Fox Hunting Quotes

We've searched our database for all the quotes and captions related to Fox Hunting. Here they are! All 100 of them:

He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
My life is very monotonous," the fox said. "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored.
Antoine de Saint-Exupéry (The Little Prince)
The duck swallows the worm, the fox kills the duck, the men shoot the fox, and the devil hunts the men.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
like the fox I run with the hunted and if I’m not the happiest man on earth I’m surely the luckiest man alive.
Charles Bukowski (The Night Torn Mad With Footsteps)
I wish I was close to Jace Herondale," Julie sighted. "He is so gorgeous." "He is foxier than a fox fur in a fox hole on fox hunting day," Beatriz agreed dreamily.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
My life is very monotonous," the fox said. "I hunt chickens: men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain fields down yonder? [...] The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back to the thought of you. And I shall love to listen to the wheat in the wind...
Antoine de Saint-Exupéry
The unspeakable in pursuit of the uneatable!
Oscar Wilde
This song is for my Molly, who is the best fucking thing that´s ever happened to me. Also, for those suicidal idiots sending her fan mail asking her to run away with them, I will hunt you down and rip off you nuts.
Nalini Singh (Rock Addiction (Rock Kiss, #1))
Nothing's perfect," sighed the fox. "My life is monotonous. I hunt chickens; people hunt me. All chickens are just alike, and all men are just alike. So I'm rather bored. But if you tame me, my life will be filled with sunshine. I'll know the sound of footsteps that will be different from all the rest. Other footsteps send me back underground. Yours will call me out of my burrow like music. And then, look! You see the wheat fields over there? I don't eat bread. For me, wheat is no use whatever. Wheat fields say nothing to me. Which is sad. But you have hair the color of gold. So it will be wonderful, once you've tamed me! The wheat, which is golden, will remind me of you. And I'll love the sound of the wind in the wheat...
Antoine de Saint-Exupéry (The Little Prince)
All the sanguine guesswork of youth is there, and the silliness; all the novelty of being alive and impressed by the urgency of tremendous trivialities.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
Andrew said nothing for a while, then, "You're more a raccoon than a fox." Neil stared. "What?" "A raccoon," Andrew said, and mimed holding a ball in front of his face. "Exy is the shiny object of your sad little world. You know you're being hunted and you know the hounds are closing in, but you won't let go to save yourself. You once told me you don't understand why a person would actively try to die, but here you are. I guess that was another lie.
Nora Sakavic (The King's Men (All for the Game, #3))
It will be seen that, as used, the word ‘Fascism’ is almost entirely meaningless. In conversation, of course, it is used even more wildly than in print. I have heard it applied to farmers, shopkeepers, Social Credit, corporal punishment, fox-hunting, bull-fighting, the 1922 Committee, the 1941 Committee, Kipling, Gandhi, Chiang Kai-Shek, homosexuality, Priestley's broadcasts, Youth Hostels, astrology, women, dogs and I do not know what else.
George Orwell
I did not dread the dark winter as people do when they have lost their youth and live alone in some great city.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
Problem was, all this is new. In English at school we study a grammar book by a man named Ronald Rideout, read Cider with Rosie, do debates on fox-hunting and memorize ‘I Must Go Down to the Seas Again’ by Jason Masefield. We don’t have to actually think about stuff.
David Mitchell (Black Swan Green)
We are men, and human words are all we have: even the Word of God is composed actually of the words of men.” (HUNTING THE DIVINE FOX, by Robert Farrar Capon,
Suzette Haden Elgin (Native Tongue (Native Tongue, #1))
The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
We made our choice, he said. We hunted for them, we guarded their brats. God knows, we helped them make a civilization, didn't we? And why? I said I didn't know; it was beyond me. Because, he said, we thought they knew how to take care of things. How to keep the world full of meat and flowers.
Clive Barker (Sacrament)
We are not consumers. For most of humanity’s existence, we were makers, not consumers: we made our clothes, shelter, and education, we hunted and gathered our food. We are not addicts. “I propose that most addictions come from our surrendering our real powers, that is, our powers of creativity.” We are not passive couch potatoes either. “It is not the essence of humans to be passive. We are players. We are actors on many stages…. We are curious, we are yearning to wonder, we are longing to be amazed… to be excited, to be enthusiastic, to be expressive. In short to be alive.” We are also not cogs in a machine. To be so would be to give up our personal freedoms so as to not upset The Machine, whatever that machine is. Creativity keeps us creating the life we wish to live and advancing humanity’s purpose as well.
Matthew Fox (Creativity)
You are a mask.You are nothing more!There is nothing behind your mask,not a face,nothing!I shall fly in the fullness of the night.Under the moon and the stars I shall hunt the vole,the rat,even the fox.I shall become part of owlkind,no matter where I have to go.But I shall go!And I shall never ever return to the Pure Ones.I defy you.I HAVE FREE WILL!" -Coryn
Kathryn Lasky
The hunt for spouses is an activity on a par with fox-hunting or hawking, though the weapons and dramatis personae differ. Just as grizzled old men know the habits of hares and quail, so do elegant society gossips know every titbit about the year’s eligible men and women.
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
Moving provides meaning for our humble (if still vicious) life of four-dimensional existence. Four-dimensional existence makes the frightening fox hunt into an entertainment, or war into a pastime or a sport. Even when evil is dull and monotonous, there tends to be a lot of movement, action and entertainment involved. Maybe movies are evil.
Gus Van Sant (Pink)
If I ever thought of myself as a man of thirty-five it was a visualization of dreary decrepitude.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
The phrase "after-life" was also vaguely confused with going to church and not wanting to be dead - a perplexity which can be omitted from a narrative in which I am doing my best to confine myself to actual happenings. At the age of twenty-two I believed myself to be unextinguishable.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
The Ass, the Fox, and the Lion THE ASS and the Fox, having entered into partnership together for their mutual protection, went out into the forest to hunt. They had not proceeded far when they met a Lion. The Fox, seeing imminent danger, approached the Lion and promised to contrive for him the capture of the Ass if the Lion would pledge his word not to harm the Fox. Then, upon assuring the Ass that he would not be injured, the Fox led him to a deep pit and arranged that he should fall into it. The Lion, seeing that the Ass was secured, immediately clutched the Fox, and attacked the Ass at his leisure.
Aesop (Aesop's Fables)
I’m sorry if you couldn’t find me I have been in the woods. I put myself there because I couldn’t be good. I have been running with foxes and hunting with crows. And I have found myself a home where no body goes.
Florence Welch (Useless Magic: Lyrics and Poetry)
In the North, fairytales and history were treated as one and the same because their stories and histories were all cursed. Some tales couldn't be written down without bursting in to flames, others couldn't leave the North, and many changed every time they were shared, becoming less and less real with every retelling. It was said that every Northern tale had started as true history, but over time, the Northern story curse had twisted all the tales until only bits of truth remained. One of the stories Liana used to tell Evangeline was The Ballad of the Archer and the Fox, a romantic tale about a crafty peasant girl who could transform in to a fox and the young archer who loved her, but was cursed with the need to hunt her down and kill her.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
They were actually sitting at a table, like two old friends, not like the hunter and the hunted. And it wasn't especially awkward. They were comfortable together, despite the fact that she'd hit him with a bus. Maybe his scheme would work.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
I see him look us over. I don’t think he likes what he sees. Is that a sneer, as he takes in Nick’s spotless Barbour coat, Samira’s Hunter wellies, Miranda’s fox-fur collar? If so, who knows what he makes of my city dweller’s clothes and wheeled Samsonite.
Lucy Foley (The Hunting Party)
Who are you?” asked the little prince, and added, “You are very pretty to look at.” “I am a fox,” said the fox. “Come and play with me,” proposed the little prince. “I am so unhappy.” “I cannot play with you,” the fox said. “I am not tamed.” “Ah! Please excuse me,” said the little prince. But, after some thought, he added: “What does that mean– ‘tame’?” “You do not live here,” said the fox. “What is it that you are looking for?” “I am looking for men,” said the little prince. “What does that mean– ‘tame’?” “Men,” said the fox. “They have guns, and they hunt. It is very disturbing. They also raise chickens. These are their only interests. Are you looking for chickens?” “No,” said the little prince. “I am looking for friends. What does that mean– ‘tame’?” “It is an act too often neglected,” said the fox. It means to establish ties.” “ ‘To establish ties’?” “Just that,” said the fox. “To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world. . .
Antoine de Saint-Exupéry (The Little Prince)
So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.
Mark Grist
What sense does it make that one god would create all? Why would he create … rabbits. Soft and cuddly, yes? And then create foxes that hunt them down and tear them to shreds? Why do that? That god is no god to the rabbits. He is a demon that favors their enemies. But nor does that god honor the fox, for he creates other animals bigger than it. Creates wolves. Creates you Acacians. Even you, Rialus, could kill a fox if you were lucky and had the right weapon.” “And if the creature was lame or old,” Jàfith added.
David Anthony Durham (The Sacred Band (Acacia, #3))
Some of the most memorable, and least regrettable, nights of my own youth were spent in coon hunting with farmers. There is no denying that these activities contributed to the economy of farm households, but a further fact is that they were pleasures; they were wilderness pleasures, not greatly different from the pleasures pursued by conservationists and wilderness lovers. As I was always aware, my friends the coon hunters were not motivated just by the wish to tree coons and listen to hounds and listen to each other, all of which were sufficiently attractive; they were coon hunters also because they wanted to be afoot in the woods at night. Most of the farmers I have known, and certainly the most interesting ones, have had the capacity to ramble about outdoors for the mere happiness of it, alert to the doings of the creatures, amused by the sight of a fox catching grasshoppers, or by the puzzle of wild tracks in the snow.
Wendell Berry (Bringing it to the Table: On Farming and Food)
He was said to ride hallooing through the night, to be ready to shoot, hunt, or swim anywhere in any weather, to be able to drink half a dozen young lieutenants from nearby garrisons under the table, to wake up his occasional guests by firing a pistol through their bedroom windows, to have seduced every peasant girl in all the villages, to have released a fox in a lady’s drawing room.
Robert K. Massie (Dreadnought: Britain, Germany, and the Coming of the Great War)
The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it
Cormac McCarthy (The Road)
And once when we were walking on Bredon Hill, we met a bedraggled and exhausted fox. 'Oh, poor thing,' Jack said. 'What shall we do when the hunt comes up? I can already hear them. Oh, I know -- I have an idea.' He cupped his hands and shouted to the first riders, "Hallo, yoicks, gone that way," and pointed in the direction opposite to the one the fox had taken. The whole hunt followed his directions. There followed a long discussion about when lying was morally justifiable, but he boasted delightedly later to my wife that he had saved the life of a poor fox and showed no trace of guilt.
George Sayer (Jack: A Life of C. S. Lewis)
Jones would first have to prove the Spook’s fitness as a treasure-hunting guide by having him find something small, much as a devious owner salts a barren mine with gold nuggets before putting it up for
Margalit Fox (The Confidence Men: How Two Prisoners of War Engineered the Most Remarkable Escape in History)
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
My concern with democracy is highly specific. It begins in observing the remarkable fact that, while democracy means a government accountable to the electorate, our rulers now make us accountable to them. Most Western governments hate me smoking, or eating the wrong kind of food, or hunting foxes, or drinking too much, and these are merely the surface disapprovals, the ones that provoke legislation or public campaigns. We also borrow too much money for our personal pleasures, and many of us are very bad parents. Ministers of state have been known to instruct us in elementary matters, such as the importance of reading stories to our children. Again, many of us have unsound views about people of other races, cultures, or religions, and the distribution of our friends does not always correspond, as governments think that it ought, to the cultural diversity of our society. We must face up to the grim fact that the rulers we elect are losing patience with us. No philosopher can contemplate this interesting situation without beginning to reflect on what it can mean. The gap between political realities and their public face is so great that the term “paradox” tends to crop up from sentence to sentence. Our rulers are theoretically “our” representatives, but they are busy turning us into the instruments of the projects they keep dreaming up. The business of governments, one might think, is to supply the framework of law within which we may pursue happiness on our own account. Instead, we are constantly being summoned to reform ourselves. Debt, intemperance, and incompetence in rearing our children are no doubt regrettable, but they are vices, and left alone, they will soon lead to the pain that corrects. Life is a better teacher of virtue than politicians, and most sensible governments in the past left moral faults to the churches. But democratic citizenship in the twenty-first century means receiving a stream of improving “messages” from politicians. Some may forgive these intrusions because they are so well intentioned. Who would defend prejudice, debt, or excessive drinking? The point, however, is that our rulers have no business telling us how to live. They are tiresome enough in their exercise of authority—they are intolerable when they mount the pulpit. Nor should we be in any doubt that nationalizing the moral life is the first step towards totalitarianism. We might perhaps be more tolerant of rulers turning preachers if they were moral giants. But what citizen looks at the government today thinking how wise and virtuous it is? Public respect for politicians has long been declining, even as the population at large has been seduced into demanding political solutions to social problems. To demand help from officials we rather despise argues for a notable lack of logic in the demos. The statesmen of eras past have been replaced by a set of barely competent social workers eager to take over the risks of our everyday life. The electorates of earlier times would have responded to politicians seeking to bribe us with such promises with derision. Today, the demos votes for them.
Kenneth Minogue (The Servile Mind: How Democracy Erodes the Moral Life (Encounter Broadsides))
But how do we get men and women before they are hunted like foxes and trapped like rats and treated like ants to understand the concept of unity, working, building, living together? It seems the Black National Anthem is If it’s broke, don’t fix it.
Sister Souljah (The Coldest Winter Ever)
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
This hunting of the fox, you need the dogs, no?' 'Hounds,' I corrected gently. 'Yes, of course.' 'But yet,' Poirot wagged his finger at me. 'You did not descend from your horse and run along the ground smelling with your nose and uttering loud Ow Ows?
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
To him, as to me, the War was inevitable and justifiable. Courage remained a virtue. And that exploitation of courage, if I may be allowed to say a thing so obvious, was the essential tragedy of the War, which, as everyone now agrees, was a crime against humanity.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man (The Memoirs of George Sherston, #1))
My life is very monotonous," the fox said. "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat...
Antoine de Saint-Exupéry (The Little Prince)
Said a hunted fox followed by twenty horsemen and a pack of twenty hounds, "Of course they will kill me. But how poor and how stupid they must be. Surely it would not be worth while for twenty foxes riding on twenty asses and accompanied by twenty wolves to chase and kill one man.
Kahlil Gibran (Sand and Foam)
A Lion had a Fox to attend on him, and whenever they went hunting the Fox found the prey and the Lion fell upon it and killed it, and then they divided it between them in certain proportions. But the Lion always got a very large share, and the Fox a very small one, which didn’t please the latter at all; so he determined to set up on his own account. He began by trying to steal a lamb from a flock of sheep: but the shepherd saw him and set his dogs on him. The hunter was now the hunted, and was very soon caught and dispatched by the dogs. Better servitude with safety than freedom with danger.
Aesop (Aesop's Fables)
The creature was very young. He was alone in a dread universe. I crept on my knees and crouched beside him. It was a small fox pup from a den under the timbers who looked up at me. God knows what had become of his brothers and sisters. His parents must not have been home from hunting. He innocently selected what I think was a chicken bone from an untidy pile of splintered rubbish and shook it at me invitingly... the universe was swinging in some fantastic fashion around to present its face and the face was so small that the universe itself was laughing. It was not a time for human dignity. It was a time only for the careful observance of amenities written behind the stars. Gravely I arranged my forepaws while the puppy whimpered with ill-concealed excitement. I drew the breath of a fox's den into my nostrils. On impulse, I picked up clumsily a whiter bone and shook it in teeth that had not entirely forgotten their original purpose. Round and round we tumbled and for just one ecstatic moment I held the universe at bay by the simple expedient of sitting on my haunches before a fox den and tumbling about with a chicken bone. It is the gravest, most meaningful act I shall ever accomplish, but, as Thoreau once remarked of some peculiar errand of his own, there is no use reporting it to the Royal Society.
Loren Eiseley
Another bug hunt, boys. This one is a little different, as you know. Since they still hold prisoners of ours, we can't use a nova bomb on Klendathu --- so this time we go down, stand on it, hold it, take it away from them. The boat won't be down to retrieve us, instead it'll fetch more ammo and rations. If you're taken prisoner, keep your chin up and follow the rules --- because you've got the whole outfit behind you, you've got the whole Federation behind you; we'll come and get you. That's what the boys from the Swamp Fox and the Montgomery have been depending on. Those who are still alive are waiting, knowing that we will show up. And here we are. Now we go get 'em.
Robert A. Heinlein (Starship Troopers)
Lion, a Fox, and an Ass went out hunting together. They had soon taken a large booty, which the Lion requested the Ass to divide between them. The Ass divided it all into three equal parts, and modestly begged the others to take their choice; at which the Lion, bursting with fury, sprang upon the Ass and tore him to pieces. Then, glaring at the Fox, he bade him make a fresh division. The Fox gathered almost the whole in one great heap for the Lion’s share, leaving only the smallest possible morsel for himself. “My dear friend,” said the Lion, “how did you get the knack of it so well?” The Fox replied, “Me? Oh, I took a lesson from the Ass.” Happy is he who learns from the misfortunes of others.
Aesop (Aesop's Fables)
Sometimes concentrating on one lovely thing about each memory helped her remain upright. Like the foxes... she had 'hunted' with 'foxes'! Beautiful red-coated beasts who sometimes tangled under her feet like cats and let her scratch their throats. That had really happened. Focusing on their beauty kept her walking- shakily- and kept her stomach from reeling.
Liz Braswell (Once Upon a Dream)
I will take this occasion to denounce and excoriate the vile practice of riding to the hounds. So the sodden huntsmen can watch a beautiful, delicate fox torn to pieces by their stinking dogs. Heartened by this loutish spectacle, they repair to the mansion house to get drunker than they already are, no better than their filthy, fawning, shit-eating, carrion-rolling, baby-killing beasts.
William S. Burroughs (The Cat Inside)
But because he belonged to the nineteenth century and to a non-military nation and class, he could not grasp the tremendous strength of the old world which was symbolised in his mind by fox-hunting Tories. He was, and still is, quite incapable of understanding that nationalism, religious bigotry and feudal loyalty are far more powerful forces than what he himself would describe as sanity.
George Orwell (Collections of George Orwell Essays (Classics To Go))
Hunting Song THE dusky night rides down the sky, And ushers in the morn; The hounds all join in glorious cry, The huntsman winds his horn: And a hunting we will go. The wife around her husband throws Her arms, and begs his stay; My dear, it rains, and hails, and snows, You will not hunt to-day. But a hunting we will go. A brushing fox in yonder wood, Secure to find we seek; For why, I carry'd sound and good A cartload there last week. And a hunting we will go. Away he goes, he flies the rout, Their steeds all spur and switch; Some are thrown in, and some thrown out, And some thrown in the ditch: But a hunting we will go. At length is strength to faintness worn, Poor Reynard ceases flight; Then hungry, homeward we return, To feast away the night: Then a drinking we will go.
Henry Fielding
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
He was just reaching down to pick up a juicy-looking vole when he heard a voice behind him. “Hey—what do you think you’re doing?” It was Mousefur. Brambleclaw looked around to see the brown she-cat glaring at him from a few fox-lengths away. “I’ve been watching you,” she went on. “You’ve already eaten. You haven’t hunted enough today to take any more prey.” Embarrassment flooded over Brambleclaw. “Sorry,” he mumbled.
Erin Hunter (Midnight (Warriors: The New Prophecy, #1))
Suppose you are bold, however; with a call, instead of merely leaving your card, you inquired if the lady were "at home." She was free to peer out of her drawing-room window on the second floor, see you and then whisper an emphatic "no" to her servant. This was perfectly acceptable, and it was understood that many people were physically at home when they were not socially "at home," although it was crass if they got caught.
Daniel Pool (What Jane Austen Ate and Charles Dickens Knew: From Fox Hunting to Whist—the Facts of Daily Life in 19th-Century England)
But he came back to his idea. "My life is very monotonous," the fox said. "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat . . ." The fox gazed at the little prince, for a long time.
Antoine de Saint-Exupéry
If'n I was ye,I'd do nothin' else but hunt." "I've no doubt you'd do just that, for a more lazy individual I've yet to meet-other than myself,of course." Shelton beamed. "Thank ye,me lord! 'Tis a rare day I can consider meself an equal with ye on any grounds." "You're welcome," Dougal returned gravely. "Aye,ye've made bein' lazy a form o' art that few-look!" The groom pointed eagerly at the soft shoulder of the road, where a fox print appeared. "Cooee,looks fresh, too!" Dougal eyed the thicket beyond. "Fresh or no, it would take a better man than me to get a horse over this uneven ground without breaking a leg." Shelton shot him a sharp look. "Ye're many things,me lord, but unskilled on a horse ain't one of 'em." "You unman me, Shelton. I don't know how to react to such excessive praise." The groom's expression turned to one of long suffering. "There ye go ag'in with the nonsense, me lord. Are ye sure ye ain't a bit Irish?" Dougal grinned. "Not that my mother would admit to.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.
John Connolly (Dark Hollow (Charlie Parker, #2))
Easter was late in April that year; my first three tours of trenches occupied me during the last thirty days of Lent. This essential season in the Church calendar was not, as far as I remember, remarked upon by anyone in my company, although the name of Christ was often on our lips, and Mansfield (when a canister made a mess of the trench not many yards away from him) was even heard to refer to our Saviour as ‘murry old Jesus!’ These innocuous blasphemings of the holy name were a peculiar feature of the War, in which the principles of Christianity were either obliterated or falsified for the convenience of all who were engaged in it. Up in the trenches every man bore his own burden; the Sabbath was not made for man; and if a man laid down his life for his friends it was no part of his military duties. To kill an enemy was an effective action; to bring in one of our own wounded was praiseworthy, but unrelated to our war-aims. The Brigade chaplain did not exhort us to love our enemies. He was content to lead off with the hymn ‘How sweet the name of Jesus sounds’!
Siegfried Sassoon (Memoirs of a Fox-Hunting Man (The Memoirs of George Sherston, #1))
Riding out with the Old Surrey and Burstow Hunt, White recorded the first time he saw a kill with distanced fascination. The fox was dug out of a drain where it had taken refuge and thrown to the hounds. They tore it to pieces while a circle of human onlookers 'screeched them on'. The humans, White thought, were disgusting, their cries 'tense, self-conscious, and histerically animal'. But the hounds were not. 'The savagery of the hounds', he wrote, 'was deep-rooted and terrible, but rang true, so that it was not horrible like that of the human.
Helen Macdonald (H is for Hawk)
He belonged to the old school of country gentlemen, ruling his estate with semi-benevolent tyranny and turning his back on all symptoms of social innovation. Under his domination the Packlestone country had been looked after on feudal system lines. His method of dealing with epistolary complaints from discontented farmers was to ignore them; in verbal intercourse he bulled them and sent them about their business with a good round oath. Such people, he firmly believed, were put there by Providence to touch their hats and do as they were told by their betters...And as such he continued beyond his eightieth year, until he fell into a fish-pond on his estate and was buried by the parson whose existence he had spurned by his arrogance.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
Men," said the fox. "They have guns, and they hunt. It is very disturbing. They also raise chickens. these are their only interests. Are you looking fir chickens?" "No," said the little prince. "I am looking for friends. What does that mean-- 'tame'?" "It is an act to often neglected," said the fox. "It means to establish ties." "'To establish ties'?" "Just that," said the fox. "To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys, And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world..." "I am beginning to understand," said the little prince. "there is a flower... I think that she has tamed me...
Antoine de Saint-Exupéry (The Little Prince)
The history of knowledge of good and evil originates in the idea that the gods have a special knowledge that enables them to rule the world: every choice the gods made is good for one creature but bad for another, and can’t be otherwise. If the quail goes out to hunt and the gods sent it a grasshopper, then this is good for the quail but evil for the grasshopper. If the fox goes out to hunt, and the gods withhold the quail, this is good for the quail but evil for the fox. According to totalitarian agriculture, cows may live but wolves must die. Our posture is not just, if a coyote attacks my herd, I will kill it but rather, let’s wipe coyotes off the face of the earth. The observers (Zeugen) of the originators of our totalitarian agriculture culture saw we were deciding who lives and dies, and decided we had eaten at the god’s own tree of wisdom, the tree of the knowledge of good and evil.
Daniel Quinn (The Story of B (Ishmael, #2))
The autumn was a happy time. The crops around the countryside were good, and over at the Forks Falls market the price of tobacco held firm that year. After the long hot summer the first cool days had a clean bright sweetness. Goldenrod grew along the dusty roads, and the sugar cane was ripe and purple. The bus came each day from Cheehaw to carry a few of the younger children to the consolidated school to get an education. Boys hunted foxes in the pinewoods, winter quilts were aired out on the wash lines, and sweet potatoes bedded in the ground with straw against the colder months to come. In the evening, delicate shreds of smoke rose from the chimneys, and the moon was round and orange in the autumn sky. There is no stillness like the quiet of the first cold nights in the fall. Sometimes, late in the night when there was no wind, there could be heard in the town the thin wild whistle of the train that goes through Society City on its way far off to the North.
Carson McCullers (The Ballad of the Sad Cafe and Other Stories. The Heart is a Lonely Hunter. The Member of the Wedding. (In One Volume))
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
A bird doesn't need a professor to teach it how to fly. A fish doesn't need a professor to teach it how to swim. A bee doesn't need a professor to teach it how to sting. A termite doesn't need a professor to teach it how to build. A spider doesn't need a professor to teach it how to weave. A cricket doesn't need a professor to teach it how to sing. A parrot doesn't need a professor to teach it how to mimic. A serpent doesn't need a professor to teach it how to bite. A chameleon doesn't need a professor to teach it how to camouflage. A sheep doesn't need a professor to teach it how to follow. A horse doesn't need a professor to teach it how to sprint. A monkey doesn't need a professor to teach it how to steal. A camel doesn't need a professor to teach it how to survive. A dog doesn't need a professor to teach it how to bark. A cheetah doesn't need a professor to teach it how to race. A fox doesn't need a professor to teach it how to scheme. A crocodile doesn't need a professor to teach it how to float. An hyena doesn't need a professor to teach it how to stalk. A panther doesn't need a professor to teach it how to strike. A wolf doesn't need a professor to teach it how to kill. A lion doesn't need a professor to teach it how to hunt.
Matshona Dhliwayo
Smiley himself was one of those solitaries who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country’s enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonymity and his safety. His fear makes him servile—he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. But this fear, this servility, this dependence, had developed in Smiley a perception for the colour of human beings: a swift, feminine sensitivity to their characters and motives. He knew mankind as a huntsman knows his cover, as a fox the wood. For a spy must hunt while he is hunted, and the crowd is his estate. He could collect their gestures and their words, record the interplay of glance and movement, as a huntsman can record the twisted bracken and the broken twig, or as a fox detects the signs of danger.
John Le Carré (A Murder of Quality)
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
George Washington was not a perfect man. He occasionally lost his temper; he drank wine—maybe even too much when he was a young man. 23 He was involved with activities that some would find fault with: he had a revenue producing distillery on his Mount Vernon Estate; 24 he loved to fox hunt; he went to the theatre, and occasionally to the horse races. And, sadly, he owned slaves, something all Americans today would find immoral, but which was not uncommon for a Southern gentleman of his day.
Peter A. Lillback (George Washington's Sacred Fire)
It was with bitter hearts and deadly thoughts that we, the remnant of the Six Hundred, rode back, leaving the flower of the Light Brigade dead or dying before those murderous Russian guns; — and it was all done, all over, in five-and-twenty minutes — less than a fast up-wind fox-hunt would have taken at home!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
That’s the difference between them and us. ‘Them’ view foxes as vermin, and ‘us’ identify with the fox.
Fusty Luggs (Consort : The Prince and the Pauper)
Throughout most of his life, Washington’s physical vigor had been one of his most priceless assets. A notch below six feet four and slightly above two hundred pounds, he was a full head taller than his male contemporaries. (John Adams claimed that the reason Washington was invariably selected to lead every national effort was that he was always the tallest man in the room.) A detached description of his physical features would have made him sound like an ugly, misshapen oaf: pockmarked face, decayed teeth, oversized eye sockets, massive nose, heavy in the hips, gargantuan hands and feet. But somehow, when put together and set in motion, the full package conveyed sheer majesty. As one of his biographers put it, his body did not just occupy space; it seemed to organize the space around it. He dominated a room not just with his size, but with an almost electric presence. “He has so much martial dignity in his deportment,” observed Benjamin Rush, “that there is not a king in Europe but would look like a valet de chambre by his side.”10 Not only did bullets and shrapnel seem to veer away from his body in battle, not only did he once throw a stone over the Natural Bridge in the Shenandoah Valley, which was 215 feet high, not only was he generally regarded as the finest horseman in Virginia, the rider who led the pack in most fox hunts, he also possessed for most of his life a physical constitution that seemed immune to disease or injury. Other soldiers came down with frostbite after swimming ice-choked rivers. Other statesmen fell by the wayside, lacking the stamina to handle the relentless political pressure. Washington suffered none of these ailments. Adams said that Washington had “the gift of taciturnity,” meaning he had an instinct for the eloquent silence. This same principle held true on the physical front. His medical record was eloquently empty.11
Joseph J. Ellis (Founding Brothers)
I loved you as the boy whose fingertips were smudged and inky from hours of calculations, as the youth who preferred repairing carousel ponies over riding in a fox hunt.... I love you as the man who protects and pleasures me with the hands of an inventor and an engineer. I love you, I love you, I love you... with every beat of my enraptured heart.
A.G. Howard (The Hummingbird Heart (Haunted Hearts Legacy, #2))
Less science-curious adults were like hedgehogs: they became more resistant to contrary evidence and more politically polarized as they gained subject matter knowledge. Those who were high in science curiosity bucked that trend. Their foxy hunt for information was like a literal fox’s hunt for prey: roam freely, listen carefully, and consume omnivorously. Just as Tetlock says of the best forecasters, it is not what they think, but how they think. The best forecasters are high in active open-mindedness. They are also extremely curious, and don’t merely consider contrary ideas, they proactively cross disciplines looking for them. “Depth can be inadequate without breadth,” wrote Jonathan Baron, the psychologist who developed measurements of active open-mindedness.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
playing games with people, for instance. That would just be .... twisted "if they are willing participants, there's no harm." he smiled a little. "The fox enjoys the hunt you know.
M.A. Bennett (D.O.G.S (S.T.A.G.S, #2))
Trophy Kill was a riff on the classic fougère, the favorite accord of Victorian gentlemen. Fig and violet shifting to a base of oakmoss, musk, and mildewed leather. Dark, toothy, unexpected. Close your eyes and you could be lost at dusk in the kind of fairy-tale forest the Grimms never cleaned up. A fox hunt ending in blood. A strong stirrup cup, and shadows. A riding habit wrenched above the knee.
Lara Elena Donnelly (Base Notes)
Sables from Pechora, and white and dun fox, and the pelts of white wolves, and bearskins. From Siberia, red and black fox and the white fur of squirrels. Lynx and ermine. Wolverine, marten and beaver. What once lived and breathed and hunted through forest and snowfield piled now in stalls, fifty small skins between boards, sold as a timber.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
Longhair capped his flask. "Did you see her fur coat? Rabbit, fox, wolf, at least three different bears. Northerners only wear what they can hunt--Lady Sarnai must be quite skilled." He heaved a sympathetic sigh. "She won't be an easy time adjusting to life here.
Elizabeth Lim (Spin the Dawn (The Blood of Stars, #1))
Longhai capped his flask. "Did you see her fur coat? Rabbit, fox, wolf, at least three different bears. Northerners only wear what they can hunt--Lady Sarnai must be quite skilled." He heaved a sympathetic sigh. "She won't be an easy time adjusting to life here.
Elizabeth Lim (Spin the Dawn (The Blood of Stars, #1))
I did not dread the dark winter as people do when they have lost their youth and live alone in some great city. ― Siegfried Sassoon, Memoirs of a Fox-Hunting Man (Andesite Press, August 8, 2015)
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
Measure yourself against the enemy before declaring war; those who fail to hunt the foxes in the neighbourhood should stay clear of the elephants.
R. N. Prasher
Well, fuck. Looks like I’m going to be hunting down a serial killer all by myself.
Summer O'Toole (Make Me (The Fox Family Crime Syndicate, #1))
Why are they all lit?” In his years hunting artifacts, their original owners had usually been long dead. They didn’t keep the lights on.
Andrew Clawson (The Achilles Legend (Harry Fox #4))
Yet even before agriculture was fully organized, people across the world – from Japan to Finland and the Americas – were raising monumental structures that were both sacred and social. The temples acted as calendars linked to celestial bodies, and people possibly just gathered there to celebrate successful harvests, then returned to their hunting-foraging life. In south-east Türkiye, at Göbekli Tepe, structures that looked like temples, pillars topped with sculpted foxes, snakes and scorpions, were built by hunter-gatherers who did not yet farm yet already shared religious rites.
Simon Sebag Montefiore (The World: A Family History of Humanity)
He says the bite marks on the torso aren’t consistent with sobek teeth. This person was already dead when they were dumped into the Istros. The sobek must have seen an easy meal and hauled it down to its lair to eat later.” She swallowed the dryness in her mouth and again looked at the body. A dryad female. Her chest cavity had been ripped open, heart and internal organs removed, and bite marks peppered— “These wounds look like the ones you got from the kristallos. And the mer’s lab figured this body was probably five days old, judging by the level of decay.” “The night we were attacked.” Bryce studied the analysis. “There was clear venom in the wounds. Tharion says he could feel it inside the corpse even before the mer did tests on it.” Most of those in the House of Many Waters could sense what flowed in someone’s body—illnesses and weaknesses and, apparently, venom. “But when they tested it …” She blew out a breath. “It negated magic.” It had to be the kristallos. Bryce cringed, reading on, “He looked into records of all unidentified bodies the mer found in the past couple years. They found two with identical wounds and this clear venom right around the time of …” She swallowed. “Around when Danika and the pack died. A dryad and a fox shifter male. Both reported missing. This month, they’ve found five with these marks and the venom. All reported missing, but a few weeks after the fact.” “So they’re people who might not have had many close friends or family,” Hunt said. “Maybe.” Bryce again studied the photograph. Made herself look at the wounds. Silence fell, interrupted only by the distant sounds of Lehabah’s show downstairs. She said quietly, “That’s not the creature that killed Danika.” Hunt ran a hand through his hair. “There might have been multiple kristallos—” “No,” she insisted, setting down the papers. “The kristallos isn’t what killed Danika.” Hunt’s brow furrowed. “You were on the scene, though. You saw it.” “I saw it in the hall, not in the apartment. Danika, the pack, and the other three recent victims were in piles.” She could barely stand to say it, to think about it again.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
She is awake. And I must remind myself of how it began. The end of all things. It was a time of witches, it was a time of saints, a time when rabbits hunted foxes, when children came into the world without their heads, and kings lost theirs on the scaffold. The world was turned upside down, or so some said.
Rosie Andrews (The Leviathan)
Foxes do dream. Here is Fox's. The sky dusty with stars. The wind strong and blowing. Her belly full and she is running. Above her the sky lights dance, but they are only good for hunting by. She does not look up at them and wonder about her place in it all.
Kiran Millwood Hargrave (Leila and the Blue Fox)
I did not notice the bright red light spilling into the keyhole, nor did I expect the vivacity of the Scythe Card’s ruby-red color until it was already in the room. Prince Renelm Rowan stepped into the cellar, mud still clumped onto his boots from the hunt. When his eyes found me, they were brilliant green. “Who the hell is this?” “Elspeth Spindle,” Jespyr said. “Erik’s daughter,” Ravyn said, sharing a pointed look with his cousin. The Prince surveyed me. He looked like a fox to me, with his wild auburn hair and bright, intelligent eyes. “I’m Renelm,” he said, narrowing them. “But Elm will do.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
An architectural curiosity. And a flawed comparison, as the geometry of this chamber is quite different. The great curse of the artistic education, or what you call the liberal arts, is the understanding of the world through metaphor. Understanding things for what they resemble, rather than what they are in themselves. I think that is what draws you to the battle against conspiracy. Am I correct?” “I guess. I call it false narrativization.” Rostam laughed, and the sound echoed back around them “Also it brings in listeners.
Arlo Fox (The Hunt for Satoshi)
While the spirit of 'The Hunt for Satoshi' is quite different to the following books of sci-fi/speculative fiction, I owe a debt to Neal Stephenson's 'Cryptonomicon', William Gibson's 'Pattern Recognition' and especially Vernor Vinge's 'True Names'. The latter was packaged with a collection of relevant essays with an introduction by Hari Kunzru in 2016. For anyone interested in the origins and philosophy of crypto, I'd suggest starting with those essays.
Arlo Fox (The Hunt for Satoshi)
Fra Beltramino also mentions the Game of Diana (Ludus Dianae), which is nothing other than a trip taken by Doubles. Petrina, from the time you were sixteen until the date of this confession, you have continually taken part in a certain game of Diana, whom you call Herodias [ fuisti ad ludum Diane quam vos apelatis Herodiadem], and you have come before this mistress and have always given her your devotion, in the following manner: you have bowed down to her and spoken these words, “May you fare well, Lady Horiens” In answer to you, she herself has said, “May you fare well, good people.” And you have said that they go to the game in the form of animals, or more exactly as a donkey, a fox, or as human beings, as living or dead people, and that those who were beheaded or hanged display a great sense of awe and do not dare to lift up their heads in that company. You also said that in that society they kill animals and eat their flesh, but that they place the bones back into the skin, and the mistress herself strikes the skin of the slaughtered animals with the staff that she holds in her hand with the apple [cum bacheta quam portat in manu cum pomo percutit], and these animals at once revive, but they are never much good for work thereafter. You said that they go with their mistress through the houses of various people, and they eat and drink there, and they rejoice [ibi comedunt et bibunt et multum letantur] in finding houses that are spacious and well ordered, and the mistress then gives her blessing to this house [dat illa domina benedictionem dicte domui].
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
If I’d waited for you to get your nerve up, it would still be sucking the life force from me. Clean your panties; we’re on the hunt again.
Rebecca Chastain (A Fistful of Evil (Madison Fox, #1))
our numbers decimated for sport. We have been made ridiculous through horror films and fetishized in romance books. We owe no kindness to humankind.
Steffanie Holmes (Art of the Hunt (Crookshollow Foxes, #2))
The shrewd hunt foxes, the strong hunt lions, but the mighty hunt elephants.
Matshona Dhliwayo
The men got off and started to unload their equipment. Most carried AK-47 or Pakistani G-3 rifles. The luggage consisted of ammunition boxes, radio sets and the feared RPG rocket launchers. The Heckler & Koch G-3s had been captured in a firefight from the Pakistani Frontier Corps last month. A tall man with a military bearing walked over and joined the Tajik officer.
Siddhartha Thorat (Operation 'Fox-Hunt')
....they dressed for dinner and followed the strict discipline of upper class English families. The next morning they took me with them for the county fox hunt. Since I could not ride, I asked to be excused. But I did get to see the ritual of dress, the hierarchy observed among hunting types, the blowing of horns, the handling of beagles, a poor fox being run to death and having its tail (brush) cut off. Having achieved their object, glasses of sherry were passed round like prasad after a religious service.
Khushwant Singh (Truth, Love & A Little Malice)
I was so happy. I had changed lots of diapers in my twenty-two years and cared for lots of babies, but our Lily was ours, and to us, she was perfect and healthy. She was easy and quiet, and she slept really good. I always knew I was going to love being a mom, and I was right. I loved it. I could even take her to the movies, and she wouldn’t make a peep. Phil always says Lily was the first granddaughter who wasn’t afraid of him. And it was true. From the very first time they laid eyes on each other, baby Lily was a match for Phil. She just took to him. I guess it was the beard, and it was a good thing Jep had a hunting-season beard when she was born because she was used to it. She loved her Papaw Phil, and as soon as she was a few months old and could sit up, she’d sit in his lap and watch Fox News. Jep had always said he wanted his children to be around his family, especially his parents, so I made an effort to bring Lily down to Phil and Kay’s as often as possible. While Lily sat with Phil, I’d help Miss Kay with work or in the kitchen or just sit and visit. In the back of my mind, I still carried some of the fear and worry from my pregnancy. As she got closer to a year old, Jep and I noticed Lily hadn’t started talking yet, although she seemed to be normal and healthy in every other way. She was alert and sweet and smart, but she was quiet. Her eyes were big, and she watched everything going on around her. But she didn’t talk. In her second year, we got a little more worried because Lily still wasn’t talking. Developmentally, everything else was on track. She grew and ate solid good and crawled and walked, but still no words. We were concerned and afraid something might be wrong. Lily finally started talking when she was three, and she has turned out to be as smart as can be and does very well in school. There is nothing wrong with her. Lily is on her own timetable, and we had to wait patiently for her personality to emerge. I’m guessing her quiet personality came from her dad. I don’t know, but maybe I did all her talking for her, and she didn’t feel the need those first few years! Lily is twelve years old now. She’s still sweet and smart and quiet, and she still loves her family.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
A stuffed-up voice over the PA announced preboarding for Jane’s flight. The brunette made an audible moan of disappointment. Martin struggled to his feet with a hand up from Nobley, and they both stood before Jane, silent, pathetic as wet dogs who want to be let back in the house. She felt very sure of herself just then, tall and sleek and confident. “Well, they’re playing my song, boys,” she said melodically. Martin’s tall shoulders slumped as he sulked, and his long feet seemed clownish. Nobley had no trace of a smile now. She looked at them, side by side, two men who’d given her Darcy obsession a really good challenge. They were easily the most scrumptious men of her acquaintance, and she supposed she’d never had so much fun pursuing and being pursued. And she was saying no. To both of them. To all of it. Her skin tingled. It was a perfect moment. “It’s been a pleasure. Truly.” She started to turn away. “Jane.” Nobley placed a hand on her shoulder, a desperate kind of bravery overcoming his reserve. He took her hand again. “Jane, please.” He raised her hand to his lips, his eyes down as if afraid of meeting hers. Jane smiled and remembered that he really had been her favorite, all along. She stepped into him, holding both his hands down by her sides, and lightly pressed her cheek against his neck. She could feel him sigh. “Thank you,” she whispered. “Tell Mrs. Wattlesbrook I said tallyho.” She sauntered away without looking back. She could hear the men calling after her, protesting, reaffirming their sincerity. Jane ignored them, smiling all the way back through security, to the gate, down the jetway. Though pure fantasy, it was exactly the finale she’d hoped for. She liked the way it had ended, had enjoyed her last line. Tallyho. What did that mean, anyway? Wasn’t it like, the hunt is on, or something? Tallyho. A beginning of something. She was the predator. The fox had been sighted. It was time to run it down. Okay, Aunt Carolyn, she said in a little prayer. Okay, I’m ready. I’m burying the wishful part of me, the prey part of me. I’m real now.
Shannon Hale (Austenland (Austenland, #1))