French Wines Quotes

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Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.
John Keats
Tomatoes and oregano make it Italian; wine and tarragon make it French. Sour cream makes it Russian; lemon and cinnamon make it Greek. Soy sauce makes it Chinese; garlic makes it good.
Alice May Brock
Just like becoming an expert in wine–you learn by drinking it, the best you can afford–you learn about great food by finding the best there is, whether simply or luxurious. The you savor it, analyze it, and discuss it with your companions, and you compare it with other experiences.
Julia Child (Mastering the Art of French Cooking)
Suppose neutral angels were able to talk, Yahweh and Lucifer – God and Satan, to use their popular titles – into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom? Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty “can’t-get-enough-of-you” hot-as-hell-fucks? Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?
Tom Robbins
The best wines take the longest to mature.
John Fowles (The French Lieutenant’s Woman)
If your arteries are good, eat more ice cream. If they are bad, drink more red wine. Proceed thusly.
Sandra Byrd (Bon Appetit (French Twist #2))
Praise the God of all, drink the wine, and let the world be the world.
French proverb
Here: an exercise in choice. Your choice. One of these tales is true. She lived through the war. In 1959 she came to America. She now lives in a condo in Miami, a tiny French woman with white hair, with a daughter and a grand-daughter. She keeps herself to herself and smiles rarely, as if the weight of memory keeps her from finding joy. Or that's a lie. Actually the Gestapo picked her up during a border crossing in 1943, and they left her in a meadow. First she dug her own grave, then a single bullet to the back of the skull. Her last thought, before that bullet, was that she was four months' pregnant, and that if we do not fight to create a future there will be no future for any of us. There is an old woman in Miami who wakes, confused, from a dream of the wind blowing the wildflowers in a meadow. There are bones untouched beneath the warm French earth which dream of a daughter's wedding. Good wine is drunk. The only tears shed are happy ones.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Branson ate his salad, and left the rest of his fish untouched, while Grace tucked into his steak and kidney pudding with relish. 'I read a while ago,' he told Branson, 'that the French drink more red wine than the English but live longer. The Japanese eat more fish than the English but drink less wine and live longer. The Germans eat more red meat than the English, and drink more beer and they live longer too. You know the moral of this story? 'No' 'It's not what you eat or drink - it's speaking English that kills you.
Peter James (Dead Simple (Roy Grace, #1))
Hey, Bubu, a bottle of good French wine...Sip it slowly, do you most good. You'll sleep. Be happy. And if you want to come downstairs, dance and sing, talk, ok. Do what you want. Here's the wine.
Charles Bukowski
Here is everything I know about France: Madeline and Amelie and Moulin Rouge. The Eiffel Tower and the Arc de Triomphe, although I have no idea what the function of either actually is. Napoleon, Marie Antoinette, and a lot of kings named Louis. I'm not sure what they did either, but I think it has something to do with the French Revolution, which has something to do with Bastille Day. The art museum is called the Louvre and it's shaped like a pyramid and the Mona Lisa lives there along with that statue of the women missing her arms. And there are cafes and bistros or whatever they call them on every street corner. And mimes. The food is supposed to be good, and the people drink a lot of wine and smoke a lot of cigarettes. I've heard they don't like Americans, and they don't like white sneakers.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What's foreign one can't always keep quite clear of, For good things, oft, are not so near; A German can't endure the French to see or hear of, Yet drinks their wines with hearty cheer.
Johann Wolfgang von Goethe (Faust)
As we hypnotically watch the steadily diminishing reserve of sand in life's hourglass, the instincts of a miser surface. Life is now savored, sipped as with a fine 19th Century French wine.
Joe L. Wheeler
The French are often, when it comes to wine, so formal that they border on the ridiculous.
Muriel Barbery (Gourmet Rhapsody)
Not being able to swipe into the subway when people are backing up behind you. Waiting for him at the bar. Leaving your purse open on a stool with a mess of bills visible. Mispronouncing the names while presenting French wines. Your clogs slipping on the waxed floors. The way your arms shoot out and you tense your face when you almost fall. Taking your job seriously. Watching the sex scene from Dirty Dancing on repeat and eating a box of gingersnaps for dinner on your day off. Forgetting your stripes, your work pants, your socks. Mentally mapping the bar for corners where you might catch him alone. Getting drunker faster than everyone else. Not knowing what foie gras is. Not knowing what you think about abortion. Not knowing what a feminist is. Not knowing who the mayor is. Throwing up between your feet on the subway stairs. On a Tuesday. Going back for thirds at family meal. Excruciating diarrhea in the employee bathroom. Hurting yourself when you hit your head on the low pipe. Refusing to leave the bar though it's over, completely over. Bleeding in every form. Beer stains on your shirt, grease stains on your jeans, stains in every form. Saying you know where something is when you have absolutely no idea where it is. At some point, I leveled out. Everything stopped being embarrassing.
Stephanie Danler (Sweetbitter)
One learned to take time to savor life, much as one took time to savor a good meal or glass of wine. The French called it “l’entente de la vie,” the harmony of life.
David McCullough (The Greater Journey: Americans in Paris)
the wine the sadness and the night
Alejandra Pizarnik (The Galloping Hour: French Poems)
I have known many true connoisseurs, with excellent tastes that range across the humanities and the culinary arts--and they never fail to have a fatal effect on my self-esteem. When I find myself sitting at dinner next to someone who knows just as much about novels as I do but has somehow also found the mental space to adore and be knowledgeable about the opera, have strong opinions about the relative rankings of Renaissance painters, an encyclopedic knowledge of the English civil war, of French wines--I feel an anxiety that nudges beyond the envious into the existential. How did she find the time?
Zadie Smith
Nobody went to bed at seven in Paris, even French children. Les enfants stayed up late at night, he had heard, eating with the adults, sipping red wine, and discussing the latest books and films.
Alexander McCall Smith (Love Over Scotland (44 Scotland Street, #3))
Wine runs in your veins.
Debra Borchert (Her Own Legacy (Château de Verzat #1))
It's all about the "French Paradox," that much-publicized puzzle of how French people eat all that fatty food and drink tons of wine, yet still manage to be svelte and sophisticated, not to mention cheese-eating surrender monkeys.
Julie Powell
Got any more of that wine, Casanova?" "I'm French, Sarah, not Italian. And I'm a vampire. I always have wine," Matthew said with a wicked smile. "There's no danger of running out.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
I think everyone is aware how disgusting snails are, and that’s why they are served in a bowl of wine and butter and called “escargots,” which is a French word loosely translated as “denial.
Jim Gaffigan (Food: A Love Story)
We lay side by side on the extension roof, hands behind our heads, elbows just touching. My head was still spinning a little, not unpleasantly, from the dancing and the wine. The breeze was warm across my face, and even through the city lights I could see constellations: the Big Dipper, Orion's Belt. The pine tree at the bottom of the garden rustled like the sea, ceaselessly. For a moment I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars and nocturne, and I knew, beyond any doubt, that everything was going to be all right.
Tana French (In the Woods (Dublin Murder Squad, #1))
We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea. The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall. ...
F. Scott Fitzgerald (The Great Gatsby)
I falter in the doorway, swept with memories of my reckless behavior last time I saw him. I sipped wine from a bottle. I kissed him. And as my pulse flutters with excitement, I know I would do it again, given the chance.
Meghan Masterson (The Wardrobe Mistress: A Novel of Marie Antoinette)
Like the Baron, Mathilde developed a formula for acting out life as a series of roles—that is, by saying to herself in the morning while brushing her blond hair, "Today I want to become this or that person," and then proceeding to be that person. One day she decided she would like to be an elegant representative of a well-known Parisian modiste and go to Peru. All she had to do was to act the role. So she dressed with care, presented herself with extraordinary assurance at the house of the modiste, was engaged to be her representative and given a boat ticket to Lima. Aboard ship, she behaved like a French missionary of elegance. Her innate talent for recognizing good wines, good perfumes, good dressmaking, marked her as a lady of refinement.
Anaïs Nin (Delta of Venus)
We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as the wind does on the sea.
F. Scott Fitzgerald
To be a Frenchman means to fight for your country and its wine,” he said.
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
This is what we must teach our children, to think of others more than they think of themselves, for it is in this way they will find the most noble satisfaction of all.
Kladstrup Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
French wine was the cornerstone of French diplomacy. They handed it out like peppermints.
Ann Patchett (Bel Canto)
From their refined tastes in French wine to their fervent consumption of Maine’s microbrews, booze makes up a very important part of white culture.
Christian Lander (Whiter Shades of Pale: The Stuff White People Like, Coast to Coast, from Seattle's Sweaters to Maine's Microbrews)
Monsieur de Villaine at Romanée-Conti, who believed that the winemaker was no more than an intermediary between the soil and the wine and that he should interfere as little as possible.
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
Big, strange Dr. Byrne, lover of French wine and fancy little cakes. The Portuguese tarts he brought us, still warm from the English Market. That deep yellow taste, the freckles of blackened sugar on the top.
Caroline O'Donoghue (The Rachel Incident)
When I find myself sitting at dinner next to someone who knows just as much about novels as I do but has somehow also found the mental space to adore and be knowledgeable about opera, have strong opinions about the relative rankings of Renaissance painters, an encyclopedic knowledge of the English Civil War, of French wines—I feel an anxiety that nudges beyond the envious into the existential. How did she find the time?
Zadie Smith (Feel Free: Essays)
While Apicius is full of ancient delicacies such as roasted peacock, boiled sow vulva, testicles, and other foods we would not commonly eat today, there are many others that are still popular, including tapenade, absinthe, flatbreads, and meatballs. There is even a recipe for Roman milk and egg bread that is identical to what we call French toast. And, contrary to popular belief, foie gras was not originally a French delicacy. The dish dates back twenty-five hundred years, and Pliny credits Apicius with developing a version using pigs instead of geese by feeding hogs dried figs and giving them an overdose of mulsum (honey wine) before slaughtering them.
Crystal King (Feast of Sorrow)
JJ informed me, when he dropped them off, that they are French bulldogs, which has led med to reassess my opinion of the French. They may know a lot about making wine and fries, but they don't know jacques-merde about making dogs.
Melissa DeCarlo (The Art of Crash Landing)
I’m a little bit in love with you.” I might have. I made such pronouncements all the time when I was lit, because most women walked around with their self-esteem around their ankles, and I felt a duty to help them lift it up. You are really pretty. Did I ever tell you about the time you ordered the wine in perfect French? Alcohol turned all my jealousy into buttercream.
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
André Simon, the noted French wine authority, described wine as “a good counselor, a true friend, who neither bores nor irritates us: it does not send us to sleep, nor does it keep us awake . . . it is always ready to cheer, to help, but not to bully us.
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
Poor Elinor! Willoughby on one side, Brandon on the other. She is quite entre deux feux.” Prudie had a bit of lipstick on her teeth, or else it was wine. Jocelyn wanted to lean across and wipe it off with a napkin, the way she did when Sahara needed tidying. But she restrained herself; Prudie didn’t belong to her. The fire sculpted Prudie’s face, left the hollows of her cheeks hollow, brightened her deep-set eyes. She wasn’t pretty like Allegra, but she was attractive in an interesting way. She drew your eye. She would probably age well, like Angelica Houston. If only she would stop speaking French. Or go to France, where it would be less noticeable.
Karen Joy Fowler (The Jane Austen Book Club)
Look, Fernand, your eyes are better than mine. I believe I see double. You know wine is a deceiver; but I should say it was two lovers walking side by side, and hand in hand. Heaven forgive me, they do not know that we can see them, and they are actually embracing!
Alexandre Dumas (The Count of Monte Cristo (Great Illustrated Classics))
During the next few years I wrote a series of Martian pensées, Shakespearean "asides," wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perce, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.
Ray Bradbury
Lucy preferred gin and tonics during the summer and switched over to whiskey sours in the winter. At dinner, a sit-down affair with the family, Lucy drank whatever the Temerlins drank, including expensive French wines. "She never gets obnoxious, even when smashed to the brink of unconsciousness," wrote Maurice, revealing more about the chimp's alcoholism than perhaps he intended. At one point, he tried to wean Lucy off the good stuff and onto Boone's Farm apple wine. Assuming she would delight in the fruity swill, he purchased a case and filled her glass one night at dinner. Lucy took a sip of the apple wine, noticed her parents were drinking something else, and put her glass down. She then graabbed Maurice's glass of Chablis and polished it off. She finished Jane's next. Not another sip of Boone's farm ever touched her lips.
Elizabeth Hess (Nim Chimpsky: The Chimp Who Would Be Human)
There are divisions between a culinary chef and a dessert chef, also called a pastry chef. At Zomick's are specializations within the pastry chef field. Some pastry chefs specialize in baking breads, while others are master cake designers. Each field requires an exceptional level of creativity and attention to detail.
Zomick's Bakery (Zomick's Kosher Challah - Bread Recipes by Zomick's Bakery)
I fought to stay awake and keep the car on the road. And I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men's shoes was the rule. So they would raise their crystal glasses of fine French wine and toast "bloody wars and dread diseases" because a casualty further up the chain of command was their only way to get ahead. Brutal, but that's how it's always been, in the military.
Lee Child (Persuader (Jack Reacher, #7))
I decided to write this piece because my internal critic told me to write it. At least I think he told me to write it. You see, he only speaks French, and I don't speak any French, so sometimes there can be a lot of confusion. In fact, all I really know about Pierre is that he loves wine, croissants, and women with hairy armpits.
Jarod Kintz (Waiting for Somebody to Double Park on My Chest)
The Hermit I’d gladly climb the highest steeple To escape those middle minded people Jet Set Wedding I wake up screaming clutching my wedding band The garnet ring is still a constant companion on my finger But what happened to the marriage? Fruitland Ave He taught her not to love nor hate And he my friend was double gate The Closing (On Death and Acceptance) When he died the funeral took place at her bank And sadly enough she’s down to her very last frank The Misogynist He sits on his throne a hilltop alone For women’s neurosis cause men’s psychosis Home Sweet Home The neurotic builds the dreamhouse The psychotic becomes his spouse Monogamy I’d rather be someone’s concubine, smell the honeysuckle Taste the wine, than end up being a clinging vine The Gour Maid I like champagne, and french brie, and camembert And men that don’t get in my hair
Elissa Eaton (Too Old to be a Hooker, Too Young to be a Madam)
She was wearing combat trousers and a wine-colored woollen sweater with sleeves that came down past her wrists, and clunky runners, and I put this down as affectation: Look, I’m too cool for your conventions. The spark of animosity this ignited increased my attraction to her. There is a side of me that is most intensely attracted to women who annoy me.
Tana French (In the Woods (Dublin Murder Squad, #1))
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
Romanée-Conti, who believed that the winemaker was no more than an intermediary between the soil and the wine and that he should interfere as little as possible.
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
Pardon my French, but Sauvignon Blanc is one messy bitch.
Shea Sanderson (From Cabernet to Zinfandel: Flavors, Pairings, and Personalities of the World's Most Popular Wines)
If all goes well we should be in Lusaka by tonight, then Victoria Falls, and from what I hear our troubles are over after that. Zimbabwe and South Africa are comfortable, efficient, Westernized. Akuna Matata. No Problem. Wild, uncomfortable, incomprehensible Africa will give way to tamed and tidied Africa – hot baths and iced beers, air-conditioning and daily newspapers, French wines and credit cards. Lying here, listening to the aching wind in a hut by a lake in a forest, I feel a pain of sadness at the prospect of leaving behind all I have been through these past months and returning to a world where experience is sanitized – rationed out second-hand by television and newspapers and magazines and marketing companies.
Michael Palin (Pole to Pole)
He did not share his father’s belief that the Germans were a superior type of human, but on the other hand he could see that German mastery of Europe would be no bad thing. The French had many brilliant talents—cooking, painting, fashion, wine—but they were not good at government. French officials saw themselves as some kind of aristocracy, and thought it was perfectly all right to
Ken Follett (Fall of Giants (The Century Trilogy #1))
Instead she wants to know every detail of the menu I have planned for her party, relishing everything in advance. She is brimming with suggestions. Brandade trufée, vol-au-vents aux trois champignons, cooked in wine and cream with wild chanterelles as a garnish, grilled langoustines with arugula salad, five different types of chocolate cake, all her favorites, homemade chocolate ice cream...
Joanne Harris (Chocolat (Chocolat, #1))
All Carolina folk are crazy for mayonnaise, mayonnaise is as ambrosia to them, the food of their tarheeled gods. Mayonnaise comforts them, causes the vowels to slide more musically along their slow tongues, appeasing their grease-conditioned taste buds while transporting those buds to a place higher than lard could ever hope to fly. Yellow as summer sunlight, soft as young thighs, smooth as a Baptist preacher's rant, falsely innocent as a magician's handkerchief, mayonnaise will cloak a lettuce leaf, some shreds of cabbage, a few hunks of cold potato in the simplest splendor, restyling their dull character, making them lively and attractive again, granting them the capacity to delight the gullet if not the heart. Fried oysters, leftover roast, peanut butter: rare are the rations that fail to become instantly more scintillating from contact with this inanimate seductress, this goopy glory-monger, this alchemist in a jar. The mystery of mayonnaise-and others besides Dickie Goldwire have surely puzzled over this_is how egg yolks, vegetable oil, vinegar (wine's angry brother), salt, sugar (earth's primal grain-energy), lemon juice, water, and, naturally, a pinch of the ol' calcium disodium EDTA could be combined in such a way as to produce a condiment so versatile, satisfying, and outright majestic that mustard, ketchup, and their ilk must bow down before it (though, a at two bucks a jar, mayonnaise certainly doesn't put on airs)or else slink away in disgrace. Who but the French could have wrought this gastronomic miracle? Mayonnaise is France's gift to the New World's muddled palate, a boon that combines humanity's ancient instinctive craving for the cellular warmth of pure fat with the modern, romantic fondness for complex flavors: mayo (as the lazy call it) may appear mild and prosaic, but behind its creamy veil it fairly seethes with tangy disposition. Cholesterol aside, it projects the luster that we astro-orphans have identified with well-being ever since we fell from the stars.
Tom Robbins (Villa Incognito)
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
Jack Kerouac (On the Road)
Huge tureens of puréed chestnut soup with truffles were carried in and served to each guest, filling the air with a rich earthy small. Then the servants brought in ballotine of pheasant, served with cold lobster in aspic and deep-sea oysters brought up the river by boat that morning. Our own foie gras on tiny rounds of bread was followed by 'margret de canard,' the breast meat of force-fed ducks, roasted with small home-grown pears and Armagnac. There was a white-bean cassoulet with wild hare, a haunch of venison cooked in cinnamon and wine, eel pie, and a salad of leaves and flowers from the garden, dressed in olive oil and lemon.
Kate Forsyth (Bitter Greens)
If thou fill thy brain with Boston and New York, with fashion and covetousness, and wilt stimulate thy jaded senses with wine and French coffee, thou shalt find no radiance of wisdom in the lonely waste of the pinewoods.
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
One looks back to what was called a 'wine-party' with a sort of wonder. Thirty lads round a table covered with bad sweetmeats, drinking bad wines, telling bad stories, singing bad songs over and over again. Milk punch-- smoking--ghastly headache-- frightful spectacle of dessert-table next morning, and smell of tobacco--your guardian, the clergyman, dropping in, in the midst of this--expecting to find you deep in Algebra, and discovering the Gyp administering soda-water. There were young men who despised the lads who indulged in the coarse hospitalities of wine-parties, who prided themselves in giving recherche little French dinners. Both wine-party-givers and dinner-givers were Snobs.
William Makepeace Thackeray
Mirepoix. She thought the word to herself, rolling it around in her mind. Mirepoix, mirepoix, mirepoix. Cajun "Holy Trinity"- onions, celery, and carrots, diced fine, heated to savory sweet, and left to bring magic to whatever dish they were added into. No doubt about it, this was going to be great. Almost holy. With a little bread and red wine- body and blood of Christ- she might make up for years of not going to mass. Either way, they'd go great with the meal.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
Soon you catch your first glimpse of a vineyard basking in the sun, its broad leaves silently turning sunlight into sugar, ripening vitis vinifera, the European grapes that make the world’s finest wines. For a moment you might imagine you’ve been mysteriously wafted to the French countryside, but no, this is the East End of Long Island, the most exciting new wine region in North America. You’ve reached your destination, but your journey of discovery has barely begun
Jane Taylor Starwood (Long Island Wine Country: Award-Winning Vineyards Of The North Fork And The Hamptons)
Wine makes us proud of our past,” said one official. “It gives us courage and hope.” How else to explain why vignerons in Champagne rushed into their vineyards to harvest the 1915 vintage even as artillery shells were falling all around?
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
Potosi, at over thirteen thousand feet, is the highest city in the world, and it is inconceivable that anyone would ever bother to build, much less occupy, a city at such an altitude were it not for the fabulous riches of Cerro Rico. Indeed, at one time things were really humming here--French wines, Chinese silks, posh whores, etc.--Potosi's university was founded well before the Pilgrims ever thought to set sail, and in 1613 the population was a hundred twenty thousand, equal to London's.
George Meegan (Longest Walk: An Odyssey of the Human Spirit)
should explain that a “sommelier” is a wine steward, the dignified person who comes up to you at expensive restaurants, hands you the wine list, and says “Excellent choice, sir,” when you point to French writing that, translated, says “Sales Tax Included.
Dave Barry (Dave Barry's Greatest Hits)
Young people today no longer have gout, but mope around on diets: noodles without butter, butter without bread, bread without sauce, sauce without meat, meat without truffles, truffles without scent, scent without bouquet, bouquet without wine, wine without drunkenness, drunkenness without gaiety….Saints of Paradise! I would rather have gout than deprive myself of all of life’s charms. ÉDOUARD DE POMIANE, VINGT PLATS QUI DONNENT LA GOUTTE (TWENTY DISHES THAT GIVE YOU GOUT), 1938, TRANSLATED BY JESSICA GREEN
Bill Buford (Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking)
What do you think of the war, M. Severn?" [...] "What can one think of war?" I said, tasting the wine again. It was quite good, though nothing in the Web could match my memories of French Bordeaux. "War does not call for judgment," I said, "merely survival.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
I will be thirty years old again in thirty seconds. I will take the best room in the Grand Central or the Orndorff Hotel. I will dine on oysters and palomitas and wash them down with white wine. Then I will go to the Acme or Keating's or the Big Gold Bar and sit down and draw my cards and fill an inside straight and win myself a thousand dollars. Then I will go to the Red Light or the Monte Carlo and dance the floor afire. Then I will go to a parlor house and have them top up a bathtub with French champagne and I will strip and dive into it with a bare-assed blonde and a redhead and an octoroon and the four of us will get completely presoginated and laugh and let long bubbly farts at hell and baptize each other in the name of the Trick, the Prick, and the Piper-Heidsick.
Glendon Swarthout (The Shootist)
Passengers drank and smoked. Both; a lot. This was a significant source of profit for Cunard. The company laid in a supply of 150 cases of Black & White Whiskey, 50 cases of Canadian Club Whiskey, and 50 of Plymouth Gin; also, 15 cases each of an eleven-year-old French red wine, a Chambertin, and an eleven-year-old French white, a Chablis, and twelve barrels of stout and ten of ale. Cunard stockpiled thirty thousand “Three Castles” cigarettes and ten thousand Manila cigars. The ship also sold cigars from Havana and American cigarettes made by Phillip Morris. For the many passengers who brought pipes, Cunard acquired 560 pounds of loose Capstan tobacco—“navy cut”—and 200 pounds of Lord Nelson Flake, both in 4-ounce tins. Passengers also brought their own. Michael Byrne, a retired New York merchant and former deputy sheriff traveling in first class, apparently planned to spend a good deal of the voyage smoking. He packed 11 pounds of Old Rover Tobacco and three hundred cigars. During the voyage, the scent of combusted tobacco was ever present, especially after dinner.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
We know our land was here before we came and that it will be here long after we are gone. With our wine, we have survived wars, the Revolution and phylloxera. Each harvest renews promises made in the spring. We live with the continuing cycle. This gives us a taste of eternity.
Don Kladstrup (Wine and War: The French, the Nazis, and the Battle for France's Greatest Treasure)
I work the terraces, Miss Jones. I bring forth the champagne and the wine. I ensure that the chateau remains a perfect example of French architecture. I pay the wages of the workers. I give the orders and flourish the phantom whip, but I am only the caretaker of Satancourt and its cellar.
Violet Winspear (Devil in a Silver Room)
It has been a long time since I've been in France. I miss the food like a phantom limb.' ... 'I shall bring you our best dishes,' he promised. 'And the wine to pair with them," she said. He feigned exasperation. 'But of course, he said, 'would I blaspheme?'... She ate, her eyes half closed. All along, she'd known Lotto was with her, across the table, enjoying her food with her. He would've loved this night. Her dress, the food, the wind. The lust welled in her until it was almost unbearable. If she looked up, she knew she would see only an empty chair. She would not look up.
Lauren Groff (Fates and Furies)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
the ingredients together—in a pot, with shots of red-wine vinegar (an unusual addition, a bright, slightly racy acidity to balance the dish’s summer sweetness)—and heats them gently for a short time. The practice—each vegetable cooked separately—is said to produce a more animated jumble of flavors than if everything had been plopped in at the same time.
Bill Buford (Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking)
I shall get nothing from these fools,' he muttered; 'and I am very much afraid of being here between a drunkard and a coward. Here's an envious fellow making himself boozy on wine when he ought to be nursing his wrath, and here is a fool who sees the woman he loves stolen from under his nose and takes on like a big baby. Yet this Catalan has eyes that glisten like those of the vengeful Spaniards, Sicilians, and Calabrians, and the other has fists big enough to crush an ox at one blow. Unquestionably, Edmond's star is in the ascendant, and he will marry the splendid girl--he will captain, too, and laugh at us all, unless'--a sinister smile passed over Danglars' lips--'unless I take a hand in the affair,' he added.
Alexandre Dumas (The Count of Monte Cristo (Great Illustrated Classics))
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
The Chablis runs smooth throughout. Then the vol-au-vents, light as a puff of summer air, then elderflower sorbet followed by plateau de fruits de mer with grilled langoustines, gray shrimps, prawns, oysters, berniques, spider crabs and the bigger torteaux- which can nip off a man's fingers as easily as I could nip a stem of rosemary- winkles, palourdes, and atop it all a giant black lobster, regal on its bed of seaweed. The huge platter gleams with reds and pinks and sea greens and pearly whites and purples, a mermaid's cache of delicacies that gives off a nostalgic salt smell, like childhood days at the seaside. We distribute crackers for the crab claws, tiny forks for the shellfish, dishes of lemon wedges and mayonnaise.
Joanne Harris (Chocolat (Chocolat, #1))
What do you want, Rachel?” he asks. “I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a fountain, Jake. I want to be a doctor and travel the country watching men at the top of their game play hazardous sports. I want to feel their sweat and smell their blood on the ice. I want to live. And I never want to turn an opportunity down out of fear that I’m not conforming to that dream of normal. Because I’m not normal, Jake. We’re not normal. We’re extraordinary. Be extraordinary with me.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
The first dinner-party of a bride's career is a momentous occasion, entailing a world of small anxieties. The accomplishments which have won her acclaim in the three years since she left the schoolroom are no longer enough. It is no longer enough to dress exquisitely, to chuse jewels exactly appropriate to the situation, to converse in French, to play the pianoforte and sing. Now she must turn her attention to French cooking and French wines. Though other people may advise her upon these important matters, her own taste and inclinations must guide her. She is sure to despise her mother's style of entertaining and wish to do things differently. In London fashionable people dine out four, five times a week. However will a new bride - nineteen years old and scarcely ever in a kitchen before - think of a meal to astonish and delight such jaded palates?
Susanna Clarke (Jonathan Strange & Mr Norrell)
Any meal at the front was an exercise in war-time ingenuity and devotion of the lower classes for their officers. The Petite Marmite a la Thermit was from beef-broth cubes, the tinned Canadian salmon was called Saumon de Tin A & Q Sauce. The Epaule d'Agneau Wellington, N.Z. was army ration lamb, and the terrine of foie gras aux truffes was a can of foie gras that I had bought from the French commanding general. There was a salad of fresh lettuce from somewhere (no one asked in what or whose fertilizer it had been grown in since we would all soon be dead anyway) and the Macedoine de Fruits a la Quatre Bas was a can of mixed fruit. Then fresh strawberries soaked in Cognac. All the usual wines starting with an amontillado, Pommery Extra Sec, Chateau Steenworde Claret, Graham's Five Crowns Port, Bisquit Dubouche Grande Champagne Cognac, Brandy and a Waterloo Cup.
Jeremiah Tower (A Dash of Genius (Kindle Single))
A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it.
Ta-Nehisi Coates
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller
Oh, this smells fantastic.” She slid up onto one of the stools. “Italian. And you said you could only make one thing.” “Yeah, I really slaved over this.” He turned toward the oven with a flourish and removed a flat pan with… Ehlena burst out laughing. “French-bread pizza.” “Only the best for you.” “DiGiorno?” “Of course. And I splurged on the supreme kind. I figured you could pick off what you don’t like.” He used a pair of sterling-silver tongs to transfer the pizzas onto the plates and then put the baking sheet back on the top of the stove. “I have red wine, too.” As he came over with the bottle, all she could do was stare up at him and smile. “You know,” he said as he poured some into her glass, “I like the way you’re looking at me.” She put her hands over her face. “I can’t help it.” “Don’t try. It makes me feel taller.” “And you’re not small to begin with.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility." "His wang us rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?" "Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass. St. Clair gets away with everything. We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes. "Well.That was sufficiently creepy. Happy Halloween." "Did you know this place is home to three thousand cats?" St. Clair asks. "Sure.It's filed away in my brain under 'Felines,Paris.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Veba and Sanja got marrried in the summer of 1993. They signed the papers at the municipal government building—Zrinka was the maid of honor—and ran under sniper fire to a taxi, which drove them down Sniper Alley at incredible speed to the Holiday Inn, where they had a drink (Zrinka's treat) in lieu of a wedding reception. A passing French journalist was so astonished at Sarajevans still getting married that he gave them a bottle of wine. "Have a good life!" he wrote on it.
Aleksandar Hemon (The Book of My Lives)
Josh and Rashmi are making out-I can actually see tongue-so I turn to my bread and grapes.How biblical of me. The grapes are smaller than I'm used to, and the skin is slightly textured. Is that dirt? I dip my napkin in water and dab at the tiny purple globes. It helps, but they're still sort of rough. Hmm. St. Clair and Meredith stop talking. I glance up to find them staring at me in matching bemusement. "What?" "Nothing," he says. "Continue your grape bath." "They were dirty." "Have you tried one?" she asks. "No,they've still got these little mud flecks." I hold one up to show them. St. Clair plucks it from my fingers and pops it into his mouth.I'm hypnotized by his lips, his throat, as he swallows. I hesitate. Would I rather have clean food or his good opinion? He picks up another and smiles. "Open up." I open up. The grape brushes my lower lip as he slides it in. It explodes in my mouth, and I'm so startled by the juice that I nearly spit it out. The flavor is intense, more like grape candy than actual fruit. To say I've tasted nothing like it before is an understatement. Meredith and St. Clair laugh. "Wait until you try them as wine," she says. St. Clair twirls a forkful of pasta. "So. How was French class?" The abrupt subject change makes me shudder. "Professeur Gillet is scary. She's all frown lines." I tear off a piece of baguette. The crust crackles, and the inside is light and springy. Oh,man. I shove another hunk into my mouth.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
pensées, Shakespearian “asides,” wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perse, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.
Ray Bradbury (The Martian Chronicles)
The wine is one of those big, noble wines that Brandon favours, and Chapuys drinks appreciatively and says I don't understand it, nothing do I understand in this benighted country. Is Cranmer Pope now? Or is Henry Pope? Perhaps you are Pope? My men who were among the press today say they heard few voices raised for the concubine, and plenty who called upon God to bless Katherine, the rightful queen. Did they? I don't know what city they were in. Chapuys sniffs: they may well wonder. These days it is nothing but Frenchmen about the king, and she, Boleyn, she is half-French herself, and wholly bought by them; her entire family are in the pocket of Francis. But you, Thomas, you are not taken in by these Frenchmen, are you? He reassures him: my dear friend, not for one instant. Chapuys weeps; it's unlike him: all credit to the noble wine. 'I have failed my master the Emperor. I have failed Katherine.' 'Never mind.' He thinks, tomorrow is another battle, tomorrow is another world.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Fichte’s teaching was heady wine for a frustrated folk. To him the Latins, especially the French, and the Jews are the decadent races. Only the Germans possess the possibility of regeneration. Their language is the purest, the most original. Under them a new era in history would blossom. It would reflect the order of the cosmos. It would be led by a small elite which would be free of any moral restraints of a “private” nature. These are some of the ideas we have seen Hitler putting down in Mein Kampf.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
The story of the “exquisite cadavers” is as follows. In the aftermath of the First World War, a collection of surrealist poets—which included André Breton, their pope, Paul Eluard, and others—got together in cafés and tried the following exercise (modern literary critics attribute the exercise to the depressed mood after the war and the need to escape reality). On a folded piece of paper, in turn, each one of them would write a predetermined part of a sentence, not knowing the others’ choice. The first would pick an adjective, the second a noun, the third a verb, the fourth an adjective, and the fifth a noun. The first publicized exercise of such random (and collective) arrangement produced the following poetic sentence: The exquisite cadavers shall drink the new wine. (Les cadavres exquis boiront le vin nouveau.) Impressive? It sounds even more poetic in the native French. Quite impressive poetry has been produced in such a manner, sometimes with the aid of a computer. But poetry has never been truly taken seriously outside of the beauty of its associations, whether they have been produced by the random ranting of one or more disorganized brains, or the more elaborate constructions of one conscious creator.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto Book 1))
For the weekend before, we had had a blowout of tarts, a tart bender, tart madness- even, I dare say, a Tart-a-pa-looza, if you will forgive one final usage of the construction before we at last bury that cruelly beaten dead pop-culture horse. Tarte aux Pêches, Tarte aux Limettes, Tarte aux Poires, Tarte aux Cerises. Tarte aux Fromage Frais, both with and without Pruneaux. Tarte aux Citron et aux Amandes, Tarte aux Poires à la Bourdalue, and Tarte aux Fraises, which is not "Tart with Freshes," as the name of the Tarte aux Fromage Frais ("Tart with Fresh Cheese," of course) might suggest, but rather Tart with Strawberries, which was a fine little French lesson. (Why are strawberries, in particular, named for freshness? Why not blackberries? Or say, river trout? I love playing amateur- not to say totally ignorant- etymologist....) I made two kinds of pastry in a kitchen so hot that, even with the aid of a food processor, the butter started melting before I could get it incorporated into the dough. Which work resulted in eight tart crusts, perhaps not paragons of the form, but good enough. I made eight fillings for my eight tart crusts. I creamed butter and broke eggs and beat batter until it formed "the ribbon." I poached pears and cherries and plums in red wine.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
kings are led astray by two causes: pride, and reliance upon an inner group which has lost its power of command. As for pride: though the Egyptians endured the Pyramids, the French, in the end, grumbled about Versailles and the Louvre; and moralists have always inveighed against the luxury of courts. ‘Wine is wicked, women are wicked, the king is wicked,’ we are told in the Apocrypha. The other cause for the decay of monarchy is more important. Kings acquire the habit of relying upon some section of the population: the aristocracy, the Church, the higher bourgeoisie, or perhaps a geographical group, such as the Cossacks. Gradually economic or cultural changes diminish the power of the favoured group, and the king shares their unpopularity
Bertrand Russell (Power: A New Social Analysis (Routledge Classics))
Many are familiar with the so-called French paradox, which has been trumpeted with great fanfare by the wine industry. Despite the expected cardiac disaster that is traditional French cuisine, centered on butter, milk, and foie gras, the French have surprisingly low rates of heart disease. The claim was that at least part of the secret is the amount of wine, particularly red wine, drunk by the French, which appears to compensate for high levels of saturated fat. While the details of the French paradox have been disputed, research does suggest that moderate intake of any alcohol reduces the risk of coronary heart disease, 1 apparently by boosting the level of “good” HDLs. There is also some evidence for the long-term cognitive benefits of moderate alcohol use, including improved function on tasks such as memory or semantic fluency tests, as well as a decreased risk of depression. 2
Edward Slingerland (Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization)
Sanguine, from the Latin sanguineus for “blood,” describes an optimistic, confident person. In the 1495 Manual of Medicine by Johannes de Ketham, a sanguine person was described as fat and merry and liking Bacchus and Venus, the gods of wine and love. Not a surprising description perhaps, since these conditions—drink and love—are often associated with a rosy or blushing countenance, which is indeed caused by blood rushing to the cheeks. The opposite type in de Ketham’s text, the melancholic, is a combination of melan, Latin for “black,” and choler, or bitter bile. A melancholic person is gloomy and bitter. But pure bile, or choler, makes one impetuous and irascible. Today, the French word for anger is colere, and the root of the word shows up also in a “colicky” baby—one who is irritable. Phlegm, on the other hand, makes one fat and languid, slow-moving. Today phlegmatic has come to mean stolidly calm, unexcitable, and unemotional.
Esther M. Sternberg (The Balance Within: The Science Connecting Health and Emotions)
He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go. A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it. And more, was this all some elaborate ritual to get an angle on me? My friend paid. I thanked him. But when we left I made sure he walked out first. He wanted to show me one of those old buildings that seem to be around every corner in that city. And the entire time he was leading me, I was sure he was going to make a quick turn into an alley, where some dudes would be waiting to strip me of … what, exactly? But my new friend simply showed me the building, shook my hand, gave a fine bonne soiree, and walked off into the wide open night. And watching him walk away, I felt that I had missed part of the experience because of my eyes, because my eyes were made in Baltimore, because my eyes were blindfolded by fear.
Ta-Nehisi Coates (Between the World and Me)
A study titled, simply, “The Color of Odors,” will destroy your faith in anybody’s ability to taste anything. Here’s how it worked: three French researchers started with two wines from Bordeaux, a white made with Sémillon and Sauvignon grapes and a red made with Cabernet Sauvignon and Merlot. The researchers first had a group of subjects taste both the white wine and the red, under white light in clear glasses, and write down all the words they could think of to describe each one. In this test it didn’t matter whether the tasters perceived the same things. Inter-rater reliability wasn’t a factor here—the researchers didn’t care if tasters agreed with each other about the wine color and taste, just that each taster would consistently call one “red” and one “white.” Then the researchers took an odorless, tasteless extract of the grape-skin pigment anthocyanin and dripped it into the white wine, turning it red. And they called the tasters back for a second go-around, asking them to compare the white wine and the colored wine—the same wine, in other words, with red food coloring. The result was a taste-test catastrophe. Almost to a person, the tasters chose to use the same words for the white wine from the initial tasting on the white wine in the second. And they used the same words for the red wine on the red-colored white wine. They simply could not tell the difference. Color alone—not aroma, not flavor—told them what to expect, and that’s exactly what they tasted.
Adam Rogers (Proof: The Science of Booze)
If I'd known you were available, Dee, and looking for work,I'd've hired you." Burke Logan, settled back in his chair and winked at his wife's cousin. "We like to keep the best on at Royal Meadows." Adelia twinkled at him across the table in the track's dining room. He was as handsome and as dangerous to look at as he'd been nearly twenty years before when she'd first met him. "Oh,I don't know." Bruke trailed a hand over his wife's shoudler. "We have the best bookkeeper around at Three Acres." "In that case,I want a raise." Erin picked up her wine and sent Burke a challenging look. "A big one. Trevor?" Her voice was smooth, shimmering with Ireland as she addressed her son. "Do you have in mind to eat that pork chop or just use it for decoration?" "I'm reading the Racing Form, Ma." "His father's son," Erin muttered and snagged the paper from him. "Eat your dinner." He heaved a sigh as only a twelve-year-old boy could. "I think Topeka in the third, with Lonesome in the fifth and Hennessy in the sixth for the trifecta. Dad says Topeka's generous and a cinch tip." At his wife's long stare, Burke cleared his throat. "Stuff that pork chop in your mouth, Trev.Where's Jean?" "She's fussing with her hair," Mo announced, and snatched a french fry from Travis's plate. "As usual," she added with the worldly air only an older sister could achieve, "the minute she turned fourteen she decided her hair was the bane of her existence. Huh. Like having long, thick, straight-as-a-pin black hair is a problem. This-" she tugged on one of the hundreds of wild red curls that spiraled acround her face. "-is a problem. If you're going to worry about something as stupid as hair, which I don't.Anyway, you guys have to come over and see this weanling I have my eye on.He's going to be amazing.And if Dad lets me train him..." She trailed off, slanting a look at her father across the table. "You'll be in college this time next year," Burke reminded her. "Not if I can help it," Mo said under her breath.
Nora Roberts (Irish Rebel (Irish Hearts, #3))