Fridays Here Quotes

We've searched our database for all the quotes and captions related to Fridays Here. Here they are! All 100 of them:

I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
Charles Bukowski
Another year is fast approaching. Go be that starving artist you’re afraid to be. Open up that journal and get poetic finally. Volunteer. Suck it up and travel. You were not born here to work and pay taxes. You were put here to be part of a vast organism to explore and create. Stop putting it off. The world has much more to offer than what’s on 15 televisions at TGI Fridays. Take pictures. Scare people. Shake up the scene. Be the change you want to see in the world.
Jason Mraz
I wanted what most people wanted—love, companionship. I wanted someone to touch. I wanted someone to touch me back. I wanted someone to laugh with, someone who would laugh with me, laugh at me. I wanted someone who looked and sawme . Not my power, not my position. I wanted someone to say my name. To call out, “Merit,” when it was time to go, or when we arrived. Someone who wanted to say to someone else, with pride, “I’m here with her. With Merit.” I wanted all those things. Indivisibly. But I didn’t want them from Morgan.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Where's your church?" "We're standing in it." "But this is a bookstore and it's a Friday." "Yes, but you might also choose to see it as a cathedral of the human spirit-a storehouse consecrated to the full spectrum of human experience. Just about every idea we've ever had is in here somewhere. A place containing great thinking is a sacred space.
Forrest Church (A Chosen Faith: An Introduction to Unitarian Universalism)
I hate you for all the years I 'll have to live without you. How can a heart hurt this much and still go on beating? How can I feel this bad without dying from it? I 've bruised my knees with praying to have you back. None of my prayers have been answered. I tried to send them up to heaven but they 're trapped here on earth, like bobwhites beneath the snow. I try to sleep and it's like I 'm suffocating. Where have you gone? Once you said that if I wasn't with you, it wouldn't be heaven. I can't let go of you. Come back and haunt me. Come back.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
Here, Fridays were dedicated to the two Bs–Beach and Boats.
Laura Miller (Butterfly Weeds (Butterfly Weeds, #1))
I think we should change the amount of time in each day. Sunday thru Friday should be reduced from 24 hours down to ten minutes, and Saturday would become a 167-hour day. That way, when people ask me what I did all week I could truthfully respond, "I slept all week. But I got a hell of a lot done on Saturday.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut - this indescribably emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.
Hugh Howey (Visitor (Beacon 23, #5))
Life While-You-Wait. Performance without rehearsal. Body without alterations. Head without premeditation. I know nothing of the role I play. I only know it’s mine. I can’t exchange it. I have to guess on the spot just what this play’s all about. Ill-prepared for the privilege of living, I can barely keep up with the pace that the action demands. I improvise, although I loathe improvisation. I trip at every step over my own ignorance. I can’t conceal my hayseed manners. My instincts are for happy histrionics. Stage fright makes excuses for me, which humiliate me more. Extenuating circumstances strike me as cruel. Words and impulses you can’t take back, stars you’ll never get counted, your character like a raincoat you button on the run — the pitiful results of all this unexpectedness. If only I could just rehearse one Wednesday in advance, or repeat a single Thursday that has passed! But here comes Friday with a script I haven’t seen. Is it fair, I ask (my voice a little hoarse, since I couldn’t even clear my throat offstage). You’d be wrong to think that it’s just a slapdash quiz taken in makeshift accommodations. Oh no. I’m standing on the set and I see how strong it is. The props are surprisingly precise. The machine rotating the stage has been around even longer. The farthest galaxies have been turned on. Oh no, there’s no question, this must be the premiere. And whatever I do will become forever what I’ve done.
Wisława Szymborska (Map: Collected and Last Poems)
A glass of water with peace is better than several glasses of wine with trouble. Here's a glass of water . . . Cheers to the good life
Constance Friday
Do you really think anyone needs some kind of notarized statement saying 'Dear Saint Peter, here's another stiff, pass him through the gates, signed, Father McGonnigill.'...'PS: He once had a hot dog on a Friday, but don't hold that against him.'
P.N. Elrod
One minute he stood transfixed, the next he uttered a crushing oath, and took a hasty stride forward. Mr Ringwood, recovering from his own stupefaction, closed with him, just as George, flushing vividly, sprang to his feet. "Sherry!" Mr Ringwood said warningly. "For God's sake, dear boy, remember where you are! You can't choke George to death here!
Georgette Heyer (Friday's Child)
Give all of us gathered here tonight the strength to remember that life is so very fragile. We are all vulnerable. And we will all, at some point in our lives, fall. We will all fall. We must carry this in our hearts... that what we have is special. That it can be taken from us... and that when it is taken from us, we will be tested. We will be tested to our very souls. It is these times, this pain that allows us to look inside ourselves
Coach Taylor
It's about five and the party begins at seven, so I have to get the hell out of here. I need to shower, shave, eat, straighten my hair, apply make-up, and try to get a cab on a Friday night. Ugh, girly things. Kill me now.
Jennifer Harlow (Justice (Galilee Falls Trilogy, #1))
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
What made Madeleine sit up in bed was something closer to the reason she read books in the first place and had always loved them. Here was a sign that she wasn’t alone. Here was an articulation of what she had been so far mutely feeling. In bed on a Friday night, wearing sweatpants, her hair tied back, her glasses smudged, and eating peanut butter from the jar, Madeleine was in a state of extreme solitude.
Jeffrey Eugenides
Look. I know why you gave me that speech earlier today. I know you have an obligation to protect your vampires. But irrespective of the way that I was made, I have done everything that you’ve asked of me. I’ve taken training, I gave up my dissertation, I moved into the House, I got you in to see my father, I got you into the Breckenridge house, and I’ve dated the man you asked me to.” I pointed at the house behind us. “And even though I was supposed to get a few hours free from the drama of Cadogan House tonight with said man, I followed you here because you requested it. At some point, Ethan, you might consider giving me a little credit.” I didn’t wait for him to answer, but turned on my heel and went to the car. I opened the back door, climbed inside, and slammed it shut behind me. Catcher caught my gaze in the rearview mirror. “Feel better?” “Is he still standing there with that dumbstruck expression on his face?” There was a pause while he checked, then a chuckle. “Yes, he is.” “Then, yes, I feel better.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Moments like that, I thought maybe there was a God, a fickle puppet-master who decided it was time to remind us that life isn't just an echo of the Big Bang - that we're here, with beating hearts.
Vikki Wakefield (Friday Brown)
I ran from them. Nights, yellow lights scoured sand. What was ever found but women in skirts folded around the men they loved that Friday? No one found me. And how could that have been, here, where even botanical names were recorded and small roads mapped in red? Night, the sky is black paper pecked with pinholes.
Deborah Ager
In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.
Miguel de Cervantes Saavedra (Don Quixote)
Every Friday The Thirteenth I celebrate Knights Templar Day. Here at my Duck Farm Gift Shop, I've got THE authentic map that details the location of their hidden treasure, and I'll sell it to you for ONLY $19.95. (Limit one per customer.)
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Woman . . . I do the best I can do. I come in here every Friday. I carry a sack of potatoes and a bucket of lard. You all line up at the door with your hands out. I give you the lint from my pockets. I give you my sweat and my blood. I ain't got no tears. I done spent them. We go upstairs in that room at night . . . and I fall down on you and try to blast a hole into forever. I get up Monday morning . . . find my lunch on the table. I go out. Make my way. Find my strength to carry me through to the next Friday.
August Wilson (Fences (The Century Cycle, #6))
02:12:23:26. Two days, twelve hours, twenty-three minutes, twenty-six seconds until Thursday turns into Friday. Solitaire antics today have been focused around the number 2: hundreds of posters, on Post-its on every surface, written on all whiteboards, popping up on the computers. From here I can see that the number 2 is painted in red directly onto the snow of the field. It looks a bit like blood.
Alice Oseman (Solitaire)
Unfortunately for Peter McCluskey, the security services had discovered proof that corroborated the suspicion that he had not eschewed his old comrades-in-arms at all. Indeed, he had become even more virulent in his hatred of the British, had turned his back on Sinn Féin, and cast in his lot with the Real IRA, the off-shoot organisation that denounced the Good Friday Agreement and vowed to continue the war. McCluskey had continued to raise money so that they could buy their bullets and their bombs, and Maguire was here to collect that bounty.
Mark Dawson (Salvation Row (John Milton, #6))
Friday night beneath the stars In a field behind your yard. You and I are paintin' pictures in the sky. And sometimes we don't say a thing; Just listen to the crickets sing. Everything I need is right here by my side. Just a small town boy and girl Livin' in a crazy world. Tryna figure out what is and isn't true. And I don't try to hide my tears, The secrets or my deepest fears. Through it all nobody gets me like you do.
EJR
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quite continuously a sense of their existence; and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom? An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!—that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .
Virginia Woolf (Mrs. Dalloway)
Here's how it went down: Me standing by Sadie and her mom’s bestie, Taylor Rae Mayfield, the actress. Super cool. Talented. And always at Friday nights, so like family too. They were discussing how ridiculous it is that we feed cats grain-based food when they're pure carnivores, as if you'd ever feed a cheetah sliced bread.
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
Friday looked up. She bit her lip. She didn’t want to say anything. She didn’t think she could without crying. But she had to say something. “Let’s make a pledge,” she finally blurted, “Four years from now, when we both finish school, we’ll meet right here.” “In the airport terminal?” asked Ian, looking about. It wasn’t a very glamorous location. “To do what?” “I don’t know…” said Friday, “Have an adventure?” “What sort of adventure,” asked Ian, smiling. “A mystery, of course,” said Friday.
R.A. Spratt (Never Fear (Friday Barnes, #8))
Be here at six o'clock tomorrow morning," Wymack said. "We've got a game to win Friday.
Nora Sakavic (The Raven King (All for the Game, #2))
Marriages are arranged in heaven but the bills must be paid here on earth.
Robert A. Heinlein (Friday)
Working here, I've learned that married men use their wives as mirrors.
Nana Kwame Adjei-Brenyah (Friday Black)
somebody has to catch the mouse. So here’s my proposal. You be the strong one Mondays, Wednesdays, and Fridays. And I’ll be the strong one Tuesdays, Thursdays, and Saturdays.
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
Go out with me.” His gravelly voice echoed through the line … “Go out with me, Hope. Just dinner. Because I can’t fucking stop thinking about you. Couldn’t after I saw you the first time at Olive’s on Friday night. It only got worse after I saw you here Monday morning. I don’t know what it is about you…but there’s something that makes me want to figure it out.
A.L. Jackson (Follow Me Back (Fight for Me, #2))
Here is how to turn down an extramural date so you won't be asked again. Say something like I'm terribly sorry I can't come out to see 8 1/2 revived on a wall-size Cambridge Celluloid Festival viewer on Friday, Kimberly, or Daphne, but you see if I jump rope for two hours then jog backwards through Newton till I puke They'll let me watch match-cartridges and then my mother will read aloud to me from the O.E.D. until 2200 lights-out, and c.; so you can be sure that henceforth Daphne/Kimberly/Jennifer will take her adolescent-mating-dance-type-ritual-socialization business somewhere else.
David Foster Wallace (Infinite Jest)
He sighed again, but I couldn't see the fate of his dolphin logo person. I was completely fixated on his eyes. They're a pretty amazing combination of green and bronze. "I don't know what's going on, but it's weird, and it shouldn't be. I'm a decent guy." "Of course you are." I sighed. And caved. Apparently, my Phillite defenses were worthless around this particular specimen, no matter that he couldn't seem to make up his mind whether I was worth noticing or not. Truth: Yes,I am that naive. "Good.So.Friday after school. We can meet down here." I could just see Amanda's face when she caught us on our way into the dark depths of the school. "No." "Fine.Your house." "God,no!" "Do you make everything this complicated?" he asked. "No. Don't answer that. Would you come to my house?" That sounded doable.If we were at his place, I could leave whenever I wanted. "okay." As I watched, he did a slo-mo, surprisingly graceful flop onto the floor. "Finally!" I stepped over him and headed for the stairs.
Melissa Jensen (The Fine Art of Truth or Dare)
Agnes sucked at her porcelain. Now here they were, every Friday night, these same women playing cards in her mammy’s front room. There was not a single drop of make-up between them. Nobody had much of a heart to sing any more.
Douglas Stuart (Shuggie Bain)
I am enjoying seeing and learning things here, though I don’t ‘like’ the place in a way. It makes me feel such a decadent sybaritic old European. I leave Yale on Friday, go to Boston, Washington and back to New York – and sail on Nov 4.
Iris Murdoch (Living on Paper: Letters from Iris Murdoch 1934-1995)
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
My client, Mister George Dunn, believed he was in danger. And you know what, if you believe something, anything, then that’s what matters most. Believing. In America we have the freedom to believe. America, our beautiful sovereign state. Don’t kill that here today.
Nana Kwame Adjei-Brenyah (Friday Black)
The notices of change of address and of call code had gone out earlier but it was not until we were here and our comm center reestablished that I was notified that you had not made routine acknowledgment.” “For the bloody good reason that I did not receive routine notice!
Robert A. Heinlein (Friday)
FRIDAY MORNING, CADE met with Cameron and Nick McCall, the special agent in charge of the FBI’s Chicago office, to get him up to speed on the status of all open FBI investigations. It was the last agency they needed to cover—after this, Cade would be fully briefed and ready to take over as acting U.S. attorney. They’d been going for over an hour when Cameron stood up from her desk. She took a deep breath and put her hands on her lower back, which parted her suit jacket over her very pregnant stomach. Cade and Nick exchanged looks, speaking in silent man-code, as was necessary in such circumstances. You’ve got this, right, if she goes into labor here? You’re asking me? No, I don’t have this. “You boys can stop staring at me like I’m a ticking bomb about to explode.” Busted. “I just need to stand for a few minutes
Julie James (Love Irresistibly (FBI/US Attorney, #4))
J. D. Cone, when he came here from Oklahoma in 1948 to become a family practitioner, went on house calls with a thirty-eight pistol stuck into his belt after the sheriff told him it was always a good idea to be armed in case someone got a little ornery or disagreed with the diagnosis.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
But his eyes stutter over a TGI Fridays and he twitches a little, lip curling in involuntary distaste. Something about its facade feels foreign, intrusive, jarring. A tiny, cluttered shoe-repair shop next to it does not elicit the same feeling, nor does a vape shop next door. Just the chain stores that Manny sees—a Foot Locker, a Sbarro, all the sorts of stores one normally finds at a low-end suburban mall. Except these mall stores are here, in the heart of Manhattan, and their presence is… not truly harmful, but irritating. Like paper cuts, or little quick slaps to the face. The subway sign, though, feels right and real. The billboards, too, no matter what’s on them. The cabs, and flow of cars and people—all these things soothe the irritants, somehow. He draws in a deep breath that reeks of hot garbage and acrid steam belching from a manhole cover nearby, and it’s foul but it’s right.
N.K. Jemisin (The City We Became (Great Cities, #1))
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
Martina Green: Today is Tuesday, February eleventh, and Zoe Spanos has been missing for six weeks to the day. Last Friday, the Herron Mills Village PD declared Zoe a runaway, and that’s why I’m here, talking to you. Because if you know Zoe, you know she didn’t run away. Zoe Spanos is missing. And we’re missing Zoe
Kit Frick (I Killed Zoe Spanos)
Here, let me do it,” Peter says, coming up close behind me. I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!” He’s laughing too hard to speak. I cross my arms. “I’d better still have enough flour.” “You look like a grandma,” he says, still laughing. “Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister. “Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.” I start measuring again. One, two. “I don’t stay home every Friday night.” Three. “I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?” Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless? “I always wondered why you stopped hanging out with us.” Was I on five or six? “Peter! You made me lose my count again!” “I have that effect on women.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
But the Easter sacrifice in their own homes - well, think it over. I used to think the same as you, and I still hate to see the lambs and calves going home to their deaths on Good Friday. But isn't it a million times better than the way we do it at home, however 'humane' we try to be? Here, the lamb's petted, unsuspicious, happy - you see it trotting along with the children like a little dog. Till the knife's in its throat, it has no idea it's going to die. Isn't that better than those dreadful lorries at home, packed full of animals, lumbering on Mondays and Thursdays to the slaughterhouses, where, be as humane as you like, they can smell the blood and the fear, and have to wait their turn in a place just reeking of death?
Mary Stewart (The Moon-Spinners)
Here, you! The boss wants you. Buck up!' Mr Stafford was talking into the telephone. He replaced the receiver as Henry entered. 'Oh, Rice, here's a woman wants her husband shadowed while he's on the road. He's an actor. I'm sending you. Go to this address, and get photographs and all particulars. You'll have to catch the eleven o'clock train on Friday.' 'Yes, sir.' 'He's in "The Girl
P.G. Wodehouse (The Man with Two Left Feet and Other Stories (Jeeves, #0.5))
It often feels as if I’m not here, that I’m a figment of my own imagination. There are days when I feel so lightly connected to the earth that the threads that tether me to the planet are gossamer thin, spun sugar. A strong gust of wind could dislodge me completely, and I’d lift off and blow away, like one of those seeds in a dandelion clock. The threads tighten slightly from Monday to Friday.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.
Hugh Howey (Beacon 23 (Beacon 23, #1-5))
Nothing will go wrong,Micheal said soothingly. Me and you? We've been through to much together. And your too unpleasant to die.Too bossy.God will keep you down here for a while until you learn your lesson and start learning to work and play well with others. Now your talking.Will you go with me a week from Friday when I get my biopsy? Wild horses and an evil head nurse with rubber gloves couldn't keep me away. Now your just being gross.
Erica Orloff (Do They Wear High Heels in Heaven?)
If it were physically possible for her jaw to drop, her chin would have kissed the floor. “You brought me here to ask if I’d have sex with you?” “I brought you here to tell you that if you’ll let me, I’ll remove any traces of the past. When I get started you won’t be able to think about anything but me. When we’re done you’ll realize how lucky you could make some bastard if you’d spend your Friday nights out with the girls instead of a support group.
Aline Hunter (No Strings)
There were also those who had grown weary of it and the oft-repeated phrase that what made it special was the quality of its people. “Odessa has an unspeakable ability to bullshit itself,” said Warren Burnett, a loquacious, liberal-minded lawyer who after roughly thirty years had fled the place like a refugee for the coastal waters near Houston. “Nothing could be sillier than we got good people here. We got the same cross-section of assholes as anywhere.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
Henri Nouwen wonderfully describes the practices of silence, solitude and fasting. Within a world of words, silence allows us to hear the voice of God and ultimately gives us a liberating word for others. Solitude, as Nouwen says, is “the place of purification and transformation, the place of the great struggle and the great encounter.”[5] Solitude is the place where we stand alone, naked before a holy God, and learn to accept his grace and love, which set us free. Finally, fasting allows us to enter into the sufferings of Christ and walk closer with God. As Eddie Gibbs says, “The Church in the West has got to learn to suffer. We love Easter, but we don’t like Good Friday.”[6] Fasting gives a needed break to our digestive organs and sharpens our spiritual senses. As we engage in the three practices of silence, solitude and fasting, we can overcome a noisy, overwhelming, frenzied life and connect with the heart of God. Here we find love and liberation for all, responding to the suffering and captivity in the world.
J.R. Woodward (Creating a Missional Culture: Equipping the Church for the Sake of the World)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
Little Britain may truly be called the heart's core of the city; the stronghold of true John Bullism. It is a fragment of London as it was in its better days, with its antiquated folks and fashions. Here flourish in great preservation many of the holiday games and customs of yore. The inhabitants most religiously eat pancakes on Shrove Tuesday, hot-cross-buns on Good Friday, and roast goose at Michaelmas; they send love-letters on Valentine's Day, burn the pope on the fifth of November, and kiss all the girls under the mistletoe at Christmas. Roast
Washington Irving (Little Britain)
What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
every Friday night he would set up a desk in the Tight Manhole, an Irish bar where the mine workers drank and sang songs of misery. The oil company paid him to report on all the charitable and civic-minded projects they had in the works as well as hard-hitting news stories happening in Haggleworth. Because of his honest face and gifted speaking voice, men and women would come in from all the other bars in Haggleworth—the Dirty Chute, the Mine Shaft, the Rear End, the Suspect Opening, the Black Orifice, the Poop Chute, too many to list here—all to listen to The Shell Oil Burgundy Hour.
Ron Burgundy (Let Me Off at the Top!: My Classy Life and Other Musings)
was sprawled on the family-room couch, half asleep in front of a Clint Eastwood movie. A can of ginger ale and an empty bag of pretzels sat on the table in front of him. He opened one eye and saw Maura, then looked at Greg and winked. “Hey, little buddy . . . I see your ladyfriend is here.” Greg felt the urge to lash out, like he’d done with Eileen and Brittany at school on Friday morning. But this time he didn’t take the bait. He said, “We’re just copying some artwork. For a project we’re doing. And it’s gonna make noise. We have to.” Ross heaved himself up off the couch, shut off the TV, burped, mumbled, “’Scuse me” in Maura’s general direction, and went looking for a quieter place to waste another hour or two. Greg said, “I got this paper that’s good and bright, but it’s not as thick as regular copy paper. Makes it easier to fold.” After placing the first master sheet face down on the glass, he pushed Print, and then held up the copy for Maura to see. Pointing at a gray area, he said, “See that? I can change the settings and make that part darker. It ought to be solid black. Except for that, it’s a good copy.” The machine beeped as Greg made the change, and then he pushed the Print button.
Andrew Clements (Lunch Money (Rise and Shine))
You knew she was sick,” her mother said. She was trying to comfort her or maybe just alleviate her shock. “I know,” Jude said. “Still.” “It wasn’t painful. She was smilin and talkin to me, right up until the end.” “Are you all right, Mama?” “Oh, you know me.” “That’s why I’m asking.” Her mother laughed a little. “I’m fine,” she said. “Anyway, the service is Friday. I just wanted to let you know. I know you’re busy with school—” “Friday?” Jude said. “I’ll fly down—” “Hold on. No use in you comin all the way down here—” “My grandmother is dead,” Jude said. “I’m coming home.” Her mother didn’t try to dissuade her further. Jude was grateful for that. She’d already acted as if notifying her of her grandmother’s passing had been some inconvenience. What type of life did her mother think she was living that she couldn’t interrupt with that type of news? They hung up and Jude stepped out into the hallway. Students buzzed past. A friend from the biology department waved his coffee at her as he ducked into the lounge. A weedy orange-haired girl tacked a green poster for a protest onto the announcement board. That was the thing about death. Only the specifics of it hurt. Death, in a general sense, was background noise. She stood in the silence of it.
Brit Bennett (The Vanishing Half)
I could come down for a couple of days, Daniel,but I'd like to bring someone." "Someone?" Daniel's senses sharpened. He leaned forward with the cigar smoldering in his hand. "Who might this someone be?" Recognizing the tone, Grant crunched o a corn chip. "An artist I know who's doing some painting in New England, in Winty Point at the moment. I think she'd be interested in your house." She, Daniel thought with an irrepressible grin.Just because he'd managed to comfortably establish his children didn't mean he had to give up the satisfying hobby of matchmaking. Young people needed to be guided in such matters-or shoved along.And Grant-though he was a Campbell-was by way of being family... "An artist...aye,that's interesting. Always room for one more,son. Bring her along. An artist," he repeated, tapping out his cigar. "Young and pretty, too, I'm sure." "She's nearly seventy," Grant countered easily,crossing his ankles as he leaned against the wall. "A little dumpy, has a face like a frog.Her paintings are timeless, tremendous emotional content and physicality.I'm crazy about her." He paused, imagining Daniel's wide face turning a deep puce. "Genuine emotion transcends age and physical beauty, don't you agree?" Daniel choked, then found his voice. The boy needed help,a great deal of help. "You come early Friday,son. We'll need some time to talk." He stared hard the bookshelf across the room. "Seventy, you say?" "Close.But then true sensuality is ageless. Why just last night she and I-" "No,don't tell me," Daniel interrupted hastily. "We'll have a long talk when you get here. A long talk," he added after a deep breath. "Has Shelby-No, never mind," he decided. "Friday," Daniel said in a firmer tone. "We'll see about all this on Friday." "We'll be there." Grant hung up, then leaning against the doorjamb, laughed until he hurt. That should keep the old boy on his toes until Friday, Grant thought. Still grinning, he headed for the stairs. He'd work until dark-until Gennie.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Frankie had used one (reverently) to wipe his eyes.This specimen was old and soft,monogrammed with a J in the corner. "Makes it interesting," he told me once, after finding a box monogrammed with M for fifty cents at a sidewalk sale. "Was it Max or Michael? Maybe Marco..." "Here," he said now. "You have lipstick halfway down to your chin." Humiliated, I scrubbed at my face. Frankie held out his hand, palm up. "Okay,let's have it." I pulled the tube out of my pocket. "Not really my thing, madam, but since I've seen what happens when you don't use a mirror..." I'm sure it helped that he was holding my face, but he read it like a pro. "You had a mirror." "I did.I'm hopeless." "Maybe.Open." He squinted as he filled in my upper lip. "I don't like this." "The color? I knew it was too pink-" "Quiet.You'll smear it.The color is fine. Better for Sienna, I'm sure..." He surveyed his handiwork. "I don't like that you're doing this for him." "Don't start. I told you how nice he was." "In excruciating detail." Given, the post-Bainbridge family dinner e-mail to Frankie and Sadie had been long. But excrutiating stung, especially from the boy who'd used every possible synonym for hot in describing his Friday-night bookstore acquisition. No name, just detailed hotness and the play-by-play of their flirtation over the fantasy section.
Melissa Jensen (The Fine Art of Truth or Dare)
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
Pont Saint Benezet.” “What happened to it?” Luce asked. Daniel glanced over his shoulder. “Remember how quiet Annabelle got when I mentioned we were coming here? She inspired the boy who built that bridge in the Middle Ages in the time when the popes lived here and not in Rome. He noticed her flying across the Rhone one day when she didn’t think anyone could see her. He built the bridge to follow her to the other side.” “When did it collapse?” “Slowly, over time, one arch would fall into the river. Then another. Arriane says the boy-his name was Benezet-had a vision for angels, but not for architecture. Annabelle loved him. She stayed in Avignon as his muse until he died. He never married, kept apart from the rest of Avignon society. The town thought he was crazy.” Luce tried not to compare her relationship with Daniel to what Annabelle had had with Benezet, but it was hard not to. What kind of relationship could an angel and a mortal really have? Once all this was over, if they beat Lucifer…then what? Would she and Daniel go back to Georgia and be like any other couple, going out for ice cream on Fridays after a movie? Or would the whole town think she was crazy, like Benezet? Was it all just hopeless? What would become of them in the end? Would their love vanish like a medieval bridge’s arches? The idea of sharing a normal life with an angel was what was crazy. She sensed that in every moment Daniel flew her through the sky. And yet she loved him more each day.
Lauren Kate (Rapture (Fallen, #4))
I rolled my hands along the sides of the coffee cup, busying myself, steadying my nerves. “I’m listening.” “So, I don’t actually live in New York. I live in L.A.” My eyes flew up to his. “Oh. I didn’t know that.” I tried not to sound disappointed. He had the Viper booked every Tuesday, but I supposed that didn’t mean that he was actually present every week. So how often was he in town? As if reading my mind, he said, “I’m here every week. For work. I take a red-eye to New York on Monday, and Thursday night I take a red-eye back.” Thank the Lord. While I was curious about what he did for a living that had him working on two coasts, it was another part of his statement that struck me. “But today is Friday.” “I skipped my flight last night.” My stomach flipped. “Why?” “For you.” I
Laurelin Paige (Free Me (The Found Duet, #1))
Here is how to turn down an extramural date so you won’t be asked again. Say something like I’m terribly sorry I can’t come out to see 8½ revived on a wall-size Cambridge Celluloid Festival viewer on Friday, Kimberly, or Daphne, but you see if I jump rope for two hours then jog backwards through Newton till I puke They’ll let me watch match-cartridges and then my mother will read aloud to me from the O.E.D. until 2200 lights-out, and c.; so you can be sure that henceforth Daphne/Kimberly/Jennifer will take her adolescent-mating-dance-type-ritual-socialization business somewhere else. Be on guard. The road widens, and many of the detours are seductive. Be constantly focused and on alert: feral talent is its own set of expectations and can abandon you at any one of the detours of so-called normal American life at any time, so be on guard.
David Foster Wallace (Infinite Jest)
Then she’s the mother!” “No. For various good reasons, no. I won’t—” “But she knows who the mother is!” “Probably she did. At least she knew where she got it and who from. But she won’t tell because she’s dead. She was—” “Dead?” “I’m telling you. After a short talk with her Friday morning I left to get to a phone and send for help, and when I got back to the house her car was gone and so was she. I spent three hours searching the house. I’m reporting only the details that you need to understand the situation. Ellen Tenzer never returned to her house. At six o’clock yesterday morning a cop found a dead woman in a parked car—here in Manhattan, Thirty-eighth Street near Third Avenue. She had been strangled with a piece of cord. It was Ellen Tenzer, and it was her car. You would know about that if you read the papers. So she can’t tell us anything.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
She did occasionally criticise my priorities, how could I buy three new LPs one Friday afternoon when I was walking around in shoes with the sole flapping off? They’re just material goods, I responded, objects, while music was completely different. This was the mind, for Christ’s sake. This is what we need, really, and I do mean really, and it’s important to prioritise it. Everyone prioritises. Everyone wants new jackets and new shoes and new cars and new houses and new caravans and new mountain cabins and new boats. But I don’t. I buy books and records because they say something about what life is about, what it is to be a human here on earth. Do you understand? ‘Yes, you’re probably right, in a way. But isn’t it terribly impractical to walk around with your soles coming off? And it doesn’t look very nice, either, does it.’ ‘What do you want me to do? I haven’t got any money. I prioritised music on this occasion.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
Did you come here alone, Kitten?' 'No, Maria is with me. She is my maid, and oh, I never knew how much she liked me until to-day, for she never seemed to like me at all! But- but she came to me when Sherry had gone away, and she said a piece out of the Bible, about Ruth and Naomi, in the most touching way, and she is in the hall now, with my baggage, for I could not carry anything besides my clock and the canary, and those I had to bring!' Ferdy surveyed these two necessary adjuncts to a lady's baggage rather doubtfully. 'Dare say you're right,' he said. 'Very handsome timepiece.' 'Gil gave it to me for a wedding present,' Hero explained, her tears beginning to flow again. 'I have your bracelet too, and how could I bear to leave Gil's dear little canary? It is named after him! And Sherry- Sherry does not love it as I do, and perhaps he might give it away.' 'Quite right to bring it,' said Ferdy firmly. 'Company for you.
Georgette Heyer (Friday's Child)
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Recently a well-known megachurch pastor said, “When I’m looking for a leader I want the meanest, toughest son of a gun I can find.” Whether he understands it or not, this evangelical pastor is saying, “Give us Barabbas!” For many American Christians the politics of Jesus are dismissed as impractical and so they kick the can down the road saying, “maybe someday we can turn our swords into plowshares, but now is the time for us to build more B-2 bombers and stockpile nukes so we can kill all our enemies.” The crowd that gathers on Good Friday shouting, “Give us Barabbas!,” is far more plausible and numerous than most of us imagine. If we think that killing our enemies is compatible with Christian ethics, we are in effect saying, “Give us Barabbas!” But Lent is the time to rethink everything in the light of Christ. We are not called to scrutinize the Sermon on the Mount through the lens of the Pentagon; we are called to follow Jesus by embodying the kingdom of God here and now, no matter what the rest of the world does.
Brian Zahnd (The Unvarnished Jesus: A Lenten Journey)
But,” says he again, “if God much stronger, much might as the wicked devil, why God no kill the devil, so make him no more do wicked?”  I was strangely surprised at this question; and, after all, though I was now an old man, yet I was but a young doctor, and ill qualified for a casuist or a solver of difficulties; and at first I could not tell what to say; so I pretended not to hear him, and asked him what he said; but he was too earnest for an answer to forget his question, so that he repeated it in the very same broken words as above.  By this time I had recovered myself a little, and I said, “God will at last punish him severely; he is reserved for the judgment, and is to be cast into the bottomless pit, to dwell with everlasting fire.”  This did not satisfy Friday; but he returns upon me, repeating my words, “‘Reserve at last!’ me no understand—but why not kill the devil now; not kill great ago?”  “You may as well ask me,” said I, “why God does not kill you or me, when we do wicked things here that offend Him—we are preserved to repent and be pardoned.” 
Daniel Defoe (Robinson Crusoe)
HERE IS HOW TO RECOVER STOLEN CRYPTO // MUYERN TRUST HACKER ( Mail them at: muyerntrusted( at ) mail-me( dot )com ) ( Telegram for fast communication ( at )muyerntrusthacker ) ( Website: https:// muyerntrusthack. solutions/ )It's not often you feel the ground disappear beneath your feet, but when my online investment platform froze and my $200,000 savings vanished into thin air, that's exactly what happened. Panic, disbelief, and a crushing sense of helplessness washed over me. My life savings are gone. My dreams shattered. Days blurred into nights as I desperately searched for answers – frantic emails, endless phone calls, and countless online forums fueled by despair. My hope dwindled with each passing hour, leaving only a gnawing fear that the money was truly lost. Then Muyern Trust Hacker appeared, offering a ray of hope. My friend, god bless them, recommended that I check out their website after coming across it. I reached out to them, skeptical but clinging to hope, ready for another letdown. But something felt different. From the first email, Muyern Trust Hacker exuded professionalism and empathy. They listened to my story patiently, outlined their recovery process, and kept me informed every step of the way. They were the lifeline I desperately needed. The days that followed were a rollercoaster of emotions. Hope flickered, then dimmed, then flared again with each update. But slowly, steadily, progress was made. Muyern Trust Hacker unraveled the complexities of my case, navigated legal hurdles, and chipped away at the mountain of despair I had built around myself. Finally, the news arrived. My funds, all $200,000 of them, were recovered. Tears of relief streamed down my face as I read the confirmation email. It felt like a miracle, a second chance at life. My experience with Muyern Trust Hacker wasn't just about getting my money back. It was about regaining my faith in humanity, the possibility of justice, and the existence of good people who fight for what's right. Today, I stand here, no longer a victim, but a survivor. This is a testament to the power of resilience, the importance of hope, and the incredible work of companies like Muyern Trust Hacker. Don't give up if you ever find yourself in a similar situation. Seek help, reach out, and remember – even when the darkness seems absolute, a light is always waiting to be found. Better contact Muyern Trust Hacker ASAP.
Michael Friday (The Crypto Scam Bible: A guide to recovering stolen cryptocurrency)
And then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.
George Orwell (Homage to Catalonia)
With the heady scent of yeast in the air, it quickly becomes clear that Langer's hasn't changed at all. The black-and-white-checked linoleum floor, the tin ceiling, the heavy brass cash register, all still here. The curved-front glass cases with their wood counter, filled with the same offerings: the butter cookies of various shapes and toppings, four kinds of rugelach, mandel bread, black-and-white cookies, and brilliant-yellow smiley face cookies. Cupcakes, chocolate or vanilla, with either chocolate or vanilla frosting piled on thick. Brownies, with or without nuts. Cheesecake squares. Coconut macaroons. Four kinds of Danish. The foil loaf pans of the bread pudding made from the day-old challahs. And on the glass shelves behind the counter, the breads. Challahs, round with raisins and braided either plain or with sesame. Rye, with and without caraway seeds. Onion kuchen, sort of strange almost-pizza-like bread that my dad loves, and the smaller, puffier onion rolls that I prefer. Cloverleaf rolls. Babkas. The wood-topped cafe tables with their white chairs, still filled with the little gossipy ladies from the neighborhood, who come in for their mandel bread and rugelach, for their Friday challah and Sunday babka, and take a moment to share a Danish or apple dumpling and brag about grandchildren.
Stacey Ballis (Wedding Girl)
Sometimes when we’re being tested by discouragement, it seems God is silent. We pray and we don’t hear anything. We read the Scripture and still come away feeling like God is a million miles away. But remember, this is a test. When you’re in school, teachers never talk during tests. They stand up at the front of the room very quietly just watching all of the students taking the exam. The teachers have been preparing you in the days and weeks prior to the test. Often, they’ve put in extra hours making sure everyone has the opportunity to succeed. On test day, they want to see if you’ve learned the lessons. They know that you have the information you need. They know you’re prepared. You’re ready. Now all you’ve got to do is put into practice what you’ve learned. God works the same way as your teachers here on earth. When He is silent, don’t assume He has left you. He is right there with you during the test. The silence means only that God has prepared you, and now He is watching to see if you have learned. He would not give you the test unless He knew you were ready. God is not mad at you when He is silent. He has not forsaken you. His silence is a sign that He has great confidence in you. He knows you have what it takes. He knows you will come through the test victoriously or He would not have permitted you to be tested.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
I have a good friend, let’s call him Slim Berriss, who’s devised a schedule for himself that combines practical microdosing and pre-planned 1- to 2-day treks into deeper territory. For him, this blend provides a structured approach for increasing everyday well-being, developing empathy, and intensively exploring the “other.” Here is what it looks like: Microdosing of ibogaine hydrochloride twice weekly, on Mondays and Fridays. The dosage is 4 mg, or roughly 1/200 or less of the full ceremonial dosage at Slim’s bodyweight of 80 kg. He dislikes LSD and finds psilocybin in mushrooms hard to dose accurately. Woe unto he who “microdoses” and gets hit like a freight train while checking in luggage at an airport (poor Slim). The encapsulated ibogaine was gifted to him to solve this problem. Moderate dosing of psilocybin (2.2 to 3.5 g), as ground mushrooms in chocolate, once every 6 to 8 weeks. His highly individual experience falls somewhere in the 150 to 200 mcg description of LSD by Jim later in this piece. Slim is supervised by an experienced sitter. Higher-dose ayahuasca once every 3 to 6 months for 2 consecutive nights. The effects could be compared (though very different experiences) to 500+ mcg of LSD. Slim is supervised by 1 to 2 experienced sitters in a close-knit group of 4 to 6 people maximum. NOTE: In the 4 weeks prior to these sessions, he does not consume any ibogaine or psilocybin.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Meanwhile, Captain Crozier took to his Private Cabin yesterday and is terribly sick. I can hear his stifled moans since the late Peddie’s compartment borders the captain’s here on the starboard stern side of the ship. I think Captain Crozier is biting down on something hard—perhaps a Strip of Leather—to keep those moans from being heard. But I have always been Blessed (or Cursed) with good hearing. The Captain turned over the handling of the Ship’s and Expedition’s affairs to Lieutenant Little yesterday—thus quietly but Firmly giving Command to Little rather than to Captain Fitzjames—and explained to me that he, Captain Crozier, was battling a recurrence of Malaria. This is a lie. It is not just the symptoms of Malaria which I hear Captain Crozier suffering—and almost certainly will continue to hear through the walls until I head back to Erebus on Friday morning. Because of my uncle’s and my father’s weaknesses, I know the Demons the Captain is battling tonight. Captain Crozier is a man addicted to Hard Spirits, and either those Spirits on board have been used up or he has decided to go off them of his own Volition during this Crisis. Either way, he is suffering the Torments of Hell and shall continue to do so for many days more. His sanity may not survive. In the meantime, this ship and this Expedition are without their True Leader. His stifled moans, in a ship descending into Sickness and Despair, are Pitiable to the extreme.
Dan Simmons (The Terror)
A FAIR IMPRESSION of the pace of Roosevelt’s candidacy for Mayor may be gained by following him through one night of his campaign—Friday, 29 October.44 At 8:00 P.M., having snatched a hasty dinner near headquarters, he takes a hansom to the Grand Opera House, on Twenty-third Street and Eighth Avenue, for the first of five scheduled addresses in various parts of the city. His audience is worshipful, shabby, and exclusively black. (One of the more interesting features of the campaign has been Roosevelt’s evident appeal to, and fondness for, the black voter.) He begins by admitting that his campaign planners had not allowed for “this magnificent meeting” of colored citizens. “For the first time, therefore, since the opening of the campaign I have begun to take matters a little in my own hands!” Laughter and applause. “I like to speak to an audience of colored people,” Roosevelt says simply, “for that is only another way of saying that I am speaking to an audience of Republicans.” More applause. He reminds his listeners that he has “always stood up for the colored race,” and tells them about the time he put a black man in the chair of the Chicago Convention. Apologizing for his tight schedule, he winds up rapidly, and dashes out of the hall to a standing ovation.45 A carriage is waiting outside; the driver plies his whip; by 8:30 Roosevelt is at Concordia Hall, on Twenty-eighth Street and Avenue A. Here he shouts at a thousand well-scrubbed immigrants, “Do you want a radical reformer?” “YES WE DO!” comes the reply.46
Edmund Morris (The Rise of Theodore Roosevelt)
so often I get optimistic and explain the best method of learning to write to students. I don’t believe any of them has ever tried it, but I will explain it to you now. After all, you may be the exception. When I read about this method, it was attributed to Benjamin Franklin, who invented and discovered so much. Certainly I did not invent it. But I did it, and it worked. That is more than can be said for most creative writing classes. Find a very short story by a writer you admire. Read it over and over until you understand everything in it. Then read it over a lot more. Here’s the key part. You must do this. Put it away where you cannot get at it. You will have to find a way to do it that works for you. Mail the story to a friend and ask him to keep it for you, or whatever. I left the story I had studied in my desk on Friday. Having no weekend access to the building in which I worked, I could not get to it until Monday morning. When you cannot see it again, write it yourself. You know who the characters are. You know what happens. You write it. Make it as good as you can. Compare your story to the original, when you have access to the original again. Is your version longer? Shorter? Why? Read both versions out loud. There will be places where you had trouble. Now you can see how the author handled those problems. If you want to learn to write fiction, and are among those rare people willing to work at it, you might want to use the little story you have just finished as one of your models. It’s about the right length.     P
Gene Wolfe (The Best of Gene Wolfe)
One finds oneself surprisingly supplied with information. Outside the undifferentiated forces roar; inside we are very private, very explicit, have a sense indeed, that it is here, in this little room, that we make whatever day of the week it may be. Friday or Saturday. A shell forms upon the soft soul, nacreous, shiny, upon which sensations tap their beaks in vain. On me it formed earlier than on most. Soon I could carve my pear when other people had done dessert. I could bring my sentence to a close in a hush of complete silence. It is at that season too that perfection has a lure. One can learn Spanish, one thinks, by tying a string to the right toe and waking early. One fills up the little compartments of one’s engagement book with dinner at eight; luncheon at one-thirty. One has shirts, socks, ties laid out on one’s bed. But it is a mistake, this extreme precision, this orderly and military progress; a convenience, a lie. There is always deep below it, even when we arrive punctually at the appointed time with our white waistcoats and polite formalities, a rushing stream of broken dreams, nursery rhymes, street cries, half-finished sentences and sights—elm trees, willow trees, gardeners sweeping, women writing—that rise and sink even as we hand a lady down to dinner. While one straightens the fork so precisely on the table-cloth, a thousand faces mop and mow. There is nothing one can fish up in a spoon; nothing one can call an event. Yet it is alive too and deep, this stream. Immersed in it I would stop between one mouthful and the next, and look intently at a vase, perhaps with one red flower, while a reason struck me, a sudden revelation.
Virginia Woolf (The Waves)
Hero might have enjoyed the evening spent at Almack's Assembly Rooms, but it had not been one of unmixed pleasure for her escort, while for one other person it had been an evening of almost unleavened annoyance. Miss Milborne, seeing the most ardent of her admirers enter the rooms with Hero on his arm, had suffered something in the nature of a shock. Never before had she seen George in attendance on any other lady than herself! When he came to Almack's it was to form one of her court; and when she did not dance with him he had a gratifying habit of leaning against the wall and watching her, instead of soliciting some other damsel to dance with him. Now, on the heels of the most obdurate quarrel they had had, here he was, looking perfectly cheerful, actually laughing at something Hero had said to him, his handsome head bent a little to catch her words. Hero, too, was in very good looks: in fact, Miss Milborne had not known that her little friend could appear to such advantage. She could never, of course, aspire to such beauty as belonged to the Incomparable, but Miss Milborne was no fool, and she was obliged to own that there was something particularly taking in the bride's smile and mischievous twinkle. Watching George, she came to the reluctant conclusion that he was fully sensible of his partner's charm. He had given his adored Isabella nothing more than a common bow upon catching sight of her, and it was plain that he meant to devote his evening to Hero. Miss Milborne could think of a dozen reasons to account for his gallanting Hero to the ball, but none of them satisfied her; nor could the distinguishing attention paid to her by her ducal admirer quite restore her spirits.
Georgette Heyer (Friday's Child)
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
So I know I am right not to settle, but it doesn't make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I'm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart - perfect-on-paper men who make me feel like I'm in a foreign land, trying to explain myself, trying to make myself known. Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase? So you suffer through the night with the perfect-on-paper man - the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you've made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
Gillian Flynn (Gone Girl)
knowest not what thou sayest. I am but an ignorant man myself.” “Yes, yes,” says he, “you teachee me good, you teachee them good.” “No, no, Friday,” says I, “you shall go without me; leave me here to live by myself, as I did before.” He looked confused again at that word, and running to one of the hatchets which he used to wear, he takes it up hastily, comes and gives it to me. “What must I do with this?” says I to him. “You take kill Friday,” says he. “What must I kill you for?” said I again. He returns very quick, “What you send Friday away for? Take kill Friday, no send Friday away.” This he spoke so earnestly that I saw tears stand in his eyes. In a word, I so plainly discovered the utmost affection in him to me, and a firm resolution in him, that I told him then, and often after, that I would never send him away from me if he was willing to stay with me. Upon the whole, as I found by all his discourse a settled affection to me, and that nothing should part him from me, so I found all the foundation of his desire to go to his own country was laid in his ardent affection to the people, and his hopes of my doing them good; a thing which, as I had no notion of myself, so I had not the least thought or intention or desire of undertaking it. But still I found a strong inclination to my attempting an escape, as above, founded on the supposition gathered from the discourse, viz., that there were seventeen bearded men there; and, therefore, without any more delay I went to work with Friday, to find out a great tree proper to fell, and make a large periagua, or canoe, to undertake the voyage. There were trees enough in the island to have built a little fleet, not of periaguas and canoes, but even of good large vessels. But the main thing I looked at was, to get one so near the water that we might launch it when it
Joseph Conrad (50 Masterpieces you have to read before you die vol: 1)
On the eve of Fort Sumter, the governor of South Carolina, Francis Pickens, reportedly acknowledged the clash of realities in a private conversation with a U.S. Army officer in Charleston. Pickens told the army man about “the whole plan and secret of the Southern conspiracy,” admitting that “the South had never been wronged, and that all their pretenses of grievance in the matter of tariffs, or anything else, were invalid. ‘But,’ said [Pickens], ‘we must carry the people with us; and we allege these things, as all statesmen do many things that they do not believe, because they are the only instruments by which the people can be managed.’ He then and there declared that the two sections of the country were so antagonistic in ideas and policies that they could not live together, that it was foreordained that Northern and Southern men must keep apart…and that all the pretenses of the South about wrongs suffered were but pretenses, as they very well knew.” As news of the attack reached Washington—it had rained all night in the national capital as Friday became Saturday—the president of the United States pithily but unmistakably made himself clear. “And, in every event,” Lincoln wrote on Saturday, April 13, “I shall, to the extent of my ability, repel force by force.” His initial policy to hold the nation together had failed. “The last ray of hope for preserving the Union peaceably expired at the assault upon Fort Sumter,” Lincoln remarked. To his friend Orville Browning, the president confided, “Browning, of all the trials I have had since I came here, none begin to compare with those I had between the inauguration and the fall of Fort Sumter. They were so great that could I have anticipated them, I would not have believed it possible to survive them.” The rebel South would not be convinced. The Union would not hold. War had come.
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
FUNDAMENTAL FIVE  MONDAY - The first exercise you will do is the push-up. Try and perform 3 sets and as many reps as you can in each set. It is fine here if you use a raised platform for the hands as we are just trying to get stronger here. The second exercise you will perform is the dip exercise. Here you can do either a ledge dip if your strength is not strong enough, or some triceps dips if your strength is at a decent level. Keep trying to work towards the goal of doing 10 perfect triceps dips. Thirdly you will perform 3 sets of squats. Concentrate on good form here and try and descend as low as you are able to. Your target is to be able to perform 25 perfect reps before moving on. You can also do conditioning exercises here as well if that is part of your goal. Note that this is not required, as our main focus is to build strength. TUESDAY - On this day you will aim to perform a pulling exercise, ideally the chin-up. If you are not strong enough to perform any chin-ups, work with the row until your strength increases. Again, you should be aiming for 3 sets of as many reps as you can do, until you can do 10 perfect reps. The second exercise should be your core exercise. This can be any of the easier variations, such as the plank, crunch, dish, or hanging leg raise. Remember, that the sole aim here is to work up to performing 10 perfect hanging knee raises. WEDNESDAY - This is a rest day, and you should ensure that you get plenty of good food and sleep on this day. THURSDAY - This should be the same as Mondays workout. FRIDAY - This should be the same as Tuesdays workout. SATURDAY / SUNDAY - These are both rest days, as in the beginning it is important for your body to have enough rest and to be able to recover properly from the workouts. This also leaves you totally fresh for the week ahead. As was said before, only once you can perform the five fundamental movements and their required number of repetitions, you should move on to the next program.
Ashley Kalym (Complete Calisthenics: The Ultimate Guide To Bodyweight Exercise)
Sometimes when we’re being tested by discouragement, it seems God is silent. We pray and we don’t hear anything. We read the Scripture and still come away feeling like God is a million miles away. But remember, this is a test. When you’re in school, teachers never talk during tests. They stand up at the front of the room very quietly just watching all of the students taking the exam. The teachers have been preparing you in the days and weeks prior to the test. Often, they’ve put in extra hours making sure everyone has the opportunity to succeed. On test day, they want to see if you’ve learned the lessons. They know that you have the information you need. They know you’re prepared. You’re ready. Now all you’ve got to do is put into practice what you’ve learned. God works the same way as your teachers here on earth. When He is silent, don’t assume He has left you. He is right there with you during the test. The silence means only that God has prepared you, and now He is watching to see if you have learned. He would not give you the test unless He knew you were ready. God is not mad at you when He is silent. He has not forsaken you. His silence is a sign that He has great confidence in you. He knows you have what it takes. He knows you will come through the test victoriously or He would not have permitted you to be tested. The key is to remain upbeat and not be discouraged or bitter. Put into practice what you’ve learned. Stay in faith. Hang on to your happiness. Treat others kindly. Be a blessing. If you do that, you will pass the test and flourish in a new season. God will bring things out of you that you didn’t even know were in you. Understand, if you don’t allow the enemy to discourage you, one of his greatest weapons has been lost. Today is a new day. God is breathing new hope into your heart and new vision into your spirit. He is the Glory and the lifter of our heads. Look up with a fresh vision, and God will do for you what He promised David. He will lift you out of the pit. He will set your feet on a rock. He will put a new song in your heart. You won’t drag through life defeated and depressed. You will soar through life full of joy, full of faith, full of victory.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
Friday, March 24, 1944 ...Have my parents forgotten that they were young once? Apparently they have. At any rate, they laugh at us when we're serious, and they're serious when we're joking. Saturday, March 25, 1944 I don't have much in the way of money or worldly possessions, I'm not beautiful, intelligent or clever, but I'm happy, and I intend to stay that way! I was born happy, I love people, I have a trusting nature, and I'd like everyone else to be happy too. Friday, March 31, 1944 My life here has gotten better, much better. God has not forsaken me, and He never will. Wednesday, April 5, 1944 ...I can't imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death! And that's why I'm so grateful to God for having given me this gift, which I can use to develop myself and to express all that's inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that's a big question, will I ever be able to write something great, will I ever become a journalist or a writer? Tuesday, April 11, 1944 We've been strongly reminded of the fact that we're Jews in chains, chained to one spot, without any rights, but with a thousand obligations. We must put our feelings aside; we must be brave and strong, bear discomfort without complaint, do whatever is in our power and trust in God. One day this terrible war will be over. The time will come when we'll be people again and not just Jews! ...It's God who has made us the way we are, but it's also God who will lift us up again... ... I know what I want, I have a goal, I have opinions, a religion and love. If only I can be myself, I'll be satisfied. I know that I'm a woman, a woman with inner strength and a great deal of courage! If God lets me live, I'll achieve more than Mother ever did, I'll make my voice heard, I'll go out into the world and work for mankind! I know now that courage and happiness are needed first! Monday, April 17, 1944 Oh yes, I still have so much I want to discuss with him, since I don't see the point of just cuddling. Sharing our thoughts with each other requires a great deal of trust, but we'll both be stronger because of it!
Anne Frank (The Diary Of a Young Girl)
I had been telling him how the devil was God’s enemy in the hearts of men, and used all his malice and skill to defeat the good designs of Providence, and to ruin the kingdom of Christ in the world, and the like. “Well,” says Friday, “but you say God is so strong, so great; is He not much strong, much might as the devil?” “Yes, yes,” says I, “Friday; God is stronger than the devil—God is above the devil, and therefore we pray to God to tread him down under our feet, and enable us to resist his temptations and quench his fiery darts.” “But,” says he again, “if God much stronger, much might as the wicked devil, why God no kill the devil, so make him no more do wicked?” I was strangely surprised at this question; and, after all, though I was now an old man, yet I was but a young doctor, and ill qualified for a casuist or a solver of difficulties; and at first I could not tell what to say; so I pretended not to hear him, and asked him what he said; but he was too earnest for an answer to forget his question, so that he repeated it in the very same broken words as above. By this time I had recovered myself a little, and I said, “God will at last punish him severely; he is reserved for the judgment, and is to be cast into the bottomless pit, to dwell with everlasting fire.” This did not satisfy Friday; but he returns upon me, repeating my words, “‘Reserve at last!’ me no understand—but why not kill the devil now; not kill great ago?” “You may as well ask me,” said I, “why God does not kill you or me, when we do wicked things here that offend Him—we are preserved to repent and be pardoned.” He mused some time on this. “Well, well,” says he, mighty affectionately, “that well—so you, I, devil, all wicked, all preserve, repent, God pardon all.” Here I was run down again by him to the last degree; and it was a testimony to me, how the mere notions of nature, though they will guide reasonable creatures to the knowledge of a God, and of a worship or homage due to the supreme being of God, as the consequence of our nature, yet nothing but divine revelation can form the knowledge of Jesus Christ, and of redemption purchased for us; of a Mediator of the new covenant, and of an Intercessor at the footstool of God’s throne; I say, nothing but a revelation from Heaven can form these in the soul; and that, therefore, the gospel of our Lord and Saviour Jesus Christ, I mean the Word of God, and the Spirit of God, promised for the guide and sanctifier of His people, are the absolutely necessary instructors of the souls of men in the saving knowledge of God and the means of salvation.
Daniel Defoe (Robinson Crusoe)
Every Monday and Friday night, leaving us with awful suppers to reheat, our mum didn’t work late shifts at the printworks. She went to an office in Shoreditch. And from there, by radio, by note, by telephone and letters, she exchanged messages with Miss Carter and Mrs. Henderson and Queenie and others like them on what she called ‘humanitarian war work’. She’d never met any of them in person. ‘I can’t tell you any more details. It’s secret work. How you know even this much is really quite beyond me,’ she admitted. ‘I worked most of it out myself,’ I told her. She might’ve hidden it from me all this time, but I wasn’t stupid. ‘Sounds like Sukie did too.’ ‘Your sister spied on me,’ Mum replied bitterly. ‘She stole paperwork, listened in to private conversations. She was very foolish to get caught up in something she knew nothing about.’ ‘She did know about it, though. What Hitler’s doing really got to her. She was desperate to do something about it. All that post from Devon? It wasn’t from Queenie. Those were letters from the lighthouse, written by Ephraim, who feels the same about the Jewish people as Sukie does.’ ‘It was stupid, impulsive behaviour,’ Mum argued, ‘of the sort your sister’s very good at.’ Yet to me she had missed a vital point. ‘You know Sukie wanted to help you, don’t you? She saw how ill you’d got over Dad. By standing in for you on this job, she was making sure you’d get some rest, like the doctor said you should.’ ‘I might’ve known you’d stick up for your sister,’ Mum remarked. ‘But it didn’t help me – it worried me sick!’ ‘It did help thirty-two refugees, though,’ I reminded her. ‘She was lucky she didn’t get arrested straight away.’ Mum went on as if she hadn’t heard me. ‘When I found out that night what she’d done, I was all for going after her, hauling her back and locking her in her bedroom, till this frightful war was over if I had to. But it was too late by then. She was already halfway to France.’ ‘You knew the night she disappeared?’ I couldn’t believe what I was hearing. ‘Why didn’t you tell me?’ ‘And admit that I do undercover work and Sukie was doing it too?’ Mum cried. ‘Good grief, Olive, it’s secret business. It was too dangerous to tell you. There’s a war on, remember!’ ‘People always use that excuse,’ I muttered. It stunned me that Mum had known all this time. But then, hadn’t there been signs? The looks in our kitchen between her and Gloria, the refusal to talk about Sukie, the bundling us off out of the way – to here, the very place Sukie might, with any luck, show up. It was a clever way of making sure we knew the moment she set foot on British soil again.
Emma Carroll (Letters from the Lighthouse)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
Speaking on ABC’s “This Week,’’ Pfeiffer said Obama has no choice but to act on his own because of Congress’s ‘‘failure to fix the immigration system’’ and to provide extra money to deal with Central American children crossing the US-Mexico border. House Republicans on Friday approved a bill to address the problem of unattended children crossing the Mexican border. The measure would allocate $694 million for border security efforts, including $35 million for the National Guard, and also clear the way for eventual deportation of more than 700,000 immigrants brought here illegally as children. The Senate shelved its own bill on emergency border funds, which means no final congressional action will occur until lawmakers return from their five-week summer break.
Anonymous
It was Jenny’s turn to nod. “That’s why we brought along an extra suit.” Jenny’s blue eyes filled with concern. “Did you tell her what I said?” “Yes, but I thought she’d get more out of it if she heard it from you in person. We pick her up at ten o’clock on Friday morning.” They stopped by the concierge desk long enough to make arrangements for Jenny’s videos. Joanna also increased the Thanksgiving dinner reservation from four to six. “Who’s coming to dinner?” Jenny asked as they, too, headed for the elevator. “Leann Jessup,” Joanna answered. “She’s a new friend, someone I met here at school. And
J.A. Jance (Shoot Don't Shoot (Joanna Brady, #3))