Frank Costello Quotes

Other kids are brought up nice and sent to Harvard and yale.Me?I was brought up like a mushroom.

If [the heavyweights] become champions they begin to have inner lives like Hemingway or Dostoyevsky, Tolstoy or Faulkner, Joyce or Melville or Conrad or Lawrence or Proust…Dempsey was alone and Tunney could never explain himself and Sharkey could never believe himself nor Schmeling nor Braddock, and Carnera was sad and Baer an indecipherable clown; great heavyweights like Louis had the loneliness of the ages in their silence, and men like Marciano were mystified by a power which seemed to have been granted them. With the advent, however, of the great modern Black heavyweights, Patterson, Liston, then Clay and Frazier, perhaps the loneliness gave way to what it had been protecting itself against—a surrealistic situation unstable beyond belief. Being a Black heavyweight champion in the second half of the twentieth century (with Black revolutions opening all over the world) was now not unlike being Jack Johnson, Malcolm X and Frank Costello all in one…

important in the bootlegging operation. While Frank and Edward were

So Meyer Lansky was Hyman Roth? Was Marlon Brando Frank Costello? The confusion was compounded when quite serious newspapers started incorporating Godfather comparisons into their reporting on organized crime.

But, but…just about every spectacular girl in the world gravitated to Hollywood, hoping to get into pictures. Since only a small percentage succeeded, the town was ridiculously overstocked with ridiculously available young women, all of them working the angles, doing absolutely anything they could to get their moment in the Klieg lights (powerful electric lights, used in filming). Sinatra couldn’t turn a corner without smacking into temptation. He made a $15,000 investment to keep many of such temptations private. With mobster Mickey Cohen he invested in Hollywood Nite Life a weekly gossip magazine run by a low life called Jimmy Tarantino. It was, discreetly, owned by Frank Costello, the boss of the New York Luciano ‘Family’.

Carlos” was Carlos Marcello and that Sheriff T-Jack was actively collecting gambling proceeds for the New Orleans Mafia and its allies, Frank Costello’s mob in New York. Marcello had made his fortune as a young man by distributing Costello’s slot machines throughout Louisiana and Texas using a simple marketing pitch: “We’ll make you rich, or we’ll make you disappear.

It’s truly a pleasure to meet you,” the gentleman continued, “my name is Frank Costello.

The other problem that Lanza had, and perhaps the most significant, was that he was not a very powerful gangster. Sure, in the Luciano family, he was a high-ranking soldier, he had his own territory, and his influence stretched across the country. But that influence stopped cold when it came to the territories dominated by the other four families in New York City. This was by design—the design of his imprisoned boss, Lucky Luciano. Perhaps it was time to talk to the acting boss of his family—Frank Costello—but even he would have trouble exerting influence over the other families. It had been purposely set up that way to maintain a balance of power and keep the peace in the underworld.

Gurfein said he was open to the idea, so Polakoff told him he would call this “intermediary,” as Polakoff put it.1 Gurfein had no idea who Polakoff was talking about, but he did have faith that Polakoff understood perfectly how the underworld was organized and knew what he was doing. Socks Lanza was happy to be Luciano’s contact. But from what Haffenden had learned about underworld hierarchy, he had his reservations about sending in Lanza to meet Luciano, so when Gurfein reported back that Polakoff had someone else in mind, the commander was more than receptive to the idea. Another dancer was thus added to the circus. Interestingly, Polakoff’s choice wasn’t Frank Costello—Luciano’s acting boss—or anyone from the Luciano family, for that matter. Polakoff knew Luciano well after spending so much time defending him—albeit unsuccessfully—during his trial. So he knew that the person who held the most sway with his client was his business partner, current accountant, and best friend, Meyer “Little Man” Lansky.

In eighth grade, despite Lansky’s fantastic aptitude, he dropped out of school and joined Luciano’s gang. By then, Luciano had already made friends with Frank Costello (known then by his real name, Francesco Castiglia), and Lansky brought into the gang his fellow Jewish friend Benjamin “Bugsy” Siegel. A year later World War I started,2 and though Lansky was just fifteen years old, the four boys were having success as stickup men and thieves and making more money than they could deal with. Luciano was the brains and the leader, Costello made important connections, Siegel was the brawn, and Lansky was the accountant. It was a fruitful partnership, and the four of them were sitting on a pile of cash just waiting to invest in something. Then, after World War I, the US government solved that problem for them when they passed the eighteenth Amendment, which started Prohibition. 3 Soon after, Lansky split off and started his own gang with Siegel called the “Bugs and Meyer Mob.” Lansky was ambitious, and while the Bugs and Meyer Mob worked with Luciano and Costello frequently, the gangs of New York were still largely divided along racial lines. Lansky recruited other Jews from the neighborhood, and together they provided trucks and protection for the movement of alcohol. They also shook down Jewish moneylenders and made them pay tribute. But of all the rackets that Lansky ran, the most notorious was his murder-for-hire business that the press called “Murder Inc.

In directing the Bureau’s attention to individual bank robbers, Hoover turned a blind eye toward organized crime in general and Jewish crime in particular, perhaps because Hoover was an inveterate gambler. Frank Costello gave him tips on horses.

On December 22, 1946, it was during a meeting at the Hotel Nacional that Meyer Lansky, Santo Trafficante, Jr. from Tampa, Florida, and other underworld figures planned Havana’s future as the new playground for the Americas. Joe Bananas, Vito Genovese and Frank Costello, just to mention a few of the Mafia hierarchy, were present for the largest Mafia forum since the Chicago meeting of 1932. One of the main topics at the Havana Convention was the narcotics trade. It was a long-standing myth that the Mafia was against narcotics trafficking. Their involvement actually started when Luciano was a kid and running narcotics for the mob in New York City.