Fresh Haircut Quotes

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angles from their former lofty positions in the sky. Their absence made everything look different, like a fresh haircut exposing a band of untanned skin on a forehead. Even from deep inside the kitchen, Luke could tell the trees were missing because everything was brighter, more open. Scarier.
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
Behind the building rose towering, aged pine trees whose shadows fell crabbed and arthritic across the lawn. The lawn was expansive and in good, green shape. It offered contrast. It was like a fresh haircut on a drunken tramp.
Walter Kirn (Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade)
I grew up poor among poor people in a poor town, but I never knew how poor I'd been until I moved to New York. These women with their fresh produce and diamonds and manicures. Even their skin was expensive. What got to me about them wasn't just the way they made me suddenly self-conscious about the ink under my fingernails or the haircut I gave myself in my own bathroom. It wasn't just that they'd spend more in one evening on chocolate, escarole, and jam than I did on the rice and beans and film and photo paper I needed for a week. What enraged me is that they didn't, couldn't, see me. I was less than a machine to them, less than a body. I did not even appear in their line of sight. I was nothing more than a couple of chanted phrases: Cash or charge? Paper or plastic? Thank you, have a nice night.
Rachel Lyon (Self-Portrait With Boy)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Crack had killed and taken televisions and watches and homes. As Slip Rock drove through Brooklyn, everyone waving and feeling the jealous burn of his ride knew crack had bought it. Crack had filled his pockets with cash and put the heavy gold chain around his neck. Crack had bought him a gun and let him rent the apartment above his mother’s where there was always a woman or two—fine as the ones on Yo! MTV Raps. Crack had paid for his fresh Caesar haircut and the do-rag and the Murray’s Nu Nile Aubrey figured he used at night to make the waves he sported beneath his Kangol.
Jacqueline Woodson (Red at the Bone)
As a professional speaker, Susanne travels all over the country and practically lives on airplanes. One day as she entered security to board yet another flight, she was struck by the poise, posture, and gestures of the man in front of her in line. As a communications expert, she observed his excellent presentation with appreciation and awe. The gentleman was dressed impeccably in a crisp white shirt and well-fitted suit and he sported a new haircut. She watched him as he removed his flawless leather belt, his gold money clip, and well-polished shoes. (And of course, he had Listerine in a baggie to ensure fresh breath!) The care with which he dismantled was impressive. His poised and fluid movements were deliberate and respectful of his personal possessions. As he regrouped and proceeded down the concourse, she was struck by how his stance and carriage intrigued and impressed her. His projection of elegance created a presence of pride and dignity. He left a remarkable impression.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
A cop car rolled past, slowly, its tires hissing on the blacktop. County Police. Probably spent the first half of its watch ginning up municipal revenue with a radar gun out on the highway, now prowling the back streets of the towns in its jurisdiction. Showing the flag. Paying attention to the trouble spots. The cop inside turned his head and gazed at Reacher. The guy was nothing like the pawnbroker. He was all squared away. His face was lean, and his eyes were wise. He was sitting behind the wheel with a ramrod posture, and his haircut was fresh. A whitewall buzz cut. Maybe just a day old. Not more than two.
Lee Child (The Midnight Line (Jack Reacher, #22))
[As in puberty,] There will be tears. And anger. And tragically unfortunate haircuts.
Heather Corinna (What Fresh Hell Is This?: Perimenopause, Menopause, Other Indignities, and You)
masculinity is aromatic and may be derived from flattening or freshly-shaved haircut. it is sexy in the way that it touches and the way that it questions and the way that it challenges who can house it.
Aimee Herman (Meant to Wake Up Feeling)
He wears a boring suit and a fresh haircut to please his mother, but the purple tie and pocket square are my uncle’s tribute to Prince.
Angeline Boulley (Firekeeper's Daughter)
For one thing, Cole could have passed for Win’s brother—blond, patrician-featured, well-to-do family. While everyone else in the picture was scraggly and long haired, Cole was freshly shaven with a conservative haircut, his one sixties concession being sideburns that went down a tad too far. Hardly your Hollywood-cast, radical leftist. But as Myron had learned from Win, looks could often be deceiving. He
Harlan Coben (Fade Away (Myron Bolitar, #3))