β
Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern.
β
β
Frank O'Hara (Meditations in an Emergency)
β
oh god itβs wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
β
β
Frank O'Hara
β
I am the least difficult of men. All I want is boundless love.
β
β
Frank O'Hara
β
It is easy to be beautiful; it is difficult to appear so.
I admire you, beloved, for the trap you've set. It's like a final chapter no one reads because the plot is over.
β
β
Frank O'Hara (Meditations in an Emergency)
β
My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up.
β
β
Frank O'Hara (Meditations in an Emergency)
β
When I die, don't come, I wouldn't want a leaf
to turn away from the sun -- it loves it there.
There's nothing so spiritual about being happy
but you can't miss a day of it, because it doesn't last.
β
β
Frank O'Hara
β
The stars fell
one by one into his eyes and burnt.
β
β
Frank O'Hara (Meditations in an Emergency)
β
Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
β
β
Frank O'Hara (Meditations in an Emergency)
β
I am ashamed of my century, but I have to smile.
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
In times of crisis, we must all decide again and again whom we love.
β
β
Frank O'Hara (Meditations in an Emergency)
β
I love you. I love you,
but Iβm turning to my verses
and my heart is closing
like a fist.
β
β
Frank O'Hara (Meditations in an Emergency)
β
After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
Kerouac: You're ruining American poetry, O'Hara.
O'Hara: That's more than you ever did for it, Kerouac
β
β
Frank O'Hara
β
I embraced a cloud,
but when I soared
it rained.
β
β
Frank O'Hara (Meditations in an Emergency)
β
Each time my heart is broken it makes me feel more
adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth.
Why should I share you? Why don't you get rid of someone else for a change?
β
β
Frank O'Hara (Meditations in an Emergency)
β
I can't even enjoy a blade of grass unless I know there's a subway handy, or a record store or some other sign that people do not totally regret life. It's more important to confirm the least sincere. The clouds get enough attention as it is...
β
β
Frank O'Hara
β
That's not a run in your stocking, it's a hand on your leg.
β
β
Frank O'Hara
β
Having a Coke with You
is even more fun than going to San Sebastian, IrΓΊn, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didnβt pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
β
β
Frank O'Hara
β
Even trees understand me! Good heavens, I lie under
them, too, don't I? I'm just like a pile of leaves.
β
β
Frank O'Hara (Meditations in an Emergency)
β
β¦ and Iβll be happy here and happy there, full
of tea and tears
β
β
Frank O'Hara (Lunch Poems)
β
I'm becoming
the street.
Who are you in love with?
me?
Straight against the light I cross.
β
β
Frank O'Hara
β
Leaf! you are so big!
How can you change your
color, then just fall!
As if there were no
such thing as integrity!
β
β
Frank O'Hara (Lunch Poems)
β
Grace / to be born and live as variously as possible
β
β
Frank O'Hara
β
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space.
β
β
Frank O'Hara
β
It's a bright summer day, and I want to be wanted more than anything else in the world.
β
β
Frank O'Hara
β
...but it is good to be several floors up in the dead of night wondering whether you are any good or not and the only decision you can make is that you did it...
β
β
Frank O'Hara (Lunch Poems)
β
Oh! kangaroos, sequins, chocolate sodas! / You really are beautiful! Pearls, / harmonicas, jujubes, aspirins!
β
β
Frank O'Hara
β
I wonder if the course of narcissism through the ages would have been any different had Narcissus first peered into a cesspool. He probably did.
β
β
Frank O'Hara (Early Writing)
β
I am moved by the multitudes of your intelligence and sometimes, returning, I become the seaβ in love with your speed, your heaviness and breath.
β
β
Frank O'Hara (Meditations in an Emergency)
β
There should be so much more, not of orange, of words, of how terrible orange is and life.
β
β
Frank O'Hara
β
when
I think of all the things Iβve been thinking of
I feel insane
β
β
Frank O'Hara (Lunch Poems)
β
If I am ever to find these trees meaningful
I must have you by the hand. As it is, they
stretch dusty fingers into an obscure sky,
and the snow looks up like a face dirtied
with tears. Should I cry out and see what happens?
There could only be a stranger wandering
in this landscape, cold, unfortunate, himself
frozen fast in wintry eyes.
β
β
Frank O'Hara (Meditations in an Emergency)
β
all I want is a room up there
and you in it
β
β
Frank O'Hara (Lunch Poems)
β
I wouldnβt want to be faster
or greener than now if you were with me O you
were the best of all my days!
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
Destroy yourself, if you don't know!
β
β
Frank O'Hara (Meditations in an Emergency)
β
the only thing to do is simply continue
is that simple
yes, it is simple because it is the only thing to do
can you do it
yes, you can because it is the only thing to do
β
β
Frank O'Hara (Lunch Poems)
β
You just go on your nerve.
β
β
Frank O'Hara
β
A man was the cause of it.
An unarmed man with a weapon.
β
β
Frank O'Hara
β
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
β
β
Frank O'Hara
β
The moon passes into clouds
so hurt by the street lights
of your glance oh my heart
β
β
Frank O'Hara (Lunch Poems)
β
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
β
β
Frank O'Hara
β
My Heart
I'm not going to cry all the time
nor shall I laugh all the time,
I don't prefer one "strain" to another.
I'd have the immediacy of a bad movie,
not just a sleeper, but also the big,
overproduced first-run kind.
I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart--you can't plan on the heart, but
the better part of it, my poetry, is open.
β
β
Frank O'Hara
β
I've got to get out of here. I choose a piece of shawl and my dirtiest suntans. I'll be back, I'll re-emerge, defeated, from the valley; you don't want me to go where you go, so I go where you don't want me to.
β
β
Frank O'Hara (Meditations in an Emergency)
β
and I have mastered the speed and strength which is the
armor of the world.
β
β
Frank O'Hara (Meditations in an Emergency)
β
There is a geography which holds
its hands just so far from the breast
and pushes you away, crying so.
β
β
Frank O'Hara (Meditations in an Emergency)
β
life perpetuated in parti-colored loves
and beautiful lies all in different languages.
β
β
Frank O'Hara (Meditations in an Emergency)
β
I seem to be defying fate, or am I avoiding it?
β
β
Frank O'Hara (Lunch Poems)
β
Iβm so damned literary
and at the same time the waters rushing past remind
me of nothing
Iβm so damn empty
β
β
Frank O'Hara (Lunch Poems)
β
willow trees, willow trees they remind me of Desdemona
I'm so damned literary
and at the same time the waters rushing past remind
me of nothing
β
β
Frank O'Hara (Lunch Poems)
β
I canβt even find a pond small enough
to drown in without being ostentatious
β
β
Frank O'Hara (Lunch Poems)
β
but to be part of the treetops and the blueness, invisible
the iridescent darknesses beyond,
silent, listening to
the air becoming no air becoming air again
β
β
Frank O'Hara (Lunch Poems)
β
I don't believe in god, so I don't have to make elaborately sounded structures. ... Pain always produces logic, which is very bad for you. ... As for measure and other technical apparatus, that's just common sense: if you're going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. There's nothing metaphysical about it.
β
β
Frank O'Hara (The Selected Poems of Frank O'Hara)
β
My quietness has a man in it, he is transparent
and he carries me quietly, like a gondola, through the streets.
He has several likenesses, like stars and years, like numerals.
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
β¦ my words are love
which willfully parades in
its room, refusing to move.
β
β
Frank O'Hara (Lunch Poems)
β
The stars blink like a hairnet that was dropped / on a seat and now it is lying in the alley behind / the theatre where my play is echoed by dying voices.
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
your veins are using up the redness of the world.
β
β
Frank O'Hara (Meditations in an Emergency)
β
I miss you always
when I go to the beach
the sand is wet with
tears that seem mine
although I never weep
and hold you in my
heart with a very real
humor you'd be proud of
β
β
Frank O'Hara
β
For Grace, After a Party"
You do not always know what I am feeling.
Last night in the warm spring air while I was
blazing my tirade against someone who doesnβt
interest
me, it was love for you that set me
afire,
and isnβt it odd? for in rooms full of
strangers my most tender feelings
writhe and
bear the fruit of screaming. Put out your hand,
isnβt there
an ashtray, suddenly, there? beside
the bed? And someone you love enters the room
and says wouldnβt
you like the eggs a little
different today?
And when they arrive they are
just plain scrambled eggs and the warm weather
is holding.
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
It may be the coldest day of
The year, what does he think of
That? I mean, what do I? And if I do,
Perhaps I am myself again.
β
β
Frank O'Hara (Meditations in an Emergency)
β
β¦ and surely we shall not continue to be unhappy
we shall be happy
but we shall continue to be ourselves everything
continues to be possible
β
β
Frank O'Hara (Lunch Poems)
β
I loved her fright, which was against me
into the air! and the diamond white of her forelock
which seemed to smart with thoughts as my heart smarted
with life!
and she'd toss her head with the pain
and paw the air and champ the bit, as if I were Endymion
and she, moon-like, hated to love me.
β
β
Frank O'Hara (Meditations in an Emergency)
β
Thereβs too much lime in the world and not enough gin
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
Stars are out and there is sea
enough beneath the glistening earth
to bear me toward the future
which is not so dark. I see.
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
to be cool,
decisive,
precise,
yes,
while the barn door hits you in the face
β
β
Frank O'Hara
β
One need never leave the confines of New York to get all the greenery one wishes--I can't even enjoy a blade of grass unless I know there's a subway handy, or a record store or some other sign that people do not totally regret life.
β
β
Frank O'Hara
β
Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
β
β
Frank O'Hara (Meditations in an Emergency)
β
I take this
for myself, and you take up
the thread of my life between your teeth,
tin thread and tarnished with abuse,
you shall still hear
as long as the beast in me maintains
its taciturn power to close my lids
in tears, and my loins move yet
in the ennobling pursuit of all the worlds
you have left me alone in, and would be
the dolorous distraction from,
while you summon your army of anguishes
which is a million hooting blood vessels
on the eyes and in the ears
at that instant before death.
β
β
Frank O'Hara (Meditations in an Emergency)
β
There were occasionally
rifts in the cloud where the face
of a woman appeared, frowning.
β
β
Frank O'Hara (Meditations in an Emergency)
β
And don't worry about your lineage
poetic or natural.
β
β
Frank O'Hara
β
Too many poets act like a middle-aged mother trying to get her kids to eat too much cooked meat, and potatoes with drippings (tears). I don't give a damn whether they eat or not. Forced feeding leads to excessive thinness (effete). Nobody should experience anything they don't need to, if they don't need poetry bully for them. I like the movies too. And after all, only Whitman and Crane and Williams, of the American poets, are better than the movies.
β
β
Frank O'Hara
β
Autobiographia Literaria"
When I was a child
I played by myself in a
corner of the schoolyard
all alone.
I hated dolls and I
hated games, animals were
not friendly and birds
flew away.
If anyone was looking
for me I hid behind a
tree and cried out "I am
an orphan."
And here I am, the
center of all beauty!
writing these poems!
Imagine!
β
β
Frank O'Hara
β
when you are the only
passenger if there is a
place further from me
I beg you do not go
β
β
Frank O'Hara
β
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridgetβs steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that paintingβs not so blue
whereβs Lana Turner
sheβs out eating
and Garboβs backstage at the Met
everyoneβs taking their coat off
so they can show a rib-cage to the rib-watchers
and the parkβs full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense weβre all winning
weβre alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Buildingβs no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god itβs wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
β
β
Frank O'Hara
β
As for measure and other technical apparatus, thatβs just common sense: if youβre going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. Thereβs nothing metaphysical about it. Unless, of course, you flatter yourself into thinking that what youβre experiencing is βyearning.
β
β
Frank O'Hara
β
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
β
β
Frank O'Hara
β
I have, for my own projected works and ideas, only the silliest and dewiest of hopes; no matter what, I am romantic enough or sentimental enough to wish to contribute something to lifeβs fabric, to the worldβs beauty.... [S]imply to live does not justify existence, for life is a mere gesture on the surface of the earth, and death a return to that from which we had never been wholly separated; but oh to leave a trace, no matter how faint, of that brief gesture! For someone, some day, may find it beautiful!
β
β
Frank O'Hara
β
Mothers of America
let your kids go to the movies!
get them out of the house so they won't know what you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won't hate you
β
β
Frank O'Hara (Lunch Poems)
β
However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishesβI canβt even enjoy a blade of grass unless I know thereβs a subway handy, or a record store or some other sign that people do not totally regret life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what theyβre missing? Uh huh.
β
β
Frank O'Hara
β
If life were merely a habit, I should commit suicide; but even now, more or less desperate, I cannot but think, βSomething wonderful may happen.β It is not optimism, it is a rejection of self-pity (I hope) which leaves a loophole for lifeβ¦ I merely choose to remain living out of respect for possibility. And possibility is the great good. β Frank OβHara, Early Writing, 108-9 (1/22/49) Bookpeople (June 1977).
β
β
Frank O'Hara (Early Writing)
β
Light clarity avocado salad in the morning
after all the terrible things I do how amazing it is
to find forgiveness and love, not even forgiveness
since what is done is done and forgiveness isnβt love
and love is love nothing can ever go wrong
though things can get irritating boring and dispensable
(in the imagination) but not really for love
though a block away you feel distant the mere presence
changes everything like a chemical dropped on a paper
and all thoughts disappear in a strange quiet excitement
I am sure of nothing but this, intensified by breathing
β
β
Frank O'Hara
β
Poem (Lana Turner has collapsed!)
Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
β
β
Frank O'Hara
β
In retrospect, the saddest moment of oneβs life would seem to be that in which one first became aware that sensibility must be protected by intelligence if it is to survive living. It is that realization that puts the bloodshed into adolescence. And the lack of that realization makes the rest of life a bloodshed.
β
β
Frank O'Hara (Early Writing)
β
Morning Poem"
I've got to tell you
how I love you always
I think of it on grey
mornings with death
in my mouth the tea
is never hot enough
then and the cigarette
dry the maroon robe
chills me I need you
and look out the window
at the noiseless snow
At night on the dock
the buses glow like
clouds and I am lonely
thinking of flutes
I miss you always
when I go to the beach
the sand is wet with
tears that seem mine
although I never weep
and hold you in my
heart with a very real
humor you'd be proud of
the parking lot is
crowded and I stand
rattling my keys the car
is empty as a bicycle
what are you doing now
where did you eat your
lunch and were there
lots of anchovies it
is difficult to think
of you without me in
the sentence you depress
me when you are alone
Last night the stars
were numerous and today
snow is their calling
card I'll not be cordial
there is nothing that
distracts me music is
only a crossword puzzle
do you know how it is
when you are the only
passenger if there is a
place further from me
I beg you do not go
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
I dislike a great deal of contemporary poetry β all of the past you read is usually quite great β but it is a useful thorn to have in one's side.
β
β
Frank O'Hara
β
O my enormous piano, you are not like being outdoors
β
β
Frank O'Hara
β
...they were too young then to know what they would ultimately need from a barren and heart-sore life...
β
β
Frank O'Hara
β
You are the sick prince of my cerise innovations and in your drowning caresses I walk the sea
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
I wouldn't want to be faster
or greener than now if you were with me
O you were the best of all my days
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
I look
at you and I would rather look at you than all the portraits in the world
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
Travel"
Sometimes I know I love you better
than all the others I kiss itβs funny
but itβs true and I wouldnβt roll
from one to the next so fast if you
hadnβt knocked them all down like
ninepins when you roared by my bed
I keep trying to race ahead and catch
you at the newest station or whistle
stop but you are flighty about
schedules and always soar away just
as leaning from my taxicab my breath
reaches for the back of your neck
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
Song "
I am stuck in traffic in a taxicab
which is typical
and not just of modern life
mud clambers up the trellis of my nerves
must lovers of Eros end up with Venus
muss es sein? es muss nicht sein, I tell you
how I hate disease, itβs like worrying
that comes true
and it simply must not be able to happen
in a world where you are possible
my love
nothing can go wrong for us, tell me
β
β
Frank O'Hara (The Collected Poems of Frank O'Hara)
β
I reached our building only to find a wide-eyed Southern belle wearing a Civil Way-era dress blocking the front door. A silk parasol and a full hoopskirt completed her ensemble. I wore something like it to a costume party once, but hers was an original. Frustration was back, and now it was in my way.
In the form of freaking Scarlatt O'Hara.
Sighing, I stuck my hand through her stomach to turn the knob, meeting no resistance. I rolled my eyes as she gasped, fluttered her eyelashes, and disappeared in a puff of air.
"You know, Scarlett, Rhett didn't give a dang, and frankly, I don't either.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Now That I Am in Madrid I Can Think "
I think of you
and the continents brilliant and arid
and the slender heart you are sharing my share of with the American air
as the lungs I have felt sonorously subside slowly greet each morning
and your brown lashes flutter revealing two perfect dawns colored by New York
see a vast bridge stetching to the humbled outskirts with only you
Standing on the edge of the purple like an only tree
and in Toledo the olive grovesβ soft blue look at the hills with silver
like glasses like an old ladies hair
Itβs well known that God and I donβt get along together
Itβs just a view of the brass works for me, I donβt care about the Moors
seen through you the great works of death, you are greater
you are smiling, you are emptying the world so we can be alone together.
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Frank O'Hara (The Collected Poems of Frank O'Hara)
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The waves wash in, warm and salty,
leaving your eyebrows white and
the edge of your cheekbone. Your ear
aches. You are lonely. On the
underside of a satin leaf, hot
with shade, a scorpion sleeps. And
one Sunday I will be shot brushing
my teeth. I am a native of this island.
β
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Frank O'Hara
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Oh say can you see Alma. The darling
of Them. All her friends were artists.
They alone have memories. They alone
love flowers. They alone give parties
and die. Poor Alma. They alone.
She died,
and it was as if all the jewels in the world
had heaved a sigh. The seismograph
at Fordham university registered, for once,
a spiritual note. How like a sliver
in her own short fat muscular foot.
She loved the Western World, though
there are some who say she isn't really dead.
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Frank O'Hara (Lunch Poems)
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I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.
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Frank O'Hara
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V. R. Lang
You are so serious, as if
a glacier spoke in your ear
or you had to walk through
the great gate of Kiev
to get to the living room.
I worry about this because I
love you. As if it weren't grotesque
enough that we live in hydrogen
and breathe like atomizers, you
have to think I'm a great architect!
and you float regally by on your
incessant escalator, calm, a jungle queen.
Thinking it a steam shovel. Looking
a little uneasy. But you are yourself
again, yanking silver beads off your neck.
Remember, the Russian Easter Overture
is full of bunnies. Be always high,
full of regard and honor and lanolin. Oh
ride horseback in pink linen, be happy!
and ride with your beads on, because it rains.
β
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Frank O'Hara
β
To the Harbormaster"
I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips
of the reeds are not all behind me. Yet
I trust the sanity of my vessel; and
if it sinks, it may well be in answer
to the reasoning of the eternal voices,
the waves which have kept me from reaching you.
β
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Frank O'Hara (The Collected Poems of Frank O'Hara)
β
In Memory of My Feelings"
My quietness has a man in it, he is transparent
and he carries me quietly, like a gondola, through the streets.
He has several likenesses, like stars and years, like numerals.
My quietness has a number of naked selves,
so many pistols I have borrowed to protect myselves
from creatures who too readily recognize my weapons
and have murder in their heart!
though in winter
they are warm as roses, in the desert
taste of chilled anisette.
At times, withdrawn,
I rise into the cool skies
and gaze on at the imponderable world with the simple identification
of my colleagues, the mountains. Manfred climbs to my nape,
speaks, but I do not hear him,
I'm too blue.
An elephant takes up his trumpet,
money flutters from the windows of cries, silk stretching its mirror
across shoulder blades. A gun is "fired."
One of me rushes
to window #13 and one of me raises his whip and one of me
flutters up from the center of the track amidst the pink flamingoes,
and underneath their hooves as they round the last turn my lips
are scarred and brown, brushed by tails, masked in dirt's lust,
definition, open mouths gasping for the cries of the bettors for the lungs
of earth.
So many of my transparencies could not resist the race!
Terror in earth, dried mushrooms, pink feathers, tickets,
a flaking moon drifting across the muddied teeth,
the imperceptible moan of covered breathing,
love of the serpent!
I am underneath its leaves as the hunter crackles and pants
and bursts, as the barrage balloon drifts behind a cloud
and animal death whips out its flashlight,
whistling
and slipping the glove off the trigger hand. The serpent's eyes
redden at sight of those thorny fingernails, he is so smooth!
My transparent selves
flail about like vipers in a pail, writhing and hissing
without panic, with a certain justice of response
and presently the aquiline serpent comes to resemble the Medusa.
β
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Frank O'Hara (In Memory Of My Feelings)
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A True Account Of Talking To The Sun On Fire Island"
The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally
so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."
"Sorry, Sun, I stayed
up late last night talking to Hal."
"When I woke up Mayakovsky he was
a lot more prompt" the Sun said
petulantly. "Most people are up
already waiting to see if I'm going
to put in an appearance."
I tried
to apologize "I missed you yesterday."
"That's better" he said. "I didn't
know you'd come out." "You may be
wondering why I've come so close?"
"Yes" I said beginning to feel hot
wondering if maybe he wasn't burning me
anyway.
"Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you're okay. You may
not be the greatest thing on earth, but
you're different. Now, I've heard some
say you're crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you're a boring
reactionary. Not me.
Just keep on
like I do and pay no attention. You'll
find that people always will complain
about the atmosphere, either too hot
or too cold too bright or too dark, days
too short or too long.
If you don't appear
at all one day they think you're lazy
or dead. Just keep right on, I like it.
And don't worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you were
I knew it and saw you moving. I was waiting
for you to get to work.
And now that you
are making your own days, so to speak,
even if no one reads you but me
you won't be depressed. Not
everyone can look up, even at me. It
hurts their eyes."
"Oh Sun, I'm so grateful to you!"
"Thanks and remember I'm watching. It's
easier for me to speak to you out
here. I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the heavens
and you should follow it to hell, if
necessary, which I doubt.
Maybe we'll
speak again in Africa, of which I too
am specially fond. Go back to sleep now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell."
"Sun, don't go!" I was awake
at last. "No, go I must, they're calling
me."
"Who are they?"
Rising he said "Some
day you'll know. They're calling to you
too." Darkly he rose, and then I slept.
β
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Frank O'Hara