Freestyle Life Quotes

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Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
Shah Asad Rizvi
Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
Shah Asad Rizvi
If movements were a spark every dancer would desire to light up in flames.
Shah Asad Rizvi
Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
Shah Asad Rizvi
If spirit is the seed, dance is the water of its evolution.
Shah Asad Rizvi
Dance is the timeless interpretation of life.
Shah Asad Rizvi
Show me a person who found love in his life and did not celebrate it with a dance.
Shah Asad Rizvi
If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
Shah Asad Rizvi
Don't breathe to survive; dance and feel alive.
Shah Asad Rizvi
Life is an affair of mystery; shared with companions of music, dance and poetry.
Shah Asad Rizvi
Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.
Shah Asad Rizvi
Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.
Shah Asad Rizvi
DANCE – Defeat All Negativity (via) Creative Expression.
Shah Asad Rizvi
She who is a dancer can only sway the silk of her hair like the summer breeze.
Shah Asad Rizvi
Dance is the ritual of immortality.
Shah Asad Rizvi
One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.
Shah Asad Rizvi
Burdened no more is soul for whom life flows through dance and not breath.
Shah Asad Rizvi
Dance is that delicacy of life radiating every particle of our existence with happiness.
Shah Asad Rizvi
Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.
Shah Asad Rizvi
When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.
Shah Asad Rizvi
His head was swimming freestyle, but someone in his stomach was doing the butterfly.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
You Can't Change Your Life... Until You Change Your Heart, and You Can't Change Your Heart... Until You Change Your Mind!
Latif Mercado
Burdened no more is soul for whom life flows through dance like breath.
Shah Asad Rizvi
Make dance the mission every moment seeks to accomplish.
Shah Asad Rizvi
Spirit is a child, the tune of dancing feet its lullaby.
Shah Asad Rizvi
I fall asleep Call it deep while all is well be- Cause my life seems like a freestyle mean- While asleep on the couch I dream it's a written piece and now The symphony's sounding Shouting out to these feet whose leaps feel foul but quite loud But how I'm allowed to live my dreams My Chimeran team brings the Siberian breed Riding reality free 'til these tires they freeze In mires in dire need of wires, fire and heat but I love a dark, hard cold heart in the wintery breeze
Criss Jami (Killosophy)
Limit not to only five, when the divine gifts the supreme sixth; the sense of dance
Shah Asad Rizvi
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
Shah Asad Rizvi
I am a palette of emotions; I remember how I have cov-eted to be free from the school rules. I look around to see people casually dressed up and walking with an aim maybe to make a better career or just add fame of DU degree like me. The campus is buzzing with freshman and activity. I just hope, these corridors, hallways, and passages don’t see me trip-ping and falling any day. I feel more comfortable standing in between the crowd of people moving. Like nobody is paying any heed. You can be yourself without feeling awkward about anything.
Parul Wadhwa (The Masquerade)
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Do I need? Destiny Do I need? Schedule live Do I need? Working trends Do I need? Recess lines Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Do I feel? Helium dreams Do I feel? Fresh impacts Do I feel? Endless nights Do I feel? Venus joy Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Lucky and unhappy Lucky and unhappy Lucky and unhappy
Air
Lucky And Unhappy Do I need? Destiny Do I need? Schedule live Do I need? Working trends Do I need? Recess lines Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Do I feel? Helium dreams Do I feel? Fresh impacts Do I feel? Endless nights Do I feel? Venus joy Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Vote for a freestyle life Lucky and unhappy Driving on the freeway flash line Lucky and unhappy Lucky and unhappy Lucky and unhappy Lucky and unhappy
Air
I Don't Waste My Time Doing Crosswords, As My Life Is The Only Puzzle I Care To Resolve!
Latif Mercado
A Decision That Can Change Your Life Forever, Can Happen In Just One Second.
Latif Mercado
Attitude Is More Important Than Talent!
Latif Mercado (Freestyle For Life)
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being becomes dance.
Shah Asad Rizvi
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being and dance are one.
Shah Asad Rizvi
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Hammer
But when I landed in college, I noticed what looked like a gleaming. A goofy, doofy, curly-haired man with broad shoulders brushed by me in the hallway one day. He smelled like cinnamon. He had teddy-brown eyes and performed in the college’s improv group. He was the best one by far, made big gestures, made jokes from a place of kindness and whimsy, pulled ripples of laughter out of this cold, hard world. I used to sit in the audience and marvel. He seemed like an impossibility. It took years. Years of slowly befriending him through mutual friends. Years of calling into his late-night, freestyle-rap radio show, daring my tongue to try… to rhyme on the fly! I even joined the improv group. And eventually, one night I told him how I felt and instead of flinching away, as I had assumed he would, as the boys in the hallway had made it seem that he would, he kissed me. After graduating college, we moved in together, to a small one-bedroom apartment in Brooklyn with a red Formica table and a great front stoop. I finagled my way into a job helping produce a radio program all about science and wonder. He was continuing with comedy—stand-up and improv and writing—and working as a yellow-cab driver to support himself. We stayed up late into the night, sipping beers on the stoop, talking about our days, turning awkward moments and missteps into jokes. I felt like I had found the thing I had thought could never exist. Refuge. It smelled like cinnamon and its walls were made of bad puns and cheap rhymes, piling higher and higher against the chill of the world. My head became full of visions for the future. The TV shows we would write, the tree houses we would build, the way the grass would curl between our toes as we chased our kids through the yard. Until, seven years into it, I toppled the whole thing. Late one night on a beach five hundred miles away from him, possessed by moonlight and red wine and the smell of a bonfire, I reached out for the bouncing blond girl I had been trying not to eye all night. She was wet from swimming; she was prickled in goose bumps, hundreds of goose bumps, that I wanted to press flat with my tongue. She smiled as I placed my hand on her waist, as I touched my lips to her neck. The stars wrapped around us. Her steam became mine. When I told the curly-haired man what I had done, he told me it was over.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
10 November You are a purposeful and ambitious person. From early on in life you know what you want to achieve and set your sights high. You have the ability to tackle difficult issues, and with your strong moral and physical courage, you usually succeed. If, however, you fail and get overlooked on your way to the top, your frustration can create health issues. You are adept at regeneration and can transform raw materials into ‘gold’, whether it’s a building, a company, or yourself. You are a pragmatic person but will not compromise your principles. This can lead to others seeing you as being inflexible. Relationships are serious for you, and you marry for love and financial security. Relaxation is vital for your emotional well-being. Your lack of flexibility would be remedied by a freestyle jazz dance form. STRENGTHS Aspiring and resolute WEEKNESSES Obstinate, materialistic MEDITATION A small mind is obstinate. A great mind can lead and be led.
Marion Williamson (Scorpio: Let Your Sun Sign Show You the Way to a Happy and Fulfilling Life (Arcturus Astrology Library))
This is a George Floyd moment for both Israelis and Palestinians. Actually scratch that. It’s a George Floyd moment for both Americans who sympathize with Israel and Americans who sympathize with Palestinians. It’s a holy fuck moment for anyone who cares about human life. Upstairs the bathtub is filling with blood. How big would the swimming pool have to be to hold all the red salty stuff spilled the last week? Who will recline in the fresh blood bath? What swimmers will adjust their goggles and freestyle the miles of blood?
Jeffrey McDaniel
AW YEAH!!!” roared Carl, punching the air. “PO-TATO! PO-TATO!” “I want to join in too!” said Alex. “PO-TATO! PO-TATO! PO-TATO!” “Yo, are we doing freestyle?” said Jean-Cowphio. “Let your boy JC lay down some bars. Uh, sometimes life can be pretty slow; but it don’t matter when you got pota-to. PO-TAY-TO! PO-PO-PO-POTATO! If you don’t know ‘bout ‘tatoes, then we ain’t homies no mo’. Uh, you know how we do. Jean-Cowphio comin’ at you like a sack of potatoes. Remember the name. And we won’t stop. Because we can’t stop. Straight outta Cow Village. Now and forever, baby. Peace.
Dave Villager (Dave the Villager 43: An Unofficial Minecraft Book (The Legend of Dave the Villager))
I rode home from rehearsal that day on the 101 Freeway, and my sense of loss about John and the loneliness that I was feeling triggered memories of my time with Ione and how I’d had this beautiful angel of a girl who was willing to give me all of her love, and instead of embracing that, I was downtown with fucking gangsters shooting speedballs under a bridge. I felt I had thrown away so much in my life, but I also felt an unspoken bond between me and my city. I’d spent so much time wandering the streets of L.A. and hiking through the Hollywood Hills that I sensed there was a nonhuman entity, maybe the spirit of the hills and the city, who had me in her sights and was looking after me. Even if I was a loner in my own band, at least I still felt the presence of the city I lived in. I started freestyling some poetry in my car and putting the words to a melody and sang all the way down the freeway. When I got home, I got out my notebook and wrote the whole thing down in a song structure, even though it was meant to be a poem to deal with my own anguish. “Under the Bridge” Sometimes I feel like I don’t have a partner Sometimes I feel like my only friend Is the city I live in, the city of angels Lonely as I am, together we cry. I drive on her streets ’cause she’s my companion I walk through her hills ’cause she knows who I am She sees my good deeds and she kisses me windy I never worry, now that is a lie. I don’t ever want to feel like I did that day Take me to the place I love, take me all the way It’s hard to believe that there’s nobody out there It’s hard to believe that I’m all alone At least I have her love, the city she loves me Lonely as I am, together we cry. I don’t ever want to feel like I did that day Take me to the place I love, take me all the way Under the bridge downtown Is where I drew some blood Under the bridge downtown I could not get enough Under the bridge downtown Forgot about my love Under the bridge downtown I gave my life away
Anthony Kiedis (Scar Tissue)
There are these tiny shrimp that live in potholes in the rocks of the desert, and whenever it’s dry, they go dormant. You don’t even know they’re there. But as soon as it rains, you see them darting around in the water, as if they fell from the sky in droplets instead of just waiting around for the first sign of moisture to revive them. Tonight I was a desert shrimp. Something happened to me on a cellular level. I felt it as soon as the water reached my thighs. It’s like some dormant portion of me moistened itself back to life, and as I glided forward into the pool and took my first few strokes, I didn’t care anymore what I looked like or what people might say about me or whether they thought it was hilarious that chubby girl was out there doing freestyle. I didn’t care about anyone or anything. I just swam. I
Robin Brande (Fat Cat)