“
Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.
”
”
Tom Robbins (Jitterbug Perfume)
“
Even the sidewalks in New Orleans had personality.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
You like rock?
Little boy, I’m not your friend. I’m not your Dark-Hunter and I’m not your friggin’ date. You only speak to me when I ask you a question. Otherwise you keep your mouth shut, your eyes off me, and you might live long enough to get me to the French Quarter. (Zarek)
”
”
Sherrilyn Kenyon
“
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid.
Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge.
Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year?
It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to.
Now that part, more than ever.
It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year.
It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one.
Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
”
”
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
“
Okay. Well, firstly, Marcel is not my mortal enemy—he is my friend, albeit one who is unaware that I'm trying to sabotage his hold over the supernatural community of the French Quarter, but a friend nonetheless. And secondly, I daggered Elijah in order to gain Marcel's trust. If I had known he would place my brother in the hands of a particularly nasty teenaged witch, I certainly would have weighed my options a bit differently. And thirdly, sister, please.
”
”
Klaus Mikaelson
“
The morning sun in New Orleans felt like it was trying to make a point, convincing the old world to believe something new.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The only way he could truly stick out in New Orleans was if he were walking down the street on fire.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
in until ten, not even on Mardi Gras nights. No one except the girl in the black silk dress, the thin little girl with the short, soft dark hair that fell in a curtain across her eyes. Christian always wanted to brush it away from her face, to feel it trickle through his fingers like rain. Tonight, as usual, she slipped in at nine-thirty and looked around for the friends who were never there. The wind blew the French Quarter in behind her, the night air rippling warm down Chartres Street as it slipped away toward the river, smelling of spice and fried oysters and whiskey and the dust of ancient bones stolen and violated.
”
”
Poppy Z. Brite (Lost Souls)
“
The most fantastic thing you could film is people reading. I don't see why no one's done it... The movie you'd make would be a lot more interesting than most of them.
”
”
Jean-Luc Godard
“
New Orleans' rebellious and free-spirited personality is nothing if not resilient. And so the disruptive energies of the place- its vibrancy and eccentricity, its defiance and nonconformity, and yes, its violence and depravity- are likely to live on.
”
”
Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
“
You can take the people out of the city, but you can't take the soul — that remains here.
”
”
T.J. Fisher (Orleans Embrace with The Secret Gardens of the Vieux Carré)
“
Lexie's baby. Four weeks . . .not quite a quarter of an inch: a tiny gemstone, a single spark of color slipping between your fingers and through the cracks and gone. A heart the size of a fleck of glitter and vibrating like a hummingbird, seeded with a billion things that would never happen now.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I was naturally charming. I was a quarter Irish and a quarter French.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
New Orleans, it was often observed, was the first American metropolis to build an opera house, but the last to build a sewage system.
”
”
Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
“
On the prow of the wagon, in an attempt to attract business among the Quarterites, Ignatius taped a sheet of Big Chief paper on which he had printed in crayon: TWELVE INCHES (12) OF PARADISE. So far no one had responded to its message.
”
”
John Kennedy Toole
“
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings.
I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Sometimes, the choices we make have devastating consequences
”
”
Jeanette Vaughan
“
8 April 1891
The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth.
This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!
”
”
Jean Lorrain (Monsieur de Phocas)
“
I was dead.I was so,so dead.I was going to be expelled and then I'd never get into Georgetown,and I'd work at the diner for the rest of my life and lend would marry the dyrad lab assistant and they'd have half-tree-and-one-quarter-water-thing babies,and no one would know quite what they were,but they'd be beautiful.And I'd serve them French fries when they came home to visit.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
”
”
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
“
Toulouse Street ran one way toward the Mississippi River. Jackson looked over [Imogene's] head into one of those famous New Orleans courtyards, full of lush foliage, mossy brick, secrets, and wonder.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The range had been exceptional. An apartment balcony fourteen hundred yards away had been identified as the rifleman’s hide. Fourteen hundred yards is more than three-quarters of a mile. The French president had been at an open-air podium behind
”
”
Lee Child (Never Go Back (Jack Reacher, #18))
“
This was, after all, New Orleans in 1890- the Crescent City of the Gilded Age, where aliases of convenience and unconventional living arrangements were anything but out of the ordinary, at least in certain parts of town. Identities were fluid here, and names and appearances weren't always the best guide to telling who was who.
”
”
Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
“
Gregori stared with dismay at the small, two-story house enclosed in wrought-iron latticework and sandwiched between two smaller, rather rundown properties in the crowded French Quarter of New Orleans. He inserted the key in the lock and turned to look at Savannah's face. It was lit up with expectation, her blue eyes shining.
"I have definitely lost all good sense," he muttered as he pushed open the door.
The interior was dark, but he could see everything easily. The room was layered with dust, old sheets covered the furniture, and the wallpaper was peeling in small curls from the walls.
"Isn't it beautiful?" Savannah flung out her hands and turned in a circle. Jumping into Gregori's arms, she hugged him tightly. "It's so perfect!"
He couldn't help himself; he kissed her inviting mouth. "Perfect for torching. Savannah,did you even look at this place before you bought it?"
She laughed and ruffled his thick mane of hair. "Don't be such a pessimist. Can't you see its potential?"
"It is a firetrap," he groused.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Until the Civil War there was scarcely a man in public life in New Orleans or Louisiana who had not fought at least one duel; most of them had engaged in several.
”
”
Herbert Asbury (The French Quarter: An Informal History of the New Orleans Underworld)
“
I love the sounds of the French Quarter on mild nights…laughter, chatter, gaiety, Dixieland jazz drifting out of open doors, rock music pounding somewhere—an eternal carouse.
”
”
Anne Rice (Blood Communion (The Vampire Chronicles, #13))
“
She doesn’t have to work to blend in because in the French Quarter, all you have to do to blend in is dance with the chaos.
”
”
Christopher Rice (Kiss the Flame (Desire Exchange #1.5))
“
Thanks also to NOPD who pressed a loaded pistol to the back of my head as I lay facedown on a posh French Quarter hotel floor in a case of “mistaken identity”—you introduced me to the city too.
”
”
P. Djèlí Clark (The Black God's Drums)
“
Enormous oak trees towered over the boulevard, which boasted homes with fine woodwork, wraparound porches, and moss on the sidewalks. 'There’s nothing like a house in New Orleans. Would you look at those balconies and columns?' He rolled his window down to take in the sounds of life in New Orleans.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
Winter dark, five o'clock in the morning by the little gold carriage clock on the bedroom mantelpiece. The clock, an English one ('Better than a French one', her mother had instructed), had been one of her parents' wedding presents. When the creditors came to call after the society portraitist's death his widow hid the clock beneath her skirts, bemoaning the passing of the crinoline. Lottie appeared to chime on the quarter, disconcerting the creditors. Luckily they were not in the room when she struck the hour.
”
”
Kate Atkinson (Life After Life (Todd Family, #1))
“
Our dreams drive us so. One after another. Jasmine sprung bravely from the fertile soil of our suffering. And who can live without dreams? Who loves their brief, sweet passage? Dum vivimus, vivimus. While we live, let us live.
”
”
David B. Lentz (Bourbon Street: The Dreams of Aeneas in Dixie)
“
Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.
”
”
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
“
We hit every jazz and blues club on and off Bourbon Street, dancing and drinking until we girls were drunk enough to go with the boys to the strip clubs which outnumbered all other businesses in the French Quarter. Here is where my solution unfolded.
”
”
Darwun St. James (Angel Sins)
“
A quarter of them came from countries overrun by the Nazis as well as from the Dominions: Canada, Australia, New Zealand, Rhodesia and South Africa. There were so many Canadians that they formed separate RCAF squadrons, and so later did men from other countries, such as the Poles and French.
”
”
Antony Beevor (The Second World War)
“
I alight at Esplanade in a smell of roasting coffee and creosote and walk up Royal Street. The lower Quarter is the best part. The ironwork on the balconies sags like rotten lace. Little French cottages hide behind high walls. Through deep sweating carriageways one catches glimpses of courtyards gone to jungle.
”
”
Walker Percy (The Moviegoer)
“
There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.
”
”
James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
“
There were places in this world that magic avoided, like the bleak lunar planes of the National Mall in Washington, D.C., and places it was drawn to, like Rockefeller Center in Manhattan and the French Quarter in New Orleans. New Haven had an extremely high concentration of sites where magic seemed to catch and build, like cotton candy on a spool.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
We believe that, despite a possibly cruel temperament and an impetuous nature that she followed throughout her life, Madame Delphine Macarty Lopez Blanque Lalaurie was not a serial killer, a sexual sadist or a perpetrator of bizarre medical experiments. She was a willful, spoiled, beautiful Creole socialite whose temper led her down the path of infamy.
”
”
Victoria Cosner Love (Mad Madame LaLaurie: New Orleans' Most Famous Murderess Revealed (True Crime))
“
New Orleans, unlike a lot of those places you go back to and that don’t have the magic anymore, still has got it. So
”
”
James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
“
You pay your money and you takes your choice.
”
”
Herbert Asbury (The French Quarter: An Informal History Of The New Orleans Underworld)
“
It has occurred to me that I should try and view in a similar spirit something which, over these three weeks I have been here in Shanghai, has come to be a perennial source of irritation: namely, the way people here seem determined at every opportunity to block one’s view. No sooner has one entered a room or stepped out from a car than someone or other will have smilingly placed himself right within one’s line of vision, preventing the most basic perusal of one’s surroundings. Often as not, the offending person is one’s very host or guide of that moment; but should there be any lapse in this quarter, there is never a shortage of bystanders eager to make good the shortcoming. As far as I can ascertain, all the national groups that make up the community here—English, Chinese, French, American, Japanese, Russian—subscribe to this practice with equal zeal, and the inescapable conclusion is that this custom is one that has grown up uniquely here within Shanghai’s International Settlement, cutting across all barriers of race and class.
”
”
Kazuo Ishiguro (When We Were Orphans)
“
The grandeur of my physique, the complexity of my worldview, the decency and taste implicit in my carriage, the grace with which I function in the mire of today's world-all of these at once confuse and astound Clyde. Now he has relegated me to working in the French Quarter, an area which houses every vice that man has ever conceived in his wildest aberrations, including, I would imagine, several modern variants made possible through the wonders of science.
”
”
John Kennedy Toole (A Confederacy of Dunces)
“
Arms they had none, nor scarcely any who knew the use of them: but desperate resolution, when every hope is at stake, supplies, for a while, the want of arms. Near where the Prince de Lambesc was drawn up, were large piles of stones collected for building the new bridge, and with these the people attacked the cavalry. A party of the French guards, upon hearing the firing, rushed from their quarters and joined the people; and the night coming on, the cavalry retreated.
”
”
Thomas Paine (Rights of Man)
“
The river breeze washed over him. He saw the magnificent views of the city and the bridge connecting Algiers Point to New Orleans. He marveled at the crescent shape of New Orleans as the ferry traveled nearly parallel to the curve in the Mississippi River.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure.
His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind.
Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream.
The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage.
The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Are you gay, Cherie?
Me, No… I’m not anything… I-I mean I prefer not to indulge, I stammered.
“Really... how do you mean?”
Well love has been an elusive story, like a fairytale adults tell children but I have never known any of it to be true. In reality it reminds me of religion. I am not sure God is real either, if God is real why do so many innocents suffer?
Innocents suffer because it is their destiny to suffer.
What? What does that mean?” I’m annoyed.
God has nothing to do with it. We are born into this world to experience all that is not God-like, so we can then be inspired to reach for higher spiritual goals.
I have never thought of it that way before. If that is so then I must be preparing for sainthood. Am I to think that all of my suffering as a child has been to prepare me for greatness?
”
”
Darwun St. James (Angel Sins)
“
At night the envoys received visits of a less savory sort. Three henchmen of Talleyrand’s came around regularly to demand payment in exchange for recognizing the U.S. diplomats. The foreign minister’s agents, characterized in the communications to Philadelphia as X, Y, and Z, laid out the terms: an American loan of ten million dollars to the French government plus a quarter million dollars for Talleyrand’s personal pocket. The envoys angrily rejected the demand, with Pinckney famously replying, “No! No! Not a sixpence.” In the retelling, Pinckney’s refusal evolved into the more American aphorism “Millions for defense, but not one cent for tribute.
”
”
Cokie Roberts (Ladies of Liberty: The Women Who Shaped Our Nation)
“
As far as Stephen could see they were tolerably shipshape already. The bare little rooms had been sanded and scrubbed; various neat lockers economized space; a complication of white cordage in the corner showed that a hanging chair, that most comfortable of seats, was being made; and hammocks lashed up with seven perfectly even turns and covered with a rug formed a not inelegant sofa. Jack Aubrey had spent most of his naval life in quarters very much more confined than this; he had also a good deal of experience of French and American prisons, to say nothing of English sponging houses, and it would have been a hard gaol indeed that found him at a loss.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey & Maturin, #11))
“
And in Bern there’s a physical reminder of his army’s presence: the street signs in the city centre are still in four different colours, a system used to help illiterate French troops find their quarters. In some streets signs are green on one side, yellow on the other; a little historical anomaly that modern tourists barely notice as they take photos.
”
”
Diccon Bewes (Swiss Watching: Inside the Land of Milk and Money)
“
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth.
…The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
”
”
Courtney Maum (I Am Having So Much Fun Here Without You)
“
For them I learned to be a mother again, cooking pancakes and thick herb-and-apple sausages. I made jam for them from figs and green tomatoes and sour cherries and quinces. I let them play with the little brown mischievous goats and feed them crusts and pieces of carrot. We fed the hens, stroked the soft noses of the ponies, collected sorrel for the rabbits. I showed them the river and how to reach the sunny sandbanks. I warned them- with such a catch in my heart- of the dangers, the snakes, roots, eddies, quicksand, made them promise never, never to swim there. I showed them the woods beyond, the best places to find mushrooms, the ways of telling the fake chanterelle from the true, the sour bilberries growing wild under the thicket.
”
”
Joanne Harris (Five Quarters of the Orange)
“
Of the approximately 27,000 words identified in the OED as having first been used between 1250 and 1450, more than a fifth have French origins, and more than three-quarters of these are nouns.43 About half of all words in common use are nouns, and the introduction of new nouns – so many of them material – marks the discovery of new things, new experiences, new attitudes. Nouns
”
”
Henry Hitchings (The Secret Life of Words: How English Became English)
“
The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.
”
”
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
This sweetness
scooped
like some bright fruit
plum peach apricot
watermelon perhaps
from myself
this sweetness
It is a whimsical touch, which surprises and troubles me. That this stony and prosaic woman should in her secret moments harbor such thoughts. For she was sealed from us- from everyone- with such fierceness that I had thought her incapable of yielding.
I never saw her cry. She rarely smiled, and then only in the kitchen with her palette of flavors at her fingertips, talking to herself (so I thought) in the same toneless mutter, enunciating the names of herbs and spices- cinnamon, thyme, peppermint, coriander, saffron, basil, lovage- running a monotonous commentary. See the tile. Has to be the right heat. Too low, the pancake is soggy. Too high, the butter fries black, smokes, the pancake crisps. I understood because I saw in our kitchen seminars the one way in which I might win a little of her approval, and because every good war needs the occasional amnesty. Country recipes from her native Brittany were her favorites; the buckwheat pancakes we ate with everything, the far breton and kouign amann and galette bretonne that we sold in downriver Angers with our goat's cheeses and our sausage and fruit.
”
”
Joanne Harris (Five Quarters of the Orange)
“
Remove the dough from the mixing bowl onto the counter and gather it up in your hands in a rough ball. The dough should feel soft. Bring the full length of your thumbs into the center of the ball so that they meet, and stretch the dough from the center out, as if opening a book, into an oblong shape. Turn the dough a quarter turn and stretch it again the same way, creating a smooth ball. Transfer the dough to a
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Peter Mayle (Confessions of a French Baker: Breadmaking Secrets, Tips, and Recipes)
“
Every town has ‘THAT house’: the one that once held dark secrets. You know the house… the one no one will purchase? The one whose walls have seen blood? The one that even birds avoid, and the darkened windows resemble empty eye sockets? There are furtive, yet insistent, whispers about ‘that’ house, murmurs that perhaps the house is best left alone, lest the dark stain left upon that abode’s history seep into our own present-day.
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James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
“
Today, Arabic numerals are in use pretty much around the world, while the words with which we name numbers naturally differ from language to language. And, as Dehaene and others have noted, these differences are far from trivial. English is cumbersome. There are special words for the numbers from 11 to 19 and for the decades from 20 to 90. This makes counting a challenge for English-speaking children, who are prone to such errors as “twenty-eight, twenty-nine, twenty-ten, twenty-eleven.” French is just as bad, with vestigial base-twenty monstrosities, like quatre-vingt-dix-neuf (four twenty ten nine) for 99. Chinese, by contrast, is simplicity itself; its number syntax perfectly mirrors the base-ten form of Arabic numerals, with a minimum of terms. Consequently, the average Chinese four-year-old can count up to forty, whereas American children of the same age struggle to get to fifteen. And the advantages extend to adults. Because Chinese number words are so brief—they take less than a quarter of a second to say, on average, compared with a third of a second for English—the average Chinese speaker has a memory span of nine digits, versus seven digits for English speakers. (Speakers of the marvelously efficient Cantonese dialect, common in Hong Kong, can juggle ten digits in active memory.)
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Jim Holt (When Einstein Walked with Gödel: Excursions to the Edge of Thought)
“
A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it.
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”
Ta-Nehisi Coates
“
Some 480 suspected enemy spies were detained in Britain in the course of the war. Just 77 of these were German. The rest were, in descending order of magnitude, Belgian, French, Norwegian, and Dutch, and then just about every conceivable race and nationality, including several who were stateless. After 1940, very few were British. Of the total intercepted, around a quarter were subsequently used as double agents, of whom perhaps 40 made a significant contribution.
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Ben Macintyre (Agent Zigzag: A True Story of Nazi Espionage, Love, and Betrayal)
“
The moonlight was still floating on the waters, when men, looking from numberless decks towards the east, were able to hail the dawn. There was a summer breeze blowing fair from the land. At a quarter before five a gun from the Britannia gave the signal to weigh. The air was obscured by the busy smoke of the engines, and it was hard to see how and whence due order would come; but presently the Agamemnon moved through, and with signals at all her masts – for Lyons was on board her, and was governing and ordering the convoy. The French steamers of war went out with their transports in tow, and their great vessels formed the line. The French went out more quickly than the English, and in better order. Many of their transports were vessels of very small size; and of necessity they were a swarm. Our transports went out in five columns of only thirty each. Then – guard over all – the English war-fleet, in single column, moved slowly out of the bay.50
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Orlando Figes (The Crimean War: A Hisory)
“
Ever since I could remember reading, I was a fan of Horror Novels, then just an Avid reader of all things dark and deeply written or off the cuff styles and not so bland and sterile as if the grammar police forensically wrote it to be safe, then re-edited it to be even more annoyingly not from an emotion but from a text book, I love dark dark fiction that's why i write it. Some of my favorite writers are Anne Rice, Hunter S. Thompson and Clive Barker, perhaps you can sense this in my writing.
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Liesalette (Lalin: Bayou Moon Series Volume I)
“
They exited the French doors at the back of the entrance hall and walked out onto the empty flagstone terrace. Daisy turned to shake a finger waggishly at Lillian. “If you’re gone for longer than a quarter hour, Evie and I will come looking for you.”
Lillian responded with a low laugh. “I won’t tarry.” She winked and smiled into Evie’s worried face. “I’ll be fine, dear. And just think of all the interesting things I’ll be able to tell you when I return!”
“That’s what I’m afr-fraid of,” Evie replied.
”
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Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Zemurray lived near the docks. No one could tell me the exact address. Some building in the French Quarter, perhaps a wreck with cracks in the walls and a sloped ceiling, and the heat goes out and the fog comes in. When his business grew, he moved uptown, following the wealth of the city, which had been fleeing the French Quarter for decades. At twenty-nine, he was rich, a well-known figure in a steamy paradise, tall with deep black eyes and a hawkish profile. A devotee of fads, a nut about his weight, he experimented with diets, now swearing off meat, now swearing off everything but meat, now eating only bananas, now eating everything but bananas. He spent fifteen minutes after each meal standing on his head, which he read was good for digestion. His friends were associates, his mentors and enemies the same. He was a bachelor and alone but not lonely. He was on a mission, after all, in quest of the American dream, and was circumspect and deliberate as a result. He never sent letters or took notes, preferring to speak in person or by phone. He was described as shy, but I think his actions are more accurately characterized as careful—he did not want to leave a record or draw attention.
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Rich Cohen (The Fish That Ate the Whale: The Life and Times of America's Banana King)
“
They had all comprehended the idea in an instant, and saw no real difficulty in it. An American sees no real difficulty in anything. Whoever said that the word "impossible" is not French, was certainly wrong: he mistook the dictionary. In America everything is easy, everything is simple, from throwing off 50,000 printed impressions in an hour, to moving monster hotels, guests and all, to any quarter of the city at pleasure. In America, engineering difficulties seem to be all still-born. Between Barbican's project and its complete realization, no true American could see the shadow of a difficulty. To say it, meant to do it.
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Jules Verne (From the Earth to the Moon)
“
On the heels of the Enlightenment came the French Revolution: a brief promise of democracy followed by a train of regicides, putsches, fanatics, mobs, terrors, and preemptive wars, culminating in a megalomaniacal emperor and an insane war of conquest. More than a quarter of a million people were killed in the Revolution and its aftermath, and another 2 to 4 million were killed in the Revolutionary and Napoleonic Wars. In reflecting on this catastrophe, it was natural for people to reason, “After this, therefore because of this,” and for intellectuals on the right and the left to blame the Enlightenment. This is what you get, they say, when you eat the fruit of the tree of knowledge,
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Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
“
To narrow natural rights to such neat slogans as "liberty, equality, fraternity" or "life, liberty, property," . . . was to ignore the complexity of public affairs and to leave out of consideration most moral relationships. . . .
Burke appealed back beyond Locke to an idea of community far warmer and richer than Locke's or Hobbes's aggregation of individuals. The true compact of society, Burke told his countrymen, is eternal: it joins the dead, the living, and the unborn. We all participate in this spiritual and social partnership, because it is ordained of God. In defense of social harmony, Burke appealed to what Locke had ignored: the love of neighbor and the sense of duty. By the time of the French Revolution, Locke's argument in the Second Treatise already had become insufficient to sustain a social order. . . .
The Constitution is not a theoretical document at all, and the influence of Locke upon it is negligible, although Locke's phrases, at least, crept into the Declaration of Independence, despite Jefferson's awkwardness about confessing the source of "life, liberty, and the pursuit of happiness."
If we turn to the books read and quoted by American leaders near the end of the eighteenth century, we discover that Locke was but one philosopher and political advocate among the many writers whose influence they acknowledged. . . .
Even Jefferson, though he had read Locke, cites in his Commonplace Book such juridical authorities as Coke and Kames much more frequently. As Gilbert Chinard puts it, "The Jeffersonian philosophy was born under the sign of Hengist and Horsa, not of the Goddess Reason"--that is, Jefferson was more strongly influenced by his understanding of British history, the Anglo-Saxon age particularly, than by the eighteenth-century rationalism of which Locke was a principal forerunner. . . .
Adams treats Locke merely as one of several commendable English friends to liberty. . . .
At bottom, the thinking Americans of the last quarter of the eighteenth century found their principles of order in no single political philosopher, but rather in their religion. When schooled Americans of that era approved a writer, commonly it was because his books confirmed their American experience and justified convictions they held already. So far as Locke served their needs, they employed Locke. But other men of ideas served them more immediately.
At the Constitutional Convention, no man was quoted more frequently than Montesquieu. Montesquieu rejects Hobbes's compact formed out of fear; but also, if less explicitly, he rejects Locke's version of the social contract. . . . It is Montesquieu's conviction that . . . laws grow slowly out of people's experiences with one another, out of social customs and habits. "When a people have pure and regular manners, their laws become simple and natural," Montesquieu says. It was from Montesquieu, rather than from Locke, that the Framers obtained a theory of checks and balances and of the division of powers. . . .
What Madison and other Americans found convincing in Hume was his freedom from mystification, vulgar error, and fanatic conviction: Hume's powerful practical intellect, which settled for politics as the art of the possible. . . . [I]n the Federalist, there occurs no mention of the name of John Locke. In Madison's Notes of Debates in the Federal Convention there is to be found but one reference to Locke, and that incidental. Do not these omissions seem significant to zealots for a "Lockean interpretation" of the Constitution? . . .
John Locke did not make the Glorious Revolution of 1688 or foreordain the Constitution of the United States. . . . And the Constitution of the United States would have been framed by the same sort of men with the same sort of result, and defended by Hamilton, Madison, and Jay, had Locke in 1689 lost the manuscripts of his Two Treatises of Civil Government while crossing the narrow seas with the Princess Mary.
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Russell Kirk (Rights and Duties: Reflections on Our Conservative Constitution)
“
Suddenly, opposite the Théâtre des Variétés, I saw a profile to my liking. A good head and a full figure. I was charmed, and said ‘By Jove! What a fine girl!’ “It only remained for me to see her face. A woman’s face is the dessert, while the rest is ... the roast. “I hastened on and overtook her, and she turned around suddenly under a gas lamp. She was charming, quite young, dark, with large black eyes, and I immediately invited her to supper. She accepted without any hesitation, and a quarter of an hour later we were sitting at supper in my lodgings. ‘Oh, how comfortable it is here!’ she said as she came in, and she looked about her with evident satisfaction at having found a supper and a room on that bitter night. She was superb, so beautiful that she astonished me, and her figure fairly captivated me.
”
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Guy de Maupassant (A Very French Christmas: The Greatest French Holiday Stories of All Time))
“
But when I closed my eyes and pictured the house in that moment, it wasn't empty. The pastel depths of my mother's swollen closet lured me back. I went inside and peeked out between her hanging silk blouses at the rough beige carpeting of her bedroom, the cream ceramic lamp on her nightstand. My mother. And then I traveled up the hall, through the French doors, into my father's study: a dried plum pit on a tea saucer, a stack of papers he'd marked in red, mechanical pencils, yellow legal pads that flared open like daffodils. Journals and magazine and newspapers and manila folders, gummy pink erasers that struck me suddenly as somehow genital. Squat glass bottles of Canada Dry a quarter full. A chipped crystal dish of oxidizing paper clips, loose change, a crumped lozenge wrapper, a button he had meant to sew back onto a shirt but never did. My father.
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Ottessa Moshfegh (My Year of Rest and Relaxation)
“
The menu Kroc used to take McDonald’s national was similarly minimalist, with exactly three food items—Pure Beef Hamburger, fifteen cents; Tempting Cheeseburger, nineteen cents; Golden French Fries, ten cents. He aimed to make his burger construction line as standardized and closely measured as the Crystal Palace, decreeing, among other things, that McDonald’s burger patties must weigh 1.6 ounces and measure 3.875 inches in diameter. Don’t like a quarter ounce of onions on your burger? Too bad, just scrape ’em off—custom orders slow things down, and speed was the whole point. That’s why they call it fast food. Then Burger King countered with “Have it your way” in the ’80s, and to compete, McDonald’s started broadening its menu and allowing for special orders. Today, the average McDonald’s menu has more than a hundred items, and special orders are commonplace. But customers never changed their expectations of miraculously instantaneous service to match the vastly more complicated menu crew members are working with. So a lot of people who’ve experienced the magic of getting a Big Mac seconds after ordering it seem to believe there’s some Star Trek machine in the back that zaps food into existence from nothing. At least, that’s the only reason I can think of that customers like this lady get so mad when their special orders take an extra minute or two.
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Emily Guendelsberger (On the Clock: What Low-Wage Work Did to Me and How It Drives America Insane)
“
I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go.
A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it. And more, was this all some elaborate ritual to get an angle on me? My friend paid. I thanked him. But when we left I made sure he walked out first. He wanted to show me one of those old buildings that seem to be around every corner in that city. And the entire time he was leading me, I was sure he was going to make a quick turn into an alley, where some dudes would be waiting to strip me of … what, exactly? But my new friend simply showed me the building, shook my hand, gave a fine bonne soiree, and walked off into the wide open night. And watching him walk away, I felt that I had missed part of the experience because of my eyes, because my eyes were made in Baltimore, because my eyes were blindfolded by fear.
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Ta-Nehisi Coates (Between the World and Me)
“
In the Metro, one evening, I looked closely around me: everyone had come from somewhere else . . . Among us, though, two or three faces from here, embarrassed silhouettes that seemed to be apologising for their presence. The same spectacle in London.
Today’s migrations are no longer made by compact displacements but by successive infiltrations: little by little, individuals insinuate themselves among the “natives,” to anaemic and too distinguished to stoop to the notion of a “territory.” After a thousand years of vigilance, we open the gates . . . When one thinks of the long rivalries between the French and the English, then between the French and the Germans, it seems as if each nation, by weakening one another, had as its task to speed the hour of the common downfall so that other specimens of humanity may relay them. Like its predecessor, the new Völkerwanderung will provoke an ethnic confusion whose phases cannot be distinctly foreseen. Confronted with these disparate profiles, the notion of a community homogeneous to whatever degree is inconceivable. The very possibility of so heteroclite a crowd suggests that in the space it occupies there no longer existed, among the indigenous, any desire to safeguard even the shadow of an identity. At Rome, in the third century of our era, out of a million inhabitants, only sixty thousand were of Latin stock. Once a people has fulfilled the historical idea which was its mission to incarnate, it no longer has any excuse to preserve its difference, to cherish its singularity, to safeguard its features amidst a chaos of faces.
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Emil M. Cioran (Drawn and Quartered)
“
My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names.
Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.
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Joanne Harris (Five Quarters of the Orange)
“
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
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Mark Twain (Following the Equator)
“
From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).
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Craig Johnson (Hell Is Empty (Walt Longmire, #7))
“
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion.
'Bayonets!' Powell bellowed. 'I want bayonets!'
'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward.
'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves.
'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!'
'Charge!' Gamble turned the order into a long, guttural yell of defiance.
Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes.
'Lunge! Recover! Stance!
”
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David Cook (Heart of Oak (The Soldier Chronicles, #2))
“
The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day.
By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves.
I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket.
The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.
”
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Jennie Shortridge (Eating Heaven)
“
Even if the press were dying to report on the Hmong gang-rape spree, the police won’t tell them about it. A year before the Hmong gang rape that reminded the Times of a rape in Glen Ridge, New Jersey, the police in St. Paul issued a warning about gang rapists using telephone chat lines to lure girls out of their homes. Although the warning was issued only in Hmong, St. Paul’s police department refused to confirm to the St. Paul Pioneer Press that the suspects were Hmong, finally coughing up only the information that they were “Asian.”20 And the gang rapes continue. The Star Tribune counted nearly one hundred Hmong males charged with rape or forced prostitution from 2000 to June 30, 2005. More than 80 percent of the victims were fifteen or younger. A quarter of their victims were not Hmong.21 The police say many more Hmong rapists have gone unpunished—they have no idea how many—because Hmong refuse to report rape. Reporters aren’t inclined to push the issue. The only rapes that interest the media are apocryphal gang rapes committed by white men. Was America short on Hmong? These backward hill people began pouring into the United States in the seventies as a reward for their help during the ill-fated Vietnam War. That war ended forty years ago! But the United States is still taking in thousands of Hmong “refugees” every year, so taxpayers can spend millions of dollars on English-language and cultural-assimilation classes, public housing, food stamps, healthcare, prosecutors, and prisons to accommodate all the child rapists.22 By now, there are an estimated 273,000 Hmong in the United States.23 Canada only has about eight hundred.24 Did America lose a bet? In the last few decades, America has taken in more Hmong than Czechs, Danes, French, Luxembourgers, New Zealanders, Norwegians, or Swiss. We have no room for them. We needed to make room for a culture where child rape is the norm.25 A foreign gang-rape culture that blames twelve-year-old girls for their own rapes may not be a good fit with American culture, especially now that political correctness prevents us from criticizing any “minority” group. At least when white males commit a gang rape the media never shut up about it. The Glen Ridge gang rape occurred more than a quarter century ago, and the Times still thinks the case hasn’t been adequately covered.
”
”
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
“
I made a long speech in bad French in which I admitted that I was no critic, that I was always passionate and prejudiced, that I had no reverence for anything except what I liked. I told them that I was an ignoramus, which they tried to deny vigorously. I saidl would rather tell them stories. I began—about a bum who had tried to hit me up for a dime one evening as I was walking towards the Brooklyn Bridge. I explained how I had said No to the man automatically and then, after I had walked a few yards it suddenly came to me that a man had asked me for something and I ran back and spoke to him. But instead of giving him a dime or a quarter, which I could easily have done, I told him that I was broke, that I had wanted to let him know that, that was all. And the man had said to me—"do you mean that, buddy? Why, if that's the way it is, I'll be glad to give you a dime myself." And I let him give it to me, and I thanked him warmly, and walked off.
They thought it a very interesting story. So that's how it was in America? Strange country ... anything could happen there.
"Yes," I said, "a very strange country," and I thought to myself that it was wonderful not to be there any more and God willing I'd never return to it.
"And what is it about Greece that makes you like it so much?" asked someone.
I smiled. "The light and the poverty," I said.
"You're a romantic," said the man.
"Yes," I said, "I'm crazy enough to believe that the happiest man on earth is the man with the fewest needs. And I also believe that if you have light, such as you have here, all ugliness is obliterated. Since I've come to your country I know that light is holy: Greece is a holy land to me."
"But have you seen how poor the people are, how wretchedly they live?"
"I've seen worse wretchedness in America," I said. "Poverty alone doesn't make people wretched."
"You can say that because you have sufficient …."
"I can say it because I've been poor all my life," I retorted. "I'm poor now," I added. "I have just'enough to get back to Athens. When I get to Athens I'll have to think how to get more. It isn't money that sustains me—it's the faith I have in myself, in my own powers. In spirit I am a millionaire—maybe that's the best thing about America, that you believe you'll rise again."
"Yes, yes," said Tsoutsou, clapping his hands, "that's the wonderful thing about America: you don't know what defeat is." He filled the glasses again and rose to make a toast "To America!" he said, "long may it live!"
"To Henry Miller!" said another, "because he believes in himself.
”
”
Henry Miller (The Colossus of Maroussi)
“
The mixture of a solidly established Romance aristocracy with the Old English grassroots produced a new language, a “French of England,” which came to be known as Anglo-Norman. It was perfectly intelligible to the speakers of other langues d’oïl and also gave French its first anglicisms, words such as bateau (boat) and the four points of the compass, nord, sud, est and ouest. The most famous Romance chanson de geste, the Song of Roland, was written in Anglo-Norman. The first verse shows how “French” this language was: Carles li reis, nostre emperere magnes, set anz tuz pleins ad estéd en Espaigne, Tresqu’en la mer cunquist la tere altaigne… King Charles, our great emperor, stayed in Spain a full seven years: and he conquered the high lands up to the sea… Francophones are probably not aware of how much England contributed to the development of French. England’s court was an important production centre for Romance literature, and most of the early legends of King Arthur were written in Anglo-Norman. Robert Wace, who came from the Channel Island of Jersey, first evoked the mythical Round Table in his Roman de Brut, written in French in 1155. An Englishman, William Caxton, even produced the first “vocabulary” of French and English (a precursor of the dictionary) in 1480. But for four centuries after William seized the English crown, the exchange between Old English and Romance was pretty much the other way around—from Romance to English. Linguists dispute whether a quarter or a half of the basic English vocabulary comes from French. Part of the argument has to do with the fact that some borrowings are referred to as Latinates, a term that tends to obscure the fact that they actually come from French (as we explain later, the English worked hard to push away or hide the influence of French). Words such as charge, council, court, debt, judge, justice, merchant and parliament are straight borrowings from eleventh-century Romance, often with no modification in spelling. In her book Honni soit qui mal y pense, Henriette Walter points out that the historical developments of French and English are so closely related that anglophone students find it easier to read Old French than francophones do. The reason is simple: Words such as acointance, chalenge, plege, estriver, remaindre and esquier disappeared from the French vocabulary but remained in English as acquaintance, challenge, pledge, strive, remain and squire—with their original meanings. The word bacon, which francophones today decry as an English import, is an old Frankish term that took root in English. Words that people think are totally English, such as foreign, pedigree, budget, proud and view, are actually Romance terms pronounced with an English accent: forain, pied-de-grue (crane’s foot—a symbol used in genealogical trees to mark a line of succession), bougette (purse), prud (valiant) and vëue. Like all other Romance vernaculars, Anglo-Norman evolved quickly.
English became the expression of a profound brand of nationalism long before French did. As early as the thirteenth century, the English were struggling to define their nation in opposition to the French, a phenomenon that is no doubt the root of the peculiar mixture of attraction and repulsion most anglophones feel towards the French today, whether they admit it or not. When Norman kings tried to add their French territory to England and unify their kingdom under the English Crown, the French of course resisted. The situation led to the first, lesser-known Hundred Years War (1159–1299). This long quarrel forced the Anglo-Norman aristocracy to take sides. Those who chose England got closer to the local grassroots, setting the Anglo-Norman aristocracy on the road to assimilation into English.
”
”
Jean-Benoît Nadeau (The Story of French)
“
Sometimes he wished his fate was someone else’s, but, of course, it could never be. Fate is not a fake $5 bill. It can’t be unloaded on the next poor sucker in the French Quarter.
”
”
Maggie LaCroix (Zombified)
“
A birth-control pill ended the baby boom early in the 1960s. Maternity, once defended by feminists as the highest role of womanhood, became an interlude that could be avoided at will. Quebec’s birth rate fell from the highest to the lowest in Canada, raising alarm over French-Canadian survival. Newfoundland shared the drop. Traditional barriers to the employment of women, even in mines and construction sites, crumbled. The composition of the Canadian labour force changed from one-quarter female to almost one-half female in a generation.
”
”
Desmond Morton (A Short History of Canada)
Eric Wilder (Big Easy (French Quarter Mystery #1))
“
In the Metro, one evening, I looked closely around me: everyone had come from somewhere else . . . Among us, though, two or three faces from here, embarrassed silhouettes that seemed to be apologising for their presence. The same spectacle in London.
Today’s migrations are no longer made by compact displacements but by successive infiltrations: little by little, individuals insinuate themselves among the “natives,” too anaemic and too distinguished to stoop to the notion of a “territory.” After a thousand years of vigilance, we open the gates . . . When one thinks of the long rivalries between the French and the English, then between the French and the Germans, it seems as if each nation, by weakening one another, had as its task to speed the hour of the common downfall so that other specimens of humanity may relay them. Like its predecessor, the new Völkerwanderung will provoke an ethnic confusion whose phases cannot be distinctly foreseen. Confronted with these disparate profiles, the notion of a community homogeneous to whatever degree is inconceivable. The very possibility of so heteroclite a crowd suggests that in the space it occupies there no longer existed, among the indigenous, any desire to safeguard even the shadow of an identity. At Rome, in the third century of our era, out of a million inhabitants, only sixty thousand were of Latin stock. Once a people has fulfilled the historical idea which was its mission to incarnate, it no longer has any excuse to preserve its difference, to cherish its singularity, to safeguard its features amidst a chaos of faces.
”
”
Emil M. Cioran (Drawn and Quartered)
“
It was two o’clock in the afternoon, or what residents of the French Quarter called the crack of dawn.
”
”
Lou Berney (November Road)
“
Seventeenth- and eighteenth-century European maps proudly depicted Africa’s Atlantic coast as bristling with Danish, Dutch, English, French, Portuguese, Spanish, and Swedish forts, garrisons, and trading posts. But most of the stars on the maps had fewer than ten expatriate residents and many had fewer than five. The principality of Whydah, in today’s Benin, exported 400,000 people in the first quarter of the eighteenth century—it was the most important depot in the Atlantic slave trade in that time. Not one hundred Europeans lived there permanently. The largest groups of foreigners were the slavers who camped on the beach as they waited to fill their ships with human cargo.
”
”
Charles C. Mann (1493: Uncovering the New World Columbus Created)
“
What can you tell me about this ship?”
“She’s one hundred fifteen feet in length, with a beam of twenty-eight, and a depth of sixteen—”
“I meant, more generally, what can you tell me about the ship?”
“We were a whaler, came sailing around Cape Horn, where we put in at Paita in Peru. The captain received an urgent letter from the American consulate there, enjoining him to pick up passengers and cargo at Panama and bring them to San Francisco. We sold off or unloaded all our stores right there, and converted the ship as well as we might en route to Panama. Once we got here, the captain decided to run the ship aground at high tide. . . .”
Again, not exactly what I need to know. “Maybe it would just be better to take us on a tour.”
“I can do that,” he says.
“Olive! Andrew!” calls out Becky. “Gather around. We’re going to take a tour of the ship.”
Our group, which had been wandering and inspecting independently, converges at the center of the deck. Melancthon points to the front of the ship. “That’s the foaksul . . .”
“Pardon me, the what?” asks Tom. “Could you spell that please?”
“F-O-R-E-C-A-S-T-L-E.”
“Ah,” says Tom, as if this makes perfect sense.
“Forecastle?” I ask.
“That’s what I said!” Melancthon points in the other direction. “And that’s the quarter deck, and there in the rear, that’s the poop deck.”
Olive turns to her mother. “Ma, did he just say poop deck?”
“I’m certain you misheard,” Becky says.
“It’s from la poupe, the French word for the stern of the ship,” Henry explains. “Which, in turn, is derived from the Latin word puppis.”
“La poop, la poop, la poop,” Andrew says. His mother turns scarlet.
This is all going terribly off track. “Maybe I can just tell you what I want, and you can tell me if it can be done, and, if so, how fast you can do it.”
“Yes, ma’am,” Melancthon says.
”
”
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
“
It was at this bleak moment that Tom Sancton wandered through the French Quarter one evening and passed by the open wrought-iron gate of 726 St. Peter Street.
”
”
Tom Sancton (Song for My Fathers: A New Orleans Story in Black and White)
“
I’m mesmerized by the way he speaks—New Orleans is pronounced N’awlins. When he says backyard, it’s backyaaad. It’s the kind of voice that makes you feel instantly at home, like you’re a close friend or part of the inner circle.
—SINGLE-MINDED
”
”
Lisa Daily (Single-Minded: A Novel)
“
The definition for the “Poop Deck” as found in nautical books would lead you to believe that the name was derived from the French word for the stern of the ship, la poupe which in turn was derived from the Latin puppis. On sailing ships this deck was higher than the main deck, making it ideal to navigate from. It also was where the binnacle and ship’s wheel were located for the helmsman. The deck of the poop deck formed the roof or overhead of the Captain’s cabin making it convenient for the Captain to reach. His after cabin was frequently irreverently referred to as the “poop cabin!”
As wooden ships with iron men were replace with wooden men on iron ships, the navigational functions, with the exception of setting the sails, were moved to the bridge. According to my father who was a ship’s cook in the early 1920’s, the term poop deck remained, but took on a totally different meaning. During the turn of the last century, with coal fired reciprocating steam engines replacing wind and sails, this rear deck was where animals were kept to be butchered for food. Salted meat packed in barrels and the lack of fresh vegetables was the frequent cause of constipation and even worse scurvy. Many ships of that era, and before, didn’t yet have refrigeration and this was the way they continued to have fresh meat. A cabin boy tended to the chickens, pigs, lambs and goats and it was up to the butcher or cooks to slaughter and quarter them. Of course the deck nearest the stern was ideal for this, leaving the ensuing smell behind in the wake of the ship.
Seldom is the term “Poop Deck” used now since with the advent of cruise ships nautical terms are fading. Bunks have become beds, cabins became staterooms and the head is now the restroom. Oh, what has become of the days of yore?
”
”
Hank Bracker
“
Red wine and Hennessy
She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore.
A familiar place, she know she's been here before
Reminiscent of the evening
On his shirt that she tore
............
Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot.
Hard liquor and fine wine
.............
Red Wine and Hennessy
A wicked twist on some champagne tips
French nails, manicures over grapes
Whoever said wine and liquor don't mix?
Last night I had six
Bottle caps, corks, bedazzled juice
Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face
.............
room temperature, her body temperature ... personality of two, she's mellow and chill...
aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug,
Residue of red lipstick-
Merlot stained lips match the kiss on his neck
............
Chasing fantasy through the Red Sea
While chasing that with a white BC
How much will she pour- how much will she drink
How much more before her ship sinks
...........
A full body lush, blackberry crush
Medium sized Bordeaux
Intense velvety plum
I asked her where she's from
She said she's international
She's longer thinking rational
..........
Sips in sync with blinking eyes
She sips too much to realize
Every time you pour into me, my bottle gets more empty-
Glass falling to the floor
She staggers to the door
Glass shatters her feet
She stumbles to her seat
She's still asking for more
But she falls to the floor
Red lipstick in the mud
She covers up the blood
............
She lays in her wine
She forgot about the time
Clock on the wall
Footsteps in the hall
Pounding in her head
She rushes to the bed
.........
She lays motionless ... but her head is racing
Her heart is pacing
Her lungs are gasping - air, she needs air
Rolls to her side, brings her self to sit up
She gags and gags until She throws it all up-
...........
Wakes up the next morning
Dazed and confused
She's laying in a bed
That she's not used to
She moves slowly, where did everyone go?
She checks the time- it's a quarter pass 4
sounds on the other side of the door
Are Muffled by the sound of a knock at the door
...........
Looks around for her little red dress
Notices a blotch - a red stain on her breast
Lipstick smeared an accessory to her mess
She reached for her clothes and saw a note on the desk.
..........
Dearly beloved,
I want to see you again
I'd love to have to back
I think we make a great blend
I tried to wake you
Because I had to go
And
Oh by the way, my name is merlot
"Little Black Bird
”
”
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
“
écartèlement /ekaʀtɛlmɑ̃/ nm 1. [fig] • (déchirement) ressentir un ~ entre | to feel torn between 2. (supplice) quartering • condamné à l'~ | condemned to be quartered 3. quartering écarteler /ekaʀtəle/ vtr 1. [fig] (déchirer) to tear [sb] apart • être écartelé | to be torn (entre "between") 2. (supplicier) to quarter 3. to quarter
”
”
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
“
At a patio party recently in New Orleans' French Quarter, an oil millionaire from Dallas allowed, “I'd vote for him in a minute, and give him all the money I could, if I just felt I could trust him-if he wouldn't wind up getting tamed by Washington like Lester Maddox over there in Georgia. I'm a Republican, but I'd love to support him, and every one of my friends-oilmen, fellows in wheat-feel the same way.
”
”
Marshall Frady (Wallace: The Classic Portrait of Alabama Governor George Wallace)
“
Pimm’s Cup with its lemonade, Pimm’s syrup, 7-Up, and a slice of cucumber.
”
”
Jen Pitts (The French Quarter Mysteries Box Set: Books 1 - 3 (French Quarter Mystery #1, #2 and #3))
“
les trois ~s du temps | most of the time • les trois ~s des gens | most people • un portrait de trois ~s | (Art) a portrait in three-quarter profile • se tenir de trois ~s | to stand three quarters on 2. (bouteille) a quarter-litre GB bottle (de "of"); (pichet) a quarter-litre GB pitcher (de "of") 3. (gobelet) beaker (of a quarter-litre GB capacity) 4. watch • être de ~ | to be on watch • rendre/prendre le ~ | to hand over the/go on watch
”
”
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
“
Beirut port, confirmed as the principal port of the Syrian interior, was enlarged and modernized, a second dock was constructed and the city, provided with an airport, progressed to become a center for international communication. According to a new urban plan, the city was re-centered around Place de l’Étoile, designed on the model of that of the French capital, and the Parliament and a new business quarter were inaugurated there on the occasion of the French Colonial Exposition of 1921. These projects contributed to the development of a tertiary sector dominated by a merchant/financial bourgeoisie, which was becoming more and more embedded into the mandate system. This was supplemented by the expansion of education, another mandate policy, which helped create a middle class destined for liberal professions and the bureaucracy.
”
”
Fawwaz Traboulsi (A History of Modern Lebanon)
“
A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day out in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it. And more, was this all some elaborate ritual to get an angle on me? My friend paid. I thanked him. But when we left I made sure
he walked out first. He wanted to show me one of those old buildings that seem to be around every corner in that city. And the entire time he was leading me, I was sure he was going to make a quick turn into an alley, where some dudes would be waiting to strip me of…what, exactly? But my new friend simply showed me the building, shook my hand, gave a fine bon soirée, and walked off into the wide open night. And watching him walk away, I felt that I had missed part of the experience because of my eyes, because my eyes were made in Baltimore, because my eyes were blindfolded by fear.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
The only thing I want is to exorcise and eradicate from my psyche every belief, assumption, thought, aspiration, dream, hope and moral principle I have been taught or imbibed in my entire life. They don’t work. They have led me to this. I hate them. I abhor every person and institution that has brainwashed or indoctrinated me into believing them. I hate myself for buying into this bullshit. I want to replace it all as fast and as permanently as I can with whatever long-haired, counter-culture, freakazoid Mr. Natural doctrine and belief system I can derive from my new friends in the house and from Charles and David. I want to be like the freaks I saw at Buster Holmes’ in the French Quarter. Can I pass through a membrane that will deposit me, somehow, on the other side? I want it. I want to find that portal and transmigrate through. Does there exist a state of mind, a mode of being, a sphere of consciousness that will somehow obliterate everything I have ever believed? I want to find this and jump through with both feet. In the meantime, I have to find work.
”
”
Steven Pressfield (Govt Cheese: A Memoir)
“
Over the last decade, entire neighbourhoods have lost their identity to the ever-growing clothing retail market. Since my first visit to the Marais quarter of Paris in 2003, I have seen the area shift from a charming, off-beat district featuring a mix of up-and-coming designers, traditional ateliers, bookstores and boulangeries to what amounts to an open-air shopping mall dominated by international brands. In the last five years, an antique shop has been replaced by a chic clothing store and the last neighbourhood supermarket transformed into a threestorey flagship of one of the clothing giants. The old quarter is now only faintly visible, like writing on a medieval palimpsest: overhanging the gleaming sign of a sleek clothes shop, on a faded ceramic fascia board, is written ‘BOULANGERIE’. In economically developed countries, people’s motivations for spending money have long since shifted from needs to desires. There’s no denying we need places to live in, food to nourish us and clothes to dress ourselves in, and, while we’re at it, we might as well do these things with a certain degree of refinement to help make life as pleasurable as possible. But when did the clothing industry turn into little more than a cash machine whose main purpose seems to be its own never-ending growth? Just as clothing retail shops are sucking the identity out of entire neighbourhoods, so that the architecture becomes little more than a backdrop for their products, the production of the garments they sell is eating away at the Earth’s resources and the life of the workers who are producing them. Fashion has become the second most polluting industry in the world. And with what result? Our wardrobes are cluttered with so many clothes that the mere sight of them becomes overwhelming, yet at the same time we feel a constant craving for the next purchase that will transform our look.
”
”
Alois Guinut (Why French Women Wear Vintage: and other secrets of sustainable style (MITCHELL BEAZLE))
“
I still miss her so much,” I told him. “And that room…it brings everything back. Like Sarah’s story. I can’t stop thinking about it and how I didn’t even talk to Claire that day. We texted, but just about her plans—the restaurant, the French Quarter
”
”
K.L. Walther (The Summer of Broken Rules)