Fret Quotes

When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.

To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

Pick the day. Enjoy it - to the hilt. The day as it comes. People as they come... The past, I think, has helped me appreciate the present, and I don't want to spoil any of it by fretting about the future.

Write it on your heart that every day is the best day in the year. He is rich who owns the day, and no one owns the day who allows it to be invaded with fret and anxiety. Finish every day and be done with it. You have done what you could. Some blunders and absurdities, no doubt crept in. Forget them as soon as you can, tomorrow is a new day; begin it well and serenely, with too high a spirit to be cumbered with your old nonsense. This new day is too dear, with its hopes and invitations, to waste a moment on the yesterdays.

Try to imagine a life without timekeeping. You probably can’t. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. an alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that no other creature endures. A fear of time running out.

maybe tonight you're scared of falling, and maybe there's somebody here or somewhere else you're thinking about, worrying over, fretting over, trying to figure out if you want to fall, or how and when you're gonna land, and i gotta tell you, friends, to stop thinking about the landing, because it's all about falling.

The day we fret about the future is the day we leave our childhood behind.

Just look down the road and tell me if you can see either of them." I see nobody on the road." said Alice. I only wish I had such eyes,"the King remarked in a fretful tone. "To be able to see Nobody! And at such a distance too!

Dead yesterdays and unborn tomorrows, why fret about it, if today be sweet.

The noble-minded are calm and steady. Little people are forever fussing and fretting.

Charles, mate, you fret too much. I'm a grown man, I am, and I can blood my handle." "Handle your blood?" Bones offered dryly. Ian grinned. "Exactly.

We are but older children, dear, Who fret to find our bedtime near.

The little cares that fretted me, I lost them yesterday Among the fields above the sea, Among the winds at play.

As mankind grew obsessed with its hours, the sorrow of lost time became a permanent hole in the human heart. People fretted over missed chances, over inefficient days; they worried constantly about how long they would live, because counting life’s moments had led, inevitably, to counting them down. Soon, in every nation and in every language, time became the most precious commodity.

There is no conclusive evidence of life after death, but there is no evidence of any sort against it. Soon enough you will know, so why fret about it?

This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?

It comes the very moment you wake up each morning. All your wishes and hopes for the day rush at you like wild animals. And the first job each morning consists simply in shoving them all back; in listening to that other voice, taking that other point of view, letting that other larger, stronger, quieter life come flowing in. And so on, all day. Standing back from all your natural fussings and frettings; coming in out of the wind.

I was already beginning to realize that the only way to conduct oneself in a situation where bombs rained down and bullets whizzed past, was to accept the dangers and all the consequences as calmly as possible. Fretting and sweating about it all was not going to help.

The future will be what it will, and fretting about it will only make your fears more likely to come true.

The day we finally hold ourselves accountable, rather than putting the blame on others, and come clean about our responsibilities, we unfetter ourselves from ravaging frustrations and fretting crankiness. ("The unbearable heaviness of being" )

Fret not where the road will take you. Instead concentrate on the first step. That's the hardest part and that's what you are responsible for. Once you take that step let everything do what it naturally does and the rest will follow. Do not go with the flow. Be the flow.

The last thing that you need to fret about is my feeling emasculated, Kitten; but talk is cheap, so I'll be sure to show you later." ~Bones

He hath never failed thee yet. Never will His love forget. O fret not thyself nor let Thy heart be troubled, Neither let it be afraid.

After everything he'd built, planned, fought for, fretted over, dreamed of, this was the summation of his life; one disappointing son and two suitcases.

I'm not fretting over control with you. You can have all of the command you desire as long as we're together. I'll just save my demands for the bedroom." I flushed. Bones just chuckled and brought my hand to his lips.

Don't fret. We'll just have to find something else you're good at besides killing people.

If I fret over tomorrow, I'll have little joy today.

Let your cares drive you to God. I shall not mind if you have many of them if each one leads you to prayer. If every fret makes you lean more on the Beloved, it will be a benefit.

Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants…

We live only a few conscious decades, and we fret ourselves enough for several lifetimes.

November is usually such a disagreeable month...as if the year had suddenly found out that she was growing old and could do nothing but weep and fret over it. This year is growing old gracefully...just like a stately old lady who knows she can be charming even with gray hair and wrinkles. We've had lovely days and delicious twilights.

Bilbo’s Last Song Day is ended, dim my eyes, But journey long before me lies. Farewell, friends! I hear the call. The ship's beside the stony wall. Foam is white and waves are grey; Beyond the sunset leads my way. Foam is salt, the wind is free; I hear the rising of the Sea. Farewell, friends! The sails are set, The wind is east, the moorings fret. Shadows long before me lie, Beneath the ever-bending sky, But islands lie behind the Sun That I shall raise ere all is done; Lands there are to west of West, Where night is quiet and sleep is rest. Guided by the Lonely Star, Beyond the utmost harbour-bar, I’ll find the heavens fair and free, And beaches of the Starlit Sea. Ship, my ship! I seek the West, And fields and mountains ever blest. Farewell to Middle-earth at last. I see the Star above my mast!

While Eeyore frets ... ... and Piglet hesitates ... and Rabbit calculates ... and Owl pontificates ...Pooh just is.

John Wanamaker, founder of the stores that bear his name, once confessed: "I learned thirty years ago that it is foolish to scold. I have enough trouble overcoming my own limitations without fretting over the fact that God has not seen fit to distribute evenly the gift of intelligence.

Even if i'm setting myself up for failure, I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obseessing about what will happen, or what has happened, and more time reveling in what is. A mother who doesn't fret over failings and slights, who realizes her worries and anxieties are just thoughts, the continuous chattering and judgement of a too busy mind. A mother who doesn't worry so much about being bad or good but just recognizes that she's both, and neither. A mother who does her best, and for whom that is good enough, even if, in the end, her best turns out to be, simply, not bad.

A lover knows only humility, he has no choice. He steals into your alley at night, he has no choice. He longs to kiss every lock of your hair, don't fret, he has no choice. In his frenzied love for you, he longs to break the chains of his imprisonment, he has no choice.

Let go of your worries and focus only on the task at hand. The future will be what it will, and fretting about it will only make your fears more likely to come true . I know,"--Glaedr

What the semicolon's anxious supporters fret about is the tendency of contemporary writers to use a dash instead of a semicolon and thus precipitate the end of the world. Are they being alarmist?

Oh, it was delicious to have someone to keep secrets with. If I'd had a sister or a brother closer in age, I guessed that's what it would be like. But it wasn't just smoking or skirting around Mother. It was having someone look at you after your mother has nearly fretted herself to death because you are freakishly tall and frizzy and odd. Someone whose eyes simply said, without words, You are fine with me.

The only way to gall and fret effectively is for yourself to be a good and honest man.

But suppose your dæmon settles in a shape you don't like? Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is. But it didn't seem to Lyra that she would ever grow up.

Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

Vamps are really only like ten percent fun at any given time. The other ninety percent is largely fretting. And bloodletting.

Look, why don't you go talk to Ron about all this?" Harry asked. "Well, I would, but he's always asleep when I go and see him!" said Lavender fretfully. "Is he?" said Harry, surprised, for he had found Ron perfectly alert every time he had been up to the hospital wing.

Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.

We should not fret for what is past, nor should we be anxious about the future; men of discernment deal only with the present moment

The Truth Shall Make Ye Fret. [Fred. Free.]

She reached up, held his face between her palms. "How can I help but fret? You live wi' death on your heels." "For your sake, lass, I promise to stay one step ahead.

I've heard people say that they lose themselves in a kiss. But in that moment, it was the opposite for me. I felt like I found myself. Not how I wished I was, or who I was afraid I was becoming, but who I really was.

It wasn’t all that long ago that he’d stood where I did, that my mom’s face was one of many in his world. And yet, despite all the impediments and all the time that had passed, they were still deeply in love. It was obvious in everything, from their shared room to the way they fretted over each other to the way they seemed to be incapable of not flirting with each other even after being married so long.

Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. Man alone measures time. Man alone chimes the hour. And because of this, man alone suffers a paralyzing fear that no other creatures endures. A fear of time running out.

Being and stability are regarded by our contemporaries as akin to death; they cannot live unless they act, fret, or distract themselves with this or that. Their spirit (provided we can still talk about a spirit in their case) feeds only on sensations and on dynamism, thus becoming the vehicle for the incarnation of darker forces.

I am in need of music that would flow Over my fretful, feeling finger-tips, Over my bitter-tainted, trembling lips, With melody, deep, clear, and liquid-slow. Oh, for the healing swaying, old and low, Of some song sung to rest the tired dead, A song to fall like water on my head, And over quivering limbs, dream flushed to glow! There is a magic made by melody: A spell of rest, and quiet breath, and cool Heart, that sinks through fading colors deep To the subaqueous stillness of the sea, And floats forever in a moon-green pool, Held in the arms of rhythm and of sleep.

I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes like stars start from their spheres, Thy knotted and combined locks to part, And each particular hair to stand on end Like quills upon the fretful porpentine. But this eternal blazon must not be To ears of flesh and blood. List, list, O list!

Don't fret, Grannie. We're going to a Bible retreat to scare the devil out of her

None of the things one frets about ever happen. Something one's never thought of does.

Theodor Geisel (otherwise known as Dr. Seuss) spent his workdays ensconced in his private studio, the walls lined with sketches and drawings, in a bell-tower outside his La Jolla, California, house. Geisel was a much more quiet man than his jocular rhymes suggest. He rarely ventured out in public to meet his young readership, fretting that kids would expect a merry, outspoken, Cat in the Hat–like figure, and would be disappointed with his reserved personality. “In mass, [children] terrify me,” he admitted.

A habit of finding pleasure in thought rather than action is a safeguard against unwisdom and excessive love of power, a means of preserving serenity in misfortune and peace of mind among worries. A life confined to what is personal is likely, sooner or later, to become unbearably painful; it is only by windows into a larger and less fretful cosmos that the more tragic parts of life become endurable.

Did I have a heart to be contented? Well, no, not particularly. I had a tendency to be discontented: ambitious, dissatisfied, fretful, and tough to please...It's easier to complain than to laugh, easier to yell than to joke around, easier to be demanding than to be satisfied.

I do not well understand that. Will you play upon this pipe? GUILDENSTERN: My lord, I cannot. HAMLET: I pray you. GUILDENSTERN: Believe me, I cannot. HAMLET: I do beseech you. GUILDENSTERN: I know no touch of it, my lord. HAMLET: It is as easy as lying. Govern these ventages with our fingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN: But these cannot I command to any utterance of harmony. I have not the skill. HAMLET: Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.

To tell you the truth, the world seemed full of sad people – those who slept on the uncovered stoops of shops as well as those who lived in high-rise mansions. The man who walks about on foot worries that he doesn’t have decent shoes to wear. The man who rides the automobile frets that he doesn’t have the latest model car. Every man’s complaint is valid in its own way. Every man’s wish is legitimate in its own right.

Living, we fret. Dying, we live. I’ll keep that in mind. I’ll be of good cheer.

The sullen boy sitting before me is not my husband, and the girl he is fretting over isn't me, will never be me.

Oh, it was delicious to have someone to keep secrets with...It was having someone look at you after your mother has nearly fretted herself to death because you are freakishly tall and frizzy and odd. Someone whose eyes simply said, without words, "You are fine with me.

I like these boots," I told Vayl. "Do you think they'd sell them to me cheap? I keep ruining mine." "Since when do you fret over money?" he asked with amusement. "I was not even sure you knew what to do with it." I shrugged. "A women has needs." "Still." said Cole. "Gosh, Jaz, why didn't you say something to me? I'd never let you suffer.

And right then I realised that she was right. The good, the bad, that's just life. Let it go. There's no need to fret about the past. The question is: who are you going to share it with tomorrow?

When they had been deciding what to call their company all those years ago, Marx had argued for calling it Tomorrow Games, a name Sam and Sadie instantly rejected as "too soft." Marx explained that the name referenced his favorite speech in Shakespeare, and that it wasn't soft at all. "Do you have any ideas that aren't from Shakespeare?" Sadie said. To make his case, Marx jumped up on a kitchen chair and recited the "Tomorrow" speech for them, which he knew by heart: Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing. "That's bleak," Sadie said. "Why start a game company? Let's go kill ourselves," Sam joked. "Also," Sadie said, "What does any of that have to do with games?" "Isn't it obvious?" Marx said. It was not obvious to Sam or to Sadie. "What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever." "Nice try, handsome," Sadie said. "Next.

Draco talked to Aurore more than he talked to anyone, even Hermione. He would monologue to her about anything, about the trees, and the furniture, all the shops where he’d bought books for Hermione, about what the weather might be, and what all the colours and hues of the analytic spells meant. Aurore would listen to him intently and fret when he got distracted or fell silent for too long.

Success" If you want a thing bad enough To go out and fight for it, Work day and night for it, Give up your time and your peace and your sleep for it If only desire of it Makes you quite mad enough Never to tire of it, Makes you hold all other things tawdry and cheap for it If life seems all empty and useless without it And all that you scheme and you dream is about it, If gladly you'll sweat for it, Fret for it, Plan for it, Lose all your terror of God or man for it, If you'll simply go after that thing that you want. With all your capacity, Strength and sagacity, Faith, hope and confidence, stern pertinacity, If neither cold poverty, famished and gaunt, Nor sickness nor pain Of body or brain Can turn you away from the thing that you want, If dogged and grim you besiege and beset it, You'll get it!

Why, Tom - us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people - we go on.' 'We take a beatin' all the time.' 'I know.' Ma chuckled. 'Maybe that makes us tough. Rich fellas come up an' they die, an' their kids ain't no good, an' they die out. But, Tom, we keep a-comin'. Don' you fret none, Tom. A different time's comin'.

I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! How noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god! The beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me—no, nor woman neither, though by your smiling you seem to say so.

West Wind #2 You are young. So you know everything. You leap into the boat and begin rowing. But listen to me. Without fanfare, without embarrassment, without any doubt, I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roil, fretting around the sharp rocks – when you hear that unmistakable pounding – when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming – then row, row for your life toward it.

In bed, I steal moments of tenderness when sex has finally exhausted me to the point where I’m too bone weary to fret anymore about the enormous capacity for evil that’s taken up squatter’s rights inside me. I touch him, put all those things I don’t say into my hands as I trace the red and black tattoos on his skin, the sharp planes and hollows of his face, bury my hands in his dark hair. He watches me in silence when I do, eyes dark, unfathomable. I sometimes wake up to find he’s pulled me close to him and is holding me, spooned into my back with his face in my hair, and those hands that don’t speak like mine don’t speak move over my skin and tell me I’m cherished, honored, seen.

Don't get your balls crossed about it.

Let us remind ourselves of the terminology. A theist believes in a supernatural intelligence who, in addition to his main work of creating the universe in the first place, is still around to oversee and influence the subsequent fate of his initial creation. In many theistic belief systems, the deity is intimately involved in human affairs. He answers prayers; forgives or punishes sins; intervenes in the world by performing miracles; frets about good and bad deeds, and knows when we do them (or even think about doing them). A deist, too, believes in a supernatural intelligence, but one whose activities were confined to setting up the laws that govern the universe in the first place. The deist God never intervenes thereafter, and certainly has no specific interest in human affairs. Pantheists don't believe in a supernatural God at all, but use the word God as a non-supernatural synonym for Nature, or for the Universe, or for the lawfulness that governs its workings. Deists differ from theists in that their God does not answer prayers, is not interested in sins or confessions, does not read our thoughts and does not intervene with capricious miracles. Deists differ from pantheists in that the deist God is some kind of cosmic intelligence, rather than the pantheist's metaphoric or poetic synonym for the laws of the universe. Pantheism is sexed-up atheism. Deism is watered-down theism.

Home is a place in the mind. When it is empty, it frets. It is fretful with memory, faces and places and times gone by. Beloved images rise up in disobedience and make a mirror for emptiness. Then what resentful wonder, and what half-aimless seeking. It is a silly state of affairs. It is a silly creature that tries to get a smile from even the most familiar and loving shadow. Comical and hopeless, the long gaze back is always turned inward.

Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks. They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful.

I tried to look at writing a song almost like solving a mystery. The song was there, buried somewhere in my brain. All I had to do was follow the clues until I figured it out.

She stared at him for long minutes, the unusual paleness of his face, the brows still scrunched with worry, as if he fretted for her even in his sleep. The sun gilded his dark hair and shone through his wings, bringing out undertones of reds and golds in both. Like a knight guarding his lady. She couldn't stop the image, sprung from the pages of her childhood books. Like a warrior-prince, with those tattoos and that muscle-bound chest. Her throat tightened unbearably, her eyes stinging. She would not let herself cry, not for herself or for the sight of him keeping watch beside her bed all night.

O night, O sweetest time, though black of hue, with peace you force all the restless work to end; those who exalt you see and understand, and he is sound of mind who honours you. You cut the thread of tired thoughts, for so you offer calm in your moist shade; you send to this low sphere the dreams where we ascend up to the highest, where I long to go. Shadow of death that brings to quiet close all miseries that plague the heart and soul, for those in pain the last and best of cures; you heal the flesh of its infirmities, dry and our tears and shut away our toil, and free the good from wrath and fretting cares.

The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.

See, see how the sun has moved onward while we talked. Nothing can stop it in its course. Prayers cannot halt the revolving of nature. It is the same with human life. Victory and defeat are one in the vast stream of life. Victory is the beginning of defeat, and who can rest safely in victory? Impermanence is the nature of all things of this world. Even you will find your ill fortunes too will change. It is easy to understand the impatience of the old, whose days are numbered, but why should you young ones fret when the future is yours?

It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don't fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all - nothing real, not one scrap of what there ought to be. And others - others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don't you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences - eternal differences, planted by God in a single family, so that there may always be colour; sorrow, perhaps, but colour in the daily grey.

Our past cannot be changed, and to be preoccupied with it is inefficient in time and effort. Likewise, by fretting over the future, we only exhaust ourselves, making us less able to effectively respond when the future is actually upon us. By worrying about a mishap that may or may not take place, we’re forced to undergo the event twice—once when imagining it and once again if and when we actually experience it.

The history of the world? Just voices echoing in the dark; images that burn for a few centuries and then fade; stories, old stories that sometimes seem to overlap; strange links, impertinent connections. We lie here in our hospital bed of the present (what nice clean sheets we get nowadays) with a bubble of daily news drip-fed into our arm. We think we know who we are, though we don't quite know why we're here, or how long we shall be forced to stay. And while we fret and write in bandaged uncertainty - are we a voluntary patient? - we fabulate. We make up a story to cover the facts we don't know or can't accept; we keep a few true facts and spin a new story round them. Our panic and our pain are only eased by soothing fabulation; we call it history.

Because sometimes I was tired of feeling so much and I just wanted to shut down and not feel anything. But I guess I wasn't wired that way. All I could do was write about it. Get it out of my head and onto something like paper that I could manage easier.

When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"(III, ii, 844-846), Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." (III,ii, 371-380)

She was a person who, when confronted with an easy way out, always took the hard way. The easy way out of this would be to marry Hank and let him labor for her. After a few years, when the children were waist-high, the man would come along whom she should have married in the first place. There would be searchings of hearts, fevers and frets, long looks at each other on the post office steps, and misery for everybody. The hollering and the high-mindedness over, all that would be left would be another shabby little affair à la the Birmingham country club set, and a self-constructed private Gehenna with the latest Westinghouse appliances. Hank didn’t deserve that.

A fine and beautiful life lies before thee, because thou hast a lively mind and a good wit. Thine arms are very strong and sturdy. Swimming hath helped to make them so, but only because thou hast had the will to do it. Fret not, my son. None of us is perfect. It is better to have crooked legs than a crooked spirit. We can only do the best we can with what we have. That, after all, is the measure of success: what we do with what we have.

The night was at her disposal. She might walk back to Great Mop and arrive very late; or she might sleep out and not trouble to arrive till to-morrow. Whichever she did Mrs Leak would not mind. That was one of the advantages of dealing with witches; they do not mind if you are a little odd in your ways, frown if you are late for meals, fret if you are out all night, pry and commiserate when at length you return. Lovely to be with people who prefer their thoughts to yours, lovely to live at your own sweet will, lovely to sleep out all night!

On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.

Trying to get rid of an unwanted habit is a bit like trying not to think about an elephant (the more you try not to think about it, the more you think about it). That’s because what you focus on, grows. Which is why people who put a lot of energy into focusing on what they don’t want, by talking about it, thinking about it, complaining about it, or fretting about it, usually get precisely that unwanted thing. It’s tough to get rid of the habit you don’t want by facing it head on. The way to accomplish it is to replace the unwanted habit with another habit that you do want. And creating new and better habits, ones that empower and serve you, is something you know how to do. You do it the same way you built any habit you have: one step at a time. Baby steps. The slight edge.

MacRieve, you're on my cloak. Let up -. Give it back!" "It was slowing you - and therefore me - down." "If you had gone first - " "I dinna. If you want it, why no' use magick to take it from me?" "You really do not want me to do that." "You really must no' want your cloak back. Come then, witchling, just take it from me." "Keep the cloak. It'll be worth money one day." "Doona fret, witch. You're no' so unbecoming from my angle. Bit scrawny where it counts, but no' too bad." "Scrawny where it counts, MacRieve? Funny, I'd heard the same about you." "No' likely. Maybe you're just too young to have heard the rumors about Lykae males. Tender wee ears and such.

Our Father, who has set a restlessness in our hearts and made us all seekers after that which we can never fully find, forbid us to be satisfied with what we make of life. Draw us from base content and set our eyes on far-off goals. Keep us at tasks too hard for us that we may be driven to Thee for strength. Deliver us from fretfulness and self-pitying; make us sure of the good we cannot see and of the hidden good in the world. Open our eyes to simple beauty all around us and our hearts to the loveliness men hide from us because we do not try to understand them. Save us from ourselves and show us a vision of a world made new.

Later, I remember to tell Ben about the girl. “Seconds!” I say, but he is unmoved. “People always talk about email and phones and how they alienate us from one another, but these sorts of fears about technology have always been with us,” he claims. When electricity was first introduced to homes, there were letters to the newspapers about how it would undermine family togetherness. Now there would be no need to gather around a shared hearth, people fretted. In 1903, a famous psychologist worried that young people would lose their connection to dusk and its contemplative moments. Hahaha! (Except when was the last time I stood still because it was dusk?)

How shall I put it? Beauty-yes, beauty is like a decayed tooth. It rubs against one's tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so that one cannot stand the pain and one goes to the dentist to have the tooth extracted, Then, as one looks at the small, dirty, brown, blood-stained tooth lying in one's hand, one's thoughts are likely to be as follows: ‘Is this it? Is this all it was? That thing which caused me so much pain, which made me constantly fret about its existence, which was stubbornly rooted within me, is now merely a dead object. But is this thing really the,same as that thing? If this originally belonged to my outer existence, why-through what sort of providence-did it become attached to my inner existence and succeed in causing me so much pain? What was the basis of this creature's existence? Was the basis within me? Or was it within this creature itself? Yet this creature which has been pulled out of my mouth and which now lies in my hand is something utterly different. Surely it cannot be that?

It is easy to be calm when there is nothing to worry about, Eragon. The true test of your self-control, however, is whether you can remain calm in a trying situation. You cannot allow anger or frustration to cloud your thoughts, not at the moment. Right now, you need your mind to be clear. Have you always been able to remain calm at times like this? The old dragon seemed to chuckle. No. I used to growl and bite and knock down trees and tear up the ground. Once, I broke the top off of a mountain in the Spine; the other dragons were rather upset with me for that. But I have had many years to learn that losing my temper rarely helps. You have not, I know, but allow my experience to guide you in this. Let go of your worries and focus on the task at hand. The future will be what is will, and fretting about it will only make your fears more likely to come true. I know, Eragon sighed, but it's not easy. Of course not. Few things of worth are. Then Glaedr withdrew and left him to the silence of his own mind.

Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.

Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.

I will never be a brain surgeon, and I will never play the piano like Glenn Gould. But what keeps me up late at night, and constantly gives me reason to fret, is this: I don’t know what I don’t know. There are universes of things out there — ideas, philosophies, songs, subtleties, facts, emotions — that exist but of which I am totally and thoroughly unaware. This makes me very uncomfortable. I find that the only way to find out the fuller extent of what I don’t know is for someone to tell me, teach me or show me, and then open my eyes to this bit of information, knowledge, or life experience that I, sadly, never before considered. Afterward, I find something odd happens. I find what I have just learned is suddenly everywhere: on billboards or in the newspaper or SMACK: Right in front of me, and I can’t help but shake my head and speculate how and why I never saw or knew this particular thing before. And I begin to wonder if I could be any different, smarter, or more interesting had I discovered it when everyone else in the world found out about this particular obvious thing. I have been thinking a lot about these first discoveries and also those chance encounters: those elusive happenstances that often lead to defining moments in our lives. […] I once read that the definition of insanity is doing the same thing over and over and expecting different results. I fundamentally disagree with this idea. I think that doing the same thing over and over and expecting different results is the definition of hope. We might keep making mistakes but the struggle gives us a sense of empathy and connectivity that we would not experience otherwise. I believe this empathy improves our ability to see the unseen and better know the unknown. Lives are shaped by chance encounters and by discovering things that we don’t know that we don’t know. The arc of a life is a circuitous one. … In the grand scheme of things, everything we do is an experiment, the outcome of which is unknown. You never know when a typical life will be anything but, and you won’t know if you are rewriting history, or rewriting the future, until the writing is complete. This, just this, I am comfortable not knowing.