Frankenstein Villagers Quotes

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For the gentle werelibrarian, who's strictly vegetarian, there's nothing like Tofillager the MEATLESS TOFU VILLAGER
Adam Rex (Frankenstein Takes the Cake)
Frankenstein as the underdog. Not the monster. The villagers pursuing him are the monster.
Edward Field (Our Deep Gossip: Conversations with Gay Writers on Poetry and Desire)
I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.
Mary Wollstonecraft Shelley (Frankenstein)
Hearken unto me, fellow creatures. I who have dwelt in a form unmatched with my desire. I whose flesh has become an assemblage of incongruous anatomical parts. I who achieve the similitude of a natural body only through an unnatrual process, I offer you this warning: the Nature you bedevil me with is a lie. Do not trust it to protect you from what I represent, for it is a fabrication that cloaks the groundlessness of the privilege you seek to maintain for yourself at my expense. You are as constructed as me; the same anarchic Womb has birthed us both. I call upon you to investigate your nature as I have been compelled to confront mine. I challenge you to risk abjection and flourish as well as have I. Heed my words, and you may well discover the seams and sutures in yourself.
Susan Stryker (My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage)
The mountains of Switzerland are more majestic and strange, but there is a charm in the banks of this divine river that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier or retire to the inaccessible peaks of the mountains of our own country.
Mary Wollstonecraft Shelley (Frankenstein)
The unenlightened call him “Frankenstein,” confusing him with his creator. The less-unenlightened call him “the monster,” confusing him with his popular reception by the villagers and the local constabulary. But none of us knows, really, what to call him: knows, as it were, what name he would choose for himself, if he were given the choice.
Frank McConnell
I will say this as bluntly as I know how: I am a transsexual, and therefore I am a monster. Just as the words “dyke”, “fag”, “queer”, “slut”, and “whore” have been reclaimed, respectively, by lesbians and gay men, by anti assimilationist sexual minorities, by women who pursue erotic pleasure, and by sex industry workers, words like “creature”, “monster”, and “unnaturaI” need to be reclaimed by the transgendered. [...] Hearken unto me, fellow creatures. I who have dwelt in a form unmatched with my desire, I whose flesh has become an assemblage of incongruous anatomical parts, I who achieve the similitude of a natural body only through an unnatural process, I offer you this warning: the Nature you bedevil me with is a lie. Do not trust it to protect you from what I represent, for it is a fabrication that cloaks the groundlessness of the privilege you seek to maintain for yourself at my expense. You are as constructed as me; the same anarchic womb has birthed us both. I call upon you to investigate your nature as I have been compelled to confront mine. I challenge you to risk abjection and flourish as well as have I. Heed my words, and you may well discover the seams and sutures in yourself.
Susan Stryker (My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage)
A gigantic monster, they said, had arrived the night before, armed with a gun and many pistols; putting to flight the inhabitants of a solitary cottage, through fear of his terrific appearance. He had carried off their store of winter food, and, placing it in a sledge, to draw which he had seized on a numerous drove of trained dogs, he had harnessed them, and the same night, to the joy of the horror-struck villagers, had pursued his journey across the sea in a direction that led to no land; and they conjectured that he must speedily be destroyed by the breaking of the ice, or frozen by the eternal frosts.
Mary Wollstonecraft Shelley (Frankenstein)
The fed cars poured into the driveway. Brakes squealed. Feds jumped out of their vehicles, took position using the open doors as shields, aimed their weapons. Edwin Gibbs looked confused, panicked, Frankenstein’s monster suddenly surrounded by angry villagers. Stan hurried toward him. The air seemed to thicken, molasses-like. It was hard to move, hard to breathe. Myron could almost feel the officers tense up, fingers itchy, tips touching the cold metal of the trigger. He let go of Greg for a moment and shouted, “You can’t shoot him!” A
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
Fire and sword laid waste the Earth. Darkness stalked the land. From the ashes of defeat and the smoke of despair, the people of Earth, searching for a future, plundered the past. It was the time of the Great Concoction, when the world was remade. In the thirty-first century of Our Lord, the Europe of the past rose again in the shape of Europa. In Europa, history was reborn. The geologic upheavals of Europa's formation resulted in an acute psychic backlash, manifested in periodic shifts in reality and embodied hallucinations. Spatial dimensions became mercurial in their behaviour. Entire counties could be crammed into a field. These anomalies were exacerbated by advances in psionics which produced dream worlds that were as close to the notion of a real supernatural as makes no odds. Spectres, poltergeists, fallen angels, unfallen angels, trolls, hobgoblins, vampires, werewolves and suchlike entities sprang into pseudo-being. It was upon this ontological quicksand that the Dominions of Europa were founded, recreations of ancient European countries, each containing several time periods. Within each of these historical eras there existed a small percentage of 'Reprises'; clones of famous figures from history artificially encoded with the appropriate personality matrix. These Reprises were prone to severe identity confusion. Yet more acute was the confusion of the fictional Reprises, clones of actors who became identified with particular roles: in these cases, it was not the actor's personality that was encoded into clone-body, but the role he played. By the thirty-third century, Europa was plunging into chaos. Reality unravelled. It was a time of heroes, whimsical worlds, blood and thunder, and general Byronic excess. Dark powers arose. Fearful villagers locked their shutters at night. Fire and sword laid waste the Earth. Darkness stalked... Excerpt from The Tenebrous Testaments of the House of Rue. chapter XIV. volume CLXVII [From Count (Baron) Dracula and Baron (Count) Frankenstein]
Stephen Marley (Perfect Timing)
Cleo watched her share a look with her husband that contained unbounded pride, and something else too. Joy, she realized. They were in love. She was having his child. They lived in a one-bedroom in the West Village that no one had to lie to anyone to live in. Did Cleo want that? And if not now, ever? What had she done, marrying Frank? She should have married Quentin. She should have married no one. How did a person learn to live? Learn to be happy? She had surrounded herself with people who didn't know. This couple, with their his-and-hers vacuums, had figured it out.
Coco Mellors (Cleopatra and Frankenstein)
I live daily with the consequences of medicine’s definition of my identity as an emotional disorder. Through the filter of this official pathologization, the sounds that come out of my mouth can be summarily dismissed as the confused ranting of a diseased mind.
Susan Stryker (My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage)
He’d been called “monster” since the day of his creation. Words like “witchcraft” were screamed in his presence as villagers would rise up in an attempt to capture and burn him.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))