Foul Quotes

We've searched our database for all the quotes and captions related to Foul. Here they are! All 100 of them:

Fair speech may hide a foul heart.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Perfume was first created to mask the stench of foul and offensive odors... Spices and bold flavorings were created to mask the taste of putrid and rotting meat... What then was music created for? Was it to drown out the voices of others, or the voices within ourselves? I think I know.
Emilie Autumn (The Asylum for Wayward Victorian Girls)
I know [Umbridge] by reputation and I'm sure she's no Death Eater—' 'She's foul enough to be one…' 'Yes, but the world isn't split into good people and Death Eaters', said Sirius with a wry smile. 'I know she’s a nasty piece of work though'.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Fair is foul, and foul is fair, hover through fog and filthy air.
William Shakespeare (Macbeth)
Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
F. Scott Fitzgerald (The Great Gatsby)
I thought, “I want to die. I want to die more than ever before. There’s no chance now of a recovery. No matter what sort of thing I do, no matter what I do, it’s sure to be a failure, just a final coating applied to my shame. That dream of going on bicycles to see a waterfall framed in summer leaves—it was not for the likes of me. All that can happen now is that one foul, humiliating sin will be piled on another, and my sufferings will become only the more acute. I want to die. I must die. Living itself is the source of sin.
Osamu Dazai (No Longer Human)
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!" Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK! She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again. "Don’t you dare call Hagrid pathetic you foul—you evil—" "Hermione!" said Ron weakly and he tried to grab her hand as she swung it back. "Get off Ron!" Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered. "C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons. "Hermione!" Ron said again, sounding both stunned and impressed.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
And people get all fouled up because they want the world to have meaning as if it were words... As if you had a meaning, as if you were a mere word, as if you were something that could be looked up in a dictionary. You are meaning.
Alan W. Watts
Jealous?...Of what? I don't want a foul scar right across my head, thanks. I don't think getting your head cut open makes you that special, myself.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Who are your favorite heroines in real life? The women of Afghanistan, Iraq, and Iran who risk their lives and their beauty to defy the foulness of theocracy. Ayaan Hirsi Ali and Azar Nafisi as their ideal feminine model.
Christopher Hitchens (Hitch 22: A Memoir)
So fair and foul a day I have not seen.
William Shakespeare (Macbeth)
You should thank me for tolerating you. I had hoped that becoming a royal would cure your foul manners." "That's interesting. My father hoped that stripping me of royalty would do the same thing.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
Angels are bright still, though the brightest fell. Though all things foul would wear the brows of grace, Yet Grace must still look so.
William Shakespeare (Macbeth)
Lothaire is very much alive.” “You swear?” “Often. Though not as much as foul-mouthed Regin. I try not to in front of Bertil.” She petted the bat. “I meant—will Lothaire live?” “He will.
Kresley Cole (Lothaire (Immortals After Dark, #11))
Now that my ladder's gone, I must lie down where all my ladders start, In the foul rag-and-bone shop of the heart.
W.B. Yeats
You are my whole heart, Scarlet. And this is breaking it.' My heart cracked open and clear dropped out of me. My mouth opened, and I looked round me and stamped my foot. 'Does this look like a good time to tell me that, you damn stupid boy?' I meant to sound mean but my voice wobbled. 'Now?' He gave a little smile. 'My foul-mouthed warrior.
A.C. Gaughen (Scarlet (Scarlet, #1))
Begin each day by telling yourself: Today I shall be meeting with interference, ingratitude, insolence, disloyalty, ill-will, and selfishness – all of them due to the offenders’ ignorance of what is good or evil. But for my part I have long perceived the nature of good and its nobility, the nature of evil and its meanness, and also the nature of the culprit himself, who is my brother (not in the physical sense, but as a fellow creature similarly endowed with reason and a share of the divine); therefore none of those things can injure me, for nobody can implicate me in what is degrading. Neither can I be angry with my brother or fall foul of him; for he and I were born to work together, like a man’s two hands, feet or eyelids, or the upper and lower rows of his teeth. To obstruct each other is against Nature’s law – and what is irritation or aversion but a form of obstruction.
Marcus Aurelius (Meditations)
Happy the man, and happy he alone, he who can call today his own: he who, secure within, can say, Tomorrow do thy worst, for I have lived today. Be fair or foul, or rain or shine the joys I have possessed, in spite of fate, are mine. Not Heaven itself, upon the past has power, but what has been, has been, and I have had my hour.
Horatius
Coffee first. Schemes later.
Leanna Renee Hieber (Darker Still (Magic Most Foul, #1))
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
Jasun Ether (The Beasts of Success)
Lee Jordan was finding it difficult not to take sides. 'So — after that obvious and disgusting bit of cheating —' 'Jordan!' growled Professor McGonagall. 'I mean after that open and revolting foul —' 'Jordan, I'm warning you —' 'All right, all right. Flint nearly kills the Gryffindor Seeker, which could happen to anyone, I'm sure, so a penalty to Gryffindor, taken by Spinnet, who puts it away, no trouble, and we continue play, Gryffindor still in possession.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"--it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No--Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
F. Scott Fitzgerald (The Great Gatsby)
Begone, foul dwimmerlaik, lord of carrion! Leave the dead in peace!" A cold voice answered: 'Come not between the Nazgûl and his prey! Or he will not slay thee in thy turn. He will bear thee away to the houses of lamentation, beyond all darkness, where thy flesh shall be devoured, and thy shrivelled mind be left naked to the Lidless Eye." A sword rang as it was drawn. "Do what you will; but I will hinder it, if I may." "Hinder me? Thou fool. No living man may hinder me!" Then Merry heard of all sounds in that hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. "But no living man am I!
J.R.R. Tolkien (The Lord of the Rings)
You foul, lying, evil little cockroach!
J.K. Rowling
No blood, no foul.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?
William Shakespeare (Hamlet)
It is easy to love people when they smell good, but sometimes they slip into the manure of life and smell awful. You must love them just as much when they smell foul.
Wayne W. Dyer
What do you want?" Belbalm had asked her. Safety, comfort, to feel unafraid. I want to live to grow old, Alex thought as she pulled the curtains closed. I want to sit on my porch and drink foul-smelling tea and yell at passersby. I want to survive this world that keeps trying to destroy me.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Two natures beat within my breast The one is foul, the one is blessed The one I love, the one I hate. The one I feed will dominate. -Anonymous
Tara Leigh Cobble (Crowded Skies: Letters To Manhattan)
And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb—alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
I held her wrists and then I got it through the eyes: hatred, centuries deep and true. I was wrong and graceless and sick. all the things I had learned had been wasted. there was no creature living as foul as I and all my poems were false.
Charles Bukowski
Anyone worth knowing breaks once. Once. No shame, no foul if you survive it. You did.
Karen Marie Moning (Bloodfever (Fever, #2))
...Heinous Fuckery, most foul!
Christopher Moore (Fool)
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for one the foul brood to which a cruel fate consigned us! What do you say? It is true that when with folded arms we weigh the pros and cons we are no less a credit to our species. The tiger bounds to the help of his congeners without the least reflexion, or else he slinks away into the depths of the thickets. But that is not the question. What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come --
Samuel Beckett (Waiting for Godot)
Confound my genteel upbringing! I could not think of any name foul enough to call him.
Nancy Springer (The Case of the Left-Handed Lady (Enola Holmes, #2))
In thy foul throat thou liest.
William Shakespeare (Richard III)
I don't want to be loved. I want to be desired. Love is safety, but desire is foul.
Hanif Kureishi (Something to Tell You)
Friendship: A ship big enough for two in fair weather, but only one in foul.
Ambrose Bierce (The Unabridged Devil's Dictionary)
Thou shalt not lie with mankind, as with womankind: it is abomination.' (Leviticus 18:22). That means simply that it is foul to do to other men what men habitually, proudly, manfully do to women: use them as inanimate, empty, concave things; fuck them into submission; subordinate them through sex.
Andrea Dworkin (Right-Wing Women)
Foul words is but foul wind, and foul wind is but foul breath, and foul breath is noisome; therefore I will depart unkissed.
William Shakespeare (Much Ado About Nothing)
Foul!" yelled Jamie, who seemed extremely happy not to be the one facing a blade. "Distracting technique! Put your shirt back on right now.
Sarah Rees Brennan (The Demon's Covenant)
It takes a whole lot longer to dispose of a body than to dispose of a soul, especially if you don’t want to leave any evidence of foul play.
Oyinkan Braithwaite (My Sister, the Serial Killer)
There is something profoundly cynical, my friends, in the notion of paradise after death. The lure is evasion. The promise is excusative. One need not accept responsibility for the world as it is, and by extension, one need do nothing about it. To strive for change, for true goodness in this mortal world, one must acknowledge and accept, within one's own soul, that this mortal reality has purpose in itself, that its greatest value is not for us, but for our children and their children. To view life as but a quick passage alone a foul, tortured path – made foul and tortured by our own indifference – is to excuse all manner of misery and depravity, and to exact cruel punishment upon the innocent lives to come. I defy this notion of paradise beyond the gates of bone. If the soul truly survives the passage, then it behooves us – each of us, my friends – to nurture a faith in similitude: what awaits us is a reflection of what we leave behind, and in the squandering of our mortal existence, we surrender the opportunity to learn the ways of goodness, the practice of sympathy, empathy, compassion and healing – all passed by in our rush to arrive at a place of glory and beauty, a place we did not earn, and most certainly do not deserve.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
I realized right then and there, in that hallway, that I wanted no other... I became the man she needed me to be because she had sense enough to have requirements-standards that she needed in her relationship in order to make the relationship work for her. She knew she wanted a monogamous relationship-a partnership with a man who wanted to be a dedicated husband and father. She also knew this man had to be faithful, love God, and be willing to do what it took to keep this family together. On a smaller scale she also made it clear that she expected to be treated like a lady at every turn-I'm talking opening car doors for her, pulling out her seat when she's ready to sit at the table, coming correct on anniversary, Mother's Day, and birthday gifts, keeping the foul talk to a minimum. These requirements are important to her because they lay out a virtual map of what I need to do to make sure she gets what she needs and wants. After all, it's universal knowledge that when mama is happy, everybody is happy. And it is my sole mission in life to make sure Marjorie is happy.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
And Caesar's spirit, raging for revenge, With Ate by his side come hot from hell, Shall in these confines with a monarch's voice Cry "Havoc!" and let slip the dogs of war, That this foul deed shall smell above the earth With carrion men, groaning for burial.
William Shakespeare (Julius Caesar)
You know, Miss Holly, you look very dramatic like that, backlit by the fire. Very attractive, if I may say so. I know you shared a moment passionne with Artemis which he subsequently fouled up with his typical boorish behavior. Let me just throw something out there for you to consider while we're chasing the probe: I share Artemis's passion but not his boorishness. No pressure; just think about it. This was enough to elicit a deafening moment of silence even in the middle of a crisis, which Orion seemed to be blissfully unaffected by.
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
You cannot poison what is between us with your foul words. She is my light in the darkness and Johnny is my pathway ahead.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
Keeping other people's flaws in mind is like keeping a bowl of foul-smelling food they have given you; it contaminates your heart, leaving no room for positive energy.
Master Jun Hong Lu
Why does your weak king send a filthy pirate to do his bidding?” sneered the Fjerdan ambassador, his words echoing across the cathedral. “Privateer,” corrected Sturmhond. “I suppose he thought my good looks would give me the advantage. Not a concern where you’re from, I take it?” “Preening, ridiculous peacock. You stink of Grisha foulness.” Sturmhond sniffed the air. “I’m amazed you can detect anything over the reek of ice and inbreeding.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
My kinky, foul-mouthed romantic gentleman lover.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
It is the strangest yellow, that wallpaper! It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things.
Charlotte Perkins Gilman (The Yellow Wall-Paper)
. . . if gold rust, what then will iron do?/ For if a priest be foul in whom we trust/ No wonder that a common man should rust. . . .
Geoffrey Chaucer
If only we could have talked to you, the hive-queen said in Ender's words. But since it could not be, we ask only this: that you remember us, not as enemies, but as a tragic sisters, changed into foul shape by fate or God or evolution. If we had kissed, it would have been the miracle to make us human in each other's eyes. Instead we killed each other. But still we welcome you now as guestfriends. Come into our home, daughters of Earth; dwell in our tunnels, harvest our fields; what we cannot do, you are now our hands to do for us. Blossom, trees; ripen, fields; be warm for them, suns; be fertile for them, planets: they are our adopted daughters, and they have come home.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
I do not wish to taint my body with the foulness of human food," I mocked. "But desserts are acceptable.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
Lady Fortune, you play foul.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Don’t”—he swung again—“touch”—another hard thwack—“my”—the crate broke into two pieces—“wife.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Nation over everything. But not you, sweetheart. Never your life in exchange
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
My love, do you recall the object which we saw, That fair, sweet, summer morn! At a turn in the path a foul carcass On a gravel strewn bed, Its legs raised in the air, like a lustful woman, Burning and dripping with poisons, Displayed in a shameless, nonchalant way Its belly, swollen with gases. - A Carcass
Charles Baudelaire (Les Fleurs du Mal)
The vulnerability undid him even as the strength brought him pride. And the whole of her brought him love beyond the measuring of it. Of all he'd craved in his life, all he'd dreamed of having, all he'd fought to gain by fair means or foul, he'd never imagined having such such as she as his own. Never imagined himself the man he'd come to be because she was.
J.D. Robb
You can't ask me not to love you by keeping me at arm's length. I'll love you anyway.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
I lay and cried, and began to feel again, to admit I was human, vulnerable, sensitive. I began to remember how it had been before; how there was that germ of positive creativeness. Character is fate; and damn, I'd better work on my character. I had been withdrawing into a retreat of numbness: it is so much safer not to feel, not to let the world touch one. But my honest self revolted at this, hated me for doing this. Sick with conflict, destructive negative emotions, frozen into disintegration I was, refusing to articulate, to spew forth these emotions - they festered in me, growing big, distorted, like pus-bloated sores. Small problems, mentions of someone else's felicity, evidence of someone else's talents, frightened me, making me react hollowly, fighting jealousy, envy, hate. Feeling myself fall apart, decay, rot, and the laurels wither and fall away, and my past sins and omissions strike me with full punishment and import. All this, all this foul, gangrenous, sludge ate away at my insides. Silent, insidious.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Eric pulled a drumstick from the inner pocket of his leather vest and held it across his chest like a sword. "I shall guard this dwelling, m'lady, and vanquish all who dare to trespass." He took a stab at Sed with his improvised weapon. "Back, foul beast
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
William Shakespeare: 'Close up this din of hateful decay, decomposition of your witches' plot! You thieve my brains, consider me your toy, my doting doctor tells me I am not!' Lilith: No! Words of power! William Shakespeare: 'Foul Carrionite specters, cease your show, between the points... ' [he looks to The Doctor for help] The Doctor: 761390! William Shakespeare: '761390! Banished like a tinker's cuss, I say to thee... ' [he again looks to The Doctor] The Doctor: Uh... [he looks to Martha] Martha Jones: Expelliarmus! The Doctor: Expelliarmus! William Shakespeare: 'Expelliarmus!' The Doctor: Good old JK!
Gareth Roberts
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
Vladimir Nabokov (Lolita)
Bilbo almost stopped breathing, and went stiff himself. He was desperate. He must get away, out of this horrible darkness, while he had any strength left. He must fight. He must stab the foul thing, put its eyes out, kill it. It meant to kill him. No, not a fair fight. He was invisible now. Gollum had no sword. Gollum had not actually threatened to kill him, or tried yet. And he was miserable, alone, lost. A sudden understanding, a pity mixed with horror, welled up in Bilbo’s heart: a glimpse of endless unmarked days without light or hope of betterment, hard stone, cold fish, sneaking and whispering.
J.R.R. Tolkien (The Hobbit, or There and Back Again)
He uttered a curse that startled her with its foulness, and gripped her head between his hands, forcing her to stare at him. His voice was savage. "For twelve years I have been in constant torment, wanting you in my arms and believing it would never be possible. I want you for a thousand reasons other than your legs, and...no, damn it, I want you for no reason at all, other than the fact that you're you. I want to shove myself deep inside you and stay for hours...days...weeks. I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I imagine the game wouldn’t be the same in the light,” Scarlett answered. “People think no one sees all the nasty things they do in the dark. The foul acts they commit, or the lies they tell as part of the game. Caraval takes place at night because you like to watch, and see what people do when they think there are no consequences.
Stephanie Garber (Caraval (Caraval, #1))
Ooh, Snowberry, you were right,” one of them said, wrinkling her nose like she smelled something foul. “She does reek of a dead pig in the summer. I don’t know how Mab can stand it.” Clenching my fists, I tried to keep my cool. I was so not in the mood for this now.God, it’s like high school all over again. Will it never end? These are ancient faeries, for Pete’s sake, and they’re acting like my high school pom squad.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
This is not a game to me,” Orion cut in. “I would rather die by your hand than have you believe me a traitor. I would rather take a fast bullet than have us pitted on different sides of an agonizing battle.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Watch them clamber, these swift monkeys! They clamber over one another and thus drag one another into the mud and the depth. They all want to get to the throne: that is their madness — as if happiness sat on the throne. Often, mud sits on the throne — and often the throne also on mud. Mad they all appear to me, clambering monkeys and overardent. Foul smells their idol, the cold monster: foul, they smell to me altogether, these idolators.
Friedrich Nietzsche
She only wanted to be a girl who was deserving of the world.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
They say that life is an accident, driven by sexual desire, that the universe has no moral order, no truth, no God. Driven by insatiable lusts, drunk on the arrogance of power, hypocritical, deluded, their actions foul with self-seeking, tormented by a vast anxiety that continues until their death, convinced that the gratification of desire is life's sole aim, bound by a hundred shackles of hope, enslaved by their greed, they squander their time dishonestly piling up mountains of wealth. "Today I got this desire, and tomorrow I will get that one; all these riches are mine, and soon I will have even more. Already I have killed these enemies, and soon I will kill the rest. I am the lord, the enjoyer, successful, happy, and strong, noble, and rich, and famous. Who on earth is my equal?
Krishna-Dwaipayana Vyasa (The Bhagavad Gita)
When things are like hunky dory, every enemy comes in the name of friend, but when things are twisted like turmoil, every friendly enemy shows you their colour.
Michael Bassey Johnson
And when you're alone, there's a very good chance you'll meet things that scare you right out of your pants. There are some, down the road between hither and yon, that can scare you so much you won't want to go on. But on you will go though the weather be foul. On you will go though your enemies prowl. On you will go though the Hakken-Kraks howl. Onward up many a frightening creek, though your arms may get sore and your sneakers may leak.
Dr. Seuss (Oh, the Places You’ll Go!)
Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign, one that cares for thee, And for thy maintenance; commits his body To painful labor, both by sea and land; To watch the night in storms, the day in cold, Whilst thou li’st warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks, and true obedience- Too little payment for so great a debt. Such duty as the subject owes the prince, Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And no obedient to his honest will, What is she but a foul contending rebel, And graceless traitor to her loving lord? I asham’d that women are so simple ‘To offer war where they should kneel for peace, Or seek for rule, supremacy, and sway, When they are bound to serve, love, and obey. Why are our bodies soft, and weak, and smooth, Unapt to toil and trouble in the world, But that our soft conditions, and our hearts, Should well agree with our external parts?
William Shakespeare (The Taming of the Shrew)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst. At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears. Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young. And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights. A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes. “Go get the boss,” says one guardsman to another. “This bunch looks like trouble.” And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
Nicholas Eames (Kings of the Wyld (The Band, #1))
I know you all, and will awhile uphold The unyoked humour of your idleness. Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wondered at By breaking through the foul and ugly mists Of vapours that did seem to strangle him. If all the year were playing holidays, To sport would be as tedious as to work; But when they seldom come, they wished-for come, And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promisèd, By how much better than my word I am, By so much shall I falsify men’s hopes; And like bright metal on a sullen ground, My reformation, glitt’ring o’er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off. I’ll so offend to make offence a skill, Redeeming time when men think least I will.
William Shakespeare (King Henry IV, Part 1)
Rome tolerated every abominable practice, embraced every foul idea in the name of freedom and the rights of the common man. Citizens no longer carried on deviant behavior in private, but pridefully displayed it in public. It was those with moral values who could no longer freely walk in a public park without having to witness a revolting display. What happened to the public censors who protected the majority of citizenry from moral decadence? Did freedom have to mean abolishing common decency? Did freedom mean anyone could do anything they wanted anytime they wanted, without consequences?
Francine Rivers (A Voice in the Wind (Mark of the Lion, #1))
Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain. Would that you could meet the sun and the wind with more of your skin and less of your rainment. For the breath of life is in the sunlight and the hand of life is in the wind. Some of you say 'It is the north wind who has woven the clothes we wear.' And I say, 'Ay, it was the north wind, but shame was his loom, and the softening of the sinews was his thread.' And when his work was done he laughed in the forest. Forget not that modesty is for a shield against the eye of the unclean. And when the unclean shall be no more, what were modesty but a fetter and a fouling of the mind? And forget not that the earth delights to feel your bare feet and the winds long to play with your hair.
Kahlil Gibran
I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! How noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god! The beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me—no, nor woman neither, though by your smiling you seem to say so.
William Shakespeare (Hamlet)
Alas, I was unable to transcend the simple human fact that whatever spiritual solace I might find, whatever lithophanic eternities might be provided for me, nothing could make my Lolita forget the foul lust I had inflicted upon her. Unless it can be proven to me -to me as I am now, today, with my heart and my beard, and my putrefaction- that in the infinitue run it does not matter a jot that a North American girl-child names Dolores Haze had been deprived of her childhood by a maniac, unless this can be proven (and if it can, then life is a joke), I see nothing for the treatment of my misery but the melancholy and very local palliative of articulate art. To quote an old poet: The moral sense in mortals is the duty We have to pay on mortal sense of beauty.
Vladimir Nabokov (Lolita)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
All the demons of Hell formerly reigned as gods in previous cultures. No it's not fair, but one man's god is another man's devil. As each subsequent civilization became a dominant power, among its first acts was to depose and demonize whoever the previous culture had worshipped. The Jews attacked Belial, the god of the Babylonians. The Christians banished Pan and Loki anda Mars, the respective deities of the ancient Greeks and Celts and Romans. The Anglican British banned belief in the Australian aboriginal spirits known as the Mimi. Satan is depicted with cloven hooves because Pan had them, and he carries a pitchfork based on the trident carried by Neptune. As each deity was deposed, it was relegated to Hell. For gods so long accustomed to receiving tribute and loving attention, of course this status shift put them into a foul mood.
Chuck Palahniuk (Damned (Damned, #1))
What's strange about the whole thing is that although it's riddled with nonsense, altogether it's true - Julie's told our story, mine and hers, our friendship, so truthfully. It is us. We even had the same dream at the same time. How could we have had the same dream at the same time? How can something so wonderful and mysterious be true? But it is. And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb - alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Giants isn't eating each other either, the BFG said. Nor is giants killing each other. Giants is not very lovely, but they is not killing each other. Nor is crockadowndillies killing other crockadowndillies. Nor is pussy-cats killing pussy-cats. 'They kill mice,' Sophie said. 'Ah, but they is not killing their own kind,' the BFG said. 'Human beans is the only animals that is killing their own kind.' 'Don't poisonous snakes kill each other?' Sophie asked. She was searching desperately for another creature that behaved as badly as the human. 'Even poisnowse snakes is never killing each other,' the BFG said. 'Nor is the most fearsome creatures like tigers and rhinostossterisses. None of them is ever killing their own kind. Has you ever thought about that?' Sophie kept silent. 'I is not understanding human beans at all,' the BFG said.' You is a human bean and you is saying it is grizzling and horrigust for giants to be eating human beans. Right or left?' 'Right,' Sophie said. 'But human beans is squishing each other all the time,' the BFG said. 'They is shootling guns and going up in aerioplanes to drop their bombs on each other's heads every week. Human beans is always killing other human beans.' He was right. Of course he was right and Sophie knew it. She was beginning to wonder whether humans were actually any better than giants. 'Even so,' she said, defending her own race, I' think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.' 'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?'" 'Oh dear,' Sophie said. 'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?' 'Right,' Sophie said. 'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.
Roald Dahl (The BFG)
You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.” We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders. God, but he was beautiful. I narrowed my gaze. Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something. “Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
I may be deemed superstitious, and even egotistical, in regarding this event as a special interposition of divine Providence in my favor. But I should be false to the earlierst sentiments of my soul, if I suppressed the opinion. I prefer to be true to myself, even at the hazard of incurring the ridicule of others, rather than to be false, and incur my own abhorrence. From my earliest recollection, I date the entertainment of a deep conviction that slavery would not always be able to hold me within its foul embrace; and in the darkest hours of my career in slavery, this living word of faith and spirit of hope departed not from me, but remained like ministering angels to cheer me through the gloom. This good spirit was from God, and to him I offer thanksgiving and praise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Conner howled in pain, causing Shayna to quickly dismiss her own. Shayna dismissed her own discomfort.  "Sorry about that. I guess I've smelled worse-like fur-lined boots that have been worn without socks. Now, that is pretty foul and—" "Get them off! Take them off now! It burns!" shrieked Conner. He attempted to jerk away, but Shayna held firm. "I can't, Conner. You heard what Rileau said. I just can't!" "It hurts really bad, like so unbelievably bad," he whined. "I's going to be okay," she whispered repeatedly. Shayna began humming and cooing as if he were a small child. She tried hard to block out his moans and focused on rocking him.  She held the wad of leaves firmly on the oozing blisters. She knew her friend was in pain, but she would not risk losing him, especially when she realized she could no longer hear Seneca screaming. The only sounds she heard came from Conner as he whimpered quietly next to her. Warm stinging tears cascaded down her cheeks, but she didn't dare wipe them, as she refused to lessen the pressure on the leaf compress.
C. Toni Graham (Crossroads and the Dominion of Four (Crossroads, #2))
Faeries began calling foul play, demanding Tamlin be released from the curse, calling her a liar. Through the haze, I saw Rhysand crouching by Tamlin. Not to help him, but to grab the- "You are all pigs - all scheming, filthy pigs." Then Rhysand was on his feet, my bloody knife in his hands. He launched himself at Amarantha, swift as a shadow, the ash dagger aimed at her throat. She lifted a hand - not even bothering to look - and he was blasted back by a wall of white light. But the pain paused for a second, long enough for me to see him hit the ground and rise again and lunge for her - with hands that now ended in talons. He slammed into the invisible wall Amarantha had raised around herself, and my pain flickered as she turned to him. "You traitorous piece of filth," she seethed at Rhysand. "You're just as bad as the human beasts." One by one, as if a hand were shoving them in, his talons pushed back into his skin, leaving blood in their wake. He swore, low and vicious. "You were planning this all along.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin. I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
Robert A. Heinlein (Glory Road)
my god! i'm thinking, what incredible shit we've put up with most of our lives - the domestic routine (same old jobs, insufferable arrogance of elected officials, the crafty cheating and the slimy advertising of the businessman, the tedious wars in which we kill our buddies instead of our real enemies back home in the capital, the foul diseased and hideous cities and towns we live in, the constant petty tyranny of automatic washers and automobiles and tv machines and telephones -! ah christ!, i'm thinking, at the same time that i'm waving goodby to that hollering idiot on shore, what intolerable garbage and what utterly useless crap we bury ourselves in day by day, while patiently enduring at the same time the creeping strangulation of the clean white collar and the rich but modest four-in-hand garrote)
Edward Abbey (Desert Solitaire)
An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
Roman Payne
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
George Orwell (The Road to Wigan Pier)
First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)