Fossils Song Quotes

He thinks they may also imitate the sounds of birds that are no longer around. He thinks the sounds of extinct birds are passed down the years from mockingbird to mockingbird... He says when a mockingbird sings, for all we know it's pitching fossils into the air. He says who knows what songs of ancient creatures we may be hearing out there.

Prayer does not use up artificial energy, doesn't burn up any fossil fuel, doesn't pollute. Neither does song, neither does love, neither does the dance

Hidden amongst the cluck and hiss, the croak and chatter outside the window, are songs of the extinct. The epic of evolution, told by bards long gone. Oh, to abandon the labyrinthine shell and shed old skin. To be naked and vulnerable. Free to swim, sprint and fly without inhibition. To vanish without a trace only to reappear as a mating call, the way the sun sets in the west and rises in the east … Can their stories and songs be heard by the living, they wonder. Do they acknowledge their legacy in the fossils?

No more I can wander into that solace, For the fossilized floor inept my hefty frame. No more I can pursue the holy grail, For the murky walls devour my spirited nonage.

Sing a song of Tar Ponds City, party full of lies! Four and twenty liars, seventeen hands caught in pies! When the pie was cut, Hugh Briss began to sing! Wasn't that a stonewall rat to set before the Fossil's ding?

Some religions say that the universe was started with a word, a song, a dance, a piece of music. The Listening Monks of the Ramtops have trained their hearing until they can tell the value of a playing card by listening to it, and have made it their task to listen intently to the subtle sounds of the universe to piece together, from the fossil echoes, the very first noises. There was certainly, they say, a very strange noise at the beginning of everything. But the keenest ears (the ones who win most at poker), who listen to the frozen echoes in ammonites and amber, swear they can detect some tiny sounds before that. It sounded, they say, like someone counting: One, Two, Three, Four. The very best one, who listened to basalt, said he thought he could make out, very faintly, some numbers that came even earlier. When they asked him what it was, he said: “It sounds like One, Two.” No one ever asked what, if there was a sound that called the universe into being, what happened to it afterward. It’s mythology. You’re not supposed to ask that kind of question.

Philosophers of freedom were mainly, and understandably, concerned with how humans would escape the injustice, oppression, inequality, or even uniformity foisted on them by other humans or human-made systems. Geological time and the chronology of human histories remained unrelated. This distance between the two calendars, as we have seen, is what climate scientists now claim has collapsed. The period I have mentioned, from 1750 to now, is also the time when human beings switched from wood and other renewable fuels to large-scale use of fossil fuel—first coal and then oil and gas. The mansion of modern freedoms stands on an ever-expanding base of fossil-fuel use.

The hard part, evolutionarily, was getting from prokaryotic cells to eukaryotic ones, then getting from single-celled organisms to multicellular ones. Earth is around 4.5 billion years old, a timescale I simply cannot get my head around. Instead let’s imagine’s Earth’s history as a calendar year, with the formation of Earth being January 1 and today being December 31 at 11:59pm. The first life on Earth emerges around February 25. Photosynthetic organisms first appear in late March. Multicellular life doesn’t appear until August or September. The first dinosaurs like eoraptor show up about 230 million years ago, or December 13 in our calendar year. The meteor impact that heralds the end of the dinosaurs happens around December 26. Homo sapiens aren’t part of the story until December 31 at 11:48 pm. Agriculture and large human communities and the building of monolithic structures all occur within the last minute of this calendar year. The Industrial Revolution, two world wars, the invention of basketball, recorded music, the electric dishwasher, and vehicles that travel faster than horses all happen in the last couple of seconds. Put another way: It took Earth about three billion years to go from single-celled life to multicellular life. It took less than seventy million years to go from Tyrannosaurus rex to humans who can read and write and dig up fossils and approximate the timeline of life and worry about its ending. Unless we somehow manage to eliminate all multicellular life from the planet, Earth won’t have to start all over and it will be okay--- at least until the oceans evaporate and the planet gets consumed by the sun. But we`ll be gone by then, as will our collective and collected memory. I think part of what scares me about the end of humanity is the end of those memories. I believe that if a tree falls in the woods and no one is there to hear it, it does make a sound. But if no one is around to play Billie Holiday records, those songs won’t make a sound anymore. We’ve caused a lot of suffering, but we’ve also caused much else. I know the world will survive us – and in some ways it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back to the moon.

Did dinosaurs sing? Was there a teeming, singing wilderness with all the species thumping around, tuning up for the next millennia? Of course, dinosaurs sang, I thought. They are the ancestors of the singing birds and cousins to the roaring crocodiles…turns out, no. Turns out the syrinx, the organ that produces birdsong and the larynx, the organ that produces operatic arias, didn’t evolve until after the dinosaur extinction event…Some dinosaurs blew air into their closed mouths and through nasal cavities into resonance chambers, which we see in fossils as bony crests. They made the forest echo with clear, ominous tones, eerily like a cello. I have heard it in recordings scientists made of the sound they produced when they blew air through crests constructed to mimic lambeosaurus’s. Some dinosaurs cooed to their mates like doves…turns out that even if dinosaurs didn’t sing, they danced. There is evidence in vigorous scrape marks found in 100-million year old Colorado sandstone. From the courting behavior of ostriches and grouse, scientists envision the dinosaur males coming together on courting grounds, bobbing and scratching, flaring their brilliant feathers and cooing. Imagine: huge animals, each weighing more than a dozen football teams, shaking the Earth for a chance at love. What the story of the dinosaurs tells me is that if the earth didn’t have music, it would waste no time inventing it. In birds, tantalizing evidence of birdsong is found in 67-million-year old fossils, marking the first know appearance of the syrinx. Now the whole Earth can chime, from deep in the sea to high in the atmosphere with the sounds of snapping shrimp, singing mice, roaring whales, moaning bears, clattering dragonflies, and a fish calling like a foghorn. Who could catalog the astonishing oeuvre of the Earth? And more songs are being created every year.

This is life seen by life. I may not have meaning but it is the same lack of meaning that the pulsing vein has. I want to write to you like someone learning. I deepen the words as if I were painting, more than an object, its shadow. I don’t want to ask why, you can always ask why and always get no answer—could I manage to surrender to the expectant silence that follows a question without an answer? Though I sense that some place or time the great answer for me does exist. And then I shall know how to paint and write, after the strange but intimate answer. Listen to me, listen to the silence. What I say to you is never what I say to you but something else instead. It captures the thing that escapes me and yet I live from it and am above a shining darkness. One instant athematic theme unfurls without a plan but geometric like the successive shapes in a kaleidoscope. I slowly enter my gift to myself, splendor ripped open by the final song that seems to be the first. I enter the writing slowly as I once entered painting. It is a world tangled up in creepers, syllables, woodbine, colors and words—threshold of an ancestral cavern that is the womb of the world and from it I shall be born. And if I often paint caves that is because they are my plunge into the earth, dark but haloed with brightness, and I, blood of nature— extravagant and dangerous caves, talisman of the Earth, where stalactites, fossils and rocks come together, and where the animals mad by their own malign nature seek refuge. The caves are my hell. Forever dreaming cave with its fogs, memory or longing? eerie, eerie, esoteric greenish with the slime of time. All is weighted with sleep when I paint a cave or write to you about it—from outside it comes the clatter of dozens of wild horses stamping with dry hoofs the darkness, and from the friction of the hoofs the rejoicing is freed in sparks: here I am, I and the cave, in the very time that will rot us. I want to put into words but without description the existence of the cave that some time ago I painted—and I don’t know how. Only by repeating its sweet horror, cavern of terror and wonders, place of afflicted souls, winter and hell, unpredictable substratum of the evil that is inside an earth that is not fertile. I call the cave by its name and it begins to live with its miasma. I then fear myself who knows how to paint the horror, I, creature of echoing caverns that I am, and I suffocate because I am word and also its echo.

During the various lockdown periods around the world, when there was less traffic and many industries were halted, fossil fuel emissions decreased significantly. Some people from the big cities had the luxury, perhaps for the first time, of breathing clear air and seeing the stars shine brightly in the night sky. Many people shared their delight in being able to hear the song of birds as the noise level decreased.

The land became more rocky and he wandered through thin canyons where the wind whispered like a lover or howled like an assassin. The stone was layered as a terrine with fossils: the leaves of trees that had existed when the land was fertile; giant pachyderms; the fearsome teeth and claws of rapacious dinosaurs; and once a piece of cranium and part of the jaw bone of a creature that heralded humanity yet whose skull was distinctly ape-like in origin. Joseph held these bones in his hands and felt a connection between himself and the earth that sang a song of evolution, a lost melody he strained to hear like the last lingering notes of perfume belonging to the one woman he loved.

I believe God, but I don’t believe in him. When this doesn’t make sense, I tell people I believe 3/7 days a week—almost, sometimes, losingly. But that there is a battle at all is due to the following reason: when I see new things, I can’t believe they exist! Switzerland. The Grand Canyon. The skin color of aquarium fish. Dinosaur fossils. A moon. What idiot am I to deny that there can exist any amazing thing ranging from a 30-eyed eagle to a God? Spiders have eight eyes. And there was once a man who walked on water.

Known global reserves of fossil fuels are three times higher than the amount that we could burn and stay within the temperature goal.