Fragile Masculinity Quotes

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if the very idea of standing up for myself frightens you so damn much then i guess the power you thought you held over ome wasn't that impressive in the first place. -fragile masculinity
Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
Femininity is depicted as weakness, the sapping of strength, yet masculinity is so fragile that apparently even the slightest brush with the feminine destroys it.
Gwen Sharp
When women's sexuality is imagined to be passive or "dirty," it also means that men's sexuality is automatically positioned as aggressive and right-no matter what form it takes. And when one of the conditions of masculinity, a concept that is already so fragile in men's minds, is that men dissociate from women and prove their manliness through aggression, we're encouraging a culture of violence and sexuality that's detrimental to both men and women.
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
[Dr. Johnson thought that] Men know that women are an overmatch for them, and therefore they choose the weakest or the most ignorant. If they did not think so, they never could be afraid of women knowing as much as themselves.
James Boswell (Journal of a Tour to the Hebrides)
Masculine pride is an exceedingly precious and fragile thing
Loretta Chase
Don't tell me I'm "too tall" just because my height happens to threaten your rather fragile sense of masculinity. The fact that men cannot physically look down upon women who are taller than them is the very reason that many men find tall women so intimidating.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
i’m not going to pretend to be less intelligent than i am so a man can feel more comfortable around me the one i deserve will see my greatness and want to lift it higher
Rupi Kaur (Home Body)
Don't tell me I'm "too tall" just because my height happens to threaten your rather fragile sense of masculinity. The fact that men cannot look down upon women who are taller than them is the very reason that many men find tall women so intimidating.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
Is your fragile masculinity too vulnerable for my fabulousness?
Sophie Labelle (Serious Trans Vibes)
If you’re Black or brown, the value of your life is less than the fragile masculinity of a cop who wants to feel superior or a racist who wants you out of the way so they’re not forced to face someone they don’t understand.
Gabino Iglesias (The Devil Takes You Home)
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
Vladimir Nabokov (Lolita)
May every man find the softest and most fragile expression of his personality with the right woman who would treasure and honour the beauty of his femininity and not misuse it and may all women find empowering and supportive men who would exult in her self expression and success without fear of being overshadowed by the power of her masculinity and in that beautiful new world, shall we enter as partners, equal and empowering, supporting and caring, vulnerable and strong.
Srividya Srinivasan
Who said masculinity was fragile, eh?
Eliza Clark (Boy Parts)
She breathed in quivering sobs as he kissed her mouth again. Her body, filled with unfamiliar pulses and rhythms, no longer seemed her own. “Westcliff…” Her mouth wandered unsteadily over the masculine scrape of his cheek, the edge of his jaw, and back to the softness of his lips. When the kiss ended, she turned her face to the side and gasped, “What do you want?” “Don’t ask that.” His lips moved to her ear, and his tongue stroked into the tiny hollow behind the fragile lobe. “The answer…” Hearing the way her breath hastened, he lingered at her ear, tracing the fine edge with his tongue, nibbling at the folds within. “The answer is dangerous,” he finally managed to say. Wrapping her arms around his neck, she brought his mouth back to hers in a fiery open kiss that seemed to unravel his self-control. “Lillian,” he said unsteadily, “tell me not to touch you. Tell me it’s enough now. Tell me—” She kissed him again, greedily absorbing the heat and flavor of his mouth.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
[Speaking to a group of female students] Have you any notion how many books are written [by men] about women in the course of one year? (...) Are you aware that you are, perhaps, the most discussed animal in the universe? (...) Professors, schoolmasters, sociologists, clergymen, novelists, essayists, journalists, men who had no qualification save that they were not women (...) were very angry (...) as they wrote (...) about the mental, moral, and physical inferiority of women. (...) Why were they angry? (...) Possibly when the professor [imagined by V. Woolf as a prototype of patriarchal writer] insisted a little too emphatically upon the inferiority of women, he was concerned not with their inferiority, but with his own superiority. (...) Hence the enormous importance to a patriarch (...) of feeling that great number of people, half the human race indeed [=women], are by nature inferior to himself. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. (…) That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished (…) A Room of One´s Own, chapter 2
Virginia Woolf
The moth's enormous wings are velveted in a rich, warm, brown, and edged in bands of blue and pink delicate as a watercolour wash. A startling 'eyespot,' immense, and deep blue melding to an almost translucent yellow, luxuriates in the centre of each hind wing. The effect is one of a masculine splendour foreign to the butterflies, a fragility unfurled to strength
Annie Dillard (Pilgrim at Tinker Creek)
These men, and the boys following in their footsteps, were socialized in childhood to exhibit the ideal masculine traits, including stoicism, aggressiveness, extreme self-confidence, and an unending competitiveness. Those who do not conform are punished by their fathers in the form of physical and emotional abuse, and then further socialized by the boys in their school and community who have been enduring their own abuse at home. If that isn’t enough, our culture then reflects those expectations in its television shows, movies, music, and especially in advertising, where products like construction-site-quality trucks, power tools, beer, gendered deodorant, and even yogurt promise to bestow masculinity for the right price. The masculinity that’s being sold, that’s being installed via systemic abuse, is fragile because, again, it is unattainable. Humans are not intended to suppress their emotions indefinitely, to always be confident and unflinching. Traditional masculinity, as we know it, is an unnatural state, and, as a consequence, men are constantly at war with themselves and the world around them.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape. “Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest. “I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation. She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing. “Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.
Evangeline Anderson (Masks)
You say respect my elders, but what you mean is respecting my betters, is that not right? Are you so full of your own arrogance that you need me to bow and kowtow to you like some throwback fledgling? Or perhaps we should reinstate the role of concubines in our society. Then you may have the pleasure of claiming me and forcing me to fall to my knees, bowing low in respect of your masculine eminence!” Gideon watched as she did just that, her gown billowing around her as she gracefully kneeled before him, so close to him that her knees touched the tips of his boots. She swept her hands to her sides, bowing her head until her forehead brushed the leather, her hair spilling like reams of heavy silk around his ankles. The Ancient found himself unusually speechless, the strangest sensation creeping through him as he looked down at the exposed nape of her neck, the elegant line of her back. Unable to curb the impulse, Gideon lowered himself into a crouch, reaching beneath the cloak of coffee-colored hair to touch her flushed cheek. The heat of her anger radiated against his touch and he recognized it long before she turned her face up to him. “Does this satisfy you, my lord Gideon?” she whispered fiercely, her eyes flashing like flinted steel and hard jade. Gideon found himself searching her face intently, his eyes roaming over the high, aristocratic curves of her cheekbones, the amazingly full sculpture of her lips, the wide, accusing eyes that lay behind extraordinarily thick lashes. He cupped her chin between the thumb and forefinger of his left hand, his fingertips fanning softly over her angrily flushed cheek. “You do enjoy mocking me,” he murmured softly to her, the breath of his words close enough to skim across her face. “No more than you seem to enjoy condescending to me,” she replied, her clipped words coming out on quick, heated breaths. Gideon absorbed this latest venom with a blink of lengthy lashes. They kept their gazes locked, each seemingly waiting for the other to look away. “You have never forgiven me,” he said suddenly, softly. “Forgiven you?” She laughed bitterly. “Gideon, you are not important enough to earn my forgiveness.” “Is your ego so fragile, Legna, that a small slight to it is irreparable?” “Stop talking to me as if I were a temperamental child!” Legna hissed, moving to jerk her head back but finding his grip quite secure. “There was nothing slight about the way you treated me. I will never forget it, and I most certainly will never forget it!
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Men like my father, and men like him who attend Trump rallies, join misogynistic subcultures, populate some of the most hateful groups in the world, and are prisoners of toxic masculinity, an artificial construct whose expectancies are unattainable, thus making them exceedingly fragile and injurious to others, not to mention themselves. The illusion convinces them from an early age that men deserve to be privileged and entitled, that women and men who don’t conform to traditional standards are second-class persons, are weak and thus detestable. This creates a tyrannical patriarchal system that tilts the world further in favor of men, and, as a side effect, accounts for a great deal of crimes, including harassment, physical and emotional abuse, rape, and even murder. These men, and the boys following in their footsteps, were socialized in childhood to exhibit the ideal masculine traits, including stoicism, aggressiveness, extreme self-confidence, and an unending competitiveness. Those who do not conform are punished by their fathers in the form of physical and emotional abuse, and then further socialized by the boys in their school and community who have been enduring their own abuse at home. If that isn’t enough, our culture then reflects those expectations in its television shows, movies, music, and especially in advertising, where products like construction-site-quality trucks, power tools, beer, gendered deodorant, and even yogurt promise to bestow masculinity for the right price. The masculinity that’s being sold, that’s being installed via systemic abuse, is fragile because, again, it is unattainable. Humans are not intended to suppress their emotions indefinitely, to always be confident and unflinching. Traditional masculinity, as we know it, is an unnatural state, and, as a consequence, men are constantly at war with themselves and the world around them.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
By chipping away at the cognitive dissonance that is patriarchal masculinity, men can see for themselves what they’ve probably always known. This construct is artificial and dangerous. It fits like an ill-tailored shirt and we can see the damage it does and the hurt it inflicts when we look into the eyes of the people we love. The suspicion is there; traditional masculinity is so fragile that it’s always on the verge of imploding. This is why the patriarchy is so ever-present and contains so many rules and consequences. Why else do men overcompensate so wildly and so desperately? It’s because they’re always just moments away from watching the paradigm crumble to pieces.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
Though the actresses who played female boys were of all ages and performed in a vari- ety of acting styles, they were generally small, thin, white, and photogenic, and their performances combined boldness and vulnerability. Their femaleness al- lowed them to convey fragility and androgynous beauty. These performances demonstrate that cross-gender casting, which may seem like an inherently transgressive practice to twenty-first-century scholars, can also uphold conser- vative gender, class, and racial regimes. At the same time, the performances cannot be dismissed as reactionary or antifeminist, because they embodied middle-class women’s sentimental politics and created a space in which wom- en’s bodies had an important role in producing an idealized masculinity.
Laura Horak (Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934)
We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage. We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be, in Nigerian-speak—a hard man. Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But by far the worst thing we do to males—by making them feel they have to be hard—is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
I LOVE men. I understand and love the solid atmosphere that men spread. I understand and love their determination that makes them reach their goals so successfully. I love their courage to take risks and tackle things that scare me or what I don't have the mental or physical strength to do. I love their friendly tussles and their ability to meet problems with humor. I love their unspeakable gentleness, tenderness and care in dealing with the fragile. I love their strengths that they so generously give - and their weaknesses that give the opportunity to balance and give back to them. I love how “impossible” they are sometimes because it gives the opportunity to love unconditionally. I love their straightforwardness and their pride, and their wild passions as well as their shyness and humbleness when they realize life is calling them to grow. Men and women can complement each other perfectly and I celebrate that! I love manhood and I LOVE all my boys!
Elke Heinrich
Having become—with the passage of time—the anthropologist of my own experience, I have no wish to disparage those obsessive souls who bring back crockery, artifacts, and utensils from distant lands and put them on display for us, the better to understand the lives of others and our own. Nevertheless, I would caution against paying too much attention to the objects and relics of “first love,” for these might distract the viewer from the depth of compassion and gratitude that now arose between us. So it is precisely to illustrate the solicitude in the caresses that my eighteen-year-old lover bestowed upon my thirty-year-old skin as we lay quietly in this room in each other’s arms, that I have chosen to exhibit this floral batiste handkerchief, which she had folded so carefully and put in her bag that day but never removed. Let this crystal inkwell and pen set belonging to my mother that Füsun toyed with that afternoon, noticing it on the table while she was smoking a cigarette, be a relic of the refinement and the fragile tenderness we felt for each other. Let this belt whose oversize buckles that I had seized and fastened with a masculine arrogance that I felt so guilty for afterwards bear witness to our melancholy as we covered our nakedness and cast our eyes about the filth of the world once again.
Orhan Pamuk (The Museum of Innocence)
Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.
Alex Bellos (The Grapes of Math: How Life Reflects Numbers and Numbers Reflect Life)
I have come to the conclusion that healthy masculinity is a somewhat fragile gift that must be intentionally passed down from one generation of men to the next. Any misstep or break in that transference can lead to a corruption of the process, resulting in skewed and damaged men. And damaged men typically do not make good leaders, husbands, or fathers.
Rick Johnson (A Man in the Making: Strategies to Help Your Son Succeed in Life)
He going feel like a fool and there don't be no man yet born who can deal with feeling like a damn fool.
Caryl Phillips (The Final Passage)
but these guys were also so pitiful—I pictured them sitting in their La-Z-Boys, working up the courage to make their obscene call, maybe jacking off after from all the excitement, if not during—I couldn’t really take them seriously, or only took them seriously as specimens of the ugly fragility of masculinity.
Ben Lerner (The Topeka School)
(Of course, if we’ve learned anything, it’s how dangerous that fragile masculinity can be.)
Ben Lerner (The Topeka School)
Being a girl, being That Girl, is easy if you’re white and averagely pretty. There’s no trick to it. You don’t even have to totally excise the parts of your personality that don’t fit, the parts that are smart and difficult and loud and angry and ambitious and masculine and mature. You just dial those parts down until they become background noise, dial them down and down until the male ear can’t pick up their frequency and pretty soon you won’t even be able to hear them inside your own head. Tune them out and swallow them down like the hot meals you can’t eat any more because That Girl must stay slim and fragile if she wants to be beautiful and loved. And you do want to be beautiful and loved.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
Sonnet of Short Dress There is no short dress, only short sight, No obscene outfit, only eyes of obscenity. The world is no man's family heirloom, That it should be cherished by the men only. Instead of restricting a girl's right to expression, Teach boys, short dress isn't a sign of consent. If women cannot walk around freely as men do, Better sentence all men to lifetime imprisonment. Let all girls hear it loud, wear what you like to wear, Walk around naked if that's what you really want. And when an animal makes unwanted advances, Activate your knee 'n crush their beloved balls to pulp. Girls don't need protecting, they ain't fragile showpiece. Let's just raise boys as decent humans, not entitled bullies.
Abhijit Naskar (Honor He Wrote: 100 Sonnets For Humans Not Vegetables)
The structured and reliable existence men like my father and stepfather had come to depend on is disappearing by the day and the realization that the world is changing is exerting massive amounts of pressure on these men, all of whom are already fragile in their masculinity and aggrieved in their entitlement.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage. We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be, in Nigerian-speak, a hard man. In secondary school, a boy and a girl go out, both of them teenagers with meagre pocket money. Yet the boy is expected to pay the bills, always, to prove his masculinity. (And we wonder why boys are more likely to steal money from their parents.) What if both boys and girls were raised not to link masculinity and money? What if their attitude was not ‘the boy has to pay’, but rather, ‘whoever has more should pay’? Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But by far the worst thing we do to males – by making them feel they have to be hard – is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is. And then we do a much greater disservice to girls, because we raise them to cater to the fragile egos of males. We teach girls to shrink themselves, to make themselves smaller. We say to girls, ‘You can have ambition, but not too much. You should aim to be successful but not too successful, otherwise you will threaten the man. If you are the breadwinner in your relationship with a man, pretend that you are not, especially in public, otherwise you will emasculate him.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
But Albert's physical strength and her physical softness seemed only right. They were well briefed about the respective roles of a lady and her Knight by their jointly admired Sir Walter Scott. "The fine delicate fragile form" of the female, as Scott put it, required "the support of the Master's muscular strength and masculine character.
Lucy Worsley
We need to be looking after young men a bit better before we start demonising them.
Matty Healy
I imagine it must be difficult to have masculinity so fragile you feel the need to take cheap shots at me whenever you can. Does it keep you up at night?
Mazey Eddings (A Brush with Love)
When I see a man pacing. punching. screaming. Doing anything to keep from crying. I wonder what terrible things his mind is saying to his heart.
L.E. Bowman
Emotion! demmy, sir! what do you mean by emotion? Am I a man to give way to emotion? Demmy, sir, mind what you say!" roared the old lion, getting up and shaking himself free of all weaknesses.
E.D.E.N. Southworth (The Hidden Hand)
the one that didn’t involve tiptoeing around a middle-aged man’s fragile masculinity, bringing his flaccid penis back to life like a paramedic every night.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
Principal Moore created a boiling pot of toxic masculinity and male fragility.
Nick Brooks (Promise Boys)
I have contended in Capitalism and Christianity, American Style that many anxious white males in the working and middle classes seek models of masculinity with whom to identify in a world of uncertainty. Corporate elites, sports heroes, financial wizards, and military leaders project images of independence, mastery, and virility that can make them attractive models of identification, whereas state welfare programs, market regulations, retirement schemes, and health care, while essential to life, may remind too many of the very fragilities, vulnerabilities, susceptibilities, and dependencies they strive to deny or forget.
William E. Connolly (The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism)
Please have sex with me,” I make my dragon say to his, using a high, girly voice, before holding his dragon up and affecting a low, masculine voice. He returns to the bedroom holding a hoodie. “No,” I continue. “You’re a fragile little lady, and I’m afraid I’ll hurt you with my huge—
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
If you’re Black or brown, the value of your life is less than the fragile masculinity of a cop who wants to feel superior or a racist who wants you out of the way so they’re not forced to face someone they don’t understand. El valor de tu vida es lo que vale el segundo en que alguien aprieta el gatillo, el segundo en que alguien pone toda su ira en su mano y te clava un cuchillo. Not enough? Think harder. The value of your life is zilch to most people. That’s why they sell you food that will kill you. That’s why they put poison in the water and don’t care if you get cancer. That’s why they allow you to rely on our shitty health system and allow insurance companies to deny you coverage based on a ridiculously long list of preexisting conditions, one of which is probably being alive.
Gabino Iglesias (The Devil Takes You Home)
Please have sex with me,” I make my dragon say to his, using a high, girly voice, before holding his dragon up and affecting a low, masculine voice. He returns to the bedroom holding a hoodie. “No,” I continue. “You’re a fragile little lady, and I’m afraid I’ll hurt you with my huge⁠—
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
In this sense, the masculine has always been but a residual, secondary and fragile formation, one that must be defended by retrenchments, institutions, and artifices. The phallic fortress offers all the signs of a fortress, that is to say, of weakness. It can defend itself only from the ramparts of a manifest sexuality, of a finality of sex that exhausts itself in reproduction, or in the orgasm.
Jean Baudrillard