Forty And Fabulous Quotes

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For all I knew this was going to be just another in a string of fabulous cock-ups that seemed to be scripted for us by some unknown writer somwhere, some overweight forty-year old loafing in cargo shorts and flip-flops.
Mark Henry (Road Trip of the Living Dead (Amanda Feral, #2))
And if I say to you that I am glad of everything we have done together, and sorry that we will not be here together in forty years, laughing at a faded photo of you impersonating a lion, it having withered well, you less so, as we stand fabulously old, in a city that understands what spirit it takes to be old, to be beautiful, to be much looked at, to be itself, to be never quite caught, to have a past, to be content, to have seen much, to have remained, to have continued…
Jeanette Winterson
Does being forty feel fabulous and foxy?” Liz asked.
Curtis Sittenfeld (Eligible)
You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....
T.D. Badyna (Flick)
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
McTaggart stated, “Never in my forty-five years of trapping lobsters have I seen such blatant disregard for a man’s way of living. City folk ought not to be on such a wee island with such wee minds.
Lynne Christensen (Aunt Edwina's Fabulous Wishes (The Aunt Edwina Series, #1))
He tried to remember in what year he had first heard mention of Big Brother. He thought it must have been at some time in the sixties, but it was impossible to be certain. In the Party histories, of course, Big Brother figured as the leader and guardian of the Revolution since its very earliest days. His exploits had been gradually pushed backwards in time until already they extended into the fabulous world of the forties and the thirties, when the capitalists in their strange cylindrical hats still rode through the streets of London in great gleaming motor-cars or horse carriages with glass sides. There was no knowing how much of this legend was true and how much invented. Winston could not even remember at what date the Party itself had come into existence. He did not believe he had ever heard the word Ingsoc before 1960, but it was possible that in its Oldspeak form—'English Socialism', that is to say—it had been current earlier. Everything melted into mist. Sometimes, indeed, you could put your finger on a definite lie. It was not true, for example, as was claimed in the Party history books, that the Party had invented aeroplanes. He remembered aeroplanes since his earliest childhood. But you could prove nothing.
George Orwell (1984 (Nineteen Eighty-Four), Animal Farm, and over 40 Other Works by George Orwell)
She had only this brief glimpse of him, but Kiki suspected already that this would be one of those familiar exchanges in which her enormous spellbinding bosom would play a subtle (or not so subtle, depending on the person) silent third role in the conversation. Women bent away from it out of politeness; men more comfortably for Kiki sometimes remarked on it in order to get on and over it, as it were. The size was sexual and at the same time more than sexual: sex was only one small element of its symbolic range. If she were white, maybe it would refer only to sex, but she was not. And so her chest gave off a mass of signals beyond her direct control: sassy, sisterly, predatory, motherly, threatening, comforting — it was a mirror-world she had stepped into in her mid forties, a strange fabulation of the person she believed she was. She could no longer be meek or shy. Her body had directed her to a new personality; people expected new things of her, some of them good, some not.
Zadie Smith (On Beauty)
It’s forged in Gaea’s anger and grief, dipped in her molten tears. This is a formidable weapon, and if you think you have a spell from Thoth to add to it, I have complete faith we will prevail.
Heloise Hull (Making Midlife Marvels (Forty is Fabulous, #4))
As the old saying goes, ‘the world will never starve for lack of wonders, but for lack of wonder.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
Luca raised that manly eyebrow, so like a hairy caterpillar, and I thought about stroking it.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
Luca straddled the Vespa like it was a wild horse he had to tame.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
the mythical mother of the twins Romulus and Remus.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
When I went to Italy to find myself Elizabeth Gilbert style,
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
While I’d never see pre-pregnancy weight again—those hips had sailed—at least I could feel comfortable in my body again. Forty really was fabulous.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))
Let’s get one thing straight--I definitely think you’re bonkers,” I giggled. “But you’re my bonkers, and I love you.
Melinda Chase (Forty, Fabulous & Fae? (Midlife Mayhem, #1))
I felt as if I’d been a blossom throughout my many lives. Something beautiful to be looked at and plucked at will. Every once in a while, I wrapped myself in thorny brambles and made those who tried to pluck me bleed first. Other lives, I was left to wither on the vine. But not this life. Not anymore. I would grow roots, so no one could take me at their will.
Heloise Hull (Making Midlife Madness (Forty is Fabulous, #2))
Life shrinks or expands in proportion to one’s courage.
Heloise Hull (Making Midlife Magic (Forty is Fabulous, #1))