French Nails Quotes

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I don’t care what he thinks. Only what you think.” He holds me tighter. “Like if you think I need to stop biting my nails.” “You’ve worn your pinkies to nubs,” I say cheerfully. “Or if I need to start ironing my bed spread.” “I DO NOT IRON MY BED SPREAD.” “You do. And I love it.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I don’t care what he thinks. Only what you think.” He holds me tighter. “Like if you think I need to stop biting my nails.” “You’ve worn your pinkies to nubs,” I say cheerfully.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I collapse in bed and fall asleep with me other hand clasped around the blue rubber band. And I dream about blue eyes and blue nails and first-kiss lips dusted with blue sugar crystals.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
That's a killer accent you have. Sounds exotic.” “Just British, I'm afraid. I only know a trifling of foreign tongues.” He plopped down onto the divan next to her, his multi-colored arm stretched along the back. “Foreign tongues—I like the sound of that.” She thought to the article she'd read in the nail salon. “I've picked up a little French and Italian,and more recently, a bit of Hindi, I believe.” “Really?” he said, leaning close. “Such as?” “Oh, you know, Kama Sutra, and things of that nature.” Suddenly Liam was at her side. “You'll be sitting out front, Emily,” he said through gritted teeth, “right next to the stage.
Bella Street (Kiss Me, I'm Irish (Tennessee Waltz, #1))
And then I turn another corner, and my chest constricts so tightly, so painfully, that I can no longer breathe. Because there he is. He's engrossed in an oversize book, hunched over and completely absorbed. A breeze ruffles his dark hair, and he bites his nails. . . . Several other people are soaking up the rare sunshine, but as soon as they're registered, they're forgotten. Because of him. I grip the edge of a sidewalk café table to keep from falling. The diners stare in alarm, but I don't care. I'm reeling, and I gasp for air. How can I have been so stupid? How could I have ever for a moment believed I wasn't in love with him?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When you’re a girl, you never let on that you are proud, or that you know you’re better at history, or biology, or French, than the girl who sits beside you and is eighteen months older. Instead you gush about how good she is at putting on nail polish or at talking to boys, and you roll your eyes at the vaunted difficulty of the history/​biology/​French test and say, “Oh my God, it’s going to be such a disaster! I’m so scared!” and you put yourself down whenever you can so that people won’t feel threatened by you, so they’ll like you, because you wouldn’t want them to know that in your heart, you are proud, and maybe even haughty, and are riven by thoughts the revelation of which would show everyone how deeply Not Nice you are. You learn a whole other polite way of speaking to the people who mustn’t see you clearly, and you know—you get told by others—that they think you’re really sweet, and you feel a thrill of triumph: “Yes, I’m good at history/​biology/​French, and I’m good at this, too.” It doesn’t ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable.
Claire Messud (The Woman Upstairs)
It's a physical sickness. Étienne. How much I love him. I love Étienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during labs. His messy handwriting on our worksheets. I love handing him his backpack when class is over, because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll — I love that, too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes, and the way he bites his nails, and I love his hair so much I could die. There's only one thing I don't love about him. Her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
It had a strange resemblance to Kafka's novel,The Trial- that dream-like allegory of a man who,having received a mysterious convocation to attend his 'trial",strives and struggles in vain to find out where the trial would be held and what it would be about; wherever he inquires he receives non - commital,elusive replies,as if everybody has joined in a secret conspiracy:the closer he gets to his aim,the farther it recedes,like the transparent walls of a dream:and the story ends abruptly,as it began,in tormenting suspense.The High Court which Kafka's hero is unable to find is his own conscience:but what was the symbolic meaning of all these nut-cracker-faced,nail-biting,pimpled,slimy features,spinning their spider webs of intrigue and sabotage in the bureaux of the French Administration?Perhaps I was really guilty,I and my like:perhaps our guilt was the past,the guilt of having forseen the catastrophe and yet failed to open the eyes of the blind.But if we were guilty-who were they to sit in judgement over us?
Arthur Koestler (Scum of the Earth)
But in the end we found it impossible to ignore the impassioned pleas of the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence. Those inclined to believe in free will and the free market argue that the Lost City of White Male Privilege was responsible for its own demise, that the constant stream of contradictory religious and secular edicts from on high confused the highly impressionable white male. Reduced him to a state of such severe social and psychic anxiety that he stopped fucking. Stopped voting. Stopped reading. And, most important, stopped thinking that he was the end-all, be-all, or at least knew enough to pretend not to be so in public. But in any case, it became impossible to walk the streets of the Lost City of White Male Privilege, feeding your ego by reciting mythological truisms like “We built this country!” when all around you brown men were constantly hammering and nailing, cooking world-class French meals, and repairing your cars. You couldn’t shout “America, love it or leave it!” when deep down inside you longed to live in Toronto.
Paul Beatty (The Sellout)
No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!
Henry Miller (Black Spring)
Some people get hit by a tidal wave, dig in their nails and hold on; they stay focused on the positive, keep visualizing the way through till it opens up in front of them. Some lose hold. Broke can lead people to places they would never have imagined. It can nudge a law-abiding citizen onto that blurred crumbling edge where a dozen kinds of crime feel like they’re only an arm’s reach away. It can scour away at a lifetime of mild, peaceful decency until all that’s left is teeth and claws and terror.
Tana French (Broken Harbor (Dublin Murder Squad #4))
While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
A CANINE EULOGY TO THE TITANIC: The ship’s log says that twelve dogs boarded The Titanic Airedales a King Charles Spaniel Fox Terrier Chow Chow a Poodle French Bulldog Great Dane a Newfoundland. Two Pomeranians and a Pekingese were smuggled off in lifeboats concealed in blankets a Scottish Deerhound de-boarded moments before leaving port the captain returning the dog to his young daughter. One woman lived the rest of her life haunted by the memory of her Poodle clinging to her pajamas as she left her cabin. The rip of fabric. The panicked cry. The scritch of nails on the wood of the cabin door. Another left a lifeboat after being told her Great Dane was too large to be permitted to join her. Their bodies were found, days later. The woman frozen, still clutching her dog. Who made the right choice?
Sassafras Patterdale (With Me)
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
This is a rather dramatic example of confused feelings being converted in a thought pattern. Any mental preoccupation can distract one from one’s feelings. 5. Turning Against Self. Turning against self is an ego defense whereby a person deflects hostile aggression from another person and directs it onto self. This defense is extremely common among people who have been abandoned through severe abuse. Because a child so desperately needs his parents for survival, he will turn his aggressive rage about his abuse into abuse of himself. The extreme form of this is suicide. In such cases (the French call it self-murder), the person so identifies with the offender that he is killing the offender by killing himself. Common but less intense examples include nail biting, head banging, accident proneness and self-mutilation. In later life people may injure themselves socially or financially. In all cases the rage at the offender is so fearful and shameful it is turned against self. The power and strength of ego defenses lies in the fact that they are automatic and unconscious. They were the best decisions available to you at the time. And they kept you sane. They literally saved your life. The very defenses that were once life-giving later on become the preservers of our toxic shame.
John Bradshaw (Healing the Shame that Binds You)
In Germany, the Depression was the final nail in the coffin of the Weimar Republic. Germany needed loans to pay its reparations, but once the Depression hit, its funding dried up and hyperinflation ensued as the government printed more money in a desperate effort to come up with the funds to repay what it owed. The collapse of the Weimar Republic was a textbook case of what happens when democracy and capitalism fail; angry, desperate people became willing to go along with a suspension of the most basic civil liberties in the hope that order and prosperity would be restored. Parties and politicians embracing fascism—a philosophy animated by extreme nationalism that called for government control of virtually all aspects of political and economic life—gained ground in Germany, Italy, Austria, and Japan. By 1932, the Nazi Party had become the largest party in the German parliament; a year later, Adolf Hitler became chancellor. He quickly consolidated power, dismantled democratic protections, formalized harsh discrimination against Jews and others, and began rearming Germany. Hitler broke through the military constraints set by the Versailles Treaty. The absence of a French or British response taught Hitler the dangerous lesson that he could assert German rights as he saw them with little to fear.
Richard N. Haass (The World: A Brief Introduction)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
When you’re a girl, you never let on that you are proud, or that you know you’re better at history, or biology, or French, than the girl who sits beside you and is eighteen months older. Instead you gush about how good she is at putting on nail polish or at talking to boys, and you roll your eyes at the vaunted difficulty of the history/biology/French test and say, ‘Oh my God, it’s going to be such a disaster! I’m so scared!’ and you put yourself down whenever you can so that people won’t feel threatened by you, so they’ll like you, because you wouldn’t want them to know that in your heart, you are proud, and maybe even haughty, and are riven by thoughts the revelation of which would show everyone how deeply Not Nice you are. You learn a whole other polite way of speaking to the people who mustn’t see you clearly, and you know—you get told by others—that they think you’re really sweet, and you feel a thrill of triumph: ‘Yes, I’m good at history/biology/French, and I’m good at this, too.’ It doesn’t ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable.
Claire Messud (The Woman Upstairs)
Her regularly squared and french-tipped nails were dangerously chipped and jagged, and she touched her platinum hair so often that it had started to look like the kinked bristles of an overused toothbrush.
G.M.T. Schuilling (The Watchmaker's Doctor)
Chorus: The Kings are our dear fathers Under whose care we live in peace The Kings are our dear fathers Under whose care we live in peace Marat: And the children repeated the lesson they believed it As anyone believes What they hear over and over again And over and over again the priests said Our love embraces all mankind Of every colour race and creed Our love is international universal We are all brothers every one And the priests looked down into the pit of injustice And they turned their faces away and said Our Kingdom is not as the kingdom of this world Our life on earth is out a pilgrimage The soul lives on humility and patience At the same time screwing from the poor their last centime They settled down among their treasures And ate and drank with princes And to the starving they said Suffer Suffer as he suffered on the cross For it is the will of God And anyone believes what they hear over and over again So the poor instead of bread made do with a picture Of the bleeding scourged and nailed-up Christ And prayed to that image of their helplessness And the priests said Raise your hands to heaven bend your knees And bear your suffering without complaint For prayer and blessing are the only stairways Which you can climb to Paradise And so they chained down the poor in their ignorance So that they wouldn't stand up and fight their bosses Who ruled in the name of the lie of divine right Chorus: Amen
Peter Weiss (The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade)
Veramente particolare! You know what this word means?” She looks straight at me, and I feel very large and under-made-up by comparison with her Italian chic. “‘Particolare’? It means strange, or odd. You say this word when you don’t like something but you don’t want to be rude.” “Well, that’s not something you ever have a problem with,” Kendra snaps back, and even through my upset at Elisa’s meanness, I admire Kendra’s quick wits. Catia clicks her tongue crossly. “It means ‘special,’ or ‘particular,’” she says to me reassuringly, but we all know that Elisa’s hit the nail on the head. “And Elisa, if you don’t like flowers, you can leave us, please.” “Oh, stai zitta, Mamma,” Elisa says, shrugging exactly the same way her mother does. She walks across the room and out the french windows, where she collapses as if boneless onto the wicker chair, lifts her phone, and sips her espresso while dialing a number. “It’s like ‘darling,’” Paige says suddenly. She looks at our bemused faces. “My grandmother’s from Georgia,” she explains, “and there, if you want to be mean to someone, you say her bag of her hair or something’s ‘darling.’ It’s the worst thing you can say. Like you’re paying a compliment, but it’s really the opposite. Or,” she adds, warming to this theme, “if you’re talking about someone and you say ‘Bless her heart!’ that means you think she’s a total moron.” Catia decides, visibly, to ignore Paige’s comments and her daughter’s horrid behavior.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
the town. But, with the enemy massing beyond the river, the position ceased to be tenable after the 13th when a partially masked battery was disclosed commanding the broken bridge. General Paget’s small force had no alternative but to withdraw in haste, leaving the French free to cross. A battle under the walls of Corunna could no longer be avoided. Fortunately on the evening of the 14th the missing transports arrived, 110 sail strong, bringing the total at anchor in the harbour to 250. With them came a squadron of battleships – Ville de Paris, Victory, Barfleur, Zealous, Implacable, Elizabeth, Norge, Plantagenet, Resolution, Audacious, Endymion, Mediator – a glorious spectacle, thought an onlooker, had it been possible to forget the service for which they had come. Yet it was one which brought relief to thousands of British hearts. That night Moore, not daring to waste an hour lest a sudden change in the wind should enable the French artillery to destroy the fleet at anchor, embarked the remainder of his sick, all but eight of his guns and, since the rocky terrain did not admit of their use in battle, the whole of his cavalry. Only a thousand horses could be taken. The remainder, having foundered during the retreat – not for want of shoes but for nails and hammers – were shot on the beach. During the morning of the 15th Soult, forcing back Paget’s outposts, occupied the heights round the town, overlooking and partially enclosing the inferior British positions on the slopes of Monte Mero. Sharpshooting and cannonading continued all day, about a hundred men falling on either
Arthur Bryant (The Years of Victory)
Two heavyset, rough-looking men were arguing about politics, and he was struck anew by a thought he used to have often when he lived here: there is no such thing as a French tough guy. A French tough guy, even if he’s tough as nails, speaks French, and therefore isn’t very tough at all. These men looked like boxers, but they were speaking a feminine language and sipping daintily from tiny espresso cups. Schiller, six-foot-something and wide, always felt terribly manly in France, the land of fragile men.
Brian Morton (Starting Out in the Evening)
IN THE 1930S a zealous French surgeon called Pierre Barbet became passionately fascinated by the details of crucifixion. To test whether the hand could support the body’s weight he experimented by nailing cadavers to a wooden cross. Making a guess at Jesus’s weight and the position of the arms with respect to the torso during Roman crucifixion, he calculated that the nails must have been hammered through the small bones of the wrist rather than the palm. Those wrist bones – the “carpus” – are held together very tightly by ligaments; Barbet found that if he nailed his corpses by the wrists rather than the palms, they didn’t tear out. Pierre Barbet published his experiments on the nailing of a human body in the 1930s, but in 1968, in a burial cave near Jerusalem, a skeleton was found of a young man who’d been crucified during the Roman period. A
Gavin Francis (Adventures in Human Being: A Grand Tour from the Cranium to the Calcaneum)
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
Spence beached the boat and strutted up to where Denny and Mr. Jones were working. He stared at Denny and smiled. “You got enough of that shit on your face?” he asked. Mr. Jones look up sharply. “What’s the matter with you?” he said. “You don’t talk to a lady like that.” Spence laughed. “What lady?” he said. Denny blushed. She could see the anger building in Mr. Jones’s eyes. “It’s all right,” she said quickly. “I don’t care.” Mr. Jones turned to her. “Well, you should,” he told her, his eyes flashing, “and Mr. Spencer here would respect you more if you did, whether he realizes it or not.” Spence snorted derisively. “Well, like it or not, you keep a civil tongue while you’re working for me, mister, understand?” said Mr. Jones. Spence shrugged. “You’re the boss,” he said, and started walking up toward the shack. Mr. Jones picked up a nail. “You kids today use too darn much profanity anyway,” he yelled. He banged the nail into the brace. “You use it anytime, anyplace. It’s not right.” He banged another nail. “Shows a lack of respect, not to mention a deficient vocabulary.” He slammed another nail into the wood. “There’s a time and a place for profanity.” He held another nail and smashed the hammer down. “Aagh! Like now! Dammit!” He dropped the hammer and grabbed his thumb. Denny covered her mouth and turned away so he wouldn’t see her laugh, but he saw anyway. “Oh, very funny, huh?” said Mr. Jones. Denny couldn’t stop giggling. Soon she had Mr. Jones laughing too. “That’s what I get for trying to defend your honor,” he said. “Sorry,” said Denny. She looked up the hill and saw Spence duck into the shed. There was a burst of loud, muffled laughter, and she started giggling all over again. “All right, all right,” said Mr. Jones. “Are you going to go get me a Band-Aid or do I have to stand here and bleed to death while you and your friend up there make sport of me?
Jackie French Koller (The Last Voyage of the Misty Day)
Later a friend quoted a line to me from French Marxist and philosopher Michel Clouscard, a critic of the Paris ’68 commune and the New Left more broadly: “Everything is permitted and nothing is possible.” I hate giving credit to the French, but when they nail it, they nail it.
Amber A'Lee Frost (Dirtbag: Essays)
They want him to keep an eye on a man called Auric Goldfinger. ‘Sounds like a French nail varnish,’ Bond astutely observes, although we know he’s really thinking it sounds more like a sex act for millionaires.
John Rain (Thunderbook: The World of Bond According to Smersh Pod)
We would also like to add the following to the birth bag repertoire: trashy magazines to read with your client—especially if she gets an epidural—ditto for nail polish, a list of local resources that can help your client get on her feet, LUNA bars in every flavor they produce, a neck pillow, cash for the hospital diner where you will invariably eat your victory meal when it’s all done (our menu favorite is spanakopita and french fries).
Mary Mahoney (The Doulas: Radical Care for Pregnant People)
limer /lime/ I. vtr 1. (façonner) to file [ongle, métal]; to file down [clé, aspérité] • avoir les ongles limés | to have filed nails 2. (couper) to file through [barreau] II. vpr • se ~ les ongles | to file one's nails
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
What he told them was to organize and defend their government to the last man and woman; to gather paving-stones and hurl them from the rooftops upon the Fascist invaders; to fight them with pikes, kitchen knives, and clubs with nails in; to take for their own the slogan of the French at Verdun:
Upton Sinclair (Wide Is the Gate (The Lanny Budd Novels #4))
Yes; he was christened Louis Philippe, after the King of the French. If one wishes to look out in the world for royal nomenclature, to find children who have been christened after kings and queens, or the uncles and aunts of kings and queens, the search should be made in the families of democrats. None have so servile a deference for the very nail-parings of royalty; none feel so wondering an awe at the exaltation of a crowned head; none are so anxious to secure themselves some shred or fragment that has been consecrated by the royal touch. It is the distance which they feel to exist between themselves and the throne which makes them covet the crumbs of majesty, the odds and ends and chance splinters of royalty.
Anthony Trollope (Complete Works of Anthony Trollope)
I extended my right leg, and the right arm, elbow down and in, wrist level with my sternum. She did the same. The backs of our wrists touched. Well-shaped nails, no wedding ring. Her skin was dense and fine-grained, taut over smooth muscle, and her bones slender. She looked the sort of woman who has studied ballet for twelve years. Her eyes were blue, the deep blue of still-wet-from-the-dye denim, with lighter flecks near pupils tight with concentration. Her hair was in a French twist. A French twist for the gym.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
Immediately, like a fond old roué, I sought to introduce Danny to what used to be called the finer things of life. I brought him—my God, I burn with shame to think of it—I brought him to the Institute and made him sit and listen while I lectured on Poussin’s second period in Rome, on Claude Lorrain and the cult of landscape, on François Mansart and the French baroque style. While I spoke, his attention would decline in three distinct stages. For five minutes or so he would sit up very straight with his hands folded in his lap, watching me with the concentration of a retriever on point; then would come a long central period of increasing agitation, during which he would study the other students, or lean over at the window to follow the progress of someone crossing the courtyard below, or bite his nails with tiny, darting movements, like a jeweller cutting and shaping a row of precious stones; after that, until the end of the lecture, he would sink into a trance of boredom, head sunk on neck, his eyelids drooping at the corners and his lips slackly parted. I covered up my disappointment in him on these occasions as best I could. Yet he did so try to keep up, to seem interested and impressed.
John Banville (The Untouchable)
She lifts a hand, showing off her perfect French manicure. “Eight girls to do your nails for you? Seriously? We’re not your servants, Rachel.” She rolls her eyes. You would know, I think to myself. Of everyone at DB, Mina’s the most likely to have servants. She’s the eldest daughter of one of Korea’s oldest and most powerful chaebol families,
Jessica Jung (Shine (Shine, #1))
One prisoner who did not escape the assassins’ blades was Marie Gredeler, a young woman who kept an umbrella and walking-stick depository in the courtyard of the Palais Royal. Charged with having mutilated her lover, she was herself mutilated, her breasts were cut off, her feet were nailed to the ground and a bonfire was set alight between her spreadeagled legs.
Christopher Hibbert (The French Revolution)