Frames Travel Quotes

It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.

Had I left some children behind somewhere in the world?

I sat there in the lobby with a 7Up and a hog-tied Japanese nymphomaniac locked in my room

The local dealers were cutting their coke with crystal meth

I heard another disembodied voice: you're going to release a daemon

was it even my own mind making the decisions?

Think about it mate – the 'Long Gun'. That's a ladyboy bar.

Scopolamine never asks for permission

was he connected to the hitman? I didn't worry about it

They can make all the plans they want but it doesn't mean I have to cooperate with them

Buy a whore a cup of tea and she'll tell you the world! Hookers know everything

I have friends in the police, friends in the military, we can do anything you want.

It’s an irritating reality that many places and events defy description. Angkor Wat and Machu Picchu, for instance, seem to demand silence, like a love affair you can never talk about. For a while after,you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you’ve been and whats happened. In the end, you’re just happy you were there- with your eyes open- and lived to see it.

Anything is possible on a train: a great meal, a binge, a visit from card players, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories.

In thinking about miracles, I believe that our frame of reference has been too dramatic. We have been looking for the burning bush, the parting of the sea, the bellowing voice from heaven. Instead we should be looking at the ordinary day-to-day events in our lives for evidence of the miraculous, maintaining at the same time a scientific orientation.

What seemed at first like an act of incandescent self-destruction turned out to be the onramp to a bleak treadmill, one that felt designed to eradicate my personality and identity. It didn’t end my self-recrimination and misery. Instead, it illustrated just how good I’d had it living on the street.

Travel does what good novelists also do to the life of everyday, placing it like a picture in a frame or a gem in its setting, so that the intrinsic qualities are made more clear. Travel does this with the very stuff that everyday life is made of, giving to it the sharp contour and meaning of art.

He sees the land of meaning, and one path to it, and the so-called “normal” people traveling swiftly and in comfort to the land; he does not include the shipwrecked people who arrive by devious lonely routes, and the many who dwell in the land in the beginning.

Outside the window, there slides past that unimaginable and deserted vastness where night is coming on, the sun declining in ghastly blood-streaked splendour like a public execution across, it would seem, half a continent, where live only bears and shooting stars and the wolves who lap congealing ice from water that holds within it the entire sky. All white with snow as if under dustsheets, as if laid away eternally as soon as brought back from the shop, never to be used or touched. Horrors! And, as on a cyclorama, this unnatural spectacle rolls past at twenty-odd miles an hour in a tidy frame of lace curtains only a little the worse for soot and drapes of a heavy velvet of dark, dusty blue.

Mom had just gotten back from Sydney, and she had brought me an immense, surpassingly blue butterfly, Papilio ulysses, mounted in a frame filled with cotton. I would hold it close to my face, so close I couldn't see anything but that blue. It would fill me with a feeling, a feeling I later tried to duplicate with alcohol and finally found again with Clare, a feeling of unity, oblivion, mindlessness in the best sense of the word.

To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.

The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.

Most of us operate from a narrower frame of reference than that of which we are capable, failing to transcend the influence of our particular culture, our particular set of parents and our particular childhood experience upon our understanding.

...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)

Perhaps, like most of us in a foreign country, he was incapable of placing people, selecting a frame for their picture, as he would at home; therefore all Americans had to be judged in a pretty equal light, and on this basis his companions appeared to be tolerable examples of local color and national character.

To my surprise, I find the most relevant commentary on a marriage that continues into the sunset years comes from the radical German philosopher Friedrich Nietzsche, who, in an atypically practical frame of mind, wrote, 'When marrying, ask yourself this question: Do you believe that you will be able to converse well with this person into your old age? Everthing else in marriage is transitory.

Slow down, take time, allow yourself to be wildly diverted from your plan. People are the soul of the place; don't forget to meet them and enjoy their company as you explore a place.

Occasionally, merely for the pleasure of being cruel, we put unoffending Frenchmen on the rack with questions framed in the incomprehensible jargon of their native language, and while they writhed, we impaled them, we peppered them, we scarified them, with their own vile verbs and participles.

The real lesson embodied in Katherine’s three-year-old frame was the opposite: Try, reach, want, and you may fall. But even if you do, you might be okay anyway.

Where my soul went during that swoon I cannot tell. Whatever she saw, or wherever she travelled in her trance on that strange night she kept her own secret; never whispering a word to Memory, and baffling imagination by an indissoluble silence. She may have gone upward, and come in sight of her eternal home, hoping for leave to rest now, and deeming that her painful union with matter was at last dissolved. While she so deemed, an angel may have warned her away from heaven's threshold, and, guiding her weeping down, have bound her, once more, all shuddering and unwilling, to that poor frame, cold and wasted, of whose companionship she was grown more than weary. I know she re-entered her prison with pain, with reluctance, with a moan and a long shiver. The divorced mates, Spirit and Substance, were hard to re-unite: they greeted each other, not in an embrace, but a racking sort of struggle.

...When our thoughts revolve we are so often deceived into supposing that their violent movement is an indication of their vigorous originality, the upheaval of prejudice and fixed ideas, when all the time it is more likely that the machine which contains them is only an elaborate cement-mixer, and when the thinking is finished, those whirling thoughts are smoothed into the unchanged conventional mould and seeing them set solid enough to dance, to build, to travel upon, we would never dream of their first deceit, of the hope once roused by their apparently violent reorganisation...

The camera is a remarkable thing, you think, with its ability to transform the mundane into an immortal moment able to travel through time, reappear days or months or years after its actually occurrence. Every second of our existence is alive with possibility, but we don’t see it until we hit rewind, until we freeze the frame. It is sad that so many things, all suffused with meaning, escape the unaided eye.

Most people today also believe they live in free societies (indeed, they often insist that, politically at least, this is what is most important about their societies), but the freedoms which form the moral basis of a nation like the United States are, largely, formal freedoms. American citizens have the right to travel wherever they like - provided, of course, they have the money for transport and accommodation. They are free from ever having to obey the arbitrary orders of superiors - unless, of course, they have to get a job. In this sense, it is almost possible to say the Wendat had play chiefs and real freedoms, while most of today have to make do with real chiefs and play freedoms. Or to put the matter more technically: what the Hadza, Wendat or 'egalitarian' people such as the Nuer seem to have been concerned with were not so much formal as substantive ones. They were less interested in the right to travel than in the possibility of actually doing so (hence, the matter was typically framed as an obligation to provide hospitality to strangers). Mutual aid - what contemporary European observers often referred to as 'communism' - was seen as the necessary condition for individual autonomy.

They all agreed, that I could not be produced according to the regular laws of nature; because I was not framed with a capacity of preserving my life, either by swiftness, or climbing of trees, or digging holes in the earth.

The more we live as 'free individuals' . . . the more we are effectively non-free, caught within the existing frame of possibilities--we have to be impelled or disturbed into freedom. . . . This paradox thoroughly pervades the form of subjectivity that characterizes 'permissive' liberal society. Since permissiveness and free choice are elevated into a supreme value, social control and domination can no longer appear as infringing on subjects' freedom: they have to appear as (and be sustained by) individuals experiencing themselves as free. There is a multitude of forms of this appearing of un-freedom in the guise of its opposite: in being deprived of universal healthcare, we are told that we are being given a new freedom of choice (to choose our healthcare provider); when we can no longer rely on long-term employment and are compelled to search for a new precarious job every couple of years, we are told that we are being given the opportunity to reinvent ourselves and discover our creative potential; when we have to pay for the education of our children, we are told that we are now able to become 'entrepreneurs of the self," acting like a capitalist freely choosing how to invest the resources he possesses (or has borrowed). In education, health, travel . . . we are constantly bombarded by imposed 'free choices'; forced to make decisions for which we are mostly not qualified (or do not possess enough information), we increasingly experience our freedom as a burden that causes unbearable anxiety. Unable to break out of this vicious cycle alone, as isolated individuals--since the more we act freely the more we become enslaved by the system--we need to be 'awakened' from this 'dogmatic slumber' of fake freedom.

When I arrived home from Boston, I realized there were no pictures on my mantel. I set down my suitcase and walked into the living room and looked across to the fireplace, and it felt empty. Empty of real stories. I went to my bedroom where the bed was made, and on my desk there were no pictures in frames and on the end tables there were no pictures. There was a framed picture of Yankee Stadium above the toilet in the bathroom, and there was some art I’d picked up in my travels, but there was little evidence of an actual character living an actual life. My home felt like a stage on which props had been set for a face story rather than a place where a person lived an actual human narrative. It’s an odd feeling to be awakened from a life of fantasy. You stand there looking at a bare mantel and the house gets an eerie feel, as though it were haunted by a kind of nothingness, an absence of something that could have been, an absence of people who could have been living here, interacting with me, forcing me out of my daydreams. I stood for a while and heard the voices of children who didn’t exist and felt the tender touch of a wife who wanted me to listen to her. I felt, at once, the absent glory of a life that could have been.

Debarred from public worship, David was heartsick. Ease he did not seek, honour he did not covet, but the enjoyment of communion with God was an urgent need of his soul; he viewed it not merely as the sweetest of all luxuries, but as an absolute necessity, like water to a stag. Like the parched traveler in the wilderness, whose skin bottle is empty, and who finds the wells dry, he must drink or die – he must have his God or faint. His soul, his very self, his deepest life, was insatiable for a sense of the divine presence. . . . Give him his God and he is as content as the poor deer which at length slakes its thirst and is perfectly happy; but deny him his Lord, and his heart heaves, his bosom palpitates, his whole frame is convulsed, like one who gasps for breath, or pants with long running. Dear friend, dost thou know what this is, by personally having felt the same? It is a sweet bitterness. The next best thing to living in the light of the Lord’s love is to be unhappy till we have it, and to pant hourly after it – hourly, did I say? Thirst is a perpetual appetite, and not to be forgotten, and even thus continually is the heart’s longing after God. When it is as natural for us to long for God as for an animal to thirst, it is well with our souls, however painful our feelings

    I saw there, on that threshold – framed – more than a thousand who had rained from Heaven. Spitting in wrath. ‘Who’s that,’ they hissed, ‘who, yet undead,  85         travels the kingdom of the truly dead?

Ah! listen the song of storm from my disturbed soul;and it scatters flower buds into its lonely halls;like every pain needs a dirge,with wreaths that awful the world framed one for me,and gives the time it calls.

In my simple, post-natal frame of mind, I was convinced that if the world were to be run by the mothers of newborn babies rather than hardened old men inciting brash youths to violence, wars would cease overnight.

In this mortal frame of mine which is made of a hundred bones and nine orifices there is something, and this something is called a wind-swept spirit for lack of a better name, for it is much like a thin drapery that is torn and swept away at the slightest stir of the wind. This something in me took to writing poetry years ago, merely to amuse itself at first, but finally making it its lifelong business. It must be admitted, however, that there were times when it sank into such dejection that it was almost ready to drop its pursuit, or again times when it was so puffed up with pride that it exulted in vain victories over the others. Indeed, ever since it began to write poetry, it has never found peace with itself, always wavering between doubts of one kind and another. At one time it wanted to gain security by entering the service of a court, and at another it wished to measure the depth of its ignorance by trying to be a scholar, but it was prevented from either because of its unquenchable love of poetry. The fact is, it knows no other art than the art of writing poetry, and therefore, it hangs on to it more or less blindly.

Autumn questions: Does a dead leaf have a dream? Does she want to return to her green tree again? Does she want to drift in the wind and travel the world? Or does she want to meet other dead leaves? Maybe she just wants to get into the frame of a photo and become immortal?

When she made her way to the big picture window that framed the dining room table she froze. She stopped breathing. The anger was growing again. It grew up into her throat, where she could taste it, coppery like blood, in the back of her mouth. It grew down into her stomach, where it knotted her intestines. It made her arms stiffen and her shoulders lock. It pushed against her ribs until she felt they would snap like sticks.

Wealth correlates with certain forms of freedom, like the freedom to acquire goods, or to travel, or freedom of access to certain cultural events, and so on.

Now, looking about me in the desolation and the splendour, I knew what I had lacked all these years. I forgot my fellow travellers, forgot the grey fuselage of the crippled 'plane - an anachronism, surely, amid the wilderness of centuries - and forgot too my grey hair, my heavy frame, and all the burden of my five-and-fifty years. I was a boy again, hopeful, eager, seeking an answer to eternity.

You’re a projectionist and you’re tired and angry, but mostly you’re bored so you start by taking a single frame of pornography collected by some other projectionist that you find stashed away in the booth, and you splice this frame of a lunging red penis or a yawning wet vagina close-up into another feature movie. This is one of those pet adventures, when the dog and cat are left behind by a traveling family and must find their way home. In reel three, just after the dog and cat, who have human voices and talk to each other, have eaten out of a garbage can, there’s the flash of an erection. Tyler does this.

It was a fine feeling indeed to be standing up there like that, with the sound of summer all around one and a light breeze on one's face. And I believe it was then, looking on that view, that I began for the first time to adopt a frame of mind appropriate for the journey before me. For it was then that I felt the first healthy flush of anticipation for the many interesting experiences I know these days ahead hold in store for me.

So in addition to the Big Freeze and Big Crunch, a third alternative began to emerge from the data, the Big Rip, which is like the Big Freeze on steroids. It is a vastly accelerated time frame for the life cycle of the universe.

I'm traveling from, to and between time frames searching, waiting and finding things that I deserve, people I want to meet, and places where I want to be. For now, I’m just walking ahead in pursuit of something, I don’t know if it exists.

When we got back to the house Logan grabbed his basketball, threw it really hard against the hallway wall, knocked the framed family photo to the floor-it didn't break, he didn't pick it up-and left with a couple of his friends. Thebes picked up the photo, hung it back on the wall, sighed heavily like she'd travelled to every corner of the world, on her knees, with a knife in her back and a boa constrictor wrapped around her chest, and then made us a couple of blueberry smoothies.

The moon, almost full, shines high in the sky in front of me. I roll down the window and rest my arm on top of the door frame. The night air blowing in softly through the open window feels cool on my face. For the moment, all seems right with the world.

Alas, it was in vain that I implored the dungeon-keep of Roussainville, that I begged it to send out to meet me some daughter of its village, appealing to it as to the sole confidant to whom I had disclosed my earliest desire when, from the top floor of our house at Combray, from the little room that smelt of orris-root, I had peered out and seen nothing but its tower, framed in the square of the half-opened window, while, with the heroic scruples of a traveller setting forth for unknown climes, or of a desperate wretch hesitating on the verge of self-destruction, faint with emotion, I explored, across the bounds of my own experience, an untrodden path which, I believed, might lead me to my death, even—until passion spent itself and left me shuddering among the sprays of flowering currant which, creeping in through the window, tumbled all about my body. In vain I called upon it now. In vain I compressed the whole landscape into my field of vision, draining it with an exhaustive gaze which sought to extract from it a female creature.

They began to come upon chains and packsaddles, singletrees, dead mules, wagons. Saddletrees eaten bare of their rawhide coverings and weathered white as bone, a light chamfering of miceteeth along the edges of the wood. They rode through a region where iron will not rust nor tin tarnish. The ribbed frames of dead cattle under their patches of dried hide lay like the ruins of primitive boats upturned upon that shoreless void and they passed lurid and austere the black and desiccated shapes of horses and mules that travelers had stood afoot.

Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.

Unplugging from devices doesn’t stop us from experiencing our lives through their lenses, frames, and formats. We are only ever tourists in the land of no technology, our visas valid for a day or a week or a year, and we travel there with the same eyes and ears that we use in our digital homeland.

But this result [that light would travel faster towards a moving observer] comes into conflict with the principle of relativity [the laws of physics are the same for all observers]", Einstein added. "For, like every other general law of nature, the law of the transmission of light must, according to the principle of relativity, be the same when the railway carriage is the reference body as it is when the enbamkment is the refernece body". [...] There should be no experiment you can do, including measuring the speed of light, to distinguish which inertial frame of refence is "at rest" and which is moving at a constant velocity.

They were in no way connected now with nature, with the world of real things, which from now onwards lost all its charm and significance, and meant no more to my life than a purely conventional framework, just as the action of a novel is framed in the railway carriage, on a seat of which a traveller is reading it to pass the time.

The bed frame creaks like a rusty swing swaying back and forth, moans like a haunted house and something like glass shatters. Shatters inside of you and the tiny slivers of this horrible thing splinter off and travel through your veins, beelining it straight to your heart. Next stop: brain. I tried to think of anything, anything except it hurts. It hurts. It hurts so bad. Quickly though, the pain became secondary to the fact that I thought I might actually die. I couldn't breathe. No sound could get out of my mouth and no air could get in. And the weight of his body was crushing me to the point I thought my ribs would snap right in half and puncture a lung.

She let her gaze travel over him in a slow appreciation of his tall, lean, muscular frame. She guessed he stood at least six-three in his boots. “I suppose not,” she said. “It would be only prime grass-fed beef and Idaho potatoes for you.” He crossed his arms over his broad chest and leaned on the door frame studying her. “Miz Powell, if I didn’t know better, I’d think you were undressing me with those pretty blue-green eyes of yours.” A guilty flush infused her face but she refused to give him the advantage. She opted for a strong offense instead. “So what if I was? Weren’t you quite fixated on my ass at Denver airport?” He raised a sandy eyebrow. “You noticed that, eh?” His confession came with a shameless grin attached. She jutted her chin. “Quid pro quo, Counselor. What do you say to that?” He approached her slowly, the smile in his eyes transforming in a blink to a wicked gleam. A gleam that promised very bad things. His reply sent a warning signal to every nerve in her body. “I’d say, why just use your eyes?

It was the my-father-got-rid-of-my-piano story; something she’d share one day with her college roommates, her husband, her children, and her psychiatrist. It would earn a few crucial frames in her final reel of memories and travel with her into the next life. When it comes to the bad stuff, there’s nothing too small that’s not worth dwelling on forever. I say, anyway.

In this mortal frame of mine, which is made of a hundred bones and nine orifices, there is something, and this something is called a wind-swept spirit, for lack of a better name, for it is much like a thin drapery that is torn and swept away at the slightest stir of the wind. This something in me took to writing poetry years ago, merely to amuse itself at first, but finally making it its lifelong business. It must be admitted, however, that there were times when it sank into such dejection that it was almost ready to drop its pursuit, or again times when it was so puffed up with pride that it exulted in vain victories over others. Indeed, ever since it began to write poetry, it has never found peace with itself, always wavering between doubts of one kind and another. At one time it wanted to gain security by entering the service of a court, and at another it wished to measure the depth of its ignorance by trying to be a scholar, but it was prevented from either because of its unquenchable love of poetry. The fact is, it knows no other art than the art of writing poetry, and therefore, it hangs on to it more or less blindly. Matsuo Bashō, Journal of a Travel-Worn Satchel (tr. Nobuyuki Yuasa)

The curtain behind the counter whipped aside and a woman emerged dressed in flowing purple robes, a silk headscarf, and a lace shawl. She wore heavy makeup, her eyelids smoky blue and her eyes framed by thick black lashes. As she surveyed us, she adjusted a bronze tiara just above her hairline. It was strung with delicate dangling chains that swayed hypnotically across her forehead. "Greetings weary travellers," she said. "I sense that you - " "Nope," Jackaby said and pushed passed up back out of the shop.

They were not a large tribe as these things were counted then: nomads of the Northern Plains. They had a god, who was the skull of a mammoth, and the hide of a mammoth fashioned into a rough cloak. Nunyunnini they called him. When they were not traveling, he rested on a wooden frame, at man height. She was the holy woman of the tribe, the keeper of its secrets, and her name was Atsula, the fox. Atsula walked before the two tribesmen who carried their god on long poles, draped with bearskins, that it should not be seen by profane eyes, nor at times when it was not holy.

Most of us operate from a narrower frame of reference than that of which we are capable, failing to transcend the influence of our particular culture, our particular set of parents and our particular childhood experience upon our understanding. It is no wonder, then, that the world of humanity is so full of conflict. We have a situation in which human beings, who must deal with each other, have vastly different views as to the nature of reality, yet each one believes his or her own view to be the correct one since it is based on the microcosm of personal experience. And to make matters worse, most of us are not even fully aware of our own world views, much less the uniqueness of the experience from which they are derived. Bryant Wedge, a psychiatrist specializing in the field of international relations, studied negotiations between the United States and the U.S.S.R. and was able to delineate a number of basic assumptions as to the nature of human beings and society and the world held by Americans which differed dramatically from the assumptions of Russians. These assumptions dictated the negotiating behavior of both sides. Yet neither side was aware of its own assumptions or the fact that the other side was operating on a different set of assumptions. The inevitable result was that the negotiating behavior of the Russians seemed to the Americans to be either crazy or deliberately evil, and of course the Americans seemed to the Russians equally crazy or evil.24 We are indeed like the three proverbial blind men, each in touch with only his particular piece of the elephant yet each claiming to know the nature of the whole beast. So we squabble over our different microcosmic world views, and all wars are holy wars.

By planting rye I am creating carbon sinks in my backyard, expanding my role in the carbon cycle, launching my own backyard campaign to offset global warming. My emissions, after all, reflect a rural but very comfortable life in which I enjoy goods that travel great distances - clementines from Spain, wine from California - and on the occasional holiday I fly south, seeking warmer places. Will planting rye in the shoulder seasons be enough to make a difference? Certainly not, but it is a gesture, a way to frame the question and provide a benchmark to judge the extent of my complicity.

The Hail Mary has always looked like something out of a Heinlein novel. Shiny silver, smooth hull, sharp nose cone. Why do all that for a ship that’ll never have to deal with an atmosphere? Because of the interstellar medium. There’s a teeny, tiny amount of hydrogen and helium wandering around out there in space. It’s on the order of one atom per cubic centimeter, but when you’re traveling near the speed of light, that adds up. Not only because you’re hitting a whole bunch of atoms but also because those atoms, from your inertial reference frame, weigh more than normal. Relativistic physics is weird.

One way to understand that Einstein was talking about invariance, rather than declaring everything to be relative, is to think about how far a light beam would travel in a given period of time. That distance would be the speed of light multiplied by the amount of time it traveled. If we were on a platform observing this happening on a train speeding by, the elapsed time would appear shorter (time seems to move more slowly on the moving train), and the distance would appear shorter (rulers seem to be contracted on the moving train). But there is a relationship between the two quantities—a relationship between the measurements of space and of time—that remains invariant, whatever your frame of reference.62 A

Of what subtle substance is the Fatherland then made, that it too can travel, emigrating with us in agreement with our vagrant fantasies or our forced exiles? However far our destiny may take us, it seems as if always a little of it kept company with us, exhaling its fragrance wherever we pitch our tent. Something familiar in the face of a stranger passing, a scrap of song caught in a gust of wind, the shadow of a tree, the fugitive emanation of a perfume—less yet, a detail, a meaningless trifle, a nothing—and something within us sounds a mysterious call; a sudden combination works upon our most intimate essence—eliminates all that is contrasting, groups all that frames into the loved picture of the distant Fatherland. The Breton soul lends itself more readily than any other to this mysterious work

Nerve signals are not particularly swift. Light travels at 300 million meters per second, while nerve signals move at a decidedly more stately 120 meters a second—about 2.5 million times slower. Still, 120 meters a second is nearly 270 miles an hour, quite fast enough over the space of a human frame to be effectively instantaneous in most circumstances. Even so, as an aid to responding quickly, we have reflexes, which means that the central nervous system can intercept a signal and act on it before passing it on to the brain. That’s why if you touch something very undesirable, your hand recoils before your brain knows what’s going on. The spinal cord, in short, is not just a length of impassive cabling carrying messages between the body and the brain but an active and literally decisive part of your sensory apparatus.

Alas, it was in vain that I implored the dungeon-keep of Roussainville, that I begged it to send out to meet me some daughter of its village, appealing to it as to the sole confidant to whom I had disclosed my earliest desire when, from the top floor of our house at Combray, from the little room that smelt of orris-root, I had peered out and seen nothing but its tower, framed in the square of the half-opened window, while, with the heroic scruples of a traveller setting forth for unknown climes, or of a desperate wretch hesitating on the verge of self-destruction, faint with emotion, I explored, across the bounds of my own experience, an untrodden path which, I believed, might lead me to my death, even — until passion spent itself and left me shuddering among the sprays of flowering currant which, creeping in through the window, tumbled all about my body.

And the subject had indeed come up. Jessica had, however, convinced herself that Richard's troll collection was a mark of endearing eccentricity, comparable to Mr. Stockton's collection of angels. Jessica was in the process of organizing a traveling exhibition of Mr. Stockton's angel collection, and she had come to the conclusion that great men always collected something. In actuality Richard did not really collect trolls. He had found a troll on the sidewalk outside the office, and, in a vain attempt at injecting a little personality into his working world, he had placed it on his computer monitor. The others had followed over the next few months, gifts from colleagues who had noticed that Richard had a penchant for the ugly little creatures. He had taken the gifts and positioned them, strategically, around his desk, beside the telephones and the framed photograph of Jessica.

Einstein briefly considered calling his creation Invariance Theory, but the name never took hold. Max Planck used the term Relativtheorie in 1906, and by 1907 Einstein, in an exchange with his friend Paul Ehrenfest, was calling it Relativitätstheorie. One way to understand that Einstein was talking about invariance, rather than declaring everything to be relative, is to think about how far a light beam would travel in a given period of time. That distance would be the speed of light multiplied by the amount of time it traveled. If we were on a platform observing this happening on a train speeding by, the elapsed time would appear shorter (time seems to move more slowly on the moving train), and the distance would appear shorter (rulers seem to be contracted on the moving train). But there is a relationship between the two quantities—a relationship between the measurements of space and of time—that remains invariant, whatever your frame of reference.

You have to have approached a place from all four cardinal points if you want to take it in, and what’s more, you also have to have left it from all these points. Otherwise it will quite unexpectedly cross your path three or four times before you are prepared to discover it. One stage further, and you seek it out, you orient your-self by it. The same thing with houses. It is only after having crept along a series of them in search of a very specific one that you come to learn what they contain. From the arches of gates, on the frames of house doors, in letters of varying size, black, blue, yellow, red, in the shape of arrows or in the image of boots or freshly-ironed laundry or a word stoop or a stairway’s solid landing, the life leaps out at you, combative, determined, mute. You have to have traveled the streets by streetcar to realize how this running battle con-tinues up along the various stories and finally reaches its decisive pitch on the roofs.

For Delta blueman Robert Johnson and his contemporaries, the train was the eternal metaphor for the travelling life, and it still holds true today. There is no travel like it. Train lines carve through all facets of a nation. While buses stick to major highways and planes reduce the unfolding of lives to a bird's eye view, trains putter through the domains of the rich and the poor, the desperate and the idle, rural and urban, isolated and cluttered. Through train windows you see realities rarely visible in the landscaped tourist areas. Those frames hold the untended jungle of a nation's truth. Despite my shredded emotions, there was still no feeling like dragging all your worldly possessions onto a carriage, alone and anonymous, to set off into the unknown; where any and all varieties of adventures await, where you might meet a new best friend, where the love of your life could be hiding in a dingy cafe. The clatter of the tracks is the sound of liberation.

I’m going to visit you every day. And then someday, when they find a way to reverse your condition scientifically, medically, we’ll buy some land with wonderful trees and build treehouses in every one of them. And we could have a bunch of kids, and read plays together, as a family, and on clear nights, we’ll look at the stars. Can you picture it? And if you decide you don’t want kids, Totally okay, totally fine. We’ll read every book and watch every show and sleep in and travel and make money and art and love all the time, whenever we want. Or we could adopt a couple big dogs. You’ve always wanted big dogs, right?” Lewis stared at her blankly as his tail swished in the surf behind him. “Why aren’t you saying anything? Please say something,” Wren begged, clutching him harder. “I’m not the person I used to be. I’m not the man you married.” “What do you mean?” Lewis wished he could embrace her back, wrap two human arms around her small, shivering frame. He tried to do the best he could with words: “It’s like standing in my childhood bedroom, looking around at the comic books, action figures, and school yearbooks with signatures from all the girls, and remembering how that tiny room used to be my only stake in the world. I don’t know how else to explain it. There are things I cannot unsee.

The choice of 'eastern Europe' as a frame of reference requires a word of explanation. The term is used here in a provisional manner and indeed a rather arbitrary one, with the lower-case form intended to underline this. The travellers set out from places that stretch from Kiev to Rijeka, and from Gdansk to Crete. The eastern Europe that they represent includes the lands that lie between the Baltic in the north and the Mediterranean in the south; between Russia in the east and Italy, Austria and Germany in the west. These boundaries were set in part by the limits of the possible: had resources permitted, accounts by travellers from the Baltic countries or by Austrian Germans, among others, might equally well have been included here. My aim has been to assemble a representative selection of travel writings from this region: the anthology includes accounts from some twenty languages, by more than one hundred authors, written over a period of more than 450 years, beginning in the sixteenth century and finishing with a book published in 2004. The writers travel to Ireland in the west, to Istanbul in the east—and any number of places in between. But why group these particular east European travels through Europe together, in a single volume? The answer lies partly in eastern Europe's relationship to the idea of Europe itself.

One solution might be to liken the path of the light beam through a changing gravitational field to that of a line drawn on a sphere or on a surface that is warped. In such cases, the shortest line between two points is curved, a geodesic like a great arc or a great circle route on our globe. Perhaps the bending of light meant that the fabric of space, through which the light beam traveled, was curved by gravity. The shortest path through a region of space that is curved by gravity might seem quite different from the straight lines of Euclidean geometry. There was another clue that a new form of geometry might be needed. It became apparent to Einstein when he considered the case of a rotating disk. As a disk whirled around, its circumference would be contracted in the direction of its motion when observed from the reference frame of a person not rotating with it. The diameter of the circle, however, would not undergo any contraction. Thus, the ratio of the disk’s circumference to its diameter would no longer be given by pi. Euclidean geometry wouldn’t apply to such cases. Rotating motion is a form of acceleration, because at every moment a point on the rim is undergoing a change in direction, which means that its velocity (a combination of speed and direction) is undergoing a change. Because non-Euclidean geometry would be necessary to describe this type of acceleration, according to the equivalence principle, it would be needed for gravitation as well.

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

It starts with a thwack, the sharp crack of hard plastic against a hot metal surface. When the ladle rolls over, it deposits a pale-yellow puddle of batter onto the griddle. A gentle sizzle, as the back of the ladle sparkles a mixture of eggs, flour, water, and milk across the silver surface. A crepe takes shape. Next comes cabbage, chopped thin- but not too thin- and stacked six inches high, lightly packed so hot air can flow freely and wilt the mountain down to a molehill. Crowning the cabbage comes a flurry of tastes and textures: ivory bean sprouts, golden pebbles of fried tempura batter, a few shakes of salt, and, for an extra umami punch, a drift of dried bonito powder. Finally, three strips of streaky pork belly, just enough to umbrella the cabbage in fat, plus a bit more batter to hold the whole thing together. With two metal spatulas and a gentle rocking of the wrists, the mass is inverted. The pork fat melts on contact, and the cabbage shrinks in the steam trapped under the crepe. Then things get serious. Thin wheat soba noodles, still dripping with hot water, hit the teppan, dancing like garden hoses across its hot surface, absorbing the heat of the griddle until they crisp into a bird's nest to house the cabbage and crepe. An egg with two orange yolks sizzles beside the soba, waiting for its place on top of this magnificent heap. Everything comes together: cabbage and crepe at the base, bean sprouts and pork belly in the center, soba and fried egg parked on top, a geologic construction of carbs and crunch, protein and chew, all framed with the black and white of thickened Worcestershire and a zigzag of mayonnaise. This is okonomiyaki, the second most famous thing that ever happened to Hiroshima.

Looking back from a safe distance on those long days spent alone, I can just about frame it as a funny anecdote, but the reality was far more painful. I recently found my journal from that time and I had written, ‘I’m so lonely that I actually think about dying.’ Not so funny. I wasn’t suicidal. I’ve never self-harmed. I was still going to work, eating food, getting through the day. There are a lot of people who have felt far worse. But still, I was inside my own head all day, every day, and I went days without feeling like a single interaction made me feel seen or understood. There were moments when I felt this darkness, this stillness from being so totally alone, descend. It was a feeling that I didn’t know how to shake; when it seized me, I wanted it to go away so much that when I imagined drifting off to sleep and never waking up again just to escape it, I felt calm. I remember it happening most often when I’d wake up on a Saturday morning, the full weekend stretching out ahead of me, no plans, no one to see, no one waiting for me. Loneliness seemed to hit me hardest when I felt aimless, not gripped by any initiative or purpose. It also struck hard because I lived abroad, away from close friends or family. These days, a weekend with no plans is my dream scenario. There are weekends in London that I set aside for this very purpose and they bring me great joy. But life is different when it is fundamentally lonely. During that spell in Beijing, I made an effort to make friends at work. I asked people to dinner. I moved to a new flat, waved (an arm’s-length) goodbye to Louis and found a new roommate, a gregarious Irishman, who ushered me into his friendship group. I had to work hard to dispel it, and on some days it felt like an uphill battle that I might not win, but eventually it worked. The loneliness abated. It’s taken me a long time to really believe, to know, that loneliness is circumstantial. We move to a new city. We start a new job. We travel alone. Our families move away. We don’t know how to connect with loved ones any more. We lose touch with friends. It is not a damning indictment of how lovable we are.

I DON'T WANT to talk about me, of course, but it seems as though far too much attention has been lavished on you lately-that your greed and vanities and quest for self-fulfillment have been catered to far too much. You just want and want and want. You believe in yourself excessively. You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups. You don't even take pleasure in looking at nature photographs these days. Oh, they can be just as pretty as always, but don't they make you feel increasingly ... anxious? Filled with more trepidation than peace? So what's the point? You see the picture of the baby condor or the panda munching on a bamboo shoot, and your heart just sinks, doesn't it? A picture of a poor old sea turtle with barnacles on her back, all ancient and exhausted, depositing her five gallons of doomed eggs in the sand hardly fills you with joy, because you realize, quite rightly, that just outside the frame falls the shadow of the condo. What's cropped from the shot of ocean waves crashing on a pristine shore is the plastics plant, and just beyond the dunes lies a parking lot. Hidden from immediate view in the butterfly-bright meadow, in the dusky thicket, in the oak and holly wood, are the surveyors' stakes, for someone wants to build a mall exactly there-some gas stations and supermarkets, some pizza and video shops, a health club, maybe a bulimia treatment center. Those lovely pictures of leopards and herons and wild rivers-well, you just know they're going to be accompanied by a text that will serve only to bring you down. You don't want to think about it! It's all so uncool. And you don't want to feel guilty either. Guilt is uncool. Regret maybe you'll consider. Maybe. Regret is a possibility, but don't push me, you say. Nature photographs have become something of a problem, along with almost everything else. Even though they leave the bad stuff out-maybe because you know they're leaving all the bad stuff out-such pictures are making you increasingly aware that you're a little too late for Nature. Do you feel that? Twenty years too late? Maybe only ten? Not way too late, just a little too late? Well, it appears that you are. And since you are, you've decided you're just not going to attend this particular party.

Three cats stood in the center of the camp, their fur frosted by the dazzling white light. “Who are you?” Graywing stammered. These weren’t RiverClan warriors, and she didn’t recognize them from Gatherings. She wondered how they had managed to get all the way into the camp without being challenged. The tallest of the strangers, hard-muscled beneath his brown tabby coat, dipped his head. “Greetings, Graywing,” he meowed. “My name is Runningstorm of WindClan. This is Wolfheart”—he nodded to the elegant gray she-cat beside him—“and our leader, Smallstar.” The third cat, whose tiny frame was covered in sleek black-and-white fur, looked at Graywing. His blue eyes were friendly as he mewed, “We have traveled far to see you.” Graywing looked from one cat to the other. “I don’t understand. Has something happened to Fallowstar?” Smallstar shook his head. “Fallowstar is fine. We are the cats who would have been.” Graywing stared at them in horror. The image of three terrified bundles, falling one by one into the churning river, filled her eyes. “You are the kits who drowned,” she whispered. Wolfheart bent her head. “That is so. Come, we have something to show you.” She turned and led the way across the clearing toward the nursery. Graywing followed without having to tell her paws what to do; they seemed to be carrying her on their own. Runningstorm nosed aside the bramble that was draped across the entrance to the nursery, protecting the precious cats inside. “Look,” he urged Graywing. Oh, StarClan, let our kits be all right, Graywing prayed as she poked her head inside. Had the WindClan kits returned to punish her by hurting the youngest RiverClan cats? The den smelled warm and milky, and enough moonlight filtered through the branches for Graywing to see Hayberry curled around Wildkit and Minnowkit, who snuffled gently in their sleep. Hayberry’s flank rose and fell in time with her kits’ breathing, and although her eyelids flickered when Graywing looked at her, she didn’t stir. Graywing pulled her head out. “They’re safe,” she breathed. Smallstar looked surprised. “Of course. Did you think we’d hurt one hair on their pelts? Kits are the most special part of a Clan. They are the warriors who will defend their Clanmates in moons to come, the hunters who will find food even in the coldest leaf-bare, the cats who will have kits of their own to pass on everything they have learned. A Clan that has no kits might as well be dead.

You’re traveling through another dimension, a dimension not only of sight and sound but of mind.” —Rod Serling, opening narration, season two (and perhaps the better known version)

I travelled alone as a cloud Which was floating on high over vale and mountains. Sometime off I see few horde, a guest, beautiful lake under the trees. Fluttering and dancing in the chill breeze. The golden sunflower garden welcomes me to the side of vale. As the stars shine and twinkle on the Milky Way, They overlooked in never finish line across the margin of glance. Thousands of stars I see at a glance, tossing their tail in bright frame dance. The bronze faced magnetic stars welcomes me to the side of vale. The birds chirping towards the beach, I hear the shuttling of sand and water, the waves beside them dance but they do sparkle under stars. The blue mirage welcomes me to the side of vale. This poet could not but be passionate, in such a colorful company, I watched and felt I saw wealth in paper but the show here got me real wealth. The black words welcome me to the side of vale. Often, when I’m in my bed I rest I space or in penning mood, this show flashes upon inward eye, which is the bliss of solitude. Then my heart is full of pleasure and dances with the green leaves. No color no substance feelings welcome me to the side of vale.

He shivered. A picture appeared in his mind’s eye, a big photograph in a wooden frame: the delegates to the first congress of the Party. They sat at a long wooden table, some with their elbows propped on it, others with their hands on their knees; bearded and earnest, they gazed into the photographer’s lens. Above each head was a small circle, enclosing a number corresponding to a name printed underneath. All were solemn, only the old man who was presiding had a sly and amused look in his slit Tartar eyes. Rubashov sat second to his right, with his pince-nez on his nose. No. 1 sat somewhere at the lower end of the table, four square and heavy. They looked like the meeting of a provincial town council, and were preparing the greatest revolution in human history. They were at that time a handful of men of an entirely new species: militant philosophers. They were as familiar with the prisons in the towns of Europe as commercial travellers with the hotels. They dreamed of power with the object of abolishing power; of ruling over the people to wean them from the habit of being ruled. All their thoughts became deeds and all their dreams were fulfilled. Where were they? Their brains, which had changed the course of the world, had each received a charge of lead. Some in the forehead, some in the back of the neck. Only two or three of them were left over, scattered throughout the world, worn out. And himself; and No. 1.

You want me to train you to fight?” Her eyes traveled up and down my frame. “I’m not sure if that’s possible.” “Perhaps not. But if I don’t try, then that’ll be my failure.

Martin suggests, let's see Chartres on the way back. The cathedral with its bleached stone and green roofs is visible across miles of flat fields and popular breaks. Approaching it through the dog's leg alleyways of the old town, its proportions are dizzying. Pigeons wheel about its height like cliff birds. The afternoon light begins to go; a battery of floodlights makes an unearthly theatre of spires, pinnacles and buttresses. Martin quotes Ruskin. ' "Trees of stone" '. Inside the cathedral is humbling, it's like walking into the belly of a whale. The glass is a deep rich crimson of blue, eliminating what daylight's left. Furtive figures scurry off into angles of shadow. The medieval darkness is pricked with lighted candles. Martin says it's like Debussy's 'Drowned Cathedral'. 'La Cathédrale Engloutie'. I don't know it, but he's right, exactly right. The weeping wax smells cloyingly sweet. While a priest intones, worshippers kneel and pray in whispers - and it seems to me that what they're begging from the mother of God is hope, and luck, and to be spared this survival game, living from minute to minute to minute. It's what drowning must be like. You find you've somersaulted head-over-heels and upside-down and you're travelling backwards through a vast, lightless place. So much sweet, lulling darkness in the middle of the world, it 'is' a kind of dying...

American citizens have the right to travel wherever they like - provided, of course, they have the money for transport and accommodation. They are free from ever having to obey the arbitrary orders of superiors - unless, of course, they have to get a job. In this sense, it is almost possible to say that Went had play chiefs and real freedoms, while most of us today have to make do with real chiefs and play freedoms. Or to put he matter more technically: what the Hadza, Went or 'egalitarian' people such as the Nuer seem to have been concerned with were not so much formal freedoms as substantive ones. They were less interested in the right to travel than in the possibility of actually doing so (hence, the matter was typically framed as an obligation to provide hospitality to strangers).

What to remove? Dairy. From cows, goats, and sheep (including butter). Grains. For the more intensive version of this 30-day diet, eliminate all grains. This is important for those with digestive or autoimmune conditions. If this feels undoable for a full month, add in a small serving a day of gluten-free grains like white rice or quinoa. If that still feels undoable, consider a whole-foods diet rich in vegetables that is strictly gluten- and dairy-free. Legumes. Beans of all kinds (soy, black, kidney, pinto, etc.), lentils, and peanuts. Green peas and snap peas are okay. Sweeteners, real or artificial. Sugar, high-fructose corn syrup, maple syrup, honey, agave, Splenda, Equal, NutraSweet, xylitol, stevia, etc. Processed or refined snack foods. Sodas and diet sodas. Alcohol in any form. White potatoes. Premade sauces and seasonings. How to avoid common pitfalls: Prepare well beforehand. Choose a time frame during which you will have limited or reduced travel, and that doesn’t include holidays or special occasions. Study the list of foods allowed on the diet and make a shopping list. Remove the foods from your pantry or refrigerator that aren’t allowed on the diet, if that makes it easier. Engage the whole family to try this together, or find a friend to join you. Success happens in community. Set up a calendar to mark your progress. Print out a free 30-day online calendar, tape it to the refrigerator door, and mark off each day. Pack snacks with you, pack your lunch, call ahead to restaurants to check their menu (or check online). Get enough vegetables and fats. If you feel jittery or lose too much weight, increase your carbohydrates (starchy vegetables like yams, taro, sweet potatoes). Don’t misread withdrawal-type symptoms as the diet “not working.” These symptoms usually resolve within a week’s time. Personalize it. Start with the basics above and: * If you’re having trouble with autoimmune conditions, eliminate eggs, too. * If you’re prone to weight gain, eat less meat and heavier foods (ex: stews, chili), more vegetables and raw foods. * If you’re prone to weight loss or having trouble gaining weight, eat more meats and heavier foods (ex: stews, chili), less raw foods like salads. * If you’re generally healthy and wanting a boost in energy, try short-term fasts of 12–16 hours. Due to the circadian rhythm of the digestive tract, skipping dinner is best (as opposed to skipping breakfast). Try this 1–2 times a week. (This fast also means no supplements or beverages other than tea or water during the fasting time.)

Imagine yourself in a situation where you have recently been overly anxious. Now take a minute and imagine yourself back in that situation but this time in a calm frame of mind. See yourself calm and in control, feel yourself relaxed and at ease. Would you be happier? Would you do anything differently in that situation if you didn’t have anxiety? Take your time and use all of your senses to imagine this scenario. How much better will your life be when you can approach life in this calm way? 2. Imagine the things you would do if you didn’t have anxiety or panic attacks. Take a while to think about this, because this will be your motivation. It doesn’t have to be anything monumental. It could just be walking in the park or getting your groceries. Maybe going to the movies, hanging out with your friends, travelling to the city you’ve always dreamed of. My motivation was just to feel safe being alone and not having my phone with me – as simple as that. It can really help if you know why you are doing this and why you want to get better.

Or to put the matter more technically: what the Hadza, Wendat or ‘egalitarian’ people such as the Nuer seem to have been concerned with were not so much formal freedoms as substantive ones.12 They were less interested in the right to travel than in the possibility of actually doing so (hence, the matter was typically framed as an obligation to provide hospitality to strangers). Mutual aid – what contemporary European observers often referred to as ‘communism’ – was seen as the necessary condition for individual autonomy.

CV-17 Chinese Point name: Shan Zhong;20 English translation: “Chest Center;” Special Attributes: Intersection Point of the Spleen, Small Intestine, Triple Warmer and the Conception Vessel. Additionally, it is the alarm point for the Pericardium Meridian; Location: On the centerline of the body on the same level as the nipples; Western Anatomy: Branches of the internal mammary artery and vein are found with the anterior cutaneous branch of the fourth intercostal nerve; Comments: This is a major point of interest to combative martial artists. A blow to CV-17 can affect the electrical pattern of the heart resulting in arrhythmia. Western science refers to this as Commotio cordis and it is documented with strikes to the chest as in a baseball striking the chest of a child. While interviewing a former infantry point man who served in Vietnam confirmation was added to the lethality of a strike to CV-17. According to this individual, a life-long karate practitioner, while he was walking point one night he actually bumped into an enemy soldier who was traveling down the same trail from the opposite direction. The American struck the Viet Cong with a strong punch to CV-17 killing him instantly. His small frame combined with the larger stature of the American allowed for a perfect 45-degree strike (strikes to CV-17 should be downward at a 45-degree angle). These strikes will generally be open palm or hammer fist type strikes given the height of an average sized opponent and the location of the point. Additional energetic disruption can be added by rotating your striking hand outward on contact.

This woman is not someone he would have forgotten. She is extraordinarily tall and slender, her body wrapped in overlapping fronds of shimmering blue silk. Silver bangles encircle her velvet-sheathed arms in serpentine coils. Her scalp is smoothly shaven save for a braided topknot that blooms out to cover her ears and shoulders in an indigo cascade. A web of fine black lines covers her face, weaving a ‘third eye’ upon her forehead, its spiral iris framed by widespread wings. The traveller cannot tell whether the pattern is tattooed or incised into her alabaster skin, nor decide upon her age, for she seems suspended between youth and maturity, but her allure is unquestionable. Timeless. The name he knows her by is Euryale, though he suspects that is only one of many and not the truest.

Billions of people wake up each day precariously balanced on a rock traveling at 66,627 miles per hour around the sun in a galaxy that is itself moving at 1,342,160 miles per hour in relation to extragalactical frames of reference. Quietly these people make themselves coffee, stare out at the dawn breaking, the dew glistening and, for the most part, barely give the maker of so much mystery a second thought. Their three-pound brains churn through eleven million bits of information per second, and their ten-ounce hearts pump five liters of blood through 100,000 miles of tubing, and yet the great Giver of Life demands neither allegiance, acknowledgment, nor thanks. “The Lord is not slack . . . but is longsuffering toward us, not willing that any should perish’ (2 Pet. 3:9 NKJV).

O that my soul could stay       In such a frame as this; She'd sit and sing herself away       To everlasting bliss.

If Tomorrow Comes, her absolute favorite book, which was about a woman who’s framed for a crime she didn’t commit. When she finally gets out of prison, she becomes a professional thief who travels the world pulling off daring heists, changing her name and appearance whenever she needs to. And of course she gets revenge on the people who wronged her, and also falls in love along the way.

From his shoulder, I leapt down to the ground and nosed my way into the pampas grass. The path before me was blocked by the thick stems. I lifted my head and saw, far above me, the white ears waving against a clear blue sky. 'Nana?' Satoru's worried voice reached my ears. 'Nana, where are you-uuu?' There was the sound of dry grass being trampled so I knew that Satoru had entered the pampas grass sea, too. I'm here, just here, just near you. But as he called me, Satoru's voice drifted further away. From where I was, I could see Satoru, but he couldn't see me, hidden as I was by the pampas. I guess I have no choice, I thought, and followed quickly after Satoru so he wouldn't get lost. 'Nana?' Right here! I answered him, but it seemed like my voice was being carried away by the wind and didn't reach him. 'Naaaaana!' Satoru began to sound desperate. 'Nana! Nana, where are you-uuuuu?' Satoru started to call out into the distance and, unable to bear it, I let out a loud shout, as big as I could make it. I'm right heeeere! And then there he was, framed against the sky, gazing down on me. The instant our eyes met, his stern look melted. His eyes softened and light caught the trails of water sliding down his cheeks. Without a word, he knelt down on the earth, placed his big hands around my middle and hugged me. That hurts! My guts are going to squeeze out. 'You silly thing! If you wander off in here, I'll never be able to find you!' Satoru's whole body shook with his sobs. 'For someone your size, this field is like a sea of trees!

The world is determined by its essence (the Universal Mind's “immaterial substance”) and by its universal laws, which are the same everywhere and are determined. If they are determined, that implies no uncertainty, but this conclusion is incorrect. Regardless of the essence from which everything comes to be (or is transformed), its manifestation, or its material substance, the world (Universe) will constantly evolve differently in any particular manifestation. The starting point, if nothing else, will always be different and form different universes in every specific manifestation. Both the Being and Nonbeing are limitless, which makes them “infinite,” and infinity is zero. Their frame is the Absolute itself, simultaneously providing the absolute limit and potential (infinity). The purpose of the world and the Absolute is not one particular existence and one particular world (Universe) or one life but a continuation of existence (universes) ad infinitum. Without infinity, there would be no real life because, at one point, existence would cease to exist forever, and it would be as if it had never existed. But infinity (although never reachable) secures continuation. Any manifestation of the Absolute, in the form of the World, follows the uncertainty principle, preserving the youth of the Absolute and originality (uniqueness) of any or all universes existing simultaneously or at any past or future time. The “Dimensions” we can never explore are not some exotic dimensions of the string theory but rather the “dimensions” of the micro-micro and macro-macro-level that humans will probably never reach. We can bypass the laws of physics only if we bypass the consequences of physical transformation. If we could operate on the level of pure information and return to the material form, not only would time travel be possible, but more valuable and fundamental endeavors would also be possible. When we say time travel, we do not mean traveling to the past or future using a time machine. That would be something similar to alchemy. Perhaps humankind, or any other species, can never achieve this level of science and technology except God. But we can imagine Beings transcending their physical existence and becoming immaterial. We can also imagine such beings on other levels beyond the “physical” world and existence known to us. The Ultimate Source, the Universal Mind, is the Ultimate Alchemist of Reality and the Universe.

I kneeled about eight feet from the scene and photographed, shocked by what I was witnessing. What happened to “liberating the Iraqis”? I was waiting for one of the soldiers to step in and stop the madness when I noticed an old woman in an abaya in the right corner of my frame. She was about sixty years old. She raised a propane tank over her head and smashed it on a crouching soldier’s neck. I kept shooting. No one even noticed me. The Americans didn’t understand the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.

The contrast between the restrictions placed on him by his shrunken frame and his croaking speech on the one hand, and the power of his mind which allowed him to roam the outer reaches of the universe on the other, provided a fertile source for many imaginative flights of fanciful prose. Moreover