and owlet's wing,β€” For a charm of powerful trouble, Like a hell-broth boil and bubble. Double, double toil and trouble; Fire burn, and caldron bubble.
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William Shakespeare
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I learned about the sacred art of self decoration with the monarch butterflies perched atop my head, lightning bugs as my night jewelry, and emerald-green frogs as bracelets.
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Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
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I read once that explaining a joke is like dissecting a frog," Mark said. "You find out how it works, but the frog dies in the process.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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Everything's a wheel, turning and turning, never stopping. The frogs is part of it, and the bugs, and the fish, and the wood thrush, too. And people. But never the same ones. Always coming in new, always growing and changing, and always moving on. That's the way it's supposed to be. That's the way it is.
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Natalie Babbitt (Tuck Everlasting)
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Even as a child, she had preferred night to day, had enjoyed sitting out in the yard after sunset, under the star-speckled sky listening to frogs and crickets. Darkness soothed. It softened the sharp edges of the world, toned down the too-harsh colors. With the coming of twilight, the sky seemed to recede; the universe expanded. The night was bigger than the day, and in its realm, life seemed to have more possibilities.
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Dean Koontz (Midnight)
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You don't always have to kiss a lot of frogs to recognize a prince when you find one -Henrietta Barett
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Julia Quinn (Minx (The Splendid Trilogy, #3))
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Don’t cry, Princess. You know what they say. You have to kiss a lot of frogs before you meet your prince.
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Nyrae Dawn (Charade (Games, #1))
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Explaining humor is a lot like dissecting a frog, you learn a lot in the process, but in the end you kill it.
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Mark Twain
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Well,” said the frog, β€œwhat are you going to do about it?” β€œMarrying Therandil? I don’t know. I’ve tried talking to my parents, but they won’t listen, and neither will Therandil.” β€œI didn’t ask what you’d said about it,” the frog snapped. β€œI asked what you’re going to do. Nine times out of ten, talking is a way of avoiding doing things.
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Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
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You gave me a dead frog for my birthday! To remind you we all die and end up rotting underground eaten by maggots so we should enjoy our birthdays while we have them. I found it thoughtful.
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Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
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What she did have were Bertie Bott's Every Flavor Beans, Drooble's Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands, and a number of other strange things Harry had never seen in his life.
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J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
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Did you know that if you put a frog in boiling water, he’ll jump out? But, if you put one in cold water and heat it slowly, he’ll stay in. And boil to death. He won’t even try to get out. He won’t even know he’s dying. Until it’s too late. Men are a lot like frogs.
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Emma Chase (Tangled (Tangled, #1))
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Being with him made her feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his. He made her feel as though the world belonged to them- as though it lay before them like an opened frog on a dissecting table, begging to be examined.
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Arundhati Roy (The God of Small Things)
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You can keep your willpower, Frog. I am going home to bake a cake.
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Arnold Lobel (Frog and Toad Together (Frog and Toad, #2))
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You can't go around building a better world for people. Only people can build a better world for people. Otherwise it's just a cage. Besides you don't build a better world by choppin' heads off and giving decent girls away to frogs.
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Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
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It's in the morning, for most of us. It's that time, those few seconds when we're coming out of sleep but we're not really awake yet. For those few seconds we're something more primitive than what we are about to become. We have just slept the sleep of our most distant ancestors, and something of them and their world still clings to us. For those few moments we are unformed, uncivilized. We are not the people we know as ourselves, but creatures more in tune with a tree than a keyboard. We are untitled, unnamed, natural, suspended between was and will be, the tadpole before the frog, the worm before the butterfly. We are for a few brief moments, anything and everything we could be. And then...and then -- ah -- we open our eyes and the day is before us and ... we become ourselves.
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Jerry Spinelli (Stargirl (Stargirl, #1))
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Life isn't all fricasseed frogs and eel pie.
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C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
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We are born princes and the civilizing process makes us frogs.
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Eric Berne
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Because β€˜boys will be boys’ is a self-fulfilling prophecy,” said Lundy. β€œThey’re too loud, on the whole, to be easily misplaced or overlooked; when they disappear from the home, parents send search parties to dredge them out of swamps and drag them away from frog ponds. It’s not innate. It’s learned. But it protects them from the doors, keeps them safe at home. Call it irony, if you like, but we spend so much time waiting for our boys to stray that they never have the opportunity. We notice the silence of men. We depend upon the silence of women.
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Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
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(Looking at their son on ultrasound.) He looks like an angel. (Cassandra) I don’t know. I think he looks like a frog or something. (Wulf)
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Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
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There's nothing deeper than love. In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life,the princesses kiss princes, and the princes turn into frogs.
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Paulo Coelho (By the River Piedra I Sat Down and Wept)
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Is a frog’s ass watertight?
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Darynda Jones (First Grave on the Right (Charley Davidson, #1))
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I don't know why I go to school unless for kicks, oh well might as well do dissect a frog.
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S.E. Hinton (The Outsiders)
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Oscar looked up from his plate, and if a cat could laugh, he would have. β€˜Boy, that’s ugly, even for a jinn. Looks like a cross between a rat, a frog and a bottlebrush.
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Sara Pascoe (Being a Witch, and Other Things I Didn't Ask for)
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When you hate someone you used to love, and you think he's done something awful - he probably has.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
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There Will Come Soft Rains There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pool singing at night, And wild plum-trees in tremulous white; Robins will wear their feathery fire Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone.
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Sara Teasdale (Flame and Shadow)
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...you cannot eat every tadpole and frog in the pond, but you can eat the biggest and ugliest one, and that will be enough, at least for the time being.
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Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time: Easyread Large Edition)
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The problem is I can think whatever I think but I still feel the way I feel.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
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If it's your job to eat a frog, it's best to do it first thing in the morning. And if it's your job to eat two frogs, it's best to eat the biggest one first.
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Nicolas Chamfort
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And Poppy, remember that someday you will meet a frog who will turn into a handsome prince." "Good," Beatrix said. "Because all she's met so far are princes who turn into frogs." "Mr. Bayning is not a frog," Poppy protested. "You're right," Beatrix said. "That was very unfair to frogs, who are lovely creatures.
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Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
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Do you understand the plan?” They all stared for a few silent moments. Then Simon pointed. β€œWhat’s that wobbly thing?” he said. β€œIs it a tree?” β€œThose are the gates,” Jace said. β€œOhh,” said Isabelle, pleased. β€œSo what are the swirly bits? Is there a moat? β€œThose are trajectory lines - Honestly, am I the only person who’s ever seen a strategy map?”, Jace demanded, throwing his stele down and raking his hand through his blond hair. β€œDo you understand anything I just said.” β€œNo,” Clary said. β€œYour strategy is probably awesome, but your drawing skills are terrible; all the Endarkened look like trees, and the fortress looks like a frog.
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Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
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Rachel, Rachel, Rachel,” he said, very still and unmoving. β€œAlways jumping to the wrong conclusion. You’re like a frog, you know.
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Kim Harrison (Pale Demon (The Hollows, #9))
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Around us the night creatures have their say. We are surrounded by a symphony of crickets and frogs. Neither of us feels the need to speak, and I suppose that is one of the qualities I find comforting in Kartik. We can be alone together.
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Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
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Look at me! I'm big! I'm strong! I'm a superior example of froghood and capable of protecting us both!
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E.D. Baker (The Frog Princess (The Tales of the Frog Princess, #1))
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You can't discuss the ocean with a well frog - he's limited by the space he lives in. You can't discuss ice with a summer insect - he's bound to a single season.
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Zhuangzi (The Complete Works of Chuang Tzu)
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If you have to eat two frogs, eat the ugliest one first." This is another way of saying that if you have two important tasks before you, start with the biggest, hardest, and most important task first.
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Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
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Kissing the frog to get the prince is a waste of a perfectly good frog.
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Jim Benton
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Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Do you know what happens, Etienne,” says Madame Manec from the other side of the kitchen, β€œwhen you drop a frog in a pot of boiling water?” β€œYou will tell us, I am sure.” β€œIt jumps out. But do you know what happens when you put the frog in a pot of cool water and then slowly bring it to a boil? You know what happens then?” Marie-Laure waits. The potatoes steam. Madame Manec says, β€œThe frog cooks.
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Anthony Doerr (All the Light We Cannot See)
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He wanted to believe that his own lack of movement had stopped all movement in the world, the way a hibernating frog abolishes winter.
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Kōbō Abe (The Woman in the Dunes)
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I rose from marsh mud algae, equisetum, willows, sweet green, noisy birds and frogs.
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Lorine Niedecker
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There are two kinds of women: those who marry princes and those who marry frogs. The frogs never become princes, but it is an acknowledged fact that a prince may very well, in the course of an ordinary marrige, gradually, at first almost imperceptibly, turn into a frog. Happy the woman who after twenty-five years still wakes up beside the prince she fell in love with.
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Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
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I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
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Lemony Snicket
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If you throw a frog in a pot of boiling water, it will hop right out. But if you put that frog in a pot of tepid water and slowly warm it, the frog doesn't figure out what going on until it's too late. Boiled frog. It's just a metter of working by slow degrees.
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Stephenie Meyer (The Host (The Host, #1))
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A thing may be too sad to be believed or too wicked to be believed or too good to be believed; but it cannot be too absurd to be believed in this planet of frogs and elephants, of crocodiles and cuttle-fish.
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G.K. Chesterton
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There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars.
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Kate Forsyth (The Puzzle Ring)
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I was in the middle of a dream about garbage cans and frogs - don't ask, and I won't tell.
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Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
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But why diminish your soul being run-of-the-mill at something? Mediocrity: now there is ugliness for you. Mediocrity's a hairball coughed up on the Persian carpet of Creation.
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Tom Robbins (Half Asleep in Frog Pajamas)
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You who live safe In your warm houses, You who find warm food And friendly faces when you return home. Consider if this is a man Who works in mud, Who knows no peace, Who fights for a crust of bread, Who dies by a yes or no. Consider if this is a woman Without hair, without name, Without the strength to remember, Empty are her eyes, cold her womb, Like a frog in winter. Never forget that this has happened. Remember these words. Engrave them in your hearts, When at home or in the street, When lying down, when getting up. Repeat them to your children. Or may your houses be destroyed, May illness strike you down, May your offspring turn their faces from you.
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Primo Levi (Survival in Auschwitz)
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One of the very worst uses of time is to do something very well that need not to be done at all.
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Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
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A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
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Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
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The male frog in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogsβ€”it's been documentedβ€”discover if they position themselves in empty drainpipes, the pipe acts as a voice amplifier and the small frog appears much larger than it really is." So?" So that's what art is for the artist, an empty drainpipe. An amplifier. A stab at getting laid.
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Margaret Atwood (Oryx and Crake (MaddAddam, #1))
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I'm not telling you what I look like in any detail. I hate those endless descriptions of a heroine's physical attributes... First of all, it's boring. You should be able to imagine me without all the gory details of my hairstyle or the size of my thighs. And second, it really bothers me how in books it seems like the only two choices are perfection or self-hatred. As if readers will only like a character who's ideal - or completely shattered. Give me a break. People have got to be smarter than that.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
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I knew Dad was concerned about my past associations. I was from the Trash Alley. It was my community. I hung out with thugs from the Frog Bottom, the Burns Bottoms, the Red Line, the S-Curve, the Sandfield, the Morning Side, and a bunch of other places that shall remain nameless. I knew all of the β€œLegends of the Hood”: Sin Man, Swap, Boo Boo, Emp-Man, Cookie Man, Shank, Polar Bear, Bae Willy, Bae Bruh, Skullhead Ned, Pimp, Crunch, and Goat Turd (just to name a few). I thought maybe Dad had summoned me as a β€œshow and tell” for the kids in his neighborhoodβ€”the hardliner to scare those wayward suburban brats back into reality.
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Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
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Hey, hot cheeks!" A hand smacked my ass and I shrieked. Spinning around, I glared at Dan Ottoman, a blond, pimply, clarinet player from band. He leered back at me and winked. "Never took you for a player, girl," he said, trying to ooze charm but reminding me of a dirty Kermit the Frog. "Come down to band sometime. I've got a flute you can play
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Julie Kagawa (The Iron King (The Iron Fey, #1))
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When we are alone on a starlit night, when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children, when we know love in our own hearts; or when, like the Japanese poet, Basho, we hear an old frog land in a quiet pond with a solitary splash - at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, all these provide a glimpse of the cosmic dance.
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Thomas Merton
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So, kiss the girl. Buy the dress. Take a vacation. Join the circus. Order the fried frog legs. Try out for the play. Learn to snowboard. Do something that scares the shit out of you. Or something that makes you happy. Or something that makes you cry. Whatever it is, do something that makes you feel. Because feeling nothing is no way to go through life.
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Valerie Thomas (From What I Remember...)
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If every time we choose a turd, society, at a great expense, simply allows us to redeem it for a pepperoni, then not only will we never learn to make smart choices, we will also surrender the freedom to choose, because a choice without consequences is no choice at all.
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Tom Robbins (Half Asleep in Frog Pajamas)
β€œ
A frog in a well cannot discuss the ocean, because he is limited by the size of his well. A summer insect cannot discuss ice, because it knows only its own season. A narrow-minded scholar cannot discuss the Tao, because he is constrained by his teachings. Now you have come out of your banks and seen the Great Ocean. You now know your own inferiority, so it is now possible to discuss great principles with you. 井蛙不可δ»₯θͺžζ–Όζ΅·θ€…οΌŒζ‹˜ζ–Όθ™›δΉŸοΌ›ε€θŸ²δΈε―δ»₯θͺžζ–Όε†°θ€…οΌŒη―€ζ–Όζ™‚δΉŸοΌ›ζ›²ε£«δΈε―δ»₯θͺžζ–Όι“θ€…οΌŒζŸζ–Όζ•™δΉŸγ€‚δ»ŠηˆΎε‡Ίζ–Όε΄–ζΆ˜οΌŒθ§€ζ–Όε€§ζ΅·οΌŒδΉƒηŸ₯ηˆΎι†œοΌŒηˆΎε°‡ε―θˆ‡θͺžε€§η†ηŸ£γ€‚
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Zhuangzi (The Way of Chuang Tzu (Shambhala Library))
β€œ
Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you've been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes.
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Kiera Cass (The Crown (The Selection, #5))
β€œ
Minds were made for blowing.
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Tom Robbins (Half Asleep in Frog Pajamas)
β€œ
I say, thirteen is too many dogs for good mental health. Five is pretty much the limit. More than five dogs and you forfeit your right to call yourself entirely sane. Even if the dogs are small.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
β€œ
the greatest learning of the ages lies in accepting life exactly as it comes to us.
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Anthony de Mello (The Prayer Of The Frog, Vol. 1)
β€œ
The hardest part of any important task is getting started on it in the first place. Once you actually begin work on a valuable task, you seem to be naturally motivated to continue.
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Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
β€œ
What we are tempted to call a disaster is sometimes the first, painful stage of a blessing.
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Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
β€œ
Are you aware that rushing toward a goal is a sublimated death wish? It's no coincidence we call them 'deadlines.
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Tom Robbins (Half Asleep in Frog Pajamas)
β€œ
High thoughts must have high language.
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Aristophanes (The Frogs and Other Plays)
β€œ
Every child should have mud pies, grasshoppers, water bugs, tadpoles, frogs, mud turtles, elderberries, wild strawberries, acorns, chestnuts, trees to climb. Brooks to wade, water lilies, woodchucks, bats, bees, butterflies, various animals to pet, hayfields, pine-cones, rocks to roll, sand, snakes, huckleberries and hornets; and any child who has been deprived of these has been deprived of the best part of education.
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Luther Burbank
β€œ
My problem is I can think whatever I thinkβ€”girl power, solidarity, Gloria Steinem rah rah rah β€” but I still feel the way I feel. Which is jealous. And pissy about little things.
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E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
β€œ
One June evening, when the orchards were pink-blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom.
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L.M. Montgomery
β€œ
I often think that at the center of me is a voice that at last did split, a house in my heart so invaded with other people and their speech, friends I believed I was devoted to, people whose lives I can simply guess at now, that it gives me the impression I am simply a collection of them, that they all existed for themselves, but had inadvertently formed me, then vanished. But, what: Should I have been expected to create my own self, out of nothing, out of thin, thin air and alone?
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Lorrie Moore (Who Will Run the Frog Hospital?)
β€œ
Negativity is totally unnatural. It is a psychic pollutant, and there is a deep link between the poisoning and destruction of nature and the vast negativity that has accumulated in the collective human psyche. No other life-form on the planet knows negativity, only humans, just as no other life-form violates and poisons the Earth that sustains it. Have you ever seen an unhappy flower or a stressed oak tree? Have you some across a depressed dolphin, a frog that has a problem with self-esteem, a cat that cannot relax, or a bird that carries hatred and resentment? The only animals that may occasionally experience something akin to negativity or show signs of neurotic behavior are those that live in close contact with humans and so link into the humans mind and its insanity.
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Eckhart Tolle
β€œ
Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
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Tom Robbins (Half Asleep in Frog Pajamas)
β€œ
Puddleglum,' they've said, 'You're altogether too full of bobance and bounce and high spirits. You've got to learn that life isn't all fricasseed frogs and ell pie. You want something to sober you down a bit. We're only saying it for your own good, Puddleglum.' That's what they say. Now a job like this --a journey up north just as winter's beginning looking for a prince that probably isn't there, by way of ruined city nobody's ever seen-- will be just the thing. If that doesn't steady a chap, I don't know what will.
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C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
β€œ
With that, I hurled the slipper at him, not caring if I caused his decapitation. (I did not.) Marshaling what little dignity I yet possessed, I stomped down the corridor - challenging indeed with one shoe - and around the corner. I lay awake for hours. The prince had no right, not one, to indict me so, and if I had held the slightest hope of the book's assistance, I would have climbed at once to my wizard room for a spell with which to punish him. Death, perhaps, or humiliation. A croaking frog would be nice, particularly a frog that retained Florian's dark eyes. I should keep it in a box and poke it occasionally with a stick; that would be satisfying indeed.
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Catherine Gilbert Murdock (Princess Ben)
β€œ
This is the underside of my world. Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job and above allβ€”women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be wretched and so full of venom in this the best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn. As my mother once said: the boys throw stones at the frogs in jest. But the frogs die in earnest.
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Joanna Russ (The Female Man)
β€œ
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped. I sighed and brushed an errant dragon scale from Eadric’s tunic. β€œSomeday when we have lots of time, remind me to tell you what you mean to me.” Eadric tilted my head back so he could gaze into my eyes. β€œI can tell you what you mean to me with just one word.” Let me guess,” I said, smiling up at him. β€œMaybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?” No, that’s not. . . Wait, what was that last one?” I laughed and shook my head. β€œNever mind. So tell me in one word, what do I mean to you?” That’s easy,” said Eadric. β€œEverything!
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E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
β€œ
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
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E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
β€œ
Before Tessa could answer, there was a knock at the door, and a familiar voice. "It's Jem. Tessa, are you there?" Charlotte sat bolt upright. "Oh! He mustn't see you in your dress!" Tessa stood dumbfounded. "Whyever not?" "It's a Shadowhunter customβ€”bad luck!" Charlotte rose to her feet. "Quickly! Hide behind the wardrobe!" "The wardrobe? Butβ€”" Tessa broke off with a yelp as Charlotte seized her about the waist and frog-marched her behind the wardrobe like a policeman with a particularly resistant criminal. Released, Tessa dusted off her dress and made a face at Charlotte, and they both peeked around the side of the furniture as the seamstress, after a bewildered look, opened the door. Jem's silvery head appeared in the gap. He looked a bit disheveled, his jacket askew. He glanced around in puzzlement before his gaze lighted on Charlotte and Tessa, half-concealed behind the wardrobe.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β€œ
A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio--he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on--your strengths. Like being able to talk with the stone.
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Haruki Murakami (Kafka on the Shore)
β€œ
Fantasy is a natural human activity. It certainly does not destroy or even insult Reason; and it does not either blunt the appetite for, nor obscure the perception of, scientific verity. On the contrary. The keener and the clearer is the reason, the better fantasy will it make. If men were ever in a state in which they did not want to know or could not perceive truth (facts or evidence), then Fantasy would languish until they were cured. If they ever get into that state (it would not seem at all impossible), Fantasy will perish, and become Morbid Delusion. For creative Fantasy is founded upon the hard recognition that things are so in the world as it appears under the sun; on a recognition of fact, but not a slavery to it. So upon logic was founded the nonsense that displays itself in the tales and rhymes of Lewis Carroll. If men really could not distinguish between frogs and men, fairy-stories about frog-kings would not have arisen.
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J.R.R. Tolkien (Tolkien On Fairy-stories)
β€œ
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her. "The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt. "But I can't do none of that stuff. That wouldn't be Right." She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
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Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β€œ
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientistβ€˜s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
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Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
β€œ
We modern human beings are looking at life, trying to make some sense of it; observing a 'reality' that often seems to be unfolding in a foreign tongue--only we've all been issued the wrong librettos. For a text, we're given the Bible. Or the Talmud or the Koran. We're given Time magazine, and Reader's Digest, daily papers, and the six o'clock news; we're given schoolbooks, sitcoms, and revisionist histories; we're given psychological counseling, cults, workshops, advertisements, sales pitches, and authoritative pronouncements by pundits, sold-out scientists, political activists, and heads of state. Unfortunately, none of these translations bears more than a faint resemblance to what is transpiring in the true theater of existence, and most of them are dangerously misleading. We're attempting to comprehend the spiraling intricacies of a magnificently complex tragicomedy with librettos that describe the barrom melodramas or kindergarten skits. And when's the last time you heard anybody bitch about it to the management?
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Tom Robbins (Half Asleep in Frog Pajamas)
β€œ
What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance. For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not. Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.
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Thomas Merton (New Seeds of Contemplation)