Fringe Fashion Quotes

I adore fringe.

Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.

In rapid succession we passed through the fringe of fashionable London, hotel London, theatrical London, literary London, commercial London, and, finally, maritime London

In rapid succession we passed through the fringe of fashionable London, hotel London, theatrical London, literary London, commercial London, and, finally, maritime London, till we came to a riverside city of a hundred thousand souls, where the tenement houses swelter and reek with the outcasts of Europe.

The Sea-Child Into the world you sent her, mother, Fashioned her body of coral and foam, Combed a wave in her hair's warm smother, And drove her away from home In the dark of the night she crept to the town And under a doorway she laid her down, The little blue child in the foam-fringed gown. And never a sister and never a brother To hear her call, to answer her cry. Her face shone out from her hair's warm smother Like a moonkin up in the sky. She sold her corals; she sold her foam; Her rainbow heart like a singing shell Broke in her body: she crept back home. Peace, go back to the world, my daughter, Daughter, go back to the darkling land; There is nothing here but sad sea water, And a handful of sifting sand.

I CAN’T ABIDE CLUTTER,” TOM said. “That includes long dusty curtains, and china figurines, and those little tablemats with holes in them—” “Doilies?” “Yes, those. And fringe trimming. I hate fringe.” Cassandra blinked as she saw him write, 7D: No doilies or fringe. “Wait,” she said. “No fringe at all? Not even on lampshades? Or pillows?” “Especially not pillows.” Cassandra rested her crossed arms on the table and gave him a mildly exasperated glance. “Was there an accident involving fringe? Why do you hate it?” “It’s ugly and waggly. It dangles like caterpillar legs.” Her brows lowered. “I reserve the right to wear fringe trim on my hats or clothing. It happens to be fashionable this year.” “Can we exclude it from nightwear and robes? I’d rather not have it touching me.” Faced with her baffled annoyance, Tom looked down at the paper somewhat sheepishly. “Some quirks can’t be overcome.

It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.

I'm not proud to admit I once owned a fringed cowgirl jacket.

One of her nice dresses. What her mother meant was something more fashionable. Molly favored dark skirts and simple white blouses. Clothing that was practical and allowed her to move and breathe. Ruth Everton wanted her daughter in handsome suits with gathered flounces and lots of fringe, and a corset that laced her into the perfect S shape that fashion demanded. Forget breathing altogether.

We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My

The common law—government at its basest and least objectionable—is akin in this sense to architecture and fashion. It is the sum total of literally millions of attorneys, clients, lawyers, judges, and politicians making marginal changes over decades. No one mind can deduce it in its totality and simultaneously contain all the infinite threads woven throughout.

Presently Claude announced, “Breakfast is served!” With those welcome words, the boys and the general sat down to an old-fashioned Southern repast. Chet’s face was aglow as Claude served chilled cantaloupe, followed by crisp-fringed pancakes and broiled ham. Then he brought in a platter of fried eggs, a dish of raspberry jam, and piping hot muffins. Letting his belt out a notch, Chet asked, “General, does everybody eat like this in the South?” “They used to,” the officer replied, smiling. “Most people are in too much of a hurry today to enjoy the art of good cooking.

Phrases such as ‘toxic masculinity’ entered into common use. What was the virtue of making relations between the sexes so fraught that the male half of the species could be treated as though it was cancerous? Or the development of the idea that men had no right to talk about the female sex? Why, when women had broken through more glass ceilings than at any time in history, did talk of ‘the patriarchy’ and ‘mansplaining’ seep out of the feminist fringes and into the heart of places like the Australian Senate?12 In a similar fashion the civil rights movement in America, which had started in order to right the most appalling of all historic wrongs, looked like it was moving towards some hoped-for resolution.

Hindu treatise on the art of government, the Arthashastra, lays down the rules of policy for the complete tyrant, describing the organization of his palace, his court, and his state in such fashion as to make Machiavelli seem a liberal. The first rule is that he must trust no one, and be without a single intimate friend. Beyond this, he must organize his government as a series of concentric circles composed of the various ministers, generals, officers, secretaries, and servants who execute his orders, every circle constituting a degree of rank leading up to the king himself at the center—like a spider in its web. Beginning with the circle immediately surrounding the king, the circles must consist alternately of his natural enemies and his natural friends. Because the very highest rank of princes will be plotting to seize the king’s power, they must be surrounded and watched by a circle of ministers eager to gain the king’s favor—and this hierarchy of mutually mistrusting circles must go all the way out to the fringe of the web. Divide et impera—divide and rule. Meanwhile, the king remains in the safety of his inmost apartments, attended by guards who are in turn watched by other guards hidden in the walls. Slaves taste his food for poison, and he must sleep either with one eye open or with his door firmly locked on the inside. In case of a serious revolution, there must be a secret, underground passage giving him escape from the center—a passage containing a lever which will unsettle the keystone of the building and bring it crashing down upon his rebellious court. The Arthashastra does not forget to warn the tyrant that he can never win. He may rise to eminence through ambition or the call of duty, but the more absolute his power, the more he is hated, and the more he is the prisoner of his own trap. The web catches the spider. He cannot wander at leisure in the streets and parks of his own capital, or sit on a lonely beach listening to the waves and watching the gulls. Through enslaving others he himself becomes the most miserable of slaves.

The institutionalization of the Beat ethic has been a moral, aesthetic, and intellectual disaster of the first order. (It has also been a disaster for fashion and manners, but that is a separate subject.) We owe to the 1960s the ultimate institutionalization of immoralist radicalism: the institutionalization of drugs, pseudo-spirituality, promiscuous sex, virulent anti-Americanism, naive anti-capitalism, and the precipitous decline of artistic and intellectual standards. But the1960s and 1970s only codified and extended into the middle class the radical spirit of the Beats, who, in more normal times, would have remained what they were in the beginning; members of a fringe movement that provided stand-up comics with material.

One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.

After the combined efforts of Poppy and the maid, Catherine was dressed in a pale seafoam gown, neither blue nor green but some perfect shade between the two. The bodice was close-fitting, stylishly cut without a waist seam, the skirts plain until the knee, where they draped in rows of flounces. The matching jacket, tailored to the waist, was trimmed with silk fringe in interwoven shades of blue, green, and silver-gray. A small, flirtatious hat was set on the upsweep of her hair, which had been done in a waterfall chignon with the ends tucked up and pinned beneath. To Catherine, who had gone so long without wearing anything pretty or modish, the effect was disconcerting. She was a stylishly turned-out woman in the looking glass, decidedly feminine and dashing. "Oh, miss, you're as pretty as the girls they paint on tins of sweets," the housemaid exclaimed.