Fringe Dress Quotes

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I wish I wasn't an imperial highness or an ex-grand duchess. I'm sick of people doing things to me because of what I am. Girl-in-white-dress. Short-one-with-fringe. Daughter-of-the-tsar. Child-of-the-ex-tyrant. I want people to look and see me, Anastasia Nikolaevna Romanova, not the caboose on a train of grand duchesses. Someday, I promise myself, no one will be able to hear my name or look at my picture and suppose they know all about me. Someday I will do something bigger than what I am.
Sarah Miller (The Lost Crown)
Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
William Golding (Lord of the Flies)
She raised her chin and her pale, black-fringed eyes sparkled in the moonlight. Ellen had never told her that desire and attainment were two different matters; life had not taught her that the race was not to the swift. She lay in the silvery shadows with courage rising and made the plans that a sixteen-year-old makes when life has been so pleasant that defeat is an impossibility and a pretty dress and a clear complexion are weapons to vanquish fate.
Margaret Mitchell (Gone with the Wind: Part 1 of 2)
It looked like a ghost had dressed up the forest in tulle.
Courtney King Walker (On the Fringe)
It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo
Lucas Regazzi
As the doctor said, "When a fifty-eight-year-old man goes downtown dressed up in a Dale Evans cowgirl outfit, complete with a skirt with fringe, it's time...
Fannie Flagg
No, I’m not shy." I folded my arms across my shell-covered chest. The press of the hard material against my sensitive nipples caused my core to tighten. “But I usually have to buy a girl a couple of drinks in order to be treated to a show like that.” She turned to look at me, the fringe on her dress swaying with her movement. A thin eyebrow arched, her cherry lips pulled into a dazzling smile. “Well.” The intensity locked in her bright eyes as her green gaze moved from my head to my toes and back again made my entire body tingle. “I guess you owe me a drink, Meghan.
Elizabeth Morgan (On The Rocks (The Edge Series))
I loved my bedroom... the vanity with the warped mirror, the squat chairs without armrests, the elaborate, oriental dressing screen. I loved curving my body into the velvet sofa, books piled at my feet, the dusty, floor-length curtains pushed back from the windows so I could see the sky. At night the purple-fringed lampshades turned the light a hue somewhere between lilac and dusky plum.
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
They were married by a lesbian justice of the peace while their friends played a guitar-feedback-heavy version of the "Wedding March." The bride wore a white-fringed flapper dress and black spiked boots. The groom wore leather.
Gayle Forman
Yet Percy, even in the glimpses he had had in the streets, as he drove from the volor station outside the People's Gate, of the old peasant dresses, the blue and red-fringed wine carts, the cabbage-strewn gutters, the wet clothes flapping on strings, the mules and horses -- strange though these were, he had found them a refreshment. It had seemed to remind him that man was human, and not divine as the rest of the world proclaimed -- human, and therefore careless and individualistic; human, and therefore occupied with interests other than those of speed, cleanliness, and precision.
Robert Hugh Benson (Lord of the World)
And what was she like?” “Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester’s: large and black, and as brilliant as her jewels.  And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw.  She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee.  She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls.
Charlotte Brontë (Jane Eyre)
The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth.
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
I remember how I felt the first time I walked into a Torrid or the time period where ModCloth finally started carrying sizes above XL. I gave up wearing only some version of dark jeans with blouses that swooshed over me for candy-colored, twee-patterned A-line and fit-and-flare dresses that did absolutely nothing to make me look smaller. I wasn’t small, and no number of drab patterns were going to change that. I might as well dress how I wanted, regardless. And there’s something about looking loud and in charge of your own look that can say a lot to the world, because unfortunately it’s still revolutionary to be fat and not hate yourself in public. When you wear something that won’t “disappear” you into a dark curtain, even if it isn’t covered in glitter or fringe, people get the message, subtle or otherwise, that you think you’re someone worth seeing.
Angie Manfredi (The (Other) F Word: A Celebration of the Fat and Fierce)
When did people come to see stories as mere fancy? As indulgence? All our flaws and questions dressed up in other people's clothing, strolling about in front of us so we may more clearly see what's true about our own selves. Truths deeper and more meaningful than mere facts, told in a way that our minds can uniquely understand. Yet we relegate stories to the fringes of our lives, those elusive 'spare hours' where we permit ourselves to indulge in the frivolous which we believe has no real practical value.
Joanna Davidson Politano (The Elusive Truth of Lily Temple)
Next morning on her way to the factory Liza came up with Sally. They were both of them rather stale and bedraggled after the day’s outing; their fringes were ragged and untidily straying over their foreheads, their back hair, carelessly tied in a loose knot, fell over their necks and threatened completely to come down. Liza had not had time to put her hat on, and was holding it in her hand. Sally’s was pinned on sideways, and she had to bash it down on her head every now and then to prevent its coming off. Cinderella herself was not more transformed than they were; but Cinderella even in her rags was virtuously tidy and patched up, while Sally had a great tear in her shabby dress, and Liza’s stockings were falling over her boots.
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
Just then he heard the sweet tinkle of bells followed by the sound of four camels plodding towards him from the main roadway. Two were snowy in complexion and all four were straddled by men also dressed in white. They approached the inn and the riders drew their mounts to a halt. Guo Jing noticed the finely embroidered cushions padding the saddles. Guo Jing was a child of the steppes deserts, but white camels were rare, and he had never seen such fine animals. He could not take his eyes off them. The riders were only a few years older than him, in their early twenties he guessed, each one as delicately handsome as the last. They leaped from the camels and made for the inn. Guo Jing was enraptured by their expensive robes, fringed at the neck by the finest fox fur. One of the young men glanced toward Guo Jing, blushed and lowered his head. Another glared at him and growled, “What are you staring at, little boy?” Flustered, Guo Jing looked away. He heard them laugh. “Congratulations,” one of them mocked in a girlish voice. “He likes you.
Jin Yong (A Hero Born (Legends of the Condor Heroes, #1))
Jane felt limp and sated and thoroughly wicked as she snuggled against Dom. They were still joined below, though he’d begun to soften inside her. Still, how naughty it was to be here like this, how deliciously carnal to have made love while they were both half-dressed. Why, Dom still even wore his cravat! She didn’t know why that excited her, though it did. But not as much as Dom saying “please” over and over. Letting her take control of their lovemaking. Even encouraging her to do it. And not nearly as much as Dom asking her to marry him. Well, he didn’t really ask, exactly. He demanded it yet again. But he’d said “please,” and that made all the difference. Especially since he’d then asked her to love him. Silly man. As if she had any choice in the matter. “I do love you, you know,” she whispered. “I can’t help myself. I fell in love with you practically from the moment we met, and I never stopped.” “I love you, too, sweeting,” he murmured into her shoulder. “Always have, always will.” Her heart thundered in her chest. She’d waited so long to hear those words again, she could scarcely believe them. She pulled back to search his face. “Truly?” “Truly.” With infinite tenderness, he brushed her fringe of curls from her eyes. “I tried so hard to forget you after we parted. But I couldn’t. Not for one day.” That earned him a long kiss…that, and the prospect of him as hers. Her very own husband. Oh, yes. She could let herself think it now. They could marry at once, or at least as soon as this business with Nancy was over. Nancy! Oh, Lord, she’d forgotten all about her cousin. Sliding off him, she frantically sought to put her clothing to rights. “You don’t think that Meredith returned while we were…you know…” “No.” A faint amusement lightened his tone as he tucked himself back into his drawers and buttoned them. “The man I spoke to said she and her family return at seven every night.” He pulled out his pocket watch. “It’s only six now.” “Thank heaven.” She tugged her skirts and petticoats into place and patted her hair. “I do wish that hackney coaches came with mirrors.” Dom’s eyes gleamed at her. “Be glad I didn’t take your hair down completely, while I was mauling you with all the self-control of some half-grown lad.” She shot him a teasing glance. “I didn’t mind. You maul very well. And making love in a carriage, with the world passing by unsuspecting, was rather…well…thrilling.” “I can do without that kind of thrill, frankly. If anyone had discovered us…” He shuddered. “Next time we make love, it will be in a bed, and I will treat you with the tenderness you deserve.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
After the combined efforts of Poppy and the maid, Catherine was dressed in a pale seafoam gown, neither blue nor green but some perfect shade between the two. The bodice was close-fitting, stylishly cut without a waist seam, the skirts plain until the knee, where they draped in rows of flounces. The matching jacket, tailored to the waist, was trimmed with silk fringe in interwoven shades of blue, green, and silver-gray. A small, flirtatious hat was set on the upsweep of her hair, which had been done in a waterfall chignon with the ends tucked up and pinned beneath. To Catherine, who had gone so long without wearing anything pretty or modish, the effect was disconcerting. She was a stylishly turned-out woman in the looking glass, decidedly feminine and dashing. "Oh, miss, you're as pretty as the girls they paint on tins of sweets," the housemaid exclaimed.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
The bazaar bore him along. That deep surge which knows none of the ebb and flow, the hurry, of a crowd along a European pavement, which rolls on with an irresistible, even motion as time flows on into eternity. He might not have been in this God-forsaken provincial hole, Antakiya, but transported to Aleppo or Damascus, so inexhaustibly did the two opposing streams of the bazaar surge past each other. Turks in European dress, wearing the fez, with stand-up collars and walking-sticks, officials or merchants. Armenians, Greeks, Syrians, these too in European dress, but with different headgear. In and out among them, Kurds and Circassians in their tribal garb. Most displayed weapons. For the government, which in the case of Christian peoples viewed every pocketknife with mistrust, tolerated the latest infantry rifles in the hands of these restless mountaineers; it even supplied them. Arab peasants, in from the neighborhood. Also a few bedouins from the south, in long, many-folded cloaks, desert-hued, in picturesque tarbushes, the silken fringes of which hung over their shoulders. Women in charshaffes, the modest attire of female Moslems. But then, too, the unveiled, the emancipated, in frocks that left free silk-stockinged legs. Here and there, in this stream of human beings, a donkey, under a heavy load, the hopeless proletarian among beasts. To Gabriel it seemed always the same donkey which came stumbling past him in a coma, with the same ragged fellow tugging his bridle. But this whole world, men, women, Turks, Arabs, Armenians, Kurds, with trench-brown soldiers in its midst -- its goats, its donkeys -- was smelted together into an indescribable unity by its gait -- a long stride, slow and undulating, moving onwards irresistibly, to a goal not to be determined.
Franz Werfel (The Forty Days of Musa Dagh)
I turned my attention to three dresses that were definitely not made for dining. They were going-out things, dancing looks. One was a swingy black dress made of a wet suit-like material, with a high neck and stiff A-line skirt. Alexander McQueen. Another was a red Gucci with little loops of textured fringe. It should have looked Elmo-like, but the sophisticated shape overrode the thought. I twisted the dress on the hanger, and the skirt rose and fell like the swelling of the ocean. The last dress was surprisingly heavy even though it was the shortest, narrowest, lowest-cut garment in that day's shipment. The tag said Hervé Léger and the dress was ribbed like a mummy, a very tight, shiny, green-and-gold mummy.
Jessica Tom (Food Whore)
The door was suddenly thrown open, and there was Moog. He was wearing what looked to Clay like one-piece pyjamas: tiny moons and stars scattered across a dark blue sky. He was skinny as ever, and his long beard was white as cotton. He’d gone bald up top, but the fringe that remained was long and wisp thin. His eyes were the same startling blue beneath bushy white brows. “Gabriel! Clay!” The wizard cackled delightedly and did a little dance that only reinforced the fact that he was dressed like a child,
Nicholas Eames (Kings of the Wyld (The Band, #1))
Every Sunday, the Weavers drove their Oldsmobile east toward Waterloo and pulled into the gravel parking lot of the Cedarloo Baptist Church, on a hill between Waterloo and Cedar Falls, took their place in the pews, and listened to the minister. But there seemed to be no fire or passion, no sense of what was really happening in the world. They’d tried other churches and found congregations interested in what God had done 2,000 years ago, but no one paying attention to what God was doing right then. Certainly, churches weren’t addressing the crime in Cedar Falls, the drugs, or the sorry state of schools and government, not to mention the kind of danger that Hal Lindsey described. They would have to find the truth themselves. They began doing their own research, especially Vicki. She had quit work to raise Sara, and later Samuel, who was born in April 1978. When Sara started school, Randy and Vicki couldn’t believe the pagan things she was being taught. They refused to allow her to dress up for Halloween—Satan’s holiday—and decided they had to teach Sara at home. But that was illegal in Iowa. A booster shot of religion came with cable television and The PTL Club, the 700 Club, and Jerry Falwell. The small television in the kitchen was on all the time for a while, but most of Vicki’s free time was spent reading. She’s lose herself in the Cedar Falls public library, reading the science fiction her dad had introduced her to as a kid, the novels and self-help books friends recommended, biblical histories, political tracts, and obscure books that she discovered on her own. Like a painter, she pulled out colors and hues that fit with the philosophy she and Randy were discovering, and everywhere she looked there seemed to be something guiding them toward “the truth,” and, at the same time, pulling them closer together. She spent hours in the library, and when she found something that fit, she passed it along first to Randy, who might read the book himself and then spread it to everyone—the people at work, in the neighborhood, at the coffee shop where he hung out. They read books from fringe organizations and groups, picking through the philosophies, taking what they agreed with and discarding the rest. Yet some of the books that influenced them came from the mainstream, such as Ayn Rand’s classic libertarian novel Atlas Shrugged. Vicki found its struggle between the individual and the state prophetic and its action inspiring. The book shows a government so overbearing and immoral that creative people, led by a self-reliant protagonist, go on strike and move to the mountains. “‘You will win,’” the book’s protagonist cries from his mountain hideout, “‘when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “‘I swear—by my life and my love of it—that I will never live my life for the sake of another man, nor ask another to live for mine.
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
The sari’s rose-pink border was fringed with a layer of mud. Patches of sweat darkened the underarms of her choli. Trust Ma to dress inappropriately for every occasion or activity.
Monica Ali (Love Marriage)
4. Random examples of items which are part of the canon of Camp: Zuleika Dobson Tiffany lamps Scopitone films The Brown Derby restaurant on Sunset Boulevard in LA The Enquirer, headlines and stories Aubrey Beardsley drawings Swan Lake Bellini's operas Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards Schoedsack's King Kong the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties (feather boas, fringed and beaded dresses, etc.) the novels of Ronald Firbank and Ivy Compton-Burnett stag movies seen without lust
Susan Sontag (Notes on Camp)
Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!
Anna Burns (Milkman)
by Erin and Wild Wind’s attention returned to the bedroom area.  While the flap was held back by Shadow, Ross came out the bedroom with Roxie on his arm.               Wild Wind felt a shockwave of surprise and desire when he saw Roxie in the dazzling white buckskin dress with the loose, long-fringed sleeves and matching moccasins.  Long, golden braids hung down the front of it and her luminous blue eyes looked bigger to him.  She was stunningly gorgeous and he was even prouder than before to be marrying such a beautiful woman.               Roxie had never seen Wild Wind in his ceremonial clothing and she thought he looked regal in the ornate
Linda Bridey (Montana Hearts (Echo Canyon Brides, #6))
One of her nice dresses. What her mother meant was something more fashionable. Molly favored dark skirts and simple white blouses. Clothing that was practical and allowed her to move and breathe. Ruth Everton wanted her daughter in handsome suits with gathered flounces and lots of fringe, and a corset that laced her into the perfect S shape that fashion demanded. Forget breathing altogether.
Robin Lee Hatcher (Love Letter to the Editor (Four Weddings and a Kiss))
But the lesson here is one we must embrace: sometimes we have to let go of self-imposed have-tos and settle for good enough. Just because you’re passionate doesn’t mean you have to do it. Though my windows aren’t dressed in that amazing fabric, they aren’t bare anymore. And that is good enough.
Jessica N. Turner (The Fringe Hours: Making Time for You)
Sir Graham walked to the window, very aware of two worshipful pairs of young eyes on his back. He knew well how to make himself noticed; he knew well how to draw a lady’s eye, and with this in mind—and despite the heat—he had purposely and cunningly exchanged his seagoing frock coat for his finest full-dress uniform. The dark blue coat was carefully brushed, with bright gold bars of lace at sleeve and lapel, more lace at collar, cuffs, and pockets, and the epaulets with the single star winking proudly from each shoulder; the waistcoat and breeches were snowy white, and a cocked hat was framed with even more gold trim. Uniforms—especially full-dress ones usually reserved for formal occasions—were a sure bet for winning female hearts and with this in mind, the admiral turned just so, knowing that the sunlight would—move a little more to starboard, Gray—he heard one of the girls gasp—yes, that's it—touch upon the gold fringe of his epaulets with blinding brilliance. With a private, wicked smile, he struck a deliberate pose, relaxed yet commanding all at once;
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Given the assumption that their ideology is really science, progressives dress up their subjective and frequently irrational prejudices in pseudo-science. Contrived statistics are a favorite device, for numbers with decimal points appear objective and inarguable. There’s the false claim that women earn only 77% of what men make, or that 20% of college co-eds suffer sexual assault, or that 97% of scientists endorse anthropogenic global warming. These numerical confections, like the dancing needles in the E-meter gauge, imply that these issues are no more a matter for debate than are the law of gravity or the spherical earth. Of course, in reality such statistics are camouflage for ideological, not scientific beliefs. But to progressives, they are scientific facts, so anyone who disagrees is either hopelessly ignorant or willfully evil, blinded by bigotry or in thrall to religious superstition. This explains the nastiness of progressive attacks on those who disagree with them, the quick recourse to ad hominem smears of the sort that appear only on the conservative fringe. Just as Scientology defames critics and defectors with false accusations and character assassination, so too progressives frequently hurl epithets like “racist” at those who criticize Obama, or indulge preposterous tropes like the “war on women,” or throw ugly names like “denier,” redolent of Holocaust denial, at anyone who questions that anthropogenic global warming is a scientific fact rather than a hypothesis. And progressives are eager to use the power of government and institutions like the IRS and college administrations to silence and stigmatize those who oppose them.
Anonymous
To be initiated into Belief is neither done through abstaining from certain types of tangible substances (e.g., Alcohol) nor through abiding with certain dress codes (e.g., Head Cover), it is something only the baby completely -yet intrinsically- understands. A Truth that repelled Pharaoh into the dustbin of history and his Jew subjects into the fringes of mankind.
Ibrahim Ibrahim (Quotable: My Worldview)
Let’s be clear, no matter which way you gravitate, Satan is not God. And he is not God’s counterpart or peer. They’re not even on the same playing field. His influence, authority, and power don’t even touch the fringe of what our Lord is capable of doing. Read ahead to Revelation 19 and 20 sometime, the so-called titanic clash of end-time foes in what’s commonly known as the battle of Armageddon. Know what it really is? More like the devil and his demons getting all dressed up with no place to go. It’s over before it even starts. The only thing that makes it a war is that he becomes a prisoner of war. Satan is nothing but a copycat, trying desperately to convince you he’s more powerful than he actually is. Because remember: he does have limitations—boundaries he cannot cross no matter how much he desires or how hard he tries.
Priscilla Shirer (Fervent: A Woman's Battle Plan to Serious, Specific, and Strategic Prayer)
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
She had not been sure what to wear—a classic peach maid of honor dress or a black leather corset. Her compromise: peach leather with a fringed hem, sleeveless so as to display arms with the relative dimensions and consistency of marble columns on a Georgian mansion. Big Cyndi’s hair was done up in a mauve Mohawk and pinned on the top was a little bride-and-groom cake decoration.
Harlan Coben (Promise Me (Myron Bolitar, #8))
The thing about Ativahikas is not that they’re giant, or sapient, or weirdly gorgeous, though they are all of these things. When they haven’t been horribly butchered, they look a bit like a Ferian leafy sea-dragon or those motile sea-trees from Desireninex. They’re seaweedy and ragged and layered in fringe like the dress of a medieval queen and their algae turns them into a shifting, iridescent play of brilliant teal, and jade and emerald greens. And the reason people kill them is not for any intrinsic quality of their own-it’s for those algae. Or the metabolic byproducts there of.
Elizabeth Bear (Ancestral Night (White Space, #1))
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Francisco was an underdog city struggling to absorb an influx of aspiring alphas. It had long been a haven for hippies and queers, artists and activists, Burners and leather daddies, the disenfranchised and the weird. It also had a historically corrupt government, and a housing market built atop racist urban-renewal policies—real estate values had benefited as much from redlining as from discriminatory zoning practices and midcentury internment camps—but these narratives, along with the reality that an entire generation had been prematurely lost to AIDS, undercut its reputation as a mecca for the free and freakish, people on the fringe. The city, trapped in nostalgia for its own mythology, stuck in a hallucination of a halcyon past, had not quite caught up to the newfound momentum of tech’s dark triad: capital, power, and a bland, overcorrected, heterosexual masculinity. It was a strange place for young and moneyed futurists. In the absence of vibrant cultural institutions, the pleasure center of the industry might have just been exercise: people courted the sublime on trail runs and day hikes, glamped in Marin and rented chalets in Tahoe. They dressed for work as if embarking on an alpine expedition: high-performance down jackets and foul-weather shells, backpacks with decorative carabiners. They looked ready to gather kindling and build a lean-to, not make sales calls and open pull-requests from climate-controlled open-plan offices. They looked in costume to LARP their weekend selves.
Anna Wiener (Uncanny Valley)
Young by most accounts. An age when men drank bathtub gin and drove recklessly and listened to ragtime music and danced with women who wore headbands and fringed dresses. For women, it was different. Hope began to dim for a woman when she turned twenty. By twenty-two, the whispers at town and church would have begun, the long, sad looks. By twenty-five, the die was cast. An unmarried woman was a spinster. "On the shelf" they called her, shaking heads and tsking at her lost opportunities. Usually people wondered why, what had turned a perfectly ordinary woman from a good family into a spinster.
Kristin Hannah (The Four Winds)
They both wore short dresses, one in red polka-dot, the other lace-fringed, with the slightly faded, slightly ill-fitting look of vintage shop finds. It was, in some ways, costume. They ticked the boxes of a certain kind of enlightened, educated middle-classness, the love of dresses that were more interesting than pretty, the love of the eclectic, the love of what they were supposed to love. Ifemelu imagined them when they traveled: they would collect unusual things and fill their homes with them, unpolished evidence of their polish.
Chimamanda Ngozi Adichie (Americanah)