Fountain Grass Quotes

The King beneath the mountains, The King of carven stone, The lord of silver fountains Shall come into his own! His crown shall be upholden, His harp shall be restrung, His halls shall echo golden To songs of yore re-sung. The woods shall wave on mountains. And grass beneath the sun; His wealth shall flow in fountains And the rivers golden run. The streams shall run in gladness, The lakes shall shine and burn, And sorrow fail and sadness At the Mountain-king’s return!

Is not a dew-drop on a blade of grass more beautiful than a pearl set in gold? Is not a living spring, which gushes up before us, we know not whence, more beautiful than all the fountains of Versailles?

Variations: II Green light, from the moon, Pours over the dark blue trees, Green light from the autumn moon Pours on the grass ... Green light falls on the goblin fountain Where hesitant lovers meet and pass. They laugh in the moonlight, touching hands, They move like leaves on the wind ... I remember an autumn night like this, And not so long ago, When other lovers were blown like leaves, Before the coming of snow.

Like ghosts the children walked across the lawn on their bare feet. The moon was full. Above the damp grass hung a veil of mist, luminous with moonlight and spangled with fireflies. There was no wind, and the sound of the brook was very distinct, tinkling, splashing, running softly. It made Mona think of an ancient fountain, shaped like a shell, covered with moss, and set in a secluded garden. Something she half remembered, or imagined.

Ah, the harbour bells of Cambridge! Whose fountains in moonlight and closed courts and cloisters, whose enduring beauty in its virtuous remote self-assurance, seemed part, less of the loud mosaic of one's stupid life there, though maintained perhaps by the countless deceitful memories of such lives, than the strange dream of some old monk, eight hundred years dead, whose forbidding house, reared upon piles and stakes driven into the marshy ground, had once shone like a beacon out of the mysterious silence, and solitude of the fens. A dream jealously guarded: Keep off the Grass. And yet whose unearthly beauty compelled one to say: God forgive me.

It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunneled the soil and molted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.

think it has been left alone so long—that it has grown all into a lovely tangle. I think the roses have climbed and climbed and climbed until they hang from the branches and walls and creep over the ground—almost like a strange gray mist. Some of them have died but many—are alive and when the summer comes there will be curtains and fountains of roses. I think the ground is full of daffodils and snowdrops and lilies and iris working their way out of the dark. Now the spring has begun—perhaps—perhaps—” The soft drone of her voice was making him stiller and stiller and she saw it and went on. “Perhaps they are coming up through the grass—perhaps there are clusters of purple crocuses and gold ones—even now.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

...why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life... Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaudling, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth.

Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.

It was because the place was just the same that made your absence seem a savage force, for under all the gentleness there came an earthquake tremor: fountain, bird and grass were shaken by my thinking of your name. (Elizabeth Jennings: Absence)

The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.

In memory I went back to the days in Rome when I had been mortal, and there was my garden, the garden of the villa of my father, and I was walking in the soft grass and listening to the sound of the fountain, and then it seemed that all through time, the garden changed but never changed, and it was always there for me.

whole realm was his. He plunged into the swimming tank or went hunting with the Judge's sons; he escorted Mollie and Alice, the Judge's daughters, on long twilight or early morning rambles; on wintry nights he lay at the Judge's feet before the roaring library fire; he carried the Judge's grandsons on his back, or rolled them in the grass, and guarded their footsteps through wild adventures down to the fountain in the stable yard, and even beyond, where the paddocks were, and the berry patches. Among the terriers he stalked imperiously, and Toots and Ysabel he utterly ignored, for he was king,—king over all creeping, crawling, flying things of Judge Miller's

rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his

The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.

There was something wonderful about the atmosphere at Stony Cross Park. One could easily imagine it as some magical place set in some far-off land. The surrounding forest was so deep and thick as to be primeval in appearance, while the twelve-acre garden behind the manor seemed too perfect to be real. There were groves, glades, ponds, and fountains. It was a garden of many moods, alternating tranquility with colorful tumult. A disciplined garden, every blade of grass precisely clipped, the corners of the box hedges trimmed to knife blade crispness. Hatless, gloveless, and infused with a sudden sense of optimism, Annabelle breathed deeply of the country air. She skirted the edge of the terraced gardens at the back of the manor and followed a graveled path set between raised beds of poppies and geraniums. The atmosphere soon became thick with the perfume of flowers, as the path paralleled a drystone wall covered with tumbles of pink and cream roses. Wandering more slowly, Annabelle crossed through an orchard of ancient pear trees, sculpted by decades into fantastic shapes. Farther off, a canopy of silver birch led to woodland beds that appeared to melt seamlessly into the forest beyond.

The whole Romantic sham, Bernard! It’s what happened to the Enlightenment, isn’t it? A century of intellectual rigour turned in on itself. A mind in chaos suspected of genius. In a setting of cheap thrills and false emotion. The history of the garden says it all, beautifully. There’s an engraving of Sidley Park in 1730 that makes you want to weep. Paradise in the age of reason. By 1760 everything had gone – the topiary, pools and terraces, fountains, an avenue of limes – the whole sublime geometry was ploughed under by Capability Brown. The grass went from the doorstep to the horizon and the best box hedge in Derbyshire was dug up for the ha-ha so that the fools could pretend they were living in God’s countryside. And then Richard Noakes came in to bring God up to date. By the time he’d finished it looked like this (the sketch book). The decline from thinking to feeling, you see.

The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunnelled the soil and moulted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.

and it goes, the music just goes, without faltering, without hesitation, not depleted through repetition, but enriched; and as it goes- without faltering, without hesitation- the rapid-rushing piece instantly becomes the soundtrack to what I am looking at, regardless of what it may be: the varied tilts of oldsters' hats, wind-gusts corduroying the park's grass, the sparkling of pram wheels, children stepping onto the water fountain's access ledge and hunchbacking behind their button-pushing hand and jutting lips;

I want my own storybook. I pray for a miracle to happen very soon. I throw coins in the fountain. I wish upon stars to make him my prince from fairyland. On a hazy winter morning, I’ll pick flowers from the field. Walking on dew grass, he’ll make me a ring out of daisy. I know how it will end, I’ll break into tears and he’ll watch me crumble into pieces. Then he’ll say, I’m sorry and turn his back, walk away. But I pray for a miracle to happen very soon. I throw coins in the fountain. I wish upon stars to make him my prince from fairyland.

Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.

Cutting grass and pulling weeds can be a way of life, son." Bill Forrester was smiling quietly at him. "I know," said Grandpa, "I talk too much." "There's no one I'd rather hear." "Lecture continued, then. Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaulding, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. End of lecture. Besides, a mess of dandelion greens is good eating once in a while.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

Before Will got sick, Tova used to pack a picnic for two: cheese, fruit, sometimes a bottle of red wine with two plastic tumblers. At Hamilton Park, if the tide was low, they’d scramble down and sit on the beach under the seawall. They’d bury their bare feet in the coarse sand and let the cold, foamy sound lick their ankles as it washed ashore. Tova pulls her hatchback into the empty lot. “Park” has always been a generous term for the narrow strip of soggy grass, its two weather-worn picnic tables, and the drinking fountain that never works. Now, Tova comes here to be alone with her thoughts, when she needs a break from being alone in her house.

There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

The beautiful agonising mirage of the university was inescapable from. This was a forever she had no part in. The eternity was more real to her for consisting of fiery particles of transience - bridges the punt slid under, raindrops spattering the Cam with vanishing circles, shivered reflections, echoes evaporating, shadows metamorphosizing, distances shifting, glorification coming and going on buildings at a whim of the sun, grass flashing through arches, gasps of primitive breath coming from stones, dusk ebbing from waxen woodwork when doors opened. Holy pillars flowed upward and fountained out, round them being a ceaseless confluence of fanatical colours burningly staining glass. Nothing was at an end, so nothing stood still. And of this living eternity, of its kind and one of its children, had been Henry, walking beside her.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world

There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.

His Sons, the fairest of her Daughters Eve. Under a tuft of shade that on a green Stood whispering soft, by a fresh Fountain side They sat them down, and after no more toil Of thir sweet Gardning labour then suffic’d To recommend coole Zephyr, and made ease More easie, wholsom thirst and appetite More grateful, to thir Supper Fruits they fell, Nectarine Fruits which the compliant boughes Yeilded them, side-long as they sat recline On the soft downie Bank damaskt with flours: The savourie pulp they chew, and in the rinde Still as they thirsted scoop the brimming stream; Nor gentle purpose, nor endearing smiles Wanted, nor youthful dalliance as beseems Fair couple, linkt in happie nuptial League, Alone as they. About them frisking playd All Beasts of th’ Earth, since wilde, and of all chase In Wood or Wilderness, Forrest or Den; Sporting the Lion rampd, and in his paw Dandl’d the Kid; Bears, Tygers, Ounces, Pards Gambold before them, th’ unwieldy Elephant To make them mirth us’d all his might, & wreathd His Lithe Proboscis; close the Serpent sly Insinuating, wove with Gordian twine His breaded train, and of his fatal guile Gave proof unheeded; others on the grass Coucht, and now fild with pasture gazing sat, Or Bedward ruminating: for the Sun Declin’d was hasting now with prone carreer To th’ Ocean Iles, and in th’ ascending Scale Of Heav’n the Starrs that usher Evening rose: When Satan still in gaze, as first he stood, Scarce thus at length faild speech recoverd sad. O Hell! what doe mine eyes with grief behold, Into our room of bliss thus high advanc’t Creatures of other mould, earth-born perhaps, Not

The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.

BEAUTY I was charged with finding Beauty. The order whispered as I slept. A voice said it was my duty. Then quietly it wept. Filled with purpose, I set out. I was honored with my quest. In my mind there was no doubt I was up to this great test. In my garden I stopped first. My roses were in bloom. Their bright red glory burst With others mixed on Nature’s loom. Then a lady drew my gaze. She was gliding o’er the grass. Her features would gods amaze. I sighed deep and let her pass. A cathedral’s spire reached to the sky, Man-made wonder to behold. No sight more pleasing to the eye Than such a work both grand and bold. I came upon a mighty mountain, Snowcap glistening against blue sky. My eyes were drinking from beauty’s fountain. Yet I knew I could do better with another try. My journey lengthened. I crossed the earth. My will strengthened. To place beauty’s birth. Witness I was to the wonders Of beauty’s many layers. Fiery sunsets, tropic thunders, Children at their prayers. But each time I thought me near To beauty’s absolute, Something better would appear Even closer to the root. I wandered thus for many years. Despaired to ever reach my goal. I often found myself in tears. I had searched from pole to pole. Until one day on a dusty street In a poor part of the world, I found a woman begging at my feet, Her fingers gnarled and curled. I fished my pocket for a coin, Thinking good luck could be bought. Her eyes raised up to my eyes join. And I saw the woman owned what I sought. She let me pass into her soul. Into the garden there. Never in my life whole Had I conceived a sight so fair. I saw the Holy Face of God, From whose smile all beauty is born. All the steps that I had trod Were redeemed on that sweet morn

Everything you needed to play baseball was in the Garden of Eden. You had the grass. You had the dirt. You had a branch from a tree to make a bat. There had to be a cow somewhere to give you the ball and the glove. I was telling this story once and some wise guy said: ‘Yeah, they even had a snake for the media.

Do a cartwheel, Tania,” said Dimitri with his hand on her back. “Show us what you can do.” “Yes, Tania!” Dasha said. “Come on. This is the perfect place for it, don’t you think? Here in front of a majestic palace, fountains, lawn, gardenias blooming—” “Germans in Minsk,” said Tatiana, trying not to look at Alexander, lying on the blanket on his side, propped up by his elbow. He looked so casual, so familiar, so… And yet, at the same time, utterly untouchable and unattainable. “Forget the Germans,” Dimitri said. “This is the place for love.” That’s what Tatiana was afraid of. “Come on, Tania,” Alexander said softly, sitting up and crossing his legs. “Let’s see these famous cartwheels.” He lit a cigarette. Dasha prodded her. “You never say no to a cartwheel.” Tatiana wanted to say no today. Sighing, she got up from their old blanket. “Fine. Though, frankly, I don’t know what kind of a queen I’d make, doing cartwheels for my subjects.” Tatiana was wearing a dress, not the dress but a casual pink sundress. Walking a few meters away from them, she said, “Are you ready?” And from a distance she saw Alexander’s eyes swallowing her. “Watch,” she said, putting her right foot forward. She flung herself upside down on her right arm, swinging her body in a perfect arc around onto her left arm and then her left foot, and then, without taking a breath and with her hair flying, Tatiana whirled around again, and again and again in an empyrean circle, down a straight trajectory on the grass toward the Great Palace, toward childhood and innocence, away from Dimitri and Dasha and Alexander. As she walked back, her face flushed and her hair everywhere, she allowed herself a glance at Alexander’s face. Everything she had wanted to see was there.

The barracks should of course have been torn down years ago, but the Fort’s current proprietors, the Archaeological Survey of India, have lovingly continued the work of decay initiated by the British: white marble pavilions have been allowed to discolour; plasterwork has been left to collapse; the water channels have cracked and grassed over; the fountains are dry. Only the barracks look well maintained.

For the rest the old trapper was glad to see the last of habitations, and of men, and of the railroad. Slingerland hated that great, shining steel band of progress connecting East and West. Every ringing sledge-hammer blow had sung out the death-knell of the trapper’s calling. This railroad spelled the end of the wilderness. What one group of greedy men had accomplished others would imitate; and the grass of the plains would be burned, the forests blackened, the fountains dried up in the valleys, and the wild creatures of the mountains driven and hunted and exterminated. The end of the buffalo had come — the end of the Indian was in sight — and that of the fur-bearing animal and his hunter must follow soon with the hurrying years. Slingerland hated the railroad, and he could not see as Neale did, or any of the engineers or builders. This old trapper had the vision of the Indian — that far-seeing eye cleared by distance and silence, and the force of the great, lonely hills. Progress was great, but nature undespoiled was greater. If a race could not breed all stronger men, through its great movements, it might better not breed any, for the bad over-multiplied the good, and so their needs magnified into greed. Slingerland saw many shining bands of steel across the plains and mountains, many stations and hamlets and cities, a growing and marvelous prosperity from timber, mines, farms, and in the distant end — a gutted West.

Every ounce of strength I could have summoned would have been no more than a flickering spark beside either of those blazing fountains of light and magic. It was power that had existed since the dawn of life, and would until its end. It was power that had cowed mortals into abject worship and terror before—and I finally understood why. I wasn’t a pawn of that kind of strength. I was an insect beside giants, a blade of grass before towering trees.

Everything means something to you; dying flowers, The different times of year. The new clothes you wear at the end of Ramadan. A prince’s trust. The way that water flows, Too impetuous to pause, breaking over Stones, rushing towards distant objects, Places you can’t see but which you also flow Outward to. Today you slept long. When you woke your old blood stirred. This too meant something. The girl who woke you Touched your brow. She called you Lord. You smiled, Put up a trembling hand. But she had gone, As seasons go, as a night-flower closes in the day, As a hawk flies into the sun or as the cheetah runs; as The deer pauses, sun-dappled in long grass, But does not stay. Fleeting moments: these are held a long time in the eye, The blind eye of the ageing poet, So that even you, Gaffur, can imagine In this darkening landscape The bowman lovingly choosing his arrow, The hawk outpacing the cheetah, (The fountain splashing lazily in the courtyard), The girl running with the deer.

The residence sat toward the back of the property, which sloped up across a masterfully landscaped yard shaded with maple and spruce trees, dotted with stone sculptures—fountains, birdbaths, angels—and not a leaf to be seen on the pockets of lush green grass. An engine turned over near the house. Letty stepped off the drive and crawled into a thicket of mountain laurel as a boxy Mercedes G-Class rolled past. Through the branches and tinted glass, she glimpsed Chase at the wheel, a young boy in a booster in the backseat. The car ride over had only intensified her nausea, and as the diesel engine faded away, she put her finger down her throat and retched in the leaves. She felt instantly better. Weaker. Less drunk. But better.

One day before the end, the streets swirl in laughter. Neighbors who have never spoken greet each other as friends, strip off their clothing and bathe in the fountains. Others dive in the Aare. After swimming until exhausted, they lie in the thick grass along the river and read poetry. A barrister and a postal clerk who have never before met walk arm in arm through the Botanischer Garten, smile at cyclamens and asters, discuss art and color. What do their past stations matter? In a world of one day they are equal.

Peace is white sun reflections on summer pear trees, and ocean mist droplets defying gravity by air currents. Peace is caffeinated goodbye-kissing and velvet smiles laced with credence. Trumpet horns sound off the coming of Blue Jays, Swallows and Chickadee’s. And there is no sadness echoing within or without. There is a taste of God in every grass blade and car horn raging in the city. The stop lights are all green, and there are children playing in the fountains. A dog laps my hand, and finally—I remembered what it’s all about.

At first I felt something like an oppressed anxiety when I was near the little sick girl, which later changed into pious and reverential awe in face of this dumb and strangely moving suffering. Whenever I saw her, an obscure sensation would arise in me that she must surely die. And then I grew afraid to look her in the face. Whenever I roamed the forests during the day, feeling so joyful in this solitude and peace, when I stretched out wearily on the moss and gazed for hours together into the bright, shimmering sky, into whose very depths one could see, when a strange and profound sense of joy thrilled me, I would suddenly think of the sick Maria - then I would get up and roam aimlessly about, overwhelmed by inexplicable thoughts and feel a dull pressure in my head and my heart which brought me to the verge of tears. At times when I walked in the evening along the dusty main street which was filled with the scent of the blossoming lime and watched whispering couples as they stood in the shadows of the trees; when I saw two people pressed close together as though they were one being, sauntering slowly beside the fountain as it quietly played in the moolight, and a feverish thrill of presentiment coursed through me as I thought of poor sick Maria; then I was seized by a quiet yearning for something inexplicable and all at once I saw myself strolling arm in arm with her in the shade of the fragrant lime trees. And a strange radiance shone from Maria's great dark eyes, and the moon made her slender little face appear still paler and more transparent. Then I fled upstairs into my attic, leaned against the window, looked up into the deep dark heavens where the stars appeared to have gone out and for hours abandoned myself to formless and confusing dreams until overcome by sleep. And yet - and yet I did not exchange so much as ten words with poor sick Maria. She never spoke. I would only sit at her side for hours gazing into her sick, suffering face, feeling ever and again that she must die. In the garden I lay in the grass and breathed in the fragrance of a thousand flowers; my eye was intoxicated by the gleaming colours of blossoms flooded with sunlight, and I listened too for the silence in the air above, interrupted only by the mating call of a bird. I sensed the ferment of the fruitful, torrid earth, that mysterious sound of ever-creative life. I could then darkly feel the greatness and beauty of life. Then it semed to me as if life belonged to me. But then my eye lit upon the bay-window of the house. I could see the sick Maria sitting there - silent and motionless and with closed eyes. And all my thinking was again drawn to the suffering of this being and remained there - became a painful but shyly conceded yearning which struck me as puzzling and confusing. And I left the garden timidly, silently, as though I had no right to linger in this temple.

Finally, Diana had worked her way down to the Abbey, an upscale restaurant with a small but lush courtyard that featured a tinkling fountain, a pair of wooden benches, flowering bushes and stands of tall grasses, and a statue resembling Rodin's The Thinker (one of the few things she did remember from the art history class she'd taken). She'd never eaten there, but she remembered Dr. Levy mentioning it as one of the places she and her husband visited for date night at least once every summer. She sat on the bench for a minute to rest her feet and peruse the menu. Tuna sushi tempura (eighteen dollars for an appetizer). Almond-crusted cod with a mandarin-citrus beurre blanc (twenty-eight dollars) and butter-poached lobster (market price). The list of cocktails and special martinis ran two pages, and when she walked up the curved stone steps and stepped into the dining room, the views of the bay were gorgeous.

The home I grew up in was something you might expect to find in an F. Scott Fitzgerald novel. Domed ceilings with ornate moldings, inlaid marble floors, and more powder rooms than people. It was a small palace. Mom loved French architecture and décor and would take trips overseas to find unique antiques. There were two exterior swimming pools, a tennis court, a pavilion, plus a rose garden, Italian stepped stone fountains, and grounds galore. A branch of the Trinity River flowed near stone-covered walking paths, swaths of carefully tended grass in green spaces waving nearby.

Quivering fears, heart-tearing cares, Anxious sighs, untimely tears, Fly, fly to courts, Fly to fond worldlings' sports, Where strain'd sardonic smiles are glosing still, And Grief is forc'd to laugh against her will: Where mirth's but mummery, And sorrows only real be. Fly from our country pastimes, fly, Sad troops of human misery. Come, serene looks, Clear as the crystal brooks, Or the pure azur'd heaven that smiles to see The rich attendance of our poverty: Peace and a secure mind, Which all men seek, we only find. Abused mortals I did you know Where joy, heart's-ease, and comforts grow, You'd scorn proud towers, And seek them in these bowers; Where winds, sometimes, our woods perhaps may shake, But blust'ring care could never tempest make, Nor murmurs e'er come nigh us, Saving of fountains that glide by us. Here's no fantastick mask, nor dance, But of our kids that frisk and prance; Nor wars are seen Unless upon the green Two harmless lambs are butting one the other, Which done, both bleating run, each to his mother And wounds are never found, Save what the plough-share gives the ground. Here are no false entrapping baits, To hasten too, too hasty Fates, Unless it be The fond credulity Of silly fish, which worldling like, still look Upon the bait, but never on the hook; Nor envy, unless among The birds, for prize of their sweet song. We all pearls scorn, Save what the dewy morn Congeals upon each little spire of grass, Which careless shepherds beat down as they pass: And gold ne'er here appears, Save what the yellow Ceres bears, Blest silent groves, oh may ye be, For ever, mirth's best nursery ! May pure contents For ever pitch their tents Upon these downs, these meads, these rocks, these mountains. And peace still slumber by these purling fountains: Which we may, every year, Meet when we come a-fishing here.

Are you ready, Tiana? One last deal." His willingness to sacrifice some innocent person's soul alleviated the last prickle of conscience she felt over what she was about to do. This snake in the grass deserved everything that was coming to him. "Okay," Tiana said. "I'll sign it." She followed him to a wooden desk that held a lamp, and grabbed hold of the fountain pen he held out to her. Tiana bent over the contract, turning her back slightly as she scribbled across the bottom of the scroll. "Okay, it's done," she said. She turned and held the vial out to him. "Now, you drink half, and I'll drink half." His eyes were bright with triumph as he snatched the vial from her free hand, wrenched the cork out of it, and gulped down the entire contents. He threw his head back and let out a peal of laughter. But his laughter quickly died as he clutched at his throat and staggered several steps back. Tiana held out the contract to him, the words Goodbye, Shadow Man scrawled on the signature line.

Taylor followed her out into a small garden, fully enclosed by the surrounding buildings. A pebble path wound through small patches of grass. A few carved statues sat unobtrusively in the four corners, a stone bench sat next to a burbling fountain. They took a seat, Thalia with her back straight and the same beatific smile she’d had on for the past five minutes. “This is my favorite place. It’s easy to think here.” A calm had stolen over Taylor, similar to the feeling she’d had inside the church. “I can understand why. Can you teach art if you’re a nun?” “Of course. Especially in our fast-paced world, where people don’t take time to read. Art can play a huge role in communication, especially to the young. There are certainly centuries of religious works to study.” They sat in silence for a few moments, then Thalia spoke again, her voiced tinged with sadness. “Jasmine called me. She told me to answer your questions. I don’t know everything about the secret society, but I know some. I’ll help in any way that I can.” “I appreciate that. Jasmine told me that there is a club of girls who are making sex tapes to be posted on the Internet. What can you tell me about them?” Thalia contemplated her hands, which were nestled in her lap. “It’s not what they make it out to be, for starters. It’s supposed to be this glamorous, exciting club that everyone wants to be a part of, and only the most beautiful and popular are tapped. You know what being tapped is, right?” “Yes. You’re chosen by the group, have to go through some awful ritual, then you’re a pledge of sorts.

Theme It's a sunny weekday in early May and after a ham sandwich and a cold bottle of beer on the brick terrace, I am consumed by the wish to add something to one of the ancient themes– youth dancing with his eyes closed, for example, in the shadows of corruption and death, or the rise and fall of illustrious men strapped to the turning wheel of mischance and disaster. There is a slight breeze, just enough to bend the yellow tulips on their stems, but that hardly helps me echo the longing for immortality despite the roaring juggernaut of time, or the painful motif of Nature's cyclial return versus man's blind rush to the grave. I could loosen my shirt and lie down in the soft grass, sweet now after its first cutting, but that would not produce a record of the pursuit of the moth of eternal beauty or the despondency that attends the eventual dribble of the once gurgling fountain of creativity. So, as far as great topics go, that seems to leave only the fall from exuberant maturity into sudden, headlong decline– a subject that fills me with silence and leaves me with no choice but to spend the rest of the day sniffing the jasmine vine and surrendering to the ivory goverance of the piano by picking out with my index finger the melody notes of "Easy to Love," a song in which Cole Porter expresses, with put-on nonchalance, the hopelessness of a love brimming with desire and a hunger for affection, but met only and always with frosty disregard.