France Travel Quotes

We've searched our database for all the quotes and captions related to France Travel. Here they are! All 100 of them:

Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonalds? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Paris is a place in which we can forget ourselves, reinvent, expunge the dead weight of our past.
Michael Simkins (Detour de France: An Englishman in Search of a Continental Education)
People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.
Roman Payne (Crepuscule)
The world cracks open for those willing to take a risk.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
It is good to collect things, but it is better to go on walks.
Anatole France
As travel pushes me forward, memory keeps dragging me backward.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
All afternoon in the deck chair, I try to describe to my notebook the colors of the water and sky. How to translate sunlight into words?
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
[O]n general principles it is best that I should not leave the country. Scotland Yard feels lonely without me, and it causes an unhealthy excitement among the criminal classes.
Arthur Conan Doyle (The Disappearance of Lady Frances Carfax)
There are reasons we congregate in these hot spots- to worship beauty and to feel its effects light up the electrolytes in the bloodstream.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
and let's face it, the French Army couldn't beat a girls hockey team
Bill Bryson (Neither Here nor There: Travels in Europe)
[...] I will go to France, to Yugoslavia, to China and continue my profession.' 'As sanitary engineer?' 'No, Monsieur. As adventurer. I will see all the peoples and all the countries in the world.
Bruce Chatwin (Anatomy of Restlessness: Selected Writings, 1969-1989)
Anticipation. In love and travel, getting there is half the fun. The lustful impatience, the passionate daydreams, the nerve-wracking waiting... lovers and travelers are all alike when they find themselves on the brink of a new adventure.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
I had it all planned. That was my first mistake.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
One of those flash epiphanies of travel, the realization that worlds you'd love vibrantly exist outside your ignorance of them. The vitality of many lives you know nothing about. The breeze lifting a blue curtain in a doorway billows just the same whether you are lucky enough to observe it or not. Travel gives such jolts. I could live in this town, so how is it that I've never been here before today?
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Italy's siren call lures us more and more.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
The urge to travel feels magnetic. Two of my favorite words are linked: departure time. And travel whets the emotions, turns upside down the memory bank, and the golden coins scatter.
Frances Mayes
Sometimes you have to travel back in time, skirting the obstacles, in order to love someone.
Frances Mayes (Under Magnolia: A Southern Memoir)
Travel Tip: Relax. It's not a crime to want to sit in a cafe and not take a walking our of all those historic monuments in your peripheral vision.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
There is so much jasmine and nightshade in the garden that we all wake with lyrical headaches.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Behind sunglasses we linger over espresso, talking about pizza as an art form, the geekiness of people's travel clothes...
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Sometimes, when he is holding me and I feel like I am liquid in his arms, I wonder if anything else in my life will seem real after this. It is as if I traveled beyond the earth and reached out and touched a burning star, and it is both endurable and terrifying.
Frances Cha (If I Had Your Face)
Travel releases spontaneity. You become a godlike creature full or choice, free to visit the stately pleasure domes, make love in the morning, sketch a bell tower, read a history of Byzantium, stare for one hour at the face of Leonardo da Vinci's 'Madonna dei fusi.' You open, as in childhood, and--for a time--receive this world. There's visceral aspect, too--the huntress who is free. Free to go, free to return home bringing memories to lay on the hearth.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Everything I pick up seems to lure me away. Everything I do in my daily life begins to feel like striking wet matches. The need to travel is a mysterious force. A desire to 'go' runs through me equally with an intense desire to 'stay' at home. An equal and opposite thermodynamic principle. When I travel, I think of home and what it means. At home I'm dreaming of catching trains at night in the gray light of Old Europe, or pushing open shutters to see Florence awaken. The balance just slightly tips in the direction of the airport.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Always, I liked the infinitive 'to go.' Let's go, let's go. let's really go. 'Andare' was the first verb I learned to conjugate in Italian. 'Andiamo,' let's go, teh sound comes out at a gallop.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
If I lived here,...I have a feeling this place would take me.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Martin Buber said, 'All journeys have secret destinations of which the traveller is unaware.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
He said he couldn't understand a world 'shameless and cruel enough to divide its people by color when color is in fact the sign of God's artistic genius.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
I had been in France less than 48 hours before that obliging agent of yours had to stop me being run over by a French van full of French chickens because I’d looked the wrong way before crossing the street. Which shows how cunning the Gestapo are. “This person I’ve pulled from beneath the wheels of certain death was expecting traffic to travel on the left side of the road. Therefore she must be British, and is likely to have parachuted into Nazi-occupied France out of an Allied plane. I shall now arrest her as a spy.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
NEXT LIFE. My embroidery studio on the main street of Bayeux will be just one part of my Institute of Slow Information. I will also teach letter writing, listening, miniature portrait painting, and the art of doing one thing at a time.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Occasionally, merely for the pleasure of being cruel, we put unoffending Frenchmen on the rack with questions framed in the incomprehensible jargon of their native language, and while they writhed, we impaled them, we peppered them, we scarified them, with their own vile verbs and participles.
Mark Twain (The Innocents Abroad)
As a rule, romance is not a place you can find on a map. But sometimes it is.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
France is Europe’s most diverse, tasty, and exciting country to explore. It’s a cultural bouillabaisse that surprises travelers with its varied, complex flavors.
Rick Steves (Rick Steves France 2019)
The words 'forse che si,' 'forse che no', 'perhaps yes,' 'perhaps no,' repeat along all paths.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
We are walking on the foundations of literature, up the steep, stony path in the fiery heat.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
And my mother, whose radius of travel was short, tied the letters with ribbon and kept them in her desk, When you get the chance, she said to me, "go.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Not all pioneers went west.
David McCullough (The Greater Journey: Americans in Paris)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
The Netherlands, for all its faults, was happier than Britain, more efficient than France, more tolerant than America, more worldly than Norway, more modern than Belgium and more fun than Germany.
Ben Coates (Why the Dutch are Different: A Journey into the Hidden Heart of the Netherlands: From Amsterdam to Zwarte Piet, the acclaimed guide to travel in Holland)
That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.
Hazel Gaynor (The Cottingley Secret)
X and Y the Co-ordinates of Zen Navigation X = the limited time you have on the road, in a life Y = the eternity you have in every hour, every day Z = Each step you take is a once-in-a-lifetime infinite thing
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
We are, after all, citizens of the world - a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once. I'll give you the benefit of the doubt, Senor Tamale Stand Owner, Sushi-chef-san, Monsieur Bucket-head. What's that feathered game bird, hanging on the porch, getting riper by the day, the body nearly ready to drop off? I want some.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
It’s daunting to find the language so foreign, so distant, but also so thrilling. One is absolved of responsibility when the language is incomprehensible.
Frances Mayes
That's one of the most reliable things about a long road trip. There's always a cat, just when you need one.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Calamities are unavoidable, in love and travel. All it takes to make it to the end of the road are some good Survival Tips.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Veni, vidi, vici. That was easy for Julius Caesar to say; he crossed Italy in a chariot, not on a stupid bike." - Vivia
Leah Marie Brown (Faking It (It Girls, #1))
Oh, come on, he was twenty-six. And he had poetry on his lips.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
[As Chevalley says,] 'Sicilians never want to improve for the simple reason that they think themselves perfect...
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
...outrageous flowers swagging off balconies like bright skirts of ballgowns...
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
We believed Paris was the start of us. It's the kind of city that makes you think of beginnings, or even juicy middles. Paris is a book to savor, in whole or in part, at any time and in any season. At age ninety or at thirty-four, you can open any chapter and read from there.
Michelle Gable (I'll See You in Paris)
VACILANDO v. Traveling when the experience itself is more important than the destination. The best laid plans are not usually conducive to spontaneous adventures. Not sure where to go? Great! Throw the map and the plans out the window, and follow your heart for a while instead. verb
Ella Frances Sanders (Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World)
Travel Tip: The term is in situ -- in the place of origin. We travel to put ourselves in situ , in a place where we belong. The feeling that one was born in the wrong place is an ancient an universal experience, such that I suspect (a) it is part of our human DNA; and (b) is why our kind are born wanderers. We travel to find the place where we can recognize ourselves for once. Be on the lookout for that jolt of unexpected familiarity in a foreign land: that's how you'll know you are in situ .
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
But the essence of a place, the part of it that picks you up and puts you down somewhere else, cannot be given to the reader through factual description. And maybe not at all. You have to find your own secret images. The slow fall of a coin into the gorge with the sun catching the copper only for a moment, and the fall into nothing says more about a sense of place than three pages of restaurant and hotel descriptions...
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
Plenty of people take a gap year between high school and university to travel, or spend a summer back-packing through Europe to “find” themselves. (A bullshit statement if ever there was one. Where do you think you’ll be? No one finds anything in France except bread and pretension, and frankly, both of those are in my lap right now.)
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter: Essays)
He stared to sea. "I gave up all ideas of practicing medicine. In spite of what I have just said about the wave and the water, in those years in France I am afraid I lived a selfish life. That is, I offered myself every pleasure. I traveled a great deal. I lost some money dabbling in the theatre, but I made much more dabbling on the Bourse. I gained a great many amusing friends, some of whom are now quite famous. But I was never very happy. I suppose I was fortunate. It took me only five years to discover what some rich people never discover — that we all have a certain capacity for happiness and unhappiness. And that the economic hazards of life do not seriously affect it.
John Fowles (The Magus)
In fact, I didn't like traveling first class at all. Yes, it was nice to have a bathroom in a hotel and fine service at breakfast...but none of it seemed foreign enough for me. It was all so pleasantly bland that I felt as if I were back on the SS America. I don't like it when everyone speaks perfect English; I'd much rather struggle with my phrasebook.
Julia Child (My Life in France)
I wore only black socks, because I had heard that white ones were the classic sign of the American tourist. Black ones though,- those'll fool 'em. I supposed I hoped the European locals' conversation would go something like this: PIERRE: Ha! Look at that tourist with his camera and guidebook! JACQUES: Wait, but observe his socks! They are...black! PIERRE: Zut alors! You are correct! He is one of us! What a fool I am! Let us go speak to him in English and invite him to lunch!
Doug Mack (Europe on 5 Wrong Turns a Day: One Man, Eight Countries, One Vintage Travel Guide)
Together, the two traveled to the south of France, where Bernier earned a medical degree in just three months. The degree, however, carried the somewhat suspect stipulation that his fast-tracked medical knowledge was not to be exercised in the French commonwealth.
Sabrina Strings (Fearing the Black Body: The Racial Origins of Fat Phobia)
[…] I began to see Algiers as one of the most fascinating and dramatic places on earth. In the small space of this beautiful but congested city intersected two great conflicts of the contemporary world. The first was the one between Christianity and Islam (expressed here in the clash between colonizing France and colonized Algeria). The second, which acquired a sharpness of focus immediately after the independence and departure of the French, was a conflict at the very heart of Islam, between its open, dialectical — I would even say “Mediterranean” — current and its other, inward-looking one, born of a sense of uncertainty and confusion vis-à-vis the contemporary world, guided by fundamentalists who take advantage of modern technology and organizational principles yet at the same time deem the defense of faith and custom against modernity as the condition of their own existence, their sole identity. […] In Algiers one speaks simply of the existence of two varieties of Islam — one, which is called the Islam of the desert, and a second, which is defined as the Islam of the river (or of the sea). The first is the religion practiced by warlike nomadic tribes struggling to survive in one of the world's most hostile environments, the Sahara. The second Islam is the faith of merchants, itinerant peddlers, people of the road and of the bazaar, for whom openness, compromise, and exchange are not only beneficial to trade, but necessary to life itself.
Ryszard Kapuściński (Travels with Herodotus)
It is very odd to be standing in a locked room in the Penitentiary, speaking with a strange man about France and Italy and Germany. A travelling man. He must be a wanderer, like Jeremiah the peddler. But Jeremiah travelled to earn his bread, and these other sorts of men are rich enough already. They go on voyages because they are curious. They amble around the world and stare at things, they sail across the oceans as if there's nothing to it at all, and if it goes ill with them in one place they simply pick up and move along to another.
Margaret Atwood (Alias Grace)
In one case, a group of innocent American tourists was taken on a tour bus through a country the members later described as “either France or Sweden” and subjected to three days of looking at old, dirty buildings in cities where it was not possible to get a cheeseburger.
Dave Barry (Dave Barry's Only Travel Guide You'll Ever Need)
When you travel you become invisible if you want. I do want. I like to be the observer. What makes these people who they are Could I feel at home here No one expects you to have the stack of papers back by Tuesday or to check messages or to fertilize the geraniums or to sit full of dread in the waiting room at the protologist’s office. When travelling you have the delectable possibility of not understanding a word of what is said to you. Language becomes simply a musical background for watching bicycles zoom along a canal calling for nothing from you. Even better if you speak the language you catch nuances and make more contact with people. Travel releases spontaneity. You become a godlike creature full of choice free to visit the stately pleasure domes make love in the morning sketch a bell tower read a history of Byzantium stare for one hour at the face of Leonardo da Vinci’s Madonna dei fusi. You open as in childhood and – for a time – receive this world. There’s the visceral aspect too – the huntress who is free. Free to go Free to return home bringing memories to lay on the hearth.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
American cities are like badger holes, ringed with trash -- all of them -- surrounded by piles of wrecked and rusting automobiles, and almost smothered with rubbish. Everything we use comes in boxes, cartons, bins, the so-called packaging we love so much. The mountains of things we throw away are much greater than the things we use. In this, if no other way, we can see the wild an reckless exuberance of our production, and waste seems to be the index. Driving along I thought how in France or Italy every item of these thrown-out things would have been saved and used for something. This is not said in criticism of one system or the other but I do wonder whether there will come a time when we can no longer afford our wastefulness -- chemical wastes in the rivers, metal wastes everywhere, and atomic wastes buried deep in the earth or sunk in the sea. When an Indian village became too deep in its own filth, the inhabitants moved. And we have no place to which to move.
John Steinbeck (Travels with Charley: In Search of America)
In America, being able to get things done, especially if it's by bending rules, making exceptions, or calling in a favor, is the way to show power. In France, being able to say non (especially to a bureaucratically legitimate request) is the way to show power. And piss me off.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Her purse is half open, and I see a hotel room key, a metro ticket, and a hundred-franc note folded in four, like objects brought back by a space probe sent to earth to study how earthlings live, travel, and trade with one another. The sight leaves me pensive and confused. Does the cosmos contain keys for opening up my diving bell? A subway line with no terminus? A currency strong enough to buy my freedom back? We must keep looking. I'll be off now.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts. I’ll go if you want me to, he said. I smiled, I was so fucking happy to see him. You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said. He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him. She’d come later. It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it. I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
Sarah Winman (Tin Man)
There are countries in which the communal provision of housing, transport, education and health care is so inferior that inhabitants will naturally seek to escape involvement with the masses by barricading themselves behind solid walls. The desire for high status is never stronger than in situations where 'ordinary' life fails to answer a median need for dignity or comfort. Then there are communities—far fewer in number and typically imbued with a strong (often Protestant) Christian heritage—whose public realms exude respect in their principles and architecture, and whose citizens are therefore under less compulsion to retreat into a private domain. Indeed, we may find that some of our ambitions for personal glory fade when the public spaces and facilities to which we enjoy access are themselves glorious to behold; in such a context, ordinary citizenship may come to seem an adequate goal. In Switzerland's largest city, for instance, the need to own a car in order to avoid sharing a bus or train with strangers loses some of the urgency it has in Los Angeles or London, thanks to Zurich's superlative train network, which is clean, safe, warm and edifying in its punctuality and technical prowess. There is little reason to travel in an automotive cocoon when, for a fare of only a few francs, an efficient, stately tramway will provide transport from point A to point B at a level of comfort an emperor might have envied. One insight to be drawn from Christianity and applied to communal ethics is that, insofar as we can recover a sense of the preciousness of every human being and, even more important, legislate for spaces and manner that embody such a reverence in their makeup, then the notion of the ordinary will shed its darker associations, and, correspondingly, the desires to triumph and to be insulated will weaken, to the psychological benefit of all.
Alain de Botton (Status Anxiety)
Charles Lindbergh’s achievement in finding his way alone from Long Island to an airfield outside Paris deserves a moment’s consideration. Maintaining your bearings by means of dead reckoning means taking close note of compass headings, speed of travel, time elapsed since the last calculation, and any deviations from the prescribed route induced by drifting. Some measure of the difficulty is shown by the fact that the Byrd expedition the following month—despite having a dedicated navigator and radio operator, as well as pilot and copilot—missed their expected landfall by two hundred miles, were often only vaguely aware of where they were, and mistook a lighthouse on the Normandy coast for the lights of Paris. Lindbergh by contrast hit all his targets exactly—Nova Scotia, Newfoundland, the Dingle Peninsula in Ireland, Cap de la Hague in France, Le Bourget in Paris—and did so while making the calculations on his lap while flying an unstable plane.
Bill Bryson (One Summer: America, 1927)
They lied, you know,” said Cpl. Allan Richmond. He hugged the wall next to Owens. Beside him, PFC Bucky Hatton crouched low, a Browning 1911 semiautomatic gripped tightly in his hand. “Who?” asked Bart, glad to be out of the wind and rain, even if it was only for a short time. “The assholes who said France was beautiful.
Brian W. Matthews (Forever Man)
Worship, then, needs to be characterized by hospitality; it needs to be inviting. But at the same time, it should be inviting seekers into the church and its unique story and language. Worship should be an occasion of cross-cultural hospitality. Consider an analogy: when I travel to France, I hope to be made to feel welcome. However, I don't expect my French hosts to become Americans in order to make me feel at home. I don't expect them to start speaking English, ordering pizza, talking about the New York Yankees, and so on. Indeed, if I wanted that, I would have just stayed home! Instead, what I'm hoping for is to be welcomed into their unique French culture; that's why I've come to France in the first place. And I know that this will take some work on my part. I'm expecting things to be different; indeed, I'm looking for just this difference. So also, I think, with hospitable worship: seekers are looking for something our culture can't provide. Many don't want a religious version of what they can already get at the mall. And this is especially true of postmodern or Gen X seekers: they are looking for elements of transcendence and challenge that MTV could never give them. Rather than an MTVized version of the gospel, they are searching for the mysterious practices of the ancient gospel.
James K.A. Smith (Who's Afraid of Postmodernism?: Taking Derrida, Lyotard, and Foucault to Church (The Church and Postmodern Culture))
If I want my marriage to survive this honeymoon road trip I know I have to stop offering my special helpful tips for driving in foreign lands. So now, whenever we are heading into a traffic situation where I think my opinion could be particularly useful, I just take a deep breath and close my eyes. I'm learning to be a good wife.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Sometimes, when he is holding me and I feel like I am liquid in his arms, I wonder if anything else in my life will seem real after this. It is as if I traveled beyond the earth and reached out and touched a burning star, and it is both unendurable and terrifying. I am glad, then, that I will never love someone again in this way. I would not survive a second time.
Frances Cha (If I Had Your Face)
Punctuality," said Monte Cristo, "is the politeness of kings, according to one of your sovereigns, I think; but it is not the same with travellers. However, I hope you will excuse the two or three seconds I am behindhand; five hundred leagues are not to be accomplished without some trouble, and especially in France, where, it seems, it is forbidden to beat the postilions.
Alexandre Dumas (The Count of Monte Cristo)
I once thought if I traveled in France I would have a different brain, the brain of a girl who travels in France. I saw myself, skipping through meadows in a yellow-and-blue-print dress. But even with the old buildings, with the bright bready smells, with the painted French sunlight, it was still my same brain in there, chomping as usual, just fed this time by baguettes and Brie.
Anonymous
I am acutely aware that I am now the middle-aged traveler that I used to consider to lame, so embarrassing. And I have something to say to my 20-year-old self: You cannot possibly know how much time it takes to learn to treasure this world, how many years it takes to properly cherish your place in it. As you age, you will find it more and more remarkable, a miracle really, that any of us -- you, me -- are here at all, the result of an undeserved, infinite gift. And the older you get, the more you know how much you will miss all this when you are gone. In the end, the world was not all that changed by your coming, you were not all that crucial to it. But the world, this world, which you will one day travel in homage and gratitude, this world was everything to you.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
The naming of a virus is a controversial matter. In 1832, cholera advanced from British India toward Europe. It was called ‘Asiatic Cholera’. The French felt that since they were democratic, they would not succumb to a disease of authoritarianism; but France was ravaged by cholera, which was as much about the bacteria as it is about the state of hygiene inside Europe and North America. (When cholera struck the United States in 1848, the Public Bathing Movement was born.) The ‘Spanish Flu’ was only named after Spain because it came during World War I when journalism in most belligerent countries was censored. The media in Spain, not being in the war, widely reported the flu, and so that pandemic took the name of the country. In fact, evidence showed that the Spanish Flu began in the United States in a military base in Kansas where the chickens transmitted the virus to soldiers. It would then travel to British India, where 60 percent of the casualties of that pandemic took place. It was never named the ‘American Flu’ and no Indian government has ever sought to recover costs from the United States because of the animal-to-human transmission that happened there.
Vijay Prashad
They were as unexpected as a mirage, those dancers on the Pont des Arts. Strictly speaking, the bridge is for pedestrians only, but waltzing is allowed on special nights like this. A guitar, a violin, an accordian -- a tune everyone knows -- and the dancers begin to twirl, spin, soar and glide all around us, in love with life at 3/4 time. Did I say waltzing was allowed? Under these circumstances, it's mandatory.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
Their Policy in this is very wise, and has nothing Barbarous in it. For, since their preservation depends upon their union, and since it is hardly possible that among peoples where license reigns with all impunity -- and, above all, among young people -- there should not happen some event capable of causing a rupture, and disuniting their minds, -- for these reasons, they hold every year a general assembly in Onnontaé. There all the Deputies from the different Nations are present, to make their complaints and receive the necessary satisfaction in mutual gifts, -- by means of which they maintain a good understanding with one another
Reuben Gold Thwaites (The Jesuit relations and allied documents [microform]: travels and explorations of the Jesuit missionaries in New France, 1610-1791)
Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?
Blaise Cendrars (Prose of the Trans-Siberian and of the Little Jeanne de France)
For all that, I don’t think Gypsies ought to be likened to birds of ill-omen. They return evil for evil, and good for good. One hundredfold. Their powers seem to exceed them. I knew some in Spain who could read the stars; in Germany, who could heal burns; in the Camargue, who tended horses and could lessen the birthing pains of both women and beasts. There are some human beings who are not bound by human laws. The sad thing is perhaps they’re not all aware of it. Meanwhile, here’s an idea I volunteer: the day when the borders of Europe and elsewhere become, as they once were, open to the movement of nomadic tribes that some regard as ‘worrisome’, it would be interesting if researchers qualified in astronomy (yes, indeed), with calenders and terrestrial and celestial maps to hand, were to examine the routes travelled by wandering Gypsies. Maybe they’ll discover that these slow and apparently aimless journeys are related to cosmic forces. Like wars. And migrations. The Gypsies were persecuted, in France and elsewhere, with cyclical regularity in a vicious, inept and stupid manner. Almost as much as the Jews.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts
They still possess virtues which might cause shame to most Christians. No hospitals are needed among them, because there are neither mendicants nor paupers as long as there are any rich people among them. Their kindness, humanity, and courtesy not only make them liberal with what they have, but cause them to possess hardly anything except in common. A whole village must be without corn before any individual can be obliged to endure privation. They divide the produce of their fisheries equally with all who come
Reuben Gold Thwaites (The Jesuit relations and allied documents [microform]: travels and explorations of the Jesuit missionaries in New France, 1610-1791)
On March 8 Danton mounted the tribune of the Convention. The patriots never forgot the shock of his sudden appearance, nor his face, harrowed by sleepless nights and the exhaustion of traveling, pallid with strain and suffering. Complex griefs caught sometimes at his voice, as he spoke of treason and humiliation; once he stopped and looked at his audience, self-conscious for a moment, and touched the scar on his cheek. With the armies, he has seen malice, incompetence, negligence. Reinforcements must be massive and immediate. The rich of France must pay for the liberation of Europe. A new tax must be voted today and collected tomorrow. To deal with conspirators against the Republic there must be a new court, a Revolutionary Tribunal: from that, no right of appeal.
Hilary Mantel (A Place of Greater Safety)
Europe knows what a war is. It ripped itself to shreds twice within my grandparents’ lifetime. Consider France’s losses in World War I. France (with one-quarter as many people as we have) lost as many people as the US lost in the entire Iraq War—over 4,400 people—in one day…many times. They lost as many people as we lost in Vietnam (60,000) in one month. And then it happened again and again until, by the end of World War I, an estimated half of all the men in France between the ages of 15 and 30 were casualties.
Rick Steves (Travel as a Political Act (Rick Steves))
When live entertainment was not available, women delivered the film and ran the projectors for the hundreds of movies that were shown to the soldiers. Frances witnessed the popularity of movies time after time; they were shown in warehouses, airplane hangars, on battered portable screens, or projected against the wall of a building in the village square where townsfolk crammed in around the soldiers. “Charlie and Doug” were the two favorites, but anything showing familiar sights from home—the Statue of Liberty, a Chicago department store, or San Francisco’s Golden Gate—created a sensation and bolstered morale. Toward the end of the war German propaganda films left behind by the retreating army became a prime attraction.30 Frances traveled to and from Paris for a few days at a time, usually arriving on or near the front after a battle to witness doctors and nurses doing what they could for the injured in the shattered villages and burying the dead. She was struck by how thoroughly exhausted the Europeans were after four devastating years of war.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
THE rule for travelling abroad is to take our common sense with us, and leave our prejudices behind us. The object of travelling is to see and learn; but such is our impatience of ignorance, or the jealousy of our self-love, that we generally set up a certain preconception beforehand (in self-defence, or as a barrier against the lessons of experience,) and are surprised at or quarrel with all that does not conform to it. Let us think what we please of what we really find, but prejudge nothing. [Notes of a Journey Through France and Italy]
William Hazlitt
I hear a swelling swoosh; from the south a bullet train whizzes into view on the tracks, knives through the landscape in a matter of moments, then disappears with a whoosh. It has just covered in a few seconds what has taken me hours to walk. That very fast train reminds me that, as a pilgrim, travel is made holy in its slowness. I see things that neither the passengers of the train nor the drivers of the automobiles see. I feel things that they will never feel. I have time to ponder, imagine, daydream. I tire. I thirst. In my slow walking, I find me.
Kevin A. Codd (Beyond Even the Stars: A Compostela Pilgrim in France)
Julie and Mark, who are sister and brother, are traveling together in France. They are both on summer vacation from college. One night they are staying alone in a cabin near the beach. They decide that it would be interesting and fun if they tried making love. At the very least it would be a new experience for each of them. Julie is already taking birth control pills, but Mark uses a condom too, just to be safe. They both enjoy it, but they decide not to do it again. They keep that night as a special secret between them, which makes them feel even closer to each other. So what do you think about this? Was it wrong for them to have sex?
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
A Wrong Planet Chef always take an interest in the origins of the food he cooks. A particular dish of vegetables, herbs and spices could, for instance, have begun life 5000 years ago on the Indian subcontinent, perhaps in Central India where vegetarian Hindi food is considered as God (Brahman) as it sustains the entire physical, mental, emotional and sensual aspects of the human being. The dish may then have migrated to the Punjab region of the Indian-Pakistan border - The Land of Five Waters - around 250 BC, and from here could have moved on to Western Asia or North Africa as soldiers and merchants moved west with their families into the Eastern parts of the Roman empire, where the cooks would have experimented with new combinations of food, adding fruits, shellfish or poultry to the exotic dish. The dish could then have travelled in any direction heading North through Germany or Sweden to Britain or maybe migrating through Persia or North Africa to Spain and Portugal, creating two very distinct and separate menus but meeting once again in France
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Lise was on only the first day of what would be a three-day bicycle ride over small back roads “through thick enemy formations” to the combat zone. She slept in ditches when she tired, then picked up her vélo and began traveling again to her headquarters. She was nowhere near a radio when the communiqué from General Dwight D. Eisenhower, supreme commander of Allied forces, aired for the people of Normandy: The lives of many of you depend on the speed with which you obey. Leave your towns at once—stay off the roads—go on foot and take nothing with you that is difficult to carry. Do not gather in groups which may be mistaken for enemy troops. The largest armada the world had ever known was minutes away from landing on the northern beaches of France. The hour of your liberation is approaching.
Sarah Rose (D-Day Girls: The Spies Who Armed the Resistance, Sabotaged the Nazis, and Helped Win World War II)
A historian once speculated on what would happen if a time-traveller from 1945 arrived back in Europe just before the First World War, and told an intelligent and well-informed contemporary that within thirty years a European nation would make a systematic attempt to kill all the Jews of Europe and exterminate nearly six million in the process. If the time-traveller invited the contemporary to guess which nation it would be, the chances were that he would have pointed to France, where the Dreyfus affair had recently led to a massive outbreak of virulent popular antisemitism. Or might it be Russia, where the Tsarist 'Black Hundreds' had been massacring large numbers of Jews in the wake if the failed Revolution of 1905. That Germany, with its highly acculturated Jewish community and its comparitive lack of overt or violent political antisemitism, would be the nation to launch this exterminatory campaign would hardly have occurred to him.
Richard J. Evans (The Coming of the Third Reich (The History of the Third Reich, #1))
There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.
G.K. Chesterton (The Innocence of Father Brown (Father Brown, #1))
Richard and I seemed really to be at the end of our rope, for he had done what he could for me, and it had not worked out, and now he was going away. It seemed to me that he was sailing into the most splendid of futures, for he was going, of all places! to France, and he had been invited there by the French government. But Richard did not seem, though he was jaunty, to be overjoyed. There was a striking sobriety in his face that day. He talked a great deal about a friend of his, who was in trouble with the U.S. Immigration authorities, and was about to be, or already had been, deported. Richard was not being deported, of course, he was traveling to a foreign country as an honored guest; and he was vain enough and young enough and vivid enough to find this very pleasing and exciting. Yet he knew a great deal about exile, all artists do, especially American artists, especially American Negro artists. He had endured already, liberals and literary critics to the contrary, a long exile in his own country. He must have wondered what the real thing would be like. And he must have wondered, too, what would be the unimaginable effect on his daughter, who could now be raised in a country which would not penalize her on account of her color. And that day was very nearly the last time Richard and I spoke to each other without the later, terrible warfare. Two years later, I, too, quit America, never intending to return.
James Baldwin (Nobody Knows My Name)
Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Her disillusionment with the business had intensified as the need to simplify her stories increased. Her original treatments for Blondie of the Follies and The Prizefighter and the Lady had much more complexity and many more characters than ever made it to the screen, and adapting The Good Earth had served as a nagging reminder of the inherent restraints of film. Frances found herself inspired by memories of Jack London, sitting on the veranda with her father as they extolled the virtues of drinking their liquor “neat,” and remembered his telling her that he went traveling to experience adventure, but “then come back to an unrelated environment and write. I seek one of nature’s hideouts, like this isolated Valley, then I see more clearly the scenes that are the most vivid in my memory.” So she arrived in Napa with the idea of writing the novel she started in her hospital bed with the backdrop of “the chaos, confusion, excitement and daily tidal changes” of the studios, but as she sat on the veranda at Aetna Springs, she knew she was still too close to her mixed feelings about the film business.48 As she walked the trails and passed the schoolhouse that had served the community for sixty years, she talked to the people who had lived there in seclusion for several generations and found their stories “similar to case histories recorded by Freud or Jung.” She concentrated on the women she saw carrying the burden in this community and all others and gave them a depth of emotion and detail. Her series of short stories was published under the title Valley People and critics praised it as a “heartbreak book” that would “never do for screen material.” It won the public plaudits of Dorothy Parker, Rupert Hughes, Joseph Hergesheimer, and other popular writers and Frances proudly viewed Valley People as “an honest book with no punches pulled” and “a tribute to my suffering sex.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
... The influence of the Pre-Raphaelites was felt less through their paintings than through a book, The Poems of Tennyson, edited by Moxon and wonderfully illustrated by Rossetti and Millais. The influence on Maeterlinck stems less from the poems themselves than from the illustrations. The revival of illustrated books in the last two years of the century derives from this Tennyson, the books printed at William Morris' press, the albums of Walter Crane. These last two and the ravishing little books for children by Kate Greenaway were heralded by Huysmans as early as 1881. Generally speaking, it is the English Aesthetic Movement rather than the Pre-Raphaelites which influenced the Symbolists, a new life-style rather than a school of painting. The Continent, passing through the Industrial Revolution some fifty years after England, found valuable advice on how to escape from materialism on the other side of the Channel. Everything that one heard about the refinements practised in Chelsea enchanted Frenchmen of taste: furniture by Godwin, open-air theatricals by Lady Archibald Campbell, the Peacock Room by Whistler, Liberty prints. As the pressure of morality was much less pronounced in France than in England, the ideal of Aestheticism was not a revolt but a retreat towards an exquisite world which left hearty good living to the readers of the magazine La Vie Parisienne ('Paris Life') and success to the readers of Zola. If one could not write a beautiful poem or paint a beautiful picture, one could always choose materials or arrange bouquets of flowers. Aesthetic ardour smothered the anglophobia in the Symbolist circle. The ideal of a harmonious life suggested in Baudelaire's poem L' Invitation au Voyage seemed capable of realization in England, whose fashions were brought back by celebrated travellers: Mallarmé after 1862, Verlaine in 1872. Carrière spent a long time in London, as did Khnopff later on. People read books by Gabriel Mourey on Swinburne, and his Passé le Détroit ('Beyond the Channel') is particularly important for the artistic way of life ... Thus England is represented in this hall of visual influences by the works of Burne-Jones and Watts, by illustrated books, and by objets d'art ...
Philippe Jullian (The symbolists)
HISTORICAL NOTE There are no nuclear power stations in Belarus. Of the functioning stations in the territory of the former USSR, the ones closest to Belarus are of the old Soviet-designed RBMK type. To the north, the Ignalinsk station, to the east, the Smolensk station, and to the south, Chernobyl. On April 26, 1986, at 1:23:58, a series of explosions destroyed the reactor in the building that housed Energy Block #4 of the Chernobyl Nuclear Power Station. The catastrophe at Chernobyl became the largest technological disaster of the twentieth century. For tiny Belarus (population: 10 million), it was a national disaster. During the Second World War, the Nazis destroyed 619 Belarussian villages along with their inhabitants. As a result of Chernobyl, the country lost 485 villages and settlements. Of these, 70 have been forever buried underground. During the war, one out of every four Belarussians was killed; today, one out of every five Belarussians lives on contaminated land. This amounts to 2.1 million people, of whom 700,000 are children. Among the demographic factors responsible for the depopulation of Belarus, radiation is number one. In the Gomel and Mogilev regions, which suffered the most from Chernobyl, mortality rates exceed birth rates by 20%. As a result of the accident, 50 million Ci of radionuclides were released into the atmosphere. Seventy percent of these descended on Belarus; fully 23% of its territory is contaminated by cesium-137 radionuclides with a density of over 1 Ci/km2. Ukraine on the other hand has 4.8% of its territory contaminated, and Russia, 0.5%. The area of arable land with a density of more than 1 Ci/km2 is over 18 million hectares; 2.4 thousand hectares have been taken out of the agricultural economy. Belarus is a land of forests. But 26% of all forests and a large part of all marshes near the rivers Pripyat, Dniepr, and Sozh are considered part of the radioactive zone. As a result of the perpetual presence of small doses of radiation, the number of people with cancer, mental retardation, neurological disorders, and genetic mutations increases with each year. —“Chernobyl.” Belaruskaya entsiklopedia On April 29, 1986, instruments recorded high levels of radiation in Poland, Germany, Austria, and Romania. On April 30, in Switzerland and northern Italy. On May 1 and 2, in France, Belgium, the Netherlands, Great Britain, and northern Greece. On May 3, in Israel, Kuwait, and Turkey. . . . Gaseous airborne particles traveled around the globe: on May 2 they were registered in Japan, on May 5 in India, on May 5 and 6 in the U.S. and Canada. It took less than a week for Chernobyl to become a problem for the entire world. —“The Consequences of the Chernobyl Accident in Belarus.” Minsk, Sakharov International College on Radioecology The fourth reactor, now known as the Cover, still holds about twenty tons of nuclear fuel in its lead-and-metal core. No one knows what is happening with it. The sarcophagus was well made, uniquely constructed, and the design engineers from St. Petersburg should probably be proud. But it was constructed in absentia, the plates were put together with the aid of robots and helicopters, and as a result there are fissures. According to some figures, there are now over 200 square meters of spaces and cracks, and radioactive particles continue to escape through them . . . Might the sarcophagus collapse? No one can answer that question, since it’s still impossible to reach many of the connections and constructions in order to see if they’re sturdy. But everyone knows that if the Cover were to collapse, the consequences would be even more dire than they were in 1986. —Ogonyok magazine, No. 17, April 1996
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)