Friday Night Quotes

We've searched our database for all the quotes and captions related to Friday Night. Here they are! All 100 of them:

I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
Charles Bukowski
Did you ever want to set someone's head on fire, just to see what it looked like? Did you ever stand in the street and think to yourself, I could make that nun go blind just by giving her a kiss? Did you ever lay out plans for stitching babies and stray cats into a Perfect New Human? Did you ever stand naked surrounded by people who want your gleaming sperm, squirting frankincense, soma and testosterone from every pore? If so, then you're the bastard who stole my drugs Friday night. And I'll find you. Oh, yes.
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
On Friday night, I was reading my new book, but my brain got tired, so I decided to watch some television instead.
Stephen Chbosky (The Perks of Being a Wallflower)
The universe contains any amount of horrible ways to be woken up, such as the noise of the mob breaking down the front door, the scream of fire engines, or the realization that today is the Monday which on Friday night was a comfortably long way off. A dog's wet nose is not strictly speaking the worst of the bunch, but it has its own peculiar dreadfulness which connoisseurs of the ghastly and dog owners everywhere have come to know and dread. It's like having a small piece of defrosting liver pressed lovingly against you.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
I wonder if you know yet that you’ll leave me. That you are a child playing with matches and I have a paper body. You will meet a girl with a softer voice and stronger arms and she will not have violent secrets or an affection for red wine or eyes that never stay dry. You will fall into her bed and I’ll go back to spending Friday nights with boys who never learn my last name.
Clementine von Radics
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
Dr. Seuss
Jeff, I have a problem.” “I’m glad you’ve finally realized I’m your answer, Merit.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Green-eyed monsters,” said Magnus, and grinned. He deposited Chairman Meow on the ground, and the cat moved over to Alec, and rubbed against his leg. “The Chairman likes you.” “Is that good?” “I never date anyone my cat doesn’t like,” Magnus said easily, and stood up. “So let’s say Friday night?” A great wave of relief came over Alec. “Really? You want to go out with me?” Magnus shook his head. “You have to stop playing hard to get, Alexander. It makes things difficult.” He grinned.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
Anna Peters
You know you're doing what you love when Sunday nights feel the same as Friday nights....
Donny Deutsch (Donny Deutsch's Big Idea: How To Make Your Entrepreneurial Dreams Come True, From The AHA Moment To Your First Million)
You know the typical crowd, Wow, it’s Friday night, what are you going to do? Just sit there? Well, yeah. Because there’s nothing out there. It’s stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I’ve never been bothered with the need to rush out into the night. That’s all. Sorry for all the millions, but I’ve never been lonely. I like myself. I’m the best form of entertainment I have.
Charles Bukowski
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
I would rather die than have my fans see me without a pair of heels on. And that's show business.
Lady Gaga
So what are you doing next Friday night?" "What have you got in mind?" "We could try hitting each other with cars," she suggested cheerfully. "Did that last weekend with Jase," he said with mock regret. "Go to the zoo and throw ourselves to the lions?" she fired back quickly, desperate to keep him focused on her rather than his caved-in chest. "The Romans sort of wore that one out. Got anything original?" "I'll think of something," she warned him. "Can't wait!
Josephine Angelini (Starcrossed (Starcrossed, #1))
Awkwardness, thy name is vampire.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Morning or night, Friday or Sunday, made no difference, everything was the same: the gnawing, excruciating, incessant pain; that awareness of life irrevocably passing but not yet gone; that dreadful, loathsome death, the only reality, relentlessly closing in on him; and that same endless lie. What did days, weeks, or hours matter?
Leo Tolstoy (The Death of Ivan Ilych)
We shouldn’t be doing this.” “Why,” he asked, “should we not be dancing?” “It’s not real.” “It could be.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
On a Tuesday night they were wed, And by Friday they were dead. And they buried them in the churchyard side by side, Oh my love, And they buried them in the churchyard side by side." Breaking away from Gideon with some reluctance, Sophie rose to her feet and dusted off her dress. "Please forgive me, my dear Mr. Lightwood- I mean Gideon- but I must go and murder the cook. I shall be directly back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
It's stupid, I know. I have this thing, this idea. This bullshit 'Mr. Darcy' idea, about the one that changes his mind. That comes back for me. And I'll look up some night, and he'll be there in front of me. And he'll stare at me and say, "It was you. It was always you.
Chloe Neill
May was like the Friday night of summer: all the good times lying ahead of you, bright and shiny and waiting to be lived.
Lisa Jewell (Then She Was Gone)
My head was throbbing, and my hands were shaking, but I went down the ladder to my workroom - and started figuring out how to rip someone's heart out of his chest from fifty miles away. Who says I never do anything fun on a Friday night?
Jim Butcher (Storm Front (The Dresden Files, #1))
It was a Friday night, she was at a club, and a good-looking man was currently giving her the I-want-to-take-you-home-and-I-hope-I-last-longer-than-five-minutes look… and she was thinking about pie, a young adult book, and feeding her cat. She was so turning into the cat lady at twenty-seven. Sweet.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
What if it's as simple as one moment? One tiny thing, like that kiss on the rocks? What if I'd kissed him a little longer? Would he be alive right now? Or what if I'd stayed with him Friday night, what if I'd been with him… wherever he was?
Kristina McBride (One Moment)
I'm gonna party, see how intoxicated I can get and how many rules I can flaunt. That's my motto.
H.G. Bissinger (Friday Night Lights)
I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight, I can divine it by conscience. And from what I see I am sure it bends towards justice.
Theodore Parker (The present aspect of slavery in America and the immediate duty of the North: a speech delivered in the hall of the State house, before the Massachusetts Anti-Slavery Convention, on Friday night, January 29, 1858)
I wanted what most people wanted—love, companionship. I wanted someone to touch. I wanted someone to touch me back. I wanted someone to laugh with, someone who would laugh with me, laugh at me. I wanted someone who looked and sawme . Not my power, not my position. I wanted someone to say my name. To call out, “Merit,” when it was time to go, or when we arrived. Someone who wanted to say to someone else, with pride, “I’m here with her. With Merit.” I wanted all those things. Indivisibly. But I didn’t want them from Morgan.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Avoidance helped settle the emotions. Considerably.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
It's either food or blood, Ethan.And given thats it's just me and you in this car right now, food would be considerably less complicated, don't you think?
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
We are skipping Friday this week, but we’ll make up for it by having Double Friday next week. Mark your schedules.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
And there's always a better time than right now and there always will be. But right now is what we've got.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
Well, " I began,"I've been roped into shenanigans." Without preface, Catcher muttered a curse ,then leaned over slipped his wallet from his jeans, and pulled out a twenty-dollar bill, which he handed to Mallory.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
You can tell a lot by the size of a mans library
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Morgan and Catcher said their manly hellos - consisting of a symbolic head bob from Catcher (of the "You're in my lair now" variety) and a responding nod from Morgan (of the "You are clearly the king of this castle" variety).
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
In life, we often have to make decisions that aren't easy. But it doesn't mean they aren't right.
Abbi Glines (Until Friday Night (The Field Party, #1))
Cat, I'll let you in on a little secret. We don't all love our jobs every day. And doing something you have passion for doesn't make the work part of it any easier...It just makes you less likely to quit.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
Where was a boom box when you needed one?
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
I kissed him, let him kiss me, let him clutch my hips, curl his fingers into the fabric of my shirt, slide his hands around my waist and splay them against my back, pull me infinitesimally closer. He made a sound, a growl or purr, some predatory noise that rumbled in his throat, then said my name. And this time, it wasn’t a question but a sound of victory, a claim on his prize.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
You drugged me,” “I didn’t want you to feel it, Merit.” His voice was soft. “You’d been attacked; you hadn’t consented. I didn’t want you to have to go through it. I didn’t want you to have to remember it.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Home is where the heart is... not necessariliy where you sleep.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Pain comes to all of us some time or another. Its how we learn to cope with it that determine our future.
Abbi Glines (Until Friday Night (The Field Party, #1))
she is not a porn category or the type you look for on a friday night she is not needy or easy or weak -daddy issues is not a punch line
Rupi Kaur (the sun and her flowers)
The thing is, that when you're young, you always think you'll meet all sorts of wonderful people, that drifting apart and losing friends is natural. You don't worry, at first, about the friends you leave behind. But as you get older, it gets harder to build friendships. Too many defenses, too little opportunity. You get busy. And by the time you realize that you've lost the dearest best friend you've ever had, years have gone by and you're mature enough to be embarrassed by your attitude and, frankly, by your arrogance.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
Can you at least pretend to be professional today?” Lindsey stopped, glanced back at Luc. “You show me professional, and I’ll show you professional.” Luc snorted, but his expression was gleeful. “Sweetheart, you wouldn’t know professional if it bit you on the ass.” “I prefer my bites in other places.” “Is that an invitation?” “If only you were so lucky, cowboy.” “Lucky? Hooking up with me would be the luckiest day of your life, Blondie.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Boys don’t always make the right decisions. It takes years before they become men and wise up.
Abbi Glines (Until Friday Night (The Field Party, #1))
Keeping quiet is how I survived.
Abbi Glines (Until Friday Night (The Field Party, #1))
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o’clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.
Charles Dickens (David Copperfield)
Did she watch Newsies? Tell me she watched Newsies. Twice.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Anyone could see it all coming and no one could possibly stop it and that was the beautiful thing. Friday night was open wide and writ in stone
Jonathan Lethem (The Fortress of Solitude)
And so I rehabilitate myself - staying up late this Friday night in spite of vowing to go to bed early, because it is more important to capture moments like this, keen shifts in mood, sudden veering of direction - than to lose it in slumber.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I stood there for a moment, playing emotional catch-up.He drove down from the Navarre House just to surprise me with flowers.And not It's -Valentines's Day-and-I-feel-olbligated flowers.These were just-because flowers.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
I wonder if you know yet that you’ll leave me. That you are a child playing with matches and I have a paper body. You will meet a girl with a softer voice and stronger arms and she will not have violent secrets or an affection for red wine or eyes that never stay dry. You will fall into her bed and I’ll go back to spending Friday nights with boys who never learn my last name. I have chased off every fool who has tried to sleep beside me You think it’s romantic to fuck the girl who writes poems about you. You think I’ll understand your sadness because I live inside my own. But I will show up at your door at 2 am, wild-eyed and sleepless. and try and find some semblance of peace in your breastbone and you will not let me in. You will tell me to go home.
Clementine von Radics
The Elephant of Depression wasn't just parked on my chest, it was relaxing there with the Walrus of Gloom and the Hippo of Bleak Friday Nights in Alone. They had beers. They were settling in.
Hester Browne
We don't always get what we deserve," she replied, patting James over his heart. "Sometimes we get more; sometimes we get less. At least we get something.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
There's money, and then there's class. The two are often separated.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid. So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in." And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.
Neil Gaiman
The room fell heavily silent. After a minute of continuing to flay Morgan with that narrowed gaze—and Morgan staring back defiantly—Ethan slowly lifted green eyes to me, and I saw something different there. Respect.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
So this was it. You take a wrong step and you end up wearing yesterday's underwear, sitting on the carpet trying to teach yourself how to knit. And even that doesn't work. She never expected it to be so hard. Life.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
Oh nookie in the stacks.Figures you're the type to have that fantasy, grad school and all.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Ethan opened his mouth, closed it, then opened it again. “That’s an interesting analysis.” Dynasty reruns have been rolling nonstop on cable,” Luc said. Huh. That was an interesting bit of information about our guard captain.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Ladies and...ladies" Luc said "since the sexual harassment has already started I assume you've recognized that we have a special guest.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
The end hurts.
Abbi Glines (Until Friday Night (The Field Party, #1))
My girl. My fucking jersey.
Abbi Glines (Until Friday Night (The Field Party, #1))
Darth Sullivan
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Oh , I do like you Merit.I like your ...Moxie.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
But the most important thing to know about being an introvert is that there’s nothing wrong with you. You’re not broken because you’re quiet. It’s okay to stay home on a Friday night instead of going to a party. Being an introvert is a perfectly normal 'thing' to be.
Jenn Granneman (The Secret Lives of Introverts: Inside Our Hidden World)
Top Gun,” I whispered to Lindsey. We’d started pointing out Luc’s ubiquitous pop culture references, having decided that because he cut his fangs in the Wild West, he’d been entranced by movies and television. You know, because living in a society of magically enhanced vampires didn’t require enough willing suspension of disbelief. -Merit in Chloe Neill’s Friday Night Bites
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
She had become my lifeline. I wanted to be hers. I wanted her to feel this way about me, too.
Abbi Glines (Until Friday Night (The Field Party, #1))
The Constitution bans cruel and unusual punishment,” I told him when he stepped down from the podium. “What?” he innocently asked. “Getting you out of the library? I believe it’s due time, Sentinel.” “Now that I’m a real, live vampire?” “Something like that,
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Now, could you maybe get some clothes on? That’s uh . . . distracting.” “You do know you came into my room uninvited, right? If I had known you were coming, I’d have been dressed.” He smirked. “I texted you.” “I was in the shower.” “Minor detail.
Abbi Glines (Until Friday Night (The Field Party, #1))
Vampires were hardly the monsters we were made out to be in fairy tales and television shows. We were hardly different from humans, but for the genetic mutation, fangs, silvering eyes, and periodic penchant for blood. What? I said hardly different.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Did something happen with you and that guy Vlad at that party Friday night?" Dread creeps over my skin. "Why?" "Hmm, okay. I don't really know how to put this, but...well, he was telling everybody today that you guys are dating and that you're his soul mate and that you're going to get married." "What?"
A.M. Robinson (Vampire Crush)
Just my jersey Maggie. No one else's. Ever. I don't want anyone's jersey touching you but mine. Keep this one. Wear it all the damn time you want, but don't ever put Brady's on again. My girl. My fucking jersey.
Abbi Glines (Until Friday Night (The Field Party, #1))
Seriously, I’m totally weirded out by the girly nature of this conversation. And yet, it’s kinda like you’re growing up. Do you think Judy Blume made a book about adolescent vampires? Are You There God, It’s Me, Merit?” Mallory snorted, obviously pleased with herself.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
I had always been told my future was on the field and I could be somebody great. I had wanted that. Until I found somebody who needed me. And I realized the only person I wanted to be great for was her.
Abbi Glines (Until Friday Night (The Field Party, #1))
Once upon a time there was a woman who was just like all women. And she married a man who was just like all men. And they had some children who were just like all children. And it rained all day. The woman had to skewer the hole in the kitchen sink, when it was blocked up. The man went to the pub every Friday, Saturday, and Sunday. The other nights he mended his broken bicycle, did the pool coupons, and longed for money and power. The woman read love stories and longed for things to be different. The children fought and yelled and played and had scabs on their knees. In the end they all died.
Elizabeth Smart (The Assumption of the Rogues & Rascals)
For an introvert, interacting in a group setting does mean missing out. Where there is too much input, the introvert misses his mind, his subjectivity, his freedom, his very potential. The high-stimulus social environment, the “where it’s at on a Friday night,” this apparent “more,” becomes a prison to the introvert. He can’t wait to be free—to get out and away from the noise, the talk, the interference with his inner process.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
Clear eyes, full hearts, can't lose
Coach Taylor
Why is it I can spend a dozen Friday nights staring at the peeling walls of my "room" without anyone in the family so much as poking a head down to see if I'm alive, while the one time I actually have plans (major plans, plans that necessitate extraordinary focus and massive preparation), my stepmother suddenly suggests we sing a duet of "Getting to Know You"?
Melissa Kantor (If I Have a Wicked Stepmother, Where's My Prince?)
So the saying is true? Money doesn’t buy happiness?” “When you’re poor, you have things to reach for. Goals that excite you. Maybe it’s a dream house or a vacation or even a meal at a restaurant on a Friday night. But the more money you have, the harder it is to find things to be excited about. You already have your dream house. You can go anywhere in the world anytime you want to. You could hire a private chef to make you every food you ever crave. People who aren’t rich think all those things are fulfilling, but they aren’t. You can fill your life with nice things, but nice things don’t fill the holes in your soul.
Colleen Hoover (Heart Bones)
I'm really about as good at relaitionships as I am at being a vampire. I'm kind of a smart but surprisingly inept kind of girl.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
It gave her a feeling of her own power, to make something practical and beautiful just by using her own skill and creativity. It inspired her.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club, #1))
Who’s Baumgartner?” I asked. President of the 155.” At my blank stare, Catcher clarified, “My former union, Local 155 of the Union of Amalgamated Sorcerers and Spellcasters.” I nearly choked on chicken, and when I was done with the coughing fit, asked, “The acronym for the Order of sorcerers is ‘U-ASS’?” A, seriously appropriate,” Mallory commented, giving Catcher a sideways grin. “B, explains why they call it ‘the Order.
Chloe Neill
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
You were at the party on Friday night, weren't you?" I didn't mentioned I'd followed him into the woods. He leaned back in his chair, his legs sprawled out. His boots nudged the bottom ruffle of my skirt. "Aye." Aye? Seriously? Could he be any hotter? Unless he had been looking for his girlfriend at the party. Not hot. "I was supposed to meet my cousin," he elaborated, "but I didn't find her," Hot again.
Alyxandra Harvey (Stolen Away)
I have a secret. A big, fat, hairy secret. And I’m not talking minor-league stuff, like I once let Joseph Applebaum feel me up behind the seventh-grade stairwell or I got a Brazilian wax after work last Friday or I’m hiding a neon blue vibrator called the Electric Slide in my night table. Which I’m not, by the way. In case you were wondering.
Karen MacInerney (Howling at the Moon (Tales of an Urban Werewolf, #1))
The arc of the moral universe is long, but it bends toward justice.
Theodore Parker (The present aspect of slavery in America and the immediate duty of the North: a speech delivered in the hall of the State house, before the Massachusetts Anti-Slavery Convention, on Friday night, January 29, 1858)
I don't know what rituals my kids will carry into adulthood, whether they'll grow up attached to homemade pizza on Friday nights, or the scent of peppers roasting over a fire, or what. I do know that flavors work their own ways under the skin, into the heart of longing. Where my kids are concerned I find myself hoping for the simplest things: that if someday they crave orchards where their kids can climb into the branches and steal apples, the world will have trees enough with arms to receive them.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me." "I do," I heard, in a voice that was barely mine. "Find steel," she advised him. We advised him. He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed. "If the only way you'll come back from this is to be bloodied by it, then so be it." He lunged.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
But there was a cost. Being near Ethan was just... incendiary. Part animosity, part ridiculous chemistry, neither conducive to a peaceful home environment. And this was only my first night under his thumb. Not a good sign of things to come.
Chloe Neill
What did I think I was doing? What did she think she was doing? When I want to kiss people in that way now, with mouths and tongues and all that, it's because I want other things too: sex, Friday nights at the cinema, company and conversation, fused networks of family and friends, Lemsips brought to me in bed when I am ill, a new pair of ears for my records and CDs, maybe a little boy called Jack and a little girl called Holly or Maisie, I haven't decided yet. But I didn't want any of those things from Alison Ashworth. Not children, because we were children, and not Friday nights at the pictures, because we went Saturday mornings, and not Lemsips, because my mum did that, not even sex, especially not sex, please God not sex, the filthiest and most terrifying invention of the early seventies.
Nick Hornby (High Fidelity)
Allan: That's quite a lovely Jackson Pollock, isn't it? Museum Girl: Yes, it is. Allan: What does it say to you? Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos. Allan: What are you doing Saturday night? Museum Girl: Committing suicide. Allan: What about Friday night?
Woody Allen (Play It Again, Sam)
Body Electric" Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend. We don’t need nobody 'Cause we got each other, Or at least I pretend. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. Whitman is my daddy, Monaco’s my mother, Diamonds are my bestest friend. Heaven is my baby, suicide’s her father, Opulence is the end. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. My clothes still smell like you, And all the photographs say you’re still young. I pretend I’m not hurt And go about the world like I’m havin’ fun. We get crazy every Friday night, Drop it like it’s hot in the pale moonlight. Grand Ole Opry, feelin' all right Mary's swayin’ softly to her heart's delight. I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. I sing the body electric, baby. I sing the body electric, baby. I sing the body electric, baby.
Lana Del Rey
THE CURSE May they never Return home at night... May you have no part of eventide, May you have no room of your own, Nor road, nor return. May your days be all exactly the same, Five Fridays in a row, Always an unlucky Tuesday, No Sunday, May you have no more little worries, Tears or inspiration, For you yourself are the greatest worry on earth: Prisoner!
Visar Zhiti (The Condemned Apple: Selected Poetry (Green Integer) (Albanian Edition))
I love you," Sam said, and set his mouth against hers, and broke off the kiss because he had to say it again. "I love you." Lucy's trembling fingers came to his lips, caressing them gently, "Are you sure? How do you know it's not just about sex?" "It is about sex...sex with your mind, sex with your soul, sex with the color of your eyes, the smell of your skin. I want to sleep in your bed. I want you to be the first thing I see every morning and the last thing I see at night. I love you the way I never thought I could love anyone.
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
The thing about violence, see, is that the Empire has a lot more to lose than we do. Violence disrupts the extractive economy. You wreak havoc on one supply line, and there’s a dip in prices across the Atlantic. Their entire system of trade is high-strung and vulnerable to shocks because they’ve made it thus, because the rapacious greed of capitalism is punishing. It’s why slave revolts succeed. They can’t fire on their own source of labour – it’d be like killing their own golden geese. ‘But if the system is so fragile, why do we so easily accept the colonial situation? Why do we think it’s inevitable? Why doesn’t Man Friday ever get himself a rifle, or slit Robinson Crusoe’s neck in the night? The problem is that we’re always living like we’ve lost. We’re all living like you. We see their guns, their silver-work, and their ships, and we think it’s already over for us. We don’t stop to consider how even the playing field actually might be. And we never consider what things would look like if we took the gun.
R.F. Kuang (Babel)
And so, on a night in late May, I found myself standing on the lawn of a Hyde Park mansion of vampires, staring up at the stone-framed visage of a boy in Armani, an enemy who’d become an ally. Ironic, I thought, that I’d given up one ally today but gained another.Ethan ran a hand through his hair. “What are you thinking about?” I whispered up, knowing he couldn’t hear me. Where was a boom box when you needed one?
Chloe Neill
What if we take away the cool music and the cushioned chairs? What if the screens are gone and the stage is no longer decorated? What if the air conditioning is off and the comforts are removed? Would his Word still be enough for his people to come together? At Brook Hills we decided to try to answer this question. We actually stripped away the entertainment value and invited people to come together simply to study God’s Word for hours at a time. We called it Secret Church. We set a date—one Friday night—when we would gather from six o’clock in the evening until midnight, and for six hours we would do nothing but study the Word and pray. We would interrupt the six-hour Bible study periodically to pray for our brothers and sisters around the world who are forced to gather secretly. We would also pray for ourselves, that we would learn to love the Word as they do.
David Platt (Radical: Taking Back Your Faith from the American Dream)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)