“
A forty-foot worm?" Will muttered to Jem as they moved through the Italian garden, their boots - thanks to a pair of Soundless runes - making no noise on the gravel. "Think of the size of the fish we could catch."
Jem's lips twitched. "It's not funny, you know."
"It is a bit.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Let me tell you the one thing I have against Moses. He took us forty years into the desert in order to bring us to the one place in the Middle East that has no oil!
”
”
Golda Meir
“
Lesson for young men: if you want your eventual wife to be excited about sucking your dick for forty years, don't create a generation of women who think enthusiasm about sex is a bad thing.
”
”
Anna Kendrick (Scrappy Little Nobody)
“
It seems to me that a man who can think straight along for forty-seven years without changing a single idea ought to be kept in a cabinet as a curiosity.
”
”
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
“
My parents raised me that you never ask people about their reproductive plans. “You don’t know their situation,” my mom would say. I considered it such an impolite question that for years I didn’t even ask myself. Thirty-five turned into forty faster than McDonald’s food turns into cold nonfood.
”
”
Tina Fey (Bossypants)
“
Sithspit! What's that?'
'That's the sun, Wedge. It's after dawn.'
'Well, it offends me. Turn it off.'
'It's a hundred thirty, hundred forty million klicks from here.'
'Go up in your X-wing and shoot it down for me.
”
”
Aaron Allston (Starfighters of Adumar: Star Wars Legends (Wraith Squadron #4))
“
Don't worry about being nervous. A lot of vampires have trouble with this from time to time. It happens to everyone."
"If I was a forty-year-old man suffering from erectile dysfunction, that would be a great comfort to me, thanks.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
Another friend of mine once told me in a deep depression that his marriage was "like running a preschool with a roommate you used to date." Nice.
”
”
Nigel Marsh (Fat, Forty, and Fired: One man's frank, funny, and inspiring account of losing his job and finding his life)
“
Mick Jagger once boasted that 'I’d rather be dead than still singing ‘Satisfaction’ when I’m forty-five.' But now he’s over sixty and still singing 'Satisfaction'. Some people might find this funny, but not me. When he was young, Mick Jagger couldn’t imagine himself at forty-five. When I was young, I was the same. Can I laugh at Mick Jagger? No way. I just happen not to be a young rock singer. Nobody remembers what stupid things I might have said back then, so they’re not about to quote them back at me. That’s the only difference.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
I had a dream about you last night... you made a beard for yourself out of forty two bags of Twizzlers.
”
”
Nicole Riekhof (I Had a Dream About You)
“
Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.
”
”
Mokokoma Mokhonoana
“
But you would think, wouldn't you, that getting hit forty-five times in the neck with a blunt axe would qualify you to join the Headless Hunt? - Sir Nicholas de Mimsy
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste.
(He paused, then claimed that Chapman had whipered in his ear while he was writing the speech):
All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
”
”
John Cleese
“
Stop saying drug use makes people lazy. Jimi Hendrix did a lot of drugs, even though he's been dead for forty years, he's still making new records. Suck on that, Partnership for a Drug-Free America!
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
I sometimes think drivers don't know what grass is, or flowers, because they never see them slowly," she said. "If you showed a driver a green blur, Oh yes! he'd say, that's grass! A pink blur? That's a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn't that funny, and sad, too?
”
”
Ray Bradbury (Fahrenheit 451)
“
I'm forty-two," he said. "That's eighty-four in musician years.
”
”
Monica Wood
“
I don’t begrudge a man a hobby, but if you’re forty and your apartment has a theme, I just don’t see it working out for us.
”
”
Emily Henry (Funny Story)
“
One show, I did a benefit for a feminist organziation....So it's all feminsts. Gloria Steinem is sitting right up front. I walked out and said, "Look here, I can't stay around here too long with you broads because I gotta get home and cook my man a nice hot dinner. Plus, he likes his blow job by nine forty-five." I though it was funny. They didn't. They didn't find anything funny. I thought, Oh Lord, I made these women mad. I stepped over the line. I continued. "Ladies, calm down. I'm just joking. He likes a blow job anytime.
”
”
Wanda Sykes (Yeah, I Said It)
“
Perhaps, deep down inside that rugged shell of yours, there is a little girl desperately waiting for her Prince Charming to propose.”
“Of course there is. Only until now, I'd been pretty successful at keeping that little brat's mouth shut.”
“What will your answer be if he asks?”
“You're funny. He can't ask. I'll find a way to be bitchy enough for the next forty years so that perfect moment never comes.”
“You seem to have a good handle on that little girl after all.
”
”
Sylvain Neuvel (Sleeping Giants (Themis Files, #1))
“
New Rule: You can't force the ATM to do something it doesn't want to do. Excuse me, lady in front of me at the Citibank ATM, but you've been standing there punching buttons for ten minutes--what are you trying to do, write a novel on it? You hear those beeping noises? That's the ATM saying, "Stop it, you're hurting me." A chicken would have gotten forty bucks out of that thing by now just by pecking the buttons randomly.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Morelli was wearing a blazer over a black knit shirt, He took a seat, and his jacket swung wide, exposing the gun at his hip.
"Nice piece!" Grandma said. "What is it? Is that a forty-five?"
"It's a nine- millimeter."
"Don't suppose you'd let me see it," Grandma said. "I'd sure like to get the feel of a gun like that."
"No!" said everyone in unison.
"I shot a chicken once," Grandma explained to Morelli. "It was an accident."
"Where did you shoot it?" he finally asked.
"In the gumpy," Grandma said. "Shot it clear off.
”
”
Janet Evanovich
“
New Rule: America has every right ot bitch about gas prices suddenly shooting up. How could we have known? Oh, wait, there was that teensy, tiny thing about being warned constantly over the last forty years but still creating more urban sprawl, failing to build public transport, buying gas-guzzlers, and voting for oil company shills. So, New Rule: Shut the fuck up about gas prices.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
He smiled hesitantly and she smiled back in the same fashion, but he was unsettled by the thought that Muriel had undergone a transformation. Some of the stuff that had come out of her mouth lately, about God or babies, made him wonder if she’d had a brain transplant at some point in the last ten years. It was funny what happened to people after forty, when they realized that our place here on earth was leased, not owned.
”
”
Scott Turow (Reversible Errors (Kindle County Legal Thriller, #6))
“
‘And what about a [band] name?’ said Tony [Iommi]. The three of us looked at each other.
‘We should all take a couple of days to think about it,’ I said. ‘I dunno about you two, but I’ve got a special place where I go to get ideas for important stuff like this. It’s never failed me yet.’
Forty-eight hours later I blurted out: ‘I’ve got it!’
‘Must have been that dodgy bird you poked the other night,’ said Geezer. ‘Has your whelk turned green yet?’
Tony and Bill snickered into their plates of egg and chips. We were sitting in a greasy spoon caff in Aston. So far, everyone was getting along famously.
‘Very funny, Geezer,’ I said, waving an eggy fork at him. ‘I mean the name for our band.’
The snickering died down.
‘Go on then,’ said Tony [Iommi].
‘Well, I was on the shitter last night, and...'
‘That’s your special place?’ spluttered Bill, blobs of mushed-up egg and HP sauce flying out of his mouth.
‘Where the f**k did you think it was, Bill?’ I said. ‘The hanging gardens of f**king Babylon?
”
”
Ozzy Osbourne (I Am Ozzy)
“
Art is dead.
Art is dead.
Art is dead.
Art is dead.
Entertainers like to seem complicated
But we're not complicated
I can explain it pretty easily
Have you ever been to a birthday
Party for children?
And one of the children won't stop screaming
'Cause he's just a little
Attention attractor
When he grows up
To be a comic or actor
He'll be rewarded for never maturing
For never under-
Standing or learning
That every day
Can't be about him
There's other people
You selfish asshole
I must be psychotic
I must be demented
To think that I'm worthy
Of all this attention
Of all of this money, you worked really hard for
I slept in late while you worked at the drug store
My drug's attention, I am an addict
But I get paid to indulge in my habit
It's all an illusion, I'm wearing make-up, I'm
wearing make-up
Make-up, make-up, make-up, make...
Art is dead
So people think you're funny, how do we get those
people's money?
I said art is dead
We're rolling in dough, while Carlin rolls in his grave
His grave, his grave
The show has got a budget
The show has got a budget
And all the poor people way more deserving of the
money
Won't budge it
'Cause I wanted my name in lights
When I could have fed a family of four
For forty fucking fortnights
Forty fucking fortnights
I am an artist, please God forgive me
I am an artist, please don't revere me
I am an artist, please don't respect me
I am an artist, you're free to correct me
A self-centred artist
Self-obsessed artist
I am an artist
I am an artist
But I'm just a kid
I'm just a kid
I'm just a kid
Kid
And maybe I'll grow out of it.
”
”
Bo Burnham
“
- "Surely you have considered terrorist activity?"
There was another pause. Then the spokesman said, in the quiet tones of someone who has had enough and who is going to quit after this and raise chickens somewhere, "Yes, I suppose we must. All we need to do is find some terrorists who are capable of taking an entire nuclear reactor out of its can while it's running and without anyone noticing. It weighs about a thousand tons and is forty feet high. So they'll be quite strong terrorists. Perhaps you'd like to ring them up, sir, and ask them questions in that supercilious, accusatory way of yours."
-- The BBC interviews a nuclear spokesperson (Terry Pratchett & Neil Gaiman, Good Omens)
”
”
Terry Pratchett
“
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything.
It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer.
But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O.
Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield.
And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed.
There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil.
And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
SEEING THE WORLD “In the fifties, when my mother began lobbying for a trip to Europe, my father, who had been brought to Missouri from the Ukraine when he was two, said, ‘I been.’
”
”
Calvin Trillin (Quite Enough of Calvin Trillin: Forty Years of Funny Stuff)
“
There are no guarantees in life. Fear of the uncertain can, and does, hold millions back from pursuing their dreams.
”
”
Nigel Marsh (Fat, Forty, Fired: One Man's Frank, Funny, and Inspiring Account of Losing His Job and Finding His Life)
“
My Redeemer Lives Fast Food was an early favourite, before we spotted Clap For Jesus Fishes, which had the crown for forty-five minutes until Thank You Jesus Plastic Chairs.
”
”
Adam Fletcher
“
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with?
America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag.
And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail.
Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead?
In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning.
Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything.
We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground.
Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
The impulse to laugh at healthy people who nonetheless fall down is by no means universal, however, was brought to my attention unpleasantly at a performance of Swan Lake by the Royal Ballet in London, England. I was in the audience with my daughter Nanny, who was about sixteen then. She is forty-one now, in the summer of 1996. That must have been twenty-five years ago now!
A ballerina, dancing on her toes, went deedly-deedly-deedly into the wings as she was supposed to do. But then there was a sound backstage as though she had put her foot in a bucket and then gone down an iron stairway with her foot still in the bucket.
I instantly laughed like hell.
I was the only person to do so.
”
”
Kurt Vonnegut Jr. (Timequake)
“
Steffie took my hand and we walked past the fruit bins, an area that extended about forty-five yards along one wall. The bins were arranged diagonally and backed my mirrors that people accidentally punched when reaching for fruit in upper rows.
”
”
Don DeLillo (White Noise)
“
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Forty dollars for one adult nonrefundable ticket. You’re in luck — your bus leaves in a half hour. But there’s no dogs, unless that’s a service animal.”
“Oh, yeah,” Call said, with a quick look down at Havoc. “He’s totally a service dog. He was in the service — the navy, actually.”
The woman’s eyebrows went up.
“He saved a man,” Call said, trying out the story as he counted the cash and pushed it through the slot. “From drowning. And sharks. Well, just the one shark, but it was a pretty big one. He’s got a medal and everything.
”
”
Cassandra Clare
“
This is Glesca.... Any time you're confused, take a wee minute to remind yourself of that inescapable fact: this is Glesca. We don't do subtle, we don't do nuanced, we don't do conspiracy. We do pish-heid bampot bludgeoning his girlfriend to death in a fit of paranoid rage induced by forty-eight hours straight on the batter. We do coked-up neds jumping on a guy's heid outside a nightclub because he looked at them funny. We do drug-dealing gangster rockets shooting other drug-dealing gangster rockets as comeback for something almost identical a fortnight ago. We do bam-on-bam. We do tit-for-tat, score-settling, feuds, jealousy, petty revenge. We do straightforward. We do obvious. We do cannaemisswhodunit. When you hear hoofbeats on Sauchiehall Street, it's gaunny be a horse, no' a zebra...'.
”
”
Christopher Brookmyre (Where the Bodies Are Buried (Jasmine Sharp and Catherine McLeod, #1))
“
You're freakishly calm for someone who just heard she's about to be hunted.'
'It's a typical Wednesday for me,' I shrug, ignoring the way his gaze heats my skin. 'And honestly, being hunted by forty-one people is a lot less intimidating than constantly watching dark corners for you.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
The actual sound of Central European art music, especially the chamber music, was a solid part of me from an early age but maybe not audible in my music until almost five decades later, when I began to compose sonatas and unaccompanied string pieces as well as quite a lot of piano music. Though I did write a few string quartets for the Kronos Quartet, and some symphonies besides, these works from my forties, fifties, and sixties didn’t owe that much to the past. Now that I’m in my seventies, my present music does. It’s funny how it happened this way, but there it is.
”
”
Philip Glass (Words Without Music: A Memoir)
“
Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries where they live longer than us...they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom!
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
They made up lots of jokes, and once, well into her forties, she would recite a litany of them at a dinner party in San Francisco. Bet cockroaches call you cousin. Bet you can’t find your own shadow. She was amazed by how well she remembered. At that party, she forced herself to laugh, even though she’d found nothing funny at the time. The jokes were true. She was black.
”
”
Brit Bennett (The Vanishing Half)
“
I still don’t see why I can’t just take the next bus,” said Scott as he buckled himself into the front passenger’s seat. [...] “Because the next bus isn’t for forty-five minutes, and by that time you’ll have missed first period.” Mom backed the car out of the garage and down the driveway. “It’s only English. I already speak English real goodly.” “You’re a laugh riot, Scotto.
”
”
Alex Gino (Melissa (previously published as GEORGE))
“
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play.
Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister?
It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in.
Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others.
That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success."
Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton.
So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Carry must have been the germ that produced the ultimate Trilby, there can be no two opinions about it; she had the same camaraderie, the same boyish attraction, the same funny shy reserve. Kicky absorbed her, without realising it, and absorbed the game of mesmerising at the same time, so that the two things combined and became one at the back of his mind. He forgot all about them for nearly forty years—and then he wrote Trilby and made a fortune at sixty.
”
”
Daphne du Maurier (The du Mauriers)
“
One of my mom’s friends, a guy in his late fifties, recently told me he “hates” so many of today’s popular slang words (shade, lit, G.O.A.T.) because “they do nothing to improve the English language.” What’s funny is that I can almost promise, forty years ago, his parents were saying the exact same thing about cool, bummer, and freaking out, all phrases that have now taken a seat at the table of acceptable English terminology but started out as annoying teen slang.
”
”
Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
“
I adjust my app settings so that I can be matched with women fifteen years younger and older than I am. Immediately, a woman with long dark hair appears in my app. She’s elegant. Forty-four years old. A novelist named Abigail. Who lives near by. I swiped right on her. Ding! We’ve matched.
She sends me a message. ‘I’ve never done this before, do you want to get coffee? If it’s bad, it’ll make a funny story, at least.’
Good opener, Abigail.
I message her back, ‘Yes! Let’s do it!
”
”
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
“
Most people live in almost total darkness…people, millions of people whom you will never see, who don’t know you, never will know you, people who may try to kill you in the morning, live in a darkness which...if you have that funny terrible thing which every artist can recognize and no artist can define...you are responsible to those people to lighten, and it does not matter what happens to you. You are being used in the way a crab is useful, the way sand certainly has some function. It is impersonal. This force which you didn’t ask for, and this destiny which you must accept, is also your responsibility. And if you survive it, if you don’t cheat, if you don’t lie, it is not only, you know, your glory, your achievement, it is almost our only hope... Because only an artist can tell, and only artists have told since we have heard of man, what it is like for anyone who gets to this planet to survive it. What it is like to die, or to have somebody die; what it is like to be glad... The trouble is that although the artist can do it, the price that he has to pay himself and that you, the audience, must also pay, is a willingness to give up everything, to realize that although you spent twenty-seven years acquiring this house, this furniture, this position, although you spent forty years raising this child, these children, nothing, none of it belongs to you. You can only have it by letting it go. You can only take if you are prepared to give...It is a total risk of everything, of you and who you think you are, who you think you’d like to be, where you think you’d like to go...everything, and this forever, forever.
”
”
James Baldwin (The Cross of Redemption: Uncollected Writings)
“
I’m a twenty-six-year-old woman who has been married for nine months. My husband is forty. His wedding proposal was terribly romantic, like something out of a movie starring Audrey Hepburn. He is kind and funny. I do love him. And yet … He’s only the second person I’ve been in a serious relationship with. Throughout the wedding planning process I had second thoughts about settling down so young, but I didn’t want to hurt or embarrass him by calling off the wedding. There are so many experiences I fear I’ll miss out on by staying married to someone older. I want to apply for the
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
I was very moved by the Gauguin carvings. But then out of nowhere there was Van Gogh. Three self-portraits. I walked up to one; it was protected with glass. I could see my reflection. And I thought: Oh my God.” Less shakes his head, and his eyes widen as he relives the moment. “I look just like Van Gogh.” Javier laughs, his hand to his smile. “Before the ear, I think.” “I thought, I’ve gone crazy,” Less goes on. “But…I’ve already outlived him by over a decade!” Javier tilts his head, a cocker Spaniard. “Arthur, how old are you?” Deep breath. “I’m forty-nine.” Javier moves closer to peer at him; he smells of cigarettes and vanilla, like Less’s grandmother. “How funny. I am also forty-nine.” “No,” Less says, truly bewildered. There is not a line on Javier’s face. “I thought you were midthirties.” “That is a lie. But it is a nice lie. And you do not look close to fifty.” Less smiles. “My birthday is in one week.” “Strange to be almost fifty, no? I feel like I just understood how to be young.” “Yes! It’s like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won’t ever be back.
”
”
Andrew Sean Greer (Less)
“
Where are you going this hot day, Mis’ DeJong?”
Selina sat up very straight. “To Bagdad, Mrs. Pool.”
“To — Where’s that? What for?”
“To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.”
Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?”
Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.”
Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious.
The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——”
She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.”
“In the Haymarket! That Pop went to all the time! That is just dumb talk.
”
”
Edna Ferber (So Big)
“
I started by collecting copies of all the novels and short stories featuring him and piled them up beside my bed. I wanted to get to the very heart of what Dame Agatha thought of him and what he was really like, and to do that, I had to read every word his creator had ever written about him. I didn’t want my Poirot to be a caricature, something made up in a film or television studio, I wanted him to be real, as real as he was in the books, as real as I could possibly make him. The first thing I realised was that I was a slightly too young to play him. He was a retired police detective in his sixties when he first appeared in The Mysterious Affair at Styles, while I was in my early forties. Not only that, he was also described as a good deal fatter than I was. There was going to have to be some considerable padding, not to mention very careful make-up and costume, if I was going to convince the world that I was the great Hercule Poirot. Even more important, the more I read about him, the more convinced I became that he was a character that demanded to be taken seriously. He wasn’t a silly little man with a funny accent, any more than Sherlock Holmes was just a morphine addict with a taste for playing the violin. There was a depth and quality to the Poirot that Dame Agatha had created – and that was what I desperately wanted to bring to the screen.
”
”
David Suchet (Poirot and Me)
“
When I came back I joined a black church in Oakland and that made me feel more at home, a bit like being connected to India. It felt funny to be around so many white people when I came back to the United States. It still bothers me. One of the things I liked living in Hawaii years later was the racial complexity of it. I remember that at the time when Sucheng and I got married--we met as graduate students at Berkeley and have been married almost forty years--one of the first houses we bought was in a Black neighborhood in west Berkeley and we didn’t quite notice how uniformly Black it was until some weeks later. I said to Sucheng, “You know, we’re the only white people in this neighborhood.” And she looked at me and said: “Speak for yourself, honkie!
”
”
Mark Juergensmeyer
“
Next was Alice. I gave her a book by Anne Rice because she is always talking about her. And she looked at me like she couldn’t believe I knew she loved Anne Rice. I guess she didn’t know how much she talked or how much I listen. But she thanked me all the same. Next came Mary Elizabeth. I gave her forty dollars inside a card. The card said something pretty simple: “To be spent on printing Punk Rocky in color next time.” And she looked at me funny. Then, they all started to look at me funny except for Sam and Patrick. I think they started feeling bad because they didn’t get me anything. But I don’t think they should have because I don’t think that’s the point really. Mary Elizabeth just smiled, and said thanks, and then stopped looking at me in the eye.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
BILL MURRAY, Cast Member: Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever. So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?” We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there. It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.
”
”
James Andrew Miller (Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests)
“
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
”
”
Curtis Sittenfeld (Romantic Comedy)
“
Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.
”
”
Emily Kimelman (Unleashed (Sydney Rye, #1))
“
I remember standing against the bar in Budapest’s airport with a couple of workmates, some chaps from McLaren too, waiting for our homeward flight to be called after the ’92 race weekend. The chap behind the counter was doing the exact same thing: halving and squeezing oranges. Funny how these things spark memories. It was an exceedingly hot afternoon that day, and I remember seeing James Hunt walk through the door with Murray Walker. We were waiting for the same flight, a charter to London; I think pretty much the whole of the paddock’s British contingent was on it. Murray looked perfectly normal . . . like Murray really . . . open-necked shirt, briefcase, what have you; but James was wearing nothing but a pair of red shorts. He carried a ticket, a passport and a packet of cigarettes. That was it. There wasn’t even a pair of flip-flops to spoil the perfect minimalist look.
The thing that really made the event stick in my mind, though, was that James was absolutely at ease with himself, perfectly comfortable. This was real for him, no stunt or affectation designed to impress or shock, this was genuine: James Hunt, former world champion driver, current commentator for the BBC; work done for the day . . . going home. Take me, leave me; do what you bloody well want, just don’t give me a hard time about your own petty hang-ups. He became a hero of mine that day. Sadly, his heart gave out the following summer and that was that. He was only forty-five. Mind you, he’d certainly packed a lot of living into those years.
”
”
Steve Matchett (The Chariot Makers: Assembling the Perfect Formula 1 Car)
“
I found out Si was taking naps every day on Kay’s couch! I went to Phil and told him it was a problem.
“Look, I know he’s your brother and he’s my uncle, but he’s not the kind of worker we need to have,” I told Phil, while trying to make a good first impression.
I was trying to instill a new work ethic and culture in Duck Commander, and I couldn’t have Si sleeping on the job!
“Don’t touch Si,” Phil told me. “You leave him alone. He’s making reeds and that’s the hardest thing we do. Si is the only guy who wants to do it, and he’s good at it. Si is fine.”
Amazingly enough, in the ten years I’ve been running Duck Commander, we’ve never once run out of reeds. Six years ago, Si suffered a heart attack. He smoked cigarettes for almost forty years and then quit after his heart attack, so we were all so proud of him. Even before his heart attack, I wasn’t sure about putting Si on our DVDs because I thought he would just come across too crazy. He cracked us up in the duck blind and we all loved him, but I told Jep and the other camera guys to film around him. Honestly, I didn’t think anyone would understand what he was saying. When we finally tried to put him on the DVDs, he clammed up in front of the camera and looked like a frog in a cartoon just sitting there. He wouldn’t perform. Finally, we put a hidden camera under a shirt on Si’s desk. We were near the end of editing a DVD and showed a shooting scene to Si. He always takes credit for shooting more ducks than he really did. He’s said before that he killed three ducks with one shot! We were watching patterns hitting the water, and Si started claiming the ducks like he always does and going off on one of his long tangents. After we recorded him, we ran the DVD back and showed it to him. I think Si saw that he was actually pretty funny and entertaining if he acted like himself. We started putting Si on the DVDs and he got more and more popular. Now he’s the star of Duck Dynasty!
”
”
Willie Robertson (The Duck Commander Family)
“
Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure.
Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed.
I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved.
It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out.
Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man.
Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad.
I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown.
We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me.
It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Letty wanted to know every detail of Laura's going. As she asked and listened, her heart beat uncomfortably fast and she felt that, if she did not take care, she would burst into tears. Laura had gone; she had broken away.
'It's not fair! It's not fair!' Letty cried to herself. Laura had got what she wanted; whatever happened to her afterwards she had got, once, what she wanted. She had had the courage to take it.
'Not that I ever wanted to go off with a man,' Letty had thought on the way to Greenbanks with Ambrose. No, she had never seen anyone she wanted to go off with. When she thought of going, it was never with a man. Once she had indulged in wild dreams. For years after she was married she felt that someone would one day come, someone she could love with all her heart, with that high, free elation and that deep satisfaction she could imagine. She would be able to share everything with him; her fears in the night about loneliness, death, the end of things. He would understand, she felt, but he would not explain, for after all there is no explanation. He would laugh, too, at what she laughed at; he would enjoy shop incidents, tram incidents, street incidents - all the queer, funny things that go to make up every day. Letty felt, for years, that someone like this would come before it was too late.
'It's not really me, having the children and living with Ambrose,' she would think in bewilderment. 'This isn't my life really; it will all be different soon. I shall begin to live as I want to - soon.'
But the years went on and now she was over forty and looked for nobody to rescue her as if she were a damsel in distress. She no longer expected to be loved by any man. Men wanted youth and beauty; no matter how old and ugly they were themselves, they felt entitled to youth and beauty in women. She had missed the great love she had dreamed of as a girl, but she thought about it no more. Her wishes had changed as she grew older; she now only wanted to get away by herself, to enjoy life in her own way. [...] She knew what she wanted, but could not have; it was freedom.
”
”
Dorothy Whipple (Greenbanks)
“
In all your travels around Alagaësia, with Angela and without, you’ve never found anything that might explain this mystery? Or even just something that might be of use against Galbatorix.”
I found you, didn’t I?
“That’s not funny,” growled Eragon. “Blast it, you have to know something more.”
I do not.
“Think, then! If I can’t find some sort of help against Galbatorix, we’ll lose, Solembum. We’ll lose, and most of the Varden, including the werecats, will die.”
Solembum hissed again. What do you expect of me, Eragon? I cannot invent help where none exists. Read the book.
“We’ll be at Urû’baen before I can finish it. The book might as well not exist.”
Solembum’s ears flattened again. That is not my fault.
“I don’t care if it is. I just want a way to keep us from ending up dead or enslaved. Think! You have to know something else!”
Solembum uttered a low, warbling growl. I do not. And--
“You have to, or we’re doomed!”
Even as Eragon uttered the words, he saw a change come over the werecat. Solembum’s ears swiveled until they were upright, his whiskers relaxed, and his gaze softened, losing its hard-edged brilliance. At the same time, the werecat’s mind grew unusually empty, as if his consciousness had been stilled or removed.
Eragon froze, uncertain.
Then he felt Solembum say, with thoughts that were as flat and colorless as a pool of water beneath a wintry, cloud-ridden sky: Chapter forty-seven. Page three. Start with the second passage thereon.
Solembum’s gaze sharpened, and his ears returned to their previous position. What? he said with obvious irritation. Why are you gaping at me like that?
“What did you just say?”
I said that I do not know anything else. And that--
“No, no, the other thing, about the chapter and page.”
Do not toy with me. I said no such thing.
“You did.”
Solembum studied him for several seconds. Then, with thoughts that were overly calm, he said, Tell me exactly what you heard, Dragon Rider.
So, Eragon repeated the words as closely as he could. When he finished, the werecat was silent for a while. I have no memory of that, he said.
“What do you think it means?”
It means that we should look and see what’s on page three of chapter forty-seven.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
”
”
Henry David Thoreau (Walden or Life in the Woods)
“
Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
Готвачът беше немногословен човек и си повтаряше все едно:
— Да чистиш, е като да се молиш, да се молиш, е като да чистиш!
— Ако това беше вярно, всички домакини в Багдад щяха да са се превърнали в духовни учители досега — осмелих се веднъж да възразя аз.
”
”
Елиф Шафак (The Forty Rules of Love)
“
Funny how you plod through childhood wishing for the clock to move faster, so you can enter the coveted world of adulthood where you can make your own decisions and plot your own course. Next thing you know you’re wading through the uncertainty of your twenties and then trying to fix the mistakes you made in your thirties. Then without warning the pace quickens, The forties come and go and by fifty—everything takes off at warp speed.
”
”
Cheri Paris Edwards (Telling Stories)
“
Skip, that’s one of about forty things on my list. It isn’t funny anymore. You’re fucking up on a regular basis. You miss deadlines, you libel people, you invent ludicrous facts and put them in the paper. I’ve got a lawyer downstairs who does nothing but fight off litigation against your column. We’ve had to print seven retractions in the last four months—that’s a new record, by the way. No other managing editor in the history of this newspaper can make that claim.
”
”
Carl Hiaasen (Tourist Season)
“
Excuse me, Mr. Westfall,” I called out. He gave me the kind of look most people save for things they find squashed in the road. “Would you mind if I rode my bicycle over to your house on Sunday afternoon?”
That caught him off guard. For a minute he didn’t say anything. Then he began with “Well, I’m not sure what—”
“I won’t be any trouble,” I said. “I’m kind of funny-looking, but I’m a pretty good guy. You can ask my mother.”
Mr. Westfall actually laughed. “Yeah. Come on over.”
The night went downhill fast from there. Los Cedros lost by forty points, Julie cried most of the way home, and Jack didn’t forget to stop at the gas station.
But I still went to bed with a smile on my face.
”
”
P.J. Petersen (The Freshman Detective Blues)
“
When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him.
We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve.
“Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.”
The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life.
Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door.
“Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man.
We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well.
Bindi approached me. “I want to say good-bye to Daddy,” she said.
“You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.”
I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction.
I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil.
Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.”
Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.
”
”
Terri Irwin (Steve & Me)
“
Wyatt’s lips flatten into a serious line. His voice goes low, laced with passion. “Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.”
-Julie Johnson, "The Monday Girl
”
”
Julie Johnson
“
Once, I watched a Soviet cartoon about a lost mitten. That cartoon went on for forty minutes. The mitten did not do ANYTHING.
”
”
Oleg Medvedkov (How to Prevent Unicorns from Stealing Your Car and Other Funny Stories (Take a Break & Have a Laugh Series))
“
Here is a funny little age problem, by the late Sam Loyd, which has been very popular in the United States. Can you unravel the mystery? The combined ages of Mary and Ann are forty-four years, and Mary is twice as old as Ann was when Mary was half as old as Ann will be when Ann is three times as old as Mary was when Mary was three times as old as Ann. How old is Mary? That is all, but can you work it out? If not, ask your friends to help you, and watch the shadow of bewilderment creep over their faces as they attempt to grip the intricacies of the question.
”
”
Henry Ernest Dudeney (Amusements in Mathematics)
“
For mysterious reasons, many authors consider it useful to provide a story about a forty-year-old man-about-town with a prologue drawn from his life as a five-year-old boy. ... There's only one letter's difference between "yarn" and "yawn," and it is often a long letter, filled with childhood memories.
”
”
Howard Mittelmark (How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide)
“
The heavenly principalities and powers cannot touch you. But the earthly humans over which we rule can.” Though they had no authority to touch Yahweh’s anointed, they might do so through their human vessels. Jesus trembled with the weight of responsibility that now overwhelmed him. But the pain was lessened when he heard the familiar sound of his favorite angel echo in his mind. Jesus, be strong and courageous. “Jesus, be strong and courageous.” It wasn’t in his mind, it was being spoken to him from behind. “Sound familiar?” Jesus turned. He looked up into the smiling face of Uriel the smallest of three angels now standing before him. Uriel finished his thought, “The words you spoke to Joshua at the threshold of the Promised Land. Funny how it all comes full circle.” Gabriel, the second angel, and Uriel’s constant bickering companion, responded, “Uriel, I think your humor is once again in incredibly poor taste considering his suffering. Where is your compassion?” “Nonsense,” said Uriel. “Jesus has done it. Victory is a cause for celebration, not sadness. He made it forty days without food, which is more than I can say for you, chubby.” Uriel patted Gabriel’s stomach. Gabriel moved away annoyed at the jab. Sure, he was heavier than the lightweight Uriel, but he certainly didn’t see himself as “chubby.” Mikael, the largest and best groomed of the three, was the guardian prince of Israel, and tended to be protective of his ward. He offered a wineskin to Jesus, who took it and gulped with gratitude. After a moment of silence, Jesus wiped his beard of the wine and said, “You need a better sense of humor, Gabriel.” Gabriel pouted with frustration at being ganged up on. Uriel, his perpetual nemesis was one thing. But being teased by the Master was quite another. Jesus said, “And Uriel, you had better deliver on that bread you promised.” Uriel smiled again and held out a loaf of Mary’s best bread. “Baked two hours ago by your mother.” Jesus grabbed it. Mikael said, “Remember, do not eat too quickly. It is bad for your digestion after fasting.” “Thank you for your ministering spirits,” said Jesus, and took a big hungry bite out of the loaf. Uriel muttered, “Your mother should open a bakery. Can I have a bite?” Mikael was not so lighthearted. He knew that the challenge had been declared. The road to war had begun.
”
”
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
“
This is the part of film acting that I was only too happy to leave behind, the part that became more agonizing as time went on. Yet you have to go through those terrifying times if you are ever to have the magic ones, the times when it all works—and to be truthful, those I have missed. There were perhaps only eight or nine of them out of forty-five films, but they were the times when I stepped into my light and my muse was with me, all my channels were open, the creative flow coursed through my body, and I became. Whether the scene was sad or funny, tragic or triumphant, never mattered. When it worked it was like being enveloped in love and light, as I danced the intricate dance between technique and emotion, fully inside the scene while simultaneously a separate part of me observed and enjoyed the unfolding. Ah, but just because it has happened once doesn’t mean it will again! Each time is starting new, raw; it’s a crapshoot—you just never know. Which is why this profession is so great for the heart—and so hard on the nerves. I always assumed that the more you did something the easier it would get, but in the case of my career I found the opposite to be true. Every year the work seemed to get harder and my fear more paralyzing. Once, on the set of Old Gringo, I watched Gregory Peck late in his career doing a long, very difficult scene over and over again all day long. I saw that he too was scared. I went up to him afterward and hugged him and told him how beautiful and transparent he had been. “But, Greg,” I asked, “why do we do this to ourselves? Especially you. You’ve had a long and incredible career. You could easily retire. Why are you still willing to be scared?” Greg sat for a moment, rubbing his chin. Then he said, “Well, Jane, maybe it’s like my friend Walter Matthau says. His biggest thrill in life is to be gambling and losing a bit more than he can afford and then have one chance to win it all back. That’s what you live for—that moment. The crapshoot. If it’s easy, what’s the point?
”
”
Jane Fonda (My Life So Far)
“
Don’t worry,” she said, wriggling an impossibly tiny toe. “Your daddy will protect you with his forty-five.” “Very funny,” said a weary voice at her side, as Steven sat on the edge of the bed, his face ghastly pale in the first light of a rainy dawn. “What’s her name?” he asked presently, looking down at his daughter. “Lily or Caroline?” “Both,” Emma answered, and five days later Lily Caroline Fairfax was formally christened and a party was held in her honor. As
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
Corey once figured out that during his time as campaign manager, he sat next to Donald Trump on the 757 for a total of 1,000 hours. That’s over forty-six days spent in an airplane. Sitting next to your boss. And in that period you get to know someone. It was during that time that Corey saw the side of Mr. Trump few would get to see. The funny, magnanimous, gracious, loyal person who wanted only to change America for the better. As tough as the boss could be—and he could be tough—a bond developed between those of us on those flights that was akin to family; in particular, a bond between the boss, Hope, Corey, and Keith.
”
”
Corey R. Lewandowski (Let Trump Be Trump: The Inside Story of His Rise to the Presidency)
“
Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.
”
”
Julie Johnson
“
Listening to her talking, I realized that in a funny kind of way we had something in common. I knew how she felt. My friends hadn't died, they'd just got married and had babies, but I missed them too.
”
”
Alexandra Potter (Confessions of a Forty-Something F**k Up)
“
No one ever tells you that when you’re younger, do they? That inside all those boring-looking old people there still beats a teenage heart that finds the same things funny.
”
”
Alexandra Potter (Confessions of a Forty-Something F**k Up)
“
Finally, after an awkward episode later that evening in which my friend couldn’t get me into a party he was attending, I took a cab back to the hotel, slept on the couch in his suite, and flew back to Chicago just as Al Gore was accepting the nomination. It’s a funny story, especially in light of where I ultimately ended up. It speaks, I tell my audience, to the unpredictable nature of politics, and the necessity for resilience. What I don’t mention is my dark mood on that flight back. I was almost forty, broke, coming off a humiliating defeat and with my marriage strained. I felt for perhaps the first time in my life that I had taken a wrong turn; that whatever reservoirs of energy and optimism I thought I had, whatever potential I’d always banked on, had been used up on a fool’s errand. Worse, I recognized that in running for Congress I’d been driven not by some selfless dream of changing the world, but rather by the need to justify the choices I had already made, or to satisfy my ego, or to quell my envy of those who had achieved what I had not.
”
”
Barack Obama (A Promised Land)
“
She nodded, but her expression slowly turned funny. “Before I forget, why didn’t you tell me about Tall, Silver, and Handsome?”
I burst out laughing. “He is handsome, huh?”
She whispered, “How old is he?”
“I think early forties.”
Yuki whistled. “What is he? Six-four? Two-forty?”
“Why are you so creepy? You’re always measuring people.”
“I have to when we’re hiring bodyguards. Bigger isn’t always better… but most of the time it is.”
It was my turn to wiggle my eyebrows at her. “I wish. I mess with him all the time, and I don’t think he likes me much unless he’s in a good mood.”
My friend frowned. “How could he not like you? If I was sexually attracted to women, I would be attracted to you.”
“You say the nicest things, Yu.”
She lifted her eyebrows. “It’s true.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
...it's true what they say about turning into your mother; I grew up with her yelling, 'Am I talking to myself?' To which, of course, no one ever replied.
”
”
Alexandra Potter (Confessions of a Forty-Something F**k Up)
“
...it's true what they say about turning into your mother; I grew up with her yelling, "\'Am I talking to myself?' To which, of course, no one ever replied.
”
”
Alexandra Potter (Confessions of a Forty-Something F**k Up)
“
and mostly empty, as we’re still thirty minutes from the ceremony. ‘First things first…’ I say. ‘Kevin is a real assjack. What d’you see in that guy?’ Why she would have ever dated him in high school is beyond me. He’s a far cry from her husband, Jake. Kevin is a narcissistic forty-something, white, balding man with a beer gut. Jake is a funny thirty-something black guy with a six-pack. They’re worlds apart. But Kevin, unfortunately, owns the building I want to lease. The building that once held my late father’s florist shop. I remember spending entire days in that shop helping my dad put together floral arrangements and going out on deliveries. I’d love to have my shop in a place filled with so many memories of him.
”
”
Aimee Brown (He Loves Me, He Loves Me Not)
“
The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the organization. I hope you people have fun with your words. But I don't care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you'll pay me back whether you like it or not.
”
”
Richard Stark (The Hunter (Parker, #1))
“
This camp was run by Quin, a shifter with greenish-yellow eyes who turned into a mountain lion. Judging by his attitude you’d say he was there because he lost a bet. Quin was a man of few words who appeared to be in his mid-forties, but shifters aged way slower than humans. He could have easily been a few hundreds of years old. Perhaps life hadn’t been kind to him and that shaped him into the burly, grumpy man he was today. Rae joked once that he’s more grizzly than mountain lion. That earned her extra training because ‘when it hurts it’s not funny anymore’. Training stopped only when she dropped from exhaustion.
”
”
Anca Antoci (Blue Shadow Prophecy (Chimera, #2))
“
Over the years, that trust proved difficult to sustain. In particular, the fault line of race strained it mightily. Accepting that African Americans and other minority groups might need extra help from the government—that their specific hardships could be traced to a brutal history of discrimination rather than immutable characteristics or individual choices—required a level of empathy, of fellow feeling, that many white voters found difficult to muster. Historically, programs designed to help racial minorities, from “forty acres and a mule” to affirmative action, were met with open hostility. Even universal programs that enjoyed broad support—like public education or public sector employment—had a funny way of becoming controversial once Black and brown people were included as beneficiaries.
”
”
Barack Obama (A Promised Land)
“
Bob Wychek here. Any chance you could drop by my shop sometime today?”
“As it happens, I’m on my way to town right now. What’s up?”
“I’d rather show you, eh? See you at the shop in what? Forty-five minutes?”
“I’ll be there,” Call said, and hung up the phone.
“One of your girlfriends?” Charity asked, casting him a look.
Call’s eyebrow arched at the faint note of jealousy she hoped he wouldn’t hear. “Bob Wychek. He’s the guy who’s been working on my plane. I think he may have figured out what went wrong with the engine.”
“I know what went wrong. It coughed a couple of times and turned itself off and the propeller stopped going around.”
“Very funny,” he said dryly but both of them grinned.
”
”
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
“
I think of this whenever someone says to me, “Jerry Lewis says women aren’t funny,” or “Christopher Hitchens says women aren’t funny,” or “Rick Fenderman says women aren’t funny…. Do you have anything to say to that?” Yes. We don’t fucking care if you like it. I don’t say it out loud, of course, because Jerry Lewis is a great philanthropist, Hitchens is very sick, and the third guy I made up. Unless one of these men is my boss, which none of them is, it’s irrelevant. My hat goes off to them. It is an impressively arrogant move to conclude that just because you don’t like something, it is empirically not good. I don’t like Chinese food, but I don’t write articles trying to prove it doesn’t exist. So my unsolicited advice to women in the workplace is this. When faced with sexism or ageism or lookism or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you. If the answer is yes, you have a more difficult road ahead of you. I suggest you model your strategy after the old Sesame Street film piece “Over! Under! Through!” (If you’re under forty you might not remember this film. It taught the concepts of “over,” “under,” and “through” by filming toddlers crawling around an abandoned construction site. They don’t show it anymore because someone has since realized that’s nuts.) If your boss is a jerk, try to find someone above or around your boss who is not a jerk.* If you’re lucky, your workplace will have a neutral proving ground—like the rifle range or the car sales total board or the SNL read-through. If so, focus on that. Again, don’t waste your energy trying to educate or change opinions. Go “Over! Under! Through!” and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing and don’t care if they like it.
”
”
Tina Fey (Bossypants)
“
I’ve learned that when you get to be a certain age, you can get away with saying a lot of things, some of which wouldn’t even be remotely funny if someone forty years younger said them. The Golden Girls ran for years off the same theory and basically used the same four jokes for seven marvelous seasons.
”
”
George Takei (Oh Myyy! (There Goes the Internet): Life, the Internet and Everything)
“
I thought you said you wre bringing a dead body in for examination. Didn't you think to check he actually was dead first?'
Gwen knew he was being sarcastic, but the tone still stung.
'Be fair, Jack,' said Owen from the doorway.'Y'know the guy had done a lot to make himself look dead: lain in a bog for forty years, decayed himself, let the worms in, shrivelled up a bit, stopped breathing, no circulation, all major organs dried up and inactive. Could've fooled anyone.
”
”
Trevor Baxendale (Something in the Water (Torchwood, #4))
“
Hell, the last time we chatted on the phone, she spent forty minutes telling me a sad story about a woman who was diagnosed with leukemia. She knew the woman’s life in such detail, I thought it had to be one of our relatives and I had just missed that part, but as we got further into the nitty-gritty of the woman’s weekly chemotherapy routine, I found out it was just some random person my mom found on Facebook and had been stalking her page ever since.
”
”
Max Monroe (Accidental Attachment (It's A Funny Story #1))