Francis Marion Quotes

Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.

Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.

A cool breeze stirred my hair at that moment, as the night wind began to come down from the hills, but it felt like a breath from another world.

I have seen an evil thing this night,' he said; 'I have seen how the dead drink the blood of the living. And the blood is the life.

What has life given me? The beginning is fire, the end is a heap of ashes, and between the end and the beginning lies all the pain in the world.

I will come,' the priest answered, 'for I have read in old books of these strange beings which are neither quick nor dead, and which lie ever fresh in their graves, stealing out in the dusk to taste life and blood.

Francis Marion Tarwater’s uncle had been dead for only half a day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Savior at the head of the grave and enough dirt on top to keep the dogs from digging it up. Buford had come along about noon and when he left at sundown, the boy, Tarwater, had never returned from the still.

He looked at her in silent wonder for a moment, happy beyond words to be with her

Every woman who loves a man and is anxious about him is sure that if she can be alone with him for a moment, he will tell her the truth about his condition. The experience of thousands of years has not taught women that if there is one person in the world from whom a man will try to conceal his ills and aches, it is the woman he loves, because he would rather suffer everything than give her pain

There is no such consolation to a born coward as a logical reason for not doing what he is afraid to do

Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.” ― Hanya Yanagihara, A Little Life

...like most discontented and disappointed people who have no real object in life, Orsino Saracinesca read a good deal....

The best which a man means to do is generally better than the best he does, and it is perhaps the best he is capable of doing

To a man, first love is a victory, to a girl it is a sweet wonder, and a joy, and a tender longing, all in one

No. I will only say that if you do not like your life, it is your own fault. How can a man of your age talk of being melancholy, or of the hollowness of existence? Are you consumptive? Are you subject to hereditary insanity? Are you deaf, like Aunt Bluebell? Are you poor, like—lots of people? Have you been crossed in love? Have you lost the world for a woman, or any particular woman for the sake of the world? Are you feeble-minded, a cripple, an outcast? Are you—repulsively ugly?" She laughed again. "Is there any reason in the world why you should not enjoy all you have got in life?

ALSO BY JOHN OLLER Jean Arthur: The Actress Nobody Knew An All-American Murder American Queen: The Rise and Fall of Kate Chase Sprague—Civil War “Belle of the North” and Gilded Age Woman of Scandal

This youngster gradually became an intimate visitor of the family. He talked little, but he sat long. He filled the father's pipe when it was empty, gathered up the mother's knitting needle, or ball of worsted, when it fell to the ground, stroked the sleek coat of the tortoise-shell cat, and replenished the teapot for the daughter from the bright copper kettle that sang before the fire. All these quiet little offices may seem of trifling import, but when true love is translated into Low Dutch it is in this way that it eloquently expresses itself.

Sometimes he wakes so far from himself that he can't even remember who he is. 'Where am I?' he asks, desperate, and then, 'Who am I? Who am I?' And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem's whispered incantation. 'You're Jude St. Francis. You are my oldest, dearest friend. You're the son of Harold Stein and Julia Altman. You're the friend of Malcolm Irvine, Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You're a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You're a swimmer. You're a baker. You're a cook. You're a reader. You have a beautiful voice, though you never sing anymore. You're an excellent pianist. You're an art collector. You write me lovely messages when I'm away. You're patient. You're generous. You're the best listener I know. You're the smartest person I know, in every way. You're the bravest person I know, in every way. You're a lawyer. You're the chair of the litigation department at Rosen Pritchard and Klein. You love your job, you work hard at it. You're a mathematician. You're a logician. You've tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you. On and on Willem talks, chanting him back to himself, and in the daytime - sometimes days later - he remembers pieces of what Willem has said and holds them close to him, as much as for what he said as for what he didn't, for how he hadn't defined him. But in the nighttime he is too terrified, he is too lost to recognize this. His panic is too real, too consuming. 'And who are you?' he asks, looking at the man who is holding him, who is describing someone he doesn't recognize, someone who seems to have so much, someone who seems like such an enviable, beloved person. 'Who are you?' The man has an answer to this question as well. 'I'm Willem Ragnarsson,' he says. 'And I will never let you go.

And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on

And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.

Copyright, 1894 by G. P. PUTNAM'S SONS PUBLISHERS' NOTE. The two stories by Mr. Crawford, presented in this volume, have been in print before, having been originally written for two Christmas annuals which were issued some years back. With the belief that the stories are, however, still unknown to the larger portion of Mr. Crawford's public, and in the opinion that they are well worthy of preservation in more permanent form, the publishers have decided to reprint them as the initial volume of the "Autonym" library.

But what I thought of most was the ghostly figure I had seen in the garden that first night after my arrival. I went out every evening and wandered through the walks and paths; but, try as I might, I did not see my vision again. At last, after many days, the memory grew more faint, and my old moody nature gradually overcame the temporary sense of lightness I had experienced. The summer turned to autumn, and I grew restless. It began to rain. The dampness pervaded the gardens, and the outer halls smelled musty, like tombs; the grey sky oppressed me intolerably.

Sometimes he wakes so far from himself that he can't even remember who he is. 'Where am I?' he asks, desperate, and then, 'Who am I? Who am I?' "And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem's whispered incantation. 'You're Jude St. Francis. You are my oldest, dearest friend. You're the son of Harold Stein and Julia Altman. You're the friend of Malcolm Irvine, Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. "You're a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. "You're a swimmer. You're a baker. You're a cook. You're a reader. You have a beautiful voice, though you never sing anymore. You're an excellent pianist. You're an art collector. You write me lovely messages when I'm away. You're patient. You're generous. You're the best listener I know. You're the smartest person I know, in every way. You're the bravest person I know, in every way. "You're a lawyer. You're the chair of the litigation department at Rosen Pritchard and Klein. You love your job, you work hard at it. "You're a mathematician. You're a logician. You've tried to teach me, again and again. "You were treated horribly. You came out on the other end. You were always you. "On and on Willem talks, chanting him back to himself, and in the daytime - sometimes days later - he remembers pieces of what Willem has said and holds them close to him, as much as for what he said as for what he didn't, for how he hadn't defined him. "But in the nighttime he is too terrified, he is too lost to recognize this. His panic is too real, too consuming. 'And who are you?' he asks, looking at the man who is holding him, who is describing someone he doesn't recognize, someone who seems to have so much, someone who seems like such an enviable, beloved person. 'Who are you?' "The man has an answer to this question as well. 'I'm Willem Ragnarsson,' he says. 'And I will never let you go.

Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.

Before I had been long in bed he entered. He was, as far as I could see, a very tall man, very thin, very pale, with sandy hair and whiskers and colourless grey eyes. He had about him, I thought, an air of rather dubious fashion; the sort of man you might see in Wall Street, without being able precisely to say what he was doing there—the sort of man who frequents the Café Anglais, who always seems to be alone and who drinks champagne; you might meet him on a race-course, but he would never appear to be doing anything there either. A little over-dressed—a little odd. There are three or four of his kind on every ocean steamer. I made up my mind that I did not care to make his acquaintance, and I went to sleep saying to myself that I would study his habits in order to avoid him. If he rose early, I would rise late; if he went to bed late, I would go to bed early. I did not care to know him. If you once know people of that kind they are always turning up.

You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.

¿Dónde estoy? ¿Quién soy? ¿Quién soy?" "Eres Jude St. Francis. Eres mi más viejo y querido amigo. Eres el hijo de Harold Stein y Julia Altman. Eres el amigo de Malcolm Irving, de Jean-Baptiste Marion, de Richard Goldfarb, de Andy Contractor, de Lucien Voigt, de Citizen van Straaten, de Rhodes Arrowsmith, de Elijah Kozma, de Phaedra de los Santos y de los Henry Young. Eres de Nueva York. Vives en el SoHo. Haces voluntariado en una organización dedicada a las artes y en un comedor público. Practicas natación. Eres un repostero excelente. Sabes cocinar. Eres un gran lector. Tienes una magnífica voz. Eres coleccionista de arte. Me escribes unos mensajes preciosos cuando estoy fuera. Eres paciente. Eres generoso. De todas las personas que conozco, eres la que mejor sabe escuchar. Eres abogado. Eres el presidente del departamento de litigios de Rosen Pritchard and Klein. Te encanta tu trabajo; trabajas mucho. Eres matemático. Eres lógico. Has intentado enseñarme matemáticas una y otra vez. Te trataron muy mal, pero saliste de aquello. Siempre has sido tú mismo." "¿Y quién eres tú?¿Quién eres tú?" "Yo soy Willem Ragnarsson. Y no dejaré que te vayas.

¿Quién soy? ¿Quién soy? Eres Jude St. Francis. Eres mi amigo más antiguo y querido. Eres hijo de Harold Stein y Julia Altman. Eres amigo de Malcolm Irvine, de Jean-Baptiste Marion, de Richard Goldfarb, de Andy Contractor, de Lucien Voigt, de Citizen van Straaten, de Rhodes Arrowsmith, de Elijah Kozma, de Phaedra de los Santos, de los Henry Youngs. Eres neoyorquino. Vives en el SoHo. Eres voluntario en una organización artística; eres voluntario en un comedor social. Eres nadador. Eres panadero. Eres cocinero. Eres lector. Tienes una voz hermosa, aunque ya no cantas. Eres un excelente pianista. Eres coleccionista de arte. Me escribes mensajes encantadores cuando estoy fuera. Eres paciente. Eres generoso. Eres el mejor oyente que conozco. Eres la persona más inteligente que conozco, en todos los sentidos. Eres la persona más valiente. Lo sé, en todos los sentidos. Eres abogado. Eres el director del departamento de litigios de Rosen Pritchard y Klein. Amas tu trabajo; te esfuerzas mucho. Eres matemático. Eres lógico. Has intentado enseñarme, una y otra vez. Te trataron fatal. Saliste airoso. Siempre fuiste tú mismo. " ¿Y tú quién eres? Soy Willem Ragnarsson. Y nunca te dejaré ir

Who am I? Who am I? You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you. And who are you? I'm Willem Ragnarsson. And I will never let you go.

Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.

«Sei Jude St Francis. Sei il mio amico più caro, l’amico di una vita intera. Sei il figlio di Harold Stein e di Julia Altman. Sei l’amico di Malcolm Irvine, di Jean-Baptiste Marion, di Richard Goldfarb, di Andy Contractor […]. Sei un ottimo nuotatore. Sai cucinare. Adori leggere. Hai una voce bellissima, anche se non canti più. Sei un pianista eccellente. Collezioni opere d’arte. Mi scrivi messaggi bellissimi, quando sono fuori per lavoro. Sei paziente. Sei generoso. Sei il miglior ascoltatore che io conosca. Sei la persona più intelligente che io conosca, e la più coraggiosa, da tutti i punti di vista. Sei un avvocato. Dirigi l’ufficio contenzioso allo studio legale Rosen, Pritchard e Klein. Ami il tuo lavoro, e non ti risparmi di certo. […] Sei stato trattato in un modo orribile. Ma ne sei uscito, e sei sempre rimasto te stesso». Willem continua, all’infinito, finché la sua cantilena non riconduce Jude dentro se stesso: durante la giornata successiva – e a volte anche molti giorni dopo – gli tornano in mente frammenti di ciò che Willem ha detto, e se li tiene stretti, grato per le parole che ha usato e anche per quelle che ha evitato di usare, e per i tanti modi in cui non lo ha voluto definire. Ma di notte è troppo terrorizzato e sperduto per poter fare affidamento su quei ricordi. La sensazione di panico che prova è troppo reale e travolgente. «E tu, chi sei?» chiede a quell’uomo che lo tiene stretto descrivendogli una persona che Jude non è in grado di riconoscere, una persona che sembra abbia tutto e sia invidiata e amata dal mondo intero. «Chi sei, tu?». Ma l’uomo ha una risposta pronta anche per questa domanda. «Sono Willem Ragnarsson» dice. «E non ti lascerò andare, mai».

Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified." "They all—Malcolm with his houses, Willem with his girlfriends, JB with his paints, he with his razors—sought comfort, something that was theirs alone, something to hold off the terrifying largeness, the impossibility, of the world, of the relentlessness of its minutes, its hours, its days." "“Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.”" "Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops." "“You have to tell someone” Ana used to say, and as he had grown older, he had decided to interpret this sentence literally: Some One. Someday, he thought, somehow, he would find a way to tell some one, on person. And then he had, someone he had trusted, and that person had died, and he didn't have the fortitude to tell this story ever again. But then, didn't everyone only tell their lives - truly tell their lives - to one person?" "And so I try to be kind to everything I see, and in everything I see, I see him.

ANYONE WRITING ABOUT Francis Marion immediately confronts the task of sifting fact from folklore. The mythmaking began with the first and highly embellished biography of him, written in 1809 by Mason L. “Parson” Weems, the same man who fabricated the famous story of George Washington chopping down the cherry tree. The romantic tradition continued with the Walt Disney television series that ran from 1959 to 1961, starring Leslie Nielsen as the Swamp Fox, and took another turn in 2000 with the popular film The Patriot, in which Mel Gibson portrayed a Rambo-like action figure loosely, if inaccurately, based on Marion. As stated on an interpretive marker at Marion’s gravesite in Pineville, South Carolina, much about the Swamp Fox remains obscured by legend, even though his achievements are “significant and real.

More battles, engagements, and skirmishes were fought in South Carolina during the Revolution than in any other colony. Conservative estimates place the number of combat actions in the state at more than two hundred, a third of all that took place in the entire war. No other colony had as many inches of its territory affected by battle; of the state’s forty-six present-day counties, forty-five ended up seeing Revolutionary War actions. Nearly 20 percent of all Americans who died in battle in the Revolution died in South Carolina in the last two years of the war.

grog (rum and water) Moultrie

Death is only a translation of life into another language.

Not half so serious as it is to abuse everything unreasonably. If abuse is your particular talent, abuse something that ought to be abused. Abuse the Conservatives—or the Liberals—it does not matter which, since they are always abusing each other. Make yourself felt by other people. You will like it, if they don't. It will make a man of you. Fill your mouth with pebbles, and howl at the sea, if you cannot do anything else. It did Demosthenes no end of good you know. You will have the satisfaction of imitating a great man.

It is Paradise, after all." I think the men of old were right when they called heaven a garden, and Eden, a garden inhabited by one man and one woman, the Earthly Paradise.

Perhaps, too, some sad-faced, listless, melancholy youth, who feels that the world is very hollow, and that life is like a perpetual funeral service, just as I used to feel myself, may take courage from my example

I hear certain cynics laugh, and cry that all that has been said before. Do not laugh, my good cynic. You are too small a man to laugh at such a great thing as love. Prayers have been said before now by many, and perhaps you say yours, too. I do not think they lose anything by being repeated, nor you by repeating them. You say that the world is bitter, and full of the Waters of Bitterness. Love, and so live that you may be loved—the world will turn sweet for you, and you shall rest like me by the Waters of Paradise.

Mr. Tompkins, of Boston, had explained at elaborate length those working principles, by the due and careful maintenance of which the Atchison, Topeka, and Santa Fé Railroad not only extended its territory, increased its departmental influence, and transported live stock without starving them to death before the day of actual delivery, but, also, had for years succeeded in deceiving those passengers who bought its tickets into the fallacious belief that the corporation aforesaid was really able to transport human life without destroying it.

Signor Tombola had endeavoured to persuade us, by arguments which we took no trouble to oppose, that the unity of his country in no way resembled the average modern torpedo, carefully planned, constructed with all the skill of the greatest European arsenals, but, when constructed, destined to be directed by feeble hands into a region where it must undoubtedly explode, unseen, unfeared, and unheard, into the illimitable wastes of political chaos.

I had not much luggage—I never have. I mingled with the crowd of passengers, porters, and officious individuals in blue coats and brass buttons, who seemed to spring up like mushrooms from the deck of a moored steamer to obtrude their unnecessary services upon the independent passenger.

It is maintained by the most eminent divines that even miracles cannot change the course of nature.

Upon the uninviting mattresses were carefully folded together those blankets which a great modern humorist has aptly compared to cold buckwheat cakes. The question of towels was left entirely to the imagination. The glass decanters were filled with a transparent liquid faintly tinged with brown, but from which an odor less faint, but not more pleasing, ascended to the nostrils, like a far-off sea-sick reminiscence of oily machinery. Sad-coloured curtains half-closed the upper berth. The hazy June daylight shed a faint illumination upon the desolate little scene. Ugh! how I hate that state-room!

One passage across the Atlantic is very much like another, and we who cross very often do not make the voyage for the sake of novelty. Whales and icebergs are indeed always objects of interest, but, after all, one whale is very much like another whale, and one rarely sees an iceberg at close quarters.

A long series of little misfortunes, connected with each other as to suggest a sort of weird fatality, so worked upon my melancholy temperament when I was a boy that, before I was of age, I sincerely believed myself to be under a curse, and not only myself, but my whole family, and every individual who bore my name.

Francis Marion, not tales of martyrdom,” she countered. “Give me a choice between failure and death, I’ll pick failure any day… I’ve never met a test I couldn’t retake, and I’ve never failed the same test twice.

In politics [Francis Marion] was a moderate federalist; such as were many great revolutionary characters.

The militia of which the Second Amendment speaks is not the National Guard, but the assembly of patriots who are willing to gather to repel invasions. They were the patriots who stood at Lexington and Concord. They were the snipers and guerilla fighters who fought with Francis Marion—better known as the Swamp Fox—to repel the British throughout the South. The militia is not an organized, standing military force; our militia is the armed citizenry. Throughout history, enemies have avoided invading our soil for a very simple reason: not only would they have to contend with the strongest military force known to man, but they would have to contend with millions of gun owners. Grandmas with handguns, ranchers with rifles, college students with Glocks—the threat of an intense guerilla war has just been too much for the enemies of America. We haven’t been invaded since the War of 1812. After decades of fighting to prop up the ludicrous notion that the Second Amendment supports a collective right to gun ownership, the 2008 Heller decision from the Supreme Court dashed the fading dreams of antigunners when they declared gun ownership to be an expressly individual right.

Boyer, Paul S., and Stephen Nissenbaum. Salem Possessed: The Social Origins of Witchcraft. Cambridge, MA: Harvard University Press, 1974. Breslaw, Elaine G. Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies. New York: New York University Press, 1996. Clark, Stuart. Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. Oxford: Clarendon Press; New York: Oxford University Press, 1997. Cross, Tom Peete. Witchcraft in North Carolina. Chapel Hill: University of North Carolina, 1919. Davies, Owen. Popular Magic: Cunning-Folk in English History. New York: Bloomsbury, 2007. Demos, John Putnam. Entertaining Satan: Witchcraft and the Culture of Early New England. New York: Oxford University Press, 1982. Gibson, Marion. Witchcraft Myths in American Culture. New York: Routledge, 2007. Godbeer, Richard. The Devil’s Dominion: Magic and Religion in Early New England. Cambridge; New York: Cambridge University Press, 1992. Goss, K. David. Daily Life During the Salem Witch Trials. Santa Barbara, CA: Greenwood, 2012. Hall, David D. Worlds of Wonder, Days of Judgment: Popular Religious Belief in Early New England. New York: Knopf, 1989. Hansen, Chadwick. Witchcraft at Salem. New York: G. Braziller, 1969. Hutton, Ronald. The Triumph of the Moon: A History of Modern Pagan Witchcraft. Oxford, New York: Oxford University Press, 1999. Karlsen, Carol F. The Devil in the Shape of a Woman: Witchcraft in Colonial New England. New York: Norton, 1987. Levack, Brian P. The Witch-Hunt in Early Modern Europe. 3rd ed. Harlow, England, New York: Pearson Longman, 2006. Macfarlane, Alan. Witchcraft in Tudor and Stuart England: A Regional and Comparative Study. Prospect Heights, IL: Waveland, 1991. Matossian, Mary K. “Ergot and the Salem Witchcraft Affair.” American Scientist 70 (1970): 355–57. Mixon Jr., Franklin G. “Weather and the Salem Witch Trials.” The Journal of Economic Perspectives 19, no. 1 (2005): 241–42. Norton, Mary Beth. In the Devil’s Snare: The Salem Witchcraft Crisis of 1692. New York: Alfred A. Knopf, 2002. Parke, Francis Neal. Witchcraft in Maryland. Baltimore: 1937.

The next morning, Carley was nervous about both wolves encountering people. He made the decision to recapture them and place them back in their pens. The men shot cracker shells at Margie, hoping to push her back across the marsh to Bulls Island, but she hunkered down in the woods under deep leafy cover. The team set traps, hoping to catch her quickly, but their activity pushed her closer to U.S. Highway 17, which she crossed and moved to the northwest. It appeared she was on a beeline for the Francis Marion National Forest. On December 22, Carley decided to shoot her with a tranquilizer dart. If that didn’t work out, he’d just plain shoot her the next day. Luckily, a gunner in a Bell JetRanger helicopter lodged a dart in Margie’s back end by 1:00 P.M., saving Carley from having to make a fatal decision. By 3:00 P.M., she was back in her pen on Bulls Island, groggy but alive. The incident marked the first time in the lower forty-eight states that a live wolf was shot with a tranquilizer dart from a helicopter. (It worked so well that Carley began renting helicopters to flush and dart wild canids in the inaccessible marshes and swamps that neither horses nor boats could help his team penetrate in Louisiana and Texas.) The next afternoon, they caught Buddy, too. He had returned to Bulls Island, likely in search of Margie. With both wolves safely in their pen, Carley quipped to his team that the wolves were in better shape than their keepers. He and Dorsett were flat tuckered out. Though everyone laughed at his joke, Carley felt they all looked at him askance. They knew he had been prepared to shoot Margie. “Although it was ‘we’ who decided the statements [to shoot escaped wolves] should be made and adhered to,” Carley wrote in a field report on the incident, “in looking around after the recapture of the wolves, I had the distinct uncomfortable feeling of abandonment, and that ‘we’ had suddenly narrowed to ‘I.

Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified." "They all—Malcolm with his houses, Willem with his girlfriends, JB with his paints, he with his razors—sought comfort, something that was theirs alone, something to hold off the terrifying largeness, the impossibility, of the world, of the relentlessness of its minutes, its hours, its days." "“Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.”" "Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops." "And so I try to be kind to everything I see, and in everything I see, I see him.

【V信83113305】，Francis Marion University弗朗西斯马里恩大学毕业证制作代办流程, FMU毕业证学校原版一样吗, FMU毕业证最放心办理渠道, 在线办理FMU毕业证offer外壳皮, 加急办弗朗西斯马里恩大学文凭学位证书成绩单gpa修改, 极速办Francis Marion University弗朗西斯马里恩大学毕业证Francis Marion University文凭学历制作, 加急弗朗西斯马里恩大学毕业证FMU毕业证书办理多少钱, 本地美国硕士文凭证书原版定制FMU本科毕业证书, 100%办理FMU毕业证书：弗朗西斯马里恩大学坐落于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。它以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，承载着深厚的历史底蕴。大学以其小班教学和紧密的师生互动而著称，为学生提供了优质的个性化教育体验。校园环境优美，学术氛围浓厚，设有丰富的本科与研究生课程，尤其在商科、教育、医疗健康等领域颇具声望。作为地区的重要文化与智力中心，弗朗西斯马里恩大学始终致力于培养具有批判性思维和社会责任感的未来领袖，是众多学子追求学术与个人成长的理想之地。

【V信83113305】，Francis Marion University毕业证成绩单专业服务, 美国FMU弗朗西斯马里恩大学毕业证成绩单在线制作办理, 快速办理弗朗西斯马里恩大学毕业证如何放心, 出售Francis Marion University证书哪里能购买Francis Marion University毕业证, 原版FMU毕业证办理流程, 仿制弗朗西斯马里恩大学毕业证FMU毕业证书快速办理, 办理FMU大学毕业证弗朗西斯马里恩大学, 高仿原版弗朗西斯马里恩大学毕业证FMU毕业证书外壳offer制作, 办美国Francis Marion University弗朗西斯马里恩大学文凭学历证书：弗朗西斯马里恩大学坐落于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。它以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，承袭了其坚韧与创新的精神。大学以其卓越的商科、教育、医疗护理等专业闻名，注重小班教学，为学生提供个性化的成长环境。校园氛围亲切，拥有先进的设施和美丽的自然风光。作为地区重要的文化与智力中心，弗朗西斯马里恩大学致力于培养具备批判性思维和社会责任感的未来领袖，在高等教育的舞台上书写着独特的篇章。

【V信83113305】，在线办理FMU弗朗西斯马里恩大学毕业证offer外壳皮, 加急办FMU文凭学位证书成绩单gpa修改, FMU假学历, 弗朗西斯马里恩大学毕业证学校原版一样吗, 百分比满意度-弗朗西斯马里恩大学毕业证, 购买FMU毕业证和学位证认证步骤, 挂科办理弗朗西斯马里恩大学学历学位证, Francis Marion Universitydiploma安全可靠购买Francis Marion University毕业证, 弗朗西斯马里恩大学文凭：弗朗西斯马里恩大学坐落于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。它以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，承载着深厚的历史底蕴。大学以其小班教学和紧密的师生互动而著称，提供涵盖文科、理科、商科及教育等多个领域的本科与研究生课程。校园环境优美，学术氛围浓厚，致力于培养学生成为具有批判性思维和社会责任感的未来领袖。作为该地区重要的文化与教育中心，弗朗西斯马里恩大学以其卓越的教学质量和亲和的校园社区，持续为南卡罗来纳州乃至全美输送优秀人才。

【V信83113305】，加急办弗朗西斯马里恩大学文凭学位证书成绩单gpa修改, 办理美国弗朗西斯马里恩大学毕业证FMU文凭版本, FMU毕业证办理流程和安全放心渠道, Francis Marion UniversitydiplomaFrancis Marion University弗朗西斯马里恩大学挂科处理解决方案, FMU毕业证最安全办理办法, 挂科办理Francis Marion University弗朗西斯马里恩大学毕业证本科学位证书, 1:1原版Francis Marion University弗朗西斯马里恩大学毕业证+Francis Marion University成绩单, FMU弗朗西斯马里恩大学毕业证最快且放心办理渠道, 专业办理FMU弗朗西斯马里恩大学成绩单高质学位证书服务：弗朗西斯马里恩大学坐落于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。它以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，承载着深厚的历史底蕴。大学以其小班教学和紧密的师生互动而著称，为学生提供了优质的个性化教育体验。校园环境优美，学术氛围浓厚，设有丰富的本科与研究生课程，尤其在商科、教育、医疗健康等领域颇具声望。作为地区重要的文化与知识中心，弗朗西斯马里恩大学致力于培养具有批判性思维和社会责任感的未来领袖，为每一位学子的成长与成功铺设坚实道路。

【V信83113305】，做今年新版FMU毕业证, 加急多少钱办理FMU毕业证-弗朗西斯马里恩大学毕业证书, 留学生买文凭FMU毕业证弗朗西斯马里恩大学, FMU学位定制, 一比一原版弗朗西斯马里恩大学毕业证购买, 美国文凭办理, FMUdiploma安全可靠购买FMU毕业证, Francis Marion University毕业证成绩单专业服务, 100%学历FMU毕业证成绩单制作：弗朗西斯马里恩大学坐落于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。它以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，承载着深厚的历史底蕴。该校以学生为中心，提供广泛的本科与研究生课程，尤以商科、教育、医疗健康等领域见长。校园氛围亲切，注重小班教学，为学生提供宝贵的个性化发展空间。大学积极推动国际交流，营造了包容的学术环境。凭借其优秀的教学质量和对社区的实际贡献，弗朗西斯马里恩大学已成为南卡罗来纳州东北部重要的高等教育与创新中心。

【V信83113305】，Francis Marion University毕业证成绩单专业服务, 100%安全办理弗朗西斯马里恩大学毕业证, 美国留学本科毕业证, FMU弗朗西斯马里恩大学毕业证本科学历办理方法, 挂科办理FMU弗朗西斯马里恩大学毕业证文凭, 弗朗西斯马里恩大学本科毕业证, 弗朗西斯马里恩大学毕业证书办理需要多久, FMUdiploma安全可靠购买FMU毕业证, 网络快速办理FMU毕业证成绩单：弗朗西斯马里恩大学位于美国南卡罗来纳州佛罗伦萨市，是一所充满活力的公立大学。该校成立于1970年，以美国独立战争英雄“沼泽狐狸”弗朗西斯·马里恩命名，传承其坚韧与创新精神。大学提供50多个本科专业和多个硕士项目，涵盖文科、教育、商业与自然科学等领域，以其小班教学和紧密的师生互动著称。校园环境优美，设施现代，同时注重培养学生的领导力与社会责任感。凭借扎实的教育质量和深厚的社区联系，弗朗西斯马里恩大学已成为南卡罗来纳州高等教育的重要力量，持续为地区与社会输送杰出人才。