Fracture Me Quotes

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Some days I wake up and all I feel are the fractures in the flesh that covers the only me I've ever known. Some days, it's those exact fissures that let the light hiding inside me pour out and cover in gold everyone that found enough beauty in the cracks to stand close.
Tyler Knott Gregson
He looks at me, the light in his eyes fractures into millions of bits—a kaleidoscope of darkness that may never be fixed.
Alyson Noel (Shadowland (The Immortals, #3))
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Broken vows are like broken mirrors. They leave those who held to them bleeding and staring at fractured images of themselves. (pg. 161)
Richard Paul Evans (Promise Me)
All I can think is how horrible and beautiful it is, that our eyes blur the truth when we can't bear to see it.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant, just as unmindful of all the truths and hopes they have brought to America. They see daughters who grow impatient when their mothers talk in Chinese, who think they are stupid when they explain things in fractured English. They see that joy and luck do not mean the same to their daughters, that to these closed American-born minds "joy luck" is not a word, it does not exist. They see daughters who will bear grandchildren born without any connecting hope passed from generation to generation.
Amy Tan (The Joy Luck Club)
The fragmentation of our awareness may trigger dizzying vertigo in the chaos of our living. As such, an overwhelming flurry of connectivity and images generate thereby an oversaturation in our brain and the overabundance makes us anxious, fractured and insecure. This might, in turn, actuate us to cut the wire with the world and stumble into an estranging and contentious cocoon of self-absorption, while off-loading the lush supply of social interaction. Life becomes, then, an intricate maneuvering ground for walking a fine line between sound connectedness and crumbling consciousness, between unflinching cohesion and atomizing fragmentation. ("Give me more images")
Erik Pevernagie
She's trying so hard to be okay --- to make it all this shit okay --- but sometimes it's like the world just won't let her. The hits keep coming, and she keeps hurting.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
Shane L. Koyczan
Every you, every me. Fractals. Fractures.
David Levithan (Every You, Every Me)
Okay then. Let’s go get our girl back." "My girl," I correct him. "She’s my girl." Kenji snorts as we head in the direction of the compounds. "Right. Minus the part where she’s not actually your girl. Not anymore." "Shut up." "Uh-huh." "Whatever.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now.” I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The day you love anyone but yourself is the day I’ll take your marital advice, Ian,” Bones bit back in an icy tone. “Then today is that day,” Ian replied sharply, “for I love you, you wretched, pig-headed guttersnipe. I also love that arrogant, overprivileged dandy smirking at us”—a wave indicted Spade, whose aforementioned smirk vanished—“as well as the emotionally fractured, malfunctioning psychic who sired me. And you, Crispin, love a bloodthirsty hellion who’s probably killed more people in her thirty years than I have in over two centuries of living, so again I say, don’t bother trying to convince her that she isn’t who she is.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
It didn't hurt, did it? When I hit you?" "Sure. Fractured skull. Concussion, the lot..." "But seriously, Kath. No hard feelings, right? I'm awfully sorry. I honestly am.
Kazuo Ishiguro (Never Let Me Go)
Don't ever tell me I'm broken if you will not be the glue, and please don't point out the fractures if that's all you're allowed to do.
Tyler Knott Gregson
Do not hide your wounds – for even flowers bloom within concrete fractures and damaged fragments make up the most intricate mosaics. Promise me that you will never conceal your cracks, for I will only ever see them as places in which to fill with love.
Bianca Sparacino (Seeds Planted in Concrete)
You want to keep your little brother alive? Make sure you don't kill yourself while you're trying to save him.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
You’re so good at finding paradoxes, and once you’ve fished one out from your bag of easy notions you think you’ve got your answer. But a paradox is never an answer, it’s just a fractured truth, a wisp of meaning without legs.
André Aciman (Find Me (Call Me By Your Name, #2))
I looked at our hands, caked and coated in red, but entwined. The pristine moment when they were clasped like that earlier in the day seemed weeks ago. "Clean." Peter said. "Can I get a water bottle or something to clean his hands?" I scanned the crowd. He drew my attention back to him with a pull of my hand. "No," Peter said. "I'm...clean." I had missed who Peter was until that very moment. I had called him names and treated him callously. I had read every micro expression in a vacuum of how it related to Austin Glass. And in return Peter had cared for my wounds, treated me tenderly and assured me that he was HIV negative while bleeding out in a hallway of strangers. I broke. It wasn't a visible fracture. I didn't sob or explode into anguish. I didn't give in to my vomitus urge that came from the burst of self-loathing. But I shattered nonetheless.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
The rage of the Beast Lord was a terrible thing to behold. Some people stormed, some punched things, but Curran slipped into this icy, bone-chilling calm. His face hardened into a flat mask, and his eyes turned into a molten inferno of pure gold. If you looked at it for longer than two seconds, your muscles locked, your knees shook, and you had to fight to keep from cringing. It was easier to look at the floor, but I didn’t. Besides, he wasn’t angry with me. He wasn’t even angry with Kate. He was angry with Anapa. I had no doubt that if he could’ve gotten a hold of the god at that moment, he would’ve broken him in half. “It’s only ribs,” Kate told him. “And they’re not even broken. They are fractured.” “And the hip,” Doolittle said. “And the knee.” There you go. Don’t expect mercy from a honeybadger. “How long do you need to keep her?” Curran looked to Doolittle. “She can go to her quarters, provided she doesn’t leave them,” Doolittle said. “I can’t do anything else with the magic down. She must stay down until I can patch her up.” “She will.” Curran reached for Kate. “Hey, baby. Ready?” She nodded. Curran slid his hands under her and picked her up, gently, as if she weighed nothing. “Good?” he asked. She put her arm around him. “Never better.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
There's something fractured about Beau. About his spirit. Like he's torn between so many versions of himself and doesn't know which one to pick. I wish he knew it's okay to be all of them with me.
Elsie Silver (Hopeless (Chestnut Springs, #5))
Me and ultimatums? Yeah, we don’t mix. Give me two options and tell me I need to pick between them and I’ll find a third just to throw up a middle finger.
Callie Hart (Fracture (Blood & Roses, #2))
And me, standing under the splintered night, catching fractured glimpses into the black behind the black, hearing the prayers of stars, the angry whispers of the dark summer night. Its voice cracks, on your name. My eyes close, on your name.
Marlen Komar (Ugly People Beautiful Hearts)
Can't look at you." "Too pretty.
Tahereh Mafi (Shatter Me Complete Collection: Shatter Me, Destroy Me, Unravel Me, Fracture Me, Ignite Me)
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We’ve become so fearful and vengeful that we’ve thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak—not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we’ve pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we’ve legalized vengeful and cruel punishments, how we’ve allowed our victimization to justify the victimization of others. We’ve submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken—walking away from them or hiding them from sight—only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Just for a second there...it felt like she might be capable of gluing me back together too
Callie Hart (Fracture (Blood & Roses, #2))
Then give me all of you, every last jagged fractured piece. Give me all of it, Faye, because those pieces you think are broken? They complete me.
Catharina Maura (The Unwanted Marriage (The Windsors, #3))
Alot can happen in eleven minutes. Decker can run two miles in eleven minutes. I once wrote an English essay in ten. And God knows Carson Levine can talk a girl out of her clothes in less then half that time. Eleven minutes might as well be eternity underwater. It only takes three minutes without air for loss consciousness. Permanent brain damange begins at four minutes. And then, when the oxygen runs out, full cardiac arrest occurs. Death is possible at five minutes. Probable at seven. Definite at ten. Decker pulled me out at eleven.
Megan Miranda (Fracture (Fracture, #1))
Take me back," I tell him, shifting a little. The world tilts and steadies all at once. "Alert the medics and have a bed prepared for our arrival. In the meantime, elevate my arm and continue applying direct pressure to the wound. The bullet has broken or fractured something, and this will require surgery.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
In the uproar, the confusion of accents and inflections how will you hear me when I open my mouth? Look for me, one of the drab population under fissured edifices, fractured artifices. Make my various names flock overhead, I will follow you.
Li-Young Lee (The City in Which I Love You)
He let out a groan and I stopped tugging at the material, thinking I had hurt him. "Are you okay?", I asked, leaning over him. "Could you kiss me or something so I don't feel so perverted?" he asked. I couldn't help my laugh of relief. Still, I had to admit, the way he was looking at me was pretty hot. "Really? Even with an exposed fracture you're thinking of something like that?" I chastised. "It's not like everything's broke," he said, sounding mortified.
Tiffany King (Unlikely Allies)
Every day we feel further apart. And sometimes I think the harder I try to hold on, the more she tries to break away.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
Holiness is the union we experience with one another and with God. Holiness is when more than one become one, when what is fractured is made whole. Singing in harmony. Breastfeeding a baby. Collective bargaining. Dancing. Admitting our pain to someone, and hearing them say, "Me too." Holiness happens when we are integrated as physical, spiritual, sexual, emotional, and political beings. Holiness is the song that has always been sung, perhaps even the sound that was first spoken when God said, "Let there be light.
Nadia Bolz-Weber (Shameless: A Case for Not Feeling Bad About Feeling Good (About Sex))
Then the person I least expected to take my side strolled into the kitchen, wearing nothing but a bed sheet wrapped around his hips. "Why do you bother, Crispin? You married a fighter, so stop trying to convince her that the sidelines suit her better." "The day you love anyone but yourself is the day I'll take your marital advice, Ian," Bones bit back in an icy tone. "Then today is that day," Ian replied sharply, "for I love you, you wretched, pig-headed guttersnipe. I also love that arrogant, overprivileged dandy smirking at us"—a wave indicted Spade, whose aforementioned smirk vanished—"as well as the emotionally fractured, malfunctioning psychic who sired me. And you, Crispin, love a bloodthirsty hellion who's probably killed more people in her thirty years than I have in over two centuries of living, so again I say, don't bother trying to convince her that she isn't who she is.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
I am always torn. Between control and chaos; passion and tranquility. Between what's fated and what I want. Part of me longs to take the plunge, to dive off headfirst and let the feeling of control evaporate on the wind. And part of me wants to be in a place where I'd never have to worry about that choice--or any choice. Where peace and calm are the only things I'd feel.
Jocelyn Davies (A Fractured Light (A Beautiful Dark, #2))
She ran straight for me like I’m her goddamn savior. Like I’m capable of fixing everything. Like I’m capable of protecting her. Like I’m whole enough to help fill in the broken, fractured pieces of her, too. And then she went and held me in her arms like that. Fuck.
Callie Hart (Fracture (Blood & Roses, #2))
The tension is so thick it's practically its own person, taking up a seat we don't have to spare.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
Save your stupid for later!
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
He likes to let a lot of people in; I like to keep most people out.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
And it had to be true, because in front of me was my Flame… and I was his Maddie. Two fractured souls made whole only by the other’s unconditional love.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
Truth is, I don't know. I don't know... what I'm doing. Or why I'm doing it," he said. Which was the worst excuse in the history of excuses. "I don't know what's up or down anymore. I feel like I'm..." He stopped speaking and winced. "Drowning," I said. "You were going to say you feel like you're drowning." He nodded. I wonder how many people I took with me when I feel into the lake. How many sunk with me. I thought I had been alone under the water, but maybe I wasn't.
Megan Miranda (Fracture (Fracture, #1))
I leaned against my door, struggling to catch my breath, and thought that maybe hell wasn't a place at all, but a thing. A contagious thing. A thing that could creep up the steps, seep through the crack under my door, grow horns and sprout fire - smelling faintly like sulfur. A thing that could sink its tendrils inside and take root, coloring everything gray and distorting a smile into a sneer. And while i got dressed for the play, swatted at my back and kept running my hands over my stomach because I could feel it, I swear, I could feel it reaching for me, trying to grab hold.
Megan Miranda (Fracture (Fracture, #1))
Why would he do that? I thought--he said--he loved me." "As if I needed a reason to hate him more," Asher muttered, avoiding my gaze.
Jocelyn Davies (A Fractured Light (A Beautiful Dark, #2))
Every emotion I’d ever felt was coursing through me, desire, need, joy, love, and even grief. We’d been through everything, through things people should never have to endure. No wonder we had fractured, blown apart. But we could fix it. We could get it back.
Deanna Roy (Forever Innocent (Forever, #1))
Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Decker went to Greece a few summers ago and showed me pictures from his trip. "Aren't these awesome?" he had said, pointing out photographs of the ancient ruins. "Awesome" I agreed, but I felt dizzy. The ruins were just a reminder that what had been was no longer. That everything we are will be gone someday. That I will be forgotten.
Megan Miranda (Fracture (Fracture, #1))
But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self. You could call this selfhood many things. Transformation. Metamorphosis. Falsity. Betrayal. I call it an education. This story is not about Mormonism.
Tara Westover (Educated)
I love you,' he said. His voice shook with effort. 'I love you so much, it's like my whole life was just leading up to the moment I met you. And then as soon as I did, I lived in fear, every day, that you would be taken from me.' He looked down. 'I just never thought you'd be the one to do it.
Jocelyn Davies (A Fractured Light (A Beautiful Dark, #2))
Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
An old childhood playmate once told me ‘second guessing every step prevents any forward momentum. Trust yourself. Forgive yourself. And move on.
A.G. Howard (Untamed (Splintered, #3.5))
I love Colorado. The mountains are so passionate. They just make me want to run to the top and yell obscene things to the valleys below." ~ Ardith
Jocelyn Davies (A Fractured Light (A Beautiful Dark, #2))
I need to know why I’m so broken, so I can fix myself. One way or another. Maybe this place can help me do that, and then I can finally look forward to my future. Because I’m starting to realize there’s something worse than stepping up and facing your fears – and that’s living as if you’re already dead.
A.G. Howard (RoseBlood)
I can write the saddest lines tonight. Write for example: ‘The night is fractured and they shiver, blue, those stars, in the distance’ The night wind turns in the sky and sings. I can write the saddest lines tonight. I loved her, sometimes she loved me too. On nights like these I held her in my arms. I kissed her greatly under the infinite sky. She loved me, sometimes I loved her too. How could I not have loved her huge, still eyes. I can write the saddest lines tonight. To think I don’t have her, to feel I have lost her. Hear the vast night, vaster without her. Lines fall on the soul like dew on the grass. What does it matter that I couldn’t keep her. The night is fractured and she is not with me. That is all. Someone sings far off. Far off, my soul is not content to have lost her. As though to reach her, my sight looks for her. My heart looks for her: she is not with me The same night whitens, in the same branches. We, from that time, we are not the same. I don’t love her, that’s certain, but how I loved her. My voice tried to find the breeze to reach her. Another’s kisses on her, like my kisses. Her voice, her bright body, infinite eyes. I don’t love her, that’s certain, but perhaps I love her. Love is brief: forgetting lasts so long. Since, on these nights, I held her in my arms, my soul is not content to have lost her. Though this is the last pain she will make me suffer, and these are the last lines I will write for her.
Pablo Neruda
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
To what do I owe the pleasure of your company?" he said. I placed my hands flat on the table and leaned across it. "Stay the hell away from him." "Who? Oh, you mean the guy who's gonna bite it soon?" "He's not. He's going to be fine." He reached a hand out and placed it over my own. I snatched my hand back. He shook his head at me and whispered, "You can't stop it." "Watch me.
Megan Miranda (Fracture (Fracture, #1))
I couldn't make a choice between chaos and control. Not because it had been made for me. But because there was no choice to make. It wasn't one or the other. They were both inside me. They were both a part of me. I was nothing without both sides. Take one away and I would fall." ~ Skye
Jocelyn Davies (A Fractured Light (A Beautiful Dark, #2))
If a mere mortal like me can turn every predicament of life into a testimony of courage; then you can tap into the same power. All you have to do is find that flame and fan it to burn brighter than the force that tries to smother it.
Kelly Markey (Don't Just Fly, SOAR: The Inspiration and tools you need to rise above adversity and create a life by design)
This is a book about fracture. About the experiences that make up a life. About the pieces of me. Delving into naked emotion is a terrifying proposition. Digging into our souls to look for answers that may not be there is a ledge most of us avoid. And yet, here I am.
Rachel Thompson (Broken Pieces)
That passivity in me has been the core of it all, the real evil. That weakness, that refusal to compromise a fractured and stupid morality, that awful pride! For that, I let myself become the thing I am, when I knew it was wrong. For that, I let Claudia become the vampire she became, when I knew it was wrong. For that, I stood by and let her kill Lestat, when I knew that was wrong, the very thing that was her undoing. I lifted not a finger to prevent it. And Madeleine, Madeleine, I let her come to that, when I should never have made her a creature like ourselves. I knew that was wrong! Well, I tell you I am no longer that passive, weak creature that has spun evil from evil till the web is vast and thick while I remain its stultified victim. It's over!
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
There is a moment when all hope disappears, all pride is gone, all expectation, all faith, all desire. I own that moment. It belongs to me. That's when I hear the sound, the sound of a mind breaking. It's not a loud crack like when bones shatter or a spine fractures or a skull collapses. And it's not something soft and wet like a heart breaking. It's a sound that makes you wonder how much pain a person can endure; a sound that shatters memories and lets the past leak into the present; a sound so high that only the hounds of hell can hear it. Can you hear it? Someone is curled up in a tiny ball crying softly into an endless night.
Michael Robotham (Shatter (Joseph O'Loughlin, #3))
Take your life back from what broke you. The past is meant to etch lessons into our bones, yet we huddle ourselves within the warmth of its familiarity, we cradle our bodies within its weighted grips because we allow for what broke us to build us. Promise me that you will never again run back to what cracked you, what fractured your heart, your mind, your soul. Promise me that you will no longer hand yourself over to the man or the woman who loved you like poison, that you will no longer give life to the experiences that haunt you like ghosts. Promise me that you will find what it is that will grow within you like wildfire and plant it within the depths of your scars. You will mend. Allow yourself to.
Bianca Sparacino (Seeds Planted in Concrete)
Beckett pounded down the steps and smiled from ear to ear when he saw her. Eve tried to ignore the tremor she felt, the fracture in her shield. “You’re a sight for sore fucking eyes. Are you trying to kill me, hotness?” He walked with a fake pimp limp as he got closer. “Yeah, I am.” If he only knew
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Let the darkness sweep in. Embraced it. “I’m not afraid,” she whispered into it. “You are my friend, and my home. Thank you for sharing this with me.” Again, Nesta could have sworn that phantom touch caressed her neck, her cheek, her brow. “Happy Solstice,” she said into the beautiful, fractured darkness.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
I shook my head at all the things that can happen to break a man as he grows up and away from the pure potential of infancy, all the things that had fractured inside me. And I prayed silently that this infant, born into chaos, might meet with kindness, experience joy and find passion in life. Every one of us ought to be able to count on that much. (308)
Keith Ablow (Projection (Frank Clevenger, #2))
Maybe because it never occurred to me that it could be enough just to live, as happily as you can, for as long as you have.
Alix E. Harrow (A Mirror Mended (Fractured Fables, #2))
Their love has hung above me like the sun, a burning brightness I could survive only if I never looked straight at it, never flew too close.
Alix E. Harrow (A Spindle Splintered (Fractured Fables, #1))
Let me tell you this: you may think you have been horny before. You may think you have been ready to beg, to plead, to straight up murder to feel someone inside you, but until you’ve had this…until Zeth Mayfair is on his knees for you…
Callie Hart (Fracture (Blood & Roses, #2))
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
To everyone else you’re like this perfect little doll, but I can see how fractured and torn apart you are inside,” he breathed. “I can see the cracks in the perfection. I can see the poison that’s tainting your essence. And every break, every scar and burn and fissure in your soul only makes it more beautiful. Only makes you more perfect to me. This pain is strength. This agony is beauty.
Caroline Peckham (Dark Fae (Ruthless Boys of the Zodiac, #1))
She lets me take her hand, our fingers interlocking the way she and the green-eyed boy have let their hearts interlock—separate but inseparable. In this moment I find I envy them their individuality, their uniqueness, the beauty of being able to touch like this. In this moment I envy the green-eyed boy that he will always be able to touch her like this.
Amie Kaufman (Their Fractured Light (Starbound, #3))
Rhen puts his hands on my arms and leans in. When he speaks, his voice is very low, very quiet, just for me. "My father is dead, my lady. My whole family is dead." He pulls back, meeting my gaze, but his voice doesn't change. "That monster killed them all.
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
He’s such a social guy—and so popular around here—that sometimes I wonder where he got it from. In many ways he’s the exact opposite of me. He likes to let a lot of people in; I like to keep most people out.
Tahereh Mafi (Fracture Me (Shatter Me, #2.5))
Worship me, she says, worship the mistery of the bleeding goddess, and you do it. You stop at nothing. You lick it. You consume it. You digest it. She penetrates you. What next, David? A glass of her urine. How long before you would have begged for her feces? I'm not against it because it's unhygienic. I'm not against it because it's disgusting. I'm against it because it's falling in love. The only obession everybody wants: 'love'. People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you're whole before you begin. And the love fractures you. You're whole, and then you're cracked open. She was a foreign body introduced into your wholeness. And for a year and a half you struggled to incorporate it. But you'll never be whole until you expel it. You either get rid of it or incorporate it through self-distortion.
Philip Roth (The Dying Animal)
I yearn for a complete sense of self; I’m not sure it’s something I can find or something I just have to wait for. I want to be authentic. I yearn to find the real me. I feel I am missing a connection with myself. But the thing is I want to find it while “life-ing.” I want to have yearning and be in this life. Everything seems to be fractured, rather than unified as my gut tells me ought to be the case. This stems from a yearning for the world to make sense, to fit together. I yearn for life direction and purpose. My dad’s illness made me question what I REALLY want to be doing with my life as I could inherit the illness and I don’t want to waste time. I want to wake up. I feel like a zombie going through the motions of work and married life and the real me is dormant. I want to know the real me, even if I have no idea what the real me is. To know the connection to a bigger force. To know that the universe has got this one. It burns at me every day to know that everything I’m doing makes sense.
Sarah Wilson (First, We Make the Beast Beautiful: A New Journey Through Anxiety)
Ruling Akaran is a strange task. In many ways, it is like balancing an illusion. You must separate the illusion of what you see and the reality of its consequences," he said. "Tell me, my queen, are you ready to play with fate?
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
My brain scrambled to make room for the existene of these people. Grandparents I'd never known. They went from hypothetical, empty memories to blurry, unformed shapes in my head. Dead one second, alive the next. Kind of like me.
Megan Miranda (Fracture (Fracture, #1))
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
What is Destiny? Is it a doctrine formulated by aristocrats and philosophers arguing that there is some unseen driving force predicting the outcomes of every minuscule and life altering moment in one's life? Or is it the artistry illustrated by those under-qualifed and over-eager to give their future meaning and their ambitions hope? Is it a declaration by those who refuse to accept that we are alone in this universe, spinning randomly through a matrix of accidental coincidences? Or is it the assumptions made by those who concede that there is a divine plan or pre-ordained path for each human being,regardless of their current station? I think destiny is a bit of a tease.... It's syndical taunts and teases mock those naive enough to believe in its black jack dealing of inevitable futures. Its evolution from puppy dogs and ice cream to razor blades and broken mirrors characterizes the fickle nature of its sordid underbelly. Those relying on its decisive measures will fracture under its harsh rules. Those embracing the fact that life happens at a million miles a minute will flourish in its random grace. Destiny has afforded me the most magical memories and unbelievably tragic experiences that have molded and shaped my life into what it is today...beautiful. I fully accept the mirage that destiny promises and the reality it can produce. Without the invisible momentum carried with its sincere fabrication of coming attraction, destiny is the covenant we rely on to get ourselves through the day. To the destiny I know awaits me, I thank you in advance. Don't cry because it's over....smile because it happened.
Ivan Rusilko (Dessert (The Winemaker's Dinner, #3))
Christians need to stop worrying about the unhealthy fallout of unhealthy people who are challenged by healthy decisions. We can’t control the way someone responds, and their response isn’t on us. We control our own efforts to be as loving, true, gentle, and kind as our God calls us to be as we live with healthy, God-ordained priorities. As biblical counselor Brad Hambrick has told me, grieving is a better use of emotional energy here than fretting or second-guessing, so keep the emphasis there. Learn how to grieve fractured relationships, and then learn how to let them go. Don’t let disappointment morph into self-doubt and self-flagellation. Just because you wish something wasn’t a certain way doesn’t mean it’s your fault that it’s not.
Gary L. Thomas (When to Walk Away: Finding Freedom from Toxic People)
Yes,” he exhales. “You can trust me. You gave yourself to me back at my apartment; I’ve never done it before, but I gave myself in return. I may not have wanted to, Sloane, but I didn’t have a fucking choice in the matter. That means we belong to each other now. And it means I’ll come back for you soon.
Callie Hart (Fracture (Blood & Roses, #2))
It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self. You could call this selfhood many things. Transformation. Metamorphosis. Falsity. Betrayal. I call it an education.
Tara Westover (Educated)
This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing with the devil. I come hard against Zeth’s mouth. He leans into it, growling and sucking and licking as I scream out my release, hands locked on my hips, pulling me into his face.  “Fuck, Zeth! Stop! Please stop!” His back hitches as he laughs, still teasing me with his tongue. My legs scrabble against the bed, desperately trying to escape the intense post-orgasm rushes. He gets up after that, raising one eyebrow at me.
Callie Hart (Fracture (Blood & Roses, #2))
The physicists called it an adjustment of quantum emphasis. But the effect was to change the role of the observer. Of you and me. For the will of the observer to matter. So man could control his environment directly through the force of his desire, rather than through machinery.” I had the feeling that if I died he would carry on saying his piece to my corpse. “Unfortunately that wheel wasn’t just turned—it was set turning. It hasn’t stopped. In fact, like so many things in nature, the process has a tipping point and we’re reaching it. The fractures in the world, in the walls between mind and matter, between energy and will, between life and death, they’re all growing. And everything is in danger of falling through the cracks. Each time these powers, the ability to influence energy or mass or existence, are used, the divergence grows. These are the magics you know as being fire-sworn, or rock-sworn, or as necromancy and the like. The more they are used, the easier they become, and the wider the world is broken open. And this Dead King of yours is just another symptom. Another example of a singular force of will being used to change the world and, in doing so, accelerating the turn of that wheel we released.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
It was a beautiful room, not an office at all, and much bigger than it looked from outside--airy and white, with a high ceiling and a breeze fluttering in the starched curtains. In the corner, near a low bookshelf, was a big round table littered with teapots and Greek books, and there were flowers everywhere, roses and carnations and anemones, on his desk, on the table, in the windowsills. The roses were especially fragrant; their smell hung rich and heavy in the air, mingled with the smell of bergamot, and black China tea, and a faint inky scent of camphor. Breathing deep, I felt intoxicated. Everywhere I looked was something beautiful--Oriental rugs, porcelains, tiny paintings like jewels--a dazzle of fractured color that struck me as if I had stepped into one of those little Byzantine churches that are so plain on the outside; inside, the most paradisal painted eggshell of gilt and
Donna Tartt (The Secret History)
If there was a single moment when the breach between us, which had been cracking and splintering for two decades, was at last too vast to be bridged, I believe it was that winter night, when I stared at my reflection in the bathroom mirror, while, without my knowing it, my father grasped the phone in his knotted hands and dialed my brother. Diego, the knife. What followed was very dramatic. But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self.
Tara Westover (Educated)
You’re a people pleaser, aren’t you? You’re the type that can’t stand someone not liking you and showing it.” Raising his head, he laughed openly now. “That’s just...” I wanted to take a book from the shelf beside me and throw it at him. “I don’t even have a word—” “Then I suggest you read a little more so you can find the word you’re looking for.” He hid his chuckle behind a fist.
Kate Evangelista (Til Death (Fractured Souls, #1))
The second the door closed after him Laire started jumping, a huge smile on her face and her body shaking in repressed excitement. “I’ll go, I’ll go, I’ll go. You don’t even like the Oracle. Let me.” Before the first words were out of Laire’s mouth, Fallon started to shake her head, and as soon as the green-haired woman took a breath, Fallon used it as her opportunity to say, “No way.” “Please please please.” “Let me rephrase. No way in hell.” Laire stopped jumping, a small pout coming to her lips. How she had been able to prevent an ankle fracture while jumping on those spikes, Larissa would never know. “Why not?” “Because if they have an orgy going on, you’ll want to join. And if they don’t have an orgy going on, you’ll want to start one. I’ll take Aislynn with me.
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction. They
Tahereh Mafi (Shatter Me Starter Pack: Books 1-3 and Novellas 1 & 2: Shatter Me, Destroy Me, Unravel Me, Fracture Me, Ignite Me)
Feeling your body beneath me was the closest to heaven that I shall ever come.” He spoke not in a whisper but on an intimate level, his voice rolling like the caress of dark velvet. “Your skin, your mouth, your body, your sweet, sweet moans, and your blood… I want them all. I want quite a bit more, actually. So you best prepare yourself, my lady. Since I’m already damned, I aim to have all of you. I want to see that look of ecstasy on your face over and over again when I’m buried deep inside you and you’re screaming my name.
Juliette Cross (The Red Lily (Vampire Blood, #2))
First, I spit out a mouthful of dirt. Then, I screamed at the sky. “That’s it! I’ve had it! Everything is trying to kill me! All I did was make one stupid wish. Aladdin made three. I’m the hero of this story, so where’s my happy ending, already? It’s not fair.” Rexi bent over, trying to catch her breath. “You know what’s not fair? Spending Muse Day as a toad just because the kitchen ran out of frog legs. Or being volunteered for this little journey. So build a bridge, then make like a billy goat and get over it already because no one is listening.
Betsy Schow (Spelled (The Storymakers, #1))
The little box that was given to me was by no means unique. I'd heard of prayer boxes, and I knew what they were for. ...Any scrap of paper will do, anywhere, anytime of the day or night. The important part, in a world of fractured thoughts, hurried moments, and scattershot prayers, is to take the time to think through, to write down, to clarify in your own mind the things you're asking for, the things you're grateful for, the things your're troubled about, the hopes you've been nurturing. And then? Put them in the box and... Let. Them. Go. That's what trust is. It's letting go of the worry. It's the way of peace and also the way of God. such a hard road to travel for people like me, who are worriers. When I'm writing a story, I control the whole universe. In life...not so much. Actually, not at all. Things happen that I hadn't anticipated and wouldn't choose and can't change. That's the tough part.
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
He opened the door for me with an impassive expression. Oh, but he couldn’t fool me. I knew very well that he gloated inside. He had the right to. I’d be gloating aloud if I were him. I slid into the plush black leather seat and ran my hands over every surface I could touch after buckling my seatbelt. Awe, like a slow burning fuse, spread all over my body. My fingertips sizzled. It was one thing to hear Gramps talk and completely another to actually sit inside the fantasy. “Should I give you two some time alone?”
 “What?” 
His smile gave me unexpected quivers. “Stop molesting my car.
Kate Evangelista (Til Death (Fractured Souls, #1))
My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn't just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can't effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it. We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. The ways in which I have been hurt - and have hurt others - are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We've become so fearful and vengeful that we've thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak - not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we've pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we've legalized vengeful and cruel punishments, how we've allowed our victimization to justify the victimization of others. We've submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken - walking away from them or hiding them from sight - only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity. I frequently had difficult conversations with clients who were struggling and despairing over their situations - over the things they'd done, or had been done to them, that had led them to painful moments. Whenever things got really bad, and they were questioning the value of their lives, I would remind them that each of us is more than the worst thing we've ever done. I told them that if someone tells a lie, that person is not just a liar. If you take something that doesn't belong to you, you are not just a thief. Even if you kill someone, you're not just a killer. I told myself that evening what I had been telling my clients for years. I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things that you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.
Bryan Stevenson (Just Mercy)
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
Fernando Pessoa (The Book of Disquiet)
Being really alone means being free from anticipation. Even to know that something is going to happen, that I am required to do something is an intrusion on the emptiness I am after. What I love to see is an empty diary, pages and pages of nothing planned. A date, an arrangement, is a point in the future when something is required of me. I begin to worry about it days, sometimes weeks ahead. Just a haircut, a hospital visit, a dinner party. Going out. The weight of the thing-that-is-going-to-happen sits on my heart and crushes the present into non-existence. My ability to live in the here and now depends on not having any plans, on there being no expected interruption. I have no other way to do it. How can you be alone, properly alone, if you know someone is going to knock at the door in five hours, or tomorrow morning, or you have to get ready and go out in three days’ time? I can’t abide the fracturing of the present by the intrusion of a planned future.
Jenny Diski
Someone told me I'd find a princess of great worth here. One with the strength to be the hero this realm needs." He stared at me with those unsettling blue eyes. They were cold, like ice water - made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. In brisk steps, he strode across the marble to the courtyard. But before crossing the threshold, he turned back to glare at me with his lip curled ever so slightly. "It seems she was mistaken."... I felt my own lip curl in response. How rude! Who the Grimm was this peasant to judge me? I was wearing a Glenda original. Original! Not some fairy-godmother knockoff worn by those servant girls turned royal. I was a crown princess, for the love of fairy, and no one dismissed me.
Betsy Schow (Spelled (The Storymakers, #1))
For this equality belongs to the post-Renaissance world of ideology-of political magic and the alchemical science” of politics. Envy is the basis of its broad appeal. And rampant envy, the besetting virus of modern society, is the most predictable result of insistence upon its realization. Furthermore, hue and cry over equality of opportunity and equal rights leads, a fortiori, to a final demand for equality of condition. Under its pressure self respect gives way in the large majority of men who have not reached the level of their expectation, who have no support from an inclusive identity, and who hunger for “revenge” on those who occupy a higher station and will (they expect) continue to enjoy that advantage. The end result is visible in the spiritual proletarians of the “lonely crowd.” Bertrand de Jouvenel has described the process which produces such non-persons in his memorable study, On Power. They are the natural pawns of an impersonal and omnicompetent Leviathan. And to insure their docility such a state is certain to recruit a large “new class” of men, persons superior in “ability” and authority, both to their ostensible “masters” among the people and to such anachronisms as stand in their progressive way. Such is the evidence of the recent past and particularly of American history. Arrant individualism, fracturing and then destroying the hope of amity and confederation, the communal bond and the ancient vision of the good society as an extrapolation from family, is one villain in this tale. Another is rationalized cowardice, shame, and ingratitude hidden behind the disguise of self-sufficiency or the mask of injured merit. Interdependence, which secures dignity and makes of equality a mere irrelevance, is the principal victim.
M.E. Bradford
I resolved to come right to the point. "Hello," I said as coldly as possible, "we've got to talk." "Yes, Bob," he said quietly, "what's on your mind?" I shut my eyes for a moment, letting the raging frustration well up inside, then stared angrily at the psychiatrist. "Look, I've been religious about this recovery business. I go to AA meetings daily and to your sessions twice a week. I know it's good that I've stopped drinking. But every other aspect of my life feels the same as it did before. No, it's worse. I hate my life. I hate myself." Suddenly I felt a slight warmth in my face, blinked my eyes a bit, and then stared at him. "Bob, I'm afraid our time's up," Smith said in a matter-of-fact style. "Time's up?" I exclaimed. "I just got here." "No." He shook his head, glancing at his clock. "It's been fifty minutes. You don't remember anything?" "I remember everything. I was just telling you that these sessions don't seem to be working for me." Smith paused to choose his words very carefully. "Do you know a very angry boy named 'Tommy'?" "No," I said in bewilderment, "except for my cousin Tommy whom I haven't seen in twenty years..." "No." He stopped me short. "This Tommy's not your cousin. I spent this last fifty minutes talking with another Tommy. He's full of anger. And he's inside of you." "You're kidding?" "No, I'm not. Look. I want to take a little time to think over what happened today. And don't worry about this. I'll set up an emergency session with you tomorrow. We'll deal with it then." Robert This is Robert speaking. Today I'm the only personality who is strongly visible inside and outside. My own term for such an MPD role is dominant personality. Fifteen years ago, I rarely appeared on the outside, though I had considerable influence on the inside; back then, I was what one might call a "recessive personality." My passage from "recessive" to "dominant" is a key part of our story; be patient, you'll learn lots more about me later on. Indeed, since you will meet all eleven personalities who once roamed about, it gets a bit complex in the first half of this book; but don't worry, you don't have to remember them all, and it gets sorted out in the last half of the book. You may be wondering -- if not "Robert," who, then, was the dominant MPD personality back in the 1980s and earlier? His name was "Bob," and his dominance amounted to a long reign, from the early 1960s to the early 1990s. Since "Robert B. Oxnam" was born in 1942, you can see that "Bob" was in command from early to middle adulthood. Although he was the dominant MPD personality for thirty years, Bob did not have a clue that he was afflicted by multiple personality disorder until 1990, the very last year of his dominance. That was the fateful moment when Bob first heard that he had an "angry boy named Tommy" inside of him. How, you might ask, can someone have MPD for half a lifetime without knowing it? And even if he didn't know it, didn't others around him spot it? To outsiders, this is one of the most perplexing aspects of MPD. Multiple personality is an extreme disorder, and yet it can go undetected for decades, by the patient, by family and close friends, even by trained therapists. Part of the explanation is the very nature of the disorder itself: MPD thrives on secrecy because the dissociative individual is repressing a terrible inner secret. The MPD individual becomes so skilled in hiding from himself that he becomes a specialist, often unknowingly, in hiding from others. Part of the explanation is rooted in outside observers: MPD often manifests itself in other behaviors, frequently addiction and emotional outbursts, which are wrongly seen as the "real problem." The fact of the matter is that Bob did not see himself as the dominant personality inside Robert B. Oxnam. Instead, he saw himself as a whole person. In his mind, Bob was merely a nickname for Bob Oxnam, Robert Oxnam, Dr. Robert B. Oxnam, PhD.
Robert B. Oxnam (A Fractured Mind: My Life with Multiple Personality Disorder)