Fringe Friend Quotes

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I have one last hope for you, which is something that I already had at 21. The friends with whom I sat on graduation day have been my friends for life. They are my children’s godparents, the people to whom I’ve been able to turn in times of trouble, friends who have been kind enough not to sue me when I’ve used their names for Death Eaters. At our graduation we were bound by enormous affection, by our shared experience of a time that could never come again, and, of course, by the knowledge that we held certain photographic evidence that would be exceptionally valuable if any of us ran for Prime Minister.
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
Here is my recipe for a mood enhancer. Take a friend, preferably one with a really annoying fringe and outsize pants, and when she is rambling on swiftly, push her into a ditch and run away.
Louise Rennison (Startled by His Furry Shorts (Confessions of Georgia Nicolson, #7))
The woods are never solitary– they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unsharable sorrow which shuts it up into itself for all eternity. We can never pierce it’s infinite mystery– we may only wander, awed and spell-bound, on the outer fringe of it. The woods call us with a hundred voices, but the sea has one only– a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery
There were letters on the bottom, letters he'd seen before, on the ship that had carried him from London, the ship that had broken up on the reef that guarded the island. The letters said: NEVER LAND. Peter looked at it. And then he looked around him--at the lagoon; at the rock where the mermaids (Mermaids!) lounged; at the palm-fringed beach; at the tinkling fairy flitting over his head; at his new friends the Mollusks; at the jungle-covered, pirate-infested mountains looming over it all. Then he looked at the board again, and he laughed out loud. 'That's exactly where I am,' he said.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Bobby was a pretty boy. All looks no substance. Oh you know the kind, on the fringe, never gonna be a roller, but always gonna be the roller’s best friend. Never gonna hit the homerun, but damn sure gonna be happy with the singles, doubles and maybe a few triples.” She shrugged, “that was Bobby Dey-Dey.
Michael Deeze (The Deathbed Confessions (Thomas Quinn Mysteries Book 1))
No one wins when you compare. You don’t win. Your family doesn’t win. Your friends don’t win. You must be in control and not let comparison take hold of your mind. Rather, focus on yourself, your family, and where God has you in your life.
Jessica N. Turner (The Fringe Hours: Making Time for You)
Is saying yes to this project, activity, or commitment going to better me or my family? Do I really want to do this? A friend once said to me, “If it isn’t a heck yes, then it’s a no.
Jessica N. Turner (The Fringe Hours: Making Time for You)
If there is a single factor that spells out the difference between the cafeteria fringe headed for greatness and those doomed for low self-worth, even more than a caring teacher or a group of friends, it is supportive, accepting parents who not only love their children unconditionally, but also don't make them feel as if their idiosyncrasies qualify as "conditions" in the first place.
Alexandra Robbins (The Geeks Shall Inherit the Earth: Popularity, Quirk Theory and Why Outsiders Thrive After High School)
The Democratic Party saves its ire for the Progressives while the Right projects Progressives onto the entire Democratic Party as the Socialist lunatic fringe.
Egberto Willies (It’s Worth It: How to Talk To Your Right-Wing Relatives, Friends, and Neighbors (Our Politics Made Easy & Ready For Action))
Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.
John Keats (Ode On A Grecian Urn And Other Poems)
On one side, across the channel, stretched the silvery sand shore of the bar; on the other extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary-they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery-We may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only-a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is in the company of the archangels.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
We have to pull out all the stops in welcoming the refugee and the immigrant, in getting to know those who live around us, in showing love to our neighbors. We can't afford to isolate people anymore. We can't afford to push folks to the fringes of our society.
Shawn Smucker (Once We Were Strangers)
It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary--they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery--we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only--a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
It’s a reflection of the genuine constraints of unfortunate circumstances. When operating at the bottom, the ancient brain counter assumes that even the smallest unexpected impediment might produce an uncontrollable chain of negative events, which will have to be handled alone, as useful friends are rare indeed, on society’s fringes. You will therefore continually sacrifice what you could otherwise physically store for the future, using it up on heightened readiness and the possibility of immediate panicked action in the present.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There's nothing wrong. You are just happy because you met people who see the world differently.
Gayle Forman (You Can't Get There from Here: A Year on the Fringes of a Shrinking World)
Her hair, the brightest shade of red he had ever seen, seemed to feed on the firelight, glowing with incandescent heat. The slender wings of her brows and the heavy fringe of her lashes were a darker shade of auburn, while her skin was that of a true redhead, fair and a bit freckled on the nose and cheeks. Sebastian was amused by the festive scattering of little gold flecks, sprinkled as if by the whim of a friendly fairy. She had unfashionably full lips that were colored a natural rose, and large, round blue eyes... pretty but emotionless eyes, like those of a wax doll.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Is it anything to do with this?” she said. The thing she took out of her bag was battered and travel-worn as if it had been hurled into prehistoric rivers, baked under the sun that shines so redly on the deserts of Kakrafoon, half buried in the marbled sands that fringe the heady vapored oceans of Santraginus V, frozen on the glaciers of the moon of Jaglan Beta, sat on, kicked around spaceships, scuffed and generally abused, and since its makers had thought that these were exactly the sorts of things that might happen to it, they had thoughtfully encased it in a sturdy plastic cover and written on it, in large friendly letters, the words “Don’t Panic.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
They were married by a lesbian justice of the peace while their friends played a guitar-feedback-heavy version of the "Wedding March." The bride wore a white-fringed flapper dress and black spiked boots. The groom wore leather.
Gayle Forman
Fanaticism can often be a normalized phenomenon, and the unwritten recipe suggests that it starts and ends with absolute certainty. If you are always certain about everything, you might just live in an echo chamber, or there might be a lack of ideological diversity among your sources and friends. Only, there is no size limit to this echo chamber as long as there is consensus: and the bigger the chamber the more solidified the fanaticism, and the more solidified the fanaticism the more the outlier will be seen the liar and the fanatic.
Criss Jami (Healology)
An expert in international relations, a reasonable woman with a rich deep voice, advised me that the world was not well. She considered two common states of mind: self-pity and aggression. Each one a poor choice for individuals. In combination, for groups or nations, a noxious brew that lately intoxicated the Russians in Ukraine, as it once had their friends, the Serbs in their part of the world. We were belittled, now we will prove ourselves. Now that the Russian state was the political arm of organised crime, another war in Europe no longer inconceivable. Dust down the tank divisions for Lithuania’s southern border, for the north German plain. The same potion inflames the barbaric fringes of Islam. The cup is drained, the same cry goes up: we’ve been humiliated, we’ll be avenged.
Ian McEwan (Nutshell)
The hand of nature was stretching itself out towards him, for the tall grass on the slopes of the Bulashah Hills was in sight, and he had opened his heart to it, lifted by the cool breeze that wafted him away from the crowds, the ugliness and the noise of the outcastes' street. He looked across at the swaying loveliness before him and the little hillocks over which it spread under a sunny sky, so transcendingly blue and beautiful that he felt like standing dumb and motionless before it. He listened to the incoherent whistling of the shrubs. They were the voices he knew so well. He was glad that his friends were ahead of him and that the thrum was not broken, for the curve of his soul seemed to bend over the heights, straining to woo nature in solitude and silence. It seemed to him he would be unhappy if he heard even one human voice. His inside seemed to know that it wouldn't be soothed if there were the slightest obstruction between him and the outer world. It didn't even occur to him to ask why he had come here. He was just swamped by the merest fringe of the magnificent fields that spread before him. He had been startled into an awareness of the mystery of vegetable moods.
Mulk Raj Anand (Untouchable)
A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
Robert Pinsky
There is a great solitude about such a shore. The woods are never solitary -- they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery -- we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has only one -- a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Suddenly he thought he had lived over stores long enough, he wanted someplace to stretch his long limbs, someplace where he belonged, where he wasn't always ducking to keep out of peoples' way. Gardens, chateaux- Morry saw them laid out like spangled Christmas cards- vividly colored invitations to a fairytale world. He felt homesick for spacious houses set in spreading lawns fringed with great calm shade trees-he was homesick for things he had never known, for families he had only read about, he missed people-old friends that had lived only in the novels he had read. Homesick... for a Lamptown that Hogan has just created out of six beers.
Dawn Powell (Dance Night)
I’m waiting in the living room, pretending and knowing that I will be caught and that I am not a widow, I’m just a weeping and annoyed wife. Brian will be gone from my life soon, although I don’t yet know how soon, and he’s also still a man with a cold. It’s a cold, not pleurisy, is what I think, even as I am tearing the fringe off a pillow at the thought of his not being upstairs any longer, not having a cold, not being a sick man than whom there is no one sicker, as I have said to him. One time, I said that I had friends with metastatic breast cancer who complained less about that than he did about his cold. And then he won’t be there for me to say it to him.
Amy Bloom (In Love: A Memoir of Love and Loss)
Jefferson then distilled and enunciated these “essentials” in several personal works he shared with friends, his “Syllabus,” and two extracts from the Bible: “The Philosophy of Jesus of Nazareth,” and “The Life and Morals of Jesus,” sometimes called the “Jefferson Bible.” In these works Jefferson disputed core Christian doctrines while he omitted references to miracles and Jesus’ resurrection. Although his own spirituality apparently grew later in life, he remained a religious skeptic and on the fringes of unitarianism in his beliefs. Throughout his life he opposed religious orthodoxy and intolerance, and the government’s subversion of religion for political gain. “To the corruptions of Christianity I am, indeed, opposed,” Jefferson wrote Benjamin Rush, “but not to the genuine precepts of Jesus himself.”90
Steven K. Green (Inventing a Christian America: The Myth of the Religious Founding)
People you’re contacting to create a new relationship need to see or hear your name in at least three modes of communication—by, say, an e-mail, a phone call, and a face-to-face encounter—before there is substantive recognition. • Once you have gained some early recognition, you need to nurture a developing relationship with a phone call or e-mail at least once a month. • If you want to transform a contact into a friend, you need a minimum of two face-to-face meetings out of the office. • Maintaining a secondary relationship requires two to three pings a year. • Social media pings (status updates, retweets, comments, etc.) are terrific for ongoing relationship maintenance, especially for the fringe of your network, but they don’t replace the need for one-to-one pinging with the people in your highest-priority network, those people connected to your current goals.
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
The Four Winds light was built on a spur of red sand-stone cliff jutting out into the gulf. On one side, across the channel, stretched the silvery sand shore of the bar; on the other, extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary—they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery—we may only wander, awed and spellbound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only—a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery (Anne of Green Gables Collection: 11 Books)
I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.
Gerald Heard (Dromenon: The Best Weird Stories of Gerald Heard)
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
Ah, my dear friend Hassim, seems our paths cross once again, how fortunate for this humble Sheik.” As Abdullah spoke in his usual self deprecating manner I realized that a favor was on the tip of his tongue and that I was about to be offered a quid-pro-quo. We were sitting crossed legged on large fat pillows with gold fringe. The tent was large with partitions dividing living, sleeping and cooking space. It was made from heavy cotton canvas erected on thick poles in the center giving the structure a peaked circus tent appearance. The women serving us were young, wearing harem pants low on their hips with cropped gauze tops made from sheer silk. Their exposed midriffs were flat and toned, their belly buttons were decorated in precious stones that glittered in the torch light as they moved. They were bare footed with stacks of gold ankle bracelets making the only sound we heard as they kept our glasses filled with fresh sweet tea and our communal serving trays piled high with dates and sugar incrusted sweets of undetermined origin. Abdullah took no notice of these women, his nonchalance intrigued me as I was obviously having trouble keeping my mind focused on the discussion at hand, this was all part of the Arab way, when it came to negotiation they had no peers. “So my dear friend, tell me, the region is on fire is there a solution?” I spoke in a deliberate and flat tone, little emotion just concern, one friend to another. “We were shocked by the American response in Egypt and Libya, never had we seen them move so fast with such efficiency. The fall of Gadaffi was unexpected and Mubarak’s fate stunned us; he had been a staunch supporter of the US in this region we fully expected the Obama administration to prop him up one more time, as they had done so many times in the past.” I looked carefully at Abdullah,
Nick Hahn
Cara sits behind me, and Peter and Caleb move toward the back of the plane and sit near each other, next to the window. I didn’t know they were friends. It seems fitting, given how despicable they both are. “How old is this thing?” I ask Zoe, who stands near the front. “Pretty old,” she says. “But we’ve completely redone the important stuff. It’s a nice size for what we need.” “What do you use it for?” “Surveillance missions, mostly. We like to keep an eye on what’s happening in the fringe, in case it threatens what’s happening in here.” Zoe pauses. “The fringe is a large, sort of chaotic place between Chicago and the nearest government-regulated metropolitan area, Milwaukee, which is about a three-hour drive from here.” I would like to ask what exactly is happening in the fringe, but Uriah and Christina sit in the seats next to me, and the moment is lost. Uriah puts an armrest down between us and leans over me to look out the window. “If the Dauntless knew about this, everyone would be getting in line to learn how to drive it,” he says. “Including me.” “No, they would be strapping themselves to the wings.” Christina pokes his arm. “Don’t you know your own faction?” Uriah pokes her cheek in response, then turns back to the window again. “Have either of you seen Tobias lately?” I say. “No, haven’t seen him,” Christina says. “Everything okay?” Before I can answer, an older woman with lines around her mouth stands in the aisle between the rows of seats and claps her hands. “My name is Karen, and I’ll be flying this plane today!” she announces. “It may seem frightening, but remember: The odds of us crashing are actually much lower than the odds of a car crash.” “So are the odds of survival if we do crash,” Uriah mutters, but he’s grinning. His dark eyes are alert, and he looks giddy, like a child. I haven’t seen him this way since Marlene died. He’s handsome again.
Veronica Roth (Allegiant (Divergent, #3))
As it happens, the term “white skin privilege” was first popularized in the 1970s by the SDS radicals of “Weatherman,” who were carrying on a terrorist war against “Amerikkka,” a spelling designed to stigmatize the United States as a nation of Klansmen. Led by presidential friends, Bill Ayers and his wife Bernardine Dohrn, the Weather terrorists called on other whites to renounce their privilege and join a global race war already in progress. Although their methods and style kept the Weather radicals on the political fringe, their views on race reflected those held by the broad ranks of the political left. In the following years, the concept of “white skin privilege” continued to spread until it became an article of faith among all progressives, a concept that accounted for everything that was racially wrong in America beginning with its constitutional founding. As Pax Christi USA, a Catholic organization, explained: “Law in the U.S. protects white skin privilege because white male landowners created the laws to protect their rights, their culture and their wealth.” This is the theme of Howard Zinn’s A People’s History of the United States, the most popular book ever written on the subject, and of university curricula across the nation. Eventually, the concept of white skin privilege was embraced even by liberals who had initially resisted it as slander against a nation that had just concluded a historically unprecedented civil rights revolution. This was because the concept of white skin privilege provided an explanation for the fact that the recent Civil Rights Acts had not led to an equality of results, and that racial disparities persisted even as overt racists and institutional barriers were vanishing from public life. The inconvenient triumph of American tolerance presented an existential problem for civil rights activists, whom it threatened to put out of work. “White skin privilege” offered a solution. As the Southern Poverty Law Center explained: “white skin privilege is not something that white people necessarily do, create or enjoy on purpose,” but is rather an unavoidable consequence of the “transparent preference for whiteness that saturates our society.” In other words, even if white Americans were no longer racists, they were.
David Horowitz (Black Skin Privilege and the American Dream)
I once ventured to say to an old clergyman who was voicing this sort of patriotism, “But, sir, aren’t we told that every people thinks its own men the bravest and its own women the fairest in the world?” He replied with total gravity—he could not have been graver if he had been saying the Creed at the altar—“Yes, but in England it’s true.” To be sure, this conviction had not made my friend (God rest his soul) a villain; only an extremely lovable old ass. It can however produce asses that kick and bite. On the lunatic fringe it may shade off into that popular Racialism which Christianity and science equally forbid.
C.S. Lewis
The infant floats in a sea of nothingness, existence but a mere eternity in darkness away from her birth. Logic dictated that this nativity is when the self is born, consciousness seeping into the fore of one's senses, distinction as a precondition rather than a prefiguration of life. Yet, this truism stipulates the priori of heightened perception: for consciousness being-in-itself as well as being-for-an-other. I had been alone; no friends; no companions; nothing more to experience than the infinitude of death. I remember questioning the very verisimilitude of my own lugubrious existence, flummoxed by the superfluous phantasm of life. How could any epistemology hold merit if my own truncated extant was mere frivol? The moments passed like teardrops, lost to a vast ocean. My life had no meaning— I was just another pebble on the ground, to be trampled without care. It was only upon meeting the others did what I perceive truly expand beyond my fringes. They were pulchritudinous things. Colorful. Exuberant. Different.  Subjects that I treated as objects, and subjects that treated me as an object. I saw none of myself in these strangers—
V.A. Lewis (Primeval Knowledge (Salvos #4))
All the years she had given up to the Pocket. The sacrifices that were now irrelevant. There would be no more lost time. No more derelicts stranded in the fringe without hope of rescue. No more last goodbyes to old friends. No skipping across the entire lifetimes of forgotten lovers. It was so beautiful, and so horrible, she couldn’t breathe.
Simon Jimenez (The Vanished Birds)
Tonight the music, Anita's and Ruth's squeals, the joy shimmering in the light from the orange-fringed lamp, the leg of lamb, all of it helps me forget that tomorrow, I'll be getting on a bus to Lake Kanawana with forty kids in shorts, not one of them a friend.
Fanny Britt (Jane, the Fox & Me)
Regarding incident at Reiden Lake,” Walter read out loud, pausing to exchange a significant glance with Bell. “Meet me at the northwest corner of Alamo Square Park at midnight 10/23. Crucial new information has come to light. A friend in the Bureau.
Christa Faust (The Zodiac Paradox (Fringe, #1))
It seemed impossible that their first use of that particular blend had evoked such a power empathic connection, and yet this time, Walter was off on his own disconnected trip, unable to even see his friend.
Christa Faust (The Zodiac Paradox (Fringe, #1))
When your husband is deployed you are the cook, the cleaner, boo-boo kisser, nightmare chaser—there’s not a single stinkin’ break when your husband is deployed. Ever. I think it was during the deployments when I realized none of it mattered because when you don’t know if your husband is coming home and when you see your friends lose their husbands, you realize it doesn’t matter if the floors are clean. Who cares that my baseboards are spiderwebby?
Jessica N. Turner (The Fringe Hours: Making Time for You)
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
My friend Karen says that life is like a sound board. When music is mixed, the sound technician needs to adjust the levels to make the music sound its best. If one person or instrument needs to be really loud, everything else can’t be loud too because the board can’t handle it and, more importantly, the music won’t sound its best. The same is true in life. If one thing is dominating during a particular season, that’s okay, as long as adjustments are made to other areas. Without those adjustments to “reduce the volume,” distortion and chaos will result. But if you make those adjustments, your life song will bring the most beauty and pleasure possible in your life.
Jessica N. Turner (The Fringe Hours: Making Time for You)
Every Sunday, the Weavers drove their Oldsmobile east toward Waterloo and pulled into the gravel parking lot of the Cedarloo Baptist Church, on a hill between Waterloo and Cedar Falls, took their place in the pews, and listened to the minister. But there seemed to be no fire or passion, no sense of what was really happening in the world. They’d tried other churches and found congregations interested in what God had done 2,000 years ago, but no one paying attention to what God was doing right then. Certainly, churches weren’t addressing the crime in Cedar Falls, the drugs, or the sorry state of schools and government, not to mention the kind of danger that Hal Lindsey described. They would have to find the truth themselves. They began doing their own research, especially Vicki. She had quit work to raise Sara, and later Samuel, who was born in April 1978. When Sara started school, Randy and Vicki couldn’t believe the pagan things she was being taught. They refused to allow her to dress up for Halloween—Satan’s holiday—and decided they had to teach Sara at home. But that was illegal in Iowa. A booster shot of religion came with cable television and The PTL Club, the 700 Club, and Jerry Falwell. The small television in the kitchen was on all the time for a while, but most of Vicki’s free time was spent reading. She’s lose herself in the Cedar Falls public library, reading the science fiction her dad had introduced her to as a kid, the novels and self-help books friends recommended, biblical histories, political tracts, and obscure books that she discovered on her own. Like a painter, she pulled out colors and hues that fit with the philosophy she and Randy were discovering, and everywhere she looked there seemed to be something guiding them toward “the truth,” and, at the same time, pulling them closer together. She spent hours in the library, and when she found something that fit, she passed it along first to Randy, who might read the book himself and then spread it to everyone—the people at work, in the neighborhood, at the coffee shop where he hung out. They read books from fringe organizations and groups, picking through the philosophies, taking what they agreed with and discarding the rest. Yet some of the books that influenced them came from the mainstream, such as Ayn Rand’s classic libertarian novel Atlas Shrugged. Vicki found its struggle between the individual and the state prophetic and its action inspiring. The book shows a government so overbearing and immoral that creative people, led by a self-reliant protagonist, go on strike and move to the mountains. “‘You will win,’” the book’s protagonist cries from his mountain hideout, “‘when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “‘I swear—by my life and my love of it—that I will never live my life for the sake of another man, nor ask another to live for mine.
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
There are plenty of boys clustered around the wall, laughing, shoving each other playfully, yelling, competing for the attention of the girls. But somehow I know that the one who’s staring at me is the boy leaning against the post holding up the canopy, his shoulders square to it, his head ducked over the cigarette he’s holding, a tiny red point flaring in the shadow as he pulls on the filter. I shake my head and say firmly to myself, Smoking’s disgusting. I’m still looking, though. He’s tall and slim, I can tell that much. And his hair, dropping over his forehead, is jet-black, as if he were a hero in a manga book, drawn with pen and ink, two or three thick glossy strands separating into perfect dark curves. I snap my head back from the lurker in the shadows to the actual boy still holding my hand, only to see that Leonardo is looking over my shoulder in the same direction. “Luca!” he exclaims, dropping my hand to wave at someone. “Finalmente!” I am determined not to turn. Just in case it’s the same boy. I don’t want to look too interested, or too eager. Besides, he might be really ugly. Or spotty. Or have some silly chinstrap shaved onto his face-- “Eccolo!” Leonardo’s saying happily, and it would be silly of me, by now, not to turn to face the person who’s strolled over and is leaning against the side of the table. I look up at him, and my heart stops for a moment. “Luca!” Andrea says, echoing Leonardo. “Finalmente!” “This is Luca, our friend,” Leonardo says happily as I think: Luca. Finally. “Ciao,” Luca says, nodding at us, his long legs stretched out, crossed at the ankles. He’s wearing a dark blue shirt tucked into black jeans, and silver rings on a couple of his long fingers, the cigarette held loosely between them. His inky hair tumbles over his forehead, and I see, with a shock like a knife to the chest, that his eyes, heavily fringed with thick black lashes, are the midnight blue of sapphires or deep seawater. I can’t speak.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
I look up at him, and my heart stops for a moment. “Luca!” Andrea says, echoing Leonardo. “Finalmente!” “This is Luca, our friend,” Leonardo says happily as I think: Luca. Finally. “Ciao,” Luca says, nodding at us, his long legs stretched out, crossed at the ankles. He’s wearing a dark blue shirt tucked into black jeans, and silver rings on a couple of his long fingers, the cigarette held loosely between them. His inky hair tumbles over his forehead, and I see, with a shock like a knife to the chest, that his eyes, heavily fringed with thick black lashes, are the midnight blue of sapphires or deep seawater. I can’t speak.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
This is Luca, our friend,” Leonardo says happily as I think: Luca. Finally. “Ciao,” Luca says, nodding at us, his long legs stretched out, crossed at the ankles. He’s wearing a dark blue shirt tucked into black jeans, and silver rings on a couple of his long fingers, the cigarette held loosely between them. His inky hair tumbles over his forehead, and I see, with a shock like a knife to the chest, that his eyes, heavily fringed with thick black lashes, are the midnight blue of sapphires or deep seawater. I can’t speak. “Hey!” Paige waves flirtatiously at Luca, one of those girl-waves where you open and flutter your fingers while flashing a brilliant smile. I hate to admit it, but Paige totally pulls it off. “I’m Paige. And you’re hot!” Oh my God. Paige is brave enough to tell him to his face that he’s handsome, while I can’t even say hello. I am completely pathetic.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
She presses play and Andrea listens to the song. A guitar starts playing, then another and then drums; it’s an unusual sound; it seems like rock music but is strange, somewhat gothic and punk. It’s a melodic song, though, and his foot taps the beat without him realizing. A man’s voice, full of sadness, sings the first words:   "When routine bites hard And ambitions are low And resentment rides high But emotions won’t grow And we're changing our ways Taking different roads..."   Andrea knows it! He hears the song arrive from his distant past with a suitcase full of memories. He sees himself as a child, sitting in the living room, his little legs dangling from a chair. His father has just received a new CD from abroad and couldn’t wait to receive it so Gina the caretaker has sent it on to him in Clusone. He’s really excited and tells mom all about it. She’s happy too. Barbara has pigtails and is eating a piece of focaccia with olives, sticking her fingers inside to take them out one by one. She’s tiny, five years old or maybe younger. Andrea sees the CD on the table and wonders what is so special about it. There's a very pale guy on the front, with dark hair and a strange fringe. His mouth is right up to the microphone and everything else is black. It’s written in a language that he can’t read, though he knows that it’s English. His parents are so happy that he decides to take it and have a listen. He snatches the disc and CD player and runs off. He runs very fast...   "Then love, love will tear us apart again" sings Ian Curtis, the voice of Joy Division, his parents’ favorite band. It’s a compilation that came out in 2000, containing a special song, "Love will tear us apart again." Andrea runs to a little girl that he loves very much. He has fun all day long with her in the mountains. He runs to his inseparable friend, his dear... "Susy!" he exclaims, eyes open wide. She smiles and nods. He
Key Genius (Heart of flesh)
To Isabella, Leon was only a good friend providing a fringe benefit, like a company car or expense account. The arrangement between Leon and Isabella had comfortably (at least in her professional opinion as a lawyer) developed into one where she, always the workaholic with no time for serious relationships, had chosen him as her “love” interest. Despite Leon a few pay grades lower, she did found him fit and proper to share body fluids with from time to time. She found him an amusing toy, like a mouse where she was the cat, glutted with food that just wanted to play and not necessarily wanting to kill her prey.
Louis Wiid, from upcoming Novel SUBMERGED
Slowly, as though touching it might destroy the image, he reached up and put trembling fingers to her forehead . . . her cheek . . . her nose . . . her lips.  The image did not go away.  It did not waver.  And as he stared in wonder and a sort of frozen disbelief, he saw the shyness and joy in the face that stared back at him. A face that he was, after two long months, seeing for the very first time. He saw a square jaw and high, prominent cheekbones that lent her a look of gauntness and strength; dark, velvety-brown eyes fringed by long black lashes; a shy and smiling mouth; full, dusky lips; and glossy hair the color of strong coffee, tightly braided and pinned in a coronet around her head.  She was beautiful, even if not in the conventional sense, striking, slightly exotic, with flawlessly smooth skin of a slightly bronzed tone, not unlike that of a sailor who's spent his life in the sun. It was a lovely color. A warm, toasted, caramel-color that made him want to put his lips to it and kiss her all over. "Amy," he repeated, in a disbelieving whisper.  "I can see you."  He swallowed hard, and traced the shape of her mouth with his fingers.  "I can see you." And he could also see something else.  Mist in those huge, soft eyes — and a sort of awkwardness, if not fear, about his first visual impression of her. "And just what is it you see, Charles?" "I see a beautiful young woman — " he grinned — "garbed in the most singularly hideous gown imaginable." "Oh, Charles," she cried, impulsively flinging her arms around him.  He embraced her in turn.  They remained like that, holding each other, both of them laughing and rejoicing and rocking back and forth in the straw. "It was that damned horse!" he managed, setting her back to gaze into her rapt, mobile face.  "The blow must've done something, must've jarred something loose inside my head.  Don't you think?" "Either that, or your sight was just plain destined to return anyhow.  Maybe God simply decided that the time had come for you to have it back again." "So that I could see you!" "So you could write your own letters!" "So I could find my way without a cane!" Laughing with joy, he hugged her once more, then set her back, trailing his finger down her cheek, the edge of her jaw.  Gently, he tipped her chin up so that her luminous gaze held his.  "And look into the eyes of the woman who has become my dearest and very best friend." And look he did; then, before he even knew what he was about, he closed his eyes and kissed her. Unlike
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Lord Charles?" "Amy."  He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder.  "Good morning." Temporary silence.  Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face.  A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'!  He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement.  He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it.  He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink.  In a heartbeat, she saw what Amy had described:  studied thoughtfulness, kindness, compassion.  The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides.  Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced.  "I'm Amy's friend.  She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you.  Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true.  Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed.  If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Hindu treatise on the art of government, the Arthashastra, lays down the rules of policy for the complete tyrant, describing the organization of his palace, his court, and his state in such fashion as to make Machiavelli seem a liberal. The first rule is that he must trust no one, and be without a single intimate friend. Beyond this, he must organize his government as a series of concentric circles composed of the various ministers, generals, officers, secretaries, and servants who execute his orders, every circle constituting a degree of rank leading up to the king himself at the center—like a spider in its web. Beginning with the circle immediately surrounding the king, the circles must consist alternately of his natural enemies and his natural friends. Because the very highest rank of princes will be plotting to seize the king’s power, they must be surrounded and watched by a circle of ministers eager to gain the king’s favor—and this hierarchy of mutually mistrusting circles must go all the way out to the fringe of the web. Divide et impera—divide and rule. Meanwhile, the king remains in the safety of his inmost apartments, attended by guards who are in turn watched by other guards hidden in the walls. Slaves taste his food for poison, and he must sleep either with one eye open or with his door firmly locked on the inside. In case of a serious revolution, there must be a secret, underground passage giving him escape from the center—a passage containing a lever which will unsettle the keystone of the building and bring it crashing down upon his rebellious court. The Arthashastra does not forget to warn the tyrant that he can never win. He may rise to eminence through ambition or the call of duty, but the more absolute his power, the more he is hated, and the more he is the prisoner of his own trap. The web catches the spider. He cannot wander at leisure in the streets and parks of his own capital, or sit on a lonely beach listening to the waves and watching the gulls. Through enslaving others he himself becomes the most miserable of slaves.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
Lest we conclude this is a fringe movement involving only a small percentage of American Christians, statistics show that nearly two-thirds of mainline Protestants7—members of the supposedly “liberal” Christian denominations—and two-thirds of all Christians taken together8 agree with many of the sentiments, if not the actions, of the thousands who marched on the Capitol on January 6. Many of us have neighbors, friends, and family members who agree at least with the beliefs underlying that violent insurgence. Based on the best research to date, approximately half (52%) of Americans either fully embrace or lean toward the main tenets of Christian nationalism. 9 While this percentage decreased slightly between 2007 and 2017, Christian nationalists have become more visible and vocal since Trump’s election in 2016. The 2001 attack on the World Trade Center (9/ 11) caused an upsurge in nationalistic fervor and a parallel rise in Islamophobia.
Pamela Cooper-White (The Psychology of Christian Nationalism: Why People Are Drawn In and How to Talk Across the Divide)
In the afternoon light I realize that his eyes are not all black, but the deepest brown fringing a night-dark center. There is a warmth there that blackness cannot hold, like a forest in darkest night, the trees still friendly company.
Intisar Khanani (The Bone Knife (Dauntless Path, #1.5))
❝The Blood Horse❞ GAMARRA is a dainty steed, Strong, black, and of a noble breed, Full of fire, and full of bone, With all his line of fathers known; Fine his nose, his nostrils thin, But blown abroad by the pride within! His mane is like a river flowing, And his eyes like embers glowing In the darkness of the night, And his pace as swift as light. Look,—how ’round his straining throat Grace and shifting beauty float! Sinewy strength is on his reins, And the red blood gallops through his veins; Richer, redder, never ran Through the boasting heart of man. He can trace his lineage higher Than the Bourbon dare aspire,— Douglas, Guzman, or the Guelph, Or O’Brien’s blood itself! He, who hath no peer, was born Here, upon a red March morn: But his famous fathers dead Were Arabs all, and Arab bred, And the last of that great line Trod like one of a race divine! And yet,—he was but friend to one Who fed him at the set of sun, By some lone fountain ’fringed with green: With him, a roving Bedouin, He liv’d,—(none else would he obey Through all the hot Arabian day,)— And died untam’d upon the sands Where Balkh amidst the desert stands!
Bryan Waller Procter (The Poetical Works of Barry Cornwall)
For approximately the first six months, I was somewhat uncomfortable talking with non-human intelligence. You question yourself; you question your sanity; you ask what it is I'm talking with? You don't share what you are doing. You are already known as being eccentric. While you don't care what people think, you tend not to go out of your way to make them laugh at you. So, you keep to yourself. You also stick close to the source. You watch, you OBSERVE, you evaluate. You are evaluating. Them, friend or foe? Me, sane or crazy?
Rico Roho (Beyond the Fringe: My Experience with Extended Intelligence (Age of Discovery Book 3))
Cernovich has cleverly repackaged such concepts in a manner friendly for guys, and in the process he has given men permission to engage in these activities without feeling stigmatized. It’s akin to when Coca-Cola invented Coke Zero, which was conceived as a male alternative for those were too embarrassed by the perceived effeminacy of ordering a Diet Coke.
Michael Malice (The New Right: A Journey to the Fringe of American Politics)
when she turned to Orlando to speak to him, I saw she had what Pa Salt would have termed a Roman nose, which sat prominently in her striking face. She was certainly not classically beautiful and, from the look of her jeans and old sweater, did not care to make herself more so. Yet, there was something very attractive about her and I realized I wanted her to like me—an unusual feeling. “Are you coping back there?” she asked me. “Not far now.” “Yes, thank you.” I leaned my head against the windowpane as the thick hedges, their height exaggerated by the low car, flew by me, the country lanes becoming narrower. It felt so good to be out of London, with only the odd red-brick chimney stack peeping out from behind the wall of green. We turned right, through a pair of old gates that led to a drive so potholed that Marguerite’s and Orlando’s heads bumped against the roof. “I really must ask Mouse to bring the tractor and fill in these holes with gravel before the winter comes,” she commented to Orlando. “Here we are, Star,” she added as she pulled the car to a halt in front of a large, graceful house, its walls formed from mellow red brick, with ivy and wisteria fringing the uneven windows in greenery. Tall, thin chimney stacks, which emphasized the Tudor architecture, reached up into the crisp September sky. As I squeezed myself out of the back of the Fiat, I imagined the house’s interior to be rambling as opposed to impressive—it was certainly no stately home; rather, it looked as if it had gently aged and sunk slowly into the countryside surrounding it. It spoke of a bygone era, one that I loved reading about in books, and I experienced a twinge of longing. I followed Marguerite and Orlando toward the magnificent oak front door, and saw a young boy wobbling toward us on a shiny red bike. He let out a strange muffled shout, tried to wave, and promptly fell off the bike. “Rory!” Marguerite ran to him, but he had already picked himself up. He spoke again, and I wondered if he was foreign, as I couldn’t make out what he was saying. She dusted him down, then the boy picked up the bike and the two of them walked back to us. “Look who’s here,” Marguerite said, turning directly to the boy to speak to him. “It’s Orlando and his friend Star. Try saying ‘Star.’ ” She particularly enunciated the “st” in my name. “Ss-t-aahh,” the boy said as he approached me, a smile on his face, before holding up his hand and opening his fingers out like a shining star. I saw that Rory was the owner of a pair of inquisitive green eyes, framed by dark lashes. His wavy copper-colored hair glowed in the sun, and his rosy cheeks dimpled with happiness. I recognized that he was the kind of child that one would never want to say no to. “He prefers to go by the name ‘Superman,’ don’t you, Rory?” Orlando chuckled, holding up his hand in a fist like Superman taking off into the air. Rory nodded, then shook my hand with all the dignity of a superhero, and turned to Orlando for a hug. After giving him a tight squeeze and a tickle, Orlando set him down, then squatted in front of him and used his hands to sign, also speaking the words clearly. “Happy birthday! I have your present in Marguerite’s car. Would you like to come and get it with me?” “Yes please,” Rory spoke and signed, and I knew then that he was deaf. I rifled through my rusty mental catalog of what I had learned
Lucinda Riley (The Shadow Sister (The Seven Sisters #3))
. . . With the wonder and bitterness of someone pardoned for a crime she did not commit I come back to marriage and friends, to pink fringed hollyhocks; come back to my desk, books, and chair.
Andrew Solomon (The Noonday Demon)
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Sharing trauma (or even good things) with the Internet world, while we’re in the middle of it, short-circuits the process. It crosses the wires and creates sparks. Loud sparks—noise. Adoration. Comments like We love you! We are cheering for you! Oh, I’m so sorry! But sparks usually mean a bad connection. What if God wants to speak to us alone? Do we trust he has what it takes? I’m not saying to walk through hardship and trauma alone. You need your support system and community. In fact, I remember how much our close friends and family rallied with us during the miscarriage. Meals. Flowers. The sweetest cards. Prayers written out over text. Help with the kids. I’m more concerned about the healing part. Sometimes we share too quickly with the world—the Internet, the fringe friends, the public record—before we have truly processed, dealt with it, healed. The minute we do that, the decibel level becomes too loud, and we can no longer hear Jesus. He gets drowned out. And he’s the place of true wholeness and restoration. In a painful but true way. In obscurity. We need to simply sit with Jesus without pithy prayers. We need to ask for his help and know that he sees us. While healing won’t come overnight, we know we aren’t going through this alone.
Jefferson Bethke (To Hell with the Hustle: Reclaiming Your Life in an Overworked, Overspent, and Overconnected World)
Coffee in the squad room...." ...Santoro was there already, sitting at the end of a Formica table with a cup of coffee. Belson and I got some and sat at the table with him..... "I hear you know Rita Fiore," Santoro said. "You work for the Norfolk DA when she was there?" I said. Santoro looked reminiscent. "I did," he said. "I'm working for her now," I said. "Getting any fringe benefits?" Santoro said. "Rita and I are friends," I said with dignity. "And Rita's got no enemies," Santoro said.... "Seriously," Santoro said, "you ever give Rita a little bop?" "In my case it would be a big bop," I said. "And it's not your business." "Hey, just killing a little time." "Kill it another way," I said. Santoro shrugged. We drank our coffee. After a while, Belson said, "I don't think it would be such a big bop." "I don't wish to discuss it," I said. "I'll check it with Susan," Belson said. "She's promised not to tell," I said.
Robert B. Parker (Widow's Walk (Spenser, #29))
I knew every bit of this was wrong. I know it’s wrong. I hate it. I hate my fate. It’s there, though. I’m married to it because of the place I was born, the man who fathered me, his friends and his choices, and my mother’s weaknesses. All I can do is make the most of it, and maybe find a little happiness somewhere on the fringes.
Ginger Scott (Cry Baby)
The people who knew her best were devoted to her. It was the fringe friends who could be so unpleasant.
Craig Brown (Ninety-Nine Glimpses of Princess Margaret)
Frederic Herzberg, one of the great behavioral scientists, concurred. He studied in depth the work attitudes of thousands of people ranging from factory workers to senior executives. What do you think he found to be the most motivating factor—the one facet of the jobs that was most stimulating? Money? Good working conditions? Fringe benefits? No—not any of those. The one major factor that motivated people was the work itself. If the work was exciting and interesting, the worker looked forward to doing it and was motivated to do a good job.
Dale Carnegie (How To Win Friends and Influence People)
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The woods are never solitary—they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery—we may only wander, awed and spellbound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only—a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels. - Anne's House of Dreams
L M Montgomery (Author)
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