“
It can take years to mold a dream. It takes only a fraction of a second for it to be shattered.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Somewhere in the endless spinning of eternity that one, tiny, fraction of a second where our lips met is lost forever.
”
”
Lauren Oliver (Before I Fall)
“
Every picture ever taken is a fraction of a second, frozen in time forever.
”
”
G.J. Walker-Smith (Saving Wishes (Wishes, #1))
“
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
”
”
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
“
Happy is what you realize you are a fraction of a second before it's too late.
”
”
Ali Smith
“
When I said I had no choice about helping you, I meant it. There was no other option because you are the only option. I don't trust anything at the moment. But the one thing I am sure of, the one thing I do trust..." he paused for a fraction of a second, "is the way I feel about you.
”
”
Sarah Alderson (Hunting Lila (Lila, #1))
“
Thankfully I had to stand solitary for only one long moment before Jay came back feeling over-the-moon happy. I let his emotion drench me.
“What were you and Kaidan Rowe talking ’bout?” Jay asked me. “Man, y’all looked like you were gonna rip each other’s clothes off!” I gasped
and smacked his arm, but he didn’t flinch.
“We did not.” My eyes darted over to Kaidan for a fraction of a second, and though he was too far away to have heard, the wink he sent me
brought another flush to my skin.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Here is a moment of extravagant beauty: I drink it liquid from the shells of my hands and almost all of it runs sparkling through my fingers: but beauty is like that, it is a fraction of a second, quickness of a flash and then immediately it escapes.
”
”
Clarice Lispector (A Breath of Life)
“
There are things you do sometimes, actions that you take by obeying sudden impulses, without stopping for even a fraction of a second to think, and then you spend the rest of your life either lamenting it or thanking yourself for it. They are rare, unique, and perfect moments.
”
”
Irene González Frei
“
Time is a funny thing. I was always puzzled with the way a single day could stretch itself out to the point of eternity in your mind, all while years melted down into the fraction of a second.
”
”
Gloria Naylor (Mama Day)
“
And in that fraction of a second before anything actually happened, Santino Corleone knew he was a dead man.
”
”
Mario Puzo (The Godfather (The Godfather, #1))
“
Both life and death manifest in every moment of existence. Our human body appears and disappears moment by moment, without cease, and this ceaseless arising and passing away is what we experience as time and being. They are not separate. They are one thing, and in even a fraction of a second, we have the opportunity to choose, and to turn the course of our action either toward the attainment of truth or away from it. Each instant is utterly critical to the whole world.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Have you ever seen a little girl run so fast she falls down? There's an instant, a fraction of a second before the world catches hold of her again... A moment when she's outrun every doubt and fear she's ever had about herself and she flies. In that one moment, every little girl flies. I need to find that again. Like taking a car out into the desert to see how fast it can go, I need to find the edge of me... And maybe, if I fly far enough, I'll be able to turn around and look at the world... And see where I belong.
”
”
Kelly Sue DeConnick
“
In climbing, there was always a fraction of a second between the security of being locked in and the freedom of an actual rappel.
”
”
Paul Aertker (Brainwashed (Crime Travelers, #1))
“
His lifetime was less than a fraction of a second in infinity. Or maybe he did not even exist; maybe human beings, the planets, everything in Creation were a dream...an illusion. He smiled with humility when he remembered...
”
”
Isabel Allende (City of the Beasts (Eagle and Jaguar, #1))
“
Hell is when we look back during the fraction of a second and know that we wasted an opportunity to dignify the miracle of life. Paradise is being able to say at the moment "I made some mistakes, but I wasn't a coward. I Lived my life and did what I had to do
”
”
Paulo Coelho (Aleph)
“
Life would go out in a 'fraction of a second' (that was the phrase), but all night he had been realizing that time depends on clocks and the passage of light. There were no clocks and the light wouldn't change. Nobody really knew how long a second of pain could be. It might last a whole purgatory--or for ever.
”
”
Graham Greene (The Power and the Glory)
“
For a fraction of a second, we were together, and it had felt divine. Not nice. Not safe. Not taken for granted. It was short and beautiful and painfully memorable. Like the tree I was obsessed with.
”
”
L.J. Shen (Vicious (Sinners of Saint, #1))
“
The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
”
”
Ingmar Bergman (Interviews)
“
Then she opened her eyes, Veronika did not think 'this must be heaven'. Heaven would never use a fluorescent tube to light a room, and the pain - which started a fraction of a second later - was typical of the Earth. Ah, that Earth pain - unique, unmistakable.
”
”
Paulo Coelho (Veronika Decides to Die)
“
I won't close down a business of subnormal profitability merely to add a fraction of a point to our corporate returns. I also feel it inappropriate for even an exceptionally profitable company to fund an operation once it appears to have unending losses in prospect. Adam Smith would disagree with my first proposition and Karl Marx would disagree with my second; the middle ground is the only position that leaves me comfortable.
”
”
Warren Buffett
“
its strang how all the things you know about the world- and yourself- can change in a fraction of a second
”
”
Eva Gray (With the Enemy (Tomorrow Girls, #3))
“
Damen said, with helpless honesty, "Laurent, I am your slave."
The words laid him open, truth exposed in the space between them. He wanted to prove it, as though, inarticulate, he could make up for what divided them. He was aware of the shallowness of Laurent's breath, it matched his own; they were breathing each other's air.
He reached out, watching for any hesitation in Laurent's eyes. The touch he offered was accepted as it had not been last time, fingers gentle on Laurent's jaw, thumb passing over his cheekbone, soft. Laurent's controlled body was hard with tension, his rapid pulse urgent for flight, but he closed his eyes in the last seconds before it happened. Damen's palm slid over Laurent's warm nape; slowly, very slowly, making his height an offering, not a threat, Damen leaned in and kissed Laurent on the mouth.
The kiss was barely a suggestion of itself, with no yielding of the rigidity in Laurent, but the first kiss became a second, after a fraction of parting in which Damen felt the flicker of Laurent's shallow breathing against his own lips.
It felt, in all the lies between them, as if this was the only true thing. It didn't matter that he was leaving tomorrow. He felt remade with the desire to give Laurent this: to give him all he would allow, and to ask for nothing, this careful threshold something to be savoured because it was all Laurent would let himself have.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Attosecond?” Gaston asked.
“I’m guessing it’s a very, very small fraction of a second,” I said.
“One quintillionth of a second,” George said, without raising his head from his reader.
Jack pondered him. “Have you started memorizing random crap again to amuse yourself?”
“No, I’m connected to the wireless,” George said. “I googled it.
”
”
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
“
there are a million things we survive every day without recognizing we were ever at risk. Then we have a close call, and we become acutely aware of what that fraction of an inch or that split second means.
”
”
Aron Ralston (Between a Rock and a Hard Place: The Basis of the Motion Picture 127 Hours)
“
Q: The Continuum didn't think you had it in you, Jean-Luc. But I knew you did...We wanted to see if you had the ability to expand your mind and your horizons. And for one brief moment, you did.
Picard: When I realized the paradox.
Q: Exactly. For that one fraction of a second, you were open to options you had never considered. That is the exploration that awaits you. Not mapping stars and studying nebula, but charting the unknown possibilities of existence.
”
”
Brannon Braga (All Good Things...)
“
Every morning when I wake up I forget for a fraction of a second that you are gone and I reach for you. All I ever find is the cold side of the bed. My eyes settle on the picture of us in Paris, on the bedside table, and I am overjoyed that even though the time was brief I loved you and you loved me.
”
”
Taylor Jenkins Reid (Forever, Interrupted)
“
For each visual input, it takes a tiny but perceptible amount of time—about two hundred milliseconds, one-fifth of a second—for the information to travel along the optic nerves and into the brain to be processed and interpreted. One-fifth of a second is not a trivial span of time when a rapid response is required—to step back from an oncoming car, say, or to avoid a blow to the head. To help us deal better with this fractional lag, the brain does a truly extraordinary thing: it continuously forecasts what the world will be like a fifth of a second from now, and that is what it gives us as the present. That means that we never see the world as it is at this very instant, but rather as it will be a fraction of a moment in the future. We spend our whole lives, in other words, living in a world that doesn’t quite exist yet.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
He pauses for only a fraction of a second. Then he leans forward and presses his lips to mine, and the whole world powers off, the moon and the rain and the sky and the streets, and it’s just the two of us in the dark, alive, alive, alive.
”
”
Lauren Oliver (Before I Fall)
“
Later.” Kris hesitates a fraction of a second, then leans forward and pulls me roughly toward him, pressing his lips against mine. I close my eyes and the world around me fades, like it always does, when I slide my hands into his hair and kiss him back.
”
”
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
“
Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in a fraction of a second have to remember who she was, and what her name was, and that she was even there at all.
”
”
Neil Gaiman (Coraline)
“
To take photographs is to hold one's breath when all faculties converge in the face of fleeing reality. It is at that moment that mastering an image becomes a great physical and intellectual joy.
To take photographs means to recognize—simultaneously and within a fraction of a second—both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye, and one's heart on the same axis.
”
”
Henri Cartier-Bresson (The Mind's Eye: Writings on Photography and Photographers)
“
flung my arms around his neck and kissed him. He pulled away for a fraction of a second, startled, but then he fisted the fabric at the back of my cloak and crushed me to him, mouth hard and unrelenting.
”
”
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
“
They say that in the second before our death, each of us understands the real reason for our existence, and out of that moment, Heaven or Hell is born. Hell is when we look back during that fraction of a second and know that we wasted an opportunity to dignify the miracle of life. Paradise is being able to say at that moment: "I made some mistakes, but I wasn`t a coward. I lived my life and did what I had to do.
”
”
Paulo Coelho
“
This is the pre-verbal language that linguists call Mentalese. Hardly a language, more a matrix of shifting patterns, consolidating and compressing meaning in fractions of a second, and blending it inseparably with its distinctive emotional hue. ... So that when a flash of red streaks in across his left peripheral vision ... it already has the quality of an idea ... unexpected and dangerous, but entirely his, and not of the world beyond himself.
”
”
Ian McEwan (Saturday)
“
Within a fraction of a second, I not only recognize the voice, but I react to it. My stomach flutters in pleasurable excitement.
“Good morning,” I return. It’s Cash
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
two magnitude 9+ earthquakes this century both altered the length of the day by a tiny fraction of a second.
”
”
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
“
There is nothing such as Happiness, its just a state of mind that lasts for a fraction of seconds....!
”
”
Milind K
“
There is a moment, if you trip or slip, before your hand shoots out to break your fall, when you feel the earth rushing up at you and you cannot help yourself, a passing, fraction-of-a-second terror. I felt that way hour after hour after hour. Being anxious at this extreme level is bizarre. You feel all the time that you want to do something, that there is some affect that is unavailable to you, that there’s a physical need of impossible urgency and discomfort for which there is no relief, as though you were constantly vomiting from your stomach but had no mouth.
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
How bold we are. We shy from a flame that licks the tip of our finger for a fraction of a second, and from which we are allowed the luxury of escape. But most of humankind flaunt their disobedience in the face of an eternal fire that engulfs all, and from which there is no escape. Ever.
”
”
Laurence B. Brown (The Eighth Scroll)
“
Maybe he sees it on my face, that fraction of a second when
I let my guard down, because in that moment his expression softens and his eyes
go bright as flame and even though I barely see him move, suddenly he has
closed the space between us and he’s wrapping his warm hands over my
shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I
like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic
it reminds me of a song. I think of predators dropping silently from trees: I think
of enormous cats with glowing amber eyes, just like his.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Our life settled into a pulse, a heartbeat, a collection of breaths. In the silence between them, I memorized the cadence of Max's barefoot steps padding down the hallways at night, the way one single muscle in his throat twitched when he was stressed, the whisper of a laugh that always followed one of my quips (however unfunny). I learned that one side of his smile aways started first - the left side, a fraction of a second before the right - and that he loved ginger tea above all else and the list of things he wasn't made for.
And, in turn, he quietly memorized me, too. I knew he did, because one day I realized he had long ago stopped asking me how I took my tea and we mysteriously always had a never-ending stock of raspberries, even though I knew he didn't like them.
”
”
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
“
What do you think,' she said. Her voice was rapid. 'You want to
marry me, don't you? Don't you think you want to marry me?' Waited for
the wisecrack. As she spoke she changed in some provocative way,
seemed suddenly drenched in eroticism as a diver rising out of a pool
gleams like chrome with a sheet of unbroken water for a fractional
second.
”
”
Annie Proulx
“
No,' she said. 'No, I don't reckon that's what I do now. Are you watchin', Mrs Gogol? Are you watchin' real close?'
Her gaze travelled the room and rested for just a fraction of a second on Magrat.
Then she reached over, carefully, and thrust her arm up to the elbow into the burning torch.
And the doll in Erzulie Gogol's hands burst into flame.
It went on blazing even after the witch had screamed and dropped it on to the floor. It went on burning until Nanny Ogg ambled over with a jug of fruit juice from the buffet, whistling between her teeth, and put it out.
Granny withdrew her hand. It was unscathed.
”
”
Terry Pratchett
“
Are you aware that humanity is just a blip? Not even a blip. Just a fraction of a fraction of what the universe has been and will become? Talk about perspective. I figure I can't feel so entirely stupid about saying what I said because, first of all, it's true. And second of all, there will be no remnant of me or my stupidity. No fossil or geographical shift that can document, really, even the most important historical human beings, let alone my paltry admissions.
”
”
Meg Mullins (The Rug Merchant)
“
I know I'm just a human woman, but so help me, if anything happens to her while she's with you-”
“I assure you she'll be in good hands.”
“Mm-hm, that's part of what I'm worried about.” She pointed at his hands. “Hands off, mister."
His eyes widened, and so did mine.
“Patti!” I said.
She crossed her arms, fierce and serious. We both shrank back a fraction.
“Bring her back to me safely, with her virtue intact.”
I closed my eyes. Someone kill me now.
“Yes, ma'am,” Kaidan responded.
I couldn't speak or move because of my hot-faced embarrassment.
“And thank you for doing this,” Patti added.
She came forward, sat down next to Kaidan, and hugged him. She liked him! He hesitated for a second before wrapping his own arms around her in return. It was one of the strangest sights I'd ever witnessed-an embrace between two people who didn't seem to belong in the same universe, as far as I was concerned. When Patti pulled away, her face was calm.
“So we'll leave in the morning then, yes?” Kaidan raised a last eyebrow at me and I shivered, breaking into a cold sweat as I nodded my agreement.
What had I done?
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
The sensation felt like spinning too fast on a merry-go-round. Each fraction of a second her eyes focused on a new face in a crowd. Within seconds the face was gone, whisked to a blur, replaced by another face that would just as soon be lost.
”
”
Heidi Julavits
“
When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact
that their marriage lasted fewer than three days before they both were dead
didn’t seem to affect my fantasy. Even if they had lived, I don’t think their
relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.
”
”
Annabelle Gurwitch (You Say Tomato, I Say Shut Up: A Love Story)
“
Nina continued staring at Carrie but didn’t say anything. How was it that this woman could shout out every thought running through her head? Why was it that Carrie Soto felt so entitled to scream?
In that moment, Nina was not mad or jealous or embarrassed or anything else she might have expected. Nina was sad. Sad that she’d never lived a fraction of a second like Carrie Soto. What a world she must live in, Nina thought, where you can piss and moan and stomp your feet and cry in public and yell at the people who hurt you. That you can dictate what you will and will not accept.
Nina, her entire life, had been programmed to accept. Accept that your father left. Accept that your mother is gone. Accept that you must take care of your siblings. Accept that the world wants to lust after you. Accept accept accept. For so long, Nina believed it was her greatest strength - that she could withstand, that she could endure, that she would accept it all and keep going. It was so foreign to her, the idea of declaring that something was unacceptable.
Nina thought of herself driving to someone else’s house to scream on their front lawn while a whole party’s worth of people watched. It was so impossible that she couldn’t even summon a mental picture.
But Carrie had this fire within her. Where was Nina’s fire? Had it ever been there? And if so, when did it go out?
Her husband had slept with Carrie last night and then Nina had taken him back this evening. What was wrong with her? Was she just going to accept it all? Just accept every piece of bullshit thrown at her for the rest of her life?
”
”
Taylor Jenkins Reid (Malibu Rising)
“
It was strange how the dullest party could be enjoyed because there was one person present whose eyes could be met for the fraction of a second, in wordless appreciation of a joke unshared by others: almost as strange as the insipidity of parties at which that person was not present.
”
”
Georgette Heyer (Sylvester or The Wicked Uncle)
“
Damen’s palm slid over Laurent’s warm nape; slowly, very slowly, making his height an offering, not a threat, Damen leaned in and kissed Laurent on the mouth. The kiss was barely a suggestion of itself, with no yielding of the rigidity in Laurent, but the first kiss became a second, after a fraction of parting in which Damen felt the flicker of Laurent’s shallow breathing against his own lips. It
”
”
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
“
Photojournalism has frequently been lambasted for being the product of circumstance. In fact rarely are any of these images considered in terms of their composition and semantic intent. They are merely news, a happy intersection of event and opportunity. It hardly helps that photographs in general also take only a fraction of a second to acquire.
It is incredible how so many people can constantly misread speed to mean ease. This is certainly most common where photography is concerned. However simply because anyone can buy a camera, shutter away, and then with a slightly prejudiced eye justify the product does not validate the achievement. Shooting a target with a rifle is accomplished with similar speed and yet because the results are so objective no one suggests that marksmanship is easy.
”
”
Mark Z. Danielewski (House of Leaves)
“
Every morning when I wake up I forget for a fraction of a second that you are gone and I reach for you. All I ever find is the cold side of the bed. My eyes settle on the picture of us in Paris, on the bedside table, and I am overjoyed that even though the time was brief I loved you and you loved me. —CRAIGSLIST POSTING, CHICAGO, 2009
”
”
Taylor Jenkins Reid (Forever, Interrupted)
“
It’s when you catch the clock, holding on to a second for just a fraction longer than it should. When the world gives you just a little bit more time to make the right decision. There are long seconds all over the place. We just don’t always notice them.
”
”
Joanna Cannon (Three Things About Elsie)
“
The normal brain learns from what it perceives. It doesn’t have to start from zero if it hears the same thing twice. People with schizophrenia, however, couldn’t manage that. In test after test, conducted at Freedman’s lab in Denver, their brains showed two waves of equal size for the two clicks. It was as if they had to react all over again to the second click—even though they had just heard the same click a fraction of a second earlier.
”
”
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
“
A shout and the sound of plasma fire distracted the security team for a fraction of a second. Bast tensed, wondering if she could take out all three Security officers. Before she could act, however, all three were giving their attention to her again. Under her breath she cursed again, but managed to play the role she’d set herself. “Oh! What was that about?
”
”
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
“
Every picture ever taken is a fraction of a second, frozen in time forever.”
-Saving Wishes
”
”
G.J. Walker-Smith
“
Jade blinked. It was only for a fraction of a second but she could have sworn the the house had changed shape.
”
”
Richard J. Ward (The Hermit and the Time Machine)
“
Then he dreamed that he was in the open door of a plane several thousand feet above the earth and he had to jump holding a baby in his arms. It was his baby. He jumped, pulled the rip cord on the parachute, and it didn’t open. The emergency release didn’t work. He was falling fast. The wind tore at him fiercely. He was gripping the baby as tightly as he could but the wind pried under his arms, strained at his muscles, and suddenly the baby was loose, falling beside him, just out of reach. He flailed and groped in the air, trying to reach it. The baby was falling just a little bit faster than he was. It was below him, falling away from him as he fell after it. The earth screamed up at him. He knew that the baby was going to hit first and he would see it, would know it for a whole fraction of a second before he was smashed into a pulp himself. The terrible millisecond of that grief burst in him and he woke shrieking. He couldn’t get the dream out of his head. He prayed that he would have the dream again but that this time he would fall faster and be allowed to die first.
”
”
Katherine Dunn (Geek Love)
“
I'm really not sure if others fail to perceive me or if, one fraction of a second after my face interferes with their horizon, a millionth of second after they have cast their gaze on me, they already begin to wash me from their memory: forgotten before arriving at the scant, sad archangel of a remembrance.
”
”
Ariel Dorfman (Mascara)
“
In even a fraction of a second, we have the opportunity to choose, and to turn the course of our action either toward the attainment of truth or away from it. Each instant is utterly critical to the whole world.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
The lights came up as Dylan Raddeck walked nonchalantly into the room. As expected he stopped, staring at his killer …
Eyes fixed on her target, Bast hesitated as James Heron appeared behind him. For a fraction of a second too long, she wavered, unable to decide her target, then she snarled, and fired a series of the needles at Radeck, seeing them strike exactly at her aiming point. The only problem was that he didn’t go down. Nor did Heron. Instead they stepped nimbly aside and an armoured figure behind them got off an accurate shot. It wasn’t a killing shot. It was intended to disable and disarm her—Mr Brown was specific, he wanted her alive. Unfortunately the prosthetics she wore to disguise her anatomy absorbed most of the paralysing agent.
She screamed in frustration as she went down. With an effort, she turned her needle projector on herself, and fired.
”
”
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
“
Destiny gets compressed, you know, into just that small fraction of a second you have right in front of you at any one time. And there’s nothing romantic about keeping your head down to avoid getting shot, or trying to save a friend who’s been injured, or coming face to face with a creature who is as smart and mean and as terrified of dying as you are, and who wants to make sure that if someone is left on the ground there, it’s you and not it.
”
”
John Scalzi (Questions for a Soldier (Old Man's War, #1.5))
“
And this is why people's brains are like computers. And it's not because they are special but because they have to keep turning off for fractions of a second while the screen changes. And because there is something they can't see people think it has to be special, because people always think there is something special about what they can't see, like the dark side of the moon, or the other side of a black hole, or in the dark when they wake up at night and they're scared.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
With the minivan in the air, rolling counterclockwise, the engine racing, Laurie screaming -- a fraction of a second, that's all -- Jacob would have thought of me -- who had held him, my own baby, looked down into his eyes -- and he would have understood I loved him, no matter what, to the very end -- as he saw the concrete wall flying forward to meet him.
”
”
William Landay (Defending Jacob)
“
We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
the brain does a truly extraordinary thing: it continuously forecasts what the world will be like a fifth of a second from now, and that is what it gives us as the present. That means that we never see the world as it is at this very instant, but rather as it will be a fraction of a moment in the future. We spend our whole lives, in other words, living in a world that doesn’t quite exist yet.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
I woke up with a start, a little after 5:30 in the morning, to that wonderful feeling that lasts only a fraction of a second, when you don’t know where you are—not even what continent you’re on! I jumped up from the futon and went over to my computer to make a note of the few fragments of the dream I could still hold on to before they completely melted away in the mind’s morning fog. The complexity and the confusion of the adventure put me in a good mood: I take such dreams as a sign that my brain is in good working order.
”
”
Cédric Villani (Birth of a Theorem: A Mathematical Adventure)
“
The beginning of things – when is it exactly? Astrid Smart wants to know. (Astrid Smart. Astrid
Berenski. Astrid Smart. Astrid Berenski.) 5.04 a.m. on the substandard clock radio.
Because why do people always say the day starts now? Really it starts in the middle of
the night at a fraction of a second past midnight. But it’s not supposed to have begun
until the dawn, really the dark is still last night and it isn’t morning till the light,
though actually it was morning as soon as it was even a fraction of a second past
twelve i.e.
”
”
Ali Smith (The Accidental)
“
The trails of light which they [moths] seemed to leave behind them in all kinds of curlicues and streamers and spirals..., did not really exist, explained Alphonso, but were merely phantom tracks created by the sluggish reaction of the human eye ,appearing to see a certain afterglow in the place from which the insect itself, shining for only the fraction of a second in the lamplight, had already gone. It was such unreal phenomena, said Alphonso, the sudden incursion of unreality into the real world, certain effects of light in the landscape spread out before us, or in the eye of a beloved person, that kindled our deepest feelings, or at least what we took for them.
”
”
W.G. Sebald (Austerlitz)
“
And maybe I knew how to look at a person, that exact angle to display, the way to shift the light on my face, but now I looked vacant, empty, naked … and for a fraction of a second—maybe more, maybe even a full second—I gave them fear, and finally, like a reel of film had been removed and I had to wait for another to be inserted, I smiled again.
”
”
Chris Campanioni (Going Down)
“
If time was infinite, then three seconds and three years represented the same infinitely small fraction of it. And so, if inflicting three years of fear and suffering was wrong, as everyone would agree, then inflicting three seconds of it was no less wrong. He caught a fleeting glimpse of God in the math here, in the infinitesimal duration of a life.
”
”
Jonathan Franzen (Purity)
“
Did you have any trouble with Olivia?" she asked....
"Not at all. We had pizza and beer every night and stayed up until midnight watching mixed martial arts in your bedroom. She can really hold her liquor." He slid a sideways glance at Cass, taking his eyes off the road for a fraction of a second. "Yet another way in which she takes after her mother.
”
”
Paula Altenburg (Her Secret, His Surprise)
“
- Offre ton identité au Conseil, jeune apprentie.
La voix était douce, l’ordre sans appel.
- Je m’appelle Ellana Caldin.
- Ton âge.
Ellana hésita une fraction de seconde. Elle ignorait son âge exact, se demandait si elle n’avait pas intérêt à se vieillir. Les apprentis qu’elle avait discernés dans l’assemblée étaient tous plus âgés qu’elle, le Conseil ne risquait-il pas de la considérer comme une enfant ? Les yeux noirs d’Ehrlime fixés sur elle la dissuadèrent de chercher à la tromper.
- J’ai quinze ans.
Des murmures étonnés s’élevèrent dans son dos.
Imperturbable, Ehrlime poursuivit son interrogatoire.
- Offre-nous le nom de ton maître.
- Jilano Alhuïn.
Les murmures, qui s’étaient tus, reprirent. Plus marqués, Ehrlime leva une main pour exiger un silence qu’elle obtint immédiatement.
- Jeune Ellana, je vais te poser une série de questions. A ces questions, tu devras répondre dans l’instant, sans réfléchir, en laissant les mots jaillir de toi comme une cascade vive. Les mots sont un cours d’eau, la source est ton âme. C’est en remontant tes mots jusqu’à ton âme que je saurai discerner si tu peux avancer sur la voie des marchombres. Es-tu prête ?
- Oui.
Une esquisse de sourire traversa le visage ridé d’Ehrlime.
- Qu’y a-t-il au sommet de la montagne ?
- Le ciel.
- Que dit le loup quand il hurle ?
- Joie, force et solitude.
- À qui s’adresse-t-il ?
- À la lune.
- Où va la rivière ?
L’anxiété d’Ellana s’était dissipée. Les questions d’Ehrlime étaient trop imprévues, se succédaient trop rapidement pour qu’elle ait d’autre solution qu’y répondre ainsi qu’on le lui avait demandé. Impossible de tricher. Cette évidence se transforma en une onde paisible dans laquelle elle s’immergea, laissant Ehrlime remonter le cours de ses mots jusqu’à son âme, puisque c’était ce qu’elle désirait.
- Remplir la mer.
- À qui la nuit fait-elle peur ?
- À ceux qui attendent le jour pour voir.
- Combien d’hommes as-tu déjà tués ?
- Deux.
- Es-tu vent ou nuage ?
- Je suis moi.
- Es-tu vent ou nuage ?
- Vent.
- Méritaient-ils la mort ?
- Je l’ignore.
- Es-tu ombre ou lumière ?
- Je suis moi.
- Es-tu ombre ou lumière ?
- Les deux.
- Où se trouve la voie du marchombre ?
- En moi.
Ellana s’exprimait avec aisance, chaque réponse jaillissant d’elle naturellement, comme une expiration après une inspiration. Fluidité. Le sourire sur le visage d’Ehrlime était revenu, plus marqué, et une pointe de jubilation perçait dans sa voix ferme.
- Que devient une larme qui se brise ?
- Une poussière d’étoiles.
- Que fais-tu devant une rivière que tu ne peux pas traverser ?
- Je la traverse.
- Que devient une étoile qui meurt ?
- Un rêve qui vit.
- Offre-moi un mot.
- Silence.
- Un autre.
- Harmonie.
- Un dernier.
- Fluidité.
- L’ours et l’homme se disputent un territoire. Qui a raison ?
- Le chat qui les observe.
- Marie tes trois mots.
- Marchombre.
”
”
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
“
It’s the tiniest moment, just when the sun peaks above the skyline, but the moons still visible—when darkness and light can co-exist. It reminds me of hope, and that I wasn’t alone or lost in this world. A reminder that anything is possible, even between two beings such as the sun and moon who only meet for a fraction of a second. During that small moment, together, they can create something so beautiful across the sky. I hoped that could be me, you know? That I wasn’t all bad, and possibly I could do something beautiful with my life too.
”
”
Nicole Fiorina (Now Open Your Eyes (Stay with Me, #3))
“
What are you doing?” he asks. “What everyone does in these situations—I’m turning inanimate objects into friends. Tom Hanks had Wilson, and I have Gary.” I hold up the blue nitrile glove I craftily stuffed with cotton balls. With a Sharpie, I drew Gary a face. Lucas smiles for a fraction of a second before turning and shaking his head. “We saw that,” Gary and I say.
”
”
R.S. Grey (Anything You Can Do)
“
Un homme était apparu au sommet des escaliers.
Il tenait à la main un sabre ruisselant de sang et une détermination effrayante irradiait de ses yeux gris acier.
Il ne lui fallut qu'une fraction de seconde pour jauger la situation.
Pour que son regard capte celui d'Ellana.
Pour qu'il comprenne l'incroyable présent que lui offrait la vie.
Pour qu'il en juge l'inestimable valeur et en mesure la terrible fragilité.
Pour qu'il bondisse et atterrisse au milieu des mercenaires.
Une fraction de seconde.
Edwin entreprit de se frayer un passage jusqu'à Ellana.
”
”
Pierre Bottero (Ellana, la Prophétie (Le Pacte des MarchOmbres, #3))
“
...I thought about how it must feel to lose your life so early. Lose your life, as if you held an egg in your hand, and then dropped it, and it fell to the ground and broke, and I knew it could not feel like anything at all. If you were dead, you were dead, but in the fraction of a second just before; whether you realized then it was the end, and what that felt like. There was a narrow opening there, like a door barely ajar, that I pushed towards, because I wanted to get in, and there was a golden light in that crack that came from the sunlight on my eyelids, and then suddenly I slipped inside, and I was certainly there for a little flash, and it did not frighten me at all, just made me sad and astonished at how quiet everything was.
”
”
Per Petterson (Out Stealing Horses)
“
The most striking impression was that of an overwhelming bright light. I had seen under similar conditions the explosion of a large amount—100 tons—of normal explosives in the April test, and I was flabbergasted by the new spectacle. We saw the whole sky flash with unbelievable brightness in spite of the very dark glasses we wore. Our eyes were accommodated to darkness, and thus even if the sudden light had been only normal daylight it would have appeared to us much brighter than usual, but we know from measurements that the flash of the bomb was many times brighter than the sun. In a fraction of a second, at our distance, one received enough light to produce a sunburn. I was near Fermi at the time of the explosion, but I do not remember what we said, if anything. I believe that for a moment I thought the explosion might set fire to the atmosphere and thus finish the earth, even though I knew that this was not possible.
”
”
Emilio Segrè (Enrico Fermi, Physicist)
“
Instead he mulled over his dissatisfaction with the fight. Because, honestly. He'd had the tracker. Totally contained, though the tracker fought and squirmed and thrashed to avoid Emmett's crushing arms. There was no chance any of this struggle could have helped him, and Emmett was already breaking him when Jasper lunged into the blood-drenched room.
Jasper, mangled and ferocious, eyes sharp and empty at the same time, looking like some forgotten god or incarnation of war, projecting an aura of pure violence. And the tracker had stopped trying. In that fraction of a second when he saw Jasper (for the first time, but Emmett didn't know that), he'd surrendered to his fate. No matter that his fate was sealed once Emmett had gotten his hands on him, this was what demoralized him.
I was driving Emmett crazy.
Someday soon I would have to describe to Emmett what he'd looked like in the clearing and why. I doubted anything else would soothe the sting.
”
”
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
“
There had been a time in high school, see, when I wrestled with the possibility that I might be gay, a torturous six-month culmination of years of unpopularity and girllessness. At night I lay in bed and cooly informed myself that I was gay and that I had better get used to it. The locker room became a place of torment, full of exposed male genitalia that seemed to taunt me with my failure to avoid glancing at them, for a fraction of a second that might have seemed accidental but was, I recognized, a bitter symptom of my perversion. Bursting with typical fourteen-year-old desire, I attempted to focus it in succession on the thought of every boy I knew, hoping to find some outlet for my horniness, even if it had to be perverted, secret, and doomed to disappointment. Without exception these attempts failed to produce anything but bemusement, if not actual disgust.
This crisis of self-esteem had been abruptly dispelled by the advent of Julie Lefkowitz, followed swiftly by her sister Robin, and then Sharon Horne and little Rose Fagan and Jennifer Schaeffer; but I never forgot my period of profound sexual doubt. Once in a while I would meet an enthralling man who shook, dimly but perceptibley, the foundations laid by Julie Lefkowitz, and I would wonder, just for a moment, by what whim of fate I had decided that I was not a homosexual.
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
Wow," the empty air finally said. "Wow. That puts a pretty different perspective on things, I have to say. I'm going to remember this the next time I feel an impulse to blame myself for something. Neville, the term in the literature for this is 'egocentric bias', it means that you experience everything about your own life but you don't get to experience everything else that happens in the world. There was way, way more going on than you running in front of me. You're going to spend weeks remembering that thing you did there for six seconds, I can tell, but nobody else is going to bother thinking about it. Other people spend a lot less time thinking about your past mistakes than you do, just because you're not the center of their worlds. I guarantee to you that nobody except you has even considered blaming Neville Longbottom for what happened to Hermione. Not for a fraction of a second. You are being, if you will pardon the phrase, a silly-dilly. Now shut up and say goodbye.
”
”
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
“
La mort n'est d'aucune consolation, et si tant est qu'on puisse en trouver une, c'est au cours de la vie. Et pourtant, rien n'est aussi mésestimé que l'existence. Vous maudissez les lundis, la tempête, vos voisins, vous maudissez les mardis, le travail, l'hiver et cela s'évanouira en une fraction de seconde. Tout ce foisonnement sera réduit à néant et remplacé par l'indigence de la mort. Que ce soit dans la veille ou dans le sommeil, vous pensez à des choses insignifiantes, et qui sont à mille lieues de l'essence. Combien de temps vit un être humain en fin de compte, combien connaît-il d'heures limpides, combien de fois existe-t-il avec la même intensité que le courant électrique au point d'illuminer le monde ? L'oiseau chante, le ver se tourne au creux de la terre afin que la vie n'étouffe pas mais, vous, vous maudissez les lundis, vous maudissez les mardis, le nombre des opportunités qui s'offrent à vous diminue et cela rejaillit sur le scintillement argenté qui vous habite. (p. 156-157)
”
”
Jón Kalman Stefánsson (Harmur englanna)
“
The truth is you already know what it’s like. You already know
the difference between the size and speed of everything that flashes
through you and the tiny inadequate bit of it all you can ever let anyone
know. As though inside you is this enormous room full of what
seems like everything in the whole universe at one time or another and
yet the only parts that get out have to somehow squeeze out through
one of those tiny keyholes you see under the knob in older doors. As if
we are all trying to see each other through these tiny keyholes.
But it does have a knob, the door can open. But not in the way you
think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward,
after what you think of as you has died, because what if afterward
now each moment itself is an infinite sea or span or passage of time in
which to express it or convey it, and you don’t even need any organized
English, you can as they say open the door and be in anyone else’s
room in all your own multiform forms and ideas and facets? Because
listen — we don’t have much time, here’s where Lily Cache slopes
slightly down and the banks start getting steep, and you can just make
out the outlines of the unlit sign for the farmstand that’s never open
anymore, the last sign before the bridge — so listen: What exactly do
you think you are? The millions and trillions of thoughts, memories,
juxtapositions — even crazy ones like this, you’re thinking — that flash
through your head and disappear? Some sum or remainder of these?
Your history? Do you know how long it’s been since I told you I was a
fraud? Do you remember you were looking at the respicem watch
hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?*
The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you
a fraud, the tiny fraction anyone else ever sees? Of course you’re a
fraud, of course what people see is never you. And of course you know
this, and of course you try to manage what part they see if you know
it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the
same time it’s why it feels so good to break down and cry in front of
others, or to laugh, or speak in tongues, or chant in Bengali — it’s not English anymore, it’s not getting squeezed through any hole.
So cry all you want, I won’t tell anybody.
”
”
David Foster Wallace
“
Someone very clever—certainly someone much cleverer than whoever had trained that imp—must have made the clock for the Partrician’s waiting room. It went tick-tock like any other clock. But somehow, and against all usual horological practice, the tick and the tock were irregular. Tick tock tick…and then the merest fraction of a second longer before…tock tick tock…and then a tick a fraction of a second earlier than the mind’s ear was now prepared for. The effect was enough, after ten minutes, to reduce the thinking processes of even the best-prepared to a sort of porridge. The Patrician must have paid the clockmaker quite highly.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
There are two moments in the course of education where a lot of kids fall off the math train. The first comes in the elementary grades, when fractions are introduced. Until that moment, a number is a natural number, one of the figures 0, 1, 2, 3 . . . It is the answer to a question of the form “how many.”* To go from this notion, so primitive that many animals are said to understand it, to the radically broader idea that a number can mean “what portion of,” is a drastic philosophical shift. (“God made the natural numbers,” the nineteenth-century algebraist Leopold Kronecker famously said, “and all the rest is the work of man.”) The second dangerous twist in the track is algebra. Why is it so hard? Because, until algebra shows up, you’re doing numerical computations in a straightforwardly algorithmic way. You dump some numbers into the addition box, or the multiplication box, or even, in traditionally minded schools, the long-division box, you turn the crank, and you report what comes out the other side. Algebra is different. It’s computation backward. When you’re asked to solve
”
”
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
“
It goes like this. We’d date. We’d laugh. We’d fight. We’d have fucking off-the-charts make-up sex.”
Drea shivered as he intended. Short, shallow breaths made her chest heave, causing his cock to harden.
“What makes you think it would be off the charts?” Her voice was barely a whisper.
He leaned toward her, his lips a fraction from her ear. It took every ounce of self-control not to taste her skin. “When it feels this good without even touching, how could it not be?
”
”
Scarlett Cole (The Fractured Heart (Second Circle Tattoos, #2))
“
Shadow turned, slowly, streaming images of himself as he moved, frozen moments, each him captured in a fraction of a second, every tiny movement lasting for an infinite period. The images that reached his mind made no sense: it was like seeing the world through the multifaceted jeweled eyes of a dragonfly, but each facet saw something completely different, and he was unable to combine the things he was seeing, or thought he was seeing, into a whole that made any sense.
”
”
Neil Gaiman (American Gods)
“
He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.
”
”
Steven Millhauser (Little Kingdoms (Vintage Contemporaries))
“
Speaking of the capitulation of Bulgaria, an event decisive to the outcome of the First World War and therefore to the end of a civilisation, Count Karolyi writes that while he was living through it he did not realise its importance, because "at that moment, 'that moment' had not yet become 'that moment'". The same is true in fiction for Fabrizio del Dongo, concerning the battle of Waterloo: while he is fighting it, it does not exist. In the pure present, the only dimension, however, in which we live, there is no history. At no single instant is there such a thing as the Fascist period or the October revolution, because in that fraction of a second there is only the mouth swallowing saliva, the movement of a hand, a glance at the window.
”
”
Claudio Magris
“
I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous—one of the best I’ve ever seen.
”
”
Lauren Oliver
“
This is great. But what I’m grasping at is an idea about a subtler goal. This thinking owes a lot to conversations with Manjula Waldron of Ohio State University, an engineering professor who also happens to be a hospital chaplain. This feels embarrassingly Zen-ish for me to spout, being a short, hypomanic guy with a Brooklyn accent, but here goes: Maybe the goal isn’t to maximize the contrast between a low baseline and a high level of activation. Maybe the idea is to have both simultaneously. Huh? Maybe the goal would be for your baseline to be something more than the mere absence of activation, a mere default, but to instead be an energized calm, a proactive choice. And for the ceiling to consist of some sort of equilibrium and equanimity threading through the crazed arousal. I have felt this a few times playing soccer, inept as I am at it, where there’s a moment when, successful outcome or not, every physiological system is going like mad, and my body does something that my mind didn’t even dream of, and the two seconds when that happened seemed to take a lot longer than it should have. But this business about the calm amid the arousal isn’t just another way of talking about “good stress” (a stimulating challenge, as opposed to a threat). Even when the stressor is bad and your heart is racing in crisis, the goal should be to somehow make the fraction of a second between each heartbeat into an instant that expands in time and allows you to regroup. There, I have no idea what I’m talking about, but I think there might be something important lurking there. Enough said.
”
”
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
“
A firefly blinked into existence, drew half a word in the air. Then gone. A black bug secret in the night. Such a strange little guy. It materialized, visible to human eyes for brief moments, and then it disappeared. But it got its name from its fake time, people time, when in fact most of its business went on when people couldn't see it. Its true life was invisible to us but we called it firefly after its fractions. Knowable and fixed for a few seconds, sharing a short segment of its message before it continued on its real mission, unknowable in its true self and course, outside of reach. It was a bad name because it was incomplete—both parts were true, the bright and the dark, the one we could see and the other one we couldn't. It was both. I
”
”
Colson Whitehead (Sag Harbor)
“
Aware she’d likely never tasted such a thing before, she took a cautious sip. Nothing came up. “The straw’s defective.” Dev shot her a quick grin. It altered his face, turning him strikingly beautiful. But that wasn’t the odd part. The odd part was that seeing him smile made her heart change its rhythm. She lifted her hand a fraction, compelled to trace the curve of his lips, the crease in his cheek. Would he let her, she thought, this man who moved with the liquid grace of a soldier . . . or a beast of prey?
“Did I say milk shake?” he said, withheld laughter in his voice. “I meant ice cream smoothie—with enough fresh fruit blended into it to turn it solid.” Glancing at her when she didn’t move, he raised an eyebrow. She felt a wave of heat across her face, and the sensation was so strange, it broke through her fascination. Looking down, she took off the lid after removing the straw and stared at the swirls of pink and white that dominated the delicious-smelling concoction. Intrigued, she poked at it with the tip of her straw. “I can see pieces of strawberry, and what’s that?” She looked more closely at the pink-coated black seeds. “Passion fruit?”
“Try it and see.” Handing her his water bottle, he started the car and got them on their way. “How would I know?” She put his water in the holder next to the unopened bottle. “And I need a spoon for this.”
Reaching into a pocket, he pulled out a plastic-wrapped piece of cutlery. “Here.”
“You did that on purpose,” she accused. “Did you want to see how hard I’d try to suck the mixture up?” Another smile, this one a bare shadow. “Would I do that?” It startled her to realize he was teasing her. Devraj Santos, she thought, wasn’t supposed to have a sense of humor. That was something she just knew. And, it was wrong. That meant the shadow-man didn’t know everything, that he wasn’t omnipotent. A cascade of bubbles sparkled through her veins, bright and effervescent. “I think you’re capable of almost anything.” Dipping in the spoon, she brought the decadent mixture to her lips. Oh! The crisp sting of ice, the cream rich and sweet, the fruit a tart burst of sensation. It was impossible not to take a second bite. And a third.
”
”
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
“
Working hard is important. But more effort does not necessarily yield more results. “Less but better” does. Ferran Adrià, arguably the world’s greatest chef, who has led El Bulli to become the world’s most famous restaurant, epitomizes the principle of “less but better” in at least two ways. First, his specialty is reducing traditional dishes to their absolute essence and then re-imagining them in ways people have never thought of before. Second, while El Bulli has somewhere in the range of 2 million requests for dinner reservations each year, it serves only fifty people per night and closes for six months of the year. In fact, at the time of writing, Ferran had stopped serving food altogether and had instead turned El Bulli into a full-time food laboratory of sorts where he was continuing to pursue nothing but the essence of his craft.1 Getting used to the idea of “less but better” may prove harder than it sounds, especially when we have been rewarded in the past for doing more … and more and more. Yet at a certain point, more effort causes our progress to plateau and even stall. It’s true that the idea of a direct correlation between results and effort is appealing. It seems fair. Yet research across many fields paints a very different picture. Most people have heard of the “Pareto Principle,” the idea, introduced as far back as the 1790s by Vilfredo Pareto, that 20 percent of our efforts produce 80 percent of results. Much later, in 1951, in his Quality-Control Handbook, Joseph Moses Juran, one of the fathers of the quality movement, expanded on this idea and called it “the Law of the Vital Few.”2 His observation was that you could massively improve the quality of a product by resolving a tiny fraction of the problems. He found a willing test audience for this idea in Japan, which at the time had developed a rather poor reputation for producing low-cost, low-quality goods. By adopting a process in which a high percentage of effort and attention was channeled toward improving just those few things that were truly vital, he made the phrase “made in Japan” take on a totally new meaning. And gradually, the quality revolution led to Japan’s rise as a global economic power.3
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
Foreordain it? No. The man's circumstances and environment order it. His first act determines the second and all that follow after. But suppose, for argument's sake, that the man should skip one of these acts; an apparently trifling one, for instance; suppose that it had been appointed that on a certain day, at a certain hour and minute and second and fraction of a second he should go to the well, and he didn't go. That man's career would change utterly, from that moment; thence to the grave it would be wholly different from the career which his first act as a child had arranged for him. Indeed, it might be that if he had gone to the well he would have ended his career on a throne, and that omitting to do it would set him upon a career that would lead to beggary and a pauper's grave. For instance: if at any time--say in boyhood--Columbus had skipped the triflingest little link in the chain of acts projected and made inevitable by his first childish act, it would have changed his whole subsequent life, and he would have become a priest and died obscure in an Italian village, and America would not have been discovered for two centuries afterward. I know this. To skip any one of the billion acts in Columbus's chain would have wholly changed his life. I have examined his billion of possible careers, and in only one of them occurs the discovery of America.
”
”
Mark Twain (The Mysterious Stranger)
“
That's the only way I can somehow get close to it, to that goddamn it, without it killing me, you know? I have to dance around in front of it, I have to move, not freeze like a mouse who sees a snake. I have to feel, even just for a minute, for half a second, the last free place I may still have inside me, the fraction of a spark that still somehow glows inside, which that lousy it couldn't extinguish. Ugh! I have no other way. You have to get that: I have no other way. And maybe there is no other way, huh? I don't know, and you wouldn't understand, so at least write it down, quick. I want to knead it--yes, it, the thing that happened, the thing that struck like lightening and burned everything I had, including the words, goddamn it and its memory, the bastard burned the words that could have described it for me. And I have to mix it up with some part of me. I must, from deep inside me, and then exhale into it with my pathetic breath so I can try and make it a bit--how can I explain this to you--a bit mine, mine...Because a part of me, of mine, already belongs to it, deep inside it, in its damn prison, so there might be an opening, we might be able to haggle...What? Write it down, you criminal! Don't stop writing. You stand there staring at me? Now that I've finally managed to get out a single word about it, and breathe...I have to create characters. That's what I want, what I need. I must, it's always like that with me. Characters that flow into the story, swarm it, that can maybe air out my cell a little and surprise it--and me. Yes, I want them to betray me, betray it, the motherfucker. I want them to jump it from this side and the other and from every direction...just so long as they make it budge even one millimeter, that's enough, so that at least it moves a little on my page, so it twitches,
and just
makes it not
so
so impossible
to
anything.
”
”
David Grossman (Falling Out of Time)
“
Why do you think I am like this?” It didn’t really sound like a question; there was no regret, or sorrow, or genuine tinge of curiosity. I didn’t think he expected a complex answer in any case, as I’m pretty sure we both knew that a team of neuroscientists and psychologists could work on Mad Dog for a decade and still not have all of the answers. Instead, I removed a sheet of paper from my legal folder and wrote one quatrain from a poem by W.H. Auden: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. He received this carefully and spent a moment looking it over. For the tiniest fraction of a second his face relaxed and his eyes softened and he seemed to shrink into himself as he breathed in. Then it was over, and he turned away from me, a dismissal if I ever saw one. He crumpled up my note angrily and tossed it away onto the floor. It was the last time we ever spoke.
”
”
Jean Casella (Hell Is a Very Small Place: Voices from Solitary Confinement)
“
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.
And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is
said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs.
On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a
phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Something is bothering you. I have sensed it all morning.” He slid his communicator back into his pocket then took her hand in his, linking their fingers together. The action took her off guard, but she welcomed it. The first time she’d held his hand he’d been confused by it, but this was the second time in the last few days he’d initiated it. She loved it.
“Nothing, just… I was hoping that this evening we could talk about something.”
His shoulders stiffened just the slightest fraction. She was getting good at reading the subtle changes in his body language. “What about?”
“Not now. I know you need to get to one of your job sites. Or there’s an emergency at the Samio.”
He raised a dark eyebrow. “How do you know this?”
“Because your communicator has been buzzing like crazy since we…”
Her cheeks heated up and she cleared her throat. It had started going off when she’d been sitting on his face this morning. They’d both ignored it. Then when she got out of the shower she’d found him responding to what seemed like dozens of communications, one buzz after another. The sounds had been maddening. He’d stopped responding when they left his place, but she understood how busy he was and didn’t want to get in the way of that.
“Since we what?” he murmured, leaning closer as they came to a stop in front of another elevator. This one had a shiny, sleek-looking silver door.
“You know what,” she whispered, glancing around.
There were two males waiting at the next elevator and though they weren’t looking in their direction she wasn’t going to talk about that in public.
“I want to hear you say it.”
“That’s because you’re a pervert.”
He gave her one of those grins that made her wonder how she’d ever lived without knowing this male. It still stunned her how much he’d come to mean to her in the past week and a half.
“That’s very true where you’re concerned.” He dropped a kiss on her forehead.
-Con & Leilani
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))